#putla

[o-sahiba]

kahan thi app?

Pta ni bhaii! Pta ni konse nashe kiye the aur kis motivational video ke jhaanse m aakar account delete krdiya. Itna regret huya na sachii. Abhi dhoondne pe kuch mil bhi ni rha apne purane blog ka.

Khair.. Insaan galatiyo ka putla hota hai. Meri ginti bhi insaano m hi hoti hai. Toh ho gyi galti.

But I'm back!

[feistyfaerie]

Allah ke siwa har muhabbat ko zawaal hai.

Kyunke har muhabbat ki ibtidah Allah se hai. Tumhein muhabbat ke laiq bhi usi ne banaya. Tumhein muhabbat karna bhi usi ne sikhaya.

To jisne tumhein muhabbat se bnaya aur phir tumhein usi sift se nawaza, uski jagah tum kisi aur ko kaisey de saktey ho?

Insan ho na, ghalti ka putla bhi usi ne banaya, Jab vo tumse tumhari pasandeeda cheez leleta hai to vo tumhein majbur kardeta hai ke tum sirf usi ki muhabbat ke kail hojao.

Aur phir kehta hai,

Ae Ibn Adam, bol. Tera mere siwa koi hai?

[somethingclevermahogony]

Worldbuilding in Five

I was tagged by @kaylinalexanderbooks ! Thank you!

So last time I introduced you all to Labisa, the birthplace of Ninma and where Narul spent most of his early life (he was actually born in the city of Syshlum). For this round I will introduce you to the birthplace of Ninma's cousin, Akard.

The City of Nashawey, the Jewel of the Putla.

I hope y'all are ready for a lot of lore dumping, this is more a history of Apuna as a whole rather than just Nashawey.

Nashawey (Apunian Nashases = Royal name, Wey = City/Village) is the largest city in both the land of Apuna and the entire continent of Pyritia. Its population is roughly equivalent to that of Labisa in Kishetal, though the city itself is less densely populated and covers a far larger area. The city sits at the southern edge of the Putla Delta, where the great river forks into Dja, Wadi, and Bus. The fertile and reliable nature of the Putla has allowed Nashawey and by extension the kingdom of Apuna to retain a level of prosperity and stability unmatched among the other cultures of the Green Sea. A Fapacha has ruled from the throne of Nashawey, or else from one of the neighboring cities, uninterrupted for approximately 4,300 years (save for a 30 year interruption in which a Namutian successfully seized the Apunian throne, the Namutian Dynasty has been almost entirely erased from all records and history), representing the reigns of 223 rulers (189 Men, 34 Women).

The Apunians are among the oldest civilizations in the world and their origins are linked to the confluence of several prehistoric populations.

After the events of the Calamity and the subsequent destruction of 92% of all human life and the complete destruction of all non-subterranean settlements, most surviving humans dwelled within the mountain sanctuaries of a number of kindly spirits over a period of roughly 300-500 years.

The Apunian culture has roots in three of these mountain populations, the Red Cedars, The Babics, and The Pyrians in addition to several southern Pyritian populations. This also means that the Apunians are distantly related to not only their Pyrian neighbors but also the original inhabitants of the Kishic Peninsula.

The first people to inhabit the land that would later become Apuna were primarily hunter-gathers. These tribes and bands were highly spiritual and interacted regularly with spirits and had dealings with the various beasts and monstrosities which shared their environment. At that time the region was far more lush than it now is, and supported great herds of fauna and a startling array of plant life. It is in this era that the first inklings of the later Apunian medicinal, cosmetic, and potion-making tradition were developed. Climatic changes gradually dried up the plains and marshes of northern Pyritia, in time forming the sweeping Kusr Desert.

These changes forced the gradual separation of the Hunter-Gathers into distinct groups. The Peri peoples traveled west, settling on the strip of land between the Pyrian Mountains and the Green Sea Coast, they are the ancestors of the modern Pyrian tribes.

Others ventured south mixing with southern populations, either embracing a desert lifestyle or settling along the eastern plains and coast of Pyritia, these groups, collectively called the Namutians and Aguru.

A small group took to the sea, settling on the island of Knosh.

The last and largest group settled on the banks of the Putla River, where the verdant environment of the Pre-Desert era was preserved. These Proto-Apunians quickly adopted an agricultural lifestyle, forming some of the first wide-scale settlements in the Green Sea Region.

These Proto-Apunians were composed of four distinct kingdoms or "Namu", each ruling one branch of the Putla; these branches now bear their names; Dja, Wadi, Bus, and Putla.

Feuds between the rulers (Pachas) of these kingdoms was commonplace. 400 years of near constant warfare and bickering between these lands would end with the imperialistic ambitions of the ruler of Putla, a man by the name of Nabur. Nabur, alongside his beloved son, Nashases, would lead an attack on the other three Namu, with intention of conquering them and thus uniting the Apunian people.

At the Battle of the Fork, Nabur and Nashases clashed against the other three kingdoms, and though outnumbered it is said that Nabur had earned the divine approval of not only the governing spirits of the River but of the Gods themselves. Legend tells how the river itself rose from its bed and swept away the Pachas of the other kingdoms. This story may actually have some grain of truth as it certainly does seem that the Fapacha is closely associated with the spirits of the river, just one source of the throne's great authority.

While victory was won for the Putla it came at a great price. Nashases was slain in the conflict. Heartbroken, Nabur buried his son where he fell, ordering the construction of a massive underground complex. In order to protect his son's body from desecration he then built his own palace atop his grave. The city of Nashawey or the city of Nashases, spread out from there.

Nabur named himself the first Great Pacha or "Fapacha" and dubbed his newly united kingdom, Apuna, which stems from the Apunian word Apna which is roughly translated to "Unity through Duty."

The Fapacha and his line is believed to be divinely ordained and Apunian faith dictates that upon their death, Fapachas will join the divine council held responsible for the judgment of the dead.

The greatest symbol of royal power in Fapacha is the Royal Scepter. Made from meteoric iron, mahogany, gold, and most importantly; Arkodian Bronze, the exact origin of the snake shaped weapon is unclear, that it was first held by the 10th Fapacha, Ankuwet. In addition to being made from such precious materials, the weapon houses a fire spirit, allowing its user to conjure flame at will. It is among the last remnants of an ancient tradition among the peoples of the Green Sea for royalty to pass down magical weapons. This staff gives the Fapacha one of their aliases, The Lord of Fires.

Apunian civilization is almost entirely confined to the shores of the Putla river, with the desert being only very sparsely occupied by nomadic groups.

Following in the tradition of Nashases, Fapachas are renowned for their massive underground tombs, called Djawda. Labyrinth-like mazes carved into the stone of the desert are meant to deter robbers from breaching the tombs. Often these tombs include artificial rivers and depictions of the night sky. Hundreds of workers are required to excavate these huge structures.

Every major city in Apuna contains at least one palace, meant to act as the residence of the Fapacha and his family when visiting. Apunian palaces are relatively small compared to their neighbors to the north, however they are no less luxurious. It is common practice for new Fapacha to dismantle and reconstruct palaces to better suit their own preferences after taking the throne. The grand palace at Nashawey is the one exception. The palace at Nashawey is unique in that it is primarily constructed from stone rather than mudbrick.

The largest structure in Nashawey, is the famed Gateway. This massive structure stretches across the Putla River where it acts as a sort of tollbooth but also as a defensive structure. The Gateway was constructed by the Fapacha Rutamatep five-hundred years before the events of The Testaments of the Green Sea. The gate itself is composed primarily of sandstone and marble with heavy gilding on its columns. Carvings depict various stories and battles from both the Fapacha who ordered its construction and his successors. It is not unusual for Fapacha to have the carvings of their predecessors chiseled away in order to make room for their own pieces. The Gate is the first thing that visitors see upon entering the city.

Nashawey is home to 45 temples, which double as administrative centers, the largest of which is dedicated to the god, Nur. The all male priesthood of Nur, the god of agriculture and the divine seed, are forbidden from marriage or intercourse with one exception; they may marry and sleep with each other. Marriages of the Priests of Nur are treated as religious events, with both priests dressing in the garb of the God.

Apunian fashion is very bright and colorful, most Apunians wear at least one kind of jewelry. Gemstones are very popular in Apuna, especially as a part of jewelry and woven into clothing and hair-beads. Apunians are also the only major power in the Green Sea that regularly utilizes makeup/body paint. Cosmetics (as well as perfumes) are a major industry in Nashawey. Additionally Apuna is renowned for just how much gold it uses and has access to, even poorer Apunians are likely to have at least one golden bauble. It is said that even an Apunian beggar will sparkle in the sunlight. Most clothing in Apuna is made of colored linen, Apunians are famous for just how vibrant their dyes are. Textiles, alongside grain, are the biggest Apunian exports. 

The city lacks the great defensive walls of Kishite cities as in a sense, the desert acts as a wall in and of itself, thus why the Gateway defends the river.

Apuna is famed not only for the skill of its plantbrews, but also its sages. As a result the city of Nashawey has entire districts entirely dedicated to these professions. Apunian potions and medicines are widely viewed as the best in the Green Sea.

Aside from the palace the city is divided into 45 separate neighborhoods or districts, each of these districts is constructed around a temple/administrative center to which taxes are distributed. 

Tagging @illarian-rambling , @wylanzahn , @roach-pizza , @treesandwords , @mk-writes-stuff , @americanfemcel , and @abalonetea

[patatesliahtapot]

paralel evrendeki ben, bir putla sevişmediyse şayet, bu şanssızlığımın tek sebebi yağmurlu bir perşembe günü doğmuş olduğumdandır. bu bahtsızlık ne amk, az vicdan be hayat.

[yves-rs]

kanina may errand ako sa palengke at nakasabay ko yung dalawa kong kasama sa work. Bro sumama ang pakilasa ko hahahahaha dahil sa init? first day ng period? init ng panahon? Hiya malala! Akay akay nila akong dalawa e parehong maliit yung kasama ko teh. Putlang putla na ako mabibitawan pa ko nung dalawa sa utas ng pagtawa nila sabay pinictureran pa ako mga ogags. Ayun lang.

Stay hydrated pipol!! Dala kayo water nyo pag aalis kayo.

[asfaltics]

putterings, 357-356

                  pervaded with tiny dots...         these preliminaries alone took me several hours... eg bare putla saa smaat

—

puutterings     |     their index     |     these derivations     |     20231005  

[chappellrroan]

obviously usme pata nahi chala hoga so I'll tell you. burnt my hand yay

Woman you'll turn into a mummy putla at this rate wtf

[barbarapicci]

Streetart by Joel Merino @ Putla Villa de Guerrero, Mexico, for Festival Mural Putla

More info at: https://barbarapicci.com/2023/07/24/streetart-joel-merino-putla-villa-de-guerrero-mexico/

[marti-livingston]

Tek başına şirk koşmak yetmez, şike koşarken bir putla falan da sevişmesi lazım 😂

[semtituloh]

Via México y el Mundo en Fotografía

Pepe Matus

NACIÓN TACUATE. Los Tacuates habitan en dos municipios de la Mixteca en la Costa al Suroeste de Oaxaca: Santiago Ixtayutla, en el distrito de Jamiltepec y Santa María Zacatepec, en el de Putla.

El término Tacuate deriva del náhuatl que quiere decir: Tla=Tierra y Coatl=Serpiente (Tierra de Serpientes)

Sus lenguas indígenas son el Tacuate y el Mixteco.

[smaumutelcisi]

Ne mutlu bize ya, ne mutlu bize! Çünkü Rabbimiz Allah. İyi ki Rabbimiz Allah. İti köpeği veya ineği rabbimiz kabul etseydik ne acınası halimiz olurdu! İyi ki Allah Rabbimiz. Bizi duyuyor, bizi anlıyor, bizi görüyor, her şeye gücü yetiyor, her şey O’nun. Ne güzel Rabbimiz var!

Bir putu da rab edinebilirdik. Duymayan, görmeyen, kendisine faydası olmayan, dualara icabet edemeyen, tövbeleri kabul edemeyen, kimseye güç yetiremeyen bir puta da tapıyor olabilirdik. Ama elhamdulillah öyle değil. Rabbimiz Allah diyoruz ve mutlu oluyoruz. Elhamdulillah.

Gözyaşlarımızın sebebini bilen, gönlümüze ferahlık veren, ayağımıza batan dikenle günahlarımızı silen, yapamasak bile niyetimize sevap veren, hanımımızın ağzına koyduğumuz lokmaya ecir yazan bir Rabbimiz var ya! İyi ki Rabbimiz Allah ya! Yoksa ne yapardık itle, inekle, putla.

Dara düşen kuluna çıkış yolları gösteren, şımaran kuluna azma diyen, kaderimizi en güzel şekilde yazan bir Rabbimizin olması ne güzel. Dua ederken “acaba Rabbimin buna gücü yeter mi” düşünmeden dua edebiliyor olmak ne güzel. Rabbimiz Allah olduğu için böyle dua edebiliyoruz.

Ya hiç inanmasaydık, ya bir erkeği veya kadını Rab edinmiş olsaydık, ya bilimi putlaştırsaydık. Ne acınası bir akıbet olurdu. Ne tutarsızlıklar, ne yaman çelişkiler olurdu. Allah hariç rab edineceğimiz her şeyden başımız belaya girerdi. Sadece ahirette değil, dünyada da.

İnandığın Rabbinden şüphe etmemek ne büyük nimet. Biliyorsun ki neylerse güzel eyler. En hikmetlisinin, en doğrusunun O’nun yaptıklarının, O’nun emrettiklerinin, O’nun yasakladıklarının olduğu bilmek ve tereddüt etmemek, acaba dememek ne büyük nimet. İyi ki Allah bizim Rabbimiz!

Rab olarak Allah’tan razıyız biz. Verdiklerinden de vermediklerinden de razıyız. Yasakladıklarından da emrettiklerinden de razıyız. Günahlarımız dağları aşmış olsa da O’ndan ve dininden razıyız. İyi ki Allah var, iyi ki Allah rızası var, iyi ki Rabbimiz Allah! Elhamdulillah.

[labrecha]

Matan a Rigoberto Martínez, Entrenador Triqui de Básquetbol

Matan a Rigoberto Martínez, Entrenador Triqui de Básquetbol

Rigoberto Martínez Sandoval, destacado entrenador de básquetbol, luchador social y profesor, fue asesinado a tiros frente a la Escuela Normal Lázaro Cárdenas, en Putla Villa de Guerrero, Oaxaca. Martínez Sandoval era conocido por dirigir a los niños Triquis de Oaxaca, campeones descalzos, y por dirigir la academia de básquetbol “Rigo’s_Oaxaca”; Martínez también era integrante del Movimiento de…

[somethingclevermahogony]

Happy WBW!

I noticed there's a lot of islands and a lot of water on your world map. How advanced is seafaring technology?

Hello and thank you for the question! For most of these posts and questions I have focused solely on the Green Sea and excluded the rest of the world, however for this question I will go over some examples of seafaring peoples from various regions of Kobani.

This also gives me a chance to talk about some of the Forestfolk (non-human) populations of Kobani as they tend to be the greatest voyagers.

Kishetal (And most of the Green Sea)

When it comes to seafaring technology it is important to recognize that the sail is still a relatively new invention in many parts of Kobani. In Kishetal for example the sail has only been a common aspect of seafaring for about 1,200 years. This means that Kishetal and the Kishite identity itself is actually older than the introduction of the sail to the region.

Kishite ships are generally long and low to the water, propelled by oar and sail. Kishite ships are morphologically similar to those used by other cultures in the Green Sea including the Korithians, the Shabalans, and the Apunians. The reason for this similarity is a shared ancestry, as all are at least in part inspired by the shipbuilding technologies of the now extinct Arkodians.

Warships have a convex stern and are propelled by large single-masted square sails and two banks of oars. Most but not all warships also possess large wooden rams at their front, designed to crush and sink enemy vessels.

The largest ships, war barques, while rarely built due to their exorbitant price have the potential to be massive, holding crews of up to 700 people.

Merchant vessels are more varied, typically wider and slower, designed to hold cargo. The largest merchant vessels may carry up to 500 tons of cargo, though 100-150 tons is far more common. Smaller vessels may only carry 5-10 tons of cargo.

Most Kishite ships and shipping routes still hug the coasts or else island hop, the open sea is a daunting and dangerous place even for experienced sailors.

While compasses have not been invented, sailors are able to navigate via stars maps, knowledge of currents, the movements of fauna, and by carefully observing the topography of the coast.

In rare cases sages may be employed on ships both to consult spirits as to directions and locations and to manipulate currents and winds.

Excerpt

The port of Chibal stretched out before Suru, its waters were host to ships from across the Green Sea. Merchants’ ships filled to bursting with cargo, their colored sails flapping in the wind. Goods from the Western Isles of Ikeni and Dirsia where the Green Sea met the Kronatic Ocean to the lands of Apuna upon the Putla Delta. Foodstuffs, beasts, weapons, timber, art, spices, delicate instruments, bundles of tablets and scrolls, and of course slaves. The harbor itself was a massive artificial reservoir, a rectangular structure of hewn stone that protected the ships and buildings that lined the many docks and piers. At the center of the harbor was an artificial island and crouched upon was a figure of bronze, a colossal statue. He had the face of a youth, soft and clean-shaven, his hair in long curls fell down his back. He wore naught but a shawl draped over his shoulders. Had the statue been standing the top of his head would have towered over the tallest of trees, rather he was bent, kneeling, hand outstretched, palm facing the heavens as if intent on scooping up a ship from the harbor below. Suru gazed up in wonder at the serene expression. “How is that possible?” “Money,” Otilia said shortly. She had far more pressing issues on her mind than the statue.

Ikopesh

The Ikopeshi are the undisputed masters of the sea, at least in their region. It was the Ikopeshi who first developed and later introduced the sail to their neighbors. Ikopeshi ships are generally small compared to those of other Green Sea cultures, however they are typically sleeker and faster in their construction. 

The majority (79%) of Ikopeshi belong to or descend from a race of forestfolk called the Iko. The Iko and those that retain their traits are naturally adapted to thrive at sea, this includes a natural proclivity for swimming, slightly increased lung capacities (which accounts for the stereotypical barrel chested look of Ikopeshi), and the ability to safely drink and process saltwater.

The Ikopeshi have no fear of the open sea and will gladly spend days or even weeks without ever stepping foot on dry land. This comfortability at sea is just one reason why the Ikopeshi are both popular maritime mercenaries and dreaded pirates.

Ikopeshi war canoes or urkebul (Ikopeshi urka-long, ebul- boat/ship) are long thin vessels, some over 90 ft in length, propelled by oar (Shown above, source). These ships are among the fastest in the Green Sea and are feared as vessels favored by pirates and raiders.

Ikopeshi warships and pirate ships, whenever possible, carry sages. Sages use the magic of ocean and wind spirits both to increase the speed of Ikopeshi ships and to keep the various sea-monsters which roam the Green Sea at bay. These sages are called Salt-Speakers.

Ikopeshi navigators are famed for their keen knowledge of astronomy and cartography. It is said that Ikopeshi ships that have ventured out of the Green Sea have traveled far enough to see the Northern Ices and far enough south to engage in battles with their fellow seafaring forestfolk, the Ru (Who I will talk about below.)

The Ru and On

The Ru and the On are among the most wide ranging people in Kobani alongside the Ikopeshi and The Paguai, all of whom are primarily composed of forestfolk. About 64% of those that belong to the Ru culture are forestfolk.

The most common Ru forestfolk population are the Ru'kui. The Ru'kui are quite small in stature, typically no more taller than 4ft. However they are muscularly built, with long and powerful forearms and webbed digits, well-suited to both swimming and the manipulation of nautical instruments. However their most unique trait is a pouch of fat that forms around the shoulders and back, giving the Ru'kui a slightly hunchbacked appearance. This functions in similar fashion to a camel's hump and when fully stocked, will allow a Ru'kui to travel for days or in extreme cases weeks at a time without food or drink. This is essential for the island hopping culture of the Ru.

Ru ships come in a variety of shapes the most common are the double hulled wukua built used for trade and the settlement of new islands. The second kind of ship, the vapokua are long and thin canoes designed for hunting large fauna between the rocks and outcroppings of southern Pyritia and the southern ice flows. The Ru are one of the only cultures in Kobani which lives and relies on both tropical and polar environments.

Ru traders travel to and trade with ports in four continents (Pyritia, Macia, Ulania, and Zudia).

As with the Ikopeshi the Ru are reliant on an advanced knowledge of astronomy, one which is passed down in sacred fashion.

One branch of the Ru settled in the eastern sea near Zudia, in time becoming ethnically and culturally distinct. The On, are the product of the intermingling of several forestfolk groups, chief among them are the Ru'kui and the now extinct, Ap. The On population is only 52% forestfolk. These forestfolk, the Onimui, are far taller than their Ru'kui ancestors, taller and broader even then most humans in their area. The Onimui possess broad shoulders and brightly colored skin which may range in color from coral red to turquoise. The Onimui are famed for their strength and stature, for this reason they have been called "The Jeweled Giants of the Southern Sea." The Onimui lack the humps of the Ru’kui and instead their fat deposits are distributed around their bodies, giving them their slightly bulky appearance, similar to blubber in some marine species.

On vessels are smaller and more delicately built than their Ru counterparts, and the On rarely visit the southern icefields when compared to their Ru cousins.

The Dorthuit

(I couldn't find a picture that quite fit what I wanted for this and I don't have the time or skills to draw my own.)

The Dorthuit refers to a confederation of 46 distinct tribes including 5 forestfolk tribes.

The Dorthuit are the only Polar culture which utilizes sails. The Dorthuit are also unique in that their vessels are primarily constructed from skin and bone rather than wood, due to the resources available to them. This however has not stopped them from creating impressive ships, some large enough to carry entire villages. These ships are incredibly light, and even the largest sailing ships and canoes, some of which may stretch to 50 or 60 feet in length can be lifted and carried on the shoulders of 20 or fewer individuals. This allows for the Dorthuit to effectively travel over sea, ice, and land with ease. 

During the winter months when the ice is at its thickest and the largest ships can be turned upside down and used as temporary homes, their sails turned into blankets or other domestic implements. 

Alongside these larger sailing ships are a vast array of canoes and rowing boats, well made for slipping around ice flows, well-suited to hunting large mammals and various polar sea monsters. It is traditional in many tribes for young people to build their first canoe as a right of passage into adulthood. This canoe will be used and repaired for the remainder of that person's life, and it is considered an ill omen if one's canoe is destroyed or otherwise lost. For this reason, it is not unusual for canoes to be destroyed or stolen during intertribal conflict as a form of spiritual warfare.

The Dorthuit are experts at reading the paths and movements of currents and their subsequent effect on ice flows. They are less reliant on astronomical navigation compared to other sea-faring cultures.

The Kavuru , Indosi, Balijivuri, and Kikiruru

These people inhabit the islands of southern Macia. Though they now speak several different languages and are culturally distinct all descend from the ancient “Boat People'' who were in actuality a mixture of groups including people from the Proto-Sinrian regions of the southern Sinrian Peninsula, what is now the kingdoms of Jini and Malu, alongside people from Wuru, Mu, Namut, Cholyasia, and even the Ru. This diversity of origins and cultural influences has made this region one of the most culturally dynamic in the world of Kobani. 

The Kavuru and Kikiruru in particular are famed for their skill in ship-building. Both of these cultures build massive flat-topped ships, several of which may be lashed together to form floating cities, called kutaparung/kotaparun. The largest example of this is the Kavuru capital city of Gupatag, which is so massive that it even has agricultural land, one which rice, fruit, and livestock are reared. These massive structures, while ungainly, are technically navigable, and if unleashed from the reefs and landmasses which they are connected to, can be moved.

On a less spectacular note, these cultures make use of large vessels propelled by sail and oar. These are typically made with a lashed constructed from logs, lashed together with plant fibers and natural adhesives rather than with slats or planks as is more common in regions like the Green Sea. These vessels come in a number of forms, from broader and slower merchant vessels, to the sleeker, double-decked war ships known to raid as far west as the coast of Pyritia and along the coast of Mu.

Warships in particular are heavily decorated with dyes, gilding, and elaborate carving. While most of these vessels utilize a single mast and sail formulation, some varieties may include two or even three sails. These peoples are some of the earliest to adopt this particular technology. Sailing sages or Brine Saints, are of major importance in these cultures, particularly among the Indosi, where these sages often act as leaders or figures of authority. It is said that the best Sages may captain and steer a ship without a crew, eyes closed with only the guidance and assistance of the spirits of the wind and sea. 

In Balijivuri culture spirits are invited to live on vessels themselves, offered regular offerings of cooked food and alcohol, in exchange these spirits (in theory) protect the vessel from the machinations of other less hospitable spirits, demons, and monsters.

These are just some of the seafaring cultures of Kobani and their technologies, hope that answered your question!

[sociedadnoticias]

Asesinan al profesor Triqui Rigoberto Martínez, defensor de derechos indígenas en Oaxaca

La comunidad triqui exige justicia por la muerte del entrenador de los niños campeones de básquetbol Por Martín García | Reportero Putla Villa de Guerrero, Oaxaca. Rigoberto Martínez Sandoval, profesor indígena y defensor de derechos de los pueblos triquis, fue asesinado a tiros frente a la Escuela Normal Lázaro Cárdenas en esta comunidad oaxaqueña. La muerte del docente ha generado conmoción en…

[analisisnoticiasonline]

Asesinan en Oaxaca a Rigoberto Martínez entrenador del equipo de basquetbol de los niños triquis

Oaxaca.-El profesor Rigoberto Martínez Sandoval, destacado entrenador del equipo de basquetbol de niños triquis, fue asesinado en Oaxaca. El crimen ocurrió la tarde-noche del lunes en Putla Villa de Guerrero. Rigoberto Martínez Sandoval, entrenador del basquetbol de ‘Los niños descalzos en la montaña’, fue asesinado este lunes frente a la escuela normal de Putla Villa de Guerrero, municipio que…

[insurgentepress]

Ejcutan a entrenador de básquetbol de 'niños triquis' en Putla, Oaxaca

Agencias/Ciudad de México.- Pistoleros ejecutaron ayer Rigoberto Martínez Sandoval militante del Movimiento de Unificación de Lucha Triqui (MULT), maestro y entrenador de básquetbol  de ‘Los Niños Descalzos’, en las inmediaciones de la Escuela Normal ‘Lázaro Cárdenas’, en Putla Villa de Guerrero, Oaxaca. Los verdugos siguieron a Martínez Sandoval hasta la Escuela Normal a la que acudió a entrenar…