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fuckheadwitha · 4 years

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Listening to Rolling Stone's Top 500 Albums of All Time

Rolling Stone released an updated list of their top 500 albums of all time and being trapped in the purgatory of covid quarantine this seems like the perfect moment to tackle what an almost completely irrelevant former counter-culture institution has to say about music (we can’t actually blame Rolling Stone for this list, a huge number of musicians and critics voted to make it). I am going to listen to every single one of these, all the way through, with a level of attention that's not super intense but I'm definitely not having them on in the background as simple aural wallpaper. Two caveats though: I can make an executive decision to skip any album if I feel the experience is sufficiently miserable, and I'm also going to be skipping the compilation albums that I feel aren't really worth slots (best ofs, etc.). In addition, I will be ordering them as I go, creating a top 500 of the top 500 (it will be less than 500 since we've already established I'm skipping some of these).

Here are 500-490:

#500 Arcade Fire - Funeral

I can already tell I'm going to be at odds with this list if one of the most important albums of my high school years is at the bottom. That being said, I haven't actually given this whole thing a listen since probably the early 2010s, before Arcade Fire fatigue set in and the hipsterati appointed band of a generation just kinda seemed to fade from popular consciousness. I actually dreaded re-experiencing it, since the synthesis of anthemic rock and quirky folk instrumentation which Arcade Fire brought mainstream has now become the common shorthand of insufferable spotify friendly folk pop. Blessedly, the first half of the album easily holds up, largely propelled by dirty fast rhythm guitar, orchestration that's tuneful rather than obnoxious, and lyrics which come off as earnest rather than pretentious. The middle gets a little sappy and “Crown of Love”, a song I definitely used to like, really starts the grate. And then we get to “Wake Up”, whose cultural saturation spawned thousands of dorky indie rock outfits that confused layered strings and horns with power and meaning. This song definitely hasn't survived the film trailers and commercials which it so ubiquitously overlayed, but the line about "a million little gods causing rainstorms, turning every good thing to rust" still attacks the part of my brain capable of sincere emotion. This album is probably going to hold the top spot for a while, because although so many elements of Funeral that made it feel so meaningful, that made it stand out so much in 2004, have been seamlessly assimilated into an intellectually and emotionally bankrupt indie pop industrial complex, the album itself still has a genuine vulnerability and bangers that still manage to rip.

#499

Rufus, Chaka Khan - Ask Rufus

Before she became a name in her own right, Chaka Khan was the voice of the band Rufus, and it’s definitely her voice that shines amongst some spritely vibey funk. That’s not to say that these aren’t some jams on their own. “At Midnight” is a banging opener with a sprint to the finish, and although the explicitly named but kinda boring “Slow Screw Against the Wall” feels weak, this wasn’t really supposed to be an album of barn burners. This was something people put on their vinyl record players while they chilled on vinyl furniture after a night of doing cocaine. “Everlasting Love” is a bop with a bassline like a Sega Genesis game, and the twinkling piano on “Hollywood” adds a playful levity to lyrics that are supposed to be both tackily optimistic about making it big out in LA and subtly realistic about the kind of nightmare world showbiz can be. “Better Days” is another track that manages to be a bittersweet jam with a catchy sour saxophone and playful synths under Chaka Khan’s vamping. This album definitely belongs on a ‘chill funk to study and relax to’ playlist.

#498

Suicide - Suicide

We’ve hit the first album that could be rightly called a progenitor for multiple genres that followed it. Someone could say there’s a self-serving element of this being on a Rolling Stone list (the band was one of the first to adopt the label ‘Punk’ after seeing it in a Lester Bangs article) but the album’s legacy is basically indisputable. EBM, industrial, punk, post-punk, new wave, new whatever all have a genealogy that connects to Suicide, and it’s easy to hear the band in everything that followed. But what the band actually is is two guys, one with an electric organ and one with a spooky voice, doing spooky simple riffs and saying spooky simple things. Simplicity is definitely not a dis here. The opener “Ghost Rider” makes a banger out of four notes and one instrument, and the refrain ‘America America is killing its youth’ is really all the lyrical complexity you need to fucking get it. “Cheree” and “Girl” have almost identical lyrics (‘oh baby’ vs ‘oh girl’) but “Cheree” is more like a fairy tale and “Girl” is more like a sonic handjob. “Frankie Teardrop” has the audacity to tell a ten minute story with its lyrics, but of course there is intermittent, actually way too loud screaming breaking up the narrative of a guy who loses everything then kills his family and himself. The song is basically a novelty, and I think you can probably say the whole album is a novelty between its brevity and character. But for a bite sized snack this album casts a huge shadow.

#497

Various Artists - The Indestructible Beat of Soweto

The fact that this particular compilation always ends up in the canon has a lot to do with the cultural context it existed in, being America’s first encounter with South African contemporary music during the decline of apartheid (it wouldn’t end until a decade later in 1994 with the country’s first multi-racial elections). Music journos often bring up the fact Ladysmith Black Mambazo, the all male choir singing on the album ender “Nansi Imali”, sang on Paul Simon’s Graceland like their virtue is they helped Paul Simon get over his depression and not, like, the actual music. But also like, how is the actual music? Jams. Ubiquitous, hooky guitars propel the songs along with bright choruses over low lead vocals, but I didn’t expect the synthesizer on the bop “Qhude Manikiniki”, nor the discordant hoedown violin on “Sobabamba”. “Holotelani” is a groove to walk into the sunset to.

#496

Shakira - Donde Estan los Ladrones

So this is the first head scratcher on the list. It’s not like it sucks. And I think I prefer this 90s guitar pop driven spanish language Shakira to modern superstar Shakira. But I mean, it’s an album of late nineties latin pop minivan music, with a thick syrupy middle that doesn’t do anything for me. The opener and closer stand out though. ‘Ciega, Sordomuda’, one of the biggest pop songs of the 90s (it was #1 on the charts of literally every country in Latin America), has a galloping acoustic guitar and horn hits with Shakira’s vocals at their most percussive.

#495

Boyz II Men - II

So, if you were alive in the 90s you know Boyz II Men were fucking huge, and the worst song on the album is the second track “All Around the World”, basically a love song to their own success, and also the women they’ve banged. You can tell it was written specifically so that the crowd could go fucking wild when they heard their state/city/country mentioned in the song, and I’m not gonna double check but I’m sure they hit all fifty states. Once you’re over that hump though you basically have an hour of songs to fuck to. “U Know” keeps it catchy with propulsive midi guitar and synth horns, “Jezzebel” starts with a skit and ends with a richly layered jazz tune about falling in love on a train, and “On Bended Knee” has a Ragnarok Online type beat. Honestly this album can drag, but you’re not supposed to be listening to it alone in a state of analysis, you’re supposed to have it on during a date that’s going really, really well.

#494

The Ronettes - Presenting the Fabulous Ronettes

A singles compilation of the Ronettes, the only ones I immediately recognized were ‘Be My Baby’ and ‘Going to the Chapel of Love’, the latter of which I didn’t know existed since the version of the song I knew was by the Dixie Cups, which was apparently a source of drama since the Ronettes did it first but producer Phil Spector refused to release it. I feel like as a retro trip to sixties girl groups it’s full of enough songs about breaking up (for example “Breaking Up”) getting back together (for example “Breaking Up”) and wanting to get married but you can’t, because you’re a teenager (“So Young”).

#493

Marvin Gaye - Here, My Dear

This album only exists because Marvin was required by his divorce settlement to make it and provide all of the royalties to his ex-wife and motown executive Anna Gordy Gaye. It’s absolutely bizarre, phoned in mid tempo funk whose lyrics range from the passive aggressive (“This is what you wanted right?”) to the petulant (“Why do I have to pay attorney’s fees?”). There is a seething realness here that crosses well past the border of uncomfortable. I don’t think it’s an amazing album to listen to, but it’s an amazing album to exist: Marvin Gaye is legally obligated to throw his own divorce pity party, and everyone's invited.

#492

Bonnie Raitt - Nick of Time

I have never heard of Bonnie Raitt before but apparently this album won several grammys including album of the year in 1989 and sold 5 million copies, which I guess goes to show that no award provides less long term relevance than the grammys. The story around the album is pretty heartwarming, it was her first massive hit after a career of whiffs, and Bonnie Raitt herself is apparently a social activist and neat human being. I say all this because this sort of 80s country blues rock doesn't really connect with me, but the artist obviously deserves more than that. I unequivocally like the title track though, a hand-clap backed winding electric piano groove about literally finding love before your eggs dry up.

#491

Harry Styles - Fine Line

I do not think I have ever heard a one direction song because I am an adult who only listens to public radio. I’m totally open to pop bands or boy bands or boy band refugee solo artists, but I don’t like anything here. It’s like a mixtape of the worst pop trends of the decade, from glam rock that sounds like it belongs in a car commercial to folky bullshit that sounds like it belongs in a more family focused car commercial. This gets my first DNP (Does Not Place).

#490

Linda Ronstadt - Heart Like a Wheel

Another soft-rock blues and country album which just doesn’t land with me. But the opener “You’re No Good” is like a soul/country hybrid which still goes hard and the title track hits with the lyrics “And it's only love and it's only love / That can wreck a human being and turn him inside out”.

Current Ranking, which is weirdly almost like an inverse of the rolling stones list so far;

#rolling stone #500 greatest albums of all time

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shawnpetermuffins · 5 years

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Misery Business (decode 2)

A/n: and the much requested part 2. Part 1 is in my masterlist under my song based fics. This will be the final part.

Summary: Shawn's finally starting to realize what this relationship has done to him.

Warnings: angst, swearing, the usual

Word count: 2.2k

***

I should be happy. My career has never been better, my singles are doing pretty great on the charts, I'm in the top 5 most listened to artists on spotify, and I'm getting loads of publicity hanging with Camila. And don't get me wrong, she's beautiful, hourglass figure that every guy wants, I guess. There's just something wrong and it's this, she's not y/n. I thought our relationship would withstand anything my career threw at us, I really did. But I should have known that she wasn't okay with this. I knew that there was always some kind of underlying territorial battle between her and the girl that's currently holding my arm while we walk down the street, but I ignored it for the sake of a few extra views on a music video, for a few extra streams.

This publicity thing has taken y/n away from me and no one seems to notice, or care, because the songs are doing so good. Since she walked away that night no one has talked about it. No one asked what was the final straw, it was just never brought up. And all that's going around Twitter and Instagram are these God awful, staged photos of me and Camila acting like we're so in love when in reality I am heartbroken and on the verge of a nervous breakdown in most of them.

"They're looking," she says into my arm. "Kiss me now." She's been telling me to do that a lot more often recently and I'm starting to feel just how wrong it is for us to be doing this. She knows about the breakup, but it seems like she couldn't care less. She parades me around town and follows me on tour, adding a little too much tension between me, Brian and Connor who have barely spoken to me since y/n left. It's clear that they weren't on my side in this situation, but that didn't matter to Camila. She was eating the attention up. She loved knowing that people were talking and that they were talking about her, it apparently didn't matter in what context.

"Andrew," I grab my manager's attention one night before he goes into his hotel room.

"Yeah, bud?"

I clear my throat, glancing over my shoulder to make sure no one was still out wandering the hall, listening. I lower my voice anyway, "How much longer do Camila and I have to keep up this PR game? The fans are starting to notice it's fake."

"We have to keep it up at least until the stadium show."

"What? What happened to it ending after the VMAs?"

He shrugs, "Sorry. We need to sell more."

"The stadium's already sold out, what do you mean we need to sell more?!"

"Shawn, you said you were okay with this. What's going on?"

I lost the best thing that's ever happened to me because of this stupid game. That's what's going on. But I just sigh, "Nothing. Nothing, guess I'm just worried. I don't want the fans to lose interest. I can't keep ignoring the question."

"Well you can't talk about it. We're under contract. Now it'll be over before you know it. So for now, just enjoy it. Enjoy the publicity. You need it. Gets people excited for new music."

You know what else gets people excited for new music? Promotion.

---

I'm scrolling through Instagram, seeing all the photos fan accounts are posting of me and Camila, becoming more and more emotionally drained with each passing second. But then I see something that catches my eye. It's a photo of me and y/n, one of the only photos she allowed me to post of us. Except it's split right down the middle. I hurriedly look at the caption.

Fanaccount Is no one going to talk about the fact that we don't know how, why, or WHEN y/n and Shawn broke up??? Did we all just forget that they were together for 2 years?? What happened to our girl?

Then I start reading the comments, which I shouldn't do, but I can't stop myself.

Fanaccount2 Idk if it's true but someone said she was still on tour with him up until like 2 weeks ago…

Fanaccount2 Do y'all think Camila had something to do with it?

She had everything to do with it.

fanaccount3 Who cares? He's with Camila and she's better.

Fucking liar.

fanaccount4 I know we don't know what happened, but if it's because of C that's fucked up. Y/n deserves better. Shitty PR to sell a song that's already been at #1 for weeks?? If he lost her to this I feel bad for him.

Fanaccount5 But what about her? She had to watch all this go down? It was a really dick move for him to even think it was okay to do this.

fanaccount6 Okay but look how happy he is with Camila. He clearly doesn't feel bad, so why do you???

Fanaccount4 THEY WERE TOGETHER FOR 2 YEARS! and now he's sucking face with his "best friend" come on. That's shitty and you know it.

I don't even realize that I'm crying until I can hardly catch my breath. I'm panicking. I haven't had to deal with a panic attack alone since y/n came around, but this is the third one I've talked myself out of since she left, and I've had to go back on my medication. I never realized that she was the main thing helping me through.

My phone buzzes with a notification - a message from Andrew.

It's a screenshot of my spotify account and it reads: #2 baby!!

I want to hurl - my phone or the contents of my stomach, I'm not sure. Maybe both. But I guess, we've got the fans where we want them.

But like we always do, in true Hollywood bragging, we post the screenshot to our Instagram stories. And Andrew to his feed and twitter. It's all working so well. They're buying it - the relationship, the song, everything. But when I look at my follower count and see I'm down at least 100,000… maybe not everyone is buying it.

---

We're in her hometown and every part of me wants to go see her, wants to make sure she's okay. Because I have the day off and it would be so easy to just drive out to her and make things right. But Camila won't leave my side and I'm going insane.

"Shawn, pay attention to me!"

And I snap. "What do you think I've been doing these past two months, Camila?! I've been paying attention! Jesus, fuck, give me just two minutes of alone time."

"Whoa! What's up your ass?" She crosses her arms over her chest.

"You!" I scoff, throwing my hands up.

"You've been moody all week. Do you want to talk?"

"Not to you," I mumble, but she hears me.

"You're serious? This is about y/n? It's been a month, Shawn. It's time to move on."

"Move on? How am I supposed to move on when she was the literal best thing to happen to me? When I lost her because of this stupid PR move that is in no way helping me anymore, Miss number two!"

"Now I don't deserve to be number two? Really?"

I don't say anything else, I just take my phone and wallet from the coffee table and leave without another word. I don't know where I'm going until I'm there at her doorstep, breathing heavily and running my clammy hands through my already ruffled hair. Before I can talk myself out of it, I knock on the door and wait, my hands in my pocket.

"Can you get that?" I hear her say to someone inside, but I'm not expecting it to be my own best friend.

"Brian?" I say, confused.

"What are you-?"

"Bri, did you? Shawn?"

"Connor?"

"Guys, who's at the…" she stops cold in her tracks when she sees me.

"Y/n," I sigh. I can't read her face. She could be any number of things, but shocked is probably the most accurate.

"Babes, can y'all give us a second?" Her arms cross defensively over her chest while the guys retreat to the kitchen. When she walks further into the living room, I let myself in, closing the door behind me. "What the hell are you doing here, Shawn?"

"I miss you," I say desperately. "I - I know I fucked up. Severely fucked up. I put my career ahead of you and I said I'd never do that. The numbers became more important and it shouldn't have been that way. I'm so sorry. Just… please give me a second chance. Let me prove to you that you're first. Always."

"A second chance isn't going to do anything for you, Shawn."

"How do you-?"

"Because you're still pretending with her! If you're even pretending at this point! I can't be with you like this because if the numbers were all that mattered two months ago, who's to say they're still not going to matter three years from now? Your entire career revolves around them and I'm not going to be your number two. That isn't what I signed myself up for. Not to mention my Twitter mentions right now are your fans calling me a whore for standing in the way of 'Shawmila's true love!'"

I flinch, "I'll fix it."

"You can't!" She screams and I see the guys slowly make their way into the room. "Jesus, don't you get it? It doesn't matter what you think you can fix because I can't forgive you! I'm done. I'm over it. I don't want this!" She gestures between our bodies. "You don't want me, you want the familiarity. Well, why don't you teach her how to calm down your anxiety attacks. And tell her how you like your eggs in the morning, and how you'll only get out of bed after at least ten minutes of silent cuddling.

"And you go around town acting so fucking innocent, which no one believes, by the way. Teach her how to be your girlfriend, and how to do it right because clearly I wasn't doing it right," her voice cracks at the last part of her sentence and it breaks me in half. When the first year falls, I want nothing more than to take her in my arms, but I hold back, knowing damn well she doesn't want me near her.

"Y/n, it's not the same without you. The concerts aren't as fun, the days between drag on forever. I thought that being seen out would make the numbers rise, and yeah it has, but I'm losing more than im getting."

"That's not my fault. You did that." She wraps her arms around her, holding herself together. Just like I've always known her to. I notice that the tears aren't falling anymore either. She stopped then just as quickly as they started.

"This isn't how I thought we would turn out."

She bites the inside of her cheek, her clear sign that she's distraught. "You know, it's funny. It took me so long to realize that I was watching your dreams come true. Selling out arenas and winning awards and putting out awesome music. I watched all of those dreams come true. Not once did you say I was a reason for it. You always avoided the questions about if the songs were about me. I was - I was never part of your dream, Shawn. And I put mine on hold to watch you live yours. It's my turn," she looks at me with some type of fire in her eyes. "Its time for me to go for my dreams and watch them come true. I thought it was you. You were my dream for so long, but that's just not it anymore."

I suck in a shuddery breath, "no. Y/n, baby. Please."

"You need to go."

"Y/n," I reach out for her but I'm stopped quickly by my best friend.

"She told you to go, Shawn."

"I'm not leaving until we fix this."

"Just let it go, man. She doesn't want you anymore." Connor says from his same spot, only this time with y/n in his arms, her head buried deep in his chest. Seeing her in the arms of another makes me crazy and I lunge for him, but Brian pushes me back again.

"You need to go. I'm not saying it again," he's practically dragging me out the house.

I point an angry finger at Connor, "You're fired."

"That's fine," he says. "Good luck with the rest of the tour." He shoots me a glare and then his attention is back to my sad ex-girlfriend. And I'm out the door before I realize it.

"What am I supposed to do?" I ask aloud because I feel Brian standing behind me, making sure I don't get any ideas to go back inside.

"Sounds to me like you need to reevaluate your priorities. You chose this career, and up until recently you were able to balance love and music. Find that again. Now go back to the hotel. I'll see you for soundcheck tomorrow." The door closes once again. But this time it's closing on everything that was and everything that could've been. I know I'm not getting her back. I chose the music business, but now it's the misery business and there's no way to get out of it.

***

Tags: @curlyshawny @anamariel2301 @shawns-badreputation @bbellbagel @turtoix @ivegotparticulartaste @tomshufflepuff @dino-16-avocado @sleepybesson @lifeoftheparty74 @shawnssongs @luvluvxx

I hope you enjoyed it. I'm sorry for the angst. Like, reblog, and leave feedback!! 💙💙

#shawn mendes #shawn peter raul #shawn mendes blurb #shawn mendes imagine #shawn mendes fanfiction #shawn mendes one shot #shawn mendes angst #shawn mendes fluff #shawn mendes smut #smfsource

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tenrose · 4 years

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Doctor Who Tag Game

Tagged by: @sopheirion thank you!!!

Favourite Doctor: Ten, ten and always Ten. I just love David’s portrayal’s of the Doctor more than I can say. I love the good, and I love the bad. I love when he’s being an idiot, when he’s flirtatious as hell with Rose (omg the memories) like you two get a room, when he finally snaps, when he’s a dumb oblivious as fuck and you want to smack cause he’s being an asshole, I love when he’s heartbroken. The faces David pulls are the best thing in the world. Like his ‘I don’t want to go’ ARE YOU KIDDING ME DAVID??? And the whole Doomsday episode, his blank face against the wall omg I’m gonna cry right now. And when this bitch has the audacity to disappear before saying it aaaaahhhh. But also the way he talk quickly and absolute nonsense. His ‘er’. When he’s being silly as hell with Donna, those were the good times. When he’s angry yelling, but also when he’s cold angry in the end of The Family of Blood. When he realize things and make the ‘oh i’m so stupid thing’ but also when he’s realizing sad thing like with the end of Donna. Bitch when he cries under the rain like some edgy boy, I cry too. His smile when things are getting exciting, but also the smile going into his eyes that is just for Rose and only Rose Tyler The various face he makes with Donna, all the non verbal communication. Also when Martha decides to leave and you can see that he’s (too late) proud of her, and after that when he sees her again he’s being honest with her..The way he pronounces certain words if that makes sense???? Also David’s whole acting in Midnight, that was insane on so many levels. And least but not last : his iconic hair. I don’t think I need to tell more. And aside from that, I love all his season’s arcs, all his companions are my top three favourites. And of course, my close second favourite is Nine, cause without Nine, Ten wouldn’t be the Doctor he was.

Favourite Master: tbh I’m not that much into the Master, but I guess it’s Simm!Master cause I love his arcs. But I also love Missy as a character (not sure about her arcs though)

Favourite Sonic: I love both Nine/Ten’s sonic and Eleven’s sonic.

Favourite Companion: aaaaahhhh not this question lmao. So I can’t really choose between Rose and Donna. I just love them both too much. So I’m not even a hardcore shipper of anyything by tumblr’s standards at least lmao, but the Doctor and Rose (both Nine and Ten) as been the first fictional couple I deeply rooted for (like I’ve enjoyed a lot of other ships before but never as harder and deeply) and that I still root for after all these years (in fact Clexa is the only other one that goes that hard, but everything else is just phases, they come and they go but they never stay). I love the tragedy of them, bitch who am I kidding, I love it that much cause it’s a tragedy lmao. I just love how they both make each other better, but also how they flirt like dumbass teens, how they communicate, how they cry for each other. BUT, and it’s very important, I love Rose for herself. She’s not just interesting because of the Doctor. She’s so relatable for instance? Like she’s not from a wealthy family, she clearly doesn’t give two fuck about fashion (or was it 2005 who was like this?), she’s not too smart, too pretty (ok she’s definitely is for me), too much of anything, she’s average. And I love this a freaking lot you can’t imagine. She has flaws, and yes that’s exactly what we want in a character. Yes she has moments when she’s being selfish (but who doesn’t? especially when in love), and yet she has some of the most beautiful selfless moments,sacrificing herlself in Doomsday is the best cause she was literally gonna end up in the void but she didn’t hesitated for one second. Also when she’s showing empathy for other people, she’s being caring and understanding. And she doesn’t take anyone’s else bullshit, she call them out, and that include the Doctor first. Just because she loves him doesn’t mean it’s gonna stop her from telling him to stop being a punk ass bitch. Also she evolved so much between s2 and s4, and I don’t think it’s character inconsistency, it’s just that it happened off screen. BY THE WAY I WOULD VERY MUCH A SPIN OFF ABOUT ROSE TYLER HOPPING WORLDS THANK YOU VERY MUCH @BBC!!!

Now Donna? Where do I start? She’s also average, and also very relatable. In fact, personnally I think she’s the most relatable for me. Using humour, snark and sass to hide 10 thousands insecurities? Yes that’s the most relatable thing ever. Donna is the funniest character but she’s also the one who has the saddest ending in my opinion. Cause she grow up, she sees the world, and she understand that she is THE shit, she matters, she is important, and then she forgets all about it. That’s so cruel, and heartbreaking and angering, cause she deserved everyfuckingthing, she deserved the world. And her departure hit me so fucking hard. She’s going back to her life, thinking she would be not enough, I can feel that so deeply. Aaaahhh I’m hurting myself writing this. But she’s so amazing, she’s smart, thinking out of the box really make her so great, and she’s the one who take the least shit about anything. She stands up, yells, makes a scene, but she get straight to the point. Also she’s not the young and conventionally attractive companion and she knows that. And she’s so funny and sassy, and close to the Doctor. I mean she’s the Doctor Donna for a reason, she’s like a human version of the Doctor, with the sass, the babbling, the clumsiness. God I love Donna so much, I wish I had so much more of her. Also she has absolutely zero romantic feelings for the Doctor and the fact that they are the bitchy bffs of the universe is the best.

Favourite Story: I love a lot of stories, but my favourite is The Stolen Earth/Journey’s End no doubt. The story is a perfect mix of happiness, having every RTD’s characters together, all my fave working together is the absolute best, and of sadness, the departure of Donna (I won’t re talk about it ok) and Ten letting Rose go AGAIN. And the fact that there’s everyone he loves in these episode but then he ends up all on his own. God why do I love being hurt so much??? And the Daleks are also my favourite villains (it’s just such DW bullshit as a villain tbh lmfao) so I have everything I want. Generally speaking I love RTD’s arcs, cause the sign are here the whole seasons (Bad Wolf, vote Saxon, the bees disappearing and she’s coming back) but it’s not a ‘HEY LOOK THERE’S SOMETHING FISHY TO SEE HERE HEYYYY’ or ‘WE ARE STARTING THE SEASON WITH ONE QUESTION, ONE PLOT POINT AND THAT’S WHAT YOU’LL WANT TO BE RESOLVED BY THE END OF THE SEASON’, it’s subtle, it’s casual mention, and it’s when you’re in the last three episode that you’re starting to realize something is wrong...That’s one of my favourite type of writing ever (that’s probably why I love Sanderson’s books too). It’s not some mystery to solve, cause there weren’t any mystery to solve, because me, a dumbass viewer, weren’t even paying attention at first. But it’s here, it fills the plot. And when you see it you’re like ‘of course’. It’s not forced on me if I can say it like this. It allows me to see other stuffs. It’s not attention seeking I guess? But yes the end of s4 is my favourite story, all is in place. All characters do what they do best. There’s laugh and there’s tears, and I love it.

Favourite Soundtrack: everything Murray Gold has been doing for the show is pure gold and I think that’s a thing the whole fandom can agree upon. My artist of the decade according to Spotify is him, and considering I haven’t listened daily to his songs (except for some still regularly) I think that say a lot about how much I used to love both his music and the show at some point. My favourite of his are Doomsday’s Theme ofc, Love Across the Distant Stars, I am the Doctor, Rose’s Theme, Amy’s Theme, Clara’s Theme, Vale and cry. All of them. And that include the one soundtracks for episodes I don’t even like lmao.

Dream Actor for next Doctor: I don’t know, why not John Boyega? He deserves to be the main character and be treated well, of a sci-fi show.

Dream Composer: Murray Gold come back to me. Or I would love a glimpse of what Lorne Balfe could do.

Dream Story: Something that involves seeing Rose and Tentoo, and Martha as the Earth counselor, with Thirteen still having feelings for Rose. And Rose too. But the plot? Idk lmao. However the end would be sad cause Thirteen would have to see Rose and Tentoo coming back to their world, and I would cry. Also Thirteen would aknowledge Martha as the smarter companion the Doctor had ever had lmao.

A Companion You’d like to see back: Martha, but like not as a companion cause she made it clear that she would not come back, and that wouldn’t be fitting her character if she changed her mind. But she could always be accidentally stuck in the TARDIS, I mean it happened once. But really I would just love to have her coming to the rescue when shit on Earth goes too far and the Doctor needs help of a specialist. That’s Martha you need Doctor.

An Enemy/Alien/Creature you’d like to see again: I’m always here to see the daleks.

If you could travel with one of the Doctors, which Doctor and why?: Ten? Because he’s my fave, but also Thirteen because I’m gay and I would like to take my chance lmao

#tag games #dw #this has been long sorry lmao #never awake my dw feels

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tampon-on-the-sidewalk · 5 years

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Kaden Watches the 2014 Grand Final

First off, I AM SO STINKIN HAPPY THAT IT ISN’T REGION BLOCKED I legit cried when I saw they uploaded it to the official youtube. This was the first show that I was able to watch live and be on Tumblr during, and it was such a fun, amazing time. I’ve been wanting to watch it in full again but couldn’t find it anywhere, and the DVD is extremely rare.

All of my thoughts under the cut, enjoy as this American watches the grand final for the third time since it aired. Feel free to watch along!

Ukraine: I still have this song on my Spotify playlist tbh it’s such a bop. I still love the hamster wheel as a prop and the vocals are pretty on point after the first verse.

Belarus: Hilariously enough I literally JUST listened to this in the car on my way home XD Another iconic song, honestly this whole year was pretty great. The background dancers are a mood. The vocals are pretty great, and it’s just such a silly and fun song. Plus I remember all the memes from this performance XD

Azerbaijan: I don’t remember this song?? But she has such a gorgeous voice omg. not to mention the TRAPEZE. Golly this is such a great performance. Also that dress is absolutely stunning

Iceland: Another absolute bop and meme song that I listened to for years after this. This is just. Such a fun song and the LOVE pose at the end always gets me

Norway: Why does he look like Kobi Marimi. Okay but real talk it’s a pretty ballad, but that’s really it. Not something I should watch close to bed. But seriously he reminds me SO MUCH of Kobi and I have no clue why. Something in the eyes.

Side note, I forgot how great the postcards were for this year.

Romania: I prefer Playing With Fire, but this was still very fun. Always a sucker for the 360 piano.

Armenia: This song was so strange to me when I first heard it, and it still is now. There’s something charming about it though. A simple performance but still really captivating.

Montenegro: Another song I don’t remember? Love the ice skating and the graphics on the floor. His voice is very rich and I always love when an artist sings in their native tongue.

Poland: I had to skip this one =w=‘’ I could barely stomach it when I first watched it. Too much fanservice and the song is awful. I’ve heard other songs by them and they are so much better.

Greece: This plays on Spotify every so often. I really like it, it’s definitely a great party tune and songs like something you’d hear at an American dance club. It’s definitely a lot of fun. Not to mention I love the raps =w= Also the trampoline is great =w= singing while on a trampoline is super not easy

Austria: MY HEART Okay Conchita stole my heart from the first time watching and I have both albums(PLEASE listen to the newest one). Absolutely stunning as always and just. U g h so many feelings. I’m just a puddle of tears again.

Germany: Another one that I still play all the time, I just love the traditional instruments in this. The vocals live aren’t the best, but seriously heroutfit is a look. Oddly enough something in her face reminds me of a good friend of mine. Honestly this performance really feels.. forced =w=‘ Love the song, not too much of a fan of the live. Also the accordion player lowkey looks like Anna Kendrick mixed with Lena. The ad libbing at the end really didn’t sit well to me.

Sweden: While this song did nothing for me when I first heard it, I revisited this performance a year later when I lived with my parents and became absolutely OBSESSED with this song. I still absolutely love it. listen to that CROWD. Great vocals.All the Sanna wigs in the crowd tho

France: Another fun song, the one guy reminded me of Weerd Al upon first watching it but now? He actually low key reminds me of Michal Szpak. And Weird Al. This is so fun and in-your-face after Sanna’s performance.

Russia: I’m still so mad that they were booed because they did so well during this. I really loved the performance. I love the balance beam/seesaw as a prop, and the entwined ponytails. Still one of my favourite songs of the year.

Italy: Ooh, this is a very fun performance? Not too much a fan of the vocals but the music is pretty great. Pretty great performance in terms of Energy.

Slovenia: yet ANOTHER one of my favourite songs that I still listen to. I love this performance, she does such a great job live. Simple staging, but the lighting effects are great. I’ve listened to it so many times that I’ve choreographed a contemporary routine to it in my head, and I still see it during this XD. Seriously this is such a great performance, I hope this made the top ten.

Finland: I feel like this is a song I should have paid more attention to. I really like it and want to look into more by Softengine. I love the high notes, he does them so wel live and the band has so much energy. This is just. So great. This is definitely a song younger me should have gotten into but I think I’ve only listened to it like, Four times? Legit.

Spain: I don’t remember this song at all =w=‘ I like the rain effect. It’s a pretty song and she has very pretty vibrato and her power notes are incredible, but the song itself isn’t doing anything for me.

Switzerland: Oh my lovely Sebalter. Guess what, yet another song I still love and listen to regularly. I remember all the memes that generated from his performance, too. Did we ever find out if the whistling was live? I still love this performance either way. It’s a lot of fun. Most iconic violin next to Alexander Rybak.

Hungary: I remember being so mad watching the Jury section live because I really did not like this song XD The shift from the verse to the chorus just didn’t work for me, felt very disconnected. Plus the song it just really darke? I’m seriously surprised this qualified. The dancing is really well done though.

Malta: I remember everyone calling them Malta and Sons. Not particularly my cup of tea, but still a good performance regardless. I really love their voices.

Denmark: The Bruno Mars comparisons were endless back in the day. This is still a super fun song and I still can’t BELIEVE the studio version was explicit. That one back up dancer is going so hard and I absolutely love it. The Love flag is so cheesy and perfect.

The Netherlands: so SLEEPY. Good performance sure but not when you’re watching right before bedtime. More good use of the floor screen. I’ve noticed there were a lot of instruments on stage this year? Something that didn’t click back in the day. Also is it bad that I lowkey find Waylon attractive

San Marino: Is it bad I forgot that Valentina did manage to qualify one year. All I can think with that prop is Peacock. Interesting song, I really like her vocals in this. She defo deserved to qualify this year.

United Kingdom: It’s funny that I remembered the name of the song and artist but couldn’t remember the song to save my life. Definitely one of the better UK acts of the decade.

~I went to bed bc it was obvious I was getting too tired =w= ~

Graham’s “That’s me!’ got me =w= And all the streamers and such

Watching the recap as soon as I wake up and golly is it a wakeup call =w= Seriously the 2014 Grand was one of my favourites minus Poland =w=;

Took the recap as time to see how many songs from this year I still actively listen to, and that would be 11/26.

Momoland Interval Act: Okay the staging of this is incredible? I know they had harnesses on just in case but when they stood on top of the ladder my heart started palpatating

12 Points Interval Act: Okay this is fun =w= A lot of fun. I’m laughing so hard.

Museum of Eurovision History clip: I REMEMBERED THIS SEGMENT AND I AM CRYING Those poor kids. Also completely unrelated, I had to carpool to a meeting with a co-worker and found out she was actually born and raised in Sweden and moved to the states when she was 11. She remembers dancing around her room to Diggaloo Diggeley.

Green Room Interviews: Amazing that they brought all the foods from the contestants favourite places and the fakeout with France.

Emelie De Forest performance: I know people call this the second most overrated winner next to Euphoria but I really like the song still. A very nice performance and those branch wings are incredible. I also really like Rainmaker. I really like how they brought all the contestants on stage to sing and dance with her.

~I’m gonna miss Jon Ola Sand ; (

Jury Votes: I cut in and out bc I have to do laundry but I still remember how excited I was when Conchita won. I forgot that they said the 8 and 10 points as well as their 12 points. I am so MAD that Russia got booed whenever they got the 10 or 12 points. I also didn’t realize there were only 37 countries this time.

My thoughts on the Top Ten: Y’all know I’m ecstatic that Austria won, I’m actually kinda surprised by the top ten? But this is just based on the Jury votes right? Either way I’m bitter that Slovenia did so poorly and surprised that Hungary did so well. I would have been content with Sanna winning but I am surprised that The Common Linnets did so well. CONCHITA’S REACTION TO WINNING BREAKS ME EVERY TIME

All-in-all, this was a great year, and I am so veryvery happy that I was able to watch it again. Thanks for reading!

#esc2014 #eurovision #eutovision2014 #conchita wurst

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thisisathingthatiamdoingwithsome · 4 years

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For Today

COTD: Earlier in the round, people were going short, and now people are going long, in terms of write-up. I am a little jealous of those that went short, but I’ll go long, because I very much enjoyed the process of getting to my favorite, so might as well share some thoughts.

I mentioned the other day that I was narrowed to 6, but it was missing the Hives, so it was actually 7. I’ll start with some honorable mention that were lost in the cuts to get it to 7.

LCD -- as laid out when I did a bit, there wasn’t one album that was exceptional. God, the highlights though. I don’t know how it would be possible that a band with only five albums could put together a “two-disc” best of compilation that would be in the running for mankind’s greatest accomplishment and for which i would be absolutely livid about some of the stuff that had to be left off.

Kanye - My Dark Twisted Fantasy is so incredibly good.

Funeral, Apologies to the Queen Mary, Turn on the Bright Lights, White Blood Cells -- what a time to be alive, both the era that these came out and now. Think of the joy that these albums and some others by those artists have brought us collectively.

Teens of Denial by Car Seat Headrest -- so great. No practical way that an album I found in my 40s could or should be my favorite.

U2 generally -- for this COTD, I have listened to most of Joshua Tree to Pop. Great stuff. God, we watched some of those concerts and the concert footage from Rattle and Hum so much in Comms. I don’t know how anyone could stand to be around me. My one favorite is Achtung Baby

Pearl Jam generally -- again listened to a lot recently. With U2, this band was the co-best band of my life, during what was probably the best time of my life (last couple years of college). I honestly intend to listen to their newest at some point. My one favorite is Vitalogy, I am pretty sure.

Dandys are obviously a great band with an unreal falling of a cliff. God Bless Zia for being hot. Urban Bohemia would have to be my favorite one of theirs.

Throwing Copper by Live -- I never gave it serious thought for this, but senior year of high school, i very earnestly thought that I would never own a better album.

Uptown Sinclair -- a local Cleveland band. Saw them open for the Strokes. Great pop punk. Never hit it big and almost were never really even a band, but they had one album out, and it is on Spotify and I genuinely enjoyed listening to it recently and I do it once every couple of years. I have continued to follow lead man, who recently is a comedian and was in a band that wrote the theme song for the John Oliver show.

Okay, it appears I am ready for the final 7. I am relatively certain this is in order, but Arcade Fire would be in here somewhere.

Rings Around the World -- Super Furries are great. So, so great. This album is my favorite of theirs. It is so weird, but the melodies are genius. The opening 30 seconds of albums was important to me as I worked towards my answer. I love this opening 30 seconds. Title track is great, Sidewalk Serfer Girl, A touch sensitive, a lot of highlights. If this was my album, I’d go with Run Christian, Run. That song is so good for me.

Silent Alarm by Bloc Party -- One of my two favorite anti-Bush records. I think about it a lot in the glaring absence of anti-Trump records. A ton of highlights. Another great opening 30 seconds. Great urgency. I love Pioneers on this album, and it would have been my pick had this been my album. For the two days when we had negative oil or whatever that was, I wanted my COTD to be the Price of Gasoline, but when it came back around to me, too much time had passed. Separately here, I have often thought about how no album in the future of rock and roll will ever be released before I turn 25. It just felt different before then, and other people had earlier or later ages, but this album came out after I turned 25 and I couldn’t make it my pick. Even as one of the heaviest new music boosters on this list, I didn’t want an to break that rule.

The Bends -- Ketts recently called it, the flow of this album is superb. The best songs are superb. The B-Sides are awesome and Ketts, I really miss the mix you put together called Bastard Headmaster. I spent a day or two toying with the idea of picking this album but making my cut a b-side such as Killer Cars or Maquiladora. (I think I am right about when those songs came out, but obviously I would have vetted that). I have not listened to it as much the last several years, and that allowed me to eliminate from my list while going from 7 to 1.

Veni Vidi Vicious -- Of the ones that I am not picking, I think I most wanted this to be my pick. I couldn’t quite do it, and I hope that these wonderful bastards can be pleased with a place on my top 5 list. In terms of an opening 30 seconds, you can’t do much better than a declaration of nuclear war, both in song title and guitar tone. This album is less than 28 minutes and God Bless them for it.

OK Computer -- Based on Lifetime Cumulative stats, I am fairly certain this band has meant more to me than any other. at some point, I’ll jump in on rating my Radiohead favorite album, but my top 2 are here with OK Computer beating out the Bends. I don’t really feel like I have more to say about this album at the moment.

Stone Roses Stone Roses -- When I did album openers, I stated that this very well might be my favorite and that was true, but after spending a lot of time on this over the last week or so, it isn’t quite my favorite album. I can remember in 2002/2003 Q Magazine asked people to vote for albums for a best album of all-time list that they were putting together. I can remember taking my list really seriously while unemployed at Avalon at Mission Bay and then submitting the list on John’s computer. At the time, I put this at number one, and I remember making a comment about how of all the albums that I have ever loved, it is the only one that i never got sick of. And I still haven’t gotten sick of it, though it has wondered away from my consciousness from time to time. It is so great throughout, and ‘ol Chief Mitchel was the one who kindly brought it into my life. There is a part of I am the Resurrection where there is a bit of a breakdown towards the end, God, it just kills me. I would have to rate it as my favorite that many seconds of music anywhere. (6:30ish to 7:00ish, but the rest of that song and the whole song, obviously are real nice for me) The first time I heard the first ten seconds of Fool’s Gold, I was completely in on that song. If this had been my album pick, I think my track would have been She Bangs the Drum. “Have you seen her? Have you heard? The way she plays there are no words, to describe the way I feel.” (I hope that song isn’t about heroin, but sometimes I think it is) Guys, I am really, really happy that I like music as much as I do and that I have had the chance to have a lot of great moments with you boys listening to it.

But when I did the list for Q, some part of the reason that I chose it was a fear of a recency bias.

Apogus aplenty for McX, but Is this It? is just my favorite album. It just is. I thought about several different approaches to picking something different and obviously I could have advocated strenuously for several others, but I sort of always circled back to this being my favorite of all time. I never envisioned this theme as not allowing repeats of albums, so apogu to anyone that is offended, but McX and me are favorite album buddies (hey favorite album buddy, McX). To be clear, I am talking about the original track list of 11 songs including new york city cops. One of the first things I did when I got on spotify was make a playlist of the real track list and I would never dream of listening to a different version. Talk about an opening 30 seconds? Picking one cut is really challenging. I am picking Take it Or Leave It. It is almost certainly not a Top 5 on the album. I took a stab at ordering the 11 songs on this album from best to worst and this song landed in the bottom half of my list, but as I swirled around and around making this pick of my one favorite album, i was listening to this song when I realized what I had to do. If a song that great could be in probably the bottom 5 of songs on the album, there is no way that I could pick any other album. Without digging too much into setlists saved on the internet, my recollection is that most or all of those 2001/2002 shows ended with this song. The last 30 or so seconds are glorious and then the concert ends (or the album too) and you have to go back to your life. Studio version from the album should be added to any lists, but here is a Live from Letterman version to enjoy https://youtu.be/L3ZMabdnEwc

I wrote more than I planned to. Sorry about that. Kernal, you are next.

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tessandscottforever18 · 5 years

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Camila Cabello on the Best Rom-Com Couples and the ‘Awkward’ Start to Her Relationship with Shawn Mendes

The singer talks being obsessed with early-aughts pop and new album, ‘Romance’

Camila Cabello was thinking about performing her new album even before she recorded it. After playing stadiums in 2018 as an opening act on her friend Taylor Swift’s Reputation world tour, the 22-year-old entered the studio to record her upcoming second album, Romance, with a goal: to record bombastic songs that would sound great live.

“I was really inspired by the big sounds of the Eighties,” she says, jet-lagged and calling from London. “I just liked the drama — like Queen, where everything is so intense. I want these songs to feel amazing to perform.”

While tracks on her self-titled debut tackled her roots, relationships, and establishing herself as a solo artist separate from her group Fifth Harmony, Cabello wanted Romance to be more thematically focused. Helpfully, she fell in love with a close friend, fellow star Shawn Mendes, and channeled the newness of it all into singles like “Shameless” and “Cry for Me.” In her conversation with Rolling Stone, Cabello covered the love gamut, from Mendes to Sex and the City.

What’s scarier: releasing your debut solo album, or following up that success?

I have a complicated answer for this that has much to do with where I’m at internally. My personality is pretty extreme, so I’m either scared of everything or scared of nothing. Some days, I think that it was scary. It’s not even the pressure of [success]. Showing up to the studio and having to be so vulnerable in front of people that I just met that day can feel like a scary thing. On other days you’re like “Oh, it’s not.” With my first album, I would come to the studio super overly prepared, with every lyric of the song written before I went into the studio and ten concepts and titles for songs that I wanted to write that day. [But] with songwriting, the most magical moments are the ones where you’re not trying at all.

You turned 21 before going on the Reputation tour with Taylor Swift and Charli XCX. Did you have any crazy nights with them?

I so regret that we didn’t do that more! We did not have enough of those. I think we should have them when we’re all in LA again sometime. I would go to Taylor’s dressing room, but we didn’t really go out and party. I think only one time in the middle of the tour.

Do you have a favorite song from Lover?

I love “Afterglow.” I listened to it 30 times in a row when it came out.

You recently posted this video of yourself lip-syncing in the bathroom to the High School Musical song “Fabulous” and captioned it “Welcome to adulthood everybody.” Is that what a typical night looks like for you?

Oh, my God, yes. My therapy is listening to songs from the early 2000s. I actually have a playlist I found on Spotify: “Shut Up and Drive,” Rihanna; “My Humps,” Black Eyed Peas; “Fergalicious,” [Fergie]; “Complicated,” Avril Lavigne. Whenever I feel anxious or want to make myself happy, I just put that on and I sing at the top of my lungs. I’m obsessed with songs from my childhood. It just makes life feel simple and fun.

You have a reputation for being extremely nice. What’s the meanest thing you’ve ever done?

I’m sure I’ve been mean by accident, but I’m so sensitive that I couldn’t intentionally hurt someone’s feelings. I’m not saying that to sound super wholesome and pure — I just don’t have any memory of me being capable of doing that.

What’s the most rebellious thing you’ve done?

When I was in the group [Fifth Harmony], me and one of the girls snuck into this club on the first floor of a hotel for a white party. We were, like, 16 or something, and if we wanted to leave the room, we had to tell the tour manager so our security and our team at the time were looking for us. It’s not a great answer: The last rebellious thing I did was when I was 16 years old.

Was it a fun party?

It was fun because we weren’t allowed to be in it. But actually this is inspiring me! Next time you talk to me I want to have a more recent answer.

You’re dating Shawn Mendes. When did your relationship go from friendship to romance?

During “I Know What You Did Last Summer,” I really bonded with him as more than a friend. I think he did, too, but we were both really young, and he was experiencing the pressures of his career. I don’t think we knew what to do with those feelings. It was this awkward thing where we both liked each other, but we weren’t together. It was just weird. An energy was there from the beginning, but after that song, we didn’t spend as much time together. Our paths just didn’t cross in that way romantically until we started hanging out again and writing. For me, it just brought it back.

On SNL, you paid homage to Madonna’s Marie Antoinette-inspired VMA performance, and dedicated your 2018 VMA Video of the Year win to her. How does she influence you?

She’s such a badass. I want to be more like her. I think everybody does.

What was it like working with Ed Sheeran on his latest album?

Sometimes, you go in with people and you can tell they’re just trying to make a hit song or are phoning it in. He’s so enthusiastic about it. He, like, doesn’t stop: He’s just like, “All right, what’s the next song? What’s the next?”

You can see the influence of romantic movies in your music videos. Do you have any favorites?

I love the movie About Time. Have you seen that?

I actually haven’t.

Oh, you should! It’s with Rachel McAdams. It’s my favorite romantic movie; superunderrated, in my opinion.

Do you have any favorite fictional couples?

OK, Noah and Allie from The Notebook.

Classic.

Rapunzel and Eugene from Tangled. I was going to say Carrie Bradshaw and Mr. Big [from Sex and the City], but I feel that their relationship is a bit toxic. But I still love them in their early days.

#camila cabello #shawn mendes #rolling stone

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tantoknives · 7 years

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hey how about 1-30 from that one ask thing

if someone wanted to really understand you, what would they read, watch, and listen to?-first off i sent this to myself. second, i would link them to my soundcloud and spotify and shit like that. if i had to chose a single band i’d have to go with cherub, they’re my favorite band of all time and i get teary thinking about how jordan kelly gave me a hug. uh anyway also watch princess mononoke and kiki’s delivery service because theyre my fave and i heavily relate to kiki. i guess for reading read my childhood faves like redwall, warriors, guardians of ga’hoole, and everlost trilogy. i don’t do as much recreational reading these days.

have you ever found a writer who thinks just like you? if so, who?-not?? really in particular. i modeled my early writing more after my childhood favorites (see above lmao) so my writing wasn’t terribly complex. i think i model my writing a bit closer to stephen king’s; he has a very good way of conveying situations/emotions in an extremely subtle way

list your fandoms and one character from each that you identify with.-wow this list has gotten small. the only fandom i actually really interact with is the transformers fandom nowadays. i relate to knockout because i love breakdown. other stuff i used to vibe with is steven universe, and i really related to rose quartz.

do you like your name? is there another name you think would fit you better?-now that i’ve figured out that i’m nonbinary, i’d prefer a more... gender neutral name. megan is such...... a generic name. i’m fine with meg, but i don’t even respond to megan anymore lmao. i’m fond of mac, like mac demarco. maybe to be unique™️ i should be called demarco.

do you think of yourself as a human being or a human doing? do you identify yourself by the things you do?-what the fuck kind of question is this it sounds like a question from a job application. and yeah i guess?? i mean i call myself a writer and an artist and a depressed fuck because that’s what i do

are you religious/spiritual?-no. i had some bad experiences in the church and it effectively drove me away from christianity in particular. i enjoy other houses of religion, tho. i find it very interesting to be an observer.

do you care about your ethnicity?-kinda?? it’s something that i think about a lot because i could have had a lot more culture from my dad’s side except my family on his side was whitewashed as a side effect of rampant racism in the 50s and 60s. i’m ‘hispanic’ but i’m not even sure what that means nowadays?? like am i just white?? i don’t know and it bugs me. like, i’m not trying to reach to be a poc but i’m also not sure if i’m white or not. most of the time i just kind of ignore it.

what musical artists have you most felt connected to over your lifetime?-florence and the machine was the first artist that i really, really connected with after i heard ‘dog days are over’ during a movie preview on the tv. her lungs album was the first i ever bought, and she was the first artist i ever followed religiously. a little while after her i got really into woodkid. now i’m deeply invested in the band cherub, theyve gotten me through a lot of hard times, all of them. for awhile i was very much into linkin park’s ‘a thousand suns’ album, so chester’s death has touched me in some small way.

are you an artist?-yeah, i would definitely say so. it’s definitely been a hugely defining part of my identity for the entirety of my life, if that says anything.

do you have a creed?-not?? particularly?? like for me my creed is to let people do their own thing and stay in my lane unless theyre hurting somebody. like i don’t really care what people do unless it becomes my business.

describe your ideal day.-ohh getting up at 10am with good hair, doing my makeup and putting on a cute outfit. getting my nails done with a good friend, having a light but tasty lunch then going to get bubble tea after. going to the mall for a couple of hours, then going to a nice place for dinner and a movie. after that, going for a nice swim at night with some friends, good music, and a bit of booze. more movies after that if we’re awake enough.

dog person or cat person?-i think i answered this already but fundamentally i’m a cat person because i’m too low energy to be a dog person

inside or outdoors?-i’m too delicate of a creature for these earthly elements, so indoors i shall stay. it’s too fucking hot outside.

are you a musician?-actually, i used to be. i played the piano for nearly ten years and played the french horn/mellophone for another five. i wish that i still played an instrument but i barely have the will to get out of bed, much less the dedication to devote myself to an instrument

five most influential books over your lifetime.-the lovely bones by alice sebold-the green mile by stephen king-the redwall series by brian jacques-the everlost trilogy by neal shushterman-call of the wild by jack londongod......... i need to read more books

if you’d grown up in a different environment, do you think you’d have turned out the same?-i mean, yeah?? that’s basic psychology, tbh.

would you say your tumblr is a fair representation of the “real you”?-mmaybe?? i don’t really talk that much on here (aside from these ridiculously long ask memes godd) but i’m fairly frank and i typically say what i would irl. i’m a pretty frank person.

what’s your patronus?-already answered, but i’m changing my answer to Macho Man Randy Savage™️

which Harry Potter house would you be in? or are you a muggle?-i don’t care enough about this question to answer this

would you rather be in Middle Earth, Narnia, Hogwarts, or somewhere else?-all of the above listed universes sound like shit except magic is maybe cool. pokemon is the ultimate alternate reality

do you love easily?-i used to, but i’m a bit more anxious and wary of my relationships these days

list the top five things you spend the most time doing, in order.-sleeping (this summer i average like, 12 hours lmao)-browsing tunglr, sadly-this summer?? breath of the wild-staring at sketchbooks, pencil hovering over the page-eat

how often would you want to see your family every year?-my mom and dad?? once a month sounds good, if not twice. my sister?? fucking never

have you ever felt like you had a “mind-meld” with someone?-me and my SO are ridiculously close to the point where he knew i was starting my period before i even did

could you live as a hermit?-i already do

how would you describe your gender/sexuality?-i am nonbinary and pansexual. so yeah and yeah

do you feel like your outside appearance is a fair representation of the “real you”?-this is something i’ve been working on actually and it’s sorta difficult because i have some clothes that i feel do and a lot that don’t because i have a lot of ultra-femme clothes that i don’t feel as comfy in anymore. i mean, depending on my mood. also my hair is so fucking shaggy i look like a goddamn muppet.

on a scale from 1 to 10, how hard is it for someone to get under your skin?-it takes a lot, because i mean people make mistakes and do/say shit that they didn’t think about. that’s for friends. other people can and will bug the fuck out of me with ease.

three songs that you connect with right now.-monogamy by cherub-hallelujah money by gorillaz (iconic)-marijuana by chrome sparks

pick one of your favorite quotes.-uhh hmoh actually i do think i know- “i am become death, destroyer of worlds” from the bhagavad gita i know it’s generic but it’s very iconic, and i especially like hearing it in oppenheimer’s post-atomic bomb speech

#magtalk #about me #i'll probably reblog this again later when it's not 4:30 in the morning #Anonymous

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dontlookdown · 6 years

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Nick’s Favourite Music of 2018

In the time that I’ve been doing these yearly round-ups (ten years(!), although my first list was literally just a list), they’ve gotten a bit easier to write. It probably helps that I’ve done actual planning-ahead for the last couple of turns. The one thing that doesn’t get any easier is these introduction posts.

2018 was, and I don’t think this is a controversial stance, shit. I joked this time last year that 2017 was best summed up as “further complications”, but 2018 was fucking something else. I’m resisting the urge to list my grievances, because I doubt I’d ever stop. It’s exhausting to even think about attempting to take stock of everything that happened. To cap it all off, the website I’ve published these posts on since the very beginning had a panic attack regarding the sexual content that some people were uploading, and decided to address the situation in the bluntest way possible. This isn’t something that affects me directly (there’re no nudes in my blog. Hell, I felt anxious about including a photo of myself with clothes on that one time), but it affects people I look up to and care about, and a good portion of my audience for these things. I’ve considered leaving the site entirely in solidarity. I still might. It might be time that I focused more energy on writing a bit more frequently anyway, and setting up a new home for my work is a good starting point. Demi Lovato believes in me. We’ll see.

But for now, let’s focus on the reason that you clicked on this link in the first place: the music of 2018.

It was a good year. It was also a strange one for me. Whereas in previous years there were always one or two big standout albums or songs that held my attention for months on end, this year I really had to dig deep and re-listen to a heap of stuff to remind myself of what had actually left an impression on me. The critical consensus was all over the place too. The end-of-year lists I’ve seen from various outlets over the last two months have been the most diverse I’ve seen for as long as I’ve been paying attention. There were a few names they had in common, but they all featured a lot of unique choices. Hopefully you’ll feel the same about mine!

Sticking to my familiar rules (20 songs, no repeating artists) always means that there’s a couple of gems that don’t make the final cut. 2018’s wide breadth of musical talent means that this is the longest ‘honourable mentions’ list I’ve ever done! Here they are:

Beach House – Lemon Glow

Victoria Legrand and Alex Scally’s seventh album was probably my most re-listened album of the year. They’ve always been a band with a sound that rewarded repeat plays, but this release seemed to have its own gravitational pull that kept me coming back to reappraise it, despite finding it a little overwhelming on multiple occasions. “Lemon Glow” absolutely excels as a lead single. Those gravitational waves are in full force here, a light electronic throbbing acting as the thread I kept trying to follow to the end.

The Beths – Little Death

The Beths were a late discovery, and welcome breath of fresh air after I’d been deep in a fog of more ambient sounds. If you’ve been looking for a vibrant, punchy rock band to brighten your January, I highly recommend them.

Jenny Hval – Spells

Part of my planning process this year was learning to accept that I don’t always have the words or ability to explicitly pinpoint what I like about particular songs. This track is just nice. I like the way it glides along, building up ever-so-slightly as it goes.

Joey Purp – Elastic

Joey Purp followed up iiiDrops and “Girls@” with even-more-minimalist trap. This is straight no-nonsense fire. Add it to your dance playlist. And if you don’t have a dance playlist, make one!

Kali Uchis - After the Storm (feat. Tyler, The Creator & Bootsy Collins)

Kali Uchis’s debut Isolation proved her to be an artist with fantastic taste. It’s a lot easier to nail a woozy sound that throws back to the work of Parliament-Funkadelic when you get one of the original members involved. I also want to highlight Bootsy’s use of the amazing line “Look both ways before you cross my mind” which, incredibly, is a phrase that no one seemed to have coined before George Clinton dropped it on To Pimp a Butterfly in 2015. It’s a line that perfectly encapsulates the P-funk mood, and it’s less than five years old!

Let’s Eat Grandma – Ava

Let’s Eat Grandma’s (no, I’m not sure how I feel about the name either) second album split focus between spacey synth-pop journeys and straightforward piano ballads. “Ava” is one of the latter, beautiful with lo-fi touches (listen closely and you can hear the rain falling on the recording studio windows). Enjoy this track now, before someone sticks it a Christmas advert for a shop.

Madison McFerrin – Insane

I’ll save you the Google. Yes, Madison McFerrin is the daughter of Bobby “Don’t Worry, Be Happy” McFerrin and, yes, she also has a unique talent for vocalising. Musically speaking, this track comfortably sits in-between the work of Sade and Solange.

Post Malone & Swae Lee – Sunflower

Among the many, many accomplishments of Spider-Man: Into the Spider-Verse is this cut from its soundtrack, a Post Malone track that I actually like!

Robyn – Missing U

Robyn’s been one of my favourite pop artists for a while now, so I really, really wanted to love her big return. Sadly, I’m not quite there yet. The music on Honey is lot colder than I’m used to, most likely by design to reflect the change in Robyn’s (and the world’s) mood in the years since Body Talk. “Missing U” is the closest thing the album has to a big hook-y single like “Call Your Grilfriend” or “Dancing On My Own”.

Spiritualized – I’m Your Man

J Spaceman approached his final album as Spiritualized with as much brassy gusto as he did twenty years ago. A gorgeous send off.

Arctic Monkeys - Tranquility Base Hotel & Casino

I understand the disappointment some people had when was released and sounded nothing like AM, but I think those people lost sight of the bigger Arctic Monkeys picture. The lounge-y, Pulp-y sound of Tranquility Base is something that Alex Turner has been hinting at since the Submarine soundtrack. I heard the album several times and, while there isn’t any standout track that makes everything make sense, I’ve never been bored listening to it.

Jon Hopkins – Singularity

Bleeps, bloops, beats and bliss. Jon Hopkins continues his reign as one of the premier electronic musicians.

Pusha T – Daytona

The hardest, sharpest (and shortest) hip-hop album of the year. A reminder that King Push’s skills as an MC haven’t dulled, and neither has Kanye’s skill as a producer. Ye was crap, though.

Tierra Whack – Whack World

An interesting experiment to debut with, Whack World is a 15 minute album with 15 tracks, all unique in their sound, and all with their own music video (presented as one 15 minute film). Few of the tracks are long enough to stand as songs on their own, but they weren’t designed to be. These are concentrated blasts of pure creativity, and deserve to be supported. Besides, there was something really cathartic of seeing Tierra cheerfully singing “Fuck Off” while gleefully snipping balloons free of their strings. “Pretty Ugly” was my personal favourite.

Angélique Kidjo – Remain in Light

This was a nice surprise that popped up on my Spotify Discover. Remain in Light by Talking Heads is one of my all-time favourite albums, a moment when the band fully embraced an Afrobeat influence and stretched it as far as they could. But what if an actual Afrobeat musician had recorded that album? The answer is Angélique Kidjo’s full-length cover album, another Spotify Discover, uh, discovery. A fascinating, and highly danceable, rework. Tracks like “Once in a Lifetime” were already rays of sunshine. Kidjo’s arrangements turns them supernova.

Justin Hurwitz – First Man

2018 was an equally cramped year for films too. First Man seems to be getting ignored by the major awards, which is a shame as it was one of my favourites of the year. (Hey! If you’d like to see me expand on that thought, you consider subscribing to our film podcast, Sunshine Cinema Club! We’re about to cover our top ten of the year! First Man will be one of them!) I’m especially disappointed that people aren’t talking about Justin Hurwitz’s score, which combined the saddest instrument in the world (the theremin) and the gentlest instrument on the world (the harp) to create the loneliest soundtrack of all time. The perfect accompaniment to a story of a man, emotions dulled by grief, faced with the infinite possibilities of space travel.

As always, I’ll be posting about the twenty entries on my list across the next twenty days. Here’s the Spotify playlist of the final twenty, sequenced for musical effect.

In the past, I’ve updated the Spotify list as the entries go up, acting as some sort of musical advert calendar, keeping future songs under wraps. It’s since occurred to me that this method isn’t actually useful to anybody. Nobody cares about spoilers when it comes to this list, and it’s a big ask for people to keep tabs on a blog and a playlist for three weeks. So, consider that list a preview for what’s coming up and a chance to wonder how I’m going to justify sticking Drake and a black metal band on the same list! (I won’t. Accept my weird, varied taste in music!)

Lists from previous years can be found easily using the tag “best+of+20xx”. See you tomorrow!

#best of 2018 #music #beach house #the beths #jenny hval #joey purp #kali uchis #let's eat grandma #madison mcferrin #Robyn #spiritualized #arctic monkeys #jon hopkins #pusha t #tierra whack #angelique kidjo #justin hurwitz #First Man

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williambrooms · 7 years

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1-100 unusual asks, please

Thank you or the ask and I'm sorry that I took so to reply. This will have to be on two posts, apparently, but I will get them all!1. Spotify, SoundCloud, or Pandora? Pandora because it's the only one that I've ever tried, lol.2. Is your room messy or clean?Messy. I really want it to be clean, but it seems like I never have time.3. What color are your eyes?Hazel.4. Do you like your name? Why?Eeeeeeeeh, depends on which name we're talking about. I hate my birth name with a passion, but I like my real one. As for why... it should be pretty obvious. XD5. What is your relationship status? I hate people who say "it's complicated," but it is. I recently had to cut things off with someone that I wasn't quite dating because it became obvious that she was going to cause my death and, in the process of that, discovered that I might still have feelings for a close friend who helped me through everything while the not quite girlfriend had all of my other friends helping tear into me about what a monster I was for not being happy 24/7.6. Describe your personality in 3 words or less.Hopeless, lonely romantic.7. What color hair do you have?Purple at the moment. I was planning on green next, but... then things changed. I might go blue next. 8. What kind of car do you drive? color?2008 olive green Honda Element.9. Where do you shop?Craft stores, mostly.10. How would you describe your style?Whatever fits, honestly. I'm not picky at all about clothing. 11. Favorite social media accountDespite everything that happened on there, it's still Facebook. 12. What size bed do you have? A queen. I dream of the day that I can have one of those massive, California King beds...13. Any siblings?I have a sister, but she's in an urn, so I don't know if she counts for this question. 14. If you can live anywhere in the world where would it be? why?Right now it would be Colorado. There's a beautiful woman out there eager to take me in, love me, and help me transition. She's a saint and I can't wait for her to finish school!15. Favorite snapchat filter? I don't use snapchat. 16. Favorite makeup brand(s)Don't use make-up, lol. 17. How many times a week do you shower?Be prepared to be grossed out. Usually about twice a week. Sometimes only once or not at all. 18. Favorite tv show?Snapped. I love listening to the stories of what pushed people to murder. 19. Shoe size?10, sometimes 10.5, it depends on the brand.20. How tall are you?*sighs* A little over six feet...21. Sandals or sneakers? Sneaker all the way! I HATE sandals or any other open toed shoe. 22. Do you go to the gym? I tried for a while, but I think I'm going to cancel my membership and drop the idea. I'm just wasting money.23. Describe your dream dateSnuggling and watching our favourite movies and TV shows together.24. How much money do you have in your wallet at the moment?$21, if you don't count the secret 20s that I stash for emergencies only. 25. What color socks are you wearing? One is red with penguins, the other is white with snowmen.26. How many pillows do you sleep with?Oh geez... a lot, lol. I think about... seven...?27. Do you have a job? What do you do? I do have a job, I work for a credit card company. I decide if companies lose money for their mistakes or not. I LOVE my job. 28. How many friends do you have? Because of how many picked my last ex over me... three... the number used to be way higher and I'm not entirely sure I want to fully count two of those people, but... I guess she was more likable than I was. 29. What's the worst thing you have ever done? Believed that people who knew me for over four years might care if I'm alive or dead...30. What's your favorite candle scent? I remember one called "Midnight Moon" that was really incredible, but I don't know who made it and I haven't seen in since that one candle.31. 3 favorite boy namesThaddeus, William, and Alexander.32. 3 favorite girl namesLynda, Genevieve, and Alexandria.33. Favorite actor? Adam Driver.34. Favorite actress? Meryl Streep.35. Who is your celebrity crush?Adam Driver. He's such a big, sweet, cutie!!36. Favorite movie?Changes often, but at the moment is "This is Where I Leave you."37. Do you read a lot? What's your favorite book?I don't read as much as I used too. Most of what I read now is slash fanfiction, but I could never pick a favourite in that. It's all so good...38. Money or brains? Uuuuuh... in a partner I would want brains because people with brains can usually find money or would be able to support me without it. For myself... I like the brains that I have, I want money.39. Do you have a nickname? What is it? I have a lot of nicknames, lol. My favorite is probably Teddy.40. How many times have you been to the hospital?I don't even know, Man. More times than I would ever want to count. 41. Top 10 favorite songsThis changes a lot, so I'll just give you the top ten most played songs on my iPod. Remedy by Jason Mraz, Chasing Cars by Snow Patrol, I'm Yours by Jason Mraz, Mr. Brightside by The Killers, Little House by The Fray, Gives You Hell by All-American Rejects, Over My Head by The Fray, Strange Disease by Prozzak, How to Save A Life by The Fray, and For Reasons Unknown by The Killers.42. Do you take any medications daily? Just biotin for now, which is actually a vitamin.43. What is your skin type? (oily, dry, etc)My skin is somehow oily and dry at the same time. It's fascinating. 44. What is your biggest fear? That I'll never be loved and my existence on the planet is pointless. I know you're not supposed to determine your worth by relationships and such, but... I'm always afraid that no one actually cares about me and the people that I love are only pretending to like me out of pity. 45. How many kids do you want? None. I don't even want kids near me. Ever. 46. What's your go to hair style?However my hair feels like falling that morning. I'm too lazy for actual styling.47. What type of house do you live in? (big, small, etc) I live in a big house because my mother owns the big house. If I picked a house, it would be a little one with a big garden.48. Who is your role model?I don't really have one. I just want to be myself without the fear of being rejected.49. What was the last compliment you received?My friend Lynda called me cute~ *purrs* She does that a lot when we start talking about living together and me getting to snuggle her.50. What was the last text you sent?"Ah, okay. ^ w ^ I figured people were kidnapping the almost birthday girl again~" 51. How old were you when you found out santa wasn’t real?I don't remember, I just know that I was still young and most of my classmates still believed for a long time afterwards. I really wish my dad hadn't told me...52. What is your dream car? The car that I have. EV is my baby and I love her.53. Opinion on smoking?People wanting to kill themselves is none of my business unless they ask for help, but I don't hang out with smokers because I can't breathe around them.54. Do you go to college? I want an education and to seek out better jobs, but I want to have my body corrected first, which will be VERY expensive.55. What is your dream job?Professional house pet.56. Would you rather live in rural areas or the suburbs? Rural. I don't like being near other people.57. Do you take shampoo and conditioner bottles from hotels?Always. It's not even good for my hair most of the time, I just like taking advantage of it. 58. Do you have freckles? Yes, but they're very faint.59. Do you smile for pictures?I don't let people take my picture. The few pictures that have been taken of me are destroyed if I get hold of them. 60. How many pictures do you have on your phone? Oh sweet Satan, probably a thousand... I save every Creek picture that I see and anything that could be used for role-play starters.61. Have you ever peed in the woods? Only once. I nearly peed on another person because it was late at night and I was half asleep. 62. Do you still watch cartoons? Whenever I can, yes. I love cartoons! 63. Do you prefer chicken nuggets from Wendy’s or McDonalds?McDonald's has my favorite nuggets of all time, though whether they're chicken or not is... debatable at best. 64. Favorite dipping sauce? Either BBQ or honey mustard, depends on my mood.65. What do you wear to bed? Pajama pants and whatever shirt I had on that day. 66. Have you ever won a spelling bee?Kind of? It was just a little classroom game, but I won. 67. What are your hobbies?Writing, role-playing, and casual games. 68. Can you draw? Eh... Kind of. I was a pretty good artist when I was younger, but I haven't drawn much since my high school art class. I did really poorly in it...69. Do you play an instrument?I can kind of play the piano, but not very well.70. What was the last concert you saw?I think it was all the way back when 5FDP was in town, lol.71. Tea or coffee?Coffee. Coffee all the way.72. Starbucks or Dunkin Donuts?Dunkin. Much cheaper and better pastries. 73. Do you want to get married?Eh... I want to be with someone for the rest of my life, but I don't see a point in getting married unless it's for taxes or healthcare. I might marry my friend when I go live with her, though... a job like hers should give good health insurance... 74. What is your crush’s first and last initial?LP75. Are you going to change your last name when you get married? Nope. One legal name change is enough for me. 76. What color looks best on you? Either purple or green. I'm not sure which because no one has ever told me. 77. Do you miss anyone right now? Well... I kind of miss Sarah. I know she didn't really love me, you don't rip someone apart like that when you love them, but now that I'm feeling better I constantly see cute things that I would have tagged her in, but I can't anymore. She's done with me and it's over... I keep having to remind myself of that...78. Do you sleep with your door open or closed?Closed and locked. Ever since my mother made a comment about checking on me at night, I make sure no one can get in. 79. Do you believe in ghosts?Yep. I've even encountered ghosts before.80. What is your biggest pet peeve? When people tell me that I'm not fat. Morbidly obese counts as fat and I HATE being lied to. 81. Last person you calledI avoid phone calls like a plague. It's been a LONG time. I think the last call was my hairdresser...

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airadam · 5 years

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Episode 125 : The Audacity Of Dope

"In the land of the free, the slaves are still here."

- Jerry Beeks

The grind continues, and as the autumn starts to really draw in, the selection gets you prepared for full hoodie and boot season with some rugged sounds from the old to the new!

A couple of events for you...

The Flyest @ Klondyke Club, Manchester, November 15th - guest starring me on the turntables!

Artifacts ft. DJ Mr.Len @ Joshua Brooks, November 30th

Twitter : @airadam13

Playlist/Notes

Royal Flush : Life Is Hard

Royal Flush is known to most for his debut "Ghetto Millionaire" album, but he definitely has had some other solid tracks over the years. While this is on the 2019 release "The Governor", it was first heard on the 2005 "Street Boss" album. The production (don't have credits for this one) is top-notch, with the eerie and dramatic instrumental sounding very noir - a perfect backdrop for Flush's grim Queens thug braggadocio.

[Maxmillion] Panda One : Elaborate (Touch You) (Instrumental)

There's another track on this 2002 12" that has been the favourite for me for a long time, but on a re-visit this month I had to give this beat a little bit of light! The sample it's based around has been used before, but not quite like this - good job by Maxmillion.

Phi Life Cypher : Earth Rulers

One of my favourite rhyme duos with a killer single! DJ Beware put me up on this one back in the day, but I only recently got my own vinyl copy. Si Phili and Life just firehose lyrics right down the DJ Nappa-produced track, in a way any fan of bars has to appreciate. The finishing touches are provided by the dancehall samples, which I think come from recordings of the veteran Earth Ruler sound system - the little one-bar sample that drops in in place of a hook is absolute fire!

Redlight Boogie ft. DJ Chainsaw : Hands Down

Amsterdam's Redlight Boogie yells, snarls, and spits his way through this cut from the "Dirty Money, Clean Hands" album - abrasive like a sack of Brillo pads. DJ Chainsaw drops in for some cuts at the close, which end up blending over the scratches from...

Gang Starr : Bad Name

Huge new single which the heavy Hip-Hop listeners will surely have had on repeat the last few weeks! Easily the biggest musical surprise of the last few years has been the news that a new Gang Starr album release is imminent, and that there have been unreleased Guru vocals in the vault all these years. The "Family & Loyalty" single stunned everyone, and this follow-up will keep the buzz going until the LP drops. DJ Premier on production, the late great Guru on the mic - it's what we've been missing.

Bronx Slang : More Grief

It's been great to see Bronx Slang getting momentum up this year off the back of their excellent debut album, and it just so happens that this track that I was planning to play anyway turns out to be their new single! Jerry Beeks gets busy on the mic with the kind of consciousness that a lot of people swear doesn't exist in music these days, while Jadell packs in the funk to complete the soulful stew. Don't sleep!

Jay Dee : Jay Dee #17

Big shout to Iain and Teresa for hooking up a release I needed in my collection - "King of the Beats" by J Dilla! Lots of unreleased beats on this one, as well as a few the hardcore listeners might know. This particular beat bounces along with that characteristic Dilla swing, focusing on the low end for a pleasing groove.

Skyzoo & Pete Rock : Ten Days

If you like Pete Rock beats, you want to get the new "Retropolitan" album - 100% Soul Brother #1, with Brooklyn's Skyzoo helming mic proceedings throughout. This isn't the kind of beat that you automatically associate with Rock, but it just goes to show he can be versatile with it. Skyzoo is on that "get money" talk here, with a hook that conjures up this scene from "Paid In Full". As an aside - I totally forgot that the closing track on this album shares the podcast title, which I've wanted to use with the cover photo for a while!

Black Moon : A Haaa

My goodness, what a wait - sixteen years since the "Total Eclipse" album (2006's "Alter the Chemistry" was dope, but essentially a remix project), but at last Black Moon are back in full effect on "Rise of da Moon"! One of the original Timbs and hoodies crews, this episode wouldn't have been right without them. This tune is short but a banger, with a heavy digital bassline anchoring things while Buckshot showcases the flow and flavour that made him famous. Also check that heavy boom that kicks in between the 1 and 2 beats of each bar!

Black Thought ft. Styles P : Making A Murderer

Devastation from last year's "Streams of Thought, Volume 1" EP. More bars than HMP, more bars than Temple Bar. Black Thought is one of the world's best MCs, who needs no hook and offers no reprieve on his fire first verse. It's a brave man who would get on the mic after him, but Styles P takes the challenge and does himself proud - rising to the occasion. 9th Wonder's instrumental beats you into submission in the best way with the heaviness of the drum track, but it's Thought that holds the murder weapon here.

Children of Zeus : Ghost

CoZ maintained their hot streak of great music with "The Winter Tape", and it's just about the season for those tunes to get a re-airing. Tyler Daly takes sole charge of the vocals for this haunting tale of lost love.

Vanilla : Sweet Talk

The title track from the last of the soul-inspired beat tape trilogy by this UK producer is a smooth one. Vanilla works a melancholy 70s soul sample, and the drums are suitably subtle so as not to overpower it.

Professor Griff and the Last Asiatic Disciples : The Verdict

This is the first of two tracks from albums that opened up the nineties, just as we start to look towards a new decade. Professor Griff's solo debut album "Pawns in the Game" came during his initial suspension/expulsion, and found him on unfamiliar ground as he was not a rhyme writer by trade. Still, he delivered the rhymes with conviction (no pun intended) on a song that opens with a take on Louis Farrakhan's short play "The Trial", and the rest of the L.A.D come through too. Beat Master Clay D provides the beat, based on a familiar break that never gets old but packed with other samples in a way that is unaffordable in terms of clearance fees these days...

Master Ace : I Got Ta

When the Juice Crew veteran's name was still spelled this way, the year was 1990, haircuts were angular, and Ace was making his solo debut on the highly regarded "Take A Look Around", from which this track is taken! Mister Cee takes a classic James Brown sample and keeps the Godfather's voice in for Master Ace to work around lyrically as he states his intentions.

Joell Ortiz ft. Jadakiss, Sheek Louch, and Styles P : Put Some Money On It

Second straight tune working a vocal sample into the lyrics - this time, from the 2011 "Free Agent" mixtape with The LOX making a great guest appearance. Straight street bars all the way through, and Sean C and LV with the uptempo soul/funk production for a big win.

Sampa The Great ft. Krown : Time's Up

Massive thanks to Agent J for gifting me this LP! From Zambia via Botswana and Australia comes Sampa, whose new LP "The Return" jumps around stylistically but never lets you forget that this is an MC of quality. She and the featured guest Krown take the machinations of the record industry to task on this one and announce that the clock has run out on their BS. Silentjay's beat starts off centred around those stick hits to remind you of a clock, then brings those lows in to drive it forward. Definitely an album worth a listen!

Boogie Down Productions : Duck Down (Instrumental)

Early 90s ruggedness on this 12" release from the "Sex & Violence" LP. KRS and Pal Joey smack the beat into the drum sampler here, and right at the end you hear the sound effect that plays under one of Hip-Hop's best-remembered calls for a rewind!

Edgar Allen Floe : Arrest The President (Cypher God)

We played the original version of this track to open episode 90, almost three years ago, but I only recently learned that there was a remake! Edgar Allen Floe of the Justus League does a solid job with this, covering similar themes as the original and even borrowing some of the rhyme scheme while switching up the words themselves. The dope beat is pretty much the exact same as the Marley Marl-produced original, bringing that hectic 80s urgency and just begging to be cut up every time. Check out more of Floe's work on the rest of the album, "The Streetwise LP".

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

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experiencepop · 5 years

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Week Ending January 5th

10. Burl Ives - Holly Jolly Christmas

Here we see a Christmas song still hanging on the chart after the end of the season (There are a couple more of these). This song is a classic, and appeared in the well known Rudolph special produced by Rankin Bass, however Ives himself should be a tainted figure in the modern American conscience. A contemporary of musicians like Pete Seeger, he sold out his fellow folk musicians to McCarthy. While Ives is not an admirable figure this is a cheerful Christmas tune with secular appeal, so it’s not surprising to see it chart.

9. Brenda Lee - Rockin’ Around the Christmas Tree

Another secular Christmas song hanging around on the list shortly after the end of the season. This a more exciting song than the previous with a danceable beat and bright horns. This is also a classic and not surprising to see buoy up to the top of the charts during the holiday season.

8. Bobby Helms - Jingle Bell Rock

It is worth noting at this point that the three Christmas songs we have seen thus far range from 1957 to 1964 in origin. This puts them in a range where baby boomers would either be children or teens when they heard them for the first time. And perhaps that’s why these songs are classics - they’re nostalgia pieces for one of the largest generations of Americans. They’re what people want to hear to remind themselves of Christmases long ago. This of course makes sense as Christmas has become to many a holiday about family and reliving your past Christmases will recall those times that can no longer be had.

7. Happier - Marshmello Feat. Bastille

Finally I get to talk about something other than a Christmas song. I will admit one reason for me doing this project is to understand more about current pop music. And I will admit I don’t really know anything about Marshmello’s music. I know he’s a super popular DJ (EDM musician?) but I hadn’t heard anything. I am aware of Bastille though. I remember hearing Pompeii years ago. It’s kind of a monument to pop excess. It starts with a grandiose chant which pulls back in on the chorus, which to me became the parts that stood out. Sure there’s some impressive singing in the verses, I think the vocalist is competent for sure - but it’s kind of boring. So when something big happens that’s what I care about. Happier similarly has this issue where the vocals are pretty bland but I’m not sure that’s to the song’s detriment. I hear more of the adjustments in the vocals than I do the words. It’s more about tone and how it plays with the beat than anything else. The vocals are clearly not the center of this song. This might be a theme I’ll notice with these vocalist featuring DJ tracks. I do feel like the song is kind of boring, but it probably just isn’t meant to be experienced the way I usually consume music.

6. High Hopes - Panic! At the disco

I have listened to exactly one Panic! album and that was the first one. So I wasn’t really sure what to expect here. And what I got is their brand of pop-punk emo filtered through some of the more modern pop-rock trends. It sounds to me like they’re using more synth these days and the chorus is appropriately huge. Now I’m not going to act like old Panic! didn’t have quotable lines, but the way this chorus is built is more than that. The dynamics of the song start loud, pull down for the verse - fade even more into the bridge then explode into the chorus, a reprise of the opening. This song structure focuses the entire song on one extremely singable memorable section.

5. Sunflower - Post Malone & Swae Lee

This song features two musicians I don’t really like but never the less appeals to me. I’m not saying I love, but I like it the way I like candy, ice cream or any other sweet. It’s hollow and probably not very good for me but it makes me feel a little better for a little bit. Even if you ignore the lyrics this song sounds happy and fun. In ten years I very likely may have completely forgotten about this one - but for right now putting it on feels good. It brings my mood up even if it doesn’t do anything else for me. And there’s no shame. Sometimes I don’t want to be challenged by the music I listen to. Sometimes it doesn’t need lyrical, emotional, or musical depth. It just needs a good beat and a pleasant tune.

4. Sicko Mode - Travis Scott Feat. Drake

I’ve been listening to both these dudes for years and while I’ve started turning on both of them as people and a little as artists, this song rules. Some of the songs I’ve talked about feel huge because of their swells at the chorus, because of tricks in dynamics, artificiality. There is nothing artificial here. The beat/tempo change is a massive attention grabber more powerful than any trick. The Biggie sample is a tiny tool used to huge effect. The beat itself here that shifts around constantly while still carrying solid through the whole song makes this seem like an epic at only 5 minutes long. I’ve heard this called a prog rap song and that totally holds up. I may not love Travis but he’s been doing pretty innovative stuff for a while. I’m not trying to say there’s nothing else like this, but there’s nothing else like this as high up the charts. As someone who tries everything and loves listening to challenging and complex music, I have to remember the context this track is in here.

3. All I want for Christmas is You - Mariah Carey

Remember those Christmas songs before? This is that but for millennials. I believe this song became the most streamed song on Spotify in a single day this Christmas and that tracks. While it doesn’t have the nostalgia pull for boomers it does for millennials. And it’s better than those other tracks so I feel like it probably has a wider appeal any way.

2. Without me - Halsey

I had to check when I started this track if I’d ever heard a Halsey song befoe and I think all I’ve heard is closer. I really don’t like this song. As much as I said about the Marshmello song and the Panic!, that some parts are more interesting than others - that’s where I expected this one to go. And then the chorus came in and barely changed what was happening in the song. So this isn’t a bland song with a big chorus or bland lyrically with a good beat. It’s just bland. I can tell from the lyrics this song is a break up track, or at least targeted at an ex. A quick search says G-eazy maybe. I don’t know who that is. My issue is that the chorus has no teeth. It doesn’t sound angry, vindictive or even sad. She doesn’t sound mad at this person, she doesn’t sound like she’s mourning a loss, nor does she seem like she’s acting to hurt them. The words are just sung in a “pleasant” tone. There’s no pain that would make the message work.

1. thank u, next - Ariana Grande

2018 was the first year I ever heard an Ariana Grande song. And then this song blew up. There were multiple twitter meme spun out of this song, the music video actually added context in a way one really hasn’t in years, plus the song’s really good for a couple reasons. A real emotional depth comes off the vocals in this song that just really was not present in the last one we talked about. This too is a song about ex’s and it really doesn’t have any teeth, because it isn’t supposed to. At the very beginning when the discussion of ex’s occurs the tone is much more of reminiscence and memories. And when we go into the chorus is when we get the title of the song and learn why the tone was that way. Ariana is taking on the popular idea of how breakups work in our culture and defying it. She’s redefining her whole life as a series of experiences that build on each other, rather than full of drama and failure as I’m sure a lot of people saw it. She also through the song refocuses on herself. The entire song while very personal ends up inspirational.

#pop music #billboard #music

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deadcactuswalking · 6 years

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BABY, DON’T HURT ME: The Top 5 Best and Worst Hit Songs of 1994

1994 was the definition of a 6/10. I can’t sit through all 100 in one sitting, but it’s not like it was terrible, in fact, my worst list was hard as nails because a lot of the bad stuff was just not interesting enough to talk about. When I did my 2017 list, stuff like “Thunder” by Imagine Dragons was just so mind-bogglingly terrible in every way, hence I had a lot of material, but here, you can clearly tell how better I am at talking about music I like, because God damn, there are some all-time classics hidden in all this boring schlock and even the stuff that’s not fantastic has a lot of redeeming qualities and charm. Hence, the worst list is mostly composed of stuff I found to be utterly charmless – well, except the #1, but you’ll read on for that. First, however, before we even get into talking about where on earth the popular music scene was in 1994, here are the Honourable Mentions – songs that just couldn’t make the cut for a much shorter list than what I would usually make. I’m going to try and keep it brief, because there were a lot of songs I actually really enjoyed that didn’t really cut it when under the pressure of just a top five list.

Honourable Mentions

These are basically in order of where they were on the Year-End list, so don’t think the guys at the top weren’t ever going to make the list because some of them were pretty tough snips.

“The Sign”, “All That She Wants” and “Don’t Turn Around” – Ace of Base

If you ever wonder why people hate Magic! and UB40 so much, it’s because white-washed cod-reggae can be done so much better.

“Whatta Man” – Salt-n-Pepa and En Vogue

Not the best horn sample in this Year-End, but Goddamn, they get close.

“Wild Night” - John Mellencamp featuring Meshell Ndegeocello

I don’t know who either of these dudes are but they can make a nice song. On the other hand, how in the hell do you pronounce Meshell’s surname?

“The Most Beautiful Girl in the World” – The Artist Formerly Known as Prince

This dude still had it way after his heyday when he started calling himself “the Artist Formerly Known as Prince”. Rest in peace.

“Fantastic Voyage” – Coolio

This dude had a second hit – before “Gangsta’s Paradise”? That’s cool... not going to make the obvious pun.

“Any Time, Any Place” – Janet Jackson

This song is a full seven minutes of pure beauty, but the reason why it doesn’t make the list is because it’s seven minutes. We’ll get on to that later on in the list.

“Because the Night” – 10,000 Maniacs

Specifically the MTV Unplugged version. The other version is just not as effective.

“This DJ” – Warren G

Warren G is kind of overlooked now, but he was a hit-maker back then who could crank out some fantastic stuff back in this G-funk era.

“Cry for You” – Jodeci

Drake shouts this song out in “Controlla”, but he doesn’t exactly reference it in a clever way. He just says “I think I’d die for you” and then rhymes it with, no joke, “Jodeci, “Cry for You””, like, okay, Aubrey.

“Keep Ya Head Up” – 2Pac

This sample was done better by BlocBoy JB. Something about me just loves how they take the Five Stairsteps’ vocals and make them Kanye chipmunk-style, as BlocBoy mourns the losses of his friends from life in the streets, but since he’s still young, he is a “child” as the sample suggests, so it kind of seems condescending when they say “things are going to get easier”, and Bloc is trying to say that young people go through real hardships too. I don’t know, but this isn’t a BlocBoy JB review, and if I wanted to I could talk about that song in length, but I’ll just say this 2Pac song is damn good too.

“Who am I? (What’s My Name?)” – Snoop (Doggy) Dogg

I mean, I’d be able to tell you if you didn’t change it all the time.

“Rock and Roll Dreams Come Through” – Meat Loaf

The video for this is directed by Michael Bay of all people. That’s all I have to say.

“Mary Jane’s Last Dance” – Tom Petty and the Heartbreakers

Okay, but Red Hot Chili Peppers kind of did this riff more justice.

“U.N.I.T.Y.” – Queen Latifah and “Here Comes the Hotstepper” – Ini Kamoze

These were the songs that made me want to extend these lists to ten songs, but on the other hand, my Dishonourable Mentions made me want to shorten these lists to no songs.

“I’ll Take You There” – General Public

Who?

“What is Love” – Haddaway

Now, THIS one hurts to cut. This is a bonafide classic.

“Bop Gun (One Nation)” – Ice Cube featuring George Clinton

The 11-minute version of this song is more tolerable than it sounds.

Now that’s it for the Honourable Mentions but what exactly was 1994 pop music like? Well, I can tell you one thing – G-funk and smooth R&B and hip-hop were in full effect by this time, and many people say the 90s took a while to start, well, this is the breakout year for the 1990s as a decade. All the tropes you expect from early and mid-1990s pop music are here, and they’re here to stay (excluding a lot of the grunge and rock, mostly because of nonsensical Hot 100 chart regulations from at the time). Enough rambling, let’s get onto the actual list. These are...

BABY, DON’T HURT ME: The Top 5 Best and Worst Hit Songs of 1994

#5 Worst

So, if you think Scum Gang scumbags becoming popstars is a new thing, you obviously haven’t been following the absolute trainwreck that is R. Kelly. He was all over this year, whether it be him riding solo or providing vocals, songwriting and production for other R&B acts like Aaliyah and new (at the time) duo Changing Faces, who had both of their first two singles written and produced by R. Kells himself. I was on the fence about this particular track until I saw the Wikipedia article.

“It features uncredited vocals from R. Kelly.”

Alrighty then!

#5 – “Stroke You Up” – Changing Faces featuring R. Kelly

The immediate second this song starts I shrivel up and want to die. That piercingly high first note in the loop aggravates me because it’s just an instant onslaught of a screech. Oh, and that cowbell-like noise that appears in a lot of ‘90s R&B? I hate it.

Don’t get me wrong, I love 1990s R&B but man, it has to be done well to be anything more than a bit of a slog to get through, mostly because pretty much every song in that niche has these set of tropes, and I’m not going to lie, I probably could not sit through a whole album by anyone in that scene who isn’t Usher. Like, you’ve got to have some charisma to make your songs interesting – and that’s true with any decade and any genre – so when you’ve got only serviceable singers and a creepy-as-all-hell backing vocalist, you don’t exactly do wonders to the blocky production.

Don’t even get me started on that hook.

Do you mind if I stroke you up (I don’t mind)

Oh, of course, you don’t freaking mind, you’d get a stroke from anyone as long as they’re female. I don’t think you guys exactly needed confirmation... although actually maybe consent is the best foot forward in R. Kelly’s case... wait, why does R. Kelly need to consent to anything except jail time? He’s a piece of sexist human trash and this woman needs to ASK to just stroke him, oblivious to the fact that he can just hop straight into the girls in his sex cult?

All through the night

You know, you’re supposed to get like eight hours, so are you just going to stroke him for nearly half a day? Because knowing R. Kelly, I’d think he’d want a bit more.

Until your body’s tired

How is he going to be tired? You’re the one actually making some sort of motion, albeit it just be stroking... for eight bloody hours.

Oh, and R. Kelly can stop moaning in the intro and outro. We never need that, okay, we just never need R. Kelly moaning anywhere, anytime, please reissue this song without it. In fact, Spotify, I think I’m going to report abuse for the moaning alone. Nobody needs to sit through this tire fire of a track.

#5 Best

Talking about arrogant, forceful jerks, here’s a song about them.

I know what I want and I want it now / I want you, ‘cause I’m Mr. Vain

Uh... maybe I shouldn’t have met the R. Kelly comparisons. Yikes.

#5 – “Mr. Vain” – Culture Beat

That synth hook is iconic... well, at least for me. I’m into a hefty load of Eurodance and 90s house, in fact a lot of 90s electronica tickles my fancy in more ways than one, so I listened to this a lot before I even considered doing reviews as my hobby – in fact, all of my best list is like this, pretty much, and apologies for the nostalgia goggles but we need them because we’re going deep into Music Heaven’s seas and we ain’t got submarines.

That synth hook is only beaten by “Better Off Alone” in terms of 90s classic dance hooks, but that’s not the only thing about the song that’s amazing, no, before we dive into the vocals and lyrics, how about we just appreciate the rapid-fire guitar strumming replicating the hook and the freaking strings solo before the final chorus? Seriously, there’s a lot of attention to detail in what seems to be a simple Eurodance track and I appreciate that.

Also, this song is a narrative. Let’s explore that, shall we?

Call him Mr. Raider

What?

I guess it kind of makes sense in the context of “This dude only wants to get one-night stands with girls he considers to be of his stupidly high standard” (if you squint) but “Raider”? You couldn’t think of another word there to describe him? It didn’t even need to rhyme, it’s not part of the scheme.

Call him insane

Yeah, okay, so this song is about a guy who’s so irresistibly charming that all the ladies flock yet he only wants one night with them and will immediately stop caring once they’ve had sex... Is this song about Lil Yachty?

I know you want this for life / Taking pictures with all my ice / But I can’t have no... wife / I just want you for the night – Lil Yachty, “1Night”

Okay, obviously, I’m kidding – Lil Yachty didn’t even exist when this song was written – but I’m not joking when I say Tania Evans and rapper Jay Supreme do a pretty good job at representing different sides of this story. Sure, Supreme’s flow may be a bit stilted, and Evans’ (fantastic) vocals might be wasted on way too repetitive lyrics, but it’s Eurodance, cut it some slack.

Call me Raider

No, I won’t call you “Raider”. We already went through this, Jay.

In all seriousness, though, I just love how much Jay perfectly overplays the fact that he’s just an uptight douchebag.

Call me what you like / As long as you call me, time and again / Feel the presence of the aura / Of the man, none to compare

“Feel the presence of the aura”? Who the hell are you, Lucario?

Overall, despite some flaws in its writing, this track is still a dance classic, mostly for how well and intricately it’s produced. Really a fantastic demonstration of how genres like Eurodance can be top-tier stuff as well.

#4 Worst

You know, when I think “forever”, because of music I’ve listened to in the past, I don’t imagine the ungodly length of time that is. What does forever even entail? Is it an individual’s lifetime or just the span of life on Earth in general? Either way, I like my “forever” songs immediate, driving, punchy and to the point. Like Donna Lewis’ earworm hook on “I Love You Always Forever”, the hunger that Drake, Kanye West, Lil Wayne and Eminem show on the bloodthirsty posse cut “Forever”, the good stuff is what takes the concept of “forever” and makes it NOW. Now, what happens if you take the concept of “forever” and play it incredibly straight... that phrase being a synonym of “making it as boring and plain as a sponge cake with no icing”.

#4 – “Now and Forever” – Richard Marx

Now, music isn’t my only interest, far from it, one of those interests being video games, and more often than not game-wise, you could catch me playing a Nintendo game, so when I saw Marx, before Groucho even crossed my mind, my first thought was the character from Kirby, and maybe that’s not exactly the best first impression of a singer I’ve ever had.

You know what? That would have been much more interesting, because this is pretty non-descript, to the point of it being infuriatingly “nothing”. This guy’s voice, however much force he wants to put onto it, is just serviceable at best and pretty okay throughout, while a white-bread acoustic guitar is being strummed mindlessly in front of a solid orchestral instrumental, which would be pretty nice if it wasn’t so pushed back in the mix to focus on Marx’s promises of being someone’s man “now and forever” – yeah, okay, well, at least try and sound like you care. Put some effort into saying you’ll love someone always, like Bon Jovi’s “Always” the same year, which pulled off the simple power ballad much more effectively by simply seeming like people put effort into it. I can imagine that the band wrote their song about a real-life woman, but Marx here might as well be singing to a cactus. Next.

#4 Best

Now, you may be wondering why a song recorded and released in 1975 about an event from 1963, that eventually hit #1 on the Hot 100 in 1976, is on a list about music from 1994, and it’s all because of a remix – not the first one, mind you – that landed it back onto the charts in 1993 and 1994, “peaking” at #13. Thanks, Ben Liebrand, but your remix is irrelevant because the version I’m counting is the original.

#4 – “December, 1963 (Oh, What a Night!)” – Frankie Valli and the Four Seasons

So this was Valli and his band’s biggest hit in their extensive discography and very lengthy career, mostly due to being pretty much the opposite of what they always did. Sometimes shaking up the formula is actually ideal in pop music, as Valli saw when he relegated himself to backing vocals, letting the leads be handled by the drummer, Gerry Polci, and the bassist, Don Ciccone. Usually, this might have been a risky misstep, since the singer is chosen as the frontman due to the fact that they would naturally have more vocal talent, yet despite Valli being quite literally the name of the band, there’s no real frontman, as everyone sang and everyone appeared in the videos... and that’s impressive, considering how much of an ordeal that is, with how many members there are and were, and how members constantly go in and out while Valli’s still standing. The fact that the band never felt like Valli was in power is honestly one of the reasons why this song works so well.

This song sounds so joyful and happy, and you couldn’t replicate that with one man playing all the parts, because of a tried and true phrase.

One is the loneliest number that you’ll ever do – Harry Nilsson, “One”

If this was all one guy and it was just all the parts mixed together, I doubt it would feel anywhere near as gleeful and carefree as it does as a group record. It starts with a tight disco groove, and then you’ve got that classic piano melody, before Polci starts singing and he’s not a Phil Collins by any means, but he does the job damn well for a drummer, and that just adds to how fun it feels. Everyone did their best and contributed to a happy, sunshiny song that holds up to this day – and by everyone, I mean everyone, it definitely sounds like all seven or so of these guys, including even the keyboardists and the guys on the horns, had a blast recording this. I can imagine them just loving it in the studio. Oh, what a night, indeed.

#3 Worst

Oh, yeah, fun fact: Did you know that last song was originally going to be celebrating the repeal of prohibition, and Frankie Valli wanted it to be changed to a song about an affair? Yeah, and it’s not necessarily a subtle song about an affair either.

Spinning my head around and taking my body under – Don Ciccone, “December, 1963 (Oh, What a Night!)”

You know, I guess it’s somewhat poetic and at least it depicts the subject in a way that doesn’t feel cliché and cheesy. On the other hand...

#3 – “Said I Loved You...But I Lied” – Michael Bolton

What a terrible thing to say right to your significant other’s face, Michael Bolton. Why would you manipulate someone like that, man? Is this some sort of nasty plot to get sex without any consequence?

Said I loved you but I lied / ‘Cause this is more than love I feel inside / Said I loved you but I was wrong / ‘Cause love could never ever feel so strong

Oh... well, then. That is the dumbest bait-and-switch I’ve ever fell for. Well, this sickeningly sweet song is something else to add to my list of reasons to punch Michael Bolton in his corny face. Wait a second, he’s in his 60s now? Huh, maybe I should scrap that list entirely.

You know, Michael Bolton used to make metal and hard rock back in the 70s, and I won’t exactly say his work under that style was all that good, at least it wasn’t as vomit-inducing as his middle of the road, soft rock ballads, including this one, which hides its snoozeworthy self under a guise of a clickbaiting title... which I imagine isn’t even the reason this song became popular, no, it’s because of radio play, specifically adult contemporary stations – why would you put the effort into clickbaiting adult contemporary listeners when in the end, a song about tricking a woman for sex and/or a mediocre romance could have been written better than this generic schlock, and would have probably garnered even more attention, especially from the good-guy Michael Bolton?

I suppose none of this matters when the music’s good, right? Well, it’s not. It’s borderline tropical semi-tribal pop music, actually, it’s kind of interesting. The intro feels like it would fit right into Legends of the Hidden Temple and I don’t think that’s entirely a compliment. Michael sounds out of breath all the time, and nothing else in this song is worthy of even a footnote. I’m so glad we get immediately to the good stuff after trash like this.

#3 Best

Alright, now we’re getting into the hip-hop stuff that I loved this year, and, yeah, there was a lot of it but only a few of these songs really left enough of an impact on me to put them on the list. Remember when I said Warren G was overlooked? Well, I don’t think anyone forgets this G-funk classic.

#3 – “Regulate” – Warren G featuring Nate Dogg

God, no movie soundtrack tie-in deserves to be this smooth and this catchy. This song is immediately recognisable from that Dr. Dre-like synth hook and tight rhythm sampled from “I Keep Forgettin’ (Every Time You’re Near)”, a soul song from singer-songwriter Michael McDonald, which was a success of its own back in 1982, peaking in the top five. Sadly, it’s nowhere near as good as the song it eventually birthed 12 years later.

This song is basically one extremely lengthy verse of Warren G and the late Nate Dogg trading bars and telling a story of both rappers being involved in some ghetto violence, with funky instrumental breaks separating topics and flows.

It was a clear black night, a clear white moon

Warren’s looking to pick up some “skirts”, as they say, but for the most part, he’s just cruising. Meanwhile, Nate just arrived in Long Beach and is on a mission to find Warren – for whatever reason – before women start distracting him, because, of course, they do, it’s hip-hop. Warren notices a gang shooting dice, so he decides to politely join the activity and engage in some of the fun, and then they pull out their guns and try and kill him. However, Nate Dogg doesn’t have time for women.

Since these girls peepin’ me, I’mma glide and swerve / These hookers lookin’ so hard, they straight hit the curb / Onto bigger, better things than some horny tricks / I see my homie and some suckers all in his mix

He was on a mission to find “Mr. Warren G”, and he has discovered the holy grail, however there is one obstacle – the gang that is attacking Warren. He screams out for help from Nate, he’s completely hopeless, in fact, it’s surprisingly vulnerable for a gangsta rap track.

I’m gettin’ jacked, I’m breakin’ myself / I can’t believe they’re taking Warren’s wealth / They took my rings, they took my Rolex / I looked at the brother, said, “Damn, what’s next?”

He’s expecting even worse assault from these guys, but he doesn’t know what’s next because nothing can be this awful, right? He doesn’t believe this was even possible for him to be in this situation. But then, Nate Dogg, shades on, goes all action hero on them right after Warren G starts to accept his fate.

They got guns to my head, I think I’m goin’ down

But then, Nate shoots all his problems away.

Nate Dogg is about to make some bodies turn cold

I said Nate had no time for women, but that’s incredibly untrue, because right after he shoots multiple men to death, he’s picking up women on the streets, and, to be honest, yeah, I’d get in his car. Like Ty Dolla $ign, who I feel Nate was a massive influence on, he knew how to be seductive and smooth in his delivery, even if what he was singing wasn’t particularly sexy.

She said, “My car’s broke down and you seem real nice, would you let me ride?” / I got a car full of girls and it’s going real swell / The next stop is the Eastside Motel

For the final section, Nate and Warren just lay down some of the ideology of the G-funk philosophy... okay, then!

It’s the G-funk era, funked out with a gangsta twist

You know, it’s actually pretty impressive how throughout this violent yet sensual story of murder, assault and illegal criminal activity, as well as mentioning smoking and complementing women for their physical appearance, there’s actually minimal profanity. Warren G’s really for the kids, huh?

This whole story would be pointless, however, if it wasn’t for how well it was all sung, and I say sung instead of rapped because, yeah, it’s pretty much an R&B song with the melodic flows both take on, and I’m not saying Warren is anywhere near to the level of Nate’s singing ability, but you can tell effort was put in on both sides for them to complement each other well, and with Warren’s vulnerable and uncertain portrayal, a more unsure and confused personality and scattered flow really assist in painting the story, especially in stark contrast to Nate’s deep, smooth tone that makes all this sound effortless. Overall, yeah, this song is irresistibly catchy without anything even resembling a chorus, mostly due to the infectious beat and fun flows from everyone involved. Undoubtedly one of the classics in hip-hop. Rest in peace, Nate Dogg.

#2 Worst

“Whoomp! (There it Is)” by the Tag Team is an energetic and fun banger, with a catchy, sing-a-long chorus and a repetitive but effective rhythm. It’s an okay song, so making a song nearly identical right down to the “whoo” sounds isn’t going to result in anything awful... right? Right?

#2 – “Tootsee Roll” – 69 Boyz

Really, guys? 69 Boyz? You’ve got to know the innuendos involved there, and even if you did know and that was the origin, or even if they had another moronic excuse like they were all born in 1969, or there were 69 of them (which is a blatant lie), you’ve got to admit how cringeworthy and childish of a name that is... I’m not entirely sure if that’s to be expected of Miami bass, but considering its alternate names are “booty music” and “booty bass”, I should probably keep that in mind when digging deeper into the genre, but in the meanwhile, I cannot imagine any woman shaking their booty to this stiff, almost metallic beat, with some stock whistle sound effects and a constant onslaught of cheering gang vocals looped for the whole damn song to the extent of it being absolutely unbearable.

The Butterfly? Uh-huh, that’s old

What’s the Butterfly? Genius states, “The Butterfly was a dance move that caused the performer to look like a butterfly.” Thanks for that detailed explanation, now, what on earth is a “Tootsee Roll”?

From what I can gather, it’s just the opposite of the “Butterfly”, which is played out, while the “Tootsee Roll” is a dance you could still see in clubs at the time and is timeless? I mean, I doubt it, because rolling in a club is extremely dangerous and probably will lead to various deaths.

Keep rollin’ that derriere

...Is it like, twerking?

If so, that’s actually a decent comparison. Tootsie Rolls are softer taffy sweets that do not melt and are one of the first candies to be individually wrapped in America. Butts are not as soft as a Tootsie Roll (from my experience of seeing a few pictures of the candies) but they don’t have as much bone, you can slap them like jelly but they don’t melt (unless you have a severe medical problem), and typically, butts are wrapped in clothing, which could be different for each individual with a butt. That’s a pretty clever metaphor... too bad that 1.) your song’s an unlistenable, mind-numbingly repetitive loop with little to no changes to the instrumentation throughout, 2.) Tootsie Rolls also come in long sticks known as logs... is this a gay-pride anthem, then, or am I looking way too deep into this nonsensical piece of trash? Probably the latter.

#2 Best

Now, I wish I could talk about this next guy much more than I end up doing, but he’s way past his heyday, in fact, he’s a one-hit wonder despite having an extensive career that lasts more than four decades. This was his only song to ever hit the top 40, but does that matter at all when he’s had such a long-lasting career simply because of this one song? This track put him on the pop music map and stopped this weirdo from being a completely unknown figure in the music sphere, which he probably would have ended up being if not for this breakout single. You could say this song is riding the wave of both alt-rock and hip-hop being insanely popular at the time, but knowing my boy, I can safely say this was not a sell-out moment. This is one of the strangest, most diversely-talented musicians doing what he does best: wacky self-deprecation.

My teacher said I’m a loser, I told her, ”Why don’t you kill me?” – Kanye West, “Get ‘em High”

#2 – “Loser” – Beck

In the time of chimpanzees, I was a monkey

Sorry, repeat that?

In the time of chimpanzees, I was a monkey / Butane in my veins so I’m out to cut the junkie

This song is the second on the best list to use the technique of sampling, modifying a portion of another work in order to use it in a new creation. This particular track samples a relatively manic drum beat from “I Walk on Gilded Splinters”, a Dr. John cover by blues guitarist Johnny Jenkins, and this sample does more than just adding a tight drum pattern to the song, as it adds to the interpretation that it was a parody of what was perceived as late-80s “slacker culture”, since sampling was a bit infamous in the early 90s. Just as recent as 1991, sampling had caused a headlining court case in which Gilbert O’Sullivan forced Biz Markie to not only pull all of the offending records off of stores, but also accept his career being ruined from the money he lost and the fact that the old white man was victorious over a predominantly black hip-hop culture, showing not only another case of the transformative use of work being unfairly refused, but also the racism that is still prevalent in court judges, the music industry and society today, as proved by Meek Mill’s recent case of being wrongly imprisoned. Yeah, it was an important lesson to learn in terms of the consequences of sampling, but it leaves a bad taste in peoples’ mouths, especially for Beck, who appreciates the art of sampling, despite it being seemed as lazy by many others in the biz, including Damon Albarn of Blur and Gorillaz, who has recently presented his anti-sampling thoughts (despite many, many cases of sampling other works himself). In fact, I believe Beck actually brings this up in the second verse.

The forces of evil in a bozo nightmare / Ban all the music with a phony gas chamber

Hence, throughout this sarcastic verbal beatdown Beck gives himself in the verses, he sounds bored, tired and exhausted, relying on the charm in his voice and the simple, sampled beat to carry him along. In fact, the lyrics seem to be Beck just spitballing, as well, as it’s mostly complete word salad, but it definitely has a consistent vibe of uselessness and being pathetic.

With the plastic eyeballs, spray-paint the vegetables / Dog food stalls with the beefcake pantyhose

Overall, though, it just seems like it’s an incredibly ironic, borderline nonsensical and witty suicide note at points – there’s always discussion of death and guns and pretty grim imagery.

I’m a loser, baby, so why don’t you kill me? (double-barrel buckshot)

He hung himself with a guitar string

Someone keeps sayin’ I’m insane to complain / About a shotgun wedding and a stain on my shirt

The whole song is a slog in the best way because of its repetitive chorus, unconventional sampling and... interesting ad-libs.

(Get crazy with the Cheese Wiz)

It’s nothing like a parody of slacker culture, at all, actually, it reads more like a man on the edge of absolute insanity, and we get to explore his mind, which is all-over-the-place with some brief observations and commentary on the industry and early 90s society, while he occasionally contemplates ending it all.

And my time is a piece of wax falling on a termite / That’s chokin’ on the splinters

This is a strange, confusing song, but Beck’s a strange and confusing artist, and I love him for it, especially when he subtly adds some meaning in the lyrics, such as songs like this... and it’s not even in his top 10 best songs.

#1 Worst

Okay, so, flash back to even before the Honourable Mentions where I said this.

“Hence, the worst list is mostly composed of stuff I found to be utterly charmless – well, except the #1, but you’ll read on for that.”

Yeah, and when I said that, I wasn’t lying – this next song has a lot of charm, hell, it has a lot in common with my choice of fifth best hit song, “Mr. Vain”. Both are quirky little Eurodance songs, but this one does not understand how to embrace how awful it is, while “Mr. Vain” did that perfectly. This song is charming yet also insufferably incompetent.

#1 – “Another Night” – Real McCoy featuring Karin Kasar

Yep, that’s their name – Real McCoy. I don’t understand how a Eurodance act would be this desperate to prove themselves as “real”. Now, I’m pretty sure this terribly-named act is a band, actually, two or three members, one of which being the “rapper” on this track, O-Jay, but we’ll get to him. First, let’s focus on the instrumental, which is pretty well-made actually, albeit pretty typical of the time – it even has a pretty forced reggae influence in the steel pans obviously profiting off of Ace of Base. We have some nice piano chords, a jackhammer beat, an annoying synth that goes from the right to left channel constantly – which would be cool, if it didn’t go on for the whole song and you know, sounded any good.

That’s not what makes this song so horrible, honestly, it’s the vocals. First we have a vocal sample that comes in occasionally but trust me, when it comes in, it does not stop hammering at your brain. It is a really lazy yell, like a man who’s in a deep ditch, hence it echoes, but he can’t talk properly, or like at all, so he just makes a sound that resembles chopped-and-screwed Mario jumping sounds compiled together with some reverb and pitch-shifting... but that’s technically still the instrumental, the vocals on top can’t possibly be as bad, right? Well, I guess the singer, Karin Kasar isn’t bad, even if the lyrics combined with her light-as-a-feather performance are as putrid and sickeningly sweet as you can get, at least Tania Evans had some “oomph” in her voice.

Contrasting Karin Kasar is O-Jay, the “rapper”, who provides some deep, stilted, multi-tracked verses – see the dynamic here? Exactly the same as “Mr. Vain”, except that song prevailed by being joyful despite its obviously less optimistic subject matter that made it feel self-aware, while this plays it straight... but somehow makes it feel less sweet and more terrifying. This O-Jay guy took it too damn fair, he sounds creepy and the lyrics he’s provided with don’t exactly help either.

You feel joy, you feel pain, ‘cause nothing will be the same

Uh, can you stop, please, like, right now? It’s disturbing when this man’s deep voice, not shrouded in the mix, is perfectly clear and you hear every word he’s saying in this intimate yet skin-crawling tone. It’s not pleasant and really doesn’t help build the mood, in fact, I’m pretty sure it takes the mood of the song and bites it in half.

Hey, sister, let me cover your body with my love

Hold up – sister? Look, I know that’s something people call important or friendly females in their lives and in any other case, this line would be fine, but, Jesus, O-Jay, could you maybe say it with some kind of corny flair because your delivery itself implies so much more than what’s being said. Oh, and it doesn’t help when in his final verse, we have an eerily distorted sub-bass with a manic synth playing during it.

I am your lover, your brother

You’re not helping! All this track is is a sloppy remake of “Mr. Vain” which falls flat on its face with everything that Culture Beat’s track succeeded in.

Another night, another dream, but a-always you / It’s like a vision of love that seems to be true

Isn’t that a Mariah Carey song released in 1990?

I had a vision of love / And it was all that you’ve given to me – Mariah Carey, “Vision of Love”

So, not only do you ride the coattails of the Eurodance movement that became prominent in the US because of Haddway and his top 20 song, completely rip off Culture Beat’s top 20 hit (and #1 in the UK!) “Mr. Vain”, shoddily enforce some reggae pop because Ace of Base had three massive songs, all of which ended up being in the Year-End top 10 of this year, but you reference the name of one of Mariah Carey’s biggest #1 hits, just in case you weren’t enough of a clumsy amalgamation of everything early 90s in America and Europe. Nice one, you lazy, pathetic, untalented hacks.

#1 Best

Let’s take a little trip back to the Honourable Mentions, where I said that Janet Jackson’s “Any Time, Any Place” would not make the list due to its length, and that’s mainly because this is a list of hit songs, and honestly, if your song’s not short and sweet, does it really “hit” you as much?

A pop song doesn’t need to be conventional and can stray far from the formula, and I appreciate that when it happens to be that a 1994 hit does not follow the rules of its niche, see “Loser”. However, when you make a song, no matter how good it is, very long and not particularly that far away from what is expected, it loses the punch I want to see in good pop music. That’s why I hate “Perfect” by Ed Sheeran so much – it lacks what I want from any good pop song, a real hook that reels you in, not because it’s catchy and not because it’s unique, hell, I’m not talking about the musical hook here, just a moment in a song that forces you to pay attention and even if you don’t like it, you will understand why it’s so popular because it demands you to be attracted to it. I don’t like “Blah Blah Blah” by Kesha featuring 3OH!3. Listen, I like both of these artists fine, but I’m not a fan of the song for many reasons, however there is a true hook that grabs me in, and it’s not the chorus, it’s Kesha’s voice, which is childish and bratty, but it just commands your attention because of how obnoxious it is. “Any Time, Any Place” doesn’t exactly have that hook, hence no matter how much I liked the song, I just couldn’t write about it in mass. It’s not as interesting as it could have been.

Ladies and gentlemen, as you know, we have something special down here at Birdland this evening – a recording for Blue Note Records.

This song has so many of them.

#1 – “Cantaloop (Flip Fantasia)” – Us3

Oh, my God, this song has so many of those hooks. First of all, how all of it is so blatantly sampled. I think the additional trumpet solo is the only original addition and composition other than the vocals and knowing classic hip-hop, that solo is probably sourced or interpolated from somewhere – hell, the pure amount of samples of Blue Note’s catalogue on this song and Us3’s album lead to them grabbing a record deal with them. Now that’s how corporate bigwigs should be treating artists who sample. The first sample is immediately obvious to you – it’s a vocal sample at the beginning of the track spoken by Pee Wee Marquette from Art Blakey’s A Night at Birdland Vol. 1 album. After this brief spoken word section, we get into the beat which kicks in almost instantly afterwards for a real punch, and I’ve listened to the original track, Herbie Hancock’s “Cantaloupe Island”, and can confirm it’s just pretty much a sped-up version of the first 16 bars with a lot of subtle changes, but that’s not a bad thing, as the drum beat is fun enough to dance to, as what was probably in mind, the recurring additional vocal samples crowding up the track (acting as kind of a chorus) from both Marquette and Lou Donaldson (specifically “Everything I Do Gonna Be Funky (From Now On)”), as well as the occasional lively ad-lib from the rapper here, Rahsaan Kelly, shortened to Rahsaan, who scats a nice little “itty-bitty-bop” throughout. The final instrumental break before the track ends is heavenly, with Gerard Presencer’s fantastic and frankly pretty insane trumpet solo just going on and on. It’s crazy how good it is as well, the playing is intricate and fits the beat perfectly, mostly because of how wacky it is, until it just fades out like it’s nothing.

Speaking of wackiness, I think that’s the main appeal here, because it sounds like a jazz rap song straight out of a cartoon, fittingly for its title containing the name of the Disney movie Fantasia, but it’s all so smooth in its execution despite being littered and cluttered with samples all over the place. It’s beautiful in all its layered madness, and taking any of the layers off would be a disservice, and yes, that’s including Rahsaan.

Brace yourself as the beat hits you / Dip, trip, flip Fantasia

He may not be the best MC, but he has a slick, impressively stable and at times surprisingly quick flow for the time, and with his alliterative lyricism that often include a lot of fun, colourful words, he fits right into this Roger Rabbit of a jazz song.

Groovy, groovy, jazzy, funky / Pounce, bounce, dance as we dip in the melodic sea

He even has some pretty cool lines about actually taking a trip to the neon land presented in Fantasia...

Caught in the groove in Fantasia, I’m found

...and damn, if I don’t feel like I’m there. This song is just so fun to listen to, honestly, because of the pure joy you can feel from every sample, every trumpet riff, every line Rahsaan spits. I thought “Loser” by Beck was going to be my #1 going into this Year-End blind but as soon as I noticed this song was on it, the chance dropped from 100% to less than 3%, because even though I love both songs to death, “Cantaloop (Flip Fantasia)” is such an overlooked classic that I can’t help but love and want to talk about. Everyone’s heard “Loser” but this is not something people really look back on today for all I know. I first heard this song on Vintage TV, actually, a British television network that shows old music videos, and it was a 90s and 80s funk block they had on when this song was broadcast, and when it came on, I had an instant grin on my face and I’m so glad it came up on this Year-End otherwise I would have likely to never have talked about it, and I couldn’t have done that. This song is way too good for me to pass on.

Feel the vibe from here to Asia / Dip, trip, flip Fantasia (out!)

As I said, it’s not conventional for a mostly instrumental song by a British acid jazz band to hit the American top 40, but to stay in the Hot 100 top 10 for three weeks is crazy, and just shows that although the general public and I may disagree at times, the power of national appreciation can do pretty great things for humanity. Thank you for reading, guys, and thank you to Us3, Rahsaan and Gerard Presencer, for making the best hit song of 1994, and one of my favourite songs of all time. See ya!

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thesnhuup · 6 years

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Pop Picks – July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

Archive

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia. It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan. Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news.

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

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deadcactuswalking · 6 years

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REVIEWING THE CHARTS: 15th July 2018

God, this first bit is going to be heavily ironic now, isn’t it?

Top 10

If you’ve been following the World Cup, you’d know that Britain got into the semi-finals before being beaten by Croatia and then Belgium, leaving us in fourth place, which isn’t too bad, but it is kind of sad when you realise that the day after we got beaten by Croatia, the unofficial World Cup anthem “Three Lions” by David Baddiel, Frank Skinner and the Lightning Seeds leaped up 23 spaces to number-one, at its 27th week in the chart, and not the first spent at #1, as it has had four different runs at the top of the UK Singles Chart since it was released 22 years ago – “Nice for What” by Drake is the first to break that record in the US, only a few months after its release. Talking about Drake...

That’s a segue I hope to never use again because I don’t want to talk about Drake ever again, to be honest with you. He’s so bad in such a boring way. That has absolutely no relevance to our number-two spot, “Shotgun” by George Ezra, pushed back to the runner-up spot because of “Three Lions”, but I wanted to mention that, especially since I have to talk about him today. More on that later.

“Solo” by Clean Bandit featuring Demi Lovato isn’t moving at number-three.

Oh, Drake. We meet again sooner than I thought. “In My Feelings”, thanks to a dancing challenge meme and Drake’s album (in which this song is probably one of the worst from), has debuted at number-four. Delightful.

Oh, hey, more Drake! Fantastic! “Don’t Matter to Me” featuring Michael Jackson is STILL in the top five, specifically at number-five after being pushed back three spaces by his own song.

Also thanks to an album, Years & Years’ “If You’re Over Me” is up three spots to number-six, barely missing out on the top five – thanks to Drake. Am I coming off as some anti-Drake protester? If so, I’m sorry, I like Drake for the most part, but his chart prowess kind of baffles me.

Hell, just to prove I’m not too bothered by Drake generally, I get to thank Drake and Years & Years for not letting this next piece of trash get to the top five, or any higher, really. At number-seven, after a four-space boost up to the top ten, we have “Rise” by Jonas Blue featuring Jacksfilms and Jack Black.

“Girls Like You” by Maroon 5 featuring Cardi B continues to go up and up the charts, bouncing up two spots to number-eight this week.

Funnily enough, Cardi outdid herself this week, as she pushes down her own song “I Like It” featuring Bad Bunny and J Balvin a spot to number-nine.

Finally, down four spots from last week, we have “2002” by Anne-Marie at number-ten, where, frankly, it deserves to be more than in the top five – this is inoffensive enough to be a hit but I do not see the appeal in such a smash hit.

Climbers

This week on the US Hot 100, “Jackie Chan” by Tiesto and Dzeko featuring Preme and Post Malone just debuted at #88 – why did it take so long for this to cross over to the states? In fact, it went up five spaces to #12 this week on the UK Singles Chart, and it’s doing well globally. I know the US is really late to EDM, but, come on, it has Post Malone! Why are you guys so slow to this?

Some debuts from the week before last week are recovering from Drake – “Only You” by Cheat Codes and Little Mix is up 12 spots to #28, while “Ring Ring” by Jax Jones featuring Mabel and Rich the Kid is up seven spots to #29. Otherwise, there’s nothing really of note here to discuss.

Fallers

Former chart-topper “I’ll be There” by Jess Glynne is at freefall at this point, as it’s down six spots to #13. Drake’s “Nonstop” will obviously take a hit, going down 11 spaces to #15. The late XXXTENTACION also suffered, with “SAD!” down four spots to #18 and “Moonlight” down six positions to #37. Liam Payne and J Balvin’s “Familiar” took an unexpected but definitely deserved ten-space shove down to #30. “no tears left to cry” by Ariana Grande and “Paradise” by George Ezra are both down six to #35 and #34 respectively, seemingly ending their runs – that is, of course, until Sweetener releases soon.

Dropouts

Okay, so the biggest drop ever out of the charts is from #2, and I think “Last Christmas” by Wham! holds it. Of course, “Three Lions”, our current #1 will probably break that record, but a drop out from #5 is still impressive, and Drake’s “Emotionless” featuring a sample from Mariah Carey has done just that. Of course, the one I like the most has the least longevity.

We have quite a few other dropouts too: “This is Me” by Keala Settle and The Greatest Showman Ensemble, finally out from #39, “Flames” by David Guetta and Sia out from #34, “changes” by XXXTENTACION out from #37 and “Girls” by Rita Ora, Charli XCX, Bebe Rexha and Cardi B out from #38.

Returning Entries

Former #1 “These Days” by Rudimental featuring Macklemore, Dan Caplen and Jess Glynne is back to #40 for some reason, but that surely doesn’t matter when we have a much more important return.

So, recently, the current President of the United States – you all know him – Donald Trump, visited the United Kingdom to talk to our current Prime Minister, Theresa May. I don’t really like to get political on this show, but let me just say I’m incredibly happy that people started a campaign to get this to return to the charts this week.

#25 – “American Idiot” – Green Day

So, let me clear up a few things first – this song isn’t about Trump, at all. In fact, it’s pretty much about a President in title only. It’s actually about the American media circa 2004, when George W. Bush was re-elected. Billie Joe Armstrong just bluntly makes fun of rednecks and propaganda in his signature insane, loud and sometimes unintelligible delivery over a now classic guitar riff with a subtle megaphone filtering effect similar to Damon Albarn on “Feel Good, Inc.” at about the same time. The verses are meaningful and packed with political punch while still being catchy enough to sing along, which Armstrong even demands the audience to do in the second verse. The cuts in the instrumental during the verses and after the chorus are pretty intense, mostly due to Tré Cool’s fantastic drumming, which is simplistic but incredibly effective and powerful. Mike Dirnt’s short guitar solo is pretty amazing, too, and all the members come together to make a modern punk-rock anthem that will be remembered for decades to come. These guys were in their 30’s when they made this too, this isn’t from an exciting youthful band, they’d been around for years when the great album this track is from (also titled American Idiot) took the world by storm in 2004.

For curiosity’s sake, I checked when this charted, and it peaked at #3 in the UK 14 years ago, and becoming Green Day’s first ever Hot 100 entry at #61. It also debuted at #1 in Canada! It is funny how a song about criticising America took advantage of the controversy to much lesser effects in the idiot nation itself, huh.

NEW ARRIVALS

Now for the much less exciting songs, I suppose.

#39 – “Panic Room” (CamelPhat remix) – Au/Ra

So, CamelPhat are the guys from last year’s “Cola” which charted at #18 over in the UK, and would have made my best list if they had crossed over to the States. I like these dudes’ other work too, so I was pretty excited when I saw them chart in the top 40 again. Au/Ra, however I have no idea about. From what I can gather on her Spotify bio, she’s an indie pop artist who had her song “Panic Room” remixed (twice, may I add) by CamelPhat, leading her to have her first top 40 hit. There are also four other remixes, as well as an acoustic version, so, yes, there are eight versions of this ONE song. I’ve listened to all of them – excluding CamelPhat’s second remix since it’s just a club mix, so I’ll just say what I think of each one in a sentence or two.

The original by Au/Ra is boring as sin during the verses, although I kinda dig the pitched-down vocals, and it gets much more exciting in the drop with the buzzing synths. It’s also when I listened to this version that I realised this is from an advertisement, which explains why she’s in the top 40 without a Wikipedia page. This version is alright, though, but I understand why it needs a remix.

The acoustic version is a slow painful death. This is also barely acoustic, there’s a pretty blatant digitally-added filter on Au/Ra’s voice at several points.

The Jonas Rathsman remix is seven glorious minutes of 1980’s dance music. I’m not even kidding, this is wonderful. I love the random sounds they add throughout too, they all add up to a pretty cool listen. Au/Ra doesn’t come in until about five minutes, though, and even then, her vocals are chopped-up a bit to fit the instrumental.

The KDA “Stop Saying You Were at Trade When You Weren’t” remix is pretty fun too with some pretty unique percussion, and much shorter than Rathsman’s, but Au/Ra’s vocals are mixed horribly and it never really has a good climax or drop, it’s just a bit of a slog. I like it, but it definitely needs some work.

The Denis First and Reznikov remix is some of the blandest house music I’ve heard. It’s also much shorter and the vocals are mixed pretty badly, once again.

The Sway Gray remix is much better in its vocal mixing, but it feels way too safe – even if the drop is one of the best things I’ve heard in mainstream dance this year, it just doesn’t keep up his momentum throughout. It’s worth listening to for that drop, though.

Now the CamelPhat remix is the one used in the advert, and yeah, these guys have struck the barrel again. Like “Cola”, it’s intense but also damn fun, with a pumping beat, pretty nice synths and pretty interesting echo effects put onto Au/Ra’s voice, including in the anti-drop, where it continues to build up when you think it climaxes – something KDA didn’t really grasp – in fact, during the actual drop, which has a similar buzzing synth to Rathsman’s mix, it’s still building up. The whole thing feels like a hike on top of a mountain, and the vocal manipulation in the drop and crazy synth work during the second build-up are the obstacles that come your way, until you get to what is nearly the tip, relax for a second when Au/Ra’s vocals come back in and the white noise starts to somehow harmonise with time-stretched beeping noises and a nice deep wobble, for the final drop where you take the last steps but it never feels satisfactory. You never get to the top, you just stay right next to it for a while and you’re fine with that because you’ve gotten so far. Like “Cola”, the ending of the song is very abrupt and anti-climactic.

The CamelPhat remix of this song is easily the best one, because it feels like an exciting journey portrayed via house music. I love this. Listen to this, like, right now. CamelPhat are Goddamn geniuses, I tell you.

#38 – “Fine Girl” (remix) – ZieZie

Oh, delightful. ANOTHER remix. ZieZie is another musician without a Wikipedia page who hasn’t had a top 40 hit until today thanks to a remix, but I’m not exactly sure which one out of the four that exist, especially since BBC has made the artwork the original single’s cover. So, naturally, I’ve listened to them all, and I’m counting the original version as the hit single.

So, before we talk about the songs, let’s just make it clear that ZieZie is an incredibly incompetent British rapper – so incompetent in fact that his single “Low Life” has been listed as “ZieZie- Low Life” on Spotify – and that’s just the title. It is listed, on Spotify, no joke as “ZieZie- Low Life by ZieZie”. Now that’s stupid! If you want proof, here you go: https://open.spotify.com/album/5mZIWWiqFQBEGlcdXfojVf?si=uLweMtHjQs6yQHA0Vg0T0Q.

Okay, so the T. Matthias remix isn’t too bad, it has a nice piano melody and it’s a pretty generic but decently-produced house track, with a deep, overbearing drop. The profanity is censored, as normal with EDM songs recently (think “Solo” and “FRIENDS”). Nothing more than what it is and nothing less.

The James Hype remix is more Caribbean-influenced with steel pans, but otherwise is basically the exact same as the Matthias remix for the first few seconds, until the pretty stiff synth melody and bassline kicks in, with some nice vocal chopping, even if it kind of sounds like it sampled Super Mario 64.

There’s another remix without a producer name that just adds a couple pretty decent rappers to the original track. It’s okay.

The ADP remix is also like that, except the guest rappers have much worse flows for the most part.

Now, the actual track – I do like the production here, with the cowbell(?) and typical dancehall production, except being oddly minimalistic with the clicks and pretty cool synth sample, hell, I even like ZieZie here, as he sings the catchy autotuned hook with a decent melody and fun ad-libs, as well as some pretty funny lyrics throughout. He references Chief Keef in the hook, even replicating his signature “bang bang” ad-lib, the fact that he’s proud in ignoring the woman’s body entirely for the fact that she has a nice butt, and how he just kind of uses a lot of nonsense words as metaphors (or just bluntly stating fact) in some lines, like “booty jiggle-jiggle like Jello” and “she wanna tick-tock if you got time” (which, also, despite the fact that it oddly references someone else having time free, unlike the other lines which refer to him having fun with this girl, actually makes sense, because throughout the hook, he’s recommending the girl to someone else). He also HEAVILY channels Fetty Wap, so it’s pretty fitting that in the bridge, he mentions his name and sings Fetty’s signature “yeah, baby” croon that he uses in songs like “679” and “$ave Dat Money”. Yes, he doesn’t only interpolate songs; he basically interpolates two artists’ whole discography, more than once, in the same song. The references to other trap artists and some filler lines are pretty lazy but I do like how he integrates not only Patois but French in an otherwise English song, while referencing African-American artists and the Congo, as well as making fun of British YouTube prankster Jack Jones crying after being hit by a slice of pizza... yeah, I don’t get it either. If anything, this is actually pretty culturally diverse, and catchy, so I don’t mind this and it’s probably the best dancehall song we’ve covered on this show.

#4 – “In My Feelings” – Drake featuring City Girls

Remember last week when I said I thought I’d be done with Drake? Well, lucky me.

Now, this song is hilariously awful. It’s not lazy like “Nonstop” or so-bad-it’s-good like “Ratchet Happy Birthday”, it’s just bloody pathetic and that kind of makes it enjoyable, if you’re into hearing Drake on the edge of insanity over a bunch of chopped samples and pretty bland R&B-trap production. The intro is kind of funny, too, as is the hook which is just him desperately moaning to other women, asking them if they love him and if they’re riding. There’s a few hand-claps in the singular verse too, that try to add any intensity to this, which kind of make it even worse because it proves that effort was put in, when it really doesn’t sound like it. City Girls have a short bridge before the absolutely-hellish breakdown, where Drake’s vocals are all over the place with samples from Magnolia Shawty being repeated and chopped to the point of sounding like a damn parrot, before it abruptly stops and we get treated to Lil Wayne joining the party with a lazy sample from “Lollipop”. The way Drake delivers everything is really funny in this song, especially how he says “TrapMoneyBenny”. It’s kind of like “Fake Love” in a way, everything is just so unintentionally joyful despite how horrible it is. There’s some extra percussion and a sample from an episode of Atlanta too? God, this is a mess.

Conclusion

What do you think? Seriously, you think I’m gonna give Best of the Week to that ZieZie guy? Hell, no, you can figure out who gets what pretty damn easily. See ya next week!

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