#printing company in Nashville

[macrolit]

By Elisabeth Egan May 18, 2024

“You’d be shocked by how many books have women chained in basements,” Reese Witherspoon said. “I know it happens in the world. I don’t want to read a book about it.”

Nor does she want to read an academic treatise, or a 700-page novel about a tree.

Sitting in her office in Nashville, occasionally dipping into a box of takeout nachos, Witherspoon talked about what she does like to read — and what she looks for in a selection for Reese’s Book Club, which she referred to in a crisp third person.

“It needs to be optimistic,” Witherspoon said. “It needs to be shareable. Do you close this book and say, ‘I know exactly who I want to give it to?’”

But, first and foremost, she wants books by women, with women at the center of the action who save themselves. “Because that’s what women do,” she said. “No one’s coming to save us.”

Witherspoon, 48, has now been a presence in the book world for a decade. Her productions of novels like “Big Little Lies,” “Little Fires Everywhere” and “The Last Thing He Told Me” are foundations of the binge-watching canon. Her book club picks reliably land on the best-seller list for weeks, months or, in the case of “Where the Crawdads Sing,” years. In 2023, print sales for the club’s selections outpaced those of Oprah’s Book Club and Read With Jenna, according to Circana Bookscan, adding up to 2.3 million copies sold.

So how did an actor who dropped out of college (fine, Stanford) become one of the most influential people in an industry known for being intractable and slightly tweedy?

It started with Witherspoon’s frustration over the film industry’s skimpy representation of women onscreen — especially seasoned, strong, smart, brave, mysterious, complicated and, yes, dangerous women.

“When I was about 34, I stopped reading interesting scripts,” she said.

Witherspoon had already made a name for herself with “Election,” “Legally Blonde” and “Walk the Line.” But, by 2010, Hollywood was in flux: Streaming services were gaining traction. DVDs were following VHS tapes to the land of forgotten technology.

“When there’s a big economic shift in the media business, it’s not the superhero movies or independent films we lose out on,” Witherspoon said. “It’s the middle, which is usually where women live. The family drama. The romantic comedy. So I decided to fund a company to make those kinds of movies.”

In 2012, she started the production company Pacific Standard with Bruna Papandrea. Its first projects were film adaptations of books: “Gone Girl” and “Wild,” which both opened in theaters in 2014.

Growing up in Nashville, Witherspoon knew the value of a library card. She caught the bug early, she said, from her grandmother, Dorothea Draper Witherspoon, who taught first grade and devoured Danielle Steel novels in a “big cozy lounger” while sipping iced tea from a glass “with a little paper towel wrapped around it.”

This attention to detail is a smoke signal of sorts: Witherspoon is a person of words.

When she was in high school, Witherspoon stayed after class to badger her English teacher — Margaret Renkl, now a contributing opinion writer for The New York Times — about books that weren’t part of the curriculum. When Witherspoon first moved to Los Angeles, books helped prepare her for the “chaos” of filmmaking; “The Making of the African Queen” by Katharine Hepburn was a particular favorite.

So it made sense that, as soon as Witherspoon joined Instagram, she started sharing book recommendations. Authors were tickled and readers shopped accordingly. In 2017, Witherspoon made it official: Reese’s Book Club became a part of her new company, Hello Sunshine.

The timing was fortuitous, according to Pamela Dorman, senior vice president and publisher of Pamela Dorman Books/Viking, who edited the club’s inaugural pick, “Eleanor Oliphant is Completely Fine.” “The book world needed something to help boost sales in a new way,” she said.

Reese’s Book Club was that something: “Eleanor Oliphant” spent 85 weeks on the paperback best-seller list. The club’s second pick, “The Alice Network,” spent nearly four months on the weekly best-seller lists and two months on the audio list. Its third, “The Lying Game,” spent 18 weeks on the weekly lists.

“There’s nothing better than getting that phone call,” added Dorman, who has now edited two more Reese’s Book Club selections.

Kiley Reid’s debut novel, “Such a Fun Age,” got the nod in January 2020. She said, “When I was on book tour, a lot of women would tell me, ‘I haven’t read a book in four years, but I trust Reese.’” Four years later, on tour for her second novel, “Come and Get It,” Reid met women who were reading 100 books a year.

Witherspoon tapped into a sweet spot between literary and commercial fiction, with a few essay collections and memoirs sprinkled in. She turned out to be the literary equivalent of a fit model — a reliable bellwether for readers in search of intelligent, discussion-worthy fare, hold the Proust. She wanted to help narrow down the choices for busy readers, she said, “to bring the book club out of your grandma’s living room and online.”

She added: “The unexpected piece of it all was the economic impact on these authors’ lives.”

One writer became the first person in her family to own a home. “She texted me a picture of the key,” Witherspoon said. “I burst into tears.”

Witherspoon considers a handful of books each month. Submissions from publishers are culled by a small group that includes Sarah Harden, chief executive of Hello Sunshine; Gretchen Schreiber, manager of books (her original title was “bookworm”); and Jon Baker, whose team at Baker Literary Scouting scours the market for promising manuscripts.

Not only is Witherspoon focused on stories by women — “the Bechdel test writ large,” Baker said — but also, “Nothing makes her happier than getting something out in the world that you might not see otherwise.”

When transgender rights were in the headlines in 2018, the club chose “This Is How It Always Is,” Laurie Frankel’s novel about a family grappling with related issues in the petri dish of their own home. “We track the long tail of our book club picks and this one, without fail, continues to sell,” Baker said.

Witherspoon’s early readers look for a balance of voices, backgrounds and experiences. They also pay attention to the calendar. “Everyone knows December and May are the busiest months for women,” Harden said, referring to the mad rush of the holidays and the end of the school year. “You don’t want to read a literary doorstop then. What do you want to read on summer break? What do you want to read in January?”

Occasionally the group chooses a book that isn’t brand-new, as with the club’s April pick, “The Most Fun We Ever Had,” from 2019. When Claire Lombardo learned that her almost-five-year-old novel had been anointed, she thought there had been a mistake; after all, her new book, “Same As it Ever Was,” is coming out next month. “It’s wild,” Lombardo said. “It’s not something that I was expecting.”

Sales of “The Most Fun We Ever Had” increased by 10,000 percent after the announcement, according to Doubleday. Within the first two weeks, 27,000 copies were sold. The book has been optioned by Hello Sunshine.

Witherspoon preferred not to elaborate on a few subjects: competition with other top-shelf book clubs (“We try not to pick the same books”); the lone author who declined to be part of hers (“I have a lot of respect for her clarity”); and the 2025 book she’s already called dibs on (“You can’t imagine that Edith Wharton or Graham Greene didn’t write it”).

But she was eager to set the record straight on two fronts. Her team doesn’t get the rights to every book — “It’s just how the cookie crumbles,” she said — and, Reese’s Book Club doesn’t make money off sales of its picks. Earnings come from brand collaborations and affiliate revenue.

This is true of all celebrity book clubs. An endorsement from one of them is a free shot of publicity, but one might argue that Reese’s Book Club does a bit more for its books and authors than most. Not only does it promote each book from hardcover to paperback, it supports authors in subsequent phases of their careers.

Take Reid, for instance. More than three years after Reese’s Book Club picked her first novel, it hosted a cover reveal for “Come and Get It,” which came out in January. This isn’t the same as a yellow seal on the cover, but it’s still a spotlight with the potential to be seen by the club’s 2.9 million Instagram followers.

“I definitely felt like I was joining a very large community,” Reid said.

“Alum” writers tend to stay connected with one another via social media, swapping woot woots and advice. They’re also invited to participate in Hello Sunshine events and Lit Up, a mentorship program for underrepresented writers. Participants get editing and coaching from Reese’s Book Club authors, plus a marketing commitment from the club when their manuscripts are submitted to agents and editors.

“I describe publishing and where we sit in terms of being on a river,” Schreiber said. “We’re downstream; we’re looking at what they’re picking. Lit Up gave us the ability to look upstream and say, ‘We’d like to make a change here.’”

The first Lit Up-incubated novel, “Time and Time Again” by Chatham Greenfield, is coming out from Bloomsbury YA in July. Five more fellows have announced the sales of their books.

As Reese’s Book Club approaches a milestone — the 100th pick, to be announced in September — it continues to adapt to changes in the market. Print sales for club selections peaked at five million in 2020, and they’ve softened since then, according to Circana Bookscan. In 2021, Candle Media, a Blackstone-backed media company, bought Hello Sunshine for $900 million. Witherspoon is a member of Candle Media’s board. She is currently co-producing a “Legally Blonde” prequel series for Amazon Prime Video.

This month, Reese’s Book Club will unveil an exclusive audio partnership with Apple, allowing readers to find all the picks in one place on the Apple Books app. “I want people to stop saying, ‘I didn’t really read it, I just listened,’” Witherspoon said. “Stop that. If you listened, you read it. There’s no right way to absorb a book.”

She feels that Hollywood has changed over the years: “Consumers are more discerning about wanting to hear stories that are generated by a woman.”

Even as she’s looking forward, Witherspoon remembers her grandmother, the one who set her on this path.

“Somebody came up to me at the gym the other day and he said” — here she put on a gentle Southern drawl — “‘I’m going to tell you something I bet you didn’t hear today.’ And he goes, ‘Your grandma taught me how to read.’”

Another smoke signal, and a reminder of what lives on.

[fredseibertdotcom]

Emil Rensing, photographed by Elena Seibert, 2001

My mentor: Emil Rensing 

Emil Rensing changed my life. I’ve been lucky that as I’ve gotten older instead of completely settling in (though there’s naturally a lot of that too) there are folks around me that kept me from thinking “old.” Scott Webb and the Nickelodeon promo team, the Fred/Alan gang, the great artists and writers in my cartoon lives. But, I must say, I think when the consumer internet came buzzing, I was just about ready to turn off my brain to it and let the yung’uns take over. Jed Simmons tried to stop me, but I was tired, I was done. Then came Emil. 

For many years, like everyone else, my mentors had been older me (excepting Bob Pittman, my original MTV boss, who was two years younger). But when I was almost 50, it flipped on me. And the first kid that started teaching me a lot of stuff was... Emil Rensing. 

Emil has a number of super powers, not the least being a superior, raw intelligence. He’s a computer engineer, sure (he was one of the early employees of the then-revolutionary AOL), but... My experience has been there are engineers who know how to invent things, build things, fix things, but there are few who understand the human who use those things. On the other hand, the folks who can comprehend humans, don’t often have grasp on where technology is going, they can only figure out where it’s been (I’m probably on that spectrum). Emil, he can connect the dots. It’s seems simple when I’m writing this, but trust me it’s not. Emil appreciates, deduces, discerns, interprets, recognizes, penetrates. Emil sees. 

Emil and I met in 1999, but here’s the quick backstory. 

After a try at becoming a record producer, a stint in country radio and cable television, I had somehow or other found myself happily, thrillingly, in the cartoon business. Then, a few months after insisting to a friend that I was happy just learning to be an independent cartoon producer, the internet was for others, I became the first/only president of MTV Networks Online. Just like any other occupation I’ve had, I had no idea what I was doing. 

A friend from the animation biz, Charlie Fink, someone always interested in ‘what’s next,’ had left Hollywood and joined the early, money losing, what-the-fuck-is-this-internet-thing. He suggested I meet a young engineer –Signore Rensing– he’d worked with. I did, and even though –maybe because!– Emil was 25 years younger, I asked him to join my team, he did. 

It’s hard for me to say what happened in the next year, but for me, it was confusing. The company didn’t really want to succeed in the internet, they just wanted some of that internet moolah that was floating around, and I still didn’t know what I was doing other than occupying space. Soon enough, it was clear to me I couldn’t move the company in any useful direction, so it was equally clear I had to quit. When I told Emil I was leaving he announced he’d quit earlier that day. 

Frederator/NY announcement posters by Hatch Show Print, Nashville

Spontaneously, I blurted, “let’s start a company together. You keep showing me what the internet will mean to me and I’ll you how to make TV shows.” He agreed and we were in business. Frederator Studios –Eric Homan and Kevin Kolde– kept the cartoon fires burning (My Life as a Teenage Robot, Random! Cartoons, Fanboy and Chum Chum, Adventure Time, et cetera) and we started a media/internet consultancy in New York.  The details don’t matter, we did some good work, we made some TV shows, we started some of the early internet video successes, eventually we started, then sold, yet another new company that paced the world in the new vision of streaming video. 

Next New Networks, founded by Emil Rensing & Fred Seibert, posters by Frank Olinsky

Most importantly, Emil kept me young, kept me smart, helped set my stage for the next 20+ years. Emil Rensing changed my life. 

Thank you buddy. xxoo 

I’ve posted often about my mentors, the people I’ve learned the most from. And I’ve noted how often how many of them beg to differ as to whether or not I should credit them as such. So, I’ve calmed down in my titling. But still…

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Plant Accountant

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[lboogie1906]

Hale Aspacio Woodruff (August 26, 1900 - September 6, 1980) was an African American artist known for his murals, paintings, and prints.

He was born in Cairo, Illinois. He grew up in Nashville, where he attended the local segregated schools. He studied at the Herron School of Art and Design in Indianapolis, the Art Institute of Chicago, and the Harvard Fogg Art Museum.

He won an award from the Harmon Foundation in 1926, which enabled him to spend four “crucial years studying in Paris (1927–31).” He studied at the Académie Scandinave and the Académie Moderne. He learned in the city’s museums as well, while getting to know other expatriates, including Henry Ossawa Tanner, the leading African American artist. He met leading figures of the French avant-garde and began collecting African art, which was a source of inspiration for many other modernists, including Pablo Picasso.

He returned to the US and married Theresa Ada Baker (1931). They had one son.

His best-known work is the three-panel Amistad Mutiny murals, which he completed for the Savery Library at Talladega College. The murals are entitled: The Revolt, The Court Scene, and Back to Africa, portraying events related to the 1839 Mende slave revolt on the Spanish Amistad ship.

His two other surviving murals are The Negro in California History, commissioned by the Golden State Mutual Life Insurance Company in Los Angeles. This work was a collaboration with Charles Alston. He completed six panels called Art of the Negro at the Clark Atlanta University Art Galleries. He joined the faculty at NYU. He taught there for more than 20 years. #africanhistory365 #africanexcellence #sigmapiphi

[lickmystamp]

US postage stamp, 1988 “James Weldon Johnson” Scott #2371

Issued: February 2, 1988 - Nashville, Tennessee Quantity: 97,300,000 Designer: Thomas Blackshear Printed By: American Bank Note Company (Photogravure)

To honor poet, songwriter, diplomat, and activist James Weldon Johnson. This Black Heritage stamp was issued 50 years after his death. Along with the portrait is two-and-a-half bars of the song “Lift Ev’ry Voice and Sing”

[lawyersdatascraping]

Hawaii Attorneys Email Database

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[datascraping001]

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[garudabluffs]

Love pop music?

Largest US newspaper chain is hiring Taylor Swift and Beyoncé Knowles-Carter writers 9/14/2023

 "This week the United States’ biggest newspaper chain posted to its site two unusual job listings: a Taylor Swift reporter and a Beyoncé Knowles-Carter reporter. Gannett, which owns more than 200 daily papers, will employ these new hires through USA Today and The Tennessean, the company’s Nashville-based newspaper. The chain is looking for “modern storytellers” adept in print, audio and visual journalism, said Michael Anastasi, the Tennessean’s editor and Gannett’s vice president for local news. “Seeing both the facts and the fury, the Taylor Swift reporter will identify why the pop star’s influence only expands, what her fanbase stands for in pop culture, and the effect she has across the music and business worlds,” the company said in its job description. Similarly, the company wants a journalist who can capture Beyoncé Knowles-Carter’s effect on society and the industries in which she operates.

"We’re not hiring a Taylor Swift reporter at the expense of other reporters.” Some journalists criticized the job listings for presenting superfan behavior as a full-time journalism job. Music writer Jeremy Gordon said on social media that it “doesn’t feel great to see ‘full-time stan’ go out as an actual journalism job.” Stan is slang for “superfan.” If the hire acts more like a fan than a journalist, the decision could backfire on Gannett. But if the job is done well, and the reporters can penetrate tightly-controlled operations to glean insights, they can establish themselves as national authorities on important cultural figures."

"It is not uncommon for journalists to develop a beat on a specific figure, particularly in politics — as evidenced by Amy Chozick, who the New York Times hired in 2013 to cover Hilary Clinton exclusively. But most entertainment journalists are responsible for reporting on a wide range of talent — even if they are subject matter experts on a specific artist. That was the case for Los Angeles Times reporter Suzy Exposito, who called herself an “unofficial” beat reporter on popular reggaetonero Bad Bunny because she spent a disproportionate amount of time in a previous job covering him compared to other priorities. “His near-weekly output became really overwhelming, and it took away focus from a lot of other artists who were also making compelling work,” Exposito said. “He’s so prolific that I think I literally ran out of new words to describe him at some point. He could use his own reporter, too.” She said a major challenge for entertainment journalists is the sheer volume of releases from pop artists. “The business of music is a numbers game,” Exposito said. “Hit records become deluxe editions become sold-out world tours, and it can be dizzying for a general music journalist to keep up.” So, are artist-specific jobs the future of music journalism?"

READ MORE Love pop music? Largest US newspaper chain is hiring Taylor Swift and Beyoncé Knowles-Carter writers | WHMP 101.5 / 1240 & 1400 AM

"Politics does not shape the culture. Culture shapes politics. You can hear the future in hit songs long before any campaign slogan grasps the new reality."

[perkinsroofingcorp]

Free Roof Inspection

They will keenly examine the roof system, making sure they determine any issues that could require repairs and sections that would want replacement. Census Bureau confirmed that the estimated substitute cost for easy roofing buildings was about $6800, while that of bigger and more complicated buildings ranged from $10,000 to $25,000. The value, nonetheless insurance roof inspection, is variable, relying on location, roofing supplies, and the roofer you rent. Since 1990, the group at Bill Ragan Roofing has supplied insurance declare help to thousands of home owners in Nashville and surrounding Middle Tennessee areas. We take pride in guiding you through a annoying course of and do what we are ready to to get your drawback taken care of.

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Find a reputable roofing contractor to carry out a residential roof inspection before your insurance company conducts their inspection. After all, the insurance company has your roof inspected to fulfill their very own ends—namely, assessing whether or not the injury meets your insurance policy’s necessities for protection. The earlier issues are discovered, the sooner you probably can repair them and potentially spare your self the stress of additional damage.

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[zuffedf]

How To Start Your Own Residential Nashville Airbnb Property Cleaning Business And Make Extra Money

With rising fuel costs it just seems like everything we buy on a daily basis is going up in price. For some people it's becoming hard to make ends meet and getting another job on the side to work for eight dollars an hour isn't going to make a huge dent in anyone's pocket book. An easy way to make extra income as your own side job or business is to pick up a few Nashville Airbnb Property Cleaning jobs. There are two types of cleaning businesses, residential and commercial. Residential cleaning is becoming a sought after skill and for some a profession. In today's busy world some people don't have time to clean and end up coming home to a messy house night after night.

For some of these people who make a little more, paying you $50 dollars a day to clean their house is a good deal. To clean and organize a home on a Airbnb Contract Cleaning Nashville schedule can take as little as 1 to 2 hours after a routine is set up. With just two residential cleaning accounts you could be making an extra $3000 dollars a month for 2 to 4 hours a day of light cleaning and organizing while being your own boss. You can start your own cleaning business for as little as $500 in tools and supplies and permits. There are a few things you need when starting your own cleaning business but following the right steps can save you a lot of hassle latter.

When you first start up a cleaning business you need to create a registered company in your state. Taking in income without paying taxes is illegal and people do get caught every year by cheating the IRS, play by the rules and you'll come out ahead. When you register your company make sure to list it as an LLC company to protect your current assets. By shielding yourself behind a limited liability company you are in fact protecting yourself from a lawsuit just in case something should happen at your cleaning account. Things that can happen at a cleaning account are you could be blamed if something turns up missing, a fire could start when you're their cleaning or you could just be blamed for something that is not your fault. It costs around $100 to set up an LLC company in most states and its well worth the money should something happen. The next thing you need is to be insured and bonded. Being insured and bonded can protect you from mistakes that you might make like ruining someone's counter top, or staining their new hardwood floor by the toilet with an acid bowl cleaner. Call around your local insurance companies and ask for quotes, make sure to let them know you're shopping around and the best price is needed.

The second thing you're going to need when starting a cleaning business are clients. Start small and don't get discouraged, this is the hardest part of starting your cleaning company. A great way to set up your cleaning plan is to make a list of the cleaning chores you do around your own home and type the list up neatly so you can present it to your clients as an ala carte cleaning menu that they can choose cleaning tasks from. Everyone is different and every client will expect extra detail in some cleaning task or another depending on how clean they like their house. Advertising is easier than most people think. The easiest way to advertise is to network and tell others about your cleaning company endeavors. It usually always works out that some body knows someone who is looking for a part time cleaner for their own home. Another good way to advertise is to run a small local ad in a weekly shopper newspaper or have magnetic signs made for your car, this can cost as little as $75 and is well worth the investment. If you have a computer which you should if you're reading this article you can also print up simple flyers and hand them out in a middle to upper class neighbor hood in your town (check with local ordinances on handing out flyers before you do this).

After you have gotten yourself one or two clients it's time to set a price. Meet with your clients and present the list of cleaning tasks you are willing to perform. Get a good idea of how large the area is that you are cleaning and how well they want the cleaning task done. Come up with a fair price and write down their cleaning expectations for each cleaning task you are to perform. Some examples of cleaning tasks are cleaning windows, cleaning surface areas, vacuuming, sweeping and mopping, cleaning toilets, cleaning bathtubs and showers. Keep it simple to start because you can always add cleaning duties at a later date for an extra fee. Keep a record of their cleaning expectations so you can reference it if they question a duty you are performing.

[uniquestyle001]

Top 5 Womens Collections

Womens collection is a category of clothing that is designed to fit and be worn by women. This includes items such as dresses, skirts, shirts and coats. Other items that are considered part of womens wear include hats, gloves and purses.

For example, Mark Bryan, a 63-year-old heterosexual engineer, dresses in women’s clothing to work as often as possible. He says his closet is 50 percent women’s clothes.

Able

ABLE founder Barrett Ward started his company with the belief that fashion can be an agent of change. Through a collection of women's clothing, shoes, leather goods and jewelry, he's helping to break the cycle of poverty by empowering female entrepreneurs, supporting local economies, and fostering self-reliance rather than charity dependence.

Each piece in the ABLE collection is sourced from an ethical factory and manufactured by women worldwide. Their commitment to transparency extends to a proprietary system called AccountABLE, which assesses all manufacturing partners for their safety and equality practices, as well as livable wage ethics.

During our visit to the Nashville headquarters, we were able to meet many of the women who are behind ABLE's jewelry line (featured in this photo of the Tiny Teardrop Choker), and see firsthand how their work makes a difference in women's lives. ABLE also supports other Nashville makers and entrepreneurs through partnerships such as Miriam Designs, which employs those who have experienced homelessness and addiction to create their pieces. Check out more collections : https://uniquestylebk.com/

Cuyana

Cuyana carries a collection of womens clothing, bags, and small leather goods that are made with luxurious materials. They also support craftsmen in multiple regions, including Europe and South America. Cuyana’s ethos is ‘fewer, better’ and they strive to make their pieces work well for your lifestyle. This brand is ideal for professional women who want to upgrade their go-to staples, or for those who are transitioning into motherhood, marriage, and a different style of dressing.

The company’s branded women wear is designed to last longer than fickle trends and can be personalized with sentimental monograms. This premium essentials brand is a leader in sustainable fashion and the company’s products are carefully curated for A-list closets. They are also committed to social and environmental responsibility and have a zero-landfill policy. They also provide donation shipping labels on all domestic orders, and you can donate your unused items through ThredUP.

Fe Noel

Taking inspiration from her Caribbean heritage, Brooklyn designer Fe Noel has built a womenswear line that straddles the line between resort wear and city living. Her sumptuous fabrics, bold prints, and silhouettes that fall effortlessly off the body are the perfect blend of effortless elegance and practicality.

During New York Fashion Week earlier this year, Noel debuted a corset-bodice gown tied with $1.6 million in (faux) dollar bills—the amount of potential retirement savings lost to women due to the pay gap. The piece, in partnership with financial services firm TIAA, served as a statement on the systemic barriers keeping women of color from realizing their dreams.

Noel’s brand is rooted in her heritage, and she works to create a story around it through her clothes, her partnerships, and her store. She hopes that through her work, people can visit Grenada and connect with the island.

Amour Vert

Amour Vert focuses on sustainable, thoughtfully designed luxury clothing that is both stylish and eco-conscious. They avoid mass production to minimize waste and use deadstock fabric that would otherwise end up in landfills. Their sustainability practices extend to the packaging and shipping of their pieces, which are wrapped in compostable protective bags made from recycled materials and printed with soy-based inks.

Amour verde utilizes a variety of sustainable fabrics, including organic cotton, Tencel modal, and repurposed cotton seed cupro. They also use merino wool that is free of pesticides, herbicides, and other chemicals and ethically harvested from non-mulesed sheep. The brand also uses regenerated cellulose viscose, which requires 50% less water to manufacture than generic viscose.

In addition to their sustainable practices, Amour verde is committed to promoting social change. They partner with American Forests to plant a tree for every tee that is purchased, coining their slogan “Tees = Trees.” Their sustainable women wear collection is a great way to support environmental conservation and give back to the community.

Verishop

Verishop is an online retailer that aims to connect small, independent brands to their fans. It also helps them with all the operational support they need to grow their businesses and scale. It is essentially the Etsy for smaller, creative labels.

The website offers a 30-day window for returns, as long as the tags are still on and the item is unused. The company also allows customers to return gift items in exchange for store credit. They also offer free shipping for all orders!

The site features top fashion brands for women and men, as well as all the trusted beauty favorites. You can also find a wide selection of unique indie designers and brands that support causes you care about.

Unique Vintage

Founded in 2000 through one woman’s love of vintage fashion, Unique Vintage is a women-owned and operated brand that’s committed to making women feel confident and beautiful. With a homegrown Burbank boutique and an extensive online shop, this retro throwback label is known for its carefully curated collections of classic throwback styles.

Shop the branded women wear collection for everything from smocked rompers to polka dotted midi skirts, fit and flare dresses, and high-waisted swimsuits. The brand also carries a line of its own vintage-inspired dresses and separates, all of which are designed to flatter women of every body type.

For those with an e-girl alt aesthetic, Loud Bodies is the place to find vintage-inspired styles like unapologetic ruffles and cottagecore dresses. Browse their curated collections on their website and keep an eye out for a themed drop every Friday.

[shirtsfromstorm]

This is a small business created on Etsy, I design and personalize the clothes myself, then they will be printed and shipped by my partner company. Check it out on the link above, let me know what you think in the comments!☺️

[ladyinredskincure]

Organic Skincare Products

Website: https://www.ladyinredskincure.com/

Lady In Red SkinCure Boutique by Jade, LLC is an adaptive skin care solutions company, providing allergen-conscious products that are free from parabens, petroleum jelly, mineral oil, oxybenzone, phthalates, formaldehyde, carbon black, ethanolamides, alcohol, sulfate, artificial color, artificial dye, and wax. I do not believe in the use of harmful/harsh chemicals or additives in any of our products.

We guarantee the quality and integrity of all products by creating each item at the time of order.

Lady In Red SkinCure Boutique by Jade, LLC began by creating all-natural, minimal ingredient exfoliators and body creams for sensitive skin types. Our product line has expanded to include skin care products for all skin types. We carry total body exfoliator products, toners, moisturizers, and at home spa products.

We are Eco-friendly:

recyclable and reusable packaging

handcrafted in small batches

BPA-FREE JARS AND LIDS

All print materials are made using recycled paper products

We are Ethical:

cruelty free

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made in the U.S.A.

no toxins

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NON-GMO

Instagram: https://www.instagram.com/ladyinred_boutiquebyjadellc/

Twitter: https://twitter.com/ladyinredskncur

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[lawyersdatascraping]

Germany Attorneys Email List

Unlocking Success: How Germany Attorneys Email List Drives Legal Marketing Triumphs. In today's fast-paced world, connecting with the right audience is the linchpin of a successful marketing strategy, especially for the legal realm. For lawyers and law firms in Germany, the challenge isn't just about reaching potential clients; it's about targeting the right businesses and individuals who genuinely need legal assistance. This is where the Germany Attorneys Email List comes into play.

At LawyersDataLab.com, we understand the pivotal role that an accurate and up-to-date email list plays in marketing campaigns, especially for the legal sector. Our Germany Attorneys Email List is a carefully curated database that empowers law firms and legal marketing companies to streamline their marketing campaigns and connect with the right professionals.

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In the realm of legal marketing, success lies in reaching the right audience with the right message at the right time. The Germany Attorneys Email List from Lawyers Data Lab is the bridge that connects legal services to those who seek them. If you're ready to elevate your legal marketing strategies and drive business growth, reach out to us at info@lawyersdatalab.com.

[datascraping001]

Loan Officer Email List

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