#probably could have done better in the original post

[sword-fern-rants]

why I think "pretend like its the first time" is one of if not the best arcane episode

personally I'm a sucker for "what could have been" so this is all my opinion, but episode 7 was amazing, heartwarming and above all SAD. (I am ashamed to admit I cried) but the point is this episode was beautifully done to show us what would happen if powder had never been jinx.

from the beginning of the series we could all tell powder was smart, like she could build these inventions, they might not always work, but it was obvious she would improve with time. then when we see jinx in the initial time skip, she's gotten so much better with all her inventions, in "pretend like its the first time" we see what would happen if jinx's power was used for good.

also it was really wholesome to see vander and silco as friends again, the undercity and piltover connected, milo and claggor well. and ekko reiuniting with benny (albeit for a short time) was one of the saddest moments in my opinion.

now with my opinions on jinx/powder and ekko. powder and ekko's relationship was always interesting to me. in the first 3 episodes they didn't interact a lot, but they were the same age where there wasn't a lot of kids, and in the "enemy" music video we got to see more of their friendship dynamic, (if you haven't seen it I highly recommend it) also, in an interview one of the writers I think was telling the interviewer about a deleted scene where young ekko tries to "save" jinx from silco, but jinx lashes out at him, so that plants the seeds of their rivalry in season one. but in "pretend like its the first time" ekko originally thought jinx/powder was bad and would always be bad, but we see him realize, that with everything that's happened to her its reasonable that powder would become jinx, and while he's in the alternate dimension he really savors the time he had with her.

now the jinx/powder x ekko ship was always cute in my opinion, and from what we saw in their fight scene on the bridge in season one, as ekko was about to kill her he hesitated, why? because he still saw the girl he had grown up with, and I think jinx saw something similar.

but anyways from his experiences in the alternate dimension ekko realizes that circumstances made jinx and that powder wasn't truly gone, which is why he stops her from trying to kill herself, AND SHE LISTENS. this is crazy to me because kind doesn't listen to anyone, if vi was there she wouldn't have listened and she would have died anyways, and the probably the same would happen with ANY OTHER CHARACTER. but EKKO managed to get past all that, and convince her to live, so in conclusion they truly were in love. and even if jinx isn't dead (see one of my previous posts) she probably wants to stay away from everyone, and if she isn't dead ekko is still alone. but it still gives me comfort to know in tat alternate reality, powder and ekko can still be happy.

he truly loved her

THE END

[oneinathousand]

I've assembled some lesser-known quotes about Peter Cushing and Christopher Lee, I hope there's at least one in here that most of you have never seen before, though the super-fans among you have likely seen them all ;)

Lee fancies himself playing Aragorn, the archetypal heroic figure of the piece - he would probably be cast as Sauron, the Satanic figure in Tolkien's Middle Earth - but he feels that only a Walt Disney feature cartoon could possibly do justice to the work.

-"Cinemafantastique" Vol 3 No 1 (Fall 1973)

I knew that Lee wanted to play Gandalf when he jumped on board the LOTR movie trilogy, but I didn't know he apparently originally wanted to play Aragorn! My guess is that once he got older, he figured he would be better as Gandalf, though of course he didn't get it. But Lee as Aragorn... if he played the part in the late 50's, 60's or early 70's, I could see him pulling it off, what with his swordfighting abilities. Did he ever comment on the Ralph Bakshi adaptation?

After the liberation of Germany, he [Lee] visited a number of the concentration camps, including Dachau, a deeply disturbing experience which, he says, provided him with such a close-up view of the charnel house side of real life that he is unaffected by anything he sees or does on the screen.

-The Dracula Scrapbook, Peter Haining

I have decided now to tell a tale a bit "out of school" regarding the relationship between Peter and Helen Cushing, especially since this is a lady who remains a bit of a mystery to most Cushing fans - like a figure out of an Edgar Allan Poe tale, considering the way Peter lionized her as if she was indeed his "lost Lenore." During the latter part of 1977, I saw quite a bit of Christopher Lee as he and his family were living in Los Angeles where he played golf (and made the occasional film or television movie of the week.) One afternoon, we were at lunch, and the subject of Peter and his wife came up in conversation; Christopher leaned over to me and said, "You know David, Helen Cushing was a bit of a psychic vampire in life; she kept Peter very close. It was as if she could read his very thoughts before they had them. They really were soulmates of the first order; make no mistake about that! I don't think Helen ever really trusted me where Peter was concerned - even after he and I had made several films together. In fact, Helen used to say to me, "I know you think you are now bigger than my husband don't you?" Well, I just looked at her, smiled and said, "Well Helen, I am taller than Peter you know." Christopher felt that Peter had such guilt - imagined or not - about anything he might have done when they were married; if for example he ever found himself attracted to any of the Hammer glamour girls; whom he worked opposite, it all was now too much to bear. On the other hand, Vincent Price responded to Peter's intense mourning with his usual brand of humor. During the filming of Madhouse, he observed Peter discussing ways of communication from beyond the grave by perhaps installing a phone in the crypt; Vincent listened to all this and then replied with that unmistakably deadpan voice, "Well Peter, what if she's out?"

-David Del Valle, "Diabolique" #16

A few of you may recall seeing a quote posted here from Lee calling Helen a psychic vampire. I tried to find the source for that, but I couldn't. Instead I found this other version, possibly by the same person, which seems to give more insight about what Lee actually thought of Helen, and it comes off as much less harsh on his part than the other one.

A while back, I looked up interviews about the making of The Legend of the Seven Golden Vampires, and I swore I saw a magazine or something where Roy Ward Baker, the co-director of the movie along with the Shaw Brothers, said something about Cushing during the making of it to the effect of: “He was absolutely miserable, poor bugger.” But I forgot to take a screenshot of it then and for the life of me I couldn’t remember where it came from, I tried to look through my search history but couldn’t find it. I swear that I saw it, though!

Oh well. Next up is a quote about Lee and Cushing watching Looney Tunes together for the last time, get your tissues out...

In the early 90s I worked for Hammer Films and was asked to organise a voiceover recording for a Hammer Films documentary. Both Peter Cushing and Christopher Lee had agreed to work together one last time. Christopher Lee had asked me to organise one thing: a television and a VHS player in a private room and to have some alone time with Peter. After the recording, I cleared the studio and left Peter and Christopher alone with the TV. They hadn’t noticed that I was still at the mixing desk so I waited to see what they were going to be watching. I saw Count Dooku and Grand Moff Tarkin sit watching Looney Tunes cartoons – each doing perfect impersonations of Sylvester the Cat and Tweety Pie – all line perfect! I can’t remember exactly – but I think Christopher Lee was Tweety Pie and Peter Cushing was Sylvester.

-"Popbitch" 2015 Annual, the quote is just credited to a "JH", but IMDB lists a Jane Hughes as having worked as an assistant director in the Canterbury studio where Lee and Cushing recorded their voiceover, so this is most likely her. I personally would like to believe that Lee was playing Sylvester and Cushing was Tweety because Lee said he was always Sylvester to Cushing, and come on, Cushing MUST have been Tweety, that character would fit him like a glove!

For this final quote, I'm gonna do something different and copy-paste a whole interview done with Lee by a guy named John Exshaw about Cushing a year before the latter died for the magazine Cinema Retro, the interview being put up on their website. The formatting on the interview is all messed up, so I fixed the apostrophes and em-dashes and will put the whole thing here for your enjoyment.

I find this interview fascinating not so much for what Lee says about Cushing, but for how it implied he saw himself compared to Peter:

I didn’t meet him until we did the first Hammer movie. I’d seen him. Of course the thing which I’d seen which impressed me most, understandably, was 1984, which was remarkable. He was wonderful in that… Live TV! [shudders]

Total dedication; and this is the answer to why Peter Cushing is an actor. Total dedication. Total! The most professional actor I have ever worked with. And I’m not going to say underrated, because he isn’t underrated. He’s highly regarded all over the world as a brilliant actor, and deservedly so. The record shows that… Also, one thing that we do share, I think, more than anything, which is more important than anything else - I think we share the same dedication, I think we share professionalism, I think we share the same feelings about doing the best we can - one thing we certainly share is the same sense of humor, which of course the general public is totally unaware of. If they knew what we got up to on the set in every film we’ve made… the imitations that I used to do… Oh, we used to dance together in the rushes, yes; me made up as the Frankenstein creature, a sort of, a sort of, what do you call it - buck-and-wing dance, you know. And in years and years and years he and I have shared this idolatrous love of the Warner Brothers cartoons, you see, and Sylvester, and Tweetie Pie, and Yosemite Sam. And I’ve always imitated them, you see, and he’s done the same. And we used to do that on a set; people used to think we’d gone out of our minds, and we’d make each other laugh. Sometimes it’s so important - in a way, it’s absolutely essential - but we’re both of us ice-cold when it comes to doing it, even if we’ve been been laughing a few moments before. And that’s a thing we also share, total concentration.

And what can I say about Peter Cushing that I haven’t said before? I mean, consummate actor, brilliant technician, and a marvellous human being. I’ve always said, you know - I’m sure you’re aware of this - that he should have been a priest… Because there is a great love for his fellow man. There’s an almost superhuman loving kindness in Peter, and it’s always been in there. I’ve never heard him say anything harsh about anyone. He’s also a deeply religious man. Those are the two things we don’t have in common. I’m afraid I do say what I think. I’m not tactless but I am a more direct person than he is. I don’t have his tolerance. I don’t have his gentleness. I don’t have his faith; I wish I did…

He is not an easy person to get to know, believe you me. There’s a lot about Peter that I don’t know… But of course, as you know, Helen died in the 1970’s and that is his only desire left in life. And it’s genuine. He has stayed alive because he’s a man who would never take his own life because that would be a great sin, and he has stayed alive through some pretty terrible experiences, you know. He’s had cancer, and problems with his legs, his hips, breathing, and all sorts of medical problems, but the spirit is unquenchable and the speed of thinking and the mind haven’t changed at all. I mean, it’s another cliche - the spirit is willing but the flesh is weak. The same thing with Vincent [Price]; mind like a rapier, both of them. Only the physical disabilities of getting old…

But he’s certainly one of a kind, and of course this business of staying alive, simply existing, which is how he looks at his life - existence. He’s only waiting for that moment; only waiting for it. And he’s been waiting now for twenty-three years. It must be terrible to be so admired and so loved and so respected but to impose, I feel, on yourself, deliberately, a sort of monastic seclusion which he seems to prefer. He seems to; I mean, you wouldn’t think of it if you saw him with a group of people but I think he prefers to be alone. I don’t think the house is full of people. I don’t think there’s many very, very close, intimate friends - but nor have I, and nor have many people.

Acquaintances, yes; admirers, yes - scores of thousands all over the world, people who feel they know him, people who feel that he’s a friend - all that. That’s on a professional basis; I think on a personal basis, I get the impression that he’s a person who keeps his life and his relationship with his wife very much to himself. It’s locked up in a cupboard of which he has the key. He doesn’t open that cupboard and release anything unless he chooses to. But I don’t either.

[dollieroulette]

First lucky(?) haul--

Couple of years ago by now, I snagged a Mystery BJD via online estate sale auction. Her pictures? Atrocious. Her value? Uncertain. Her authenticity? A mystery. I had to have her.

She was listed as a "OOAK Custom Monster High Doll," and I had the feeling that she was likely to be overlooked by monster high collectors-- I mean...

I wasn't lying when I said the pictures were atrocious. But hey, what's all that? Empty spot for..ears? Huh.

These pictures were leaving a lot to the imagination. Reverse google image searching, asking all sorts of other collectors and doll enthusiasts-- with their help we narrowed the head down to a Turb & Roxen sculpt by Soom. The body, though-- I'd have to get her in hand. So I did that-- 7 dollars was my winning bid. A lil' extra for tax and shipping and I was sitting pretty at round about 21 bucks. Well worth the risk.

THE ARRIVAL--

She arrived in a big ol' box some time later. I didn't take nearly enough photos, but here are the ones I have after first breaking her free from her cardboard prison:

I posted all these photos in a BJD discord I'm in-- with their help, we were able to narrow it down to an earlier Soom Little Gem release. It all looked correct-- weird lil' knee and elbow cups, all proportions, hands and feet easy to match up. Exciting! So far, she looked PRETTY legit! Yay! Uh. I mean kind of. We mostly came to a dead end. Yeah, looked to be Soom-- was, y'know, MAYBE legit? But finding pictures of all the older Soom bodies was harder than I thought it would be..and it seemed like whoever owned this doll mix and matched parts on the torso. Confusing. DONE CARING I WANNA PLAY-- Whatever!! I wanted to get right to trying my hand at faceup-- something I had never really given a go of before. Lets clean her up.

Alright, no. Nah.

I mean, yeah, ok that's better I think. I even found some old eyes that looked pretty nice! Here's a couple of glamor shots:

SO! Where are we now, two years later? Well, we know a few things-- this doll is -probably- a soom little gem body with a roxen & turb head. She's missing her ears and the body she came with is not from the same set as her head. It looks as if she's had her seams sanded down and, I'm just guessing here, has a boy torso top and a girl torso bottom. I think. That one I'm still uncertain about. She came with no papers-- so I can't ask Soom to help me confirm her authenticity. I've tried (and failed, haha) to find the original owner via old forums and old posts and groups in the hopes I could just, I dunno, directly ask if they had purchased her directly from Soom? Failed at that one, probably shouldn't linger too long on that anyhow. Might creep folks out, haha. I DID join a Soom facebook group and a collector who looked over the pictures said she felt my doll looked in all ways identical to her own legit dolls-- but she didn't provide me comparison photos, so, y'know. Up to opinion there. And that, currently, is where we sit with Mystery Doll 1. All signs point to "probably legit," and yet, sadly, I still have no way to confirm either way. I've recently taken her apart and cleaned her faceup off, I think it's time for a fresh look and some detailed photos of all the parts of the doll. I'll list those separately, probably tomorrow. Did you make it this far? Are you invested in this mystery? I invite you, too, stranger, to seek out answers. If you have a lead, I wanna' hear it! :) Till next time. PS: My eternal thanks to the BJD discord group, folks on reddit, folks on facebook...ya'll have put up with my obsession and curiosity for a while now! Thank you for all your patience and help. <3

[broken-clover]

Well, no, that's not quite it, either. While the DLC roster has introduced a lot of new characters that draw in people unfamiliar with the series who don't know the plot or lore very well,

A.B.A has literally nothing to do with the plot whatsoever

Testament, for example, being a Gear automatically ties them to that part of the narrative, and likewise their pre-Strive interactions tie them to characters like Johnny and Dizzy. Bridget, while less important to the narrative back in XX and Accent Core, still used to go around as a bounty hunter (offering a bit of a gateway to pre-Xrd's frequent use of bounty hunters and how it ties into prejudice about Gears) and later an aspiring street performer, in the process meeting and occasionally befriending character in certain endings like Dizzy and Jam.

For a better reference, here's a character interaction chart circa Overture-era. While it's obviously out of date now since Xrd and Strive introduced new characters and new character interactions, the fundamental relationships haven't changed too too much

As you can see, everyone's interconnected in some way or another!...aside from A.B.A, who's just kinda chilling in the corner. Likewise, in her Accent Core plotlines, she pretty much keeps to herself and remains singleminded in her goal of finding Paracelsus a new body. The closest she gets is interacting with the P.W.A.B in her efforts to see if they can make an artificial body since they had already manufactured the Robo-Ky line, but that interaction is brief (and not canon) and isn't really all that close or friendly.

And while you could connect her to Paracelsus...he also has nothing to do with anything. Slayer mentions being familiar with Paracelsus' past when he was once a bloodthirsty demon weapon in the drama CD (not helping that that was only released in Japan and requires finding a fan translation if you don't understand the language), but that has nothing to do with A.B.A herself. The lab where she was made is mentioned a couple of times in Strive, but A.B.A as far as we know is the only known homunculus in the series, and that kind of science isn't explored nearly as much as something like Gears or the Backyard. That, and given her status as DLC means in Strive she has no relevance to the main plot and just has her own individual story in arcade mode.

So when I say 'A.B.A has literally nothing to do with main plot,' I'm not even exaggerating all that much. Girl is straight up just here to hang out.

While I mean no disrespect whatsoever to A.B.A enjoyers and I'm of the mind there's no inherently wrong way to get into a series especially in regards to its characters it's just also very funny that people are trying to get into a series and better understand its lore through the character that literally canonically has basically nothing to do with anything or anyone else in the roster whatsoever

[danielnelsen]

sometimes it really does feel like awakening walked so inquisition could crawl

[hierneneuro]

I've decided I'm not gonna do a board year at uni like I was considering. It'll just be too time consuming and I've decided I wanna finish my 600-page Epic Fantasy Novel before my 24th birthday. it's 99.9% sure not gonna get published I know that but I just wanna fucking write and illustrate it. it'll be part of a trilogy. this trilogy will be based on another very famous trilogy

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[petermorwood]

More on pre-electricity lighting.

Interesting to see this one pop up again after nearly two years - courtesy of @dduane, too! :->

*****

After experiencing a couple more storm-related power cuts since my original post, as well as a couple of after-dark garden BBQs, I've come to the conclusion that C.J. Cherryh puts far too much emphasis on "how dark things were pre-electric light".

For one thing eyes adjust, dilating in dim light to gather whatever illumination is available. Okay, if there's none, there's none - but if there's some, human eyes can make use of it, some better or just faster than others. They're the ones with "good night vision".

Think, for instance, of how little you can see of your unlit bedroom just after you've turned off the lights, and how much more of it you can see if you wake up a couple of hours later.

There's also that business of feeling your way around, risking breaking your neck etc. People get used to their surroundings and, after a while, can feel their way around a familiar location even in total darkness with a fair amount of confidence.

Problems arise when Things Aren't Where They Should Be (or when New Things Arrive) and is when most trips, stumbles, hacked shins and stubbed toes happen, but usually - Lego bricks and upturned UK plugs aside - non-light domestic navigation is incident-free.

*****

Here are a couple of pics from one of those BBQs: one candle and a firepit early on, then the candle, firepit and an oil lamp much later, all much more obvious than DD's iPad screen.

Though I remain surprised at how well my phonecam was handling this low light, my own unassisted eyes were doing far better. For instance, that area between the table and the firepit wasn't such an impenetrable pool of darkness as it appears in the photo.

I see (hah!) no reason why those same Accustomed Eyes would have any more difficulty with candles or oil lamps as interior lighting, even without the mirrors or reflectors in my previous post.

With those, and with white interior walls, things would be even brighter. There's a reason why so many reconstructed period buildings in Folk Museums etc. are (authentically) whitewashed not just outside but inside as well. It was cheap, had disinfectant qualities, and was a reflective surface. Win, win and win.

*****

All right, there were no switches to turn on a light. But there was no need for what C.J. describes as stumbling about to reach the fire, because there were tinderboxes and, for many centuries before them, flint and steel. Since "firesteels" have been heraldic charges since the 1100s, the actual tool must have been in use for even longer.

Tinderboxes were fire-starter sets with flint, steel and "tinder" all packed into (surprise!) a box. The tinder was easily lit ignition material, often "charcloth", fabric baked in an airtight jar or tin which would now start to glow just from a spark.

They're mentioned in both "The Hobbit" and "The Lord of the Rings". Oddly enough, "Hobbit" mentions matches in a couple of places, but I suspect that's a carry-over from when it was just a children's story, not part of the main Legendarium.

Tinderboxes could be simple, just a basic flint-and-steel kit with some tinder for the sparks to fall on...

...or elaborate like this one, with a fancy striker, charcloth, kindling material and even wooden "spills" (long splinters) to transfer flame to a candle or the kindling...

This tinderbox even doubles as a candlestick, complete with a snuffer which would have been inside along with everything else.

Here's a close-up of the striker box with its inner and outer lids open:

What looks like a short pencil with an eraser is actually the striker. A bit of tinder or charcloth would have been pulled through that small hole in the outer lid, which was then closed.

There was a rough steel surface on the lid, and the striker was scraped along it, like so:

This was done for a TV show or film, so the tinder was probably made more flammable with, possibly, lighter fuel. That would be thoroughly appropriate, since a Zippo or similar lighter works on exactly the same principle.

A real-life version of any tinderbox would usually just produce glowing embers needing blown on to make a flame, which is shown sometimes in movies - especially as a will-it-light-or-won't-it? tension build - but is usually a bit slow and non-visual for screen work.

*****

There were even flintlock tinderboxes which worked with the same mechanism as those on firearms. Here's a pocket version:

Here are a couple of bedside versions, once again complete with a candlestick:

And here are three (for home defence?) with a spotlight candle lantern on one side and a double-trigger pistol on the other.

Pull one trigger to light the candle, pull the other trigger to fire the gun.

What could possibly go wrong? :-P

*****

Those pistol lanterns, magnified by lenses, weren't just to let their owner see what they were shooting at: they would also have dazzled whatever miscreant was sneaking around in the dark, irises dilated to make best use of available glimmer.

Swordsmen both good and bad knew this trick too, and various fight manuals taught how to manage a thumb-shuttered lamp encountered suddenly in a dark alley.

There's a sword-and-lantern combat in the 1973 "Three Musketeers" between Michael York (D'Artagnan) and Christopher Lee (Rochefort), which was a great idea.

Unfortunately it failed in execution because the "Hollywood Darkness" which let viewers see the action, wasn't dark enough to emphasise the hazards / advantages of snapping the lamps open and shut.

This TV screencap (can't get a better one, the DVD won't run in a computer drive) shows what I mean.

In fact, like the photos of the BBQ, this image - and entire fight - looks even brighter through "real eyes" than with the phonecam. Just as there can be too much dark in a night scene, there can also be too much light.

*****

One last thing I found when assembling pics for the post were Folding Candle-lanterns.

They were used from about the mid-1700s to the later 20th century (Swiss Army ca. 1978) as travel accessories and emergency equipment, and IMO - I've Made A Note - they'd fit right into a fantasy world whose tech level was able to make them.

The first and last are reproductions: this one is real, from about 1830.

The clear part was mica - a transparent mineral which can be split into thin flexible sheets - while others use horn / parchment, though both of these are translucent rather than transparent. Regardless, all were far less likely to break than glass.

One or two inner surfaces were usually tin, giving the lantern its own built-in reflector, and tech-level-wise, tin as a shiny or decorative finish has been used since Roman times.

I'm pretty sure that top-of-the-line models could also have been finished with their own matching, maybe even built-in, tinderboxes.

And if real ones didn't, fictional ones certainly could. :->

*****

Yet more period lighting stuff here, including flintlock alarm clocks (!)

[giannaln4]

I Missed You

lando norris x fem reader

summary: You missed seeing Lando being happy after a race, and you couldn't wait to tell him how proud you were.  (1.4k words)

warnings: fluff, stablished relationship, a bit of mclaren slander

a/n when i tell you i loved this idea SO SO much. i’m not too sure i’m happy with how this turned out but i really hope you guys enjoy it 🩷 i apologise for posting this just before the race but it was a bit hard to get started for some reason 😭 anyway pls let me know what you think!!

check out the original request here!

↺ back to navigation — send me a request!

The weekend in Monza was one you were hoping to forget. The tension in the air reflected not only in the team but also in the comments people were making about it, having even sports commentators and content creators question McLaren’s entire strategy to keep their fighting position in the WCC and also have a shot at the WDC. 

Lando’s demeanour immediately after getting off the car was something you would never forget, though, even if you tried. It was pretty obvious for everyone, even if he tried his hardest to never say something bad about his team and his teammate. That team was his home anyway. He had been with McLaren even before his F1 career started, and even after weekends like this one, he would never doubt he wanted to achieve great things with them.

That is probably what made it harder for him. This year they were competing not only for points and podiums but for something bigger, and after knowing what he is capable of, ending up in that position absolutely crushed him, and you hated to see him debating with himself. 

Once the weekend was finally over and you were leaving Italy, you wanted to make him feel better, telling him how great he was and how proud you were. You even shot some comments at McLaren for everything that went down, but he didn’t want to hear it; he barely wanted to talk about it, so you just dropped it. You understood him anyway, so you had to leave everything behind and just be supportive of your boyfriend.

You were hoping this weekend would be different, better, everyone was, and there was a lot of talking in the team that they would make the right decisions to keep fighting now that they had the chance. This, of course, would only mean something until they actually proved it during the race. 

Lando was in a better mood coming into this weekend; he trusted his team and he was confident they were backing him up. That was until the qualifying came. A yellow flag being pulled out by mistake during Q1 caused him to lose the opportunity to even put up a fight, and he ended up being P17. It wasn’t even his fault, but you knew he was beating himself up for that result. 

“Lando,” you called him right after he came back to the garage to watch the rest of the qualifying. He looked at you with a disappointed smile. “It’s not your fault, baby.”

“I know.” He pulled you into a hug, not wanting you to worry about him too much. “There’s nothing I could have done. We just have to wait and see what we can do tomorrow.”

“I’m sure you’ll do amazing,” you replied into his chest, rubbing small circles in his back to let him know you were there for him, no matter what. 

“We’ll see. The car felt okay, but it’s hard to overtake on this track. It’s quite a long straight.” He let out a nervous giggle as he pulled away; he didn’t sound as confident as you were hoping, but you knew he was right. “Some of it is just going to have to cross our fingers.”

There was no point in fighting him when he got like that, so you just nodded. “I’ll be crossing everything I have then.”

He went off with the rest of his team as you stayed back to watch the rest of the cars complete the qualifying. The air was starting to get tense again, and even though you knew everyone was nervous with Lando’s result, you weren’t sure if it was just your own feelings talking. But like Lando said, you were going to have to wait and see what the team could come up with, you were just hoping they would do the right thing.

Race day was finally here, and with Lewis starting from the pit lane due to a new power unit and Pierre being excluded due to fuel flow rate, Lando had been promoted to P15. Sure, it would have been better if Lando had the chance to fight for his starting position, but at least that was something. 

You could see he was still not completely confident in how the race would go, but you trusted enough for the both of you. 

Watching the race from the garage was something that always made you incredibly nervous, but especially in this position. But Lando managed to get to P12 by lap 2, and everyone was incredibly excited by his overtakes. 

As the race went on and he felt more confident with the car, he started to climb his way up to the top 10, trusting the team’s decisions with the strategy they were sticking to, and you were so glad everything was falling in place. 

The rest of the race still made you bite your nails at how nervous you were, but the bliss in the entire garage when he overtook someone was indescribable. He was driving the race of his life, and even the radios he exchanged with the team radiated that. As always, the last few laps were nervewracking, but the fact that he made it all the way to P6 and was even helping Oscar with his own race left everyone with a good taste. Not a complete terrible weekend after all. 

During the last lap, however, an unfortunate crash between Carlos and Checo pushed him to P4, meaning he gained 11 positions during the race; not that you ever doubted him, but seeing him end up there with the fastest lap after an absolute mess of the qualifying made you excited to see him. After confiming everyone was okay, you took the liberty to celebrate your boyfriend’s race.

Lando got out of the car and went to greet his team, cheers and smiles all over the place. Everyone was praising him for the incredible work he made, and his smile didn’t go away for a second the entire time. 

You knew you would still have to wait to congratulate him; he still had to do media before coming back to his room, where you were waiting for him, but seeing him so happy in the monitors made you grow impatient. 

It felt like it had been a while since you saw him so happy after a race.

After what felt like forever, you heard him come back to the garage. You stoop up from the small couch and opened the door, where you were greeded by your boyfriend. 

“Hey, you.” You said, closing the door behind him.

“Hi,” he replied, smile so big you could see his dimples.

“That was amazing, Lando. I knew you would do amazing, but I can’t even describe how proud I am.” 

He smiled even more at your words. He closed the distance between you when he took a few steps, wrapping you in his arms and kissing you deeply. You could even feel him smiling then, and that filled your heart.

“Thank you; it was a good day,” he said when he pulled away, looking down at you with loving eyes. “I think everything worked out.” You just nodded as you admired him.

“I missed you,” you whispered as you brushed a few curls that fell on his forehead.

“What do you mean? We’ve been together the last three weeks. You saw me just before the race." To say he was confused was an understatement, and you could see it in his face.

“I mean you, this. I missed seeing you so happy and smiley. Looks good on you.”

Lando was a bit embarrassed by your confession; he thought he did a better job at hiding how much the results affected him, at least to you. It was never his intention to be so down when he was with you, but man, was he endeared by your words. “I needed this,” was all he said, and you know he was right. And it wasn’t only him; you knew the team needed this as well.

“I know, and I know you hate to hear it, but I told you.”

He let out a laugh, not a nervous one this time. “Yes, you did,” he hugged you again, much tighter as he buried his face on the crook of your neck. “Thank you for being here and supporting me, even during my bad times.” He spoke with so much sincerity. 

“I wouldn’t change it for the world.”

[messiahzzz]

i have seen several posts around that addressed how discouraging gale from taking the crown of karsus is “keeping him from realizing his true potential.” that tara is merely upset at his choice, instead of being utterly devastated at the loss of her little love. that it’s not a bad ending per se because to get there he didn’t need to sacrifice 7000 innocent souls in the process. gale isn’t continuing the cycle of abuse either, he still appears to love tav and does come back for them to offer them ascension. he wants them to be equal, so it can’t possibly be an unhealthy dynamic, right?

but what of gale himself, his own convictions, values, and everything he holds dear? everything flawed and human that shaped him into the person he is?

player: are you saying you want to ascend? claim godhood?

gale: no, not like that. i don't want to join them. i want to better them. a god's powers, paired with a mortal conscience, a mortal heart.

gale’s motivation for acquiring godhood is that he will able to aid mortals in a way no other god has ever done before. he won’t hide behind pretense nor require blind devotion of his followers. he will understand and be able to empathize. he wholeheartedly believes that he will be different - he will act.

gale: [..] the gods could aid us if they wished, but instead they cower behind ao. so let us act ourselves.

gale believes that by becoming a god he will kill two birds with one stone: aid mortals and acquire enough power to quash any of his insecurities and enemies in the process. that by ridding himself of every perceived flaw he'll finally feel like he will have enough to offer - maybe, just maybe he'll even be content. his flaws are merely holding him back from becoming the best version of himself, and by ridding himself of everything fallible, he will be whole. maybe this is what all of his suffering has led up to. maybe the orb chose him. maybe the reason he had to endure all the pain, isolation, and excruciating loneliness was so that he could realize that he was meant for something even greater. after all, power feeds ambition. and what is more powerful than a god? his convictions were certainly naive, he possesses enough knowledge to know better. don't get me wrong, part of him definitely wants to spite mystra a lil. but his intentions at that time were mostly pure. a reflection of his self-hatred and feelings of inadequacy.

player: this is wrong, gale. that power will corrupt you, even if you can seize it.

gale: it won't, i swear to you. it's merely a tool - a means to an end.

once we meet gale at the party in his new godlike form, it is apparent that even with all the power at his fingertips, he has reached no greater knowledge about himself. his insecurities are still as present as before, he merely is less subtle in his compensation - repeatedly highlighting his grandeur and how dull life on faerun is compared to the wonders of elysium. it is also genuinely crushing to see how little he thinks of himself even now.

gale: i was nothing. a drifting dust mote of a wizard, abandoned by my goddess, my powers lost, my reputation destroyed. and look at me now. i'm their proof.

any perceived dismissal of his Greatness™ is met with immediate disdain.

gale: a bold decision to treat a divine being with such cold indifference.

nodecontext: aloof, annoyed you weren't impressed with him

gale: you mortals do love to live dangerously, don't you?

nodecontext: the slightest hint of a threat - you've probably made an enemy here today. or at least, you've lost a friend.

he is still desperate to impress. emphasizing what an honor it is that a new-born god chose to bless their little soiree with his presence. gaze upon all his divine glory! gale has now become the embodiment of everything he criticized about the gods. his original intentions and plans are discarded and long forgotten. he assuages his erstwhile companions by telling them to simply pray to him, in case they should ever require aid. if they're lucky and their ambition pleases him, he might even deliver.

player: what does the 'god of ambition' offer to his followers?

gale: i 'offer' them nothing. i inspire them to seize their destinies for themselves.

player: interesting, so you help mortals help themselves?

gale: precisely. though that isn't to say i'm averse to the odd bit of direct encouragement.

gale: [..] my aims are set a little higher than offering cursory blessings to just any half-decent spellcaster.

gale: regardless, ethical quandaries are more the remit of my mortal devotees. they do love to talk, and faerun is starting to listen.

aiding "any half-decent spellcaster" is unbefitting of his status. he isn't concerned with questions of ethics and morality either. deeming such matters beneath his divine capabilities.

once gale has ascended and established his domain, what remains of the gale we knew? what of his mortal heart?

minthara: your ambition is not cruel, but you fear that if you indulge it, you will lose yourself in the mysteries of the weave and unravel the world.

minthara: you are afraid of so many things, and it is that fear that keeps you true to yourself.

gale did lose himself and ultimately became one of his biggest fears. considering that his existence as a being of pure ambition leads him to constantly seek out greater heights, it isn't farfetched to believe that raphael's prediction will indeed come true.

player[astarion]: ambition? finally, a god i can get behind...

gale: i assure you, this is merely the prelude to a far grander vision. elysium's in for something of a shake-up.

all that remains of gale is a thin veneer of the person he used to be. what he presents is a hollow echo of the old gale. he does retain some of his mannerisms and quirks, but he is definitely a lot colder and more condescending. if his personality already changed that drastically after a duration of only 6 months, what will he inevitability turn into when he has eternity at his disposal?

essentially, you are aiding gale in the eradication of himself. eradicating everything about him that made him into the loveable, charismatic, awkward, kind, buoyant person he was. everything about him that he perceived as defective, flawed, and lesser-than. before, his hubris was merely an expression of his own discontentment and low self-worth, but now he is hubris incarnate. all of his worst qualities have been amplified.

gale: i am ambition incarnate. as indistinguishable from that most potent sensation as mystra herself is from the weave. and word is spreading.

nodecontext: palpable, almost unsettling excitement from him - hint of megalomania

he put his trust in tav, trusting their judgment and relying on them to nudge him in the right direction. after all, they had plenty of opportunities to show him that they are an ally worth following and confiding in. but in the end, the prospect of what he could be, the things he could give them, the enemies he could yet conquer, won over the desire to simply accept him and help him rebuild a life on solid ground. tav denied him the unconditional love he craves most out of their own selfish desires.

tara: you were looking out for him. i expected better of you.

as i've already mentioned, gale desires nothing more than to be seen, accepted, loved, and valued. having a partner who wholeheartedly supports and believes in him is enough to make him feel content. most importantly - he just wants to live. to enjoy life with everything it has to offer. his ambition can’t be quenched because he hungers still. believing that only by acquiring more power will he finally be enough and reach said acceptance.

we see in his good ending that his own contentment was even able to influence and (temporarily) sate the orb's ever-present hunger:

gale: [..] or perhaps the orb's hunger was fuelled by my own, and my contentment influences it in much the same way.

gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.

it is devastating that he doesn't reach the same feeling of fulfillment if he chooses to pursue godhood, and is instead compelled to continuously surpass his own accomplishments. not being granted rest or reprieve.

gale: i achieved everything we hoped i would, and still i'm not good enough for you?

gale pursuing godhood isn't evidence that he "has been evil all along" or that he "just waited to be unleashed" either. we can't diminish tav's influence in this outcome, they are after all an extension of the player. able to steer every companion toward a path of redemption or to enable them in their worst traits. fandom has already established that by letting astarion ascend you are actively supporting him in becoming the very thing he despises most, putting your own ambitions and idea of what you want him to be above his healing, this is no different.

tara: the gale i knew wasn't like this. he recognised his mistakes. he was contrite. all he wanted to do was live.

tara: unfortunately, he fell into company that turned his gaze towards foolishness. yes, i mean you.

player: gale is his own man, tara.

tara: false. he was mine. though now he belongs only to his own pride.

yes, the epilogue cutscene is beautiful and there is something bittersweet and romantic about his love for tav being one of the few emotions that remained a constant throughout the past 6 months. he didn't need to come back for them, but he did cause he loves them still. no matter how warped his definition of love may be now. while it is abundantly clear that tav ranks lower on his priority list than they did before, his commitment remains.

gale fears isolation, hoping to never return to the time when he was hopeless and alone, stuck inside his tower. by heading in this direction he is once again creating a self-fulfilling prophecy.

tara: [..] if i pretended you hadn't turned tail on every lesson you set out to learn, i'd have no right to call myself your friend.

morena may as well have already resigned herself to her son’s death. elminster partly blames himself. for his lapse in judgment, as well as being the one who plucked him from obscurity in the first place. mourning the kind, bright-eyed boy who cried at the scorched roses in his neighbor's garden. tara won't be here anymore to care and look out for him either. he has lost his oldest and dearest friend, the one who witnessed his downfall from grace and never left his side. who believed him to be the finest mind AND the finest wizard she's ever had the pleasure to know. who was certain that he’d find a way out of any crisis no matter the circumstances. ...and if tav declines his offer to ascend with him? what does he have left?

gale: yes, i am rather radiant, aren't i?

tara: don't flatter yourself, gale. you've debased yourself in ways i could never have fathomed.

tara: goodbye gale, i hope the heavens are worth it.

gale’s godhood ending deals with the loss of humanity, the loss of oneself, and everything one holds dear. it is a devastating and bone-chilling narrative. it is a tragedy.

gale: i hope you don't think less of me. great ambition should not come at the expense of what you already hold dear. i see that now.

if gale could see himself, he would be horrified at the losses he deemed necessary to get here. he would be horrified at what he’s become.

[bayjaruchel]

Whammy Kiss Me (Whammy Hug)

－－－

Pairing: Clapton Davis/AFAB Reader

Rating: Explicit

Summary: Maybe Seven Minutes in Heaven isn't a pointless party game, after all. (3.9k | originally posted on ao3 | Masterlist )

－－－

It's not until the closet door shuts that you realize the gravity of your current situation. 

You've been at the party for at least a couple of hours; you've grown used to the general noise. The slight haziness of the air. You're not quite hammered yet, but you've got one or two drinks in your system. Just enough that you can enjoy the feeling without worrying about the hangover tomorrow. Judging by the way that a couple of people had been giggling and swaying, not everyone who was sitting around the circle shared your sense of self-conservation. 

Although it hadn't been the brightest outside— it was dim, but also somewhat illuminated at the same time with the neon lighting— the single lightbulb hanging above your heads doesn't do much against the darkness. 

Yeah. Heads, plural. 

Luckily, there's only one person in the cramped space besides yourself. 

Unluckily, that person is one Clapton Davis. 

It's not that you don't like him. Actually, you feel the exact opposite towards him, but that's not the point. It's just that— you know, you could spend seven minutes just sitting in silence, doing absolutely nothing— but you're suddenly hyper-aware of the way your knees are brushing. The way there's something in the air. Maybe you're just imagining it, but there's something … restless. Something like—  

Your thoughts are abruptly interrupted when he speaks. 

"So," he says, casually. As if you're not within necking distance in a cramped space. "You enjoying the party?" There's that same easy grin on his face. He's completely at ease, apparently. You're not sure if that's because of his ever-present (and sometimes misguided) confidence, or because he's used to stupid little party games like this. It's probably a combination of both. 

"Yeah." You find yourself replying, almost on autopilot. "The punch isn't as bad as I thought it would be." 

Clapton honest-to-god giggles at that. "It's still pretty shitty, though."

"I wouldn't say shitty."  

"Awful, then." He raises his eyebrows. "Let's just say that it's an … acquired taste." 

You can't help but smile. "Fair." He's right— you're pretty sure that the only people who actually enjoy it are the people who regularly attend these parties. Said people usually just come to get drunk, anyway, and the punch works wonders. Magically malicious.  

"It's either that or cheap beer," he muses. "Or wine busted from mommy and daddy's fridge in the basement." 

"Expensive wine?" 

"Could be." Clapton shrugs, pulling his knees closer to his chest. You try in vain not to focus on his arms as he wraps them around his legs. Was it really necessary to wear the tank top? "Maybe," he says. "But I doubt that anyone here would wanna drink it." 

You unconsciously mirror his posture. "Why's that?" 

He snorts. "Too classy." 

It sort of makes sense. You can't really see Josh from Calculus sipping a glass of pinot noir, much less enjoying it. Maybe one has to start from the bottom of the hypothetical alcohol pyramid and work their way up. The bottom, meaning Bud Light. Or Coors Light. All of the Lights. 

"Cheap beer it is, then." 

Clapton's grin is back. 

"Unfortunately." 

You're starting to relax, even if you can still feel your heart pounding whenever his eyes meet yours. Even if your eyes are lingering. When he reaches up to idly run his fingers through his hair, you can't stop yourself from wondering: is it as soft as it looks? 

"How much time d'you think we have left?" He asks, just as you're attempting to reel yourself back in. 

"Uh," you start. Nice. "I don't know— maybe, like, four minutes or so?" Spending a couple of minutes talking about drinks wasn't exactly the plan, but you're not exactly complaining. It's still better than awkward silence. You wonder— again— about how many times he's done this before. How long does it usually take before people give in? 

The muffled music from outside has been reduced to just the thumping of the bass, and the rhythm matches your pulse. 

"Four minutes," he echoes. 

You can't hold his gaze, glancing down at your knees instead. 

"Yeah." 

You can tell when Clapton adjusts himself where he's sitting, but you have a feeling that he hasn't looked away. Not yet. 

"What do you wanna do now?" He asks, innocently. "Four minutes is a long time." 

When you look up, you're proven right. The faint glow of the light doesn't hide anything. It just makes everything feel vaguely dreamlike. And, okay. This is pretty cliche. But you've watched too many movies, seen too many shows—  you know what that look is. That look doesn't mean that he wants to play rock-paper-scissors for the remainder of your time left. 

"I don't know," you manage. "What do you want to do?" 

His eyes dip briefly before flicking back up. 

"I was asking you," he teases softly. "We've already had a pointless conversation." He mimes checking a box midair with his pointer finger. "Check. And we've already sat in silence for a couple of seconds." He repeats the motion on another imaginary box. "Check." 

"Oh, ouch. Talking about alcohol is pointless?" You're a little amused. "So, what's left on the list?" 

Clapton raises his eyebrows again. 

There's a shift in the air. 

"C'mon, don't tell me that you actually don't know." His tone's dropped to little more than a whisper, but due to your closeness, you can hear him loud and clear. Your brief bit of confidence wanes— your face warms, and you pause. Sure, you're well aware of what he's implying— but you're not sure if he's just joking around or not. When has Clapton Davis ever been serious, besides that one time he competed in a skateboarding competition in the sixth grade?  

The lighthearted lilt in his voice is almost gone, though. 

"I know what you're trying to say," you finally reply, matching his volume. And you do want to kiss him. You really, really do. 

"Okay," he murmurs in return. "Well, that's good." He dares to smile, though you know you're weak to it. 

"I don't have to ask you out loud, right?" 

He definitely already knows the answer to that question. 

"Yeah, you don't." 

You've tuned out the outside world, muffled as it already was. The music and noise fade to a quiet hum. You can hear the quiet buzz of the lightbulb— the barely audible clattering as your back moves against the uncomfortable storage shelves— the sound of his sneakers scuffing against the hardwood floor— 

"But if I did ask," he says, uncharacteristically hesitant, "you'd say yes?"  

Your heartbeat thrums in your throat. 

The seconds tick by— you know you can't wait. It's been at least a minute and a half— 

"Just do it," you breathe.   

And he does. 

The first thing you register is how soft his lips are. Then, his hands— cupping your face— your own hands reaching up to tangle in his hair, tugging him closer. His hair is as soft as it looks. There's no slow build-up because there's no time for that. All you can think about is him— the little sounds he lets out as you kiss, the way he can't wait when you part, his breath briefly coming in soft pants before he leans in to capture your lips again. He tastes vaguely like beer, and maybe that would have bothered you if it were any other guy— but with him, you don't really care at all. His nose presses a little awkwardly against yours a couple of times, but he makes up for it with how eager he is. You know he's not a bad kisser; he's just impatient. 

You lose yourself for a little while. It feels like forever. You wrap your arms around his neck, reluctantly dropping your grip on his hair. His hands start to stray, one anchoring itself behind your neck and the other traveling lower. And lower— 

There's a loud series of knocks at the door. 

Clapton's slower to react, and you're the one to pull back first. When you do, he leans forward to chase your lips—  but stops upon noticing your expression. In direct comparison to you, he just looks giddy. Almost dazed. His hair's a little disheveled from earlier, and he hasn't let go of you yet. 

"Huh," he says, before the door is yanked open. 

You're immediately greeted by exactly what you had expected. Whistles. Catcalls. General hooting. Some "called it!"s and "you owe me five bucks, man!"s. 

Clapton just grins, reveling in it all. Because of course he would. But, before you can get too embarrassed, he's getting to his feet, pulling you along with him as you both exit the closet— exiting what had previously been your own little world. Instead of just rejoining the circle, like part of you expects him to do, he pauses to lean over to you and whisper: 

"Wanna go upstairs?" 

You blink at him. He's still smiling— he almost looks star-struck. You feel that familiar swoop in your stomach. Maybe it's a stupid decision that you'll regret later, but—

"Okay," you agree. 

The whistling doesn't stop as he grabs your wrist, making a beeline for the stairs. The son of a bitch takes them two at a time, and you do your best to keep up. Upstairs, it's quieter than it is on the ground floor, since there are fewer people up here; still, though, you can hear the music echoing through the hallway. A girl's laughter rings out, followed by a string of giggles. 

It's not very hard to find an empty bedroom. You gingerly shut the door behind you, taking a moment to look around. There are one or two posters here and there, and a few photos placed on the dresser. Other than that, it's kind of bare-bones. A guest room, maybe? You sure hope so. While you're distracted, Clapton leisurely sits down on the bed, bouncing a couple of times. 

"Cozy," he remarks, and you turn to look at him. 

"You think?" 

He grins. "Sure do." 

You sit next to him on the mattress. It's not bad. For a moment, he just looks at you. Taking you in. 

But he doesn't hesitate much longer, and leans in. Automatically, you angle your head just so. Unlike before, he kisses you in small pecks at first. One of his hands finds your cheek. However, as the minutes draw by, your kisses grow longer. More languid. He hums into your mouth, and you move closer. Closer, until your thighs are brushing his, and you're nearly off-balance, but it's still not close enough. 

He draws back. This close to him, you can pick out his freckles. His eyelashes are long, framing half-lidded eyes. His lips are still parted. 

"Should I lay back?" He asks, hushed. "Or do you wanna—" 

"Go ahead," you interrupt.  

Clapton flops backward onto the pillows, wiggling around to make himself more comfortable. When you think he's got himself in a good position, you crawl over him. The way he looks up at you— it makes you a little lightheaded, but in the best way possible. His hands find your waist. You can do little but settle against him, pressing your lips to his for the nth time. 

Enthusiastically, he responds, and it's not long before your kisses grow messier. Needier. His hands wander, moving down to rest on your hips, and then lower— you let out a gasp when he squeezes your ass, and he uses the opportunity to pull you harder against him. You're no stranger to how strong his arms are, but, yeah, being on top of him like this is an entirely new experience. He's soft and firm in equal measures, his chest sturdy where it's pressed against yours. His hands are warm when he moves them under your shirt, up your back, making you shiver.  

Bracing your hands on his torso, you sit up. For a second, he's confused, but that quickly fades away as you reach down to pull up your shirt. 

"Holy shit," he murmurs. He scrambles to discard his tank top too, yanking it over his head. You were right— he's toned, but there's still a fair bit of softness there. Of course his chest doesn't have any hair, but at least he kept the trail. You lay back on top of him, the feeling of his skin against yours like this causing you to shudder again. Clapton's hands start to explore once more— square palms, strong fingers. It must be a little bit of an uncomfortable stretch for him, but his thumbs find your nipples, tracing soft circles. 

You briefly enjoy the sensation. Then, your breath stutters when he gently urges you forward and then leans up so he can take them into his mouth. It must be self-indulgent for him, too, because he spends more time than necessary— sucking, flicking his tongue— but it's not like you're complaining.  

When he finally stops, he presses a kiss to the middle of your chest before laying back on the pillows. You move back down, and can't resist the urge to kiss him in return. His jaw— his cheek, which makes him smile. He's already started hooking his fingers in your waistband, and your mild surprise must show on your face, because he abruptly stops. 

"Sorry," he grimaces, "am I going too fast? I - Is that too much?" 

Hastily, you shake your head. "Oh, no. Not at all. It's fine. Just— it just caught me off-guard."  

"Okay." The worry vanishes in an instant. "Okay, I'm gonna." 

You let him slide down your bottoms, and then take them off the rest of the way yourself. His shorts quickly join the rest of the clothing on the floor. Now, you're more or less sitting in his lap— he props himself up on the headboard, his breath heavy as you shift on top of him. With only a few layers between you, you're aware of the shape of him through his boxers.  

You grind your hips with purpose, and he swears under his breath. When you do it again, he muffles himself by kissing you. The friction— you know it's not going to be enough— makes you more desperate, and it must be having the same effect on him, judging by the way he's slightly squirming underneath you. He's not quite thrusting up against you, but it's obvious that if he were in a better position, he would be. When your cunt brushes against him, catching at that angle, he moans openly into your mouth. You draw back only for air. If you could, you'd keep kissing him forever. 

"You gonna let me— mmh — fuck you?" He pants, "ohmygod, 'cause if you don't, you— you are one sick bastard—"  

You smile, although you want him just as badly as he wants you. You're doing a slightly better job at keeping yourself composed, after all. "I don't know," you murmur, "isn't this nice?" 

Clapton bites his lip when you grind down harder this time. "I — well," his hands scramble on your waist, your hips, "it is pretty nice, but, like — I just wanna take the logical— shitfuck — next step, right?" He's looking up at you with wide eyes, "and you are gonna let me, right?" 

"Right," you repeat, your breath catching when you roll your hips at just the right angle, "I am gonna let you, don't worry." 

He's flushed a pretty pink, pupils blown wide, obscuring hazel eyes; you drink him in. "Thought so," he grins. Before you can ask, he's already answering. "And, uh. There's a condom in the pocket of my shorts, if you're worried about that." 

You're in mild disbelief, abruptly halting your movements. 

"In your—?" 

Clapton looks a little bashful, though he's still grinning. "Could you just get it?"  

You're already awkwardly dismounting his lap. "Sure, sure." True to his word, there's a condom in the left pocket of his shorts, and you fish it out without a problem. You glance back at him for a moment, and he doesn't even try and pretend that he wasn't staring. Oh, well. A little clumsily, you get back onto the bed, and move to straddle him again— but he gently stops you. 

"Hey," he says, "can we switch places?" 

You don't need much time to consider it. "Alright." 

Now, he's hovering between your legs, and you're the one lying back. His gaze lingers, but he can't wait for much longer. You lift your hips, and he slides your last remaining piece of fabric off. 

"Fuck," he breathes, just before he gets to work. With the pad of one of his fingers, he collects the wetness that had been gathering, then smoothly slides the digit into your cunt. Swiftly, he adds another, the sensation odd at first, but you know you'll quickly get used to it. When he begins to lightly trace your clit, it only makes it easier for you to loosen up— both figuratively and literally. And he's still adding another. Maybe three fingers aren't strictly necessary, but he crooks them, finding the spot that makes an almost embarrassing noise tumble from your lips. 

You spread your thighs wider. You could definitely cum like this if you let him continue for a while. Glancing up at his face— oh, he definitely would if you wanted him to. He's torn between looking at how his fingers disappear into you and your face. How you're reacting to his touch. It's a little flattering. But as much as part of you wants to see what he's willing to do — 

"I'm — " You feel yourself tense, and you barely stifle an involuntary moan when he thumbs your nub again. "I'm ready. You can —" 

He doesn't even wait until you finish the sentence. He's already pulling out his fingers, tugging off his boxers. Your eyes are immediately drawn downward. Again, you're not surprised that he's shaved. Length-wise, he's probably around average, but girth-wise he's nice and thick. There's a bead of precum at the tip— if he wasn't already tearing open the condom with his teeth in a move that he's probably practiced before, you would've offered to blow him or something. Maybe some other time. 

Your idle thoughts dissipate when he lines himself up and, with an amount of care that nearly belies his previous neediness, presses in. You both moan in unison— he sounds infinitely more strained. He takes a moment to catch his breath, but— 

He starts moving. Little thrusts, at first. Then, pulling out more, pushing back in. His mouth falls open, and you can't resist throwing your arms around his neck, pulling him down. He groans, and you take it in, taking it with his increasing pace. It's good— his thumb finds your sensitive apex again, and that makes you jolt, but you know he's trying to give you a smooth progression between slow and fast. That's not what you want, though. Especially not now. Inches from his lips, you mutter: 

"Don't hold back." 

And that's all it takes. You can vaguely hear the bed creaking when he snaps his hips up to meet yours, roughly fucking into you with almost reckless abandon. Your kisses are sloppy, uncoordinated. But you wouldn't prefer it any other way. You know he probably wouldn't be making those noises if he didn't know they were muffled against you. Some are high-pitched— ragged gasps, moans, and at least one whimper. You also know you don't sound much different. He can't reach down to rub your throbbing clit anymore, due to how he's positioned, but the way that he's angled is more than satisfying in that regard. 

You lose track of time, only aware of his hips colliding against yours— his lips, his hands — the way he's starting to babble. "Fuck, you look so pretty like this," he confesses in a rush, "god, your eyes. I could just — I could just look at you like this forever. If you could see yourself — nnh — you would know." A sharp intake of breath, a few kisses, and then, "Ohfuck. Shit. You're gonna ruin this forever for me. I can't — " 

His rhythm is starting to falter. You can feel the heat pooling low in your gut, the tension that comes before the inevitable release. You tighten around him. His hands braced near your shoulders tremble, and you can see his biceps flexing with the effort of holding himself up like this. 

"Please," Clapton chokes out, and he doesn't specify as to what he wants, but you have a pretty good idea. "I'm gonna— " 

"Do it," you manage, despite your own climbing pitch, "c'mon, give it to me—"    

"Fuck— "  You feel him pulse. For a split second, you wonder how it would feel if he didn't have on the condom—  but your thoughts are quickly overtaken, as you're not too far behind. You twitch, spasming around his cock as your mouth falls open. The tension peaks, the heat spikes— 

He fucks you, gently, as you float back down, riding out your orgasm. Your eyelids flutter shut, and your breath slows, but your pulse is still a fast-paced staccato. 

He gingerly lays on top of you, catching his breath. It's hot against your throat. The world ceases spinning, and you let out a long sigh. 

He mimics it, and you glance down at him. 

You're reluctant to say it, but seriously, this is someone else's house. Guest room or not. 

"We should get cleaned up or something." 

He blinks once, lazily. Seemingly, he's content to lay on your chest. Of course, he's the type to get sleepy after sex. But at least he makes an effort to respond. "Ugh," he says. And then: "Jus' gimme a minute or something." 

You give him a look, and he surrenders. "Okay, fine." 

He slips out with a wet noise, and you only miss the fullness for a moment. Getting off the mattress, he throws out the condom, then accepts the wad of tissues you hand him. It's not the best, but it'll have to do for now. You manage to get most of the evidence of your arousal off before pulling back on your clothes. There's a mirror, thankfully, so you go to try and make yourself look less … fucked. Not that it would really matter. There are definitely people in worse states. 

Clapton stands next to you, but doesn't even try to fix his hair. On him, it looks fashionably disheveled, anyway. 

It's silent, before he interjects: 

"Is this … gonna be just a one-time thing?" 

The strange apprehensiveness is back, and you chance a glance at him. He's not meeting your eyes, but you're sure he's looking at you in the mirror's reflection. 

"I don't know," is all you can think to say, "do you want it to be?" A beat. "We could totally go back to being just sort of friends, if that's what you want." 

Clapton visibly swallows. "I … " 

You wait, patiently. He takes another few seconds. 

"I liked that," he mutters, "a lot. And I— I meant all that stuff. About you." 

He's still not meeting your eyes. It makes you pause. 

"I liked it too," you reply, softly.

The look he gives you next says it all. You know he's not big on old-school romance. He's not big on flowery words— his English grades can certainly attest to that. He's more of an action-oriented guy. Even if you don't get a verbal confession just yet— and you know you will, just not now— you suddenly understand what he's trying to convey. So, you pull yourself together and throw caution to the wind. 

"You wanna get out of here?" 

He beams. 

[physalian]

7 Misused Tropes (And How to Improve Them)

Tropes in isolation aren’t inherently bad, but a lot of them are prone to poor execution. Each one of these probably could have a whole post by themselves. A few of these used to be good but have since fallen by the wayside as their original meaning has been lost.

7. Dramatic Miscommunication

You know the ones. I think it’s worse when the story is otherwise good, the writers just could not come up with a better way to get X alone or send Y off on the necessary side quest than the lowest of low hanging fruit.

Two essential ingredients for fixing this trope: Precedent and consequences

Precedent–have the character doing the missassuming already be prone to jumping to conclusions, already suspicious or insecure, or misled by a third party so this looks inevitable, instead of pulled out of your ass.

Consequences–usually these are big blow up fights that fizzle out without any impact on the plot once they fulfill their purpose, but if it’s a nasty enough fight, characters shouldn’t just forgive and forget. While they might not completely ruin relationships, it should have characters taking a step back and either second guessing where they stand, or using this blowup to fix an underlying issue in said relationship.

6. Love Triangles

Good Love Triangle for the first 3 seasons: Elena/Stefan/Damon (TVD).

Bad Love Triangle for the entire series: Bella/Edward/Jacob (Twilight).

The difference between them (besides time to flesh out both candidates) is that both brothers brought valid pros and cons to Elena’s life, both got the chance to be with her, and Elena’s whole arc wasn’t solely focused on the agonizing choice of which brother she should pick. Regardless of which camp you’re in, Stefan brought stability, that classic cliché high school romance, mostly all good vibes. He never challenged her or talked down to her or got aggressive with her. Damon did the opposite, for better or for worse, and we know which direction the show went.

On the other hand, Jacob never for one second stood a chance with Bella and the narrative wasn’t kidding anyone. They never so much as went on one date (unless you count the motorcycle ride) and it seemed like Bella was only letting him hang on for pity’s sake. Theoretically he brought pros to the table that Edward couldn’t (like, idk, being alive), but the narrative never explored what could be done with him. He just ended up being the Nice Guy friend who then decided it’d be hot to lust after an infant.

5. Agency-less Chosen Ones

These tend to be wish fulfillment characters that bring nothing to the story and have no discernible skills, yet are constantly in the middle of the action, have all the love interests fawning over them, and are Important and Critical to saving the world… because the narrative said so. They don’t make a single choice the entire plot except to move forward or stagnate, chosen by the gods or a prophecy or fate and destiny.

The problem: These characters walk with the crutch of “I’m the chosen one thus I don’t need a reason to exist in the story” and that’s just not a satisfying narrative shortcut. So? Give them agency. Even if they’re chosen by some ancient prophecy, you still have to convince the reader why the Universe wasn’t just talking out of its ass.

Good example: Emmet from Lego Movie literally says he’s useless and has no skills and cannot think outside the Lego box. He’s supposed to be as generic as painfully possible and when he does have creative ideas, they’re supposed to be asinine and stupid. And yet. He might be physically dragged around by the other characters, but he has plenty of choices, plenty of opposition to what’s happening, plenty to say about the state of his world, and his ideas do matter and his intimate knowledge of the instructions and playing by the rules is how they win.

4. Bad Boy Love Interests

These guys were supposed to be counter-culture icons, standing up to The Man for the little guy because he knows the system is broken and rigged. He’s an affront to the stereotypical nuclear lifestyle, he resents a robotic and soulless office job and wants to create art or music or in some way benefit his world and isn’t going to play nice just to get his way. He exists in contrast to the nuclear female protagonist: Conservative, demure, rule-following caged bird who falls in love with him because he shows her that life isn’t meant to be lived in The Man’s cage. He respects the authority that deserves respect, the teachers who actually give a shit, the janitors, the librarians, but probably not the principal or the police or the local politicians, because he knows they don’t respect him and respect is a two-way street. He’s probably a mama’s boy or at the very least loves his parents (if they’re alive) and while he might engage in a little property damage like graffiti, it’s for a good cause.

This dude is NOT SUPPOSED TO BE: Abusive, controlling, aggressive, or condescending to his love interest. He’s not supposed to be an overprotective stalker or plagued by insecure jealousy over any other man in his love interest’s life. He’s not rude to his friends or arrogant about his own smarts and doesn’t think he knows best about every little thing in the world. He’s not sexist or racist just to make himself feel better and he doesn’t pressure his love interest into sex because she owes him or whatever.

Ahem.

Please bring back classic bad boys. That is all.

3. Major Character Death (for shock value)

I remember the implosion of the Walking Dead fandom after they killed Carl, one of the very few characters who was supposed to make it to the end, for… various sketchy reasons and I could never figure out what was true. Some theorized that his actor was aging out of the ‘child actor’ payscale and they didn’t want to pay him as an adult and while I have no proof, it wouldn’t surprise me at all.

Carl died after getting bit in just one of those hectic moments where he got unlucky, while doing something noble and stupid. In isolation, it fits the nature of the “anyone can die” show but man did it just come across in poor taste.

Obviously “for shock value” shouldn’t be the reason you do anything in your story but there is still a way to pull it off without it causing a riot: Make sure they get killed in a non-contrived way. If you plan on killing off one of your heroes suddenly, either make it bitterly ironic, or make it a situation that this character would absolutely get themselves into. The more it “fits” the less likely audiences will see the hand of the author coming in just to break the character’s fictional contract.

2. The Power Inside You All Along

This trope is usually disappointing because it tends to melt a character’s whole arc down into something pointless—this whole adventure was apparently useless if they didn’t actually need to grow or change or challenge their conceptions of the world. They could have got up off the couch as joe shmoe and beat the villain day one.

While that’s probably not what their creator intends, ‘it was inside you all along *wink*’ tends to feel that way, as it discourages internal conflict. Usually, their creator is likely trying to convey the message that one need not change, that it’s what’s inside them already that makes them special.

I present to you once again Kung Fu Panda’s “there is no secret ingredient” i.e. “the power inside you”. The difference is. Po still has plenty of internal conflict: his own self-confidence. He begins the movie eager but inexperienced and a bit oblivious, fanboying it up around his heroes. He and Shifu both insult his weight and his lacking kung fu skills, and his arc is learning self-confidence, learning how to use his weight and the body he has to fight in a way that the villain isn’t prepared for, to where Po can shit-talk him to his face during the final fight.

Most failures of this trope don’t bother exercising their protagonist. They’re pissy and resistant for the entire story and only win when the narrative agrees they were right all along. Therefore, no change, no conflict, no resolution.

1. Strong Female Characters

So many of these read like "slapped boops on a male character". They don’t work for many reasons (usually being very preachy with their agendas), but they especially don’t work when by trying to be pro-feminist, they’re still reinforcing masculine standards. A lot of people, when Captain Marvel came out, said “you didn’t have any issues with Tony Stark being an asshole but now you do when he’s a woman” which. No.

Tony was an asshole, but being an asshole was the whole point of his character, and he got humbled right quick by getting blown up and held hostage. “Proof that Tony Stark Has a Heart” and all that.

Carol was an asshole with nothing to substantiate it, and never got a reality check. She had amnesia so we didn’t get insight into who she was before to understand this transition into dickishness and was so OP, she wasn’t ever physically or emotionally challenged like Tony was.

But the other thing is this: Slapping boobs on a male character with a slew of toxic masculine traits also says that to be a successful woman, you must behave like a man. It swings so far from the femme fatale sexy leg lamp that it comes around and eats its own tail. These characters are just mean and insecure and build themselves up by tearing down the men around them.

So. Calhoun from Wreck it Ralph is this exact trope done extremely well. She’s aggressive, arrogant, loud, rude, and cynical. For about 10% of her arc. The movie immediately throws her into a situation where her strengths are basically useless—she’s stuck in Candy Land and has to rely on someone who is the antithesis of her game and character to make it out. The movie also shows you why she’s cynical via her tragic backstory.

Not only that, she’s more than just a heap of toxic masculinity in a pixie cut. She laughs, she cries, she admits when she’s wrong, she has a soft side, a gentle side, a caring side, and remains a badass through and through.

Or, once again rolling out Tigress from Kung Fu Panda: Proud, aggressive, the snubbed chosen one, cynical, mean, and overconfident in her abilities. Tigress nearly gets her entire team killed in her arrogance. She’s allowed to be wrong, very wrong. She also has her soft moments and, like Calhoun, has a very valid reason for being jaded, and is still shown to be capable of softness and nurturing during the evacuation.

Third example to hammer home that I don’t hate badass women: Andromache. Jaded, overconfident, short-tempered, aggressive, and a little mean-spirited. Tragic explanatory backstory? Check. She is also caring and loyal to her team, allowed to get emotional, allowed to be wrong and fail and lose, and kind of the surrogate mom of the team, who can also laugh and joke around and have light-hearted moments.

Whether the character is a man or a woman, being an arrogant asshole who takes zero accountability and refuses to admit when they’re wrong and never loses, audiences aren’t going to like them.

[drenched-in-sunlight]

I contemplated a lot whether to reblog that post because i think most of it was wrong, but the addition is so great and refute pretty much everything while raising some amazing points so if i could reblog only the addition without the original posts i would.

It’s just funny to me how every time i see ppl “here are Marika’s crimes” they list like 50% is what she actually did, and the other 50% are things that either was during Radagon time (when Marika couldn’t even have a proper statue that depict her as being the one in control), done by some other guys, or after she got strung up inside the Erdtree. Y’know, literally impaled and knocked out cold ?

The ritual sword and shield talisman (which depict sword and shield of Crucible Knights too btw) pointed at Radagon’s face to say by his time, all ritual combats in honour of the Erdtree had died out, but in LoS it was maintained and Messmer even had a talisman of Godfrey in his castle. A talisman depicting Godfrey accepting the duty to be his Mother’s Lord. Without wavering.

The ritual combat is just another thing that will remind people of the first Elden Lord’s devotion to his Goddess, which would do Radagon no good. so that, along with the Crucible Knights, gotta go.

All this just show how by Radagon’s time, the Golden Order’s ideal no longer reflects the Erdtree’s - another testament at how far from each other his and Marika’s will have diverged.

Also, i really like the fact that the Zamor and Ice Dragons allied with Marika to fight the Fire Giants who had chased them from their home, because to me that means at the start of her age, Marika was extending her help to people who needed it (with ulterior motives, yes).

Her age wasn’t built in a vacuum. She was a healer Godling with no offensive spells, Messmer’s health just got a bit better, Godfrey with all the implications in SoTe, was probably just a simple bear hunter? What on earth those 3 could even do in a land where the Hornsent royalty reigned supreme?

Go somewhere else, recruit as many people and make as many alliances as they could. I have no doubt the world under the Hornsent was a violent one (hell, it still is now, every time i went into a Gaol i want to go back and smack the Hornsent inquisitors a few more times). And for a new God to appear, and instead of stuffing people into jars, delivering Death, entrapping their followers into watching over some flame for eternity, running away and leaving their Lord to get backstabbed by a tyrant, this new God… healed people? Big shock!

So of course people would flock to Godfrey’s banner, believing in a Goddess that could barely fight, but soothed away all of their pain and sorrow. Sounds fucking familiar isn’t it.

Btw, why do people like to invent a bunch of authority and power for Marika then at the same breath will say whatever her kids do is to… spite her and show kindness to the oppressed?

So she is an all-powerful tyrant that could kill whoever she dislikes, and by some ppl’s standards she dislikes literally everyone in Lands Between (💀), but Godwyn could just befriend a dragon and spread a cult about them within the Capital, Messmer could have an albinauric as his Commander (to command an army that she paid wads of cash to and bless them with her hammer’s power???), Miquella and Malenia could go their merry way and build a whole ass tree castle (where is the fund. Where is the fund) and she couldn’t do anything to stop them? Even though those actions directly affect the strength of her army? What?

I swear i can’t even see other people’s Marika as Marika. Because their Marika sounds dumb as hell and a doormat too. Like what is this???? 💀 do you think i sacrificed my back and wrist to draw Elden Ring characters as beautiful as possible, so they could go be devote to someone like the Marika some of y’all envision? The bar was on the floor for you but not for me.

[reachartwork]

the process

a lot of people like to ask me about my process and how ai can be "creative" because they're under the impression that it's just kind of a big slot machine. you pull a lever and art uncontrollably comes out. well, let me show you my process

this is going to be a long thread tagged with #long post, blacklist that if you want to skip it.

so how it starts like most art is that i have an idea. in this case, earlier i made a post about witch-knights "surfing" on swords, so i'm going to try and make that - a witch-knight flying through the air atop one of her swords.

it starts with this picture.

i think this picture is dogshit so i discard basically all of it to try and find something closer to my original intent. there's a couple of uninteresting regenerations so it's clear i have to go back to the drawing board and teach the machine what it is i'm trying to do

let's start with a witch-knight on a broom. it's definitely not great but it gives us a better pose that i can work with.

i start by erasing the broom and replacing it with a skateboard - the machine understands skating better for what i need it to do.

there's a ton of small, subtle errors in this image and it overall looks like dogshit but the most important part right now is blocking and the overall pose structure - i need her "surfing" a large, lengthwise object, in the sky. i start by erasing pieces of the skateboard

now we have a sword, which is good. but the sword itself looks... bad. i'll spare you the abortive attempts at selective regeneration of the sword and just show you what happened when i rolled it back a couple of times from this pose and let it regen entirely.

again, tons of small little shitty errors, but this is something i can work with. i do another regen for a less shitty sword. her boob armor gets replaced with, like, generic scale mail.

this image has a great sword and decent pose but like... everything else is kind of futzy and i dont like it. instead of trying to pick and choose i just throw it back into the oven for a second. much better! but now she's going to cut herself on the sword, oh no!

again, i'll save you the agonizing thirty minutes of trying to get it to understand where the foot should go. unlike before i didn't really have a choice except to muscle through. there! now she's surfing safely :)

so it's done, right? well, i mean, i could post this. and it would probably do okay. but *i'm* not satisfied with it. there's stiffness. dozens of minor errors. the eyes look weird when you zoom in. let's start by fixing her hat, and then maybe her hands?

but she's missing fingers on her left hand so let's go ahead and fix that too. and i don't really like the tip of her sword and the ocean looks really flat and boring. so, VERY CAREFULLY, i have to etch out the parts of the sword and her body i have to keep, and also write an entirely new prompt to tell it "i want an ocean w/ rolling waves please :)"

this is better but not great. i try again - serendipitously, it makes this really cool variant with a shadow over the water, but i know working with that will take more wrangling so i'm considering it an evolutionary dead end and discarding it for now.

i proceed to spend 30 minutes trying to make the ocean look better but it's really not working imo. i'm gonna go back to the shadow version and see how that works

i'll spare you the other 8 minutes - i'm satisfied with the following picture. the sword isn't *perfectly* straight, her eyes aren't perfectly textured, the scale mail is... weird, in texture, but anything else would be greasing the wheel and i think beyond the machine's ability to do fine detail.

i've also attached the starting picture for comparison - it has better, "higher quality" clouds and ocean but i personally cared more about the pose and the sword surfing - the background is mostly tangential. could i get back ocean and clouds of that quality with another two hours of painstakingly cutting and re-generating bits of the background without destroying any of my existing work on the pose? probably. but i don't want to.

total time spent on this piece from start to finish was one hour and twenty one minutes. and now you know!

[ellecdc]

perhaps r works as a vet or with a wildlife protection agency etc and brings a horse to farrier!remus and he just falls for her bc he sees how much she cares about the horse and her gentle nature and it soothes him 😋

this has been stuck in my mind since my original post re: farrier!Remus so I finally took a stab at it! thanks for the prompt, I hope I did it justice! <3

A Horseshoe for Luck

Farrier!Remus Lupin x Veterinarian!reader who consults with Remus on a case [1.3k words]

CW: fem!reader, situation inspired by a horse who was lost for a few years and when found had severe overgrowth of his hooves (happy ending), don't look too closely at the plot if you're a Horse Girl (gn) thank you xx

Remus heaved in a sigh as he pulled down the long gravel driveway to his latest appointment. 

He’d known there was a new vet in town, which came with a certain level of relief and a certain level of concern.

The rural coasts of Wales were no doubt hurting for Veterinarians (and service providers in general), but the communities were notoriously closed-knit and standoffish to ‘outsiders’ and were completely incapable of keeping newcomers around for any amount of time.  

Every new vet that this village saw came from the city, and every new vet left after a measly year-or-two long stint max. 

He couldn’t necessarily blame them; sometimes it took a local to manage the locals, but this left him with a certain level of distrust.

Too many times has Remus been called upon by the new city-sent vets just to be spoken down to or dismissed entirely because they believed that they knew better.

So, though he knew this vet would probably be much the same - some young, newly minted vet fresh out of school who had accepted the first available job they could find - he also knew that his area was in desperate need of a vet, and that he also had a job to do.

So he dutifully parked his truck and opened the cab to retrieve his tools when a frazzled looking tech approached him.

“You must be Mr. Lupin! I’m Hannah, I was the one who spoke to you on the phone.” She offered quickly. 

“Just Remus s’fine. Was this a wild horse?” He asked, not interested in smalltalk as he followed her towards a large barn. 

“No, not originally at least. The owners have been looking for him for two years and finally found him with a wild herd - managed to bring him back in.”

“Is he sound?”

“His hooves are in horrid condition - the doctor has done a preliminary check on the rest of him but would really like to get him some relief for his feet before she does anything more to him.” 

“And who are they?” He asked as he passed a couple standing outside of the barn doors.

“The owners.” The tech - Hannah - offered quickly. 

“Have they not seen their horse?” He asked, noticing that the tech hesitated before turning down the run where he could hear some activity. 

“They have, but they were very anxious and excited to be reunited with him. The doctor felt that for an animal who has spent the last two years in a wild herd, it might be best to keep the area calm. I - erm, well, are you calm, Mr. Lup- erm, Remus?”

Remus let out a snort and nodded quickly. “Yeah, I’m pretty calm.”

Hannah smiled in relief as she turned the corner which exposed a large brown and white paint horse secured in cross ties. Standing at his head where there should be a stuffy city vet in a crisp white lab coat barking orders at various techs and stablehands was simply a woman (a very beautiful woman, Remus had to admit, though didn’t feel it was entirely professional to recognise), wearing dirty activewear with her hair messily pulled back and a stethoscope thrown over her shoulders as she murmured quietly to the horse. 

Remus almost felt bad for the horse when Hannah interrupted your conversation with it to introduce you to Remus. 

You accepted Remus’ handshake quickly without the usual stuffy-city vet hesitation to check for clean fingernails (he worked with the likes of sodding barn animals for christ sake, give him a break) and a warm smile that actually met your eyes as you looked into Remus’ (and into his soul, he was sure). 

“Thank you so much for coming, Remus. I’ve heard great things about you since I’ve arrived, I’m only sorry I haven’t had a chance to make your acquaintance until now.”

“I’ve been eager to meet you as well.” Liar, Remus scolded himself immediately; though, had he known the new vet had been the likes of you? Well, maybe he would have been more eager. “So, the poor lad’s got some major overgrowth?” He asked as he looked at the horses hooves instead of admiring your figure like he’d much prefer to be doing.

“I can’t tell if there’s lameness because of an injury or if it’s just his instability on these hooves of his so I figured a trim was our next best step, but what do you think? Is there something I’m overlooking?”

Remus managed to mask his surprise at your collaboration with a simple farrier (versus what would have usually been orders given in a bored tone before the vet fucked off further into the barn only to come out in the end to inspect his work) by doing a walkaround as he felt the horses legs. 

The horse seemed somewhat tense at the attention he was receiving, but quickly calmed when you began massaging around his neck and murmuring to him in a low, dulcet tone.

Fuckin’ hell, Remus was jealous of a horse. 

“No, I think you’re quite right. Let’s get him onto more balanced footing and then you can work your magic.” He offered after his inspection, earning him a beaming smile from you in the process. 

“Are we shoeing him?”

You tilted your head as you looked over at the horse as if waiting for him to respond. “What do you think?” You asked Remus instead. “A horseshoe for luck?”

And though Remus knew that you knew the shoes would really just provide more strength and protection for the equines hooves, he was not one to deny himself a chance at luck, so he quickly agreed.

“Do you mind an audience, or would you prefer if I left?” You asked then as you backed away from the horse to allow Remus to set up.

He normally preferred solitude; he was in this business because he, admittedly, found the company of animals far more enjoyable than that of humans, but he couldn’t deny that he wasn’t quite ready to have you leave his company yet. 

So you sat - on the dusty, straw strewn flooring - as you watched Remus work; polite conversation inching further and further away from business as the job progressed. What started out as him asking how long you’d been out of school, what made you want to study veterinary medicine, ended up with what brought you here of all places.

“Peace…solitude. I wanted a quieter pace of life and to live somewhere where I could know the people around me instead of just knowing that there were people around me; does that make sense?” You asked then, allowing your head to loll to the side as you considered him. 

“I think so; don’t usually find people running here though…most are running away.”

“Looking for a quicker pace of life?”

“Something like that.” He agreed as he finished up one hoof and moved onto another. 

“But not you?”

“Not me.” He agreed.

“Why’s that?”

Remus paused at that, chancing a look at you and finding that to be a horrid mistake because he wasn’t sure he’d be able to return to his work when you were smiling at him that sweetly. 

“I wanted peace…solitude. A quiet pace of life where I could know the people around me, I suppose.” 

Your smile grew subtly at his rephrasing of your previous words. “Fair enough.” 

The trim seemed to do the trick; the horse no longer showing any lameness in his legs as Remus watched you lunge him around the dusty arena alongside the very happy owners. 

“What do you think, Remus? Did he look good?” You called to him as you handed the lead to the owners. 

“Looked perfect.” He responded simply. 

The horse, you, the rural coast of Wales now that you were here.

He found himself suddenly very happy to have a new vet in town, and hoped to all hell that you outlasted the many vets that came before you.