#put it back where it came from

[calistatic]

hey don't cry, ‘large’ creature with 20 arms found lurking in Antarctic sea, okay??

[shortmexicangirl]

'can i copy your homework?'

'yeah just don't make it obvious'

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[tiofrean]

DO YOU WANNA BE CURSED?

"Am I a joke to you?"

[assassinregrets]

[thisispersonal]

I don’t think introducing those two was a good idea Ford ngl

EDIT: since y’all like this one and I had some time on my hand I decided to redraw it with actual effort, hope you like it!

[jean-meowreau]

when will the bad takes stop i hate these confession accounts

I think that is so funny when the fandom acts as if aaron and neil had this epic beef where they were both on equal footing trying to get under each other skin because in reality neil ate aaron up virtually every time they fought. Like neil manipulated his girlfriend into breaking up with him until he agreed to go to therapy, the best aaron ever managed was call him a slur and make a shitty comment about his relationship with andrew

.

[andy-clutterbuck]

Andy™: Behind the scenes of The Ones Who Live

[liverpool-enjoyer]

how in the everloving fuck am i supposed to control myself in these conditions

[joshsindigostreak]

That’s it. That’s the post.

(X) gif by @readyforthegarden

[luvrodite]

ok wait i need to say something about the dick grayson thought i've been turning over in my head for a bit.

i unfortunately do like readers that are a bit tragic and don't get a happy ending. it's like poking at a bruise idk it's cathartic in its own way. anyway. i know the age difference between dick and jason isn't really that big but i think it's big enough for this to work?

anyway i'm thinking about the relationship you have with dick when he moves out of the manor. you guys fuck, sure, and sometimes you go out, but you're not his girlfriend. not really. it's casual, except it isn't at the same time because dick comes with a plethora of his own issues and for some reason you can't quite fathom, he's decided you're the only one that gets to see that side of him.

you see him like nobody else does. you get the good, the bad and the ugly. you hold him through his nightmares. you brush his hair back from his forehead when he stares at his phone a little too long. you come by when it's been a few weeks and you haven't heard from him.

somehow you kind of end up playing intermediary between him and the kid brother his dad/guardian/mentor/older brother picked up along the way. jason is sweet. and you can tell he longs for a relationship with dick but he's got so much going on. it doesn't matter. jason takes what he can get.

you wonder when you started getting involved in your hookups' lives. but then it feels reductive to call it that. what the two of you have spans beyond that. it's so much more than that. dick touches the lives of all that he meets and you aren't special for it, but you feel it. maybe to the others he knows, in their weird, dysfunctional world, it's normal.

but you're a regular citizen. you go to work. you come home and do the dishes. you cook, you clean, you curse out your landlord when he puts off fixing the heating for the nth time. dysfunctional relationships are alien to you – the weight of all dick gives you, it has to mean something. fuck the forehead kisses, it stopped being casual when he held your hand through a doctor's visit and the fibers in your pillowcase swallowed his tears after a run in with bruce.

you play intermediary. jason sees more and more of you than you think he should, but he doesn't complain. you even grow used to the little bugger. you don't have much in the way of your own family, and he becomes something like the kid brother you never had. you grow used to the inappropriate humour that shocked you the first time it came out of his mouth, blue eyes shining up at you mischievously.

his height gives off the impression he's more youthful than he is and sometimes you end up babying him a little more for it. sometimes, he lets you. you brush a hand over his curls like you do his brother and keep a hand on his shoulder when you go to the corner store. you tell him to pick out whatever he wants, and that it's on you. he looks up at you like you got him the moon when you toss him a copy of his favourite book after a while of not seeing him – yours is all beat up, kid, pretty soon you won't be able to read it anymore.

you don't know how to deal with it when he dies, not long after you and dick break things off.

15. only a baby.

it's violent. you get the news from the papers and the picture of the blast zone makes you stop breathing. dick doesn't pick up the phone – why would he? and you're not even sure if you're allowed to reach out.

the last you'd heard, he'd been pretty cosied up with a new co-worker of some sort. red hair, pretty eyes. more than you'd ever gotten from him. sure, you'd known dick – you knew him. you were the closest he'd ever been to anyone, but it had simply been because there was nothing to lose with you.

you hold his grief, hold his heart in your hands, but you are nobody and you will not ask for more because he sleeps in your bed and sometimes, he holds your hand in public when you're walking through a crowded street. you guys have good days and it's something.

but he’ll is not yours – will never be yours, not fully, not like he belongs to bruce and gotham and the titans and his team. you’re a girl who he comes to because you’re safe.

but his brother dies and he's gone and you're left with not only the heartbreak of losing something never named, but the grief of a real tangible friendship, the death of a brother.

you are nobody and nothing – you're not the one that gets the guy and you are not the one that gets to mourn. you see him at his lowest and love him at his worst but he is not yours, and neither is the little boy that dies much too young, alone and scared.

you fall between the cracks. nobody stops to think about the girl who'd sometimes been mentioned in passing at the dinner table, on the rare occasion dick ventured back home to the manor. how can they? not when bruce is driven near mad with grief, not when dick is god knows where and it's all that alfred pennyworth can do to keep his charge and himself together.

i don't know. i just think about how it takes you months to muster up the energy and courage to visit your friend's grave – because jason was your friend, too. the baby brother you'd never had, a kid you'd felt responsible for, like he was your own. the visit leaves you exhausted and it's of course then, that on your way out, you bump into the second half of your troubles.

dick stares at you like he's seen a ghost and all that happened between you lingers in the air, the weight of it oppressive in the cold winter air. frost in the air, frost clinging to your lashes, heartbreak colouring you blue.

you look at him and think of it – how much you had put up with from him. how dearly you'd loved him. stupid, to catch feelings, but you'd gone ahead and done it. worst of all, he'd known it, too.

there'd been a time, not so long ago, when you would have let him do anything he pleased. lay me down, strike me, hurt me, i will bear it because it is at your hand. and he'd known.

he'd known it was wrong but he was hurting and it’d been easy with you because you didn't ask for more than he’d give but you did hope. and he could see it in your eyes that you hoped he’d give himself wholly over to you but he just wasn't there. perhaps he never would be. and you deserved better but he couldn't let you go. his regret, one amongst many, is that he had not done it sooner. shielded you from more pain at his hand.

once, dick had something of a god to you. now he stands before you and you see him as he is, a mere man. a tired, grief-stricken, man.

the only mercy he grants you now, is to let you walk away.

blank blogs dni. minors dni. have your age in your bio otherwise you will be blocked!

[casualavocados]

Why do you always use that to piss me off? ...It makes me happy. We agreed that I'm in charge of the bars. But you come here all the time to watch me. How am I supposed to lead my people? Use your head, okay? Suit yourself. What's the matter? Chen Yi. Chen Yi! [...] Don't make me worry.

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[despazito]

Hey if you work for the department of conservation NZ I've possibly got a scoop for you

[devilat-thedoor]

[22ratonthestreet]

👍 well