#produce camp 2020 icons

[cinegeek237]

Horror is Queer

Horror has always had queer creators behind and infront of it.

F.W. Murnau directed Nosferatu (1922)

James Whale directed Frankenstein (1931), The Bride of Frankenstein (1935), The Invisible Man (1933), The Old Dark House (1932).

Clive Barker is a well known horror writer, I know Stephen King isn't the only one shocking. He's also directed some of his own work, notably, Hellraiser (1987), Nightbreed (1990), and Lord of Illusions (1995).

Kevin Williamson is the creator of Dawson's Creek, as well as, the screenwriter of Scream (1996), I Know What You Did Last Summer (1997), The Faculty (1998), and Sick (2022). He also did a treatment for and produced Halloween: H20 (1998).

Don Mancini is responsible for the Child's Play/Chucky franchise. He also wrote the screenplay for Dweller Celler (1998).

Eliva is a goth, camp, queen, ICON! She's a horror host, and lifestyle.

Christopher Landon wrote the screenplays for Disturbia (2007), Paranormal Activity 2, 3, 4, Next of Kin, and the Marked Ones which he also directed. He wrote and directed Scouts Guide to Zombie Apocalypse (2015), Happy Death Day (2017) and it's sequel (2019), Freaky (2020), oh and he's slated to direct Scream 7!

Bryan Fuller was the showrunner of NBC's Hannibal and is now working on the Friday the 13th prequel series, Crystal Lake.

Mary Shelley wrote Frankenstien.

Daphne Du Maurier wrote Rebecca and a short story that would become The Birds. Hitchcock was clearly a fan.

Joel Schumacher directed The Lost Boys. Meanwhile Tom Holland made Fright Night which might be the queerest vampire movie ever made... huh.

Gus Van Sant... well he directed the Psycho remake... so that happened...

Carter Smith directed Ruins (2008), Swallowed (2022), The Passenger (2023), and a few others. OH and Swallowed has Mark Patton from Nightmare On Elm Street II: Freddy's Revenge.

I'm sure I missed some.

Then you get into some phenomenal actors...

[ericdeggans]

The Peabody Awards 2024: Learning how "Stories That Matter" is so much more than a catchy slogan

(The author with Reservation Dogs executive producer Taika Waititi, Peabody judges Hannah Giorgis and Lorraine Ali, Peabody staffer Maggie Stephens and, below, Rita Ora and Kali Reis)

Midway through the ceremony, a thunderbolt struck in the form of a passionate speech from Sir Patrick Stewart, reminding me exactly why the George Foster Peabody Awards are such a special experience for judges, winners, staffers who works on the honors and media itself.

As a former judge and chair of the board of jurors, I had traveled to Los Angeles for the first Peabody awards held in person since the COVID lockdowns of 2020. It was also the awards’ first time taking place in Los Angeles, signaling a shift from the news-centered operation of old to a more Hollywood friendly production. And it happened to be the first awards ceremony since I stepped down as chair of the jurors in 2019, rotated off the panel – as is customary - after six years of service. (I was the first African American to hold the chair's job, in fact.)

It is tough to describe what a special experience it is to be among the judges helping hand out such a prestigious honor. The first time I served, among the projects we gave prizes to were House of Cards and Scandal – two shows which heralded the rise of streaming and the impact of diversity on television. I was part of the panel which decided to hand special honors to Jon Stewart, Rita Moreno and Carol Burnett at various times, recognizing the world-shaking impact of legendary performers and satirists.

Deliberations take place over three separate weeks in different locations, with our debates centered on impact, originality, scope, quality, substance and diversity — among other considerations — always with an eye on what the bright light of a Peabody win might accomplish when trained on a deserving project.

(The Peabody judging panel during my last year in the group.)

At the end, judges must have watched/consumed every entry under consideration and we must agree unanimously. With a judging panel that ranged from world class academics to high achievers in media, expert journalists and critics and more, we bonded like rowdy siblings at a media nerd’s ideal summer camp.

(Chilling with Tony Goldwyn and Jeff Perry from Scandal during my very first Peabody awards ceremony in 2014.)

But when Sir Patrick rose in the middle of Sunday’s ceremony to speak eloquently of the amazing work on display in the acceptance speeches of winners, I realized why the Peabodys were truly special. Conceived as the electronic/broadcasting/TV equivalent of the Pulitzer Prizes, the Peabodys this evening united Hollywood favorites like FX’s The Bear and HBO’s The Last of Us with searing journalism, like the PBS NewsHour’s coverage of war in Gaza or Tennessee investigative reporter Phil Williams’ dogged exposure of a mayoral candidate’s ties to white supremacists in a tony Nashville suburb.

Ravish Kumar, the news anchor in India who serves as the centerpiece for the POV documentary While We Watched, gave a passionate speech criticizing mainstream news outlets in his home country for enabling Hindu nationalism by spreading misinformation. Ron Nyswaner, creator and showrunner for Showtime’s LGBTQ-focused limited series Fellow Travelers, talked on how “art is about trying to make people think and feel.”

And Larry Wilmore, co-creator of Black-ish and host of the late, lamented Comedy Central news satire The Nightly Show, cracked a joke on how supremely compromised Supreme Court Justice Clarence Thomas is kind of a dick. (Hey, everything can’t be highbrow during a three-hour show).

It occurred to me, that too many Hollywood awards shows are mostly about the star power and glamour of supremely acclaimed stars. Don’t get me wrong: it was gratifying and heartwarming to see the entire place leap to their feet for enduring icon and Career Achievement awards winner Mel Brooks, or Donald Glover presenting the Trailblazer award to his good friend Abbott Elementary star/creator Quinta Brunson or – for this Star Trek nerd anyway – the astonishing sight of watching castmembers/producers from Picard, Discovery, Enterprise and other corners of Trek gather onstage for the Institutional Award.

(The Star Trek crew, including LeVar Burton, Rebecca Romijin and Jeri Ryan, at the Peabody awards Sunday.)

But the secret sauce of the Peabodys is the way it utilizes Hollywood glamour to shine a light on quality journalism and public service programming like the micro-documentary series The Hidden Racism in New York City or PBS Frontline’s reporting on America and the Taliban or Dallas-Fort Worth NBC station KXAS’ look at how an organization of sheriffs were quietly radicalizing law enforcement officers across the state.

So, even though I’m no longer taking part in the long hours of viewing and debate required to pick these standout honorees – and it is part of the deal that every judge has to agree on every winner and finalist – I couldn’t be prouder of the selections my successors have assembled. We are all now part of a family dedicated to upholding the best in media, highlighting important work in a way almost no other modern awards ceremony can do.

(Me at this year's Peabody awards.)

See the list of Peabody winners HERE.

[declanlikesmusic]

Today's Listens: Episode 002

August 6th, 2023

Welcome back to the series! I hope that as I write more of these and document my growing thoughts on music & albums, we all come to acknowledge that while you may disagree with me on some takes more than others, we would all best come together to civilly discuss our collective love for the music that we're passionate for.

That said, this is a content warning for graphic imagery, specifically on the cover art for this first album. If you're not a fan of gross bodily organs and stuff, don't worry, neither am I.

Nirvana – In Utero (1993)

I'm kicking off today with me accepting the fact that I'm not a big In Utero guy. I know this album has often seen reappraisal as considered by a great deal of music peeps to be Nirvana's best album, but I'm personally firmly in the Nevermind camp, even though my last revisit of that album wasn't as infatuated. That said, while I wasn't keen on the raw recordings of this album at first, I grew to be more based and accustomed to it in the years since, leading to some damn good enjoyment nonetheless. It's a very good album all the same and I respect the status that it has, especially today.

6.9 / 10

Highlights: Heart-Shaped Box, Very Ape, Milk It, All Apologies

t e l e p a t h テレパシー能力者 – アンドロメダ (2014)

I'm taking my sweet ass time with Telepath's massive discography of legendary vaporwave & slushwave music, but coming back to this one in particular was a shockingly pleasant surprise. I've always seen this as one of his most meditative albums, but I didn't recall it having actual music much on my first listen. So coming back to this, I can't believe I walked away with so many highlights. This thing is gorgeous; it gives you a ton of memorable short-term melodies and some beautiful deep cuts that run much longer and justifiably so. This might go down as one of my favourite Telepath albums, to be honest, but I still just can't wait to get the rest of his big heavy-hitters out of the way like this one.

7.8 / 10

Highlights: 空に光、いつも、二、アトラクション、不思議、蒸気涙

Gupi – None (2020)

So after work was a non-starter due to the weather, I headed right back home after lunch and rolled upon this record that I had heard all the way back when it came out. Many were hooked onto this, not just because of what this producer was making, but also because of who he even was. Goes to show you the true, unbridled power of nepotism. Speaking of non-starters, the opening title track was a deeply unpleasant first impression to me, but I was pleasantly surprised (again) that the rest of the record picked right up from there and remained consistently decent throughout, even great in spots towards the end. Bubblegum bass (and subsequently hyperpop) were running completely wild during the days of 100 gecs, so it was only natural for this young talent to bust through with this debut and have me have a decent time with it as well. I just don't look forward to revisiting his duo project with Fraxiom, that one was rough when I heard it, even if his track here was good too. I also really liked the refrain on False Awakening as well.

6.5 / 10

Highlights: Driving Directly Into a Concrete Wall, Regression, Faking It, False Awakening

N.W.A – Straight Outta Compton (1988)

For my 1,312th rating on my second RateYourMusic account, I thought I'd finally tune into one of the most respected and critically acclaimed rap albums of all time, not to mention among the most controversial records of the 80s and good for it too. The first two cuts off this album are iconic, though I've always been more of a Fuck tha Police type of person myself, and after that, Parental Discretion iz Advised and Express Yourself are great listens too. God, this drops off hard though. The last four tracks of the main album were a slog, from their Compton's n the House remix to the closer Quiet on tha Set. Every beat was far too scant & repetitive for my liking, especially at the runtimes they were given and tracks like I Ain't tha 1 especially had some lyrical clunkers that read as childish. Still, this was a fine time with some prime cuts, but just way more underwhelming by the end of it.

6.4 / 10

Highlights: Straight Outta Compton, Fuck tha Police, If it Ain't Ruff, Parental Discretion iz Advised, Express Yourself

Arctic Monkeys – Whatever People Say I Am, That's What I'm Not (2006)

I remember some time last year when I was trying to pull myself out of the rut of music listening burnout, I tuned in to a pair of Arctic Monkeys records with a friend/carer of mine. This excessively long-titled album was one of the two, the other being the excessively short-titled AM. I ended up preferring and even loving AM by comparison, but that doesn't (nor should it) undermine this debut album's accomplishments, especially as it's still very good to this day and has some exceptional highlights coming out of it. I thought to return to it just to have a simple good fuck rock time and I got exactly that. God bless the Arctic Monkeys for giving me exactly what I expected.

7.1 / 10

Highlights: The View From the Afternoon, I Bet You Look Good on the Dancefloor, Fake Tales of San Francisco, Perhaps Vampires is a Bit Strong But…, A Certain Romance

Rollergirl! – I Love You, Rollergirl! (2014)

Keats Collective as a label was the birthplace of future funk as a genre, thanks to acts like Saint Pepsi, Macross 82-99, Flamingosis, Lancaster and yes, Rollergirl getting a spotlight all over their formative years. This is currently the last EP Rollergirl has put out after their popular Self-Titled got buzz in the scene, but I'm certainly not as thrilled about this one. Compared to that previous EP, this record lacks a lot of the energy and tempo that I would've hoped to carry over. It felt a lot more homogenised and sterile by comparison, but I still really appreciated bits and pieces, like the opener, the closer (especially) and the part in I Love You by the end where the sample was chopped to sing out the album title. It's good and if you're curious, I wouldn't stray away from it. Like with rollerskates.

7.0 / 10

Highlights: Boogie Down, I Love You, Last Night

Yes – Close to the Edge (1972)

I've been meaning to revisit this record for the longest time now and I finally put my foot down to retry it. I really loved this record when I first heard it, but I can't say that I adore it as much as I appreciate it now still. It remains a wonderfully crafted record, but I've never been able to fawn over the title track and its segments until the last one. It's the B-side of this record that almost completely sold me and while it didn't win me all the way over in the end, I was still very happy with what I heard. If you wanna get into progressive rock, this is still one of the greatest places to start.

7.4 / 10

Highlights: And You and I, Siberian Khatru

INTERNET CLUB – DELUXE (2011)

Finally, to conclude the night, I wanted to listen to something very obsure, almost dark while eerie, ominous and mysteriously short. Who better to turn to for that than the one who made ▣世界から解放され▣？This super short, almost 15-minute offering was the first of a strange trilogy of pioneering broken transmission mini-albums and while I strongly admired ▣世界から解放され▣ for what it contributed to the scene, I ended up falling out of that same appreciation for the finale NHK REMINDS YOU TO BOOST YOUR SIGNAL. Returning to this album though was a complete shock to me; despite the rough start, when it got to the title track, I was in complete love with the looping sample and as the rest of the record went on, Robin displays hit after hit with chopped up vaporwave tunes and mystifying glitches. It ended up being my favourite of the three by a very good margin! Obviously, I don't expect this one to click with everybody, but if this intrigues you and you've already dipped your toes into the broken transmission or signalwave subgenres, I don't see why you wouldn't enjoy this one! Except NO MORE MONO, that one was uncomfortable.

7.9 / 10

Highlights: NIGHT DRIVE, DELUXE, ONLY IN DREAMS, SHARPER DUB, HEARTS (NIGHT DRIVE, PART TWO)

So that was a lot that I listened to today, but I had a ton of fun with it! Let me know what you thought of any of these albums and what I should try in the near future! Thank you so much for reading and stay gay!

[kevinsreviewcatalogue]

Review: Never Hike Alone: The Ghost Cut (2020)

Never Hike Alone: The Ghost Cut (2020)

Not rated

<Originally posted at https://kevinsreviewcatalogue.blogspot.com/2023/10/review-never-hike-alone-ghost-cut-2020.html>

Score: 4 out of 5

If you've read my, or anybody else's, reviews of the Friday the 13th series, you'd know that it has a very spotty track record. The first movie is hardly most people's pick for the best in the series, the fact that there were more than twice as many films after the one titled The Final Chapter than before it has made the series the butt of jokes about horror franchises that get run into the ground, and nearly half the movies in this series range from just mediocre to borderline unwatchable. In short, it's an iconic slasher series where it wouldn't take much to make a movie that's around the middle of the pack quality-wise where its installments are concerned. And given the long legal battle that plagued this series for much of the 2010s, leave it to the fans to make just such a film. Never Hike Alone: The Ghost Cut is an anthology-style compilation of three Friday fan films by Womp Stomp Films that together range from pretty good to one of the most inspired things ever done with the idea of a big guy in a hockey mask hacking people up with a machete. It's a labor of love that (being a non-commercial fan film) is free to watch online, and which I highly recommend doing.

The film starts with a music video called "Disappear", a darkly humorous opening where Jason Voorhees hacks up three teenagers who ventured into the ruins of Camp Crystal Lake to drink and screw, all soundtracked by the titular acoustic guitar song by Trevor Vaughan. It sets the mood very nicely, playing right into our expectations of what a Friday movie is and delivering exactly that, while also examining just what Jason might be like in his "downtime" when he's not hacking people to bits. The second segment, Never Hike in the Snow, started out strong by showing Jason in an environment that's new to him: the winter, chasing and killing a young man named Mark Hill through the snowy woods. It starts off strong with a great buildup to a great kill, though as it went on it became the weakest segment in the film by my estimation, turning increasingly disjointed with plots about the sheriff Rick Cologne (a returning character from Jason Lives played by the same actor, Vincent Guastaferro) comforting the victim's mother, the same sheriff having to deal with Tommy Jarvis (again, returning from Jason Lives with Thom Mathews reprising his role) as news of the murder causes him to come out of the woodwork suspecting that Jason is back, and a scene of a hapless deputy going into the woods searching for clues as to Mark's murder. Each scene was exceptionally well-shot even by the standards of a professionally produced film, let alone a fan flick, but while there were interesting ideas, especially in the scene with the mother, it didn't come together particularly well.

Fortunately, the film spent the next hour with its best part by far, its titular centerpiece originally filmed and released in 2017 and later included with the other two segments as the "Ghost Cut". This is mostly a one-man show in which a hiking influencer named Kyle McLeod ventures into the trails of the Wessex County forest, stumbles upon Camp Crystal Lake, and must fight for survival against Jason. Much of the first half is a slow burn as Kyle ventures deeper and deeper into Jason's turf, with growing clues that something isn't right, from the coyotes wailing in the distance one night to the "No Trespassing" sign he encounters to various signs of the carnage past at the long-abandoned camp. It's an effective buildup that's paid off wonderfully when Jason himself shows up to kick ass and take names. He's played here by the film's director Vincente DeSanti, and watching him, I felt something I had only rarely felt in the past watching the Friday films: genuinely afraid of Jason. All too often, Jason gets portrayed as a crowd-pleasing mascot who the film not-so-secretly sides with as he takes out the trash, rendering him less a monster than a roguish anti-hero of sorts. Not here. This movie portrays him as a mean, brutish, no-nonsense, and surprisingly cunning villain who could probably kill you with his bare hands, let alone his machete, and who you absolutely do not want to mess around with. It helped that Drew Leighty as Kyle was a guy who I could easily root for. He may be a YouTuber, but the film avoids making him an obnoxious caricature for the sake of it, with scenes of him grumbling about the spon-con deal he's doing with the company that made the collapsible shovel he's carrying. And when push comes to shove towards the end, he turns into a real-deal survivor who feels like a genuine match for Jason. I wanted to see this guy live and prevail, which was more than I could say for a lot of the people who've crossed paths with Jason, and that fact made me fear what Jason was trying to do to him that much more.

The Bottom Line

It's rare for a fan film to be this good, but Never Hike Alone: The Ghost Cut manages to be not only better than a lot of the actual Friday the 13th films, but a damn good horror movie in its own right. Even if you're not a Friday fan, I still recommend giving this one a look, especially since it's free and easily accessible.

[iynekura]

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Sally/Liu Xiening icons.

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[quotes121sworld]

Myleene Klass pairs a stylish midi dress from her own high street collection with a £500 Chanel belt

She is known for her impeccable fashion sense.And Myleene Klass didn't disappoint when she arrived in style at Classic FM in London on Easter Sunday.The beauty, 45, looked stunning in a colorful printed midi dress from her own collection at high street store Next. Her dress had a crew neck and puff sleeves, and Myleene accentuated her waist with a black leather Chanel belt – which cost a cool £500, along with a £2,000 bag from the luxury label. She strutted her stuff in towering gold heels, a color story she carried into her accessories.

Fashion: Myleene Klass, 44, didn't disappoint when it came to fashion when she arrived in style at Classic FM in London on Easter Sunday

Strut: The beauty looked stunning in a colorful printed midi dress from her own range at high street retailer NextShe shielded her eyes behind a pair of sunglasses and completed the ensemble with a choice of necklaces and bracelets. Myleene accentuated her features with a light dusting of makeup and tied her brunette tresses back in a sleek ponytail.It comes after reports Myleene is reportedly set to recreate her iconic 'I'm A Celebrity' shower scene on spin-off show All Stars.The former pop star famously got hearts racing in 2006 by wearing a white two-piece suit in the outdoor shower.It's been reported that she'll be reconsidering the look when she comes to the South Africa show as a latecomer. Speak with The sunA source said, "Myleene couldn't wait to have her moment again and bring out the white bikini."She knows the effect it had last time and wanted to give him a cheeky nod."She's proud of her body 16 years after the original show and wants to show women that they can be confident and strong in their 40s."Myleene has become synonymous with white bikinis since her appearance on I'm a Celebrity...Get Me Out of Here in 2006.

Expensive: Her dress had a crew neck and puff sleeves and Myleene cinched her waist with a black leather Chanel belt – which cost a cool £500

Style: She strutted her stuff in towering gold heels, a color story she carried into her accessories

Style: The dress also featured a chic backless detail The nation's attention was caught when the star took a shower in the jungle while wearing a tiny two-piece that showed off her incredible figure. The source adds that Myleene will reportedly launch a Next swimwear range while the show airs so fans can recreate the iconic look.The famous tiny white bikini was auctioned for £7,500 for charity and Myleene later revealed it was a last minute purchase.She explained that she only spent £20 on the skimpy two-piece after producers told her the striped number she originally wrapped wouldn't look good in the film.In 2020, she reflected on the swimwear that helped make her a household name on I'm a Celebrity.She wrote: "It feels like I was in the jungle just yesterday! Every time I see this picture I can't believe how fate handled it all.

Iconic: It comes after reports Myleene will reportedly recreate her iconic I'm A Celebrity shower scene on the All Stars spin-off show (pictured in 2006)

Stunner: She's recreated the look many times since her visit to the jungle "I remember one of the producers on the show checking my bikinis at the hotel before I went to camp. One was covered with stripes. ''We need to stop at the shops as this is likely to be flashed on camera''."I ran into the store on my way to the jungle and asked the clerk for the simplest bikini she had. Best $40 I've ever spent... mostly because so much was raised for charity.Since her appearance, a slew of female stars have attempted to recreate their iconic shower scenes during their time at camp.Myleene ended up finishing second behind Matt Willis and is considered one of the surprising latecomers in the All-Stars camp alongside Georgia Toffolo and Joe Swash.Icon Gillian McKeith, known for her dramatic swoon scene, Dean Gaffney and Andrew Whyment could also be among the returnees. They will reportedly join previously announced stars Helen Flanagan, Carol Vorderman, Amir Khan, Janice Dickinson, Paul Burrell, Jordan Banjo, Shaun Ryder, Fatima Whitbread and Phil Tufnell. Read the full article

[iynekura]

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