#putting words in specific orders

[spaced0lphin]

I Read My Own Fanfiction 20 Years Later and I Wanna Give Kid Me a Hug

I was reminded the other day of my very first fanfiction that I put online. I couldn't remember what I even called it, but could remember just enough to try scouring the Internet. To equal parts shock and horror, I actually found the thing. So, I read it. And, I cried - I cried a lot, actually. At fourteen years old, I wrote 55,000+ words about Dilandau Albatou from Escaflowne and some self-insert OC. Three years later, in 2006, I rewrote the whole thing from the ground up, clocking in at 73,600+ that time before I stopped updating it. I just got done reading the whole mess, and let me tell you, it is cringe and awful, and I wish time machines existed. Not so I could stop myself from writing this. But, so I could make fourteen and seventeen-year-old me a cup of tea, sit down, and go through this story with them. So much of it is such a keening cry about wanting to know what it felt like to be loved. I don't remember writing this story now - it was twenty years ago - but I do remember how I felt at the time and where it came from. Anyone who knows me personally knows that I was going through hell at that time in my young life. I was actively being abused and had no frame of reference to understand it as what was going on. I just felt like no one wanted to hear me, and so the only way to be loved was to write it happening to me. I want to go back in time so I can show enthusiastic interest in what teenage me was trying to express with this. I want to share with her the things I like about this, and I want to make her feel seen, safe, and reassured. I want to let her talk with me about her ideas for this story until she falls asleep. I want to show her healthier ways to recognise and understand love so she'll be better prepared for the things she'll encounter later. And... bless her heart, but I want to tell her she doesn't need to over-explain everything in excruciating detail - something I know she did because she felt she had to prove she was smart and worth listening to. She tried so hard to use florid language to catch the attention of those around her she needed love from the most. It never worked. I can tell you that I wrote about wanting an all-encompassing, powerful romantic love - and sure, that's part of what I wanted - I was a teenage girl, after all. But mostly, what I wanted was simply to be engaged with. I wanted to feel like my feelings and my dreams were important to someone. It is frankly astonishing to me that the story I wrote back then had any fans at all - but it did! Thirteen whole, entire people actually read that thing and commented enthusiastically on it. That's thirteen people more than zero. Whoever you are out there: Twenty years later, thank you. Your words of support on a screen meant the world to me. It was all I really had, back then. If you read Codename: Fox and/or the incredibly boldly named The Revision of Escaflowne on FF.net in the early oughts, thank you. You were my therapists and you didn't even know it. Oh, but uh, don't go and read them if you haven't already. They're truly abysmal. Bless my little heart but, just, abysmal. Comment on your favourite fic, today!

[rking200]

Sometimes the only road to take is the darkest Sometimes the only way out is as a carcass

Happy 6th Anniversary, Detroit: Become Human! As always, you can find these gifs and more on the Connor and Markus pages of my Gif Archive.

[adolin]

hey remember the thai bl show that brought omegaverse to the screen??? the alpha/alpha mpreg show??? I just found out that my (rl) sports blorbo guy canonically exists in the show's universe... in the knotfucking heatsex mating tv show... desperately need to know who in the production made this decision and which fics they've read. and if they have recs

[dragonbornoflegend]

made it home from the show looking exactly the same but a Process Has Occurred

[spaced0lphin]

I have done all of these but my most common is the in trouble/conflict action scene, and the mood establishing character thought soliloquy.

Action gives me a chance to grab the reader and show how these characters handle stress, and the catharsis from the resolving action gives a good chance to show more about who they actually are immediately. The return to normalcy often offers a lot of chances to show off the worldbuilding in quick important succession.

Types of Opening Scenes for Your Novel

Here are a handful of ways to open the very first scene in your book! There are plenty more to explore, but these are a set of very tried and true methods.

Autobiographic - your protagonist starts the book reflecting or talking about a past event. They’re looking back in time and sharing an important piece of information with the reader.

In trouble/conflict - a problem has arisen for the protagonist and a sense of urgency is established. This can be an intense conflict like a chase scene or a puzzling problem.

Mysterious opening - the reader is introduced to something peculiar (a fantasy location, unique magic, a cloaked figure, etc.) that raises questions in their mind. Their curiosity will keep them reading.

Scene-setting - the most common opening where you focus on introducing the setting and the characters in it before anything else.

The questioner - the protagonist is questioning something: “Who invited the guy in the trench coat covered in red?”

Beginning with a thought - the novel is started with a philosophical quote or meaningful thought from the protagonist. “What is living worth if she’s not doing it with me?”

Intriguing dialogue - the book starts with interesting dialogue that captures the attention of the reader.

Mood establisher - the novel opens with a deliberate mood that signifies to the reader what they should expect from the story. Ex. a spooky story may open with eerie words and a dark atmosphere.

Instagram: coffeebeanwriting

[philsmeatylegss]

The hardest lesson you will learn if you are interested in learning about Nazi Germany: so may people posting content about it are actual Nazis

No seriously if anyone is starting to get into WWII/Third Reich history, it is so easy to be indoctrinated because the main message a lot of Nazis spit now is that Hitler was bad and the SS were bad, but everyone else was chill.

And it’s hard to realize the narrative they’re spitting is wrong unless you know a lot going into it.

I have been watching a dude called “TIKhistory” the last few days on youtube and something felt off about his takes, but a lot of them had at least some plausible deniability and enough factual information that I thought it was still worthwhile.

I just start watching another video from this dude with the title “The REAL Reason why Hitler HAD to start WW2” which is an insane title and caught my attention. And then my answer was given by the first five mins of his video when I realized this dude was, at the least, a wehraboo, and at most, an actual Nazi.

Pretty much any non-Nazi historian agrees that Hitler started WWII because 1) he wanted to conquer Europe 2) he wanted “Lebensraum,” aka living space for “Aryans.” Where German people, with no Jewish or Roma people present, can have ample space to live.

You know why most non-Nazi historians agree on this? Because Hitler fucking said this. In his literal book. That everyone read.

WWII was declared by the Allies when Germany invaded Poland for LeBeNsRaUm. Yes, Germany never wanted to fight Britain. You know why? 1) they were white enough 2) a fucking ocean kept them apart. They wanted all of Europe + Soviet Union. That is why WWII started.

See how quick it was to get to that point? Fucking TIKhistory’s video is forty five minutes long. That’ll happen when your point is horeshit and also not true.

Hitler started WWII. All of the generals and higher ups at least knew of the Holocaust and most perpetrated their own massacres for shits and giggles. The Nazi army wasn’t really that great, they just knew how to play the cards in the circumstances they were in (they used horses a fuck ton. You don’t see it because a lot of documentaries use footage from Nazi propaganda in which they weren’t recorded). These are all basic facts for non-Nazis. So warning that if anyone you meet challenges those three facts, they probably are a Nazi

[dangerous-advantage]

finally caved and just bought all of the heaven official's blessing books. look out for the myriad of long-ass analysis posts that are sure to follow

[spaced0lphin]

My Fanfiction Crimes: WayfaringJedi

I run a SW focused sideblog, called wayfaringjedi, where I post art and fics and stuff.

Earlier this month, I found a list of “headcanons” about a Star Wars character, posted publicly, here on Tumblr. Looking to blow off some steam, I wrote a six thousand word narrative incorporating some of them. I credited/tagged the person who posted the list in the first place – I was hoping to make a fandom friend, and start a conversation. In my experience, that tends to be what happens when two enthusiastic creatives interact after one inspires the other.

For the past eight days, I have stayed silent as the grave on this issue, as one is supposed to when someone on the Internet decides to engage in behaviour like what this author has done.

I have been accused of plagiarism, ablism, and abuse. This author has publicly and on numerous occasions solicited their followers to bother me and attempt to disrupt my work. They are now engaging in malicious reporting, attempting to get my blogs flagged as Spam, and my accounts shadowbanned, or worse.

So, I am writing this. I find addressing all of this publicly to be an exercise in disappointment and exasperation; I had hoped for this incident to blow over and be nothing more than an embarrassing footnote in an otherwise enjoyable fandom experience. Yet, here I am, reduced to talking about this as if the complaints had any merit. However, at this juncture, I don’t want their voice as the only one dictating the narrative.

It all started when the author reblogged my original post sharing my work with them, essentially stating they felt I’d stolen from them. They explained they didn’t want to write in their story anymore, and threatened to stop writing in general, because of me. (I’m paraphrasing, the post was deleted.) My initial response was shock and dismay – no one had ever reacted in this way to me before, and the last thing I want to do is hurt anybody. As I’m quite a shy person and often seek to minimise myself, I apologised and deleted the work from Tumblr. The author blocked me without further comment.

I wasn’t able to get on Ao3, as I was out at the time, and busy. When I sat down at the computer several hours later, this author and their followers had run rampant with comments all over my work. Accusing me of being disingenuous, an “idea thief,” a plagiarist, and of being deliberately malicious and insulting by daring to have my work up.

My one and only statement was this thorough comment I left on my own work. (This version of my comment has the author’s username redacted, to protect them from any abuse.)

I enabled comment moderation to stop the arguments. I deleted most of the comments, particularly more inflammatory ones, and ones including mention of the author’s first name. I have acted to protect this person and I will continue to; their username will not be mentioned here, and all trace of them has been removed from my work as it remains on Ao3. It will certainly be possible to find out who this person is, but I will not assist in this, and ask that nobody name them, either.

Shortly after posting this comment, the author unblocked me on Tumblr and we had a brief, unproductive discussion. In it, I restated my points and confirmed that I would not be removing my work. The author expressed to me what I felt were unreasonable demands (to remove, or significantly alter the work by removing entire themes, etc) and whilst for the most part civil, their comments towards me descended into ad hominem (‘You’re not a nice person,’ etc.) once it became clear that I would not obey. Much noise was made about being neurodivergent – I am too, it’s a non-starter with me.

I explained in these messages that neither of us own the fictional character in question, nor do we own certain general themes and/or ideas, to which the author responded by calling me ‘cruel.’

They insisted I take personal responsibility and account for some 27 anonymous hate messages they claimed to have received. I asked for proof of them. 

Initially, the author refused to provide me with any, on account of my own refusal to delete my work for them first – a line of reasoning I couldn’t understand, personally, but I’ll get to that in a moment.

They then disappeared for about an hour or so, and came back with screenshots of some anonymous messages.

Firstly, no one should be bombarded with messages like that, and given that I only had 10 followers at the time of this incident, their existence is shocking to the point of inspiring awe.

For several reasons, mainly contextually based – I believe this author wrote and sent these anonymous messages to themself, to screenshot and use as “evidence” against me.

I certainly did not send them, and I’m sure if Tumblr’s admin side looks into the IP addresses these anonymous messages originate from, they will be the same as the author’s. I would, at this point, be willing to bet money on it.

I received some messages as well, and in response, I turned off anonymous messaging. Then, I received messages from what I believe is one of the author’s sockpuppets, complaining that I had turned off anonymous messages. I received multiple messages per day. Initially, I didn’t block this account – I was intent on giving this person no satisfaction whatsoever, not even a block.

These messages run the gamut from goofy Internet rage, to vaguely threatening:

I find it extremely difficult to believe that a random friend of this author would continue to be angry enough about this to message me multiple times a day for an entire week – I think it’s much more likely that this is the author themself. Given this, there are certain unusual turns of phrase that this account and at least one other uses in common. “Have the day you deserve.” That’s all over the place in the initial Ao3 bombardment. (I'm unconcerned with censoring the username for the following two comments as they belong to a sock.)

The saddest thing I have found about this entire debacle is that the messages I believe this author wrote to abuse themself with are so much more scathing than anything they wrote to me – their supposed enemy in all this. In fact, the things they’ve said betray an immense insecurity about themselves and their work that breaks my heart. They don’t deserve to feel this way about themselves or their work, and I think they are using this incident as a catalyst for validation of some kind. During the discussion with me, they put themselves down a lot, and it is my honest belief that this person feels so aggrieved because, somehow, they think they can’t do ‘better’ than what I wrote. To be clear, that is a nonsense fear. They are an incredibly strong writer with their own style and sense of direction very distinct from my own. Even with some similar themes, our stories would never be the same. 

One thing this author – or one of their sockpuppets – asked that I would like to answer is the question of whether or not I would ‘fight for it,’ were the situation reversed. The answer, friend or sockpuppet, is no. Other writers can, do, and have used my personal ideas, plots, and interpretations of characters freely in their own works, without asking. I have loved reading them. Illustrators have traced my drawings and my 3D models. Power to them. If someone else would like to write a story or make a mod with the same subject matter as any of mine, I would love to see and support it.

The author expressed to me insecurity about feeling that if they finished their story now, they would be accused of copying me. I assured them then, just as I do now, no reasonable person would think that, and if they did, I would be the first in line to tell this hypothetical gobshite where to stick it.

Further, they expressed interest in reporting my story to Ao3 administrators. I suggested if they really felt this way, they ought to. I requested they not delete the original post of theirs that I cited in my credit to them, so that the administrators could be fair to us both in reviewing all information in context, and comparing our works. The author explained they had already deleted it. I retain a full backup of the post, as well as my comments section in full before I made any deletions. I forwarded these to Ao3 myself in my initial report.

“Headcanons” have been put up by fan creators for other fan creators to build off of since time immemorial. It’s good to tag and credit where you found ideas – sharing is caring, and caring is fun. The crux of this author’s complaint seems to be that I didn’t ask them first. This is simply not how publicly posted ideas for fanfiction have worked in my twenty-odd years of writing it. Whilst I respect this person’s upset, I will not capitulate. My story is mine, I have interpreted these ideas in my own way, and I have stolen nothing.

The idea that a fanfiction author is attempting to take another to task with claims about intellectual property is a line of argument I find baffling, to say the least. 

As an interesting point of fact, I have been made aware of what this author has said in the body of one of their messages reporting me to Tumblr. In it, they claim to have been in contact with Ao3 site administrators, who have “already agreed to ban” me, on the basis of “evidence” they have sent in. Also, they claim to have law enforcement involved in this situation, as ‘what I am doing to them’ constitutes a “crime.” 

I can assure everyone that I have heard from no police, and my account is in good standing with Ao3. This author is attempting to strengthen their argument against me to Tumblr with fully disprovable lies, which at this point, seems to be a pattern.

Whether or not you personally agree with this author’s sentiment that I have violated some social norm, the fact remains that this escalatory, dishonest behaviour is unacceptable, and I will not negotiate with it. One only has to look briefly at my history of engaging with fandom on this site – whatever blog it happens to be from – to see that I am not the kind of person who behaves in the way this author is alleging. I have never in my life sent anonymous hate messages to anyone.

The author has explained to me that they have deleted their entire body of works related to this story that they were writing. They appear to want me to emotionally account in some way for this action, and I will not. This author’s actions and responses to this situation – every last one – are their own, and they alone are responsible for them.

Let me be clear in saying that when this is dealt with by administrators, it is likelier than not that this other author will fully lose their account due to their documented goofiness over this. I personally do not want that outcome for them. I want the same thing that I have wanted throughout this entire stupid mess; to write stories for fun, in peace, and share them with others.

I am very sure that the author will read this, or parts of it at least, as they have a fixation on me at the moment. I am sure they will have something to say about it.

I am not interested in hearing it, and I will not entertain one word of it. Everything I have said is true, I have documented it, I have saved it, and I have given it to whom it concerns.

At best, I have done absolutely nothing wrong. At worst, I have a genuinely different experience with fandom ethos. Either way, this entire business is utter nonsense.

[komashkathesilly]

we have the microwaving and rotating in ur head option and also playing with characters like dolls. im offering sorting out all known information and putting it in charts in ur head option. vivisecting the information and reconstructing it piece by piece . stacking it like rocks and cubes on each other. or lego

[highlifeboat]

Me @ Me when the Urge to Create is there but also the Urge to Just Word Vomit in a Post (much more appealing)

[spaced0lphin]

Show don't tell is important, I argue, but that's exactly right. If used as an absolutism it turns the text into a slog both to read and to write. If you do so much showing, you don't end up telling, and telling is what we do to stories.

Basically, don't take the Michael Bay approach... don't frame every shot as the most important shot in the whole film. Because when you do that, all of a sudden no shots are the most important in the film and it becomes a big noise. That's why nobody can watch the Transformers movies and remember anything about them. They create a busy brain fog and the brain can only hold so much.

Showing is important. I'd say it's important most of the time. But you should be wary of how it affects the pacing of your moment.

i just saw a tiktok (<- cursed cursed site) that started out good, talking about how "show don't tell" is something you should keep in mind. It used the example of "instead of saying 'she opened the door', try 'her shaking hand twisted the doorknob, letting out a loud creak'".

And, yeah, if you're trying to convey the hesitance, fear, and eventual sucking-it-up that seems to be going on in the scene, that's great.

But.

The tiktok ended with, "see? Showing is ALWAYS better." And I just...

Friends & enemies, that's how you end up with that insufferable always-showing always-active YA writing style that does not know when to just shut up and say "she opened the door".

Because, yeah, I'll say it. Sometimes "she opened the door" IS better. Sometimes, the act of opening the door is literally just announcing a setting change, and you don't need to focus on it.

Show don't tell is about conveying important or relevant information, not about literally everything you're writing. You're allowed to say "she opened the door" & similar, and in fact, I encourage it in many scenarios.

[masochistartt]

https://www.tumblr.com/masochistartt/765011159749378048/httpswwwtumblrcommasochistartt76499487678175?source=share

This is a fucking awesome explainer that deserves to be seen and understood by everyone but lol I actually meant the fandom tea side - I know and agree with everything you've explained here, I was curious about what kinds of things people in the fandom are doing that is like, obtusely naive of this stuff. I guess from this post I can extrapolate but yeah - so much of this is fundamental to what a footballer is actually like and I do think the fandom has gotten... let's just say softer and more annoying and cutesy as it's grown. But I was curious about like, specifics about people being wrong and what kind of stuff had been pissing you off. I guess just people making shit too wholesome and not getting that these guys aren't Online Woke? I also think the show missed a lot of opportunities with not showing WAG culture and how many of them have kids young, but I think they wanted them to feel more like kids themselves to Ted/audience. Ugh. Isaac has like 3 kids to me. PS I am so bummed Brennan deleted, he is an angel.

oh im sorry i 1000% fell asleep before i saw this message !!! there's not been one particular thing that's pushed me over the edge per se, it's just a bunch of little things that've built up over time and i was willing to start fights last night haha

like anyone can interpret the show whatever way they want to it's not up to me to tell them how to view this (again) lighthearted show i'm just someone who thinks that there's context to be had in knowing the culture outside of the show (esp with storylines like colin's and jamie's and things that could really do with additional context for nuanced portrayals like with roy)

also 100% agree with all that stuff at the end - they wanted the players to be like. yeah like kids to ted (and the targeted viewership is. american middle aged dads. which people also forget a lot i think) so seeing them with whole ass families would offset that !!

i also agree isaac has like 3 kids and his partner from the wedding scene was his childhood gf who he married when he got his first professional contract :') <3

and i also also feel bad about brennan being forced into deleting his accounts like. people need to Calm Down and Leave People Alone seriously what did this man, a stranger who kicks a ball around for a living, ever do to you to make you react like that. football's not that serious babes <3333 and good for him on that scoring streak he deserved it (same applies to brendan hunt - fandom's not that serious and people need to take a step back)

[chapadoearmado]

OH WOW

[creatingblackcharacters]

“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:

“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”

Familiar Examples include but are not limited to:

The History

It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.

One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.

“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””

Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.

“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"

(Some of) The Rules

AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:

Th becoming D (“dats”)

Double Negative (“I ain’t see nobody”)

Habitual Be (“It’s cuz he be on that phone”)

Possessive s absence (“I’m going to my grandaddy house”)

Question word order (“who that is with the ice cream and cake?”)

Zero copula (“who that?”)

"Why do you talk like that" Would you rather I code switch?

“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”

In this context, you might recognize it better as “using your white people voice”.

Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.

Regional Differences

The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.

Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!

Easier examples include:

"Aaron earned an iron urn"- Baltimore

GloRilla and "Mursic"- Memphis

A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture

Tonal Languages

One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!

Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!

“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”

Some examples:

1) "You Good" can mean, depending on how it is said and the context in which it is spoken:

Are you okay?

Do we have a problem?

You’re okay.

You don’t want these problems so chill.

Do you have enough money/resource?

It’s fine! Don’t worry about it.

2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.

3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.

Black American Sign Language

We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.

“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”

Everyone doesn’t speak AAVE!

If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less “Black” of them!

Different dialects and languages across the diaspora include but are certainly not limited to:

Black British English

Haitian Creole

Gullah

Jamaican and Caribbean Patois

Everyone Owes Rihanna an Apology

Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.

Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!

So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’

NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!

Writing AAVE

Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.

If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.

Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.

“The N Word”

I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.

Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.

Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.

I say this to say to nonblack writers: put the pen down.

My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.

In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.

The Fundamental Disrespect

If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.

There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.

But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.

This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!

Stolen Cultural Hegemony

The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.

What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!

The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?

Sit on that one for a second!

Appropriation of AAVE

Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!

Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.

I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?

Appropriation of Black Music

Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!

White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!

A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.

What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?

Examples:

Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!

Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)

Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ‘rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?

I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.

A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?

Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!

Political Bastardization of Powerful Black Colloquialisms

The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.

“Woke”

“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”

#SayHerName

This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.

Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.

It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.

I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.

How to Avoid Cultural Appropriation while Showing Appreciation

Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.

It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.

Can you imagine being told that? That you are not worthy of being… you?

If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:

1) acknowledge and support the culture that created what you’re saying or doing and

2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!

This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.

And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.

[headpatslut]

I bite and burst the taut skin of the fruit Two drops of blood escape my lips and run Well past my chin - with more in quick pursuit Until my throat is red just like my tongue

I've stained the sheets through my own negligence The messy price for my debauchery I've satisfied the need for sustenance And yet I take more than you offer me

It is a rotten, yet fulfilling task And this is why without remorse I ask Forgiveness rather than permission, dear

So darling, don't extend your hand too soon I'll take your arm, your heart, your liver too But I'll make sure it's worth it - don't you fear

Dee

[joonie-beanie]

Doctor's Orders | [Wriothesley x Reader]

Summary: “Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.” In which a simple tea time turns heated, and you get caught up in the consequence of Wriothesley not listening to his doctor. Content: Smut, Consensual Sex, Oral Sex, Aphrodisiacs, fem!reader Word Count: 7.9k

Sigewinne is evil.

You would have never suspected that such a tiny, cute body could contain so much malevolence. (Although, Sigewinne would personally argue that you’re confused, and that the word you’re looking for is actually benevolence. But, you digress.)

It all starts a few weeks into your employment at the Fortress of Meropide.

You’d spotted a job listing for a “personal assistant” in passing one day, and had immediately become interested thanks to the very generous salary listed on the paper. Seeing the job was located in Fontaine’s unofficial prison had, of course, caused you to have some second thoughts about applying, but at the end of the day, money is money.

Which is how you’d found yourself down on the ocean floor, waiting with a few other candidates outside the Duke’s office.

You’d be lying if you said that you weren’t nervous—waiting there to meet the head honcho of the prison. That when he stepped out to call you inside for your interview—all tall and beefy and scarred—your heart didn’t nervously flutter inside your chest.

…but to your surprise, he’s actually much softer than he appears.

“So,” he says, sitting down across from you at his desk. He folds his arms and smiles at you. “Why should I hire you? ”

Having been through this process before, you had immediately rattled off your qualifications and experiences. A few of which Wriothesley had proceeded to comment on and inquire about further. But it wasn’t until he asked—

“What benefit will I receive from picking you specifically?”

And you’d responded with—

“Errand girl.”

“What?”

“I can run errands for you. I’m sure the guards can be slow, going back and forth. But if you’re my direct employer, I can do whatever you want. Drop documents off, check in on things…pick up more tea.”

—that Wriothesley finally makes up his mind.

“Hmm. Very convincing.”

The next day, you receive a letter with the terms of your employment, and your official start date.

So, since then, you’ve been working for Wriothesley. Which is actually kind of…nice.

Your job mostly consists of going back and forth between the prison and the surface, so that Wriothesley can stay in the Fortress and better monitor his domain. The autonomy the job grants you is very rewarding, and in the same breath, Wriothesley also feels rewarded by how you take care of things without him needing to ask more than once.

Safe to say, the two of you get along.

…which Sigewinne notices.

You, of course, meet Sigewinne on your first day. Wriothesley makes a point of introducing you and showing you where the nurse’s office is located, in case you get hurt, or need to drop something off.

The human-like melusine enthusiastically welcomes you, and, at first, you see her as…someone sweet, and caring. A treasure of the prison.

However, over time, your opinion of her slowly starts to change.

Because she keeps looking at you. Specifically, whenever you’re standing next to Wriothesley.

“Why is she doing that?” you ask him one day, nudging him gently with your elbow. He immediately looks up from his meal, over to where Sigewinne is waiting in the lunch line, her pink eyes boring into you.

“She’s probably just double checking that you’re healthy,” Wriothesley responds, paying her no mind. “I often catch her staring at me, too. You must be growing on her.”

Despite his reassuring words, you can’t help but feel a little…put off…by the look in her eyes. Like she’s plotting something.

The second weird thing you notice is when you walk into the infirmary to drop off some herbs she’d asked for, and find her drawing. At first, you assume she’s doodling, since she seems kid-like a lot of the time.

But instead, when you lean over her shoulder and look, you see that she’s writing words. A big, black “DO NOT DISTURB”...with pink hearts and a few flowers drawn around it.

“What’s that for?” you ask her, forcing a smile.

“Oh! It’s just for a project I’m working on,” she responds, swiveling in her chair to face you. She happily kicks her feet, her eyes darting to the herbs you’re carrying with you.

“Ah, are those what I asked for? Thank you!”

You hand her the small bundle of dried flowers and grasses, watching as she immediately turns and places them on her desk next to some string, and cheesecloth.

“You’re welcome,” you respond, taking a small step backwards. “If that’s all, I’ll keep working on the rest of the tasks on my list—”

“Wait,” she says, grabbing your wrist. You instantly freeze, your eyes going wide as you turn back to face her. There’s a serious look on her face.

“How do you feel about Wriothesley?”

Her question makes your heart skip—heat rising on your skin.

“What?”

She doesn’t bother elaborating or giving you context, just waits for you to respond. You cough a little, feeling awkward, and wondering what kind of answer she’s looking for.

“Well…I mean. I think he’s a good boss. He’s friendly, and devoted to his job. He runs the prison well.”

Sigewinne nods, but doesn’t comment. Just keeps…staring.

Feeling pressured, you force yourself to think of more to say.

“Um…he’s deserving of his title and the respect he garners. I…enjoy speaking with him? Like when he invites me to partake in tea breaks. I dunno…he just kinda reminds me of a big, fluffy puppy. He looks scary but he’s actually pretty…cute, y’know?”

Finally, Sigewinne smiles. She takes your hand in her tiny ones, giving it a squeeze.

“Thank you for answering my question. You can go now.”

You blink at her dumbly, but nonetheless excuse yourself from the room.

Two days later, Wriothesley invites you to his office for tea. And to your surprise, when you walk in, you find Sigewinne waiting there as well.

“Thank you for coming!” she says as you enter the room. You flash her a smile, taking a seat in one of the open chairs around the table.

“Of course!”

“Sigewinne has a tea she wants us both to try,” Wriothesley explains, a fond look in his eyes as he watches the resident nurse flit around—pouring hot water into the teacups that have been set out.

You nod.

“I see.”

“Although, I don’t know why you won’t just steep the tea in the pot,” Wriothesley complains to her, just as Sigewinne places individual tea bags in each cup. “Are we not all being served the same tea?”

She cutely huffs.

“For your information, no we are not. Your and Y/N’s tea is unique.”

“Oh?” Wriothesley leans forward to look into the teacups as the colors from the herbs begin to bleed into the water. “What’s so unique about it?”

“You’ll see,” she responds with a playful look, one that causes Wriothesley to amusedly raise his eyebrows. However, he doesn’t say anything more—simply waiting for the tea to appropriately steep.

“...are you using the herbs I brought you?”

You can’t help but notice the smell wafting from the cup in front of you is a little familiar. Sigewinne nods.

“Wow! I’m surprised you noticed.”

“Ah, so this must be the reason you wanted me to lend you Y/N for a task the other day,” Wriothesley chimes in, his icy blue eyes once again shifting to Sigewinne. 

“Do I get to know what herbs you requested Y/N to bring you, exactly?”

The resident nurse shakes her head, quietly laughing when Wriothesley sighs and deflates back into his chair. 

“It’s meant to be a surprise! I want to see what you think about the taste without knowing the ingredients.”

“I suppose that’s fair.”

Folding your hands on your lap, the office descends into silence for a brief moment, the three of you intently watching the teacups in front of you. Then, Sigewinne finally claps her hands and declares—

“Okay, they’ve steeped long enough. Go ahead!”

“Finally,” Wriothesley happily mumbles, reaching forward to pick up the pristine little plate on which his cup of tea resides. He brings the cup to his nose, inhaling deeply, and then takes a tentative sip.

“Hmm…”

He frowns, his brows pinching as he tries to discern the flavors he’s tasting. 

Curiosity getting the better of you, you take a sip from your own cup—wincing as the hot liquid accidentally burns your tongue.

“So?” Sigewinne prompts, staring excitedly between the two of you.

“It’s…pleasant,” you respond, clearly not as big of a tea connoisseur as the Duke. “It has a hint of sweetness.”

“It tastes like a Rainbow Rose smells,” Wriothesley adds, taking another sip. His gaze slides to you. “Did you pick some for her?”

You shake your head.

“No, I didn’t. Or…at least I didn’t pick any fresh ones. I did go to a vendor and purchase something in a bottle that looked like crushed, pink dust.”

Sigewinne cutely laughs. 

“As expected of you, Your Grace. Yes, one of the ingredients is dried Rainbow Rose petals. Do you like it?”

Wriothesley makes a pleased sound.

“I do. The taste is light, but pleasant—like Y/N said.”

“Good! I want both of you to drink up.” 

Sigewinne finally picks up her own tea, and you can’t help but notice the difference in color when compared to yours and Wriothesley’s. She really is drinking something different…but why?

“Aye aye, captain,” Wriothesley responds, which makes Sigewinne laugh. You smile at the cute interaction between them, and have some more of your tea as well.

Together, the three of you engage in friendly conversation—catching up about recent topics while indulging in tea and a few different snacks that Wriothesley had pulled out for the occasion. As you drink, you can’t help but notice you feel…warm. A heat that spreads out from your stomach, and slowly creeps into your limbs.

You’ve never felt this way before but…maybe the tea is just extra hot today? 

You glance up to Wriothesley and notice that he’s a little flushed as well. Which is…reassuring? You think. Since you’re obviously not the only one affected.

“Oh! Y/N!” 

Sigewinne’s sudden call of your name draws you from your thoughts, and you look over at her. She smiles.

“I forgot to ask, but are you dating anyone?”

“Sigewinne,” Wriothesley gently scolds. He leans forward and sets his teacup on the table, the cup now empty.

His tone practically says “It’s not appropriate to ask questions like that” without actually saying it. Sigewinne pouts.

“Aww, c’mon. We’re all friends here! I wouldn’t ask otherwise.”

Hearing that the melusine considers you to be a friend, you decide to grace her with an answer—ignoring the tingling of the taste buds on your tongue.

“No, I am not seeing anyone,” you inform her with a polite smile. Sigewinne nods happily at your answer, which makes your smile waver.

Is she happy you’re single?? Ouch.

“Okay, good,” she says. “I’d feel a little bad, otherwise.”

You blink in confusion at her words, watching her as she pops off her chair and heads towards the door. Wriothesley raises an eyebrow at her.

There’s sweat beading on his brow.

“Where are you going?”

“Away,” she responds. “To give you two some privacy.”

You and Wriothesley glance at each other, mirroring each other’s confusion.

Your tummy starts to ache.

“Why are you leaving us alone, exactly?”

Stopping just in front of the office doors, Sigewinne turns on her heel to face the two of you. There’s a smug grin on her face. 

“This is what happens when you don’t follow doctor’s orders.”

You frown, raising a hand to your chest, wondering why your heart is suddenly racing. 

What’s this about doctor’s orders?

You glance over at Wriothesley…only to see that he’s frozen in shock—his eyes wide with realization.

His pants feel too tight.

“Sigewinne, you did not—”

There’s an edge to his voice when he speaks, his eyes narrowing. He plants his feet on the floor and prepares to stand and confront her, but before he can blink, Sigewinne has drawn her pistol—a tranquilizing bullet hitting him square in the chest, where a little patch of skin is showing. 

He makes a noise of surprise, and quickly flops back into his chair to avoid falling on the floor—his limbs immediately going numb.

“Sigewinne!” you gasp. You’re not sure what’s going on, but the fact that she’d just shot Wriothesley is…

“It’s okay,” she says with a little sigh. “The effect will wear off in a few minutes. And…I’m sorry I scared you. Let me explain…”

She holsters her gun and smiles at you, trying to calm you down.

“As the nurse of the Fortress of Meropide, it is my duty to look after all residents, including Your Grace. And over the last few months, I’ve noticed him becoming more… irritable.”

“Sigewinne…,” Wriothesley mumbles, but the girl waves him off.

“After observing him for a while, I realized that his stress levels were getting high. And as his doctor, I recommended him a way to manage his stress, but he refused. He insisted tea was enough to soothe his nerves, but that’s simply not true. So…when you started working here, and I saw how well the two of you were getting along, I…got an idea.”

Sigewinne glances over at Wriothesley, noticing how he’s begun to shift his boots against the floor. 

Her tranquilizers won’t be in effect much longer. They never work as well on people Wriothesley’s size…

So, she decides to cut to the chase.

Reaching into her pocket, Sigewinne pulls out the DO NOT DISTURB sign you’d seen her making the other day. She holds it in front of her, and beams at you.

“Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.”

“You…you drugged us?” you gape, completely thrown by everything she’s just told you. She immediately gets defensive, her cheeks puffing.

“I medicated you,” she corrects. “And in the end, I’m only acting as a doctor. This all could have been avoided if Your Grace had just taken care of his own needs, as I’d insisted. Since he didn’t, I could only logically assume it's because it’s his preference to have a partner, rather than going at it solo. So, if you want to blame anyone for this, please blame him.”

“Sigewinne—” 

Gripping the arms of his chair, Wriothesley breathes out a heavy sigh and begins to push himself up. You can’t help but notice his face is much redder now, and you’re not sure if it’s from embarrassment, the effects of the drugs, or both.

Seeing that Wriothesley has nearly regained his strength, Sigewinne hurries to exit his office.

“Anyway! The effects of the tea should wear off in a few hours, but only if you relieve yourselves. Otherwise, it will last much longer. So I suggest you let loose and indulge yourselves. You like each other! Enjoy this time!”

Wriothesley opens his mouth to say something, but his words catch in his throat the second Sigewinne opens his office door. He doesn’t want anyone outside of his office walls to hear him or know what’s going on.

“I’ll hang this sign on the door,” Sigewinne continues, her voice hushing. “So no one comes in while you two are…busy. Just remove it once you’re done, okay? Have fun!”

With a supportive little fist pump, Sigewinne then closes the door, leaving you and Wriothesley alone.

A few long beats of silence pass, then Wriothesley finally sighs.

"I…apologize for this. I never meant for you to get roped in."

You turn to look at him, only to find that he's standing with his back to you, his hand raising to rub at the back of his head.

You can see his muscles flexing as he does so, and you hate to admit that it causes the heat inside you to grow.

"It's…not your fault," you respond, laughing a little awkwardly. "I doubt it's easy to follow directions when your doctor tells you to jack off to rectify your hardass-ness."

Wriothesley glances at you over his shoulder.

"Have I been acting like a hardass?"

"You've been a little snippy at times," you tell him, smoothing your sweaty palms down your legs. Seriously, your clothes are starting to make you feel claustrophobic…

"Not to me, specifically. But I've noticed it towards some of the prison residents."

"Shit," he sighs, rubbing his temples. You continue to watch him, your eyes wandering the expanse of his back. For a second, you don't understand why he won't face you. Then it clicks.

"...are you…hard? Is that why you're not turning around?"

"It's…pretty bad," Wriothesley admits, his shoulder sagging in defeat. "I don't know what all was in that tea but…as an aphrodisiac, it's doing its job."

"Yeah…," you agree, swallowing heavily. You can feel wet arousal pooling on the fabric of your panties. His office has also started to feel like a sauna, but you're not sure if it's the air that's hot, or your body.

However, you're still not willing to breach the topic of "relief" with him. You haven't reached that level of desperation…yet .

So, you think of something else to carry the conversation in the meantime.

"So…Sigewinne said you like me?"

"Ah, you caught that."

He laughs a little, and begins pacing around the room, still careful to keep his back to you. You can't help but notice his stride is a little…impeded.

"If I'm being frank—yes, I do. You've been…a pleasure to have around, since I hired you. Actually, one of the reasons I picked you in the first place was because of how you acted during your interview. Most people are scared of me and therefore talk cautiously. You're certainly respectful, of course, but…you're a bit playful, as well. And I found that quality to be attractive."

"Ah, so I charmed you," you respond playfully. "Remind me to add that point to my resume later. "Managed to woo the Lord of the Fortress of Meropide". That sounds pretty good—"

"And there you go again," Wriothesley laughs. He steps behind the chair he'd been sitting in previously, and then finally turns to face you—the back of the chair tall enough that his lower half is out of sight. 

"Although, if I recall her words correctly, Sigewinne stated that we "like each other". So, is there something you'd like to say as well?"

Your eyes go wide, and you feel more blood rush into your head. Wriothesley smiles, wide enough to show teeth. 

"C’mon now. It's not fair that I praise you and get nothing in return."

You pout.

"To be fair, I didn't know why Sigewinne suddenly asked me what I thought of you…"

"That’s understandable, but still. I'd like to know what you told her."

Wriothesley maintains his playful demeanor, despite the way his knuckles begin to turn white at his sides—a deep-seated need slowly sinking its claws into him.

You sigh.

"I just…told her that you're a good boss, and are deserving of your titles and the respect you garner…"

You trail off, suddenly remembering the last thing you'd told Sigewinne during that conversation. Wriothesley clearly notices there's something you're leaving out, one of his eyebrows raising.

"And?"

You take a deep breath.

"That you're a cute puppy."

He blinks in shock.

"...excuse me?"

Oh god, you wanna phase through the floor.

"I said that even though you look scary, you're really just like a big…cute…puppy."

For a moment, Wriothesley can only stare at you. Then, he throws his head back and laughs. 

Embarrassed, you plant your palms on your thighs and push to your feet, instinctively wanting to run away…only to realize that your legs have gone weak. 

With a distraught noise, you flop back into your chair. 

Out of the corner of his eye, Wriothesley notices.

He coughs, pulling himself back together.

"Well, I've certainly never heard myself described in such a way before. I can't say I totally hate it, but I'm not sure if I agree with the term "puppy"."

You force an awkward laugh, finally losing steam as the arousal inside you begins to cloud your thoughts. Sigewinne obviously wasn't messing around when making her aphrodisiac…you've never felt so horny before that it has literally hindered your mental and physical faculties.

The office is silent for a few tense moments, but finally, Wriothesley heaves a heavy sigh. His tongue darts out to wet his lips, his shoulders slumping as he hangs his head.

"You may revoke your good opinion of me, considering how inappropriate it is for a boss to even consider such a thing, but…I think my dick is gonna explode soon, so I'll just come out and ask."

You swallow, anticipating his next words.

"Would you be…interested in having sex?"

Your body shivers in excitement at the idea, the lustful part of your brain screaming at you to jump him already.

"I…would," you admit, managing to keep it together. Wriothesley's entire body jolts impatiently at your words, but he’s able to keep himself grounded. 

"I don't think I'll be able to survive…this without some relief. And…I trust you. So…"

"So we're in agreement," Wrioslethely supplies, waiting for your confirmation. You nod your head. 

"We are."

In the next beat, he's is crossing the space between you, a "thank god" barely making it past his lips before he crashes them into yours.

Immediately, you’re groaning into him—your arms wrapping around his neck and his hands finding the backs of your thighs. He lifts you from your chair easily—your chests pressing together as he holds you close.

You’ve always been acutely aware of how large Wriothesley is, but you don’t think it fully sinks in until now—as he manhandles you with ease, quite literally carrying you with one arm as the other sneaks beneath your shirt and tugs it over your head.

You’re forced to break the kiss as he does so, but the second the fabric has been discarded, you’re tangling your fingers in his hair and dragging him in for another. 

Your action evokes a pleased little rumble inside his chest.

“You taste sweet,” he mumbles, his palm roaming over the exposed skin of your back. The warmth of his skin against yours makes you ache.

“It’s probably the aphrodisiac,” you reply breathlessly, a shiver raking your spine when you feel his fingers toy at the waistband of your pants.

“Hmm, shall we posit your theory?”

Before you can even think to ask what he means, the room is spinning—too many things happening at once. However, it’s nearly impossible to miss the feel of your pants being shucked down your legs.

When everything settles, you find that you’re no longer chest to chest with Wriothesley, but rather, face to dick.

“Wh—”

Your cheeks heat up as you finally digest the position he’s put you in—your ass in his face, and his crotch in yours—his body now firmly planted in a chair as he spreads his thighs and makes himself comfortable.

“Wriothesley!” you say in shock, your palms gripping his legs for support as you attempt to turn and face him. However, you quickly realize with the position he has chosen, you’re fairly helpless to do anything—completely at his mercy as he locks his arms around your legs and grips your ass in his hands.

“Hm?” he responds nonchalantly, one of his fingers slipping under the edge of your panties. You shift a little, trying to glare at him, but only succeed in having his clothed dick poke you in the cheek. He tenses at the sensation, and you feel his cock strain helplessly against the fabric of his pants—begging for more friction.

“I’m just testing your theory, like I said,” he continues, a surprised mewl tearing from your throat as he leans his head forward and nuzzles his nose in the damp fabric of your panties.

“If you think it’s the aphrodisiac making you sweet, let’s see if it’s also having that effect elsewhere—”

Before you can protest, Wriothesley is tugging the crotch of your underwear aside—his tongue licking a hot, languid strip between your folds. You gasp at the feeling, your nails digging into his thighs through the layer of clothes that he wears.

Above you, the Duke makes a pleased sound, repeating his previous action—noting the way your body writhes against his hold. His fingers grip your ass tighter, his brows furrowing as he presses his tongue inside your entrance—your arousal quickly coating his taste buds.

“Yep,” he mutters after a moment, his voice tight and his throat bobbing as he harshly swallows. “You taste…addicting.”

His words have your cunt squeezing around nothing, although he quickly dives back in and rectifies that problem—stretching your walls out around his tongue. 

“Fuck…,” you pant, your head dropping as your strength wanes. Your muscles progressively start to feel like jelly, thanks to his ministrations. Especially, when he moves his mouth to your clit and begins rolling his tongue around it—a whine escaping you as the desire inside of you sears white hot.

And yet, despite the way Wriothesley presses on—groaning into your pussy as he eats you out—you’d be remiss to forget about the fact that he’s currently affected by the aphrodisiac as well, and has his own needs that need to be taken care of.

So, gathering what strength you have, you manage to push yourself up onto your forearms—your hands moving to the waistband of his pants. You frantically work open the button and zipper of his slacks, and then hook your fingers under the elastic of his underwear, tugging the band down.

…only to have his freed cock immediately spring up and smack you in the face.

Your eyes go wide, and in normal circumstances, you’d expect Wriothesley to laugh at the comedy of what has just occurred. However, too immersed in the way your cunt tastes and feels, and the way your body continues to twitch in his hold, he doesn’t even notice. And, too amazed by the sheer size of Wriothesley’s dick as you finally lean your head back and get a good look at him, you don’t bother saying anything.

No, instead you simply part your lips and take the head of his cock into your mouth—sucking lightly, your tongue teasing at his slit. The groan that’s immediately torn from his throat is involuntary—the sound becoming muffled by your pussy as he momentarily stops to savor the feeling of your mouth on his dick—your tongue flattening on the underside of his shaft as you slowly take more of him into your mouth.

Then, he goes back to eating you out with renewed fervor—your eyes nearly rolling back into your skull when he sucks at your clit.

The room quickly fills with the sound of sloppy and messy oral, your head bobbing up and down Wriothesley’s cock. Saliva drips down his length, his pre-cum smearing against your tongue, and you can’t help but moan.

Everything feels so good—from Wriothesley’s tongue on your cunt, to the way his cock fills up your mouth…

“Fuck,” Wriothesley growls. His fingers move to pull at the folds of your pussy, spreading you open wider. You can feel his hot breath on your skin as he moves his mouth back to your clit, where he then stays—his tongue flicking rhythmically against the sensitive bundle of nerves.

The pace and motion he settles on is one that you know will very quickly damn you, and he figures this out as well based on the way your thighs begin to shake in his grasp. Your body attempts to jolt away from him—trying to escape the onslaught of pleasure he intends to give—but he leaves no wiggle room. He holds you tighter, enjoying the feeling of your mouth on his cock, and how your efforts slowly start to crumble along with your sanity.

“I…,” you mumble the word around dick, trying to warn him of the orgasm you can feel quickly approaching. Your entire body swims with arousal, your head feeling light. 

“Keep going, sweetheart,” he pants. “Let’s cum together.”

You feel his cock throb against your tongue, and, dutifully, you do your best to continue sucking him off—your lips once again suctioning around his shaft. Your actions immediately evoke a pleased groan from the Duke, and you feel his thighs tense in your grasp—his own orgasm quickly approaching.

However, despite your best efforts to continue, everything falls apart the second your climax finally crests.

With a cry, you come undone—your body writhing in his hold. You go brainless almost immediately, the strength in your arms wavering, and Wriothesley’s cock stuffing into your cheek—your hot breath fanning over his length.

Luckily, the vulgarity of the entire situation is enough to push Wriothesley over the finish line—his dick painting the inside of your mouth with his cum. And to his surprise, once he’s spent, you actually pull your head back, close your lips, and swallow.

Shit, he thinks. 

His dick is just starting to soften, and yet somehow, it’s also already getting hard again.

There’s a few beats of quiet that are filled only with the sound of you and Wriothesley panting. Then, once he’s caught his breath, he says—

“Let’s get you right side up.”

—and the world spins again.

Honestly, the fact that he can manhandle you this easily is criminal.

“You okay?” he asks, sitting you on one of his thighs. He brushes a few stray hairs from your face, staring at you with a hint of concern.

You nod your head, grateful that the carnal desire you’ve been afflicted with is clearly less, now that you and Wriothesley have both gotten off. But…even despite that, you still feel hot and tingly. Like you want more.

You glance down at his lap.

“Mmm. Seems like you’re in the same predicament as me.”

“Think you can handle another round?” he asks. You meet his eyes, playfully raising your eyebrows.

“I’m almost tempted to say no, and see what you do.”

Wriothesley rolls his eyes, his hands grabbing your waist, and in the next moment, you find yourself slung over his shoulder.

“Hey—!” you protest, attempting to look at him, but he only caresses your ass with his free hand.

“If you have that much spunk left in you, you can handle another round,” he says, carrying you down the nearby staircase, to the floor below his office. “But, I’ll be kind this time and make you more comfortable.”

His boots echo against the metal floor as he walks, and for a second, you wonder where exactly he’s taking you. But, soon after, Wriothesley pushes through a nearby door, and you find yourself in a moderately sized bedroom.

It must be his, you realize, feeling a little silly that you’d never pondered before now where the Master of the prison actually sleeps.

“Here we are.”

Wriothesley gently deposits you onto his bed, and then immediately reaches for his tie. You watch him with bated breath, your heart doing a tiny flip as you realize that he’s finally stripping out of his clothes. He opts to leave on the leather belts encircling his arms and neck, instead focusing the bulk of his time on shedding his suit, and undoing the many buckles on his boots. 

By the time he’s finished—his erect cock once again sitting heavy between his legs—you’re practically drooling at the sight of him.

His lips twitch into a little smile.

“I’m happy to know that you like what you see. However, in the time I spent undressing myself, you couldn’t be bothered to remove what little clothing you have left? C’mon now, are you waiting for me to wrestle you out of them?”

Still feeling cheeky, you flash him a grin.

“Hm, I’d like to see you try.”

Wriothesley immediately cocks an eyebrow, his eyes glinting at the challenge you’ve just issued, and your attitude wavers, realizing what it is you’ve done. You open your mouth to say you’re only teasing—your hands already raising behind your back to undo the clasp of your bra—but it’s too late.

In one swift motion, Wriothesley grabs your ankle and twists you onto your stomach—his weight settling above you as he kneels onto the bed. You shiver when his knuckles brush against your skin—his fingers swiftly undoing your bra.

“You’re just a little brat, aren’t you…” 

He speaks the words fondly, with a hint of amusement, and yet, they still go straight to your cunt. 

“Don’t say things like that,” you respond, instinctively raising your hips when Wriothesley hooks his fingers on your underwear and begins tugging them down your thighs. He stares intently at your backside as he does so, an idea popping into his mind.

“Why? Because you like it too much?”

He discards your panties on the floor along with the rest of the clothes you’d both shed, and then grabs your knees, forcing you to spread your legs, so he can properly settle between them. 

Another blush rises on your face at his words, your tongue feeling heavy in your mouth. At your lack of response, Wriothesely continues.

“In my understanding, brats tend to like it a little rougher, so…” 

His hands ghost up your thighs, to your hips, and he grips you tightly—forcing your lower half off the bed until you’re propped up on your knees—his cock sitting heavy against your ass.

“...what say we continue like this, hm?”

Bracing yourself on your forearms, you turn your head back to look at him—your body tensing as you watch him fist his cock and drag it downward, between the lips of your pussy. 

His icy eyes catch yours.

“Any objection?”

“...no,” you mumble, your fingers anticipatedly fisting in the sheets. 

Wriothesley nods—

“Good.”

—and then presses the head of his cock inside you.

Immediately, you drop your forehead against the mattress—willing your body to relax for him as he slowly inches inside of you.

His tongue had certainly been enjoyable, but this? Fuck. Nothing compares to the sensation of him slowly stuffing you inch by inch—the girth of his cock positively delicious as he forces your cunt to stretch to accommodate him.

It’s so much that by the time he’s fully seated inside of you, your body is shaking—your breath coming out in quick, desperately little pants.

Seeing your reaction, Wriothesely soothes a hand up your spine, his warm palm settling between your shoulder blades. He decides to start slow—to give you a little more time to adjust to him. 

And honestly, he’d love to take his time in general—to really savor the sight of you beneath him, your cunt swallowing his cock so perfectly, but alas. The effects of the aphrodisiac make him impatient with need, and it’s not long before he’s moving faster—little gasps and whines finding their way past your lips as he begins fucking you back onto his cock.

“Ahh…seriously you’re…so fucking tight,” he curses. His fingers dig into the plush of your hip—his jaw clenching, and his racing heart pumping lust through his veins.

Your cunt clamping on his dick seriously might be his personal slice of heaven.

“Wrio, I—,” you can’t even get the words out, your brain short-circuiting. You can’t think straight anymore—not with his cock rubbing you in all the right spots, making a mess of your insides, and quickly rocketing you towards another—

Wait, no, it’s only been a minute—!

“Fuck! ” 

You choke the word out, your spine curving and your knuckles turning white as your second orgasm of the night is unexpectedly forced out of you—your pussy spasming around Wriothesley’s dick.

The last of your strength officially drained, you collapse forward onto the mattress, your cheek smushing into the covers.

…however, Wriothesley doesn’t allow your lower half to fall along with the rest of you—his hold on your hips keeping your twitching pussy firmly planted on his still-hard dick.

“We’re not done yet, sweetheart,” he reminds you, his cock continuing to languidly drag between your walls, drawing out the tail end of your pleasure.

You can’t help but whimper at his words, already feeling a bit oversensitive thanks to two consecutive orgasms. Wriothesley does his best to soothe your frayed nerves.

Leaning over you, he gently tangles his fist in your hair—coaxing your head off the mattress so he can kiss you. 

The kiss is messy, but sweet—the angle of your bodies forcing his cock deeper inside of you, his hips completely flush against your ass.

“You’re doing so good,” he tells you, peppering a trail of kisses against your cheek, and across your jaw. His praise causes you to whimper, a shiver raking up your spine when his tongue drags across your skin—his teeth nipping at the nape of your neck.

His actions successfully get you to relax—your body becoming more pliable in his grasp as he once again begins to move. And soon enough, the wet sound of sex fills his bedroom once more.

Wanting to help him cum (and to feel his seed fill you), you do your best to help Wriothesley along—purposefully flexing the walls of your pussy as he fucks you. However, in doing so, you accidentally start yourself down the path of yet another orgasm…

Feeling the familiar, aching pleasure beginning to build inside of you once again, you quickly stop what you’re doing. You think that a third orgasm honestly might kill you, but…it’s too late.

Wriothesley has already noticed your growing arousal, and decides that he likes it better when the two of you cum together.

So, he sneaks one of his hands between the apex of your legs, and begins rubbing at your clit.

The garbled, desperate cry that leaves your mouth immediately becomes seared in his mind for a long time to come.

“No, Wrio, I…I can’t. I—”

Your words come out jumbled, tears beading on your lash line.

Momentarily removing his hand from your clit, he once again reaches forward and grips your hair—pulling your head back so he can kiss you. His lips swallow up your worries.

“You can,” he insists, his voice whispering in your ear, and his hot breath fanning over your skin. 

“I want you to cum with me, pretty girl. You can do it.”

You give no protest aside from a cute little whine, and that's good enough for Wriothesley.

Releasing your hair, his hand finds your clit once more.

He then proceeds to fuck you into the mattress—pursuing his orgasm with abandon. A groan leaves his mouth at the way your pussy starts clamping on his dick once again—tightening up with each pass of his fingers across your clit—your pussy slick and messy with your own arousal.

Unable to think straight, you can only hold on for dear life—clinging to his sheets like a lifeline. You can’t even process the sounds that are coming out of your own mouth—a damned, desperate symphony moans.

To Wriothesley, it all sounds like a siren's cry—beckoning him closer to the edge.

“Shit,” he pants, feeling his cock throb, and his balls tighten. The motion of his fingers on your clit quickens—your toes curling as the coil of pleasure in your tummy continues to wind—so close to snapping.

Sweat beading on his brow, Wriothesley leans forward, curling his body against yours. His teeth nip at the shell of your ear, his husky voice sending goosebumps across your skin.

“So good for me…,” he breathes, his hips smacking into your ass. His broad strokes deteriorate into needy rutting, and the sensation has you quite literally sobbing—his cock now incessantly grinding into your g-spot.

You can’t take it anymore.

Shoving your face into the mattress, you bite the sheets and scream—your entire body shaking as you cum for a third time, your cunt milking around Wriothesley’s cock.

He curses at the feeling, his face burying in your neck. Wrapping his arms around you, he hugs you to his body—fucking inside of you a few more times before finally joining you in ecstasy. 

His teeth sink into you as his orgasms peaks, a heady groan muffled against your skin as his balls empty—pumping you full of his cum.

It’s not until the intensity of his pleasure has died down that Wriothesley ultimately releases you from his hold—your lower half immediately flopping down onto the bed, and his softening cock slipping out of you.

The Duke takes a moment to simply look at you, and how fucked out you are. Your eyes bleary, skin flushed, and the imprint of his teeth engraved in your flesh.

He grunts at the sight, and settles in beside you—his arm curling around your waist as he tugs you back against him. His tongue immediately begins lapping at the bite mark he’d inflicted, attempting to soothe the sting.

After a few seconds, you begin shaking, and Wriothesley immediately pauses, scared that he’s hurt you in some way.

…only to realize that you’re laughing.

“...puppy…”

He props himself up, glancing at you.

“What?”

“You really are like a puppy,” you giggle, your finger lifting to brush a stray tear from your eye. “The way you bit me, and then immediately started licking at it in apology. So cute…”

You break into another tiny fit of laughter, and Wriothesley rolls his eyes, yet can’t help cracking a smile.

“Well, I’m glad to know I didn’t break you, at the very least.”

His hand rubs against your waist.

“...right?”

Finally getting ahold of yourself, you roll onto your back and smile at him, your hand reaching out to cup his cheek. He immediately leans into your touch, and it makes your heart flutter.

“I’m not broken, no. Just…sore. And gross. And sweaty.”

Wriothesley chuckles.

“Well, I think I can rectify some of those issues. I do have a bathroom, with a tub.”

“Wow,” you respond, watching him as he scoots to the edge of the mattress and gets to his feet. He waits a second for you to join him, but you don’t move.

“My…limbs feel like jello,” you admit, raising your arm and flopping it back down bonelessly for emphasis. Wriothesley rolls his eyes, but nonetheless leans over the bed and scoops you into his arms.

You rest your cheek against his chest, admiring for the first time how soft it really is.

“Whatever shall I do with you,” he playfully sighs, carrying you into the adjacent bathroom. He sets you on the vanity, moving over to the tub and turning on the tap for the hot water. You hum.

“Mmm, I can think of a few things you can do. The first of which is helping me into the bath once it’s ready.”

Wriothesley quietly chuckles. Returning to your side, he takes your hand, and brings it to his lips.

“Yes, ma’am.”

Once the tub has filled, the Duke keeps true to his word—once again carefully cradling you in his arms as he seats himself in the tub basin, before positioning you in the space between his legs.

The steaming water immediately soothes the ache of your body, and you sigh in relief—sinking back against Wriothesley’s body. He lightly wraps one arm around your waist, the other resting on the edge of the tub.

For a few long minutes, the two of you bask in silence, simply enjoying the refreshing feel of the bath. 

…then, you start to notice something beginning to grow—pressing at your back.

“...really? Is the aphrodisiac still getting to you that much?”

“No,” he admits after a beat, leaning forward to kiss your neck. “I think this one is actually all me.”

You roll your eyes, but nonetheless crane your head to the side—allowing him access to more of your skin as his mouth begins to wander.

“I thought I made it clear that my limbs are jello right now.”

“I can work with that,” he responds, and you feel him grin. His hand slowly trails down your stomach, and between your legs.

“I’ll do all the work. You just get to make pretty sounds and feel good.”

His fingers slide between the folds of your pussy, and you jolt as he passes over your overly-sensitive clit. But seriously…how are you going to say no to him?

“What am I going to do with you?” you sigh, echoing his earlier words. His chest rumbles with laughter, and he grabs your chin with his free hand—turning your head so he can kiss you.

“Mmm, I can think of a few things.”

The next morning, you find yourself in a back in your clothes, standing beside Wriothesley just inside his office door.

“I’ll go first,” you say, to which he nods. “I have some errands to run anyway. You can wait a minute and then come out after me.”

“Sounds good.”

The two of you stare at each other for a second, before you finally square your shoulders, and reach for the door handle. 

Before you can twist it, Wriothesley catches your wrist. When you look back at him, you find that there’s a blush on his cheeks.

“So, I’ll…see you later?”

His suddenly bashful demeanor causes you to smile. Pressing onto your toes, you cup his cheeks and softly kiss him. He immediately grabs your waist—deepening the kiss.

“You’ll see me later,” you promise. 

With that, the two of you finally separate, and you disappear through his office door.

Wriothesley takes a deep breath at your departure, combing a hand through his hair as he waits for the right moment to make his own exit.

To be safe, he decides to wait a good few minutes. But finally, he opens his door—preparing to venture into the main area of the fortress, and make his normal rounds.

…however, he only makes it a step before remembering the sign Sigewinne had made.

With a sigh, he immediately backtracks and tears the DO NOT DISTURB sign off of his door, crumpling it between his palms.

When he turns back around, he nearly jumps—Sigewinne standing right in front of him.

“So,” she says, a pleased grin on her face. “How’d it go?”

Narrowing his eyes, Wriothesley only stares ahead, and walks past her. She easily follows after him.

“The fact that you’re out and about this early in the day means something likely happened between you and Y/N.”

“No comment,” Wriothesley responds, which makes Sigewinne giggle. They pass by a few prisoners as Wriothesley makes a B-line for the elevator to the production zone. Once there, Sigewinne squeezes herself in along with him.

As the elevator begins to descend, only a few seconds pass in silence, before Sigewinne asks one last question.

“As your doctor, it’s my recommendation that you continue to regularly relieve your stress. So, are you going to be dutifully carrying out my orders from now on?”

Wriothesley makes a little face, glancing away from her.

“...maybe.”

Sigewinne smiles. 

That’s good enough for her.

[A Dragon's Constitution] ->