#private parts movie

[hesbuckcompton-baby]

me: i hate war, war is SO BAD, no more war only peace fuck you

me when i see a movie/tv show about war: ooo nice

[thisisreal-really]

asteroid city is a dense text and it is saying so many things all at once but i will never get over how it is such a raw look into an artist's psyche and their relationship with their art and the world around them and how art is intertwined with every aspects of their being even the way they love and loss and process the monumental grief and question of existence. with the way the 'real' world bleeds into asteroid city play set constantly and the way its real world break the fourth wall in the subtlest of way, maybe there is no differentiation between art and real life and artists are always going to give a part of their souls to their works, maybe they cant make sense of the world without their art, and maybe it is tragic maybe it isn't maybe it is the only way to keep going in this senseless universe where nothing is certain and alien comes down from the sky and upend your world, just keep telling the story

[ilovemesomevincentprice]

Vincent Price as Prince Prospero

The Masque of the Red Death (1964)

[not-the-coffee-machine4]

Gwilym Lee’s line delivery on “tHiS iS tHe BbC” lives in my head rent-free

[shiftwux]

ahh what the hell. his birthday's like an hour away. cop a download of an old style zine about my insane collection of matthew modine hysteria

[rabid-dog-steve-horn]

The Kinks - Tired of Waiting for You (Official Audio)

[ispyspookymansion]

you're like the only person on my dash I've seen posting about The Passenger

thank you for your service 🫡

im proselytizing because someone has to. it aint much but its honest work 🫡

[peachdoxie]

Honestly I probably wouldn't find Taylor Swift nearly so annoying if it weren't for a large contingent of her fans thinking she's hotter shit than what Satan last shat.

[lesbianwithchainsaws]

Being a horror movie fan is so hard. What do you mean I can't easily find the low-budget indie movie released decades ago that only like 50 people have seen and they all say it sucks?

[djstormpresents]

Horrifying Video Store Memories.

Venture into the captivating realm of Twitter where a nostalgic wave is sweeping across the platform, as users enthusiastically dig into their collections to reveal the VHS video box covers that once stirred their imaginations and haunted their childhood dreams. Long story short… you’d be surprised, and NOT surprised that these film graphics made kids almost crap their pants OFF. This online…

[videoviolence]

more of you guys need to talk about george from private parts 1972 when ur talking about transmasc rep in horror movies

[brokehorrorfan]

Private Parts will be released on Blu-ray on June 6 via Scream Factory. The 1972 horror-comedy marks the feature directorial debut of Paul Bartel (Death Race 2000, Eating Raoul).

Ayn Ruymen, Lucille Benson, John Ventantonio, and Laurie Main star. Philip Kearney and Les Rendelstein wrote the script. Gene Corman, brother of Roger Corman, produces.

Special features will be announced at a later date.

In the sleaziest corner of Los Angeles, the King Edward Hotel has a new arrival in the form of Cheryl, a runaway teen. She's hoping to put her life back together – but somewhere in the musty halls of the King Edward lurks another guest who just loves to chop people apart.

Pre-order Private Parts.

[ilovemesomevincentprice]

Vincent Price as Roderick Usher

The Fall of the House of Usher (1960) dir. Roger Corman

[galaxseacreature]

I have been playing Pentiment lately and the only downside is that I constantly just want to be playing Pentiment instead

[aprilblossomgirl]

The Eclipse | Finale | Ep. 12.3 (At the Beach)

"Kids have their own problems to deal with. They are not as carefree as we think." (Teacher Sani)

[tutuandscoot]

Favourite Photo Series

Part 3:

📍SCI 2017 FD Practice

What I love about this picture is it’s a snapshot of a really lovely moment in time, I.. surprise surprise (probably) have a very different take on then maybe most would. There’s a lot of emotion in this one still photo but I find it it’s entirety to be even more poignant.

To help explain this I’m gonna use some gifs and talk more generally about this whole moment because it’s all important in relating back to this one moment in the photo.

So during their run through of MR, they break just before where they would start their step sequence. S throws T’s arm and lets her skate away in place of the first step in the sequence. This is quite common-in other practices, whether they are breaking at this moment or others, to do a bit of a ‘flourish’ as they finish the section they have just practiced.

The camera angle then changes to the left side of the rink and they catch up to each other. Where they would usually hold hands and continue skating around, T holds out her hand thinking he is going to take it (either in dance hold or more likely their hand hold) but instead he grabs her wrist quite ‘aggressively’ - not hard or in a way that would hurt her- but.. and this is the important part for me, does it in character.

He then slides his hand round her back to her side in their little side-hug position and so gently caresses her in such a comforting and affectionate way. He drops his head and after the second one T looks to him, in a way I interpreted as her asking him, ‘hey, what’s the matter/you alright?’. He his stays dropped and he’s kinda slumped over as he pats her back (YES her back don’t make this into something it’s not) and his hand falls into hers and they continue stroking round holding hands.

As they reach the back of the rink to start their short diagonal, the music is becoming louder and more dramatic, they let go of hands and Scott quite obviously starts to get himself worked up emotionally, then gradually physically to go into the next moment of chore. He mimes burying his head in his hands and silently screams along with the vocals in the music before he, again, aggressively grabs T’s wrist and kicks furiously as she drops into her lunge.

This post is another shrine to Scott and his acting abilities. I’ve talked about it many times I think, and I certainly still have more to say.

I can’t say what others thought/ think of this moment- specifically the little hug moment. I assume many thoughts were it’s a very sweet moment and I’m sure there were some creeps who thought he took and opportunity to ‘feel her up’.

What my thoughts were the very first time and quite frankly still, is as they met up to hold hands again, Scott was still in his character and grabbed her as such. T wasn’t expecting it, but at the same time wasn’t phased at all. He often has ‘random moments’ that she is never phased by and knows it’s just him being so passionate and getting to *play - [*explore movement and their story] with her. What she maybe wasn’t expecting, after realising he is still somewhat in character, for him to then wrap his arm around her in a hug and caress her..

He’s kinda saying to her in that moment (physically) ‘I’m sorry I hurt you, I didn’t want to, I’m gonna hurt you again in a moment (the next bit of chore), but you’re gonna be ok, we’re gonna be ok’- apologising on behalf of his characters actions’. He’s mentally still within his character, as himself he is kinda making sure she’s ok. She looks to him as if to say, ‘what do you mean, of course I’m ok’, or as I said before, simply ‘what’s the matter?’.

It’s weird I know, I’ve re writing this so many times to try and make sense of my thoughts, but that’s what I got from this, that’s how I read it. Because he grabs her then immediately after that becomes this soft and gentle moment physically while still kinda refusing to look at her. I see it as like this split between just himself and his character. I talked about this recently and as I always stress I have no definitive confirmation of any of this other then jumping off what they themselves say about their process and the kind of people/athletes/artists they are both together and individually. It’s not necessarily method acting (it’s not, he’s said that) but I think he likes to, once he gave himself the permission to, and knowing T encouraged it, exist in and explore those characters on a deeper level- and not just strictly confined to doing chore, and not strictly together on the same level- they may be deeper in it then the other at times like this for example. The way I read it is that T just seems more relaxed and quietly strokes round to the next section, where as S, in one of his random moments, interacts with her more so in the physicality of his character, but because it’s him and it’s them, at the same time exists this beautiful moment of comfort and, kind of apology.. I don’t quite think it’s that , I just can’t find the right word for it. That little pat just had this feeling of.. it’s like they just had a whole conversation in those 3 seconds, silently, without words and it ends with this pat of ‘alright, that’s my girl’ coz he knows she’s ok, as they continue on just like normal, completely aware of everything and their understanding of where each other is- mentally, physically, what they are thinking about.

I hope this doesn’t sound like an over reaction or anything. OF course she’s ok, OF COURSE he isn’t hurting her. It’s just what this moment on such a subtle level screams to me, I immediately saw it and thought how beautiful it was that they were having one of these moments, that he was checking in with her but they were still staying so quiet and within their story, and his physically to her was maybe a little unexpected in that moment because she doesn’t need him to “apologise” for anything, but it was just so moving thinking that’s maybe what it was. Whatever prompted that little moment, then get ready for the next section and- specifically S, what I feel supports this whole rant is the way he gets himself worked up emotionally again- that gradual transition into then somewhat out of, then fully back into character again. I would give anything to be able to talk to them and get them to explain their process. It’s more fascinating then anything else and because of their trust and connection and history it’s amplified to such an intimate level of understanding.

It’s not showy, it’s not performative, it’s for them and their process in a deeply honest way of understanding their characters and their story. It’s not copy paste the same expressions from another program, it’s all so essential to the story they are telling in the moment.

This still picture seems like just another one of their supportive moment, but the moving picture behind it I think tells so much more.

When T posted this picture she had the caption ‘I’ve got your back’ on it. She loves her tongue-in-cheek captions and quite literally he was holding her round her back. But pairing this with what was happening either side of this picture, it has double meaning in that she has his back- she encourages him to feel comfortable in exploring his characters. I don’t say that to make S seem weaker than T in this respect, I only say it because it’s exactly what S said and that it gives him so much strength to know what she loves and wants from him. I’m sure he did the same for her at a time or twenty- what ever she needed encouragement with he gave it to her, he was there for her unquestionably.

So the result of all that is it creates a moment of visually, he has her back, but in so many other invisible way she has his. They have each other’s backs. That’s what makes this image so beautiful.

(I hope I’ve said enough times throughout this that this is purely my interpretation of the moment and without being there or hearing them I don’t know anything for sure and this is based off what evidence of that they have said previously and do both in this moment and many others and there’s a common thread of how I interpret their artistry and interactions in this respect. It is the very nature of what they do to interpret it in an artistic way removed from any larger presumptions. An inconsequential moment where it could’ve had any number of meanings for them or simply none at all).