#print banners uk

[printingservices-printcompare]

Business Card Wedding Invitations in UK

In the grand tapestry of wedding preparations invitations serve as the heralds of joy beckoning loved ones to partake in the celebration of a union. In the United Kingdom a notable trend is emerging among couples seeking to infuse their wedding announcements with uniqueness and innovation. Enter the realm of business card-style wedding invitations – a trend that is swiftly gaining popularity for its blend of elegance and modernity. At PrintCompare we recognize the pivotal role invitations play in setting the tone for the festivities. Our collection of business card wedding invitations offers couples a distinct avenue to extend their heartfelt invitations. Join us as we delve into the allure of business card wedding invitations and unveil why they stand as the quintessential choice for your momentous occasion.

The Ascendancy of Business Card Wedding Invitations:

Traditionally, wedding invitations have adhered to a formula steeped in elaborate designs and intricate details. Yet the contemporary couple seeks avenues that reflect their individuality and style. Business card wedding invitations present a departure from tradition, embracing a sleek and minimalist aesthetic.

The Perks of Opting for Business Card Wedding Invitations:

1. Uniqueness Redefined:

Business card wedding invitations captivate recipients with their distinctive design. Mirroring the format of conventional business cards these invitations boast compact dimensions rendering them both portable and visually striking. Despite their modest size business card invitations radiate sophistication leaving an indelible mark on recipients.

2. Versatility Embodied:

Flexibility stands as a hallmark of business card wedding invitations. Unlike their traditional counterparts which often adhere to rigid templates business card invitations offer boundless customization options. Couples can select from a myriad of designs fonts and finishes, tailoring their invitations to mirror their unique vision for the event.

3. Cost-Effectiveness Exemplified:

Wedding planning entails financial considerations, prompting couples to seek avenues for cost savings without compromising on quality. Business card wedding invitations emerge as an economical choice, allowing couples to adhere to budgetary constraints without forsaking style. PrintCompare offers competitive prices on its array of business card invitations, ensuring affordability without compromise.

4. Eco-Conscious Solutions:

In an era where sustainability holds sway, eco-friendly wedding invitations have garnered traction. Business card invitations often boast recycled materials, aligning with the ethos of environmental stewardship. By opting for business card wedding invitations, couples can tread lightly on the planet while extending beautifully crafted invitations.

5. Convenience Personified:

In today's frenetic pace, convenience reigns supreme. Business card wedding invitations are engineered with convenience in mind, featuring compact dimensions that facilitate handling and distribution. Whether dispatched via post or disseminated in person, business card invitations offer a streamlined solution that saves time and effort.

The PrintCompare Difference:

At PrintCompare, we are committed to delivering a seamless experience for couples embarking on their invitation journey. Our user-friendly website empowers couples to peruse our extensive collection of business card invitations, filtering by design, color, and price to unearth the perfect match for their wedding theme. With our intuitive online customization tool, couples can infuse their invitations with personal touches, adding names, wedding dates, and other particulars to craft a bespoke suite.

Beyond our digital interface, PrintCompare distinguishes itself through unparalleled customer service. Our dedicated team stands ready to address any queries or concerns, ensuring a stress-free experience from inception to fruition. With swift turnaround times and nationwide delivery, couples can entrust PrintCompare to deliver wedding invitations that surpass expectations.

In Conclusion:

Your wedding invitations serve as the vanguard of your love story, heralding the dawn of a new chapter. With business card wedding invitations from PrintCompare, you can imbue your announcements with sophistication and grace. From bespoke designs to eco-conscious options, we offer everything needed to elevate your invitations to new heights. Why settle for the ordinary when you can make a statement with PrintCompare? Embark on your journey today and witness the transformation of your wedding invitations into timeless treasures of elegance and refinement.

[printingcompany-newcenturyprint]

Printing Wedding Invitations in The UK

Introduction

Your wedding day is not just a ceremony.  It's a culmination of dreams love, and anticipation. Every detail contributes to the magic of the occasion with one of the most crucial elements being the invitation. It serves as the gateway to your celebration setting the tone capturing the essence of your love story and inviting your cherished guests to share in your joy. At it we understand the profound significance of this moment which is why we offer a comprehensive range of exquisite printing wedding invitations that reflect the elegance and sophistication of your special day.

Crafting Unforgettable Invitations

At New Century we firmly believe that your wedding invitations should be as unique and remarkable as your love story itself. Our team of skilled designers is dedicated to creating designs that transcend time and leave a lasting impression. Whether your preference leans towards classic elegance modern minimalism or something entirely bespoke, we possess the expertise to bring your vision to life. From meticulously selecting the finest paper stock to incorporating intricate details such as foil stamping and embossing every aspect of your invitation is thoughtfully considered to ensure it mirrors your personal style and sets the perfect tone for your unforgettable day.

Unparalleled Quality

Quality lies at the core of everything we do at New Century Print. We recognize that your wedding invitations are not merely pieces of paper; they are treasured keepsakes that will evoke memories for years to come. Hence, we utilize only the highest quality materials and printing techniques to ensure that every invitation we produce exceeds your expectations. Whether you option for luxurious cotton paper with exquisite letterpress printing or prefer modern digital printing with a sophisticated matte finish you can rest assured that your invitations will radiate unparalleled quality and craftsmanship.

Personalized Service

Planning a wedding invitation printing can often be overwhelming which is why we are committed to making the invitation process as seamless and enjoyable as possible for our clients. From your initial consultation to the final delivery of your invitations wedding printing our dedicated team provides personalized service every step of the way. We take the time to truly understand your unique vision and preferences offering expert guidance and support to help you create invitations that flawlessly encapsulate the spirit of your celebration. Whether you seek assistance in selecting the perfect fonts and colors or have a specific theme in mind we are here to turn your ideas into reality.

Eco-Friendly Options

As conscientious stewards of the environment, we are deeply committed to sustainability in all facets of our operations. That's why we proudly offer a wide array of eco-friendly paper options for your wedding invitations. From responsibly sourced recycled paper to innovative tree-free alternatives like cotton and bamboo. You can take solace in knowing that your invitations are not only exquisitely beautiful but also environmentally conscious. Moreover we utilize soy-based inks and implement energy-efficient printing practices to further minimize our ecological footprint. With it you can celebrate your love without compromising your values making a positive impact on both your special day and the planet.

Timely Delivery

We understand that timing is of the essence when it comes to wedding planning which is why we prioritize prompt and reliable delivery for all our clients. Whether you are organizing an opulent affair or an intimate gathering you can entrust us to ensure that your invitations reach you right on schedule. Our streamlined production process guarantees that your invitations are crafted with precision and care so you can rest assured that they will arrive in pristine condition ready to dazzle your guests. With it you can alleviate the stress of invitation logistics and focus your energy on creating cherished memories on your momentous day.

Conclusion

Your wedding day symbolizes the celebration of love, and your invitations serve as the gateway to this unforgettable occasion. We are dedicated to helping you craft invitations that mirror the beauty elegance and joy of your love story. From timeless designs to unparalleled quality and personalized service we are committed to surpassing your expectations at every turn. Elevate your wedding with exquisite invitations from New Century Print and transform your special day into a cherished memory that will endure for a lifetime.

[blog-atechies]

Printing Services London 

Introduction

In the bustling metropolis of printing services London, where businesses thrive and creativity knows no bounds, having access to top-notch printing services is crucial for making a lasting impression. Enter PrintCompare, a distinguished brand that stands at the forefront of London's printing industry. With a commitment to excellence, cutting-edge technology, and a diverse array of services, it is your go-to destination for all your printing needs.

Unveiling PrintCompare: A Brand Overview

It, synonymous with quality and innovation, has established itself as a trusted name in the printing industry. The brand has seamlessly blended traditional craftsmanship with modern technology to offer a comprehensive suite of printing solutions. From business cards to banners, brochures to bespoke marketing collateral, online printing services uk caters to a wide spectrum of printing requirements.

Cutting-Edge Technology: The Heart of Printing Services London

At the core of its success lies its unwavering commitment to staying at the forefront of technological advancements. The brand leverages state-of-the-art printing equipment, ensuring precision, clarity, and vibrant colours in every print job. Online printing services' dedication to technological excellence not only enhances the quality of the final product but also ensures efficiency and prompt delivery.

Unparalleled Print Quality

It takes pride in delivering prints of unparalleled quality. Whether you are a small business owner looking for professional business cards or a marketing professional in need of eye-catching promotional materials, printing services uk attention to detail and commitment to excellence ensure that your prints leave a lasting impression.

Diverse Printing Services: Tailored to Your Needs

One of print banners' key strengths is its ability to offer a diverse range of printing services, tailored to meet the unique needs of each client. The brand understands that every project is unique, and as such, provides customizable solutions for businesses of all sizes. From offset printing to digital printing, large format to small format, it has the expertise and resources to handle it all.

Competitive Pricing: Value for Your Investment

Print banners uk understands the importance of cost-effectiveness in today's competitive business landscape. The brand not only offers premium printing services but also ensures that its pricing remains competitive. Whether you are a startup on a budget or a well-established enterprise looking for bulk printing solutions, business card printing uk delivers unmatched value for your investment.

Sustainability Initiatives: Printing with a Conscience

In an era where environmental consciousness is paramount, print banners uk takes strides towards sustainability. The brand is committed to adopting eco-friendly practices, from using recycled materials to implementing energy-efficient printing processes. By choosing PrintCompare, you not only elevate your brand but also contribute to a greener and more sustainable future.

Customer-Centric Approach: Your Satisfaction, Our Priority

Business card printing UK success is not only attributed to its exceptional printing capabilities but also to its unwavering commitment to customer satisfaction. The brand values open communication, transparency, and a customer-centric approach. From the initial consultation to the final delivery, PrintCompare ensures a seamless and enjoyable experience for its clients.

Online Printing Platform: Convenience at Your Fingertips

Recognizing the need for convenience in the digital age, business card printing in the UK offers an online printing platform that allows clients to easily submit and track their print orders. The user-friendly interface, coupled with secure payment options, ensures a hassle-free experience for busy professionals and businesses.

Testimonials: What Clients Say About Printing Company UK

The success of any printing service is reflected in the satisfaction of its clients. Printing company uk takes pride in a portfolio of satisfied clients who have witnessed the brand's commitment to quality and excellence. Client testimonials highlight not only the exceptional print quality but also the reliability and professionalism that define the Print Compare experience.

Conclusion: Elevate Your Brand with PrintCompare

In a city that never sleeps, where businesses strive for excellence, printing services London emerges as a beacon of quality in the printing landscape. From cutting-edge technology to a customer-centric approach, it encapsulates the essence of premier printing services in London. Elevate your brand, make a statement, and leave a lasting impression with PrintCompare – where printing meets perfection.

[digitalpressuk]

Maximizing Sales Through the Strategic Use of Cafe Barriers | Digital Press

Boost your business with our insightful blog post, "Maximizing Sales Through the Strategic Use of Cafe Barriers." Learn how these versatile tools can attract more customers, enhance your branding, and create a cozy, inviting atmosphere. Perfect for cafes looking to optimize their outdoor spaces and drive more foot traffic. Discover the best practices for using cafe barriers to transform your space and increase your sales. Read the full article now and take your cafe to the next level!

[bestserviceblog]

Stand out at any event or promotion with our high-quality standard roller banners. Perfect for showcasing your message with vibrant colours and professional design.

📞 020 8144 0304 📧 print@ezprinters.co.uk

Order Now: https://ezprinters.co.uk/product/standard-roller-banners-2/

Visit our website: www.ezprinters.co.uk

Find us on- Facebook- www.facebook.com/ezprinters Instagram- www.instagram.com/ezprinters Twitter- www.twitter.com/ezprinters LinkedIn- www.linkedin.com/company/ez-printers

[acesignageuk]

Get the Best offer from a Vehicle Graphics shop in London to Boost Your Promotional Activities

In this harsh competitive world, efficient marketing is the prime necessity for any size or type of business. Whether you want to explore your business in the global market or spread awareness in the domestic market, local marketing is also essential for every business. There are several marketing techniques from digital marketing to outdoor marketing that you can apply as per your business requirement & budget.

How Vehicle Graphics Helps You to Enhance Your Promotional Activities?

Vehicle graphics is also one of the most powerful marketing tools that anyone can use easily & efficiently. Nowadays, this highly affordable marketing technique is widely used by businesses. From launching new products to increasing product awareness and establishing a brand reputation, vehicle graphics & vehicle branding plays an important role.

In this type of marketing, you can design a vehicle that includes your company’s logo, attractive product images, and some catchy captions to allure the attention of everyone from wherever it passes through. Thus, you need to add graphics in an excellent form of advertising. You can partially or fully paint the vehicle.

Why do you need to find the Best Vehicle Graphics Shop in London?

The best printing and graphics shop offers one-stop solutions for all your business needs. It gives you many beneficial outcomes. For instance, Ace signs and graphics printing delivers the best vehicle designing services, such as Signs & Vehicle Graphics in London, Vehicle Graphics for Fleets, Car Wrapping, Vehicle Graphics & Vehicle Branding, and many more services in London.

The other services include Custom vehicle graphics online in the UK, Car Graphics and Car Stickers, Auto Decals & Car Wraps Graphic Solutions, Internal Signage, External Signage, Car wrapping, Fleet wrapping, etc.

You can choose partial vehicle wraps or full vehicle wraps. In partial vehicle wraps & vehicle graphics, you will get the partial design on a small area of a vehicle, such as a logo, images & contact information on the rear windows or side of the van. It is an efficient yet cost-effective way to create awareness of your products or services.

In full vehicle wraps, you will get your entire vehicle painted with your brand logo, images, and messages you want to convey to your target audience.

It provides excellent visibility and impact on the people who pass near your vehicle.

With stunning car wrapping designs of your brand, your vehicles grab the attention of every other vehicle while passing on the road. With colorful design options related to your product, you can give superior look to your vehicle to make it attractive and attention-grabbing.

You can reach thousands of viewers in a week or month based on the availability of vehicles or fleets.

This is the simplest & latest method to reach your audience. The people who don’t know about your products or services can easily identify you with the contact number or business website mentioned on your vehicle.

Thus, a vehicle wrap is a simple, affordable, and fast method to reach a large audience compared to other types of advertising. Even you have chances to reach many potential customers than your website visitors.

In this type of advertising, you don’t need to approach people to promote your products.

From the large gathering of vehicles, your colorful vehicle wrap easily helps to allure the attention of the people.

This is the optimistic way of promotion without loud noise or hammering words.

It offers mobility solutions means you don’t need to wait for the customers to search for you on the website and contact you.

From your vehicle design, they can directly approach you. Thus, you have a round-the-clock and round-the-year marketing tool with only a one-time investment cost in vehicle and designing.

If you don’t want to invest in a vehicle, you can get it on rent for your desired time and grab the opportunity to increase your brand awareness.

Therefore, you need to find the best vehicle graphics shop in London, like Ace signage UK, which offers comprehensive services for vehicle designing and vehicle branding.

It offers one-stop solutions for all your designing and printing needs. Its additional services comprise Banners, Business cards & leaflet Printing, Aluminium Sheet boards and signs, Illuminated LED Signs, Roll up displays, letterheads and calendars, Brochure printing, Lamination, and more.

Write to sales@acesignage.co.uk  if you are looking for custom vehicle graphics online in the UK or a reliable vehicle graphics shop in London.  You will get the best offer and services of Cars & Vans from Ace signage UK.

Ace signs and graphics printing delivers everything from Signs & Vehicle Graphics in London to Car Graphics and Car Stickers, Auto Decals & Car Wraps Graphic Solutions, and many more printing solutions for result-oriented promotional activities of your business.

[girlactionfigure]

In August 2014, she joined a mob of 'Palestinian protestors' as they lay down in front of Sainsbury's in Birmingham in objection to the store stocking Israeli goods, forcing the store to close. She later boasted of her actions on Facebook and urged everyone to 'boycott Israel.' She is pictured here holding a banner printed and distributed by an organisation steeped in antisemitism - an organisation known to propagate antisemitism through its liberal use of blatant lies, demeaning the world's only Jewish State. She has just been appointed Lord Chancellor and Secretary of State for Justice by Keir Starmer, two of the most important and powerful roles in British Government. Starmer has repeatedly stated that he is committed to stamping out antisemitism - what a great start.

Likud Herut UK

[homenecromancer]

Here's a random assortment of Maximum Ride stuff, mostly images.

Maximum Read poster. This image is very small, sorry. This was part of an American Library Association campaign, probably around 2008 - 2010ish -- these posters were put up in libraries to encourage young people to read. (Description: large text reading Maximum Read at the top. The image shows Max and Angel lying in a field of green grass, with a picnic basket and several books scattered around them. Angel, who is a blonde little girl with white wings, wearing a pink dress and brown jacket, has fallen asleep. Max, a blonde teenager wearing a white long-sleeve shirt and blue jeans, is holding an open book against her chest and looking directly at the viewer.)

There were also bookmarks! (They have a cropped version of the poster image -- the Maximum Read text and Max looking at the viewer / Angel's sleeping face.) This site is the official store of the Ontario Library Association. The listing is live, but I think the OLA mainly deals with libraries and the people who work in them -- if you want to reach out and order 100 bookmarks for 9 dollars CAD, be my guest. But I don't need 100 bookmarks...

The kids who could fly advertising decal. This was a large decal showing an aerial view of a city. Produced just before Max came out by a New Zealand ad company. I've only seen the version of the Max cover that they use here on copies from the UK, but I wouldn't be surprised if it was used other places as well.

BookExpo 2006:

I was too lazy to rip these images off of Flickr, so you'll have to click through. But on May 21, 2006, this Flickr user attended BookExpo 2006, where James Patterson was signing copies of The Angel Experiment. (He didn't have his own table -- he signed at the table belonging to the First Book organization. This is a non-profit that provides books to children; they still exist, and you can read more about them on their website.)

Banners -- and a closer shot. Text (all in all-caps on the actual banner):

The hottest name in kid's fiction. James Patterson. [at left] #1 for 12 weeks New York Times. 500,000 kids demanded it! Max is back! [There is a small image of the School's Out - Forever cover in the center. The background is an image of a pair of white wings.]

Other photos show the JP banner in context -- it was very visible to people as they entered the convention. Here you can see it above a line of people waiting to enter. This photo, I think, shows the reverse side of the banner -- if I am right, the same image was printed on both sides, and it would've been visible as one exited the exhibit hall (as well as when one entered).

There was a long line for the signing. These images are probably not in order, but I tried to sort them. First image. Second image. Third image. All these photos depict a long line of many people, which passes by many booths in a convention hall.

And here is the signing table itself. This image shows the First Book booth, James Patterson seated behind the table with stacks of paperback copies of The Angel Experiment, and a fan talking to him.

Finally, this photo was taken from behind the signing table. Patterson is in the middle of signing a book for a fan, who is using her digital camera to take a picture of him.

Not relevant to anyone but me, really, but my copy of The Angel Experiment is the same vintage as those that Patterson signed that day. Strange to see those books looking brand-new; mine has badly yellowed pages and has been very well-loved over the years.

[eretzyisrael]

by Lionel Shriver

Another day, another opportunity for huffy, hypocritical “progressive” posturing. PEN America has now been forced to cancel its World Voices literary festival in New York and L.A., on the heels of also canceling its 2024 awards ceremony. Too many authors had withdrawn from both events to make going ahead with staging either practicable. The reason for so many writers flouncing from these programs? PEN’s failure to publicly denounce Israel’s “genocide” in Gaza. But you had probably guessed the point of indignation already, because as of October 2023, the Anglosphere’s far left has neatly pivoted from the infantilization of black people to the Palestinian cause with the coordinated grace of a synchronized swimmer.

To clarify: the purpose of PEN is to defend freedom of speech and to protect writers from political oppression and persecution. It makes perfect sense, therefore, that a significant cadre of its membership would seek to stifle freedom of speech and engage in political oppression and persecution. Or: we’re all for free speech so long as you say what we tell you. These folks are athletes. It requires considerable intellectual acrobatics for Writers Against the War on Gaza to regard the shutting down of events to advance free expression as “a win for free expression.” Presumably, the fact that a number of withdrawals from both occasions were motivated by fear of being attacked by a mob of pro-Palestinian zealots is also “a win for free expression.” PEN itself stated its concern “about any circumstance in which writers tell us they feel shut down, or that speaking their minds bears too much risk.”

PEN is, by its nature, a big tent. It represents not only Muslim writers but Jewish ones too, some of whom might just support the existence of Israel, might just regard Israel’s war against Hamas in Gaza as justified, and might just find alliance with genuinely genocidal terrorists whose unembarrassed aim is to wipe Israel and the Jewish people off the map as a teeny tiny bit obnoxious. While one PEN member decries the nonprofit’s “both-sidesing,” the truth is that PEN has no business taking a position on this issue whatsoever.

Unfortunately, the left has successfully installed the expectation that, regardless of their established purpose, all institutions—companies, museums, theaters, universities, charities, you name it—must proclaim their fealty to the “right” (which is to say left) position on a host of inflammatory issues of the day. This hyper-politicization of entities that ought sensibly to remain politically neutral has been systematically debauching everything from the UK’s National Trust to its NHS, from Anheuser-Busch to the Chicago Art Museum. First, all such outfits were required to fly Black Lives Matter flags, then garishly incoherent Pride flags, and now these banners have all to be swapped out for Palestinian flags, never mind what constituency or customer base might be alienated by this gratuitously partisan branding. Thus, an organization established for the defense of free speech of every sort—including the overtly Zionist kind—is necessarily obliged to openly advocate for Hamas, a murderous, cheerfully antisemitic cult whose interest in free speech on its home turf would fit in a thimble.

Of course, PEN’s membership has form when it comes to hypocrisy. In 2015, under armed security, PEN awarded its Freedom of Expression Courage Award to the satirical French magazine Charlie Hebdo. Six writers withdrew from participating in the proceedings to protest the magazine’s ostensibly offensive printing of cartoons that depicted Muhammad. Yet funnily enough, what your average normal person found offensive was the vicious massacre of 12 of the publication’s employees, most of them journalists, for neglecting to adhere to one religion’s hysterical blasphemy laws in a secular country that famously celebrates liberté. Yet over 200 writers—including, to my astonishment, the likes of Joyce Carol Oates—signed an open letter to PEN criticizing the Charlie Hebdo award. For these authors, defense of free speech, promotion of tolerance, and opposition to violent political oppression—the very purpose of PEN—counted for nothing when weighed against any injury to the delicate feelings of fundamentalist Muslims.

Much has been written about the unholy, and in some ways, hilarious alliance developing between the progressive left and Islam (Lesbians for Palestine, etc.). But for Western writers to embrace a restrictive, prescriptive, and stifling culture isn’t merely ironic or comical; it’s self-defeating. One needn’t consult a professor of Middle Eastern studies to conclude that these fair-weather friends in Gaza may welcome useful idiocy, but the permissive ethos of the Anglo left is diametrically at odds with despotic Islamic theology. Moreover, for American writers to express increasingly shrill and little-disguised hostility to Jews is to disavow a substantial chunk of the country’s distinguished literary canon: Philip Roth, Saul Bellow, Isaac Bashevis Singer, Bernard Malamud, and Elie Wiesel just for starters.

But then, the past 15 years have demonstrated with depressing clarity that writers, along with artists of every stripe, aren’t special. Although our occupation is more at risk from censorship than most, we’re all too capable of perversely embracing suppressive viewpoints that violate our own interest. We’re paid not only to write but to think, yet we don’t think; we listen keenly for whatever tune is playing in our fellow travelers’ AirPods and whistle along. Apparently, we’re no more creative than the average bear, and as soon as the memo goes out, we’ll chant along with the kiddies camped at Columbia University, “from the river to the sea!” whatever that means. We’ll obediently switch out one cause for another whenever we’re told, as nimbly as using “find and replace” in Microsoft Word.

We’re cowards, conformists, and copycats. Real freedom of expression is too scary; we’d rather hide in a crowd whose keffiyeh-masked members all shout the same thing. PEN has a laudable history of advocating for writers who’ve been persecuted for their opinions in repressive polities—polities much like the contemporary United States. But too many of its members would have the nonprofit corrupt its global mission to protect free speech across the board so long as they can bully its leadership into pointless partisan posturing for progressives’ acrid flavor of the month.

[noxexistant]

thoughts on uksies sprace, very hyperfixed on them right now

- mystery anon

uksies sprace are FANTASTIC

uk spot is brash and loud and involved, she dresses plainly but makes herself known when she’s in the room, she’s not as much cold-scary as broadway spot as she is aggressive-scary. when jack scabs, she has to be held back by one of her girls from absolutely wrecking him. race is rough and edgy and constantly fighting to be heard, he dresses noticeably fancier than all the other newsies - he has a dang pocket square. he smokes his cigars casually, and he’s physical when he argues - especially with jack - but he’s equally physical when he’s showing affection.

last time i saw the show, during once and for all, race and spot were crouched beside each other when everyone’s crouched with their lanterns, only really looking at each other, faced towards each other close enough that they could lean in and bump their foreheads. when the strike is won, they chest bumped - spot all but threw herself into it, and race seemed all too happy to throw himself right back.

the two of them absolutely have the energy of race having the biggest crush on spot for as long as he knows her but having no idea how to approach it. and spot…sort of knows (maybe needs her girls to help her know) but, regardless, she is absolutely not down for it. race’s interest is pointless at best and destructive at worst, spot can’t risk borough politics getting influenced by some dumb manhattan lieutenant falling over his own feet because he saw a girl. so she ignores all his flirting and teasing with her usual manners, scoffs at him, gives as good as she gets but never lets him get any ideas.

but then, during the strike, she actually gets to know race better than this marginally tense relationship they had before, usually marked by race being painfully awkward in his usual charming attempts when they crossed paths around brooklyn - and, okay, sure, maybe spot has been going to sheepshead more than she used to - but suddenly they’re actually interacting on common ground. and race is serious, focused, devoted, not half-playfully flirting or the worse alternative of trying very hard not to. he does, however, make some dumb joke while they’re working in the basement getting the banners printed, and it makes spot shamelessly snort - loud enough that ritz hushes her - and race knows he’s screwed. she’s so beautiful, screwing her nose up as she laughs, covered in mud and ink and bruises.

but spot’s screwed too. race is handsome and charming in how utterly not-charming he is, and he tells stupid jokes and his breath smells like cigar smoke and he kind of smells like cologne. he’s got his sleeves rolled up as he works, cigar tucked into his pocket. spot knows she likes him far too much in the moment she sees him walk over to jack and do their forearm-cross move that falls into the tight hug of two brothers.

and spot is unquestionably the one who makes the first move. and every first move subsequent to that. she knows full well that race would never.

they kiss for the first time when he keeps staring wistfully at her lips like it’s forbidden fruit or something, chewing on his own bottom lip. the street is empty, they’re wandering around late after a day of selling, so she just rolls her eyes and grabs him and kisses him hard. then kisses him again, softer. and he tastes like cigar smoke too - and his cheeks are all flushed when she pulls away. he definitely smells like cologne, something fancy he stole from someone.

she’s screwed.

she kisses him again. and starts laughing when he does - this dizzy sort of giggle like he can’t believe what they’re doing - and snorts against his lips. they’re both dumb lovestruck messes when they get back to their respective lodging houses.

[holmesillustrations]

Bracket Info!

My starting list was the 700 illustrations included with first publications of each story or novel, this means the initial magazine printing in the uk and us (usually the Strand and Colliers, though other magazines get involved too especially in the later stories) plus the first novel edition if i could find it. I did Not include reprints or translations, but it might be fun for a later bracket if people want them!

I tried to get the best quality image available for each one but some are just not online unfortunately.

Bracket Poll

Full Bracket - This is in spreadsheet format because with 256 polls in round 1 and inconsistent image titles i can't figure out a more visual format, but im open to suggestions! I'll make some graphics once we hit the later rounds and there's a more manageable number

Bracket Graphic - From round 3 onwards

Polls All - R1 - R2 - R3 - R4 - R5 - R6 - Quarterfinals - Semifinals - Final Battle

Elimination Rounds (complete)

I filtered out some title banners and space-fillers/formatting-focused illustrations, but getting to 512 for a functional bracket is gonna take some elimination rounds first! Since part of the motivation here is to highlight some of the lesser known artists, i split this up into 30 'Sidney Paget' rounds, and 27 'Other Artists' rounds. These will last a week, but i'll be posting one of each every day (more or less lmao)

After these ill seed the proper bracket based on the elimination votes and we can narrow it down to a winner 1v1!

Poll Format Each poll will have 11-12 illustrations, the poll options are numbered and include a partial caption next to the artist name and story abbreviation (STUD, SIGN, SCAN &c.) Under a read more ill include the full captions, the print source, and a list of the characters or subjects present left to right.

You can see the list of story abbreviations here if you're not familiar with them, and that site also has a lot of publication info/history if you want a sneak peak at the illustrations and artists coming up that you might not have seen before 👀

Paget Eliminations

Other Artist Eliminations

Offensive Imagery and Language

I wanted to give a blanket warning for this bracket: These are drawings by white men in the 1890s-1920s, the vast majority are fine, but there is a handful that portray racist and classist imagery in line with what is present in the stories themselves. I can't consistently warn for these individually out of a list of 700 pieces, but i also dont want to pretend they arent part of this history or set myself up as an authority on which cross a line or not, so ive decided not to automatically exclude illustrations that might be offensive. Likewise, im not censoring any of the captions that are part of images, but will do my best to remove offensive terms where i'm typing them out.

[galliversary]

Thank you for 71 responses!

We appreciate everyone who filled out our interest check and all who reblogged, retweeted, or told their friends. As the chart below will show, y’all are really excited about the Gallifrey zine, and we’re really glad to see that enthusiasm!

Big Picture Takeaways:

This fandom really wants a zine! 

Interest in a prompt week was more varied, but that’s what we expected, since not everyone who filled out the form makes fan creations. 

There’s a lot of excitement about different merch ideas, but not a lot of interested merch artists. So we want to remind everyone that you don’t have to have merch design experience to be a merch artist - we’ll give you any templates you need and walk you through the process. 

Although many interested buyers are in the US, we will still be shipping from the UK because international shipping is much cheaper from the UK to the US than vice versa, and we have many interested buyers from the UK, too.

Full results below the cut:

How interested are you in the zine?

[ID: A pie chart in shades of red. The sections are: 5 (67.6%), 4 (23.9%), 3 (8.5%). /ID]

How would you like to contribute to the zine?

[ID: A bar chart in blue. The bars are: Writer (26), Page Artist (18), Collab Artist (13), Merch Artist (5), Buyer (56). /ID]

How interested are you in creating for the prompt week?

[ID: A pie chart in shades of green. The sections are: 5 (31.0%), 4 (18.3%), 3 (23.9%), 2 (9.9%), 1 (16.9%). /ID]

Types of Merch 

Digital and physical merch ideas are listed together. “Other” is not included on the chart, but other responses included: digital stickers/printables, calendars, jewelry.

[ID: A bar chart in orange. The sections are: Art prints (57), Buttons/badges (55), Bookmarks (51), Sticker sheets (49), Postcards (46), Desktop wallpaper (44), Single stickers (43), Phone wallpaper (43), Acrylic charms (39), Icons (29), Banners (25), Wooden logo charm (24). /ID]

Shippy Merch: Interested?

[ID: A pie chart in shades of purple. The sections are: Yes (77.5%), No (22.5%). /ID]

Which Ships? (Top 10)

The chart only includes ships that more than one person listed (which worked out to be the top ten responses). 

[ID: A bar chart in purple. The bars are: Leela/Narvin (26), Romana/Leela (23), Brax/Romana (16), OT4 (15), Narvin/Romana (13), OT3 (10), Any Ships (8), Brax/Narvin (4), Andred/Leela (3), Brax/Leela (3). /ID]

Minor/Side Character Merch: Interested?

[ID: A pie chart in shades of yellow. The sections are: Yes (69.0%), No (28.2%), Maybe (2.8%). /ID]

Which Characters? (Top 10)

We had a lot of different suggestions for minor/side characters. For readability, on the chart we’ve only included the top ten most frequently suggested. 

[ID: A bar chart in yellow. The bars are: Wynter (24), Darkel (12), Eris (9), Pandora (8), Andred (7), Hallan (7), K9 (6), Trey/Romana III (6), Livia (6), Rayo (6). /ID]

Countries 

[ID: A bar chart in teal. The bars are: United States (25), United Kingdom (20), Canada (10), Germany (4), Australia (2), Russia (2), Denmark (1), Netherlands (1), Slovakia (1), Hungary (1), Mexico (1), Italy (1), Israel (1). /ID]

Pricing

What is the maximum you are willing to pay for each of the following bundles?

Digital Bundle

[ID: A pie chart in shades of pink. The sections are: £5 (25.4%), £10 (38.0%), £15 (19.7%), Not Interested (16.9%). /ID]

Physical Zine

[ID: A pie chart in shades of pink. The sections are: £10 (15.5%), £15 (43.7%), £20 (35.2%), Not Interested (5.6%). /ID]

Flat Bundle

[ID: A pie chart in shades of pink. The sections are: £15 (14.1%), £20 (19.7%), £25 (29.6%), £30 (31.0%), Not Interested (5.6%). /ID]

Full Bundle

[ID: A pie chart in shades of pink. The sections are: £25 (11.3%), £30 (12.7%), £35 (15.5%), £40 (25.4%), £45 (9.9%), £50 (9.9%), Not Interested (15.5%). /ID]

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[allographica]

Hi there! My name is Fay Roberts, and I’m the founder of Allographic Press, which has been running since August 2011.

In this post, I’ll be telling you a bit about Allographic, about the new initiative we’re launching this week, and how you can submit work to the next anthology.

And if this is all a bit much to read, we have a simplified checklist here.

About Allographic

Allographic’s founding aim, and continuing mission, is to platform the voices less heard, raising marginalised stories into mainstream view as much as possible. So far we’ve mostly achieved that through open mic guest artists, hosting special performances, supporting the Other Voices show at Edinburgh Fringe (intersectional feminist spoken word cabaret), and focusing mostly on publishing single collections by people of marginalised identities.

New Venture

Now we want to go a step further, bringing back the Small Word anthologies we used to do, and theming them for a variety of experiences less explicitly well-represented on the publishing scene in the UK. The initial plan is for them to come out quarterly, in limited runs of 100 printed copies of A6 pamphlets, plus using ebook technology on a variety of platforms, to make the work more accessible. Please follow this blog and our various social media outlets, for news of the anthologies as they come up.

Submit to the anthology

So, to kick off, we’ll be producing an anthology based around the notion of neurodiversity – whether that’s autism, ADD/ADHD, synaesthesia, dyslexia, dyspraxia, dyscalculia, hyperlexia, Tourette’s Syndrome, or any of the other experiences that sit under the banner of neurodivergence – we want to publish your poems, stories, essays, photos, and original artwork (though please note that the latter two will be in black-and-white in the print versions). Please note that, for the purposes of this publication, self-diagnosis is perfectly valid as a basis for writing about the experience of neurodivergence. The working title for the anthology is currently Synaptic Resonance, but we’re definitely open to alternatives if you come up with something better!

Submit via this form.

Timelines

The deadline for submission is 28-Feb-23; we’ll be closing the form at midnight on 1-Mar-23 (GMT), with an aim to publish at the beginning of April 2023, with an online launch event shortly afterwards. It’s free to enter, and, if your work is selected, you’ll receive a free copy of the printed pamphlet and ebook. As with all these themed anthologies, we’ll be asking about your personal connection to the theme, as we’ll be prioritising selecting the work of folk who are neurodivergent themselves in this instance. The limit on entries is 3 pieces, with no limit on length (though we may reserve the right to publish an excerpt with a link to the full version online, especially for essays/ stories, etc.), and each piece must be submitted in its own separate file (see form for details – MS Word, ODT, and RTF files are fine, ditto PNG and JPG for artwork, but no pdfs). If you submit more than one piece per file, we will ignore anything beyond the first piece. Please note that for poetry and prose we are after pieces that are completely or mostly written in the English language, as we currently do not have the means to proofread other languages beyond Google Translate! You should hear within two weeks of the closing date whether your piece has been selected. Please note that we do not have the capacity to give feedback on individual pieces at this time, and we will not be accepting unsolicited manuscripts, or submissions via any means but the form provided, mostly because we’re a tiny team and there have to be some limits!

Please note that, if you want to ensure that we experience your poems (especially concrete poems) in the format/ layout you intend them, it will be best to download our template and submit your files based on that.

Link to docx template

Link to doc template

Link to odt template

If your images include text, please try to use the Verdana font, as that’s what we’ll be using, for the sake of accessibility and consistency. Likewise, we’ll be asking you to supply image descriptions for any visual work you submit so that we can embed that in the ebook versions to improve accessibility.

Conclusion

So, talk to us about the trials and tribulations of communication and executive dysfunction; the joys and marvels of a brain that sparkles in dark places and sees the usual rules as guidelines at best. We want to hear everything, from across the spectrum (yep, we went there) of experience.

We look forward to seeing what you’ve got for us!

Image from a blog post from Hult Business School, entitled Thinking differently: Researching neurodiversity in the workplace

[artificialqueens]

🏳️‍🌈 Pride Challenge Update 🏳️‍🌈

Well holy fuckballs, guys!!! Amazing content in this past queue!!!

We are now officially at 32,590!!

Which means we blew right the fuck through the last 2 goals. So instead of waiting, we're gonna post the 15k goal right now and then the 25k one ASAP!

For 15k, our gorgeously talented friend @imstillafuckinglibra has made some glorious sticker designs for the AQ logo! Please check them out and then vote in this poll for which ones you like best!!

Also!! In anticipation of our next set of prizes, anyone who is interested in joining a community TTRPG (Tabletop Roleplay Game - think Dungeons and Drag Queens), please fill out this form!

Reminder of all the prizes after the jump!

STARTING NOW: Anyone who participates by submitting fic, art or even feedback/prompts/requests--as long as they're not anonymous--will get a special role in the AQ Chitchat server, as well as an invite to the Pride 2023 channel to discuss future posts, prompts, or anything else. The channel will also be a place where VOTES for future (secret) prizes occasionally occur! Note: This is an OPT-IN prize, so if you would like to participate, shoot a DM to Veronica. (@veronicasanders)

15k: A community vote on some awesome AQ Logo sticker designs by @imstillafuckinglibra 

25k: Stickers Available!!! (We'll do this ASAP after the poll has had a few days!) We will provide (free) high-quality images for you to print yourself, as well as a little AQ merch store where you can purchase them to support the blog and LGBTQ+ Charitable Organizations.*

40k: Sneak peek of the new banner! Plus, base points will INCREASE to help us rack ‘em up faster!

50k: Drag Race Fandom-Inspired TTRPG (Tabletop Roleplay Game) run by @artificialcandycane - FILL OUT THIS FORM IF YOU'RE INTERESTED

75k: More stickers!! This time featuring different (Drag Race) fanfic tropes! 

100k: A set of Queen-inspired Tarot Card Images (formatted so they can be used as lockscreens) by Dartmouth420 (and possibly other collaborators - let us know if you want to help out)! 

125k: (Secret) Ship-inspired art! More details later!

150k: Expanded merch options! 

200k: PRIDE BANNER REVEAL!!! And hitting 200k will unlock new bonus prize goals! 

*The profits from any merch sold will first go to reimburse V for some minor out-of-pocket expenses that she paid for the current theme/coding, and then if there’s anything after that, we will make donations to LGBTQ+ charities such as the ACLU Drag Defense Fund, Black Rainbow AUS, GLSEN, Mermaids UK, and Black & Pink. Other suggestions for charitable organizations are welcome; this should be an open discussion!