#project green gables

[panneshirley]

giftober 2023 | day 7: water

call me katie / project green gables / twelfth grade (or whatever) / project dashwood / the autobiography of jane eyre / lovely little losers

[lauraeklundnhaga]

Demi & Ace Episode 1

Guys Guys Guys!

It’s here! Demi & Ace premiere’s tomorrow  (26th of June) I can’t wait T_T

I set out to create a show that was by aroace people for aroace people and I really hope it resonates, makes you laugh and feel seen in a way mainstream media rarely allows us to.

Please watch and share and tell your friends. This kind of thing has definitely never been done before, and my wish is for it to reach any and every aroace person who feels invisible this Pride month.

[blithe-and-bonnyy]

the way i miss the fanmix and gif edits era of the liw fandom

[wbywebseriesreviews]

today I’m thinking about Gay Mean Girls, Project Green Gables, Rational Creatures, and Horizons - 

all webseries with very different stories and character arcs and themes; all crafted with love and immense talent. 

I so glad we live in a world with passionate and creative people who enjoy bringing stories to life. 

[myclutteredbookshelf]

Please reblog for a larger sample size.

[fairmerthefarmer]

So far Blackmoor Manor is still the top Nancy game for both my sister and I. Other games have better characters I think and even better plots maybe, (or better culprit reveals) but the vibes and music are STRONG. (Both TRT and CUR made us feel nostalgic for the game even though we never played it before. But like, it felt like to both of us as if we had memories of playing it before it was magic)

I think being fans of the Secret Garden and stuff like that as a kid is why we like that vibe so much.

I’ve always wanted to explore a giant old mysterious house. Books like that and even the beginning part of the lion the witch and the wardrobe make it seem so fun.

Also loulou. Love loulou so much.

[redeemed-wren]

Every single character I have ever obsessed over falls into one of four categories:

Kid with no one in his corner who's used to looking after himself realises that (often despite his best efforts) people actually care about him and he has a support system.

Older brother type vibes who is the comic relief and painted as dumb or clueless but actually has deep insecurities and is so so smart in other ways and has a fiercely protective streak.

Young (though not always) woman who has been through a rough time and has Trauma but is still strong and refuses to let her past define her and makes an effort to be kind. (this character tends to become part of my soul)

Loser man become dad.

Also bonus points to trope voted Most Relatable but is never my favourite character:

5. Kid who has had a reasonably trauma-less life compared to friends and feels a bit like a sidekick and maybe doesn't consider their problems worthy when their friends have been through so much more

[bluecastlecomic]

Previous | Next

Take a deep breath!

Go to Start | Start of Part 2

[flutishly]

GGF rewatch, part 1

Confession: I actually started the next rewatch in my Great Webseries Rewatch series a few weeks ago. And then I paused, not because I wasn't enjoying it but because I was traveling. And now that I'm back home, I intend to continue and so it seemed like the right time to start writing up my impressions from the first batch of episodes that I saw.

Let's start with the fact that I even chose to rewatch Green Gables Fables next, after LBD. When I was imagining which show would be second, I kept asking myself whether I'd go with my personal successor to LBD, the show that got me into Tumblr in the first place, or whether I should just continue with the Pemberley Digital set of shows. And then... I ended up going for something else entirely. I picked GGF almost intuitively, thoughtless, just because.

It was a pretty great choice, honestly.

GGF is one of those shows that I watched consistently as it was airing. I reblogged posts about it and I followed all the creators and I got excited over it and I loved it and felt so much from it. But I didn't write all that much about it. It's not that I didn't write about it at all, of course I did. (I wrote and rambled quite a lot in those days, after all...) But it was never the dominant show in my orbit and in a way I felt like I always sort of forgot about it. Every time I watched it, I'd be like "oh right, this is great!" and then it would again just sort of... fade into the background. Part of this has to do with the fact that it originally aired alongside shows that would become among my all-time favorites. Part even has to do with the fact that its second season aired alongside another excellent Anne of Green Gables adaptation (Project Green Gables), which I found somewhat easier to write about.

Anyways. It's time to give GGF its due, because... yeah, this was and remains a good show. And yes, I do love it.

Right from the onset, Mandy Harmon is excellent in how she presents Anne. The filming style is youthful, quippy, a little messy, imperfect, and so utterly Anne. I thought this when the show was airing, that something about GGF's flaws consistently made it better as an adaptation. In a lot of regards, GGF was one of the best in having realism in webseries literary adaptations. Not only did the story easily lend itself to bite-sized episodes (Anne of Green Gables itself being very episodic), but there was a concious effort to make Anne's world fully populated. Anne is thoroughly present online as an aesthetics blogger (excellent adaptation choice), befriending Diana through Tumblr (a nice wink to much of the fanbase itself, and a bit to the way the show developed), and there is a rich and real transmedia experience that I think ended up blowing pretty much every other show out of the water. All these years later, I still marvel over how characters were introduced to the story seamlessly through their online personas, without it necessarily being "plot relevant" for Anne's videos. They simply existed and as such they also occasionally existed in Anne's immediate (filmed) orbit.

But since I'm not reviewing the transmedia (and never really tracked it much when it was live either), let's get back to the show itself: Dang, it's good.

The pacing is great. The acting is great (if a little uneven when Diana is onscreen, though this isn't so much because of bad acting as much as a reflection of the character's relative discomfort/unease onscreen). Most of the adaptational choices are great (I still don't much love the Diana-getting-drunk plotline, which was the last episode I watched, but it was a lot less painful this time around than the first, and better than I remembered). The sense that Anne lives in this fascinating little town is beautifully conveyed in-story and I love how open everything is. Anne doesn't hide her videos and she addresses her mistakes on camera (particularly as relates to being mean or snarky about individuals) and there's none of the awkward work-arounds to explain why some people know certain things. The story just... is.

I'm still at the very beginning, of course, but I find myself wanting to write about the show in a lot more depth than I ever did while it was running. I find myself wanting to talk about how Anne's dramatic filming style feels less like old vlogs and less like new TikToks/Reels and more like the transition from the old world to the new, in how they're so fluid yet dramatic. I find myself thinking about how Anne's loneliness comes across so beautifully in the first few episodes and how she takes a little while to settle into her Avonlea life. I find myself loving how Anne's anger with Gilbert is so freshly realistic, that it's easy to forget that the story is over 100 years old.

I don't know how much I'll actually end up writing as I go through. I meant to pause and write up my thoughts as I was watching the first batch of videos, but I just got wrapped up in it and couldn't stop; the episodes flow seamlessly and warmly and the show feels like I really am just catching up with some teen vlogger from a decade ago. But again: I'd like to make the effort. I hope to pick up my rewatch next week, so let's see how that goes...

[redheadgleek]

I am so close to being done with these dolls. Maybe this week and I'll be done?

Still to do:

Sew pockets on the jacket for Gilbert

Make hair piece for Gilbert

Create eye sockets and embroider the eyes (trying to decide if I want to make the eyes different colors +/- black pupils or just dark brown and call it good.

Make noses

Sew eyebrows

Sew mouths

Sew ears on Gilbert? (I've made them but they seem a bit large)

Sew on Anne's hairpiece

Add buttons: dresses, aprons, vest, and jacket

Curl Diana's hair

Ribbons for hair

Ribbons for dresses

Add lace to the bottom of the dresses as petticoats

Ruffles on Diana's apron/apron sleeves? Or maybe sew on lace?

Iron it all and tack down the collars

Make a tie for Gilbert?

[lightgaswaterelectricityrent]

I don't want to be dramatic but I literally want to kill the person who wrote this

[greengableknits]

Thought this would be a nice project especially if I made Colorblock Mittens (seen below) I think Gilbert Blythe would approve.

Green will make up the top portion while Red and either the tan brown or an eggshell white will make up the cuff

[reivelation]

literary references in evangelion

toji suzuhara, kensuke aida, and the last name horaki are lifted from characters within ryu murakami's novel ai to gensou no fascism / fascism of love and illusion.

nerv's motto is a quote from pippa passes, a 1841 verse drama.

"God's in his heaven— All's right with the world!

this line is also quoted in anne of the green grables.

"'God's in his heaven, all's right with the world,'" whispered Anne softly.

isao takahata's anime adaptation anne of the green gables also includes a scene similar to the ending scene of the anime series.

the name of episode 26 (the beast that shouted i at the heart of the world) is a reference to the book by harlan ellison, the beast that shouted love at the heart of the world, a collection of short stories. "i" sounds very similar to "ai", meaning love in japanese.

the greek tragedies, oedipus rex and electra which is fairly self-explanatory... i hope... with the show's use of freudian concepts (shinji's oedipus complex and misato's electra complex respectively.)

the human instrumentality project is a reference to the book series by cordwainer smith, instrumentality of mankind.

despite that, the human instrumentality bears a striking resemblance to the plot of Arthur C. Clarke's 1953 novel, childhood's end.

plot synopsis on goodreads:

The Overlords appeared suddenly over every city--intellectually, technologically, and militarily superior to humankind. Benevolent, they made few demands: unify earth, eliminate poverty, and end war. With little rebellion, humankind agreed, and a golden age began.

But at what cost? With the advent of peace, man ceases to strive for creative greatness, and a malaise settles over the human race. To those who resist, it becomes evident that the Overlords have an agenda of their own. As civilization approaches the crossroads, will the Overlords spell the end for humankind . . . or the beginning?

in asuka and kaji's introductory episode asuka strikes, there are four battleships in the UN convoy named after the shakespeare plays titus andronicus, cymbeline, othello and tempest.

in 2.22, kaji says he feels like urashima taro, referencing the japanese legend named after it's titular character, a fisherman named urashima taro. the legend goes that the fisherman rescues a turtle and is rewarded by a visit to the dragon palace where he is entertained for several days but when he returns to the human world, he finds that he had been gone for at least a century and everything around him has now changed. this is a metaphor for how kaji left tokyo-03 for only two years yet feels as though everything around him has now changed.

episode sixteen being titled (there are alternate titles to several evangelion episodes) sickness unto death after the philosopher soren kierkegaard's book of the same name exploring christian existentialism.

speaking of episodes being titled after philosophical works from the victorian era, is the hedgehog's dilemma. originally described in arthur schopenhauer's collection of philosophical reflections, parerga und paralipomena. the hedgehogs dilemma is a theme seen over and over again in evangelion with episode 4 being titled after it.

the title of evangelion 3.0 + 1.0: thrice upon a time references the book with the same title, thrice upon a time by james p. hogan.

It's amazing enough when Murdoch Ross's brilliant grandfather invents a machine that can send messages to itself in the past or the future. But when signals begin to arrive without being sent, Murdoch realizes that every action he takes changes the future that would have been...and that the world he lives in has already been altered!

Then a new message arrives from the future: The world is doomed!

as qmisato pointed out, anno has referenced james p. hogan's works previously as well (nadia: secret of the waters' final episode being titled inheritor of stars referencing hogan's novel inherit the stars)

[lets-talk-gundam]

The ORX-005 Gaplant

With more incursions on Earth itself by Zeon remnant factions and other militant groups, the Federation sought a solution to the issue of MS mobility under gravity. While any mobile suit could make use of a sub-flight unit - such as the Dodai or Base Jabber - they were generally unreliable in combat situations, with rapid maneuvering potentially causing riders to lose balance.

Federation engineers began doing what they do best, and eventually produced the RX-78E Gundam GT-FOUR to serve as a proof of concept.

The machine - while plagued with issues - proved the viability of variable mobile suits, and was considered a success. With this success, the team was given the green light to continue development of variable machines.

The ORX-003 Domingo was one such machine, and would serve as the basis for development going forward. The Domingo stood at an impressive 25 meters in order to accommodate its transformation mechanism. It boasted an impressive mobile suit to mobile armor transformation time of under five seconds, but needed almost a full ten seconds to transform back.

The ORX-005 Gaplant saw its first deployment in UC 0085 as a joint project between the Augusta and Oakland research labs, incorporating lessons learned from the Domingo.

While the issue of unassisted flight was unimportant in space, the Gaplant was developed with space use in mind. Its MA mode was able to make use of the Active Mass Balance Auto-Control (AMBAC) system almost as efficiently as the MS mode, affording it extreme maneuverability.

However, this maneuverability came at a steep cost, and most pilots were unable to handle the intense g-force exerted on them in combat maneuvers. The Gaplant could only be handled by so-called Cyber-Newtypes, thanks to their enhanced bodies.

The Gaplant saw use during the Gryps conflict, where it was fielded by the Titans. At least two standard units are known to have existed at the time - piloted by Rosamia Badam and Yazan Gable respectively, with an unknown number of modified and/ or experimental units.

The Gaplant was also extensively experimented with by the Titans Test Team, resulting in a number of unconventional units, with some eventually falling into the hands of Zeon remnant groups. Recovered Gaplant prototypes were even modified and fielded by groups such as Karaba and the AEUG.

In UC 105, a group of hijackers used a Gaplant to approach and board Haunzen flight 356.

Known sightings of the Gaplant later on are rare. Notably, in U.C. 203, the wreckage of a Gaplant inspires Afranche Char to fight the Federation when it washes up on the shore of his home island.

The ORX-005 Gaplant was originally designed by Kazumi Fujita for the 1985 anime Moblie Suit Zeta Gundam.

This post was a request! Requests are always welcome!