#preston vogel
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Wait a damn minute
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In Gargoyles we have :
🔥 Owen Burnett 🔥
and ✨Owen BRUNETTE ✨
Sorry I’m out …
#gargoyles#disney#preston vogel#owen burnett#they are the same to me#Preston is the Walmart version of Owen
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Vogel making his own fae-sona, going around with a costume and everything just to mock Puck.
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Silly Preston x Owen sketch. For @lunartidesmagic. And no reason.
[Oh, and a lot more of our Gargoyles fanarts: Here’s the Gargoyles tag!]
★ FurAffinity|Deviantart|Commission prices|Tapas|Pillowfort★
#gargoyles#owen burnett#preston vogel#sketch#digital art#owen x preston#kiss#art#my art#fanart#my fanart#my gargoyles#2023
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also just as an aside i am fascinated with the writing choice to reference the very first line of Romeo and Juliet to the physical resemblance between Preston and Owen??
#i am trying to suss out what i think about it from an analytical standpoint#2023 comic#owen burnett#preston vogel#halcyon renard
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Help it’s 30 years later and I’m shipping Owen and Vogel
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I think this is kinda how Cyberbiotics' offices would look like. Like, I can see Owen and Xanatos walking down that corridor, exchanging brief glances while they went to their own desks.
Or Vogel, roaming around and making sure that everything is alright and that everyone is working.
.....I guess that's why Puck thought it was boring AF.
@servicereward @furiarossa
More systematic ceilings for the heavenly 80s office feel. 1989
Scan
#office#disney gargoyles#Cyberbiotics#preston vogel#halcyon renard#david xanatos#owen burnett#puck gargoyls
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personally I love that after copy+pasting Preston Vogel for Owen’s design Puck was like “hmm how can I make him even blander” and the answer was become a blonde
#gargoyles#puck#owen burnett#as a blonde this makes sense to me#i also went through a phase after college that never ended
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We open with several news items from new releases and pre-orders from NECA Toys; the announcement of the new Gargoyles spin-off comic, Gargoyles: Dark Ages from Dynamite Comics! Our first impressions of the fifth issue of Gargoyles; and finally we pay tribute to Gargoyles writer and story editor, Michael Reaves, who recently passed away. We then discuss the episode, “Outfoxed”. Introducing and developing Halcyon Renard; Robert Culp taking to the character and really making him his own. Introducing Preston Vogel. The similarities and differences between Fox and David Xanatos. We also discuss the theme of integrity and what it means to us. Available on Apple Podcasts, Google Podcasts, Amazon Audible, Spotify, and your podcatcher of choice! And join us on Patreon for the Exclusive Video Edition!
Follow us on Twitter at: @FromEyrie Visit Jennifer L. Anderson’s online stores at: Angel Wings and Demon Tails Visit Greg Weisman at: Ask Greg Everything you ever wanted to know about Gargoyles at: GargWiki
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i think owen burnett probably looks like if you put preston vogel in a rock polisher
#canonically the resemblance is juuuuuusst shy of the uncanny valley#by design ofc#owen burnett#owen puck
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I was kind of thinking about Owen's future girlfriend and how she’s gonna be introduced into the series then I thought of an idea concept where Preston was dating her already but Owen came in and took his place and she thinks that it’s still Preston (right now the idea is very fresh in my mind so still kinda developing in my mind) and here a peace of art for my idea
#owen burnett#digitalart#my art#digital art#art#artwork#gargoyles#disney gargoyles#artists on tumblr#preston vogel#my post#my fanart#fanart#black and white
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Robert Montgomery and Audrey Totter in Lady in the Lake (Robert Montgomery, 1947)
Cast: Robert Montgomery, Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames, Jayne Meadows, Dick Simmons, Morris Ankrum, Lila Leeds, William Roberts, Kathleen Lockhart, Ellay Mort. Screenplay: Steve Fisher, based on a novel by Raymond Chandler. Cinematography: Paul Vogel. Art direction: E. Preston Ames, Cedric Gibbons. Film editing: Gene Ruggiero. Music: David Snell, Maurice Goldman.
I am not a camera. If you ever want to see what movies could be like if no one had discovered montage, crosscutting, expressive camera angles, and other techniques that make them so involving, just watch Robert Montgomery's debut* as a director, Lady in the Lake. The gimmick (and it's little more than that) of this film based on a novel by Raymond Chandler is that the audience sees everything that happens through the eyes of Philip Marlowe, thereby becoming the detective. Montgomery plays Marlowe, but except for occasional reflections in mirrors, he's on screen only in set-up segments that clue the audience into the gimmick. Naturally, the film has to cheat -- there's a cut when Marlowe travels between one location and another -- but the major problem is that what the camera mostly sees is people standing there talking to it, a point of view that soon gets tiresome. Some of the cast rise to the demand of the long takes and extended dialogue without the usual shot/reverse shot cuts. Tom Tully, for example, makes his police captain threatening and then undercuts the threat when Marlowe witnesses him on the telephone with his young daughter, promising to come home early on Christmas Eve and play "Santy Claus." (The choice to set the film at Christmas -- it isn't in the book -- is perhaps meant to create a kind of ironic dissonance. If so, it doesn't work.) Jayne Meadows is fun as the apparently scatterbrained landlady who later turns out to be a somewhat more menacing figure. But the female lead, Audrey Totter, as the Chandlerian femme fatale, is an inexpressive actress, resorting to a lot of eye-popping to express emotion. She looks like her face has been shot full of Botox, years before it was invented. Montgomery, who is heard more than he's seen, is miscast as Marlowe, his patrician handsomeness much at odds with the hard-boiled Marlowe made familiar to us by Humphrey Bogart, Dick Powell, and others. There are some good moments, such as an effective sequence in which the camera is behind the wheel in the car Marlowe is driving, but too often the gimmick makes us pay attention to itself rather than to the story being told. *Official debut: Montgomery had done some uncredited work behind the camera for John Ford on They Were Expendable (1945).
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Preston's Secret
(This is what happens when you let your vampire girlfriend choose your tattoo.)
Thank you @furiarossa for this lovely, sensual artwork 💖
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Preston Vogel is that white collar dedicated to career climbing that you can all imagine: dedicated only to work, precise, cold, calculating. Well… what if… what if he really isn't like that?
Under the starched shirt, colors. Inside the emaciated temples, sound. Emerging from tons of water pressing on him, he regains himself. It just seems like Preston is not what he seems.
Traditional comic commission for @lunartidesmagic. It was a pleasure drawing these two comic pages <3
[Oh, and a lot more of our Gargoyles fanarts: Here’s the Gargoyles tag on tumblr!]
★ Instagram|Facebook|FurAffinity|Deviantart| Commission prices |RedBubble shop|Tapastic★
#gargoyles#preston vogel#comic#traditional art#art#my art#fanart#my fanart#commission#comic commission#traditional comic#my gargoyles#colored work
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WHO WORE PRESTON BETTER? 🔍🔍🔍
#owen burnett#puck gargoyles#preston vogel#this is so unserious though#disney gargoyles#disney's gargoyles#polls
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Oh right!
I just realized there's a good chance Preston Vogel would've been in the room if Oberon had just hunted Puck down! I don't believe he was in canon, I do wonder what he would feel that Owen Burnett is literally a copy of him
Honestly I keep wondering what would've happened if Titania hadn't been at the Castle when Alex was born, or if Oberon hadn't been distracted by her and had just hunted down Puck.
Had he just walked to Owen like "so that's where you been hiding Puck!" would Owen try to deny it? No, of course not, he's not stupid.
But I like to imagine Oberon revealing Owen's identity in front of everyone, you know Goliath and the gargoyles; and Owen/Puck try to weasel out of it
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