#pre-loved luxury designer brands

[confidential-couture]

The Circular Economy: Gen Z and Millennials; Approach to Sustainable Fashion

Gen Z and Millennials' Perspective on Sustainable Fashion in the Circular Economy

Have you ever wondered how Gen Z and Millennials transform the fashion industry via their commitment to sustainability and the circular economy, making eco-friendly and high end designer fashion the new standard? Imagine a future where fashion is more than simply looking nice; it's also about doing good for the environment. The Millennial and Generation Z are creating this reality. Finding rare artefacts that no one else has is also exhilarating! These generations are driving a change in the fashion business by embracing a circular economy through pre-loved luxury designer brands that prioritizes sustainability and ethics. Let's examine their impact and how it will affect fashion in the future. 

What is a Circular Economy?

So, what exactly constitutes the circular economy? In contrast to the conventional 'take, make, dispose' approach, the circular economy prioritizes prolonging the life of items. It is a method designed to eliminate waste while making the best use of resources. Consider this: instead of tossing away an old sweater, you find a way to give it new life, whether by repurposing it or recycling the materials.

Why Generation Z and Millennials Care?

Due to their shared values, Patagonia, Reformation, and Everlane have grown in popularity. They grew up in a world where the effects of climate change and environmental degradation are impossible to ignore. For them, sustainability is more than a slogan; it is a way of life. 

Sustainable Consumption Patterns: Thrifting and Secondhand Shopping

Thrifting is no longer deemed uncool. Shopping at thrift stores and online second-hand platforms such as Depop, ThredUp, and Poshmark is now not only popular but also considered a smart and trendy option. By purchasing used items, these astute shoppers lessen the need for new things, reducing waste and conserving resources. Finding rare artefacts that no one else has is also exhilarating!

Upcycling and DIY Fashion

Another popular trend is upcycling, which involves transforming old clothing into something fresh and wonderful. DIY fashion is all about creativity and sustainability, whether upcycling an old pair of jeans into a stylish denim skirt or embellishing a simple blazer with patches and embroidery or simply investing in a discounted handbag. It's a fun way to update your wardrobe without purchasing new clothes, and it's an excellent example of the circular economy in action.

Supporting ethical brands

Gen Z and Millennials are putting their money where their mouth is by promoting brands that value sustainability and ethical practices by adopting pre-owned luxury fashion brands. They are searching for companies that are open about their supply chains and dedicated to fair labour and environmental stewardship. 

Eco-friendly materials.

These generations also value environmentally friendly materials. They choose apparel made of organic cotton, recycled polyester, and new textiles such as Tencel, derived from sustainably generated wood pulp. These materials are more comfortable, long-lasting, and ecologically friendly. Apart from this, investing in a designer handbag is also a fruitful idea. Indians are becoming more well-known for their pre-owned handbag collections, which include pre-owned Gucci handbags. 

Transparency and Accountability

Young consumers want to know where their clothes come from, who made them, and under what conditions. Brands that provide this information and take responsibility for their environmental and social impact are building trust and loyalty among these buyers. It’s about more than just the end product; it’s about the entire process from start to finish.

Social media is a valuable tool in the fight for sustainable fashion. Generation Z and Millennials use social media sites such as Instagram, TikTok, and Twitter to enhance environmental awareness and encourage sustainable fashion choices. Influencers and campaigners are discussing how to shop sustainably, the value of ethical production, and the environmental impact of rapid fashion.

Social Media Influence

Social media has made it easier than ever to create awareness about sustainable fashion. Influencers that promote eco-friendly practices and companies have a large following and can greatly influence customer behaviour. They encourage others to adopt greener choices by showing sustainable attire, thrift store finds, and upcycling projects.

Online Community and Movements

Online communities and movements also have enormous influence. Campaigns such as #SecondHandSeptember and #BuyNothingNew encourage individuals to reconsider their purchasing habits and embrace more sustainable alternatives. 

The Circular Economy: Sustainable Fashion from the Viewpoint of Generation Z and Millennials

 If you've been following the fashion world recently, you've probably seen a huge shift in how people think about their apparel. Now the same goes for the designer and branded handbags as well. The days of disposable fashion and transient fads are over; instead, a new movement is rising, led mostly by Generation Z and Millennials and that is pre-owned luxury handbags. Take for example, The Bottega Venetta clutch price in India has seen a huge shift and millennials are approaching it to get discounted designer handbags. This movement revolves around the circular economy, in which sustainability and longevity are prioritized over constant consumption. But what is the circular economy, and how are younger generations paving the way? Look at how Generation Z and Millennials are transforming the fashion world through their devotion to sustainability. The circular economy emphasizes the design of clothes and handbags that can be reused, repaired, and recycled, reducing environmental impact.

The Role of Generation Z and Millennials

Generation Z and Millennials have grown up in an increasingly environmentally conscious world, and their shopping patterns reflect this. They prefer brands that exhibit a commitment to sustainability, and they are more willing to support businesses that provide information about their manufacturing procedures and materials.

Thrift Shopping and Secondhand Fashion

One of the most notable trends among these generations is the increase in thrift shopping and second-hand clothing. This trend not only lowers the cost of fashion but also extends clothing life cycles, decreasing waste. It's a win-win situation for customers who want to find unique things while also reducing the environmental impact of the fast fashion industry.

The Appeal of Vintage

Vintage clothes have a distinct attraction for Generation Z and Millennials, who see it as a means to express themselves while simultaneously supporting sustainability. Wearing antique clothing is a chance to distinguish yourself in a world filled with mass-produced goods. Furthermore, the quality and craftsmanship of vintage clothes frequently outperform modern fast fashion, making it a more sustainable option in the long run.

Upcycling and DIY Fashion

Upcycling, or creatively repurposing old materials to make new things, is a trendy trend among younger generations. This DIY approach allows people to personalize their clothing while eliminating waste. Upcycling stimulates creativity and sustainability at the same time, whether it's converting old trousers into chic coats or turning discarded materials into unique accessories.

Ethical and sustainable brands.

The need for ethical and environmentally friendly products is also rising thanks to Generation Z and Millennials. Companies like Patagonia, Everlane, and Reformation are gaining popularity due to their dedication to fair labour methods and environmentally sustainable products. These firms are open about their supply chains and work to reduce their environmental effect, which aligns with the ideals of younger consumers.

The Future Of Fashion

So, what does the fashion industry's future look like? If Gen Z and Millennials had their way, sustainability would be the norm rather than the exception. Here are a few ways they are influencing the future of fashion.

Innovation and Technology.

More innovation and technology are expected in pre-owned luxury fashion brands, ranging from biodegradable materials to computerized closets. These generations are technologically adept and open to new ideas, which drives developments in fashion sustainability. For example, firms are producing fabrics that degrade harmlessly after use, decreasing the impact on landfills.

Circular Fashion Business Models

We're also witnessing an increase in circular fashion business models. This includes rental companies like Borrow the Runway, which allows you to borrow high-end apparel for a fraction of the price, as well as resale platforms that make it easy to buy and sell used items. 

Education and Policy Change

Education and policy reform are also important. Young people are campaigning for improved sustainability teaching in schools and universities, as well as legislation that holds businesses accountable for their environmental impact. This could range from stricter waste and emission laws to incentives for sustainable materials.

Thrift Shopping and Secondhand Fashion

One of the most notable trends among these generations is the increase in thrift shopping and second-hand clothing. Thrift shopping benefits the environment by reducing the demand for new apparel production.

Affordability: Thrift stores frequently sell pre-loved luxury designer brands with high-quality things at a fraction of the original price.

Unusual Finds: Finding vintage or one-of-a-kind items that are not sold in traditional retail outlets.

Supporting Charities: Many thrift stores are operated by nonprofit organizations, so your purchase usually benefits a good cause.

Conclusion The pre-owned luxury designer bags industry is flourishing at the same pace. Gen Z and Millennials are at the forefront of this movement, leveraging their purchasing power and influence to force change in the fashion industry. They demonstrate that fashion can be stylish and sustainable by thrifting, upcycling, supporting ethical products, and utilizing social networking. Even in India, millennials are keen on buying preloved handbags including Gucci, Prada and second hand Balenciaga bags. There is a huge popularity for bags online where you can easily buy on its website. Chanel, Bottega Veneta or Burberry bags online are easily accessible. As these generations continue to push for environmental protection and demand transparency and accountability from brands, the future of fashion appears greener and brighter than ever. Movements foster a sense of community and collaborative action, demonstrating that modest improvements may add a significant impact.

[coconuttz]

10 Fashion Startups

Here are ten fashion startups that have been making waves in the industry, offering innovative solutions and fresh perspectives:

1. Rent the Runway

Rent the Runway revolutionized fashion by offering designer clothing rentals. Customers can rent high-end garments for special occasions or everyday wear, making luxury fashion more accessible and sustainable by reducing the need for single-use purchases.

2. Everlane

Everlane is known for its "radical transparency" in pricing and ethical production practices. The brand focuses on creating high-quality, minimalist wardrobe essentials while ensuring fair wages and environmentally friendly production processes.

3. Stitch Fix

Stitch Fix combines personal styling with data science to deliver personalized clothing recommendations. Customers receive curated boxes of clothing based on their preferences, which they can try on at home before deciding what to keep.

4. The Yes

The Yes is a personalized shopping platform that uses AI to tailor fashion recommendations to individual users' tastes. As users interact with the app, it learns their preferences and curates a personalized shopping experience, making it easier to discover new brands and styles.

5. Pangaia

Pangaia is a materials science company with a focus on sustainable fashion. The brand creates clothing using innovative, eco-friendly materials like seaweed fiber and recycled plastic, combining fashion with environmental responsibility.

6. ThredUp

ThredUp is one of the largest online thrift stores, offering secondhand clothing at affordable prices. The platform encourages sustainable fashion by giving pre-loved items a second life and making it easy for consumers to buy and sell gently used clothing.

7. Depop

Depop is a social shopping app that blends social media with e-commerce. It allows users to buy and sell unique, secondhand, and vintage fashion items. The platform has a strong community focus and is popular among younger, fashion-forward consumers.

8. Allbirds

Allbirds focuses on creating eco-friendly footwear using sustainable materials like merino wool and eucalyptus trees. The brand has gained a reputation for its comfortable and minimalist sneakers, appealing to consumers who value sustainability and style.

9. Farfetch

Farfetch is an online luxury fashion retail platform that connects consumers with a global network of boutiques and brands. It offers a wide range of designer clothing and accessories, making high-end fashion accessible to customers around the world.

10. Cuyana

Cuyana promotes a "fewer, better things" philosophy, encouraging consumers to invest in high-quality, timeless pieces rather than fast fashion. The brand is committed to sustainability, using ethical manufacturing practices and sustainable materials to create its products.

[positivexcellence]

towwn: whether your style is soft + romantic, bright + bold or modern + minimalist, there are eco-friendly summer skirts to suit every aesthetic. with that in mind, we rounded up some faves that are easy to wear + use ethical production at a range of price points. from pre-loved pieces to recycled and regenerative fabrics, take a spin in one of these sustainable skirts for many seasons to come.

@sezane we love the vibrant retro vibes + versatile all-season pleated design of the dilo skirt. made from 100% recycled polyester, the brand is oeko-tex® certified + uses recycled packaging.

@poshmark shop pre-loved fashion for vintage, designer, and currently trendy brands. we’ve seen multiple versions of this @freepeople denim mini in various sizes + washes, all under $40.

@shopdoen the sebastiane maxi skirt boasts a nostalgic, yarn-dyed deauville stripe and easy-to-wear a-line style. the brand uses eco fabrics and ethical partners, supporting women in the supply chain + a commitment to reduced co2 footprint.

@eticadenim made from 59% cotton, 36% tencel, 5% recycled cotton, the katina skirt in moonstone or pink is a summer staple.

@farmrio known for transforming and refurbishing vintage clothes farm rio’s wrap midi is made of 100% recycled materials, including linen + viscose. the brazilian brand plants a tree in the amazon for each sale.

@aerie this y2k-era low-rise cargo number is easy to dress up or down. part of ae’s “real good” collection, it’s made with 98% sustainable cotton, less water waste + mindful of recycling earth’s resources.

@amourvert crochet is having a summer ‘24 moment + we’re here for it, esp in this 100% organic skirt you can layer over a swimsuit or pair with a cute tee. committed to using deadstock fabric, planting trees + the practice of circular fashion, the brand also offers a resale marketplace.

@onequince this 100% washable silk maxi or midi skirt offers luxurious, sustainable comfort with its best-in-class mulberry silk produced in bsci-certified factories with ethical production.

@girlfriend comfy for beach volleyball, tennis or around town on a hot day, these skorts are made from 79% recycled plastic bottles & 21% spandex.

[springw6ter]

Hi (nyfw thoughts)

Ok so first I just want to say that this fashion week was so boring and really sums up the kind of good idea drought we’re living in. BUT there was a fair share of discussion over some things so! instead of trying to fit my thoughts about everything on the app formerly known as twitter, I’m just gonna tell y’all here.

Shows talked about in this post; Proenza Schouler, Eckhaus Latta, AREA, Luar, Helmut Lang, Elena Velez and Tory Burch

Proenza Schouler

There’s no way Proenza was going to ruffle any feathers this season. They have a loyal following (which I’m sure has nothing to do with the celebrity affiliations of the brand) and a consistent history of people pleasing so they’ll always get their praise from Vogue. They dropped a new monogram which is the only “newness” they wanted to introduce. Jack McCollough said they wanted to continue last seasons narrative and they sure did! (Only thing different was no Sevigny). The clothes are obviously well made and evoke wealth in that special kind of iykyk way. Many people said this looked more like Helmut Lang than Helmut lang did (I’ll get to that later) and they’re not entirely wrong. Not gonna act like I wouldn’t wear this collection but definitely nothing groundbreaking.

Eckhaus Latta

Eckhaus latta is a brand that has always had a special place in my heart (maybe because I’m from the city that the two designers met and started the brand together in)(maybe). My style has definitely evolved since I first became aware of the brand but I’m always interested in what they’re doing. This season they got experimental! They worked with a 3D printing company named “Unspun” where they came up with jeans made from all different materials like hardware store twine and ikea plastic bags. The way they combined tech innovation and sustainability is not just commendable, it’s very forward thinking, which is a staple in the brands identity. With that being said some of the collection felt directionless in comparison to all of the innovation. The sheer (which dawned their new EL monogram) was very MNZ store to me but not in a bad way. I like that they’re not trying to be trendy and come up with new things however a-lot of brands were doing that so it makes me wonder if that’s a good thing or not.

AREA

I loved their modern Stone Age ladies. I think it was one of the only luxury focused shows where I was like wow! This is different. The fur printed coats were so gaudy and held its shape in the way good ol’ fur coats used to. I think this collection was really cohesive, adventurous, new. Everyone saw Saweetie wear it at the VMAs and even the unfashionable general public could see the yabba dabba reference. The prehistoric influence was chosen because as Piotrek Panscyzk said “pelts and bones were the first things humans had to build an identity around”. There’s definitely a case for a narrative about how much luxury (the hunger, the status) mirrors pre historic, pre civilized behaviors.

Luar

Raul Lopez is a diamond. This collection kind of came of as a continuation of last season as well but I like this brand so much that it feels good to me. I feel like Raul is constantly playing with this really restrictive, God-fearing way of being and an inhibition-less eternality. Padded shoulders, the top draped from the eyewear, perfect collared shirts, jeans and leather, it had all the perfect Luar moments for me. No notes.

Ok.. now on to the “controversial” shows

Helmut Lang

When Peter Do was announced as the new creative director of Helmut Lang, everyone rejoiced. Why? His strengths as a designer seemed like a natural fit for the brand. Expert tailoring, black and white as a main color palette, maybe a little overlap in philosophy.. but as the outfits came out people’s reactions… were… unfavorable to say the least. People saw the reference to key Lang moments like seat belt bondage, the use of Ocean Vuongs poetry (which I felt was terribly misunderstood), the classic button up and jeans as disappointing instead of nostalgic. For me, personally, I think everyone’s expectations were rooted in something that Peter Do could not have delivered. That expectation being Helmut Lang himself. People saw Do as the second-coming and that’s just the truth but where do we draw the line with our expectations on reliving the past and how do we honor the kind of openness necessary to evolution? I myself had to sit with the collection and came to the conclusion that maybe Peter is just defining a clear end to the Helmut era of yesterday and the start of his own journey now. After closely looking at the collection and it’s details you can see how wonderful the clothes really are. It is everyone’s responsibility to question and examine the things they “care” about and I think this fashion public is not patient enough for that. It wasn’t the greatest debut but it also wasn’t the worst. Anyway we’ll see what comes next.

Elena Velez

Mud gate ss24! Since her NYT article last year, people have been really fed up with Elena (I learned only after the mud fight started to circulate) and she doesn’t really seem to mind, she seems to like it actually. She argues online, she argues IN lines, she doesn’t pay people adequately and the list apparently goes on and on. This collection is called “the longhouse” and in her press release she says a lot of things about the commercialization, sanitization, condemning and control of womanhood, she talks about anti-heroines and contemporary female evil (which she loves to embody I guess) and she says that this show was ritualistic catharsis from oversocialization. I think it’s pretentious when someone has to use so many complex, institutionalized words to convey their message. She’s speaking in code. To be honest I like her clothes but I don’t think her designs are that original. I really want to raise the question who does her message benefit? We should all be allowed our multiplicity in this life, that’s true, but being a bad person in practice is something I’m personally not attracted to. I’m a little confused but it is what it is.

SPECIAL SHOUT OUT TO TORY BURCH!!!!

Who I think should be receiving a cease and desist from Miuccia Prada any moment now. This collection is such a departure from the Tory Burch we all grew up with. This must be that post divorce clarity. I like it! It’s 60s. It’s Prada. It’s miu miu. It’s Tory Burch now too!

If you made it this far I really appreciate you ♡ this was just for ki’s sake. It’s not my most critical thinking to date but there was discussion and I loved that. I wanted to contribute and this was the best way I could think of. Lmk if I should do this again with lfw!!

[amphtaminedreams]

Relevant on the Runway in the Run Up to Fashion Week: F/W23 through to Pre-Fall 2024 & My Top 25 (Part 6)

-Susan Fang, top to bottom: RTW F/W23, S/S24-

-Tanya Taylor, top to bottom: pre-fall 2023, RTW F/W23, resort 2024, RTW S/S24, pre-fall 2024-

-top to bottom: The Attico RTW F/W23, RTW S/S24, resort 2024, Theory RTW F/W23-

-top to bottom: Tia Adeola RTW F/W23, S/S24, Tokyo James RTW F/W23-

-top to bottom: Torey Burch RTW F/W23, resort 2024, S/S24, Tomo Koizumi RTW F/W23-

-top to bottom: Trussardi RTW F/W23, Vera Wang RTW S/S24-

-Ulla Johnson, clockwise L-R: RTW F/W23, S/S24, resort 2024-

-Valentino, clockwise L-R: RTW F/W23, S/S24, pre-fall 2024, haute couture S/S23, pre-fall 2023, haute couture F/W23-

-Versace, clockwise L-R: RTW F/W23, S/S24, pre-fall 2023-

-Victoria Beckham, clockwise L-R: resort 2024, RTW F/W23, S/S24, pre-fall 2024, pre-fall 2023-

-L-R, top to bottom: Viktor & Rolf haute couture S/S23, F/W23, Vivetta RTW F/W23, pre-fall 2023, RTW S/S24-

-top to bottom: Viviano RTW F/W23, S/S24, We11done RTW S/S24-

-Vivienne Westwood, top to bottom: RTW F/W23, S/S24-

-top to bottom: Wiederhoeft RTW F/W23, S/S24, Y/Project “ -

-Yohji Yamamoto, clockwise L-R: RTW F/W23, S/S24-

-Yuhan Wang, top to bottom: RTW F/W23, S/S24-

-Zimmerman, clockwise L-R: resort 2023, 2024, RTW S/S24, S/S23, F/W22-

-Zuhair Murad, top to bottom: haute couture S/S23, F/W23-

And that’s the lot! 

So to round it all up, here’s a quick recap of my standouts from the last year or so of collections, and what’s still on my mind to get me through this winter. 

It was hard to choose how many to limit myself to. A top 50? Too much, a whole post on its own. But a top 20? That’s not enough.

So signing off, in no particular order, here are my top 25 from F/W23 all the way up to S/S24, in time for the start of the FW24 collections we’ll be seeing over the next few weeks!

Schiaparelli EVERYTHING: Is it any surprise Schiaparelli is on the list? Alll the fashion girlies atm are obsessed with everything Schiaparelli does, and how could you not be? Daniel Roseberry’s designs are intricate, luxurious, dramatic, and consistently ahead of the game in terms of creativity. Nobody is doing it like him right now, and for that reason, his pieces are instantly recognisable.

-clockwise L-R: Schiaparelli RTW S/S24, haute couture F/W23, S/S23, Fendi haute couture F/W23, S/S23, Schiaparelli RTW F/W23-

2. Fendi Haute Couture F/W23 and S/S23: Fendi’s Haute Couture collections never disappoint me. Time and time again, Kim Jones offers us her elegant take on glitzy femininity, balancing glamour with soft, ethereal colour palettes, silhouettes and fabrics. This year, she’s given us the red carpet iteration of balletcore (which is an aesthetic I never saw coming or thought of but am obsessed with btw) and for that, I am forever thankful.

-clockwise L-R: Dilara Fındıkoğlu RTW F/W23, Ambush RTW S/S23, F/W23, S/S23, S/S24, Chopona Lowena RTW S/S24, Di Petsa RTW S/S24, Roberto Cavalli RTW S/S24, Yuhan Wang RTW F/W23, Moschino RTW F/W23, Rave Review RTW S/S24, Yuhan Wang RTW S/S24, Roberto Cavalli RTW F/W23, Di Petsa RTW F/W23,  Ermanno Scervino RTW S/S24-

3. Dilara Fındıkoğlu RTW F/W23: Dilara’s ethereal, post-apocalyptic take on grunge delivers everyyy, singleee time! As if I didn’t wish I had Bella Hadid’s life enough already (minus having Yolanda “have a couple of almonds and chew them really well” Hadid as a mother), she then stepped out in that DF custom set and my envy increased tenfold.

4. Ambush EVERYTHING: The way Yoon Ahn’s styles the garments she designs under her label Ambush is the end result I’m trying to achieve whenever I actually make an effort in putting together an outfit these days, as rare as that is atm. Yes, at it’s core, the brand embraces a street wear-friendly version of the grunge aesthetic (I know, I use the word grunge to death but my love for that way of dressing will never die! I lived one full year in the 90s and I’m going to milk being a 90s baby only in the very literal sense for all it’s worth!) But through that lens Yoon plays with a number of other trends, from techwear to the academia-influenced styling craze, and has all that fun incorporating elements from those avenues, whilst retaining the edge that underlies her vision of the brand. The level of flexibility she manages to display without compromising the Ambush blueprint is exactly what makes Yoon’s collections a reliable source of outfit inspiration for those of us who have a strong attachment to one particular style but like to take cues from whichever other aesthetic is dominating the trend cycle at that moment too.

5. Chopona Lowena RTW S/S24: Cutesy ‘90s inspired grunge? Bloody love it. Which reminds me that I should reiterate, NO you don't get a pound every time I say grunge. Not in this economy:(

6. Di Petsa RTW F/W23 & S/S24: I was lucky enough to see a Di Petsa piece in person at the Design Museum’s Alexander McQueen sponsored REBEL: 30 Years of London Fashion exhibition, and yes, it was as perfectly sculpted to the mannequin as her pieces are to the models who wear them on the runway IRL. Dimitra Petsa is a little bit of a genius I think. She’s so clearly fuelled by an appreciation of the divine feminine energy of women in the sense which we originally started using the term rather than the way we mostly use it now which is more often than not sardonically to justify our bedrotting days (which I’m totally on board with btw because performing femininity is fucking exhausting tehe), meaning her designs highlight the raw, stripped back power and beauty of the female body and everything it does without us even having to try. Di Petsa’s collections give the world a much needed reminder of the strength and grace of women whatever size or shape we are, and shows us that we don’t need to A). have some otherworldly power or B). Get a shit tonne of filler and plastic surgery to emulate the goddesses of both today’s and yesteryear’s standards.

7. Roberto Cavalli RTW F/W23 & S/S24: Fausto Puglisi treads carefully along the line separating bold and gaudy with his take on Cavalli but both the RTW collections were fucking phenomenal this year, taking it back to at a time when Coachella fashion was at the peak of cultural relevance, and what a TIME to be alive that was.

8. Yuhan Wang RTW F/W23 & S/S24: Take something bit granny chic, a bit little girlish, a couple of pieces from a motorcycle gang and throw it all together, and you get that signature Yuhan Wang look. To quote Liam Hess’ review for Vogue Runway of Yang’s RTW S/S24 collection: "Yuhan Wang’s vision of femininity may appear delicate on the surface, but it’s always undercut with something steelier and a little dangerous." Yah. He said it much better than I can. That's why he writes for Vogue and I talk to myself on here, lol.

9. Moschino RTW F/W23: Glitzy, opulent, old-Hollywood infused punk? Consider me obsessed.

10. Rave Review RTW S/S24: SoOoo glad to finally see a collection from the pioneers of chintzy grunge (I’m sorry but what other word can I use?!) on the runway. See, I make the distinction between Rave Review, Chopona Lowena and Yuhan Wang because Rave Review, in the best way possible, excel at a creating pre-loved feel to their collections. That isn’t to say it looks like the shit no one wants. It looks like the wardrobe of the coolest girl you know who can spend an afternoon browsing her local charity stores, the evening in front of her sewing machine, and by the morning can produce some up-cycled magic that you wish you had the talent to create yourself. I want to be that girl! I’m just a sewing machine and few decent charity shops in my local area short but trust and believe I’m working on it, lol!

11. Ermanno Scervino RTW S/S24: How very high-end LoveShackFancy of Ermanno Scervino to give us this Y2K style Bohemian dream and then refine it in line with the whole “stealth wealth/clean girl” minimalism craze that had such a chokehold over 2023 (and which I hope we leave behind, for the sake of its racist undertones if nothing else). Taken to either end of the spectrum, as in pink frilly floral overkill or an endless cycle of shapeless neutrals, I’m beginning to get a bit worn out with both but the meeting of the two here with the pops of colour in the embroidery was something magical, a beautiful partnership<3

-clockwise L-R: pre-fall 2023, RTW F/W23, resort 2024, RTW S/S24-

12. David Koma EVERYTHING: Beyond slept on and idk why! This man was behind Mugler for several years, which is one of my alll time favourite brands, and I think it’s safe to say a staple for many. So where is the buzz about his solo offering? Idk. It is strange because I feel like his collections share a lot of the attributes (y2k feel, hyper-feminine, sex appeal, a bit of edge, overall bit of a Bratz doll vibe if ygm?) as Blumarine and everyone is head over heels for that? So yeah, I truly don’t know. Maybe it’s not luxury enough? I’ve never really cared about that. You don’t get much more luxury than a Hermes Birkin and yet I think they’re dull as dishwater and no one can convince me otherwise regardless of how much a status symbol they’ve become. Maybe it’s my youth, maybe I’d feel differently if I too was a real housewife of Beverly Hills but yeah, give me David Koma over Hermes any day.

-clockwise L-R: Diesel resort 2024, pre-fall 2023, pre-fall 2024, RTW F/W23, S/S24-

13. Diesel EVERYTHING: Wow, Diesel must be the no.1 contender for fashion house comeback of the 2020s so far. And it’s what’s deserved for a name as cool as Diesel, I mean, it is so simple but so good!

As far as I’m concerned Diesel had been relegated to the leagues of the higher price mark section of the Next catalogue for the past decade and yet the past couple of fashion weeks their shows have arguably been amongst the most anticipated. I feel like I’ve said sexy biker grunge or some combination of these 3 words too many times in this post already but look, it’s kind of like the aspirational aesthetic of choice for me minus the sexy part and add in a girlier, more dainty strain of femininity instead bc I do not have the body nor the bone structure or the RHYTHM to have sex appeal. I was built with the body that’s giving little boy at its lowest possible weight and chubby baby at its highest so yay. The sexy thing isn't gonna happen for me, I’m at peace with that, lmao.

-clockwise L-R: Erdem pre-fall 2024, RTW S/S24, pre-fall 2023, RTW F/W23, resort 2024-

14. Erdem EVERYTHING: Genuine question here, would Erdem Moralioglu's work be fitting of what Gen Z mean when they talk about whimsy goth or am I way off-base? Honestlyyy, I’m so out of the loop when it comes to this phenomenon of coding everything and idk if I like it because tbh, it seems like it’s only accelerated the pace of fast fashion. Once TikTok has put a label on aesthetic, it starts getting manufactured cheaply en masse and within a matter of weeks, everyone is fatigued and moves right onto the next craze of X/Y/Z “core”. Like apparently mob wife core is a thing now? Kill me FR. When I hear that all I think of is Teresa Giudice flipping a table and calling Danielle Staub "prostitution whore".

Sorry, I'm getting wildly off-topic here, back to whimsy goth…I don’t know what the TikTok/Pinterest certified cues for that vibe are, but within my understanding of the word, it’d be something like this? Because romantic, gothic, elegant, and eurgh, I hate this term, but also like, badass. Essentially, Erdem's dark dramatic touches constitute what I think of as the gothic part and the former adjectives contribute the whimsical part. Anyways, yah, sorry I had to say the word badass. I’m now thinking I could’ve more accurately summarised my understanding of whimsy goth by saying steampunk Disney princess, lol. It pained me to type especially because we don’t really say ass in England, but badARSE sounds really awkward and yeah, let's just move on...

-clockwise L-R: Zimmerman resort 2023, RTW S/S23, F/W23, S/S24, resort 2024-

15. Zimmerman EVERYTHING: I feel like the two opposing sides of the coin representing my personal style are in such stark contrast to one another because yes, one the one hand, I will always be obsessed with that whole forbidden g-word ‘90s look but I also do adore the whole flower power vibe, and for me, Zimmerman does that perfectly. This is to say, essentially, it leans subtly enough in that direction that you can still imagine a Zimmerman dress looking gorgeous with a big, vintage oversized coat, clunky boots, and dark makeup if you get me? There is one particular FKA Twigs look I’m thinking of as I type this, iykyk. But yeah, I never don’t love a collection from them, hence the inclusion on this list!

16. Jacquemus RTW F/W23: Speaking of clunky boots…Can you IMAGINE one of the little white dresses from this collection with some black platform Doc Martens and a black velvet choker or corsage? Like to reference Courtney Love for what is probably the millionth time, this would be the dream outfit inspired by her, however much of a groupie that makes me sound.

On a side note, Jacquemus’ S/S24 collection only came out, like, last week which is why it wasn’t included in the post but I can’t lie…it is a hugeee step down from this. The disappointment echoes my feelings the new Gucci collection, only I guess I can hold onto the hope this is just a meh year for Jacquemus rather than the loss of another absolutely legendary creative spark. Yeah, Alessandro Michele I miss u xx

-top to bottom: Le Fame pre-fall 2023, RTW S/S24-

17. Le Fame EVERYTHING: I only found out about Le Fame, Miss Sohee, Sultry Virgin etc. through HF Twitter (yeah, X is never catching on) and I feel indignant that only a handful of those are on Vogue Runway. Look when it comes to my A-Zs, if I find anything I like in a collection, I will include it, even if it’s nothing groundbreaking in my eyes. Because range, you know? But amongst the standouts from a collection, the rest can be really fucking drab, and yet the brand makes the top of the Vogue feed regardless, purely based on reputation. Yet Le Fame gets tumbleweeds. Where is the justice for Shanghai Fashion Week? ALL the non-western centric fashion weeks for that matter. WHY has ShuShu/Tong only just got a place on the Vogue Runway archive? I mean, it’s bad all round but the erasure of Shanghai FW in particular bothers me because western fashion is so clearly influenced by East Asian fashion and atm it’s just like we capitalise on it without paying our dues (shocker).

-clockwise L-R: Rahul Mishra haute couture F/W23, S/S23, Giambattista Valli haute couture F/W23, S/S23-

18. Rahul Mishra Haute Couture S/S23 & F/W23: Whilst we're on the topic, thank god for HF Twitter for alerting me to yet another designer ignored until very recently by Western fashion critics. Don’t get me wrong, I like a bit of Elie Saab as much as the next girly girl but every collection lately has been more of the same, risk-free and repetitive. You look at Rahul Mishra, and instantly, you can see just how much work and passion goes into his designs. The end results are that these dresses are utterly ETHEREAL. I have been seeing more talk about RM lately and his collections have recently started being covered by Vogue. I hope this acknowledgment continues!

19. Giambattista Valli Haute Couture F/W23 & S/S23: The princessiest (yeah, that’s a word now) of princess dresses. OFC GV makes it on this list. For the sake of my inner child, if not anything else, who thought that a job in the fashion industry was actually achievable and that wearing a dress like this one day was within my reach. The little me who didn’t know what nepotism even meant, this is for you.

20. Selkie RTW S/S24: So I wouldn’t usually include Selkie in a fashion week post as maybe, for reasons stemming from my own prejudices, I assume anything I have ever been able to afford at any point in my life does not count as high fashion. But the Selkie show for this season, imo, truly epitomised what is supposed to be the whole point of fashion which is to translate our inner beauty to outer beauty on our own terms, in a way that makes us feel empowered and the most magnificent version of ourselves. Selkie speaks to the playful feminine spirit within me, and to see women of all sizes, ethnicities, ages, and abilities looking absolutely enchanting made me feel hopeful for a day when I don’t still feel like the only version of myself that is worthy of being “perceived” (lmao) is the one who still owned that beautiful, tiny Selkie dress, who has to punish and deprive their body to fit into it! Seeing this runway on Twitter gave me a degree of faith that this future where I feel confident and comfortable in my recovered body does exist. So yeah. I had to include it here:)

-top to bottom: Shushu/Tong RTW S/S24, F/W23-

21. Shushu/Tong RTW F/23 & S/S24: I hate to introduce new material at such a late stage but I was choosing my favourite looks from ShuShu/Tong’s S/S24 collection and just thought, I want more! So I did some Googling and managed to find the F/W23 collection too! And it’s just as stunning as S/S24. This is why it’s such a calamity that we don’t get more Shanghai FW coverage, I s2g.

-clockwise L-R: Philosophy di Lorenzo Serafini RTW S/S24, Cult Gaia resort 2024, Dominnico RTW F/W23, Zuhair Murad haute couture F/W23-

22. Zuhair Murad Haute Couture F/W23: Okay so obvs the S/S23 couture collection was gorg and lush too buut holy shit, the gothic touches of F/W23 took things to another level for me!

23. Dominnico RTW F/W23: If Sam Levinson decides to have Maddy Perez go through a kawaii-influenced cyberpunk phase and then become a dominatrix in season 3 of Euphoria (and let’s be real, equally nonsensical things have happened on that show), this is what her character should be wearing in keeping with her personal style. Niche, I know. Just please, for the love of god, make her come of age first. I have no time for that man’s insistence on sexualising minors. Justice for Barbie Ferrera and Kat Hernandez, honestly.

24. Cult Gaia Resort 2024: Is it…mermaid core?

And lastly…

25. Philosophy di Lorenzo Serafini RTW S/S24: He made layers SEXY.

Honourable mentions go to a few brands I plan to focus on anyway over my next couple of posts (another In the Front Row at…kinda post, and also little 2023 Pt.2 Recap) so I won’t go overboard yapping on about them here too, but to summarise a few points:

I was pleasantly surprised by Maria Grazia Chiurui’s work at Dior this past year? IDK if it’s just that my expectations of Dior based on the collections we’ve seen over the previous few years have set the bar really low, but almost all of it was super pretty. Maria has garnered a reputation for being all quantity and no quality, which is fair enough, however I truly think we saw both this year. So maybe this is all to say…Dior gets the Most Improved award?

Alessandro Michele’s final Gucci RTW collection was full of showstoppers and honestly, I don’t know how Sabato De Sarno is supposed to follow on from that. His Gucci S/S24 was nice enough and probably more in keeping with the brand's old school aesthetic but the character Alessandro brought to the brand is gone and I feel like a little part of me has died along with that. I don’t know what to feel because his version of the brand is the brand in my eyes, at this point, like he resuscitated it and nourished it and got people excited enough about it to reestablish Gucci's place at the precipice of high fashion, and yet seeing S/S24 I feel that artistic flair is gone. If I’m being optimistic, maybe De Sarno is just playing the long game and that, in going back to basics, his aim is to create a point of reference he can build upon over time to develop his own equally bold vision of luxury. Let’s say Sabato De Sarno gets the Person I Most Hope Will Improve award.

Finally, in the absence of Michele’s Gucci and on the back of another year of incredible collections, I think I can finally say…Rokh, you’re my new number one.

To conclude, though, that’s enough from me! I’ve already done way too much chatting shite for a photo post. If I start talking about anything else now, it’ll surely end up as some rant about the state of the world which will inevitably be coming soon, anyway, so for now all I have to say is 1. Free Palestine and 2. I hope anyone reading this is doing otherwise okay notwithstanding the horrific levels of injustice occurring, i.e the abhorrent displays of solidarity with a government perpetrating war crimes by many Western “democratic" leaders. Even when we knew they were awful before, seeing this situation play out is devastating. Be kind to yourself. All we can do some days is get by and that’s okay. To exist in a place where our lives are not constantly at threat is in itself a beautiful thing that everyone deserves, and I know most of us appreciate that and want that for everyone else too.

With that, I’ll say goodbye and will be posting again soon.

Lauren x

[blackswaneuroparedux]

Schiaparelli’s ‘Inferno’: A journey to Hell and back

I’ve always wondered if today’s self-absorbed creative directors and edgy designers at the leading luxury fashion houses based in Paris are familiar with George Santayana’s cutting observation that, “Fashion is something barbarous, for it produces innovation without reason and imitation without benefit.” On the evidence of this year’s Paris Fashion Week I think not.

For the Spring 2023 collection at Paris Fashion Week, Schiaparelli creative director Daniel Roseberry revealed in pre-show notes that he was specifically drawn to Dante Alighieri’s magisterial Divine Comedy. He was especially inspired by Inferno, the 14th-century Italian poet’s renderings of Hell. Present as spectators and models were some of the internet’s favourite muses, such as Kylie Jenner wearing taxi-dermied outfits with hyperrealistic faux animal heads affixed to a fitted gown.

The singer Doja Cat was also there, appearing bald and covered in red gemstones at the steps of the Petit Palais like a demonic red figure. In other pieces, gold-painted torsos and metallic sculptural heads paid tribute to the house’s founder, Elsa Schiaparelli, and her ties to Surrealist artists like Man Ray, Salvador Dalí, and Meret Oppenheim during the 1930s. She was the subject of a recent retrospective at the the Musée des Arts Décoratifs in Paris last year in 2022, and her collaborations with those artists demonstrated a propensity to shock audiences with strange garments that at times merged human bodies with animal features.

Throughout the haute couture show, Roseberry brought to life versions of Dante’s epic poem’s three allegorical animals: the lion, the leopard, and the she-wolf. Accordingly he dressed three super models, Shalom Harlow as the leopard, Naomi Campbell as the she-wolf, and Irina Shayk as the lion. All three haute couture dresses were sculpted and embroidered by hand, “celebrating the beauty of nature and guarding the woman who wears it” said the proud creative director.

When I read that particular remark I almost choked on my tea. I was sitting in a nearby Parisian café with my younger sister, who was visiting me in France, and one of our French-Nordic cousins who actually works in the luxury brand corporate world as a senior exec in LVMH. Through our cousin we had managed to see one or two of the fashion shows last week. It’s not really my cup of tea, but I gave in to indulge my visiting sister and my cousin who loves her job. 

Many people outside of haute couture world of Paris Fashion Week, focused on the spectacle of cruelty of seeing three stuffed animal heads on the bosoms of three super models strutting on a fashion show runway. Most of the criticism was misplaced as it showed little understanding what a haute couture show is all about. It allows the talented designer to let his/her hair down and show off their most off the wall ideas, and above it’s meant to be playful.

That said, I, however, was focused on what Daniel Roseberry actually said of his collection. I thought it was a misquote but no, as it turned out later, it’s what the designer said.

I resisted the urge to feel ‘offended’ and to look around for a pitch fork to join the unruly easily offended mob to denounce the designer. To me it wasn’t about the Surrealist heritage of Schiaparelli that the creative director drew inspiration from for one part of his show - that’s what one might expect from that fashion house. Nor was it the animal depiction on dress gowns that was pretty par for course for any haute couture fashion show - which I personally found garish and in bad taste - but which drew the public outcry against the perception of animal cruelty.

No, it was the crime of cultural vandalism against Dante himself.

I have no idea if Roseberry has actually read the Dante’s Divine Comedy or not but from his remarks that his hideous creations were “celebrating the beauty of nature and guarding the woman who wears it” he clearly hadn’t or was high as a kite on drugs and high energy drinks.

So I’m going to discuss Dante’s three wild beasts as Dante wrote them.

In the opening Canto of the Divine Comedy, Dante encounters three ferocious animals: the leopard, the lion and the she-wolf.

In the first canto of the Inferno, Dante, having gone astray in a dark wood, reaches the base of a sunlit hill (later described by Virgil as “the mountain of delight, the origin and cause of every joy”) and begins to climb - only to find the way blocked by three beasts. First, a leopard appears.

And almost where the hillside starts to rise - look there! - a leopard, very quick and lithe, a leopard covered with a spotted hide. He did not disappear from sight, but stayed; indeed, he so impeded my ascent that I had often to turn back again.

It is a spring morning, and “the hour and the gentle season” give Dante “good cause for hopefulness” upon seeing the leopard - but then he sees a lion.

but hope was hardly able to prevent the fear I felt when I beheld a lion. His head held high and ravenous with hunger - even the air around him seemed to shudder - this lion seemed to make his way against me.

When the third beast appears, Dante gives up hope entirely.

And then a she-wolf showed herself; she seemed to carry every craving in her leanness; she had already brought despair to many. The very sight of her so weighted me with fearfulness that I abandoned hope of ever climbing up that mountain slope. . . . I retreated down to lower ground.

When you read Dante - in Italian or in translation - nothing you read ever so simple and nothing should be taken at face value. Indeed in the Divine Comedy almost nothing is said without good reason. Take the verse preceding the appearance of the three beasts.

When I had rested my body there a while I then started again up the barren slope the more powerful foot always behind the other

Dante refers to the manner of his climb. He makes the climb with ‘the more powerful foot always behind the other’. One foot (the more powerful) is always behind (lower than) the other. This is a difficult line to interpret. It could of course simply be a description of how someone climbs a hill. You plant one foot in the ground and then push up allowing the other foot to 'land' and secure your position.

If Dante is talking about a stronger (firmer) foot and (presumably then) a weaker foot and talks about the one being lower than the other, there is probably a deeper meaning behind it. In Dante's thought world it was sometimes said that in the 'pilgrimage' towards heaven, we walk on two 'feet' (or legs); the Will and the Intellect. Because the Will, the stronger of the two, is always desiring what it shouldn't, our journey forward towards God is therefore hampered. We limp our way to heaven! So Dante could be saying that his Will lags behind his Intellect as he strives to find the light of God, making his journey up those slopes that much harder. The (weaker) Intellect is having to drag the (stronger) Will upwards towards the divine light.

An alternative explanation is inspired by a comment from St Augustine to the effect that 'love is the foot of the soul', in other words the driving force of the soul's  quest for God. So, Dante could be suggesting that his stronger foot (love) pushes his body up the hill towards God. Personally I prefer this more optimistic image of his ascent; after all, he begins his climb in hope and anticipation.

And so we have to ask ourselves as we come to the three beasts, is there a deeper meaning to these animals beyond their physical power and scariness. Yes, there is.

When Dante engages with myths throughout his Inferno, he’s also leaning into this tradition of animals as allegories. He’s striving to teach a lesson, as mythical creatures punish sinful souls for eternity. Invoking creatures from antiquity, Dante’s Inferno moulds pagan hell into a Christian design. These mythical creatures are behemoth reminders for potential sinners about the consequences of their actions.

Even from the opening canto of Dante’s Inferno, we find our titular character lost in a dark and winding wood. As the woods darken, he feels his consciousness enter a strange state - a feeling that he likens to death (Inferno 1.7). As this shroud covers him, Dante encounters the first mythical creatures in the Divine Comedy. Leopards and lions were not native to Italy. Travellers relayed tales of these beasts to illuminators and scribes, and information about them would be published in bestiaries. Leopards were often incorporated into coats of arms when there were descendants of adultery in a lineage. The leopard Dante encounters is “very quick and lithe” (Inferno, 1.32). Perhaps the leopard is meant to symbolise a sin associated with impatience or hubris. Lions were often symbols of Christ, akin to Aslan in the Chronicles of Narnia but in this case the lion was “ravenous with hunger” (Inferno 1.46), which may have been a reminder to the reader about the dangers of gluttony.

The importance of animals goes beyond face value. Animals appearing in stories always contain allegories. The beasts symbolised the major categories of sin: incontinence, violence and fraud. Or as they are more commonly called - lust, pride and avarice. In her commentary, Dorothy L. Sayers explains that these categories of sin were associated with the three stages of life - lust with youth, pride (self-conceit) with the middle years and avarice with old age. Of course, they can attack a person at any time of his life.

Symbolism can help us enormously when reading Dante but it is also important I think to try to read the text itself and take clues from the way Dante uses the symbols. The Leopard is mesmerising, clever, quick and very pleased with itself, displaying its gaudy spots for all the world to see. The Lion terrifies even the air around it with its appearance (and presumably its roar) but the most noticeable thing about it from Dante the pilgrim's point of view is how proud it is as it hold its head up high. The third beast, the she-wolf, is one that has brought grief to many people. Her leanness speaks of an insatiable appetite; no matter how much (or how many people!) she eats she never thrives, never grows fat, she is never satisfied.

If Dante's world each of the beasts represented different vices or sins - the leopard as a symbol of lust, the lion a symbol of violent pride and the she-wolf as a symbol of avarice and fraud - then these  could also either represent Dante's own besetting sins which prevent him from reaching heaven, or perhaps the three levels of hell which are divided according to the kind of sin committed. In the first circle Dante the pilgrim will find those guilty of avarice and incontinence (not the bowel kind), in the second circle sinners guilty of violence and in the third, those responsible for crimes of treachery and fraud.

It’s easy to see then these animals as symbols of divine judgement on Dante. Dante is not ready to find the divine light. He is still under judgement. His sins have not been dealt with and as we shall learn, only by descending to hell and rising through the mountain of purgatory will he be able to find that light as a 'saved' soul.

All three wild beasts are mentioned in the bible and used as symbols of the kind of fate that will befall the people of God as divine judgment.

In Hosea 13:4-8 God says that he will be like a lion and a leopard (and an angry mother bear!) towards his ungrateful, apostate people.

In Jeremiah 5.1-6, Jeremiah fails to find one godly (just) person in the city of Jerusalem. Failing to do so God promises that judgement will come like this:

Therefore a lion from the forest will attack them,     a wolf from the desert will ravage them, a leopard will lie in wait near their towns     to tear to pieces any who venture out, for their rebellion is great    and their backslidings many. (NIV)

If indeed the wild beasts represent the judgement of God in the Old Testament through Hosea and Jeremiah, in the New Testament they take another form entirely. And this may well have played a part in Dante’s thought. It is entirely possible that Dante is thinking of the Apostle Paul's reference to 'fighting wild beasts in Ephesus' (1 Corinthians 15.32).  Of course Paul didn't mean he actually wrestled lions and wild beasts. He meant that dealing with those who opposed him there was just like being a gladiator in the arena fighting lions and bears. And the people who opposed him were the institutions of Ephesus, the city authorities, the trade guilds, the business leaders.

Dante the pilgrim, following in the footsteps of the Apostle struggles with his own 'wild beasts'. the wild beasts who had plotted against him, and exiled him from his native city in 1302. Dante the pilgrim walks in the footsteps of Paul. He also walks in the footsteps of Christ who was alone in the wilderness with the wild beasts for 40 days and 40 nights. Although the the original intention of the gospel writers may have been to conjure up the impression of a restored Eden, for Dante those accounts would have conjured up the idea of conflict and danger.

Like Paul and like Christ, Dante the pilgrim has to struggle with ferocious animals in his journey towards God, just as Dante the writer has had to in his journey.

Who or what then are these forces, these wild animals who prevented Dante from finding the true path? Interestingly these animals were all prized in one way or another in Dante's native Florence.

There is evidence that a leopard and a number of lions were kept and publicly displayed in cages in Florence in Dante's day near what is today the Loggia del Bigallo, as a sign of Florence's power and prestige.

The lion was also part of Florence's coat of arms. Scholars have noted that Dante was familiar with the writings of Richard of St Victor who had associated the leopard with the sins of deceit and fraud. The lion was associated in medieval bestiaries with the sin of avarice (because of its apparently insatiable hunger) as well as with pride. These are 'civic sins' as much as personal vices.

Was it Florence's avarice and pride that was in the front of Dante the writer's mind when he described the leopard's gaudy spots and the lion with its head held high? Is it perhaps the city that had turned against Dante and thrown him out to live a life of exile that prevents the progress of the pilgrim towards paradise?

The she-wolf is the most daunting beast of all. She proceeds terrifyingly, step by step stalking forward, threatening and relentless. Dante comments:

The very sight of her so weighted me with fearfulness that I abandoned hope of ever climbing up that mountain slope. . . . I retreated down to lower ground.

Surprisingly perhaps it is the she-wolf, not the leopard or the lion that finally causes the pilgrim to despair. Wolves were considered to be symbols of fraud and deceit as well as sexual immorality and prostitution.

In his hugely influential work The City of God, St Augustine had commented that in his time prostitutes were known as she-wolves and a brothel was known as a 'wolf den'. He suggested that this verbal link gave rise to the famous origin myth of Rome, according to which the two twins Romulus and Remus, the offspring of the god Mars and the their mother (whom he had raped) Rhea, were abandoned to die but were saved and suckled by a she-wolf. Augustine suggests that instead, they were found and fed by an unknown prostitute i.e. by a 'she-wolf'. From this play on words came the legend that it was a literal she wold who found and fed them.  In the City of God (Book 18 chapter 21) Augustine writes as follows:

“Procas ruled before Aemulius. Now Aemulius had made his brother Numitor's  daughter, named Rhea, a Vestal Virgin; she was also called Ilia, and was the mother of Romulus. The Romans wish to say that she conceived twins by Mars; for, in this way, they honoured, or excused, her unchastity. They offer as proof of this the legend that, after their exposure, the infants were suckled by a she-wolf. For they hold that this species of animal belongs to Mars; and so, therefore, the she-wolf is believed to have offered her teats to the little children because she recognised in them the sons of Mars, her master.

There is, however, no lack of people who say that, when the exposed infants lay wailing, they were first taken in by some unknown whore, and that hers were the first breasts they sucked - for ‘she wolves’ (lupae) was the name given to whores, which is why houses of ill repute are even now called ‘wolfouses’ (ilupanaria). Afterwards, it is said, they came into the care of a shepherd called Faustulus, and were nurtured by his wife Acca. And yet if, in order to convict the man who was king, and who had cruelly commanded that these infants be cast into the water, God willed to help the children through whom such a great city was to be founded, and to have them rescued from the water by His divine intervention and suckled by a wild animal: is there anything very wonderful in this? “

- Translated by W. Dyson (Cambridge Texts in the History of Political Thought)

So, according to Augustine, it wouldn't be surprising if God had supplied a real she-wolf to find and feed the abandoned babies, because God is merciful and just, but in fact the stories he has heard suggest a different explanation. Namely that it was a human 'she-wolf', a whore, who had found them.  

It is also interesting that Augustine links the god Mars with the story. The wolf, he says, is one of Mars' own creatures' i.e. a beast with a special affinity to Mars. Is it relevant that the city of Florence had adopted Mars as its own patron 'star'? It may also be relevant that the name of the Guelf faction, some of whom had ordered Dante's expulsion from Florence, was linked to the German word for wolf (Welf).  Dante's enemies in Florence were 'wolves'. It seems the clue lay in the name.

But it may not have been only Florence Dante wanted to suggest to readers' minds. In addition it seems that by the time Dante wrote the Divine Comedy the Papal Curia had adopted as its own symbol the famous statue of Romulus and Remus suckling from the mother she-wolf on the Capitoline Hill. The she-wolf was of course the defining myth of Rome’s founding. Several ancient sources refer to statues depicting the wolf suckling the twins. Livy reports in his Roman history that a statue was erected at the foot of the Palatine Hill in 295 BC. Pliny the Elder mentions the presence in the Roman Forum of a statue of a she-wolf that was "a miracle proclaimed in bronze nearby, as though she had crossed the Comitium while Attus Navius was taking the omens". Cicero also mentions a statue of the she-wolf as one of a number of sacred objects on the Capitoline that had been inauspiciously struck by lightning in 65 BC: "it was a gilt statue on the Capitol of baby being given suck from the udders of a wolf." Cicero also mentions the wolf in De Divinatione 1.20 and 2.47.

The Capitoline Wolf was widely assumed to be the very sculpture described by Cicero, due to the presence of damage to the sculpture's paw, which was believed to correspond to the lightning strike of 65 BC. The 18th-century German art historian Johann Joachim Winckelmann attributed the statue to an Etruscan maker in the fifth century BC, based on how the wolf's fur was depicted. It was first attributed to the Veiian artist Vulca, who decorated the Temple of Jupiter Capitolinus, and then reattributed to an unknown Etruscan artist of around 480 - 470 BC.

So for centuries The Capitoline Wolf was almost universally recognised as an Etruscan statue from the early part of the 5th century BC. It was only in 2006 that an Italian art historian and restorer, Anna Maria Carruba, published a detailed critique against the accepted view. She argued that the bronze had been cast with a method unknown in classical times, and that marks left by the artist on its surface were more typical of the Middle Ages. Barely a year later in 2007, Rome’s top archaeologist and heritage advisor,  Prof. Adriano La Regina, reported that over 20 tests using radiocarbon and thermoluminescence dating don at the University of Salerno suggested that the wolf portion of the statue may have been cast between 1021 and 1153. Overnight one ancient Rome’s oldest artefacts became one of city’s youngest.

Given the pride and place of this famous statue, The Capitoline Wolf, given by the Church of Dante’s time, it adds an extra dimension to any reading Dante’s words about the she-wolf. For the wolf, the creature of Mars, the symbol of Rome and now of the church was a big thing in 13th century Italy. It is this beast that scares Dante the most, that strips away his hope and forces him to turn around.  It is this beast he says which has been ‘the despair of many’. It is not a surprise then to find that throughout the Inferno he likens various damned souls to wolves.

Again the bible may have played a part in his thinking Jesus warned his disciples to watch out for the false prophets, the wolves who come dressed in sheep's clothing. Ithink it’s too much of a stretch to say it was a direct attack on the church or the papacy of Boniface VIII but it does lend credence to the possibilities of personal corruption for those in the church who flirted with earthly temptations and sins - the very sins that destroyed souls and blocked humanity’s upward path to heavenly salvation.

For Dante there was no distinction between the inner and the outer person or between the individual and social.  The individual did not live a life apart from his or her wider life in the state and in the church. Sin was something that affected everything and everyone. These beasts may well represent sin or vices with which Dante the writer was only too familiar in his own experience but to me it seems highly likely that they represent above all the forces he saw around him which, in his mínd, prevented people finding the beauty and love of God. The Apostle fought his wild beasts in Ephesus. Dante fought his in Florence.

The mythical figures featured in Dante’s Inferno lean on a long tradition of animals as allegory. As Dante journeys through the realms of the afterlife, these beings can lend a helping hand on the long and winding road through hell, purgatory, and heaven.  While the creatures of the Inferno intend to scare sinners straight, they themselves also suffer as the embodiment of their respective sins.

While hell is where sinners languish, it remains a complex and captivating place. Dante filled his entire Divine Comedy with bizarre creatures from across literature, and they serve a similar purpose to any beast in a story: to distill morals or a lesson. Their presence makes the story memorable, even for modern readers like us today.

Dante’s Inferno brings readers on a journey through hell, replete with allegories from across time like sitting through a hellscape of a Schiaparelli haute couture fashion show during Paris Fashion Week. As time wears on, Inferno’s wild beasts offer captivating perspectives on our very modern sins of lust for affirmation, pride in our self-centredness, and an avarice for material comfort.

But I don’t wish to end on a downer because Dante is not a pessimistic poet. Most readers never proceed beyond the macabre thrills of Dante’s ‘Inferno’, with its grotesquely inventive torments. Those who do ascend from the “Inferno” find some of Dante’s most lyrical verse in his ‘Purgatorio’. But it is the least-read of the three books, ‘Paradiso’, that makes sense of the other two. It shows, Dante was not just a poet of crisis, but also a poet of hope:

The ‘Divine Comedy’ is that rarest thing, an epic poem with a hopeful ending. It is about getting a second chance - and ultimately finding joy, a Christian understanding of joy in the light of God’s saving grace.

[bhavesh99]

Best Vintage Cars

The Allure of Vintage Cars: A Journey Through Time and Automotive Craftsmanship

Vintage cars are more than just vehicles; they are a celebration of automotive history, craftsmanship, and timeless design. These classic cars evoke nostalgia for a bygone era, reflecting the innovation and artistry that defined early motoring. From the elegance of pre-war automobiles to the muscle cars of the 1960s, vintage cars represent a passion for engineering and a love for unique, hand-crafted machines.

This article explores the world of vintage cars, their significance, the different eras they represent, and why these beautiful machines continue to capture the hearts of collectors and enthusiasts today.

What Defines a Vintage Car?

The term "vintage" often refers to cars that were manufactured between the 1910s and the 1930s, although the exact definition can vary depending on the region or collector's club. In general, vintage cars are those that are at least 30 years old, and they can be further categorized into different eras:

Brass Era (1885–1915): These are some of the earliest cars, named after the brass fittings and fixtures used in their design. They often have exposed radiators, gas lamps, and large, spoked wheels.

Vintage Era (1919–1930): This period saw the rise of closed-body cars (those with roofs) and significant advancements in car production, most notably with the mass-production techniques pioneered by Henry Ford.

Classic Era (1930–1970s): While not technically considered vintage by purists, classic cars—especially those from the 1930s to the 1970s—are highly sought after for their design, power, and cultural significance. This era includes pre- and post-war models as well as the iconic muscle cars of the 1960s.

Each of these eras contributes a distinct chapter to the story of automotive evolution, from early experimentation to the development of powerful, stylish machines.

The Evolution of Automotive Design

The design and technology of vintage cars reflect the era in which they were made. Cars from the early 20th century were often hand-built, with intricate detailing and a focus on luxury and craftsmanship. As industrial processes improved, cars became more affordable, and automakers began to focus on performance and innovation.

The Brass Era: The Dawn of Motoring

The Brass Era, from the late 19th century to the early 20th century, marks the birth of the automobile industry. Cars like the Ford Model T, introduced in 1908, revolutionized personal transportation by making cars affordable to the masses. Before that, cars were largely bespoke creations, crafted by skilled engineers and craftsmen. Brands like Rolls-Royce, Cadillac, and Packard became synonymous with luxury and elegance during this time.

The early cars were often open-top vehicles with large, brass fittings such as radiators, headlights, and horns. These cars required manual cranking to start and often featured wooden frames and bodies, giving them a unique aesthetic appeal. Despite their simplicity compared to modern cars, these vehicles were groundbreaking in their design and engineering.

The Vintage Era: The Rise of Style and Sophistication

The 1920s and 1930s, often referred to as the Vintage Era, saw car manufacturers refining their designs and offering more powerful and luxurious models. This period is when cars truly began to transition from functional machines to symbols of status and wealth.

Automobiles like the Rolls-Royce Phantom, Bentley 4½ Litre, and Bugatti Type 35 exemplified the blend of performance, style, and elegance that defined the era. Innovations in suspension, engine design, and aerodynamics began to make these cars faster, smoother, and more comfortable to drive.

During this time, design became more focused on aesthetics, with streamlined shapes, luxurious interiors, and increased attention to detail. Coachbuilders such as Pininfarina, Zagato, and Mulliner worked with manufacturers to create custom, hand-built bodies for wealthy clients, each car becoming a one-of-a-kind masterpiece.

The Classic Era: The Birth of Iconic Automobiles

The post-World War II era, particularly the 1950s and 1960s, brought about the rise of the classic car era, with manufacturers producing some of the most iconic cars in history. This period saw the birth of legendary American muscle cars like the Ford Mustang, Chevrolet Corvette, and Pontiac GTO. These cars were built for speed and performance, capturing the excitement and freedom of the open road.

On the other side of the Atlantic, European manufacturers like Ferrari, Jaguar, and Aston Martin were creating cars that combined performance with unparalleled beauty. The Ferrari 250 GTO, Jaguar E-Type, and Aston Martin DB5 became symbols of automotive excellence, admired for their sleek designs and powerful engines.

The classic era also saw advancements in automotive technology, such as disc brakes, independent suspension, and more efficient engines. These innovations made cars not only faster but also safer and more reliable, increasing their appeal to both collectors and drivers.

Why Vintage Cars Are Still Relevant Today

In a world dominated by modern cars loaded with advanced technology, vintage cars still hold a special place in the hearts of many. Several reasons contribute to their enduring appeal:

1. Timeless Design

Vintage cars are celebrated for their timeless design. Unlike modern cars, which are often subject to rapidly changing trends, the design principles of vintage cars are rooted in elegance, craftsmanship, and simplicity. Whether it’s the sleek lines of a 1950s Porsche or the imposing grille of a 1930s Bentley, vintage cars have an aesthetic appeal that transcends time.

2. Mechanical Simplicity

While modern cars are packed with computers and electronic systems, vintage cars are admired for their mechanical simplicity. Enthusiasts appreciate the hands-on nature of maintaining and restoring these vehicles. Many vintage cars can be worked on with basic tools, making them a rewarding project for hobbyists and collectors who enjoy tinkering with engines and components.

3. Historical Significance

Each vintage car tells a story, representing a specific time in automotive history. Whether it’s a 1930s Mercedes-Benz from the pre-war era or a 1960s Chevrolet Camaro that captured the spirit of American muscle cars, these vehicles serve as living history, offering a glimpse into the design, technology, and culture of their time.

4. Investment Potential

In recent years, vintage cars have become a popular investment for collectors. Classic models, particularly those that are rare or have historical significance, have seen significant appreciation in value. Cars like the Ferrari 250 GTO or the Aston Martin DB5 are now worth millions, making them highly coveted pieces in the world of automotive collectibles.

5. Sense of Community

Owning a vintage car often comes with a sense of belonging to a passionate community. Vintage car enthusiasts gather at car shows, rallies, and auctions to celebrate their shared love for these machines. Clubs and associations dedicated to specific makes or models offer a space for enthusiasts to exchange knowledge, share restoration tips, and enjoy their cars together.

Restoring and Maintaining Vintage Cars

Restoring a vintage car is a labor of love, requiring time, dedication, and often a significant financial investment. Whether it’s sourcing rare parts, rebuilding engines, or refinishing interiors, the process can be both challenging and rewarding.

One of the main challenges of restoring vintage cars is finding original parts. Many manufacturers no longer produce parts for older models, so collectors often rely on specialist suppliers, salvage yards, or custom fabrication. Authenticity is key in restoration, with original parts and materials enhancing the car’s value and historical integrity.

Maintaining a vintage car also requires careful attention to detail. Regular maintenance, such as changing the oil, inspecting brakes, and checking the electrical system, is essential to keeping the car running smoothly. While vintage cars may not be as reliable as modern vehicles, their mechanical nature makes them easier to repair for those with the right knowledge and skills.

Conclusion

Vintage cars represent more than just transportation; they are a celebration of history, design, and engineering. From the earliest Brass Era automobiles to the classic muscle cars of the 1960s, these vehicles evoke a sense of nostalgia and admiration for a time when cars were not just mass-produced machines but works of art.

Whether it’s for their timeless beauty, historical significance, or the thrill of restoration, vintage cars continue to captivate collectors, enthusiasts, and drivers alike. As symbols of a bygone era, they remind us of the artistry and craftsmanship that once defined the automotive industry, ensuring their place in history for generations to come.

[modafirmauk]

Exploring the World of Designer Bags and Accessories

Designer bags are more than just fashion statements; they're functional companions for our daily lives. But with so many options available, navigating the world of designer accessories can feel overwhelming. This guide explores the diverse world of Designer Purses & Wallets for Women, messenger and Crossbody bags, backpacks, and even pre-owned finds, providing you with the information you need to find your perfect match.

Purses & Wallets: Everyday Essentials with Style

Purses and wallets are the cornerstones of any bag collection. When choosing a designer purse, consider your lifestyle and needs.

Totes: Perfect for carrying everything you need, totes are ideal for busy professionals or anyone who loves to be prepared. Brands like Longchamp offer spacious yet stylish options.

Clutches: A timeless and elegant choice for evening outings, clutches come in various sizes and materials. Explore Bottega Veneta's woven leather clutches for a touch of Italian craftsmanship.

Crossbody bags: A versatile option for everyday wear, crossbody bags offer hands-free convenience. Saint Laurent's iconic "Le Sac YSL" is a classic example.

Wallets are equally important. Consider functionality when choosing yours:

Cardholders: Ideal for minimalists, cardholders offer a slim profile for everyday essentials. Mulberry offers sleek and stylish cardholder options.

Bifold wallets: A classic choice, bifold wallets provide space for cards and cash. Gucci's signature leather bifolds offer a touch of luxury.

Zip-around wallets: Offering security and multiple compartments, zip-around wallets are perfect for those who carry a lot. Michael Kors offers a wide range of functional and stylish zip-around wallets.

Stylish Messenger & Crossbody Bags: The Perfect Blend of Form & Function

Messenger and Crossbody Bags offer a stylish alternative to traditional backpacks. They're perfect for carrying essentials while maintaining a polished look.

Messenger bags: Offering a professional and practical vibe, messenger bags are perfect for work or school. Burberry's iconic check print messenger bags are a timeless choice.

Crossbody bags: Versatile and fashionable, crossbody bags come in various sizes and styles. Chanel's classic flap bag is a timeless crossbody option.

Women's Leather Backpacks: Luxury Meets Practicality

Leather backpacks are a stylish and practical option for everyday use. They're perfect for carrying heavier items while maintaining a sophisticated look.

Structured backpacks: Ideal for work or travel, structured backpacks offer organization and style. Balenciaga's City bag is a popular choice for its sleek design and functionality.

Convertible backpacks: Offering versatility, convertible backpacks can be transformed into totes or Crossbody bags. Tory Burch's convertible backpacks are a practical and stylish choice.

Pre-Owned Designer Bags: Sustainable Luxury for the Savvy Shopper

Looking for a unique and sustainable way to enter the world of designer bags? Consider pre-owned options. Reputable online platforms and vintage stores offer a treasure trove of authentic pieces at a fraction of the original price.

Environmental benefits: Choosing pre-owned reduces your environmental impact by giving a new life to existing bags.

Unique finds: Discover rare and vintage pieces that are no longer available in stores.

Cost-effective: Enjoy the luxury of designer brands at a more accessible price point.

Choosing the Perfect Designer Bag: It's All About YouUltimately, the perfect designer women’s handbags are one that reflects your unique style and complements your lifestyle. Consider your needs, explore different brands and styles, and don't be afraid to invest in a piece that you'll cherish for years to come. Whether it's a timeless purse, a practical backpack, or a unique pre-owned find, the designer bag world offers something for everyone.

[23christina]

Bravo!

The $5 trench coat that became an icon

With a strong focus on quality, innovation, and exclusivity, Rose Marie Bravo was able to turn Burberry around and establish it as a leader in the accessible luxury fashion market.

PRODUCT LINES

One of the smartest moves Bravo made was updating Burberry's product lines. By reducing the number of outdated designs, Burberry was able to streamline its offerings and create a more cohesive image. This helped reinforce the brand's position as an accessible luxury lifestyle brand that was aspirational, stylish, and innovative.

Burberry also divided its products into two categories: continuity and fashion-oriented. This allowed the brand to appeal to both its core customer base and a younger demographic, while still maintaining its cachet.

Their most iconic item, the trench coat, has endured the test of time. I was surprised to learn that the coat was originally used for British soldiers and adventurers, because I associate it with British socialites and sleek professionals. I did some digging, and the price of the Burberry trench coat has increased significantly over the years. In the early 1900s, the coat cost around $5. The case mentioned that in the 2000s, it was $900. Today, the price for a classic Burberry trench coat ranges from $1,700 to $2,500, depending on the style and material. Definitely outpacing inflation!

ADVERTISING

Investing in advertising was also key for Burberry's success. They hired a famous team including photographer Mario Testino and creative director Fabien Baron. The 1998 advertising campaign helped to reinforce the brand's British heritage and sense of tradition. The introduction of Kate Moss as a spokesperson also helped to make the brand more accessible to a younger demographic.

DESIGN ELEMENTS

The most impressive thing about Burberry's transformation is how they managed to maintain their iconic design elements while still updating their image and appeal. Their iconic check pattern became even more popular with the introduction of new designs and materials, while still retaining the durability and quality that made them so popular in the first place.

QUESTIONS

One question I have is around the proliferation of Burberry brands. To me, the wide array of Burberry offerings dilutes the strength of the brand. A few years ago, I purchased a Burberry trench coat on a consignment website, but when it arrived, the tag said “Burberry’s.” I was not aware that pre-1997, the brand name was actually Burberry’s, and I was afraid it may have been a knockoff and returned it. I also often see Burberry’s offshoot brands like Burberry Brit at discount stores like TJ Maxx, which feels like a step down from how they would aspire to position themselves.

I am also curious whether the brand will resonate with Gen Z (see Romeo Beckham ad below). On one hand, their generation appreciates vintage fashion, so they could find a love for the classic trench and other timeless styles. On the other hand, they seem to be fascinated with creative, bright, nontraditional designs that feel opposite of Burberry's posh image.

[ciyapaofficial]

Fashion on a Budget: Thrift Store Hauls and DIY Clothing Ideas

Fashion is often associated with high price tags, making it difficult for many to keep up with the latest trends. However, there are numerous ways to stay stylish without breaking the bank. Thrift store shopping and DIY clothing projects are great options for those looking to save money while still looking fabulous. 

Thrift stores offer a treasure trove of hidden gems, from vintage designer pieces to unique finds that can be tailored to fit your style. DIY projects allow you to create unique custom pieces that reflect your individuality. In this blog, we'll explore the world of budget fashion, sharing our favorite thrift store hauls and DIY ideas to help you look your best without spending a fortune.

Thrift Store Styles

Classic Designer Haul

Classic designer hauls from thrift stores are a fantastic option for fashion-conscious individuals looking for unique, high-quality clothing at affordable prices. Thrift stores often stock pre-owned garments from luxury brands that are no longer available, such as Chanel and Gucci. 

With a little searching, it's possible to find timeless pieces like blazers, trench coats, and silk scarves that can elevate any outfit. Moreover, purchasing from thrift stores helps reduce textile waste and promotes sustainable fashion. 

Classic designer hauls are a perfect way to indulge in high-end fashion without breaking the bank while being environmentally conscious. These designer products will enhance your wardrobe and your style. 

Traditional Clothing Haul

Thrift stores offer an excellent option for finding traditional clothing items, which are often expensive to buy new. You can score unique pieces that add character to your wardrobe with patience and searching. 

From embroidered blouses to handmade shawls, thrift stores carry a variety of traditional clothing options from different cultures. Moreover, buying secondhand clothes is an eco-friendly and sustainable way of shopping, as it reduces textile waste and carbon footprint. 

So, next time you want to update your wardrobe, consider visiting your local thrift store to see what hidden gems you can find. These traditional outfits will make you stand out from the monotonous designs and dresses. 

Retro Athleisure Haul

Retro athleisure is a popular trend that blends vintage sportswear with modern style. It's comfortable, trendy and perfect for a casual look. Thrift stores are an excellent place to find retro athleisure pieces at pocket-friendly rates. 

You can find sweatshirts, tracksuits, and sneakers from Adidas, Nike, and Reebok brands. You can create a unique, sustainable, affordable, fashionable style by shopping at thrift stores. So, if you're looking for a new style, go for a retro athleisure haul at your local thrift store.

Vintage Haul 

A vintage haul is a great option for those who love thrift shopping. These treasures from the past offer unique and one-of-a-kind fashion finds that are often more affordable and sustainable than buying new clothing. 

Vintage hauls can include anything from retro dresses, denim jackets, and band t-shirts to quirky accessories and statement jewelry. The appeal of vintage clothing is that it allows you to express your style while also contributing to reducing the industry's environmental impact. 

So, next time you browse the thrift store, consider a vintage haul for a fun and sustainable shopping experience. Your vintage collection will outperform and offer you an aesthetic look wherever you want. 

DIY Clothing Ideas

Embroidered Jeans

Embroidered jeans are a fun and creative DIY idea that can give new life to old denim. Choose a pair of jeans and gather embroidery floss in various colors to get started. Then, sketch your design onto the jeans with a washable marker or pencil. 

Use embroidery stitches like the backstitch, French knot, and satin stitch to fill the design with your chosen colors. Once you're finished embroidering, gently wash the jeans to remove any markings and secure the embroidery. 

The result will be a unique and personalized pair of jeans that show off your style and creativity. You can even go for a skilled embroidery artist if you want more specific designs. It will offer a luxurious look to the dress. 

Fringed Tank Top

A fringed tank top is a trendy DIY clothing ideal for warmer months. To make one start with a plain tank top in a color of your choice. Cut the bottom hem off and then make a series of cuts up to the desired length of the fringe. You can use scissors or a rotary cutter for this step.

Once the cuts are made, pull each strip of fabric to create the fringe. To finish the look, add embellishments such as beads or sequins. This easy project can be completed in just a few hours and is a great way to update your summer wardrobe.

Upcycled Sweater

Transforming an old sweater into a stylish and unique garment is a great option for upcycled clothing and reducing waste. Choose a sweater you no longer wear, or find one at a thrift store. Cut off the sleeves and collar to create a vest, or turn it into a cardigan by adding buttons.

Use fabric scraps/patches to add embellishments, such as pockets or patches. If the sweater is too large, take it at the sides to create a more flattering shape. With a little creativity and DIY spirit, you can give new life to an old sweater and create a one-of-a-kind wardrobe piece. 

Tie-dye T-shirt 

Tie-dye t-shirts are an awesome way to transform plain white tees into colorful works of art. You'll need a white cotton t-shirt, dye, rubber bands, and gloves to create your tie-dye shirt. Start by twisting and tying the shirt in various places using rubber bands. 

You can create different patterns and designs. Then, mix the dye according to the package instructions and apply it to the shirt using a squeeze or spray bottle. Let the dye set for several hours or overnight, then rinse the shirt in cold water until the water runs clear. 

Finally, wash the shirt in the washing machine and enjoy your one-of-a-kind DIY creation! Youngsters readily use this DIY idea to look stylish. Startup businesses are also trying this idea in creating different types of comfortable and stylish clothing. 

Conclusion 

In conclusion, fashion doesn't have to come at a high price. Thrift store hauls and DIY clothing ideas are a great way to express yourself and stay on a budget. By learning how to style thrift store clothes, you can find unique and vintage pieces that make a statement in your wardrobe.

DIY projects allow you to transform old clothing into something new and personalized. Not only do thrifting and DIY save money, but it's also environmentally friendly. So next time you need a wardrobe refresh, consider checking out your local thrift store or trying out a DIY project. 

You may be surprised at the amazing thrift store finds and creative possibilities that await you!

Original Source:

[luxuryconsignmentt]

Discover Lady Dior Bags and Hermes Birkin in Australia

Luxury fashion is an enduring statement of elegance, quality, and sophistication. For Australian fashion enthusiasts, owning iconic pieces like the Lady Dior bag or the Hermes Birkin is a dream that combines prestige with timeless style. These sought-after accessories are not merely functional but are also symbols of high fashion and exquisite craftsmanship.

The Lady Dior bag, named after Princess Diana, remains a staple in Dior’s collection and a testament to the brand’s dedication to elegance. With its intricate Cannage stitching, structured silhouette, and charm-like Dior logo, the Lady Dior bag is a true masterpiece. For those in search of a Lady Dior bag Australia, platforms like PH Luxury Consignment offer an impressive range of pre-loved and authenticated options. This makes it easier for collectors and fashion lovers to own a piece of luxury without the constraints of international shipping or full retail pricing.

Understanding the Lady Dior bag price in Australia is essential for potential buyers. Prices can vary depending on the size, material, and condition of the bag, with smaller versions being more affordable and exotic materials commanding premium rates. Pre-owned platforms like PH Luxury Consignment often provide competitive pricing, making luxury accessible to a broader audience.

Equally iconic is the Hermes Birkin bag, a status symbol synonymous with exclusivity and sophistication. Each Birkin is handcrafted with meticulous attention to detail, using the finest materials. From supple leathers to rare exotic skins, the Birkin is designed to be both functional and luxurious. Owning a Hermes Birkin Australia allows fashion enthusiasts to join an elite group of collectors who value timeless elegance and impeccable craftsmanship.

The price of a Birkin reflects its exclusivity, craftsmanship, and the materials used. As one of the most coveted bags globally, the waitlists can be extensive, and retail prices are only a starting point. However, trusted resale platforms like PH Luxury Consignment provide an avenue for Australians to bypass the waitlists and acquire these iconic pieces, often in excellent condition and with certificates of authenticity.

Pre-owned luxury markets are becoming increasingly popular for those looking to invest in high-end fashion. Beyond affordability, buying pre-loved items contributes to sustainable fashion by giving these luxury goods a second life. Whether it’s a Lady Dior bag or a Hermes Birkin, purchasing through reputable platforms ensures buyers receive genuine products while promoting environmentally conscious shopping.

lady Dior bag price Australia

Australian shoppers no longer need to travel internationally to access high-end designer pieces. Platforms like PH Luxury Consignment bring luxury closer to home, offering a curated selection of pre-owned Dior, Hermes, and other iconic brands. With a focus on quality, authenticity, and customer satisfaction, these platforms cater to both seasoned collectors and those taking their first steps into the world of luxury fashion.

For those dreaming of owning a Lady Dior bag or a Hermes Birkin, the journey begins with finding a trusted seller. With an expanding luxury resale market in Australia, acquiring these coveted pieces has never been more accessible or rewarding. Explore the world of high fashion today and discover how these iconic accessories can elevate your style to new heights.

[luxuryreborn]

Upgrade Your Collection with Second-Hand Designer Bags in Australia

Designer bags in Australia might be expensive, but you can still get the best gently used bags that are in excellent shape and are from well-known brands. The leading specialised stores offer the best deals and offers when it comes to second hand products that are authentic. This ensures that consumers may update their preferences for designer brands, and the leading companies that deal in these products also provide pre-owned jewellery.

Pre-owned Chanel bags are a terrific way to experience designer fashion without breaking the bank. The same is true for Louis Vuitton handbags, which are highly sought after in Australia due to their high price. Since each pre-owned bag is authenticated, customers can be certain of the superior quality and uniqueness of their luxury purchases.

Comparably, second hand Celine bags in Australia are likewise quite well-liked as owning one shows off one's sense of fashion and taste. Trustworthy suppliers provide a complete authenticity guarantee for people who would like to purchase one but are hesitant about fakes. These pre-owned bags undergo a rigorous inspection process to ensure they meet high standards before being offered for sale by reputable pre-owned designer handbag and jewellery dealers.

Why Invest in Pre-Owned Jewellery and Designer Handbags?

Like luxury handbags, quality jewellery may be expensive, and sometimes people choose to sell their gently used but still lovely jewels and one may buy them from leading consignment Store. All of these jewellery pieces are actually unique due to their traditional charm, and they may be bought for less money than comparable new things. The best online supplier of pre-owned jewellery offers gorgeous necklaces and earrings that one may buy to flaunt their sense of style at social gatherings.

Buying pre-owned jewellery is a unique opportunity to buy beautiful pieces for a fraction of their original cost, much like pre-owned designer bags. Just as pre-owned designer bags allow individuals to affordably indulge in high-end clothing, pre-owned jewellery provides them with exceptional, uncommon, or vintage items that are no longer available from merchants.

Because of their strong online presence, the best products may be bought from the leading shops without leaving the comforts of home. Before completing the purchase of your dreams, look through the product selections and catalogues of leading stores.

Source

[deepwear]

Spring/Summer 2025: A New Era of Sustainable and Inclusive Fashion

Fashion is more than an aesthetic; it’s a mirror of societal shifts, values, and innovation. Spring/Summer 2025 trends reflect the collective call for change—embracing sustainability, inclusivity, and cutting-edge technology. This season isn’t just about what we wear but how fashion shapes our identity and our planet’s future.

1. The Rise of Upcycled Glamour

Who said sustainability can’t be chic? This season, upcycled fabrics take the spotlight. Designers are turning discarded textiles into one-of-a-kind creations that scream high fashion. From patchwork denim jackets to dresses made from repurposed lace, upcycling isn’t just eco-friendly—it’s redefining what luxury means.

By working with recycled fabric suppliers, brands are not only reducing waste but also creating collections that tell a story. Upcycled pieces have a unique charm, blending sustainability with exclusivity.

2. Digital Fashion: Dressing for the Metaverse

The lines between physical and digital worlds are blurring, and fashion is no exception. Virtual wardrobes, augmented reality (AR) try-ons, and NFT-based collections are turning heads in 2025. Imagine wearing an outfit that exists only online but is still the talk of your social feed.

Digital fashion allows brands to reduce production waste while exploring limitless creativity. By leveraging digital design services, they can craft virtual collections that resonate with tech-savvy, eco-conscious audiences.

3. Breaking Boundaries with Gender-Fluid Styles

Fashion is shedding labels and embracing freedom. Gender-fluid designs dominate this season, with unisex silhouettes, neutral palettes, and versatile cuts appealing to everyone. The era of self-expression is here, where style knows no boundaries.

Designing for inclusivity requires innovation and insight. Partnering with gender-fluid fashion consultants can help brands create collections that empower consumers to embrace their individuality.

4. Secondhand Chic: The New Cool

The thrift market is booming, and secondhand shopping is no longer niche—it’s mainstream. From vintage Levi’s to pre-loved luxury handbags, secondhand fashion merges affordability with sustainability. In Spring/Summer 2025, it’s all about mixing thrifted gems with modern staples.

Brands entering the resale market or creating thrift-inspired capsule collections are aligning with this growing demand. Sustainable business strategy services can help brands navigate this shift, offering tailored solutions for incorporating secondhand elements into their models.

5. Smart Fabrics for Smarter Living

Imagine a dress that adjusts to your body temperature or activewear that tracks your hydration levels. Smart fabrics are revolutionizing fashion, merging utility with style. This season, expect to see clothing that’s as functional as it is fashionable.

Innovation in textiles requires collaboration with tech-forward material suppliers. Brands that integrate wearable tech into their designs are not just following trends—they’re shaping the future.

Why Deepwear?

Spring/Summer 2025 is challenging brands to innovate and adapt. Deepwear stands at the intersection of creativity, sustainability, and technology, providing a range of services to help brands succeed. From sourcing sustainable materials to consulting on digital fashion trends, we ensure your collections are ahead of the curve.

Whether you’re exploring upcycled fabrics or diving into virtual fashion, Deepwear bridges the gap between visionary concepts and practical execution. Let us help you lead the fashion industry into a brighter, more responsible future.

Conclusion: Fashion’s Evolution Starts Now

Spring/Summer 2025 isn’t just a season—it’s a movement. From upcycled elegance to digital wardrobes, the trends shaping this season go beyond aesthetics, addressing the urgent need for sustainability and inclusivity. As the world changes, fashion must change with it.

Ready to make an impact? With the right strategies and partnerships, your brand can be at the forefront of this exciting transformation. Let the future inspire you.

[radikalrags]

Check out this listing I just added to my Poshmark closet: Lucky Brand Lamb Leather Bridget High Rise Pants Size 32.

[lazyhousecarly]

Check out this listing I just added to my Poshmark closet: Vintage 80s Primary Colors Dress Stripes Colorblock Stripes Structured Shoulders.

[mebobags]

🌟 The Art of Owning an Hermès Bag 🌟

Each Hermès bag tells a story—a legacy of unparalleled craftsmanship, timeless design, and exclusivity. Whether it’s the Birkin’s iconic spaciousness or the Kelly’s structured elegance, there’s no greater luxury.

✨ Interested in owning one? At [Your Store Name], we guide you through the journey of finding your dream Hermès piece, whether new or pre-loved.

💬 DM us for the latest arrivals, expert advice, or just to chat about all things Hermès!