#postmortem tag

[vellichorom]

stop me if you've heard this one before; a tardigrade & condensed hot air get coffee & stroll the autumn-clad path... & they were both narrators 😳

COMMISSIONED BY @lilydoesdrawsometimes AWHILE BACK BUT I FINALLY FOUND AN APPROPRIATE TIME TO POST IT. HOORAY

// COMMISSIONS AREN'T PUBLICALLY AVAILABLE YET BUT CONSIDER D0NATING TO MY K0-FI FOR A DOODLE OF ANYTHING ( within reason ) YOU REQUEST!

[ghastimafrix]

what good is the cunty vampire boyfriend if not to carry all my goblin bows

[juh-wasnt-deactivated19691231]

i forget if i’ve posted about this before. stop me

blameless postmortem culture has a lot to offer, but other people explain that plenty. here’s the catch: it only works if these two conditions are met:

1. everyone involved is doing their earnest best (or at least, meeting the effort expectations agreed in the team)

2. everyone involved is working toward the same set of goals

if either of these conditions is not met, you have a problem. if the root cause boils down to “jimmy didn’t want to deal with it so he didn’t”, unfortunately that’s a people problem. you may be able to engineer it a little bit, but you can never really prevent it.

if the root cause is “someone or some team was working toward a different goal from the rest of us”, that’s either a communication problem (benign) or a people problem (malicious). in the benign case you can engineer better communication models and depend on people Doing Their Best to prevent the problem. in the malicious case, you can attempt to limit the impact of a trusted adversary…but generally at great cost to productivity, which really means the adversary wins anyways.

now that i’m looking at it, this really condenses down to just one idea, since you could say that doing your best toward a counterproductive goal on purpose is simply not doing your best in context. but yeah. if your RCA reaches “so and so chose to do y instead of x” and the next “why” comes up with “because they don’t care about the success of the project”, you really can’t engineer that away.

[britneyhayne]

the worst part of the traitors being on peacock is not being able to go in the tag until after you watch so you don’t get spoiled 😔🤘

[angorwhosebabyisthis]

i'm starting to realize i have a thing for characters who are Bastards with at least one fundamental good, admirable principle at the core of their personality, which they've managed to corkscrew completely inside out in their pursuit of until they're making the world worse in exactly the ways they stood against initially. it is really unfortunate that the only fucking context this is ever deployed in, as an explicit, intentional theme of a work, is Baby-Eating Leftist tropes where the lesson is that trying to stop racism makes you racist and also an orphanage-bombing terrorist, because there's SO much interesting shit that comes of examining this kind of cognitive dissonance to figure out where the fuck it started.

[dreamsofalife]

((TAG DUMP~))

[softinvasions]

D. S. Stylus ◇ 20s ◇ disabled "artist" & "poet" ◇ she/he/it

support me on patreon // promo me if you like ♡

[wooshofficial]

I’m willing to bet most feminists on the internet don’t know who Mary Wollstonecraft is and it makes me very upset

[sparklingoctopus]

When I tell you I laughed so loud

[silver-ace-of-spades]

Might schedule some Tumblr posts for next century just to fuck with people lol

[procedurebybyte]

zero is future junpei. putting this guess here

[bugbeast]

Self promo for my newest card game, Jewel Thief; but you can play it for free! First, though, let's cover the basics...

TL;DR - Its a 4+ player competetive card-matching game with four rule variants; buy it here or look for the orange text in this post to learn how to play it with a regular deck

"What is Jewel Thief?"

It's a card matching game with a villain; one player tries to match jewels in a 36 card grid while their opponent, the titular Jewel Thief, periodically steals cards from the board. You can check out its page on The Game Crafter for more information, but it'll spoil the rest of this post

"What makes it special?"

The game's turn structure would theorettically allow you, perhaps via some kind of infinite cloning machine, to play a round of Jewel Thief til the heat death of the universe. While I wouldnt recommend that, its lack of a player cap (and ease of set-up; seriously, all you do is put cards on a table) makes it a good party game choice.

But that's not all!

There are three extra rule variants that drastically alter the gameplay while keeping card matching and stealing as main mechanics. I believe the cards are versatile enough to allow for many custom games, too

"Okay, but why should I buy a silly game from some bug nerd?"

First off, ouch. Second off, that's the best part; you dont have to buy it to play it! Jewel Thief can be played with a standard 52 card deck. Here's how:

Step 1. Remove the 10s, Jacks, Queens, Kings and Jokers

Step 2. Download the free rules from the shop page

Step 3. Play the game, matching cards based on their values. You'll need to designate a value as the Diamond jewel for game 4

-------

That's it for my little self-promo. If you dont buy the game, I hope you'll at least give it a try and consider supporting my future projects.

I also post art and photography, which you can find under the bugbeast art and bugbeast photos tags. I hope you check them out

Thank you for your time <3

--------

Edit (Mar. 25, 2024) : Thank you to everyone who liked and reblogged this; if you play the game I encourage you to share your thoughts in the comments and/or reblogs (even if you hated it). Feel free to share any custom games or house rules you come up with, too. I'd love to try them!

Edit (Aug. 10, 2024) : Final edit most likely; gonna blaze this one more time for good luck then maybe start work on a postmortem for the project, maybe give a little backstory for anyone who cares. Life is a little rough right now, but fate willing, I'll be able to work on/post about my future projects, including the future of Jewel Thief itself

[literaryvein-reblogs]

Writing Notes: Autopsy

Autopsy - dissection and examination of a dead body and its organs and structures.

The word autopsy is derived from the Greek autopsia, meaning “the act of seeing for oneself.”

Also known as: necropsy, postmortem, postmortem examination

Why is an autopsy done?

To determine the cause of death

When a suspicious or unexpected death occurs

To observe the effects of disease; when there's a public health concern, such as an outbreak with an undetermined cause

To establish the evolution and mechanisms of disease processes

When no doctor knows the deceased well enough to state a cause of death and to sign the death certificate

When the doctor, the family or legally responsible designee of the deceased person requests an autopsy

Who does the autopsy?

Autopsies ordered by the state can be done by a county coroner, who is not necessarily a doctor

A medical examiner who does an autopsy is a doctor, usually a pathologist

Clinical autopsies are always done by a pathologist

How is an autopsy done?

After the patient is pronounced dead by a physician, the body is wrapped in a sheet or shroud and transported to the morgue, where it is held in a refrigeration unit until the autopsy.

Autopsies are rarely performed at night.

Autopsy practice was largely developed in Germany, and an autopsy assistant is traditionally honored with the title "diener", which is German for "helper".

The prosector and diener wear fairly simple protective equipment, including scrub suits, gowns, gloves (typically two pair), shoe covers, and clear plastic face shields.

The body is identified and lawful consent obtained.

The procedure is done with respect and seriousness.

The prevailing mood in the autopsy room is curiosity, scientific interest, and pleasure at being able to find the truth and share it.

Most pathologists choose their specialty, at least in part, because they like finding the real answers.

Many autopsy services have a sign, "This is the place where death rejoices to help those who live." Usually it is written in Latin ("Hic locus est ubi mors gaudet succurrere vitae").

EXTERNAL EXAMINATION

The prosector checks to make sure that the body is that of the patient named on the permit by checking the toe tag or patient wristband ID.

The body is placed on the autopsy table.

Experienced dieners, even those of slight build, can transfer even obese bodies from the carriage to the table without assistance.

Since the comfort of the patient is no longer a consideration, this transfer is accomplished with what appears to the uninitiated a rather brutal combination of pulls and shoves, not unlike the way a thug might manhandle a mugging victim.

The body is measured.

Large facilities may have total-body scales, so that a weight can be obtained.

The autopsy table is a waist-high aluminum fixture that is plumbed for running water and has several faucets and spigots to facilitate washing away all the blood that is released during the procedure.

Older hospitals may still have porcelain or even marble tables.

The autopsy table is basically a slanted tray (for drainage) with raised edges (to keep blood and fluids from flowing onto the floor).

After the body is positioned, the diener places a "body block" under the patient's back. This rubber or plastic brick-like appliance causes the chest to protrude outward and the arms and neck to fall back, thus allowing the maximum exposure of the trunk for the incisions.

Abnormalities of the external body surfaces are then noted and described, either by talking into a voice recorder or making notes on a diagram and/or checklist.

OPENING THE TRUNK

The diener takes a large scalpel and makes the incision in the trunk. This is a Y-shaped incision. The arms of the Y extend from the front of each shoulder to the bottom end of the breast bone (called the xiphoid process of the sternum). In women, these incisions are diverted beneath the breasts, so the "Y" has curved, rather than straight, arms. The tail of the Y extends from the xiphoid process to the pubic bone and typically makes a slight deviation to avoid the umbilicus (navel). The incision is very deep, extending to the rib cage on the chest, and completely through the abdominal wall below that.

With the Y incision made, the next task is to peel the skin, muscle, and soft tissues off the chest wall. This is done with a scalpel. When complete, the chest flap is pulled upward over the patient's face, and the front of the rib cage and the strap muscles of the front of the neck lie exposed. Human muscle smells not unlike raw lamb meat in my opinion. At this point of the autopsy, the smells are otherwise very faint.

An electric saw or bone cutter (which looks a lot like curved pruning shears) is used to open the rib cage. One cut is made up each side of the front of the rib cage, so that the chest plate, consisting of the sternum and the ribs which connect to it, are no longer attached to the rest of the skeleton. The chest plate is pulled back and peeled off with a little help of the scalpel, which is used to dissect the adherent soft tissues stuck to the back of the chest plate. After the chest plate has been removed, the organs of the chest (heart and lungs) are exposed (the heart is actually covered by the pericardial sac).

Before disturbing the organs further, the prosector cuts open the pericardial sac, then the pulmonary artery where it exits the heart. He sticks his finger into the hole in the pulmonary artery and feels around for any thromboembolus (a blood clot which has dislodged from a vein elsewhere in the body, traveled through the heart to the pulmonary artery, lodged there, and caused sudden death. This is a common cause of death in hospitalized patients).

The abdomen is further opened by dissecting the abdominal muscle away from the bottom of the rib cage and diaphragm. The flaps of abdominal wall fall off to either side, and the abdominal organs are now exposed.

REMOVING THE ORGANS OF THE TRUNK

The most typical method of organ removal is called the "Rokitansky method." This is not unlike field dressing a deer. The dissection begins at the neck and proceeds downward, so that eventually all the organs of the trunk are removed from the body in one bloc.

The first thing the diener does is to identify the carotid and subclavian arteries in the neck and upper chest. He ties a long string to each and then cuts them off, so that the ties are left in the body. This allows the mortician to more easily find the arteries for injection of the embalming fluids.

A cut is them made above the larynx, detaching the larynx and esophagus from the pharynx. The larynx and trachea are then pulled downward, and the scalpel is used to free up the remainder of the chest organs from their attachment at the spine.

The diaphragm is cut away from the body wall, and the abdominal organs are pulled out and down.

Finally, all of the organs are attached to the body only by the pelvic ligaments, bladder, and rectum.

A single slash with the scalpel divides this connection, and all of the organs are now free in one block. The diener hands this organ bloc to the prosector. The prosector takes the organ bloc to a dissecting table (which is often mounted over the patient's legs) and dissects it. Meanwhile, the diener proceeds to remove the brain.

Another method is called Virchow method, which entails removing organs individually.

EXAMINATION OF THE ORGANS OF THE TRUNK

At the dissection table, the prosector typically dissects and isolates the esophagus from the rest of the chest organs. This is usually done simply by pulling it away without help of a blade (a technique called "blunt dissection"). The chest organs are then cut away from the abdominal organs and esophagus with scissors. The lungs are cut away from the heart and trachea and weighed, then sliced like loaves of bread into slices about one centimeter thick. A long (12" - 18"), sharp knife, called a "bread knife" is used for this.

The heart is weighed and opened along the pathway of normal blood flow using the bread knife or scissors. Old-time pathologists look down on prosectors who open the heart with scissors, rather than the bread knife, because, while the latter takes more skill and care, it is much faster and gives more attractive cut edges than when scissors are used. The coronary arteries are examined by making numerous crosscuts with a scalpel.

The larynx and trachea are opened longitudinally from the rear and the interior examined. The thyroid gland is dissected away from the trachea with scissors, weighed, and examined in thin slices. Sometimes the parathyroid glands are easy to find, other times impossible.

The bloc containing the abdominal organs is turned over so that the back side is up. The adrenal glands are located in the fatty tissue over the kidneys (they are sometimes difficult to find) and are removed, weighed, sliced, and examined by the prosector.

The liver is removed with scissors from the rest of the abdominal organs, weighed, sliced with a bread knife, and examined. The spleen is similarly treated.

The intestines are stripped from the mesentery using scissors (the wimpy method) or bread knife (macho method). The intestines are then opened over a sink under running water, so that all the feces and undigested food flow out. As one might imagine, this step is extremely malodorous. The resultant material in the sink smells like a pleasant combination of feces and vomitus. The internal (mucosal) surface of the bowel is washed off with water and examined. It is generally the diener's job to "run the gut," but usually a crusty, senior diener can intimidate a young first- year resident prosector into doing this ever-hated chore. Basically, whichever individual has the least effective steely glare of disdain is stuck with running the gut.

The stomach is then opened along its greater curvature. If the prosector is lucky, the patient will have not eaten solid food in a while. If not, the appearance of the contents of the stomach will assure the prosector that he will not be eating any stews or soups for a long time. In either case, the smell of gastric acid is unforgettable.

The pancreas is removed from the duodenum, weighed, sliced and examined. The duodenum is opened longitudinally, washed out, and examined internally. The esophagus is similarly treated.

The kidneys are removed, weighed, cut lengthwise in half, and examined. The urinary bladder is opened and examined internally. In the female patient, the ovaries are removed, cut in half, and examined. The uterus is opened along either side (bivalved) and examined. In the male, the testes are typically not removed if they are not enlarged. If it is necessary to remove them, they can be pulled up into the abdomen by traction on the spermatic cord, cut off, cut in half, and examined.

The aorta and its major abdominal/pelvic branches (the renal, celiac, mesenteric, and iliac arteries) are opened longitudinally and examined.

Most of the organs mentioned above are sampled for microscopic examination. Sections of the organs are cut with a bread knife or scalpel and placed in labeled plastic cassettes. Each section is the size of a postage stamp or smaller and optimally about three millimeters in thickness. The cassettes are placed in a small jar of formalin for fixation. They are then "processed" in a machine that overnight removes all the water from the specimens and replaces it with paraffin wax. Permanent microscopic sections (five microns, or one two-hundredth of a millimeter thick) can be cut from these paraffin sections, mounted on glass slides, stained, coverslipped, and examined microscopically. The permanent slides are usually kept indefinitely, but must be kept for twenty years minimum.

Additional small slices of the major organs are kept in a "save jar," typically a one-quart or one-pint jar filled with formalin. Labs keep the save jar for a variable length of time, but at least until the case is "signed out" (i.e., the final written report is prepared). Some labs keep the save jar for years. All tissues that are disposed of are done so by incineration.

A note on dissection technique: All of the above procedures are done with only four simple instruments -- a scalpel, the bread knife, scissors, and forceps (which most medical people call "pick-ups." Only scriptwriters say "forceps"). The more handy the prosector, the more he relies on the bread knife, sometimes making amazingly delicate cuts with this long, unwieldy-looking blade. The best prosectors are able to make every cut with one long slicing action. To saw back and forth with the blade leaves irregularities on the cut surface which are often distracting on specimen photographs. So the idea is to use an extremely sharp, long blade that can get through a 2000-gram liver in one graceful slice. Some old-time purist pathologists actually maintain their own bread knives themselves and let no one else use them. Such an individual typically carries it around in his briefcase in a leather sheath. This would make an excellent fiction device, which, to my knowledge, has not been used. Imagine a milquetoast pathologist defending himself from a late-night attacker in the lab, with one desperate but skillful slash of the bread knife almost cutting the assailant in half!

Note on the appearance of the autopsy suite: Toward the end of the autopsy procedure, the room is not a pretty sight. Prosectors vary markedly in how neat they keep the dissection area while doing the procedure. It is legendary that old-time pathologists were so neat that they'd perform the entire procedure in a tux (no apron) right before an evening at the opera (pathologists are noted for their love of classical music and fine art). Modern prosectors are not this neat. Usually, the autopsy table around the patient is covered with blood, and it is very difficult not to get some blood on the floor. We try to keep blood on the floor to a minimum, because this is a slippery substance that can lead to falls. The hanging meat scales used to weigh the organs are usually covered with or dripping with blood. The chalk that is used to write organ weights on the chalkboard is also smeared with blood, as may be the chalkboard itself. This is an especially unappetizing juxtaposition.

Another example using the Virchow method:

After the intestines are mobilized, they may be opened using special scissors.

Inspecting the brain often reveals surprises. A good pathologist takes some time to do this.

The pathologist examines the heart, and generally the first step following its removal is sectioning the coronary arteries that supply the heart with blood. There is often disease here, even in people who believed their hearts were normal.

After any organ is removed, the pathologist will save a section in preservative solution. Of course, if something looks abnormal, the pathologist will probably save more. The rest of the organ goes into a biohazard bag, which is supported by a large plastic container.

The pathologist weighs the major solid organs (heart, lungs, brain, kidneys, liver, spleen, sometimes others) on a grocer's scale.

The smaller organs (thyroid, adrenals) get weighed on a chemist's triple-beam balance.

The next step in the abdominal dissection will be exploring the bile ducts and then freeing up the liver. The pathologist uses a scalpel or other similar tool.

After weighing the heart, the pathologist completes the dissection. There are a variety of ways of doing this, and the choice will depend on the case. If the pathologist suspects a heart attack, a long knife may be the best choice.

In the example: The liver is removed. The pathologist finds something important. It appears that the man had a fatty liver. It is too light, too orange, and a bit too big. Perhaps this man had been drinking heavily for a while.

The pathologist decides to remove the neck organs, large airways, and lungs in one piece. This requires careful dissection. The pathologist always examines the neck very carefully.

The liver in this example weighs much more than the normal 1400 gm.

The lungs are almost never normal at autopsy. In the example, the lungs are pink, because the dead man was a non-smoker. The pathologist will inspect and feel them for areas of pneumonia and other abnormalities.

The liver is cut at intervals of about a centimeter, using a long knife. This enables the pathologist to examine its inner structure.

The pathologist weighs both lungs together, then each one separately. Afterwards, the lungs may get inflated with fixative.

The rest of the team continues with the removal of the other organs. They may decide to take the urinary system as one piece, and the digestive system down to the small intestine as another single piece. This will require careful dissection.

One pathologist holds the esophagus, stomach, pancreas, duodenum, and spleen. He opens these, and may save a portion of the gastric contents to check for poison.

Another pathologist holds the kidneys, ureters, and bladder. Sometimes these organs will be left attached to the abdominal aorta. The pathologist opens all these organs and examine them carefully.

Dissecting the lungs can be done in any of several ways. All methods reveal the surfaces of the large airways, and the great arteries of the lungs.

Most pathologists use the long knife again while studying the lungs. The air spaces of the lungs will be evaluated based on their texture and appearance.

Before the autopsy is over, the brain is usually suspended in fixative for a week so that the later dissection will be clean, neat, and accurate.

If no disease of the brain is suspected, the pathologist may cut the brain fresh.

The kidneys are weighed before they are dissected.

It is the pathologist's decision as to whether to open the small intestine and/or colon. If they appear normal on the outside, there is seldom significant pathology on the inside.

One pathologist prepares the big needle and thread used to sew up the body.

When the internal organs have been examined, the pathologist may return all but the tiny portions that have been saved to the body cavity. Or the organs may be cremated without being returned.

The appropriate laws, and the wishes of the family, are obeyed.

The breastbone and ribs are usually replaced in the body.

The skull and trunk incisions are sewed shut ("baseball stitch").

The body is washed and is then ready to go to the funeral director.

These notes do not show all the steps of an autopsy, but will give you the general idea. 

During the autopsy, there may be photographers, evidence technicians, police, hospital personnel, and others.

In the example, the pathologists submit the tissue they saved to the histology lab, to be made into microscopic slides.

When these are ready, they will examine the sections, look at the results of any lab work, and draw their final conclusions.

The only finding in this sample autopsy was fatty liver. There are several ways in which heavy drinking, without any other disease, can kill a person. The pathologists will rule each of these in or out, and will probably be able to give a single answer to the police or family.

CLOSING UP AND RELEASING THE BODY

After all the above procedures are performed, the body is now an empty shell, with no larynx, chest organs, abdominal organs, pelvic organs, or brain. The front of the rib cage is also missing. The scalp is pulled down over the face, and the whole top of the head is gone. Obviously, this is not optimal for lying in state in public view. The diener remedies this problem. First, the calvarium is placed back on the skull (the brain is not replaced), the scalp pulled back over the calvarium, and the wound sewn up with thick twine using the type of stitch used to cover baseballs. The wound is now a line that goes from behind the ears over the back of the skull, so that when the head rests on a pillow in the casket, the wound is not visible.

The empty trunk looks like the hull of a ship under construction, the prominent ribs resembling the corresponding structural members of the ship. In many institutions, the sliced organs are just poured back into the open body cavity. In other places, the organs are not replaced but just incinerated at the facility. In either case, the chest plate is placed back in the chest, and the body wall is sewn back up with baseball stitches, so that the final wound again resembles a "Y."

The diener rinses the body off with a hose and sponge, covers it with a sheet, and calls the funeral home for pick- up. As one might imagine, if the organs had not been put back in the body, the whole trunk appears collapsed, especially the chest (since the chest plate was not firmly reattached to the ribs). The mortician must then remedy this by placing filler in the body cavity to re-expand the body to roughly normal contours.

Ultimately, what is buried/cremated is either 1) the body without a brain and without any chest, abdominal, or pelvic organs, or 2) the body without a brain but with a hodgepodge of other organ parts in the body cavity.

FINISHING UP

After the funeral home has been called, the diener cleans up the autopsy suite with a mop and bucket, and the prosector finishes up the notes and/or dictation concerning the findings of the "gross exam" (the part of the examination done with the naked eye and not the microscope; this use of the term "gross" is not a value judgement but a direct German translation of "big" as opposed to "microscopic").

For some odd reason, many prosectors report increased appetite after an autopsy, so the first thing they want to do afterwards is grab a bite to eat.

The whole procedure in experienced hands, assuming a fairly straightforward case and no interruptions, has taken about two hours.

Complicated cases requiring detailed explorations and special dissections (e.g., exploring the bile ducts, removing the eyes or spinal cord) may take up to four hours.

AFTER THE AUTOPSY

Days to weeks later, the processed microscopic slides are examined by the attending pathologist, who renders the final diagnoses and dictates the report.

A final report is ready in a month or so. The glass slides and a few bits of tissue are kept forever, so that other pathologists can review the work.

Only the pathologist can formally issue the report, even if he or she was not the prosector (i.e., the prosector was a resident, PA, or med student).

The report is of variable length but almost always runs at least three pages. It may be illustrated with diagrams that the prosector draws from scratch or fills in on standard forms with anatomical drawings.

The Joint Commission for the Accreditation of Healthcare Organizations (JCAHO), which certifies hospitals, requires the final report to be issued within sixty days of the actual autopsy.

The College of American Pathologists, which certifies medical laboratories, requires that this be done in thirty days.

Nevertheless, pathologists are notorious for tardiness in getting the final report out, sometimes resulting in delays of years.

Perhaps the non-compensated nature of autopsy practice has something to do with this. Pathologists are otherwise very sensitive to turnaround times.

THE BRAIN-CUTTING

The examiner returns to the brain left suspended in a big jar of formalin for a few weeks. After the brain is "fixed," it has the consistency and firmness of a ripe avocado.

Before fixation, the consistency is not unlike that of three-day- old refrigerated, uncovered Jello.

Infant brains can be much softer than that before fixation, even as soft as a flan dessert warmed to room temperature, or worse, custard pie filling. Such a brain may be difficult or impossible to hold together and can fall apart as one attempts to remove it from the cranium.

Assuming good fixation of an adult brain, it is removed from the formalin and rinsed in a running tap water bath for several hours to try to cut down on the discomforting, eye-irritating, possibly carcinogenic formalin vapors.

The cerebrum is severed from the rest of the brain (brainstem and cerebellum) by the prosector with a scalpel.

The cerebellum is severed from the brainstem, and each is sliced and laid out on a tray for examination.

The cerebrum is sliced perpendicularly to its long axis and laid out to be examined.

Sections for microscopic processing are taken, as from the other organs, and a few slices are held in "save jars."

The remainder of the brain slices is incinerated.

Sources: 1 2 3 4

If these notes help with your poem/story, do tag me, or leave a link in the replies. I would love to read them!

[devsgames]

"Is Tumblr Blaze Worth It For Promoting My Indie Game?" - a Postmortem

Lately I've been thinking about marketing and promotion of my games and wanting to explore new avenues. Tumblr Blaze was one of those things I wanted to dip my toes into a bit to understand how it works and if it has potential for advertising my sort of stuff. Like as not, there's no point in making games if nobody actually plays them after all!

Conversely I have also heard bad things about Tumblr Blaze; that it's not very targeted, the reach is fairly limited, and people on this site generally hate anything that is Blazed to them.

I wanted to test all these waters a bit to see if it's something worth investing in, and share what I found for my own benefit and the benefit of others. Finding various info on topics like this for indie dev can be a pain, so why not share my findings?

The Plan and Goal

While Centauri Dark is still in development and is the thing I actually want to advertise more of right now, Bombing!! 2 is already out and is much more marketable with some cool art made by community members. I think as a first impression it tends to show well, so I decided to make my test post with that to get exposure to it and see how it goes.

My goal was mostly to see what a Blaze post does for advertising a launched indie game and how much "eyes on" it actually gets in terms of actual engagement.

Posting

From the outset I knew I wanted to make a post that 1) wasn't annoying to people just looking at the webbed site 2) featured a call to action of some kind I could measure 3) wouldn't break the bank.

Here's what I came up with:

The intention was to flash some cool looking art to grab their attention, explain what they're looking at, and then link the game a couple of times while mentioning "Buy or Wishlist" for good measure as a call to action.

Since Bombing!! 2 is such an art-forward game, I found the coolest art pieces made by community members that felt the most "Tumblr" to match the audience, and would also show off the range of art you could make in the game. I also wanted to make it personal, like me writing a message to whoever would read it instead of something that sounded like a standard ad. Generally I think it was a fairly reasonable little post that catches some interest and doesn't overstay too much of a welcome. What I think also helps is it's explicitly a "hey this might interest you" sort of framing (as opposed to a more "why am I even seeing this" sort of post you tend to get from Blaze sometimes).

I also think it's worth emphasizing that writing a posted explicitly intending to be Blazed was a much stronger approach than just Blazing some random post I had made for my own followers months ago, because I could align it to my promotional goals. It also assumed that random people on the Internet would be the ones seeing my post, and not the followers and friends who already know me and my work.

Blazing

As I looked into Blaze early on there was actually a few key things I wasn't fully aware of about the system.

It guarantees a minimum amount of views

It guarantees it will be Blazed for a minimum of 24 hours no matter how many views

You pay a single base rate for the whole campaign (great compared to some ads which tend to price based on views/engagement).

You can define an audience explicitly (some info that was floating around lead me to believe this wasn't the case).

Campaigns come in a few amounts:

I paid for the 2nd tier; $17 USD for a campaign, which amounts to $25 CDN. I wanted to go a little more into it than the lowest tier offered, since I figured the lowest wouldn't give me as much data as I would've liked and I wanted to know what to reasonably expect should I decide to do it again in the future.

Since Bombing!! 2 sells for ~$20USD I also figure if the Blaze campaign prompts at least two people to buy the game then the Blaze would have paid for itself.

Blaze lets you use tags to define which audiences you want to reach. Unfortunately it doesn't let you view that data after you've applied it, but the tags I chose were generally anyone who spoke English and has an interest in Digital Artist or Video Game circles.

The campaign ran for 24 Hours, starting yesterday and ending today.

The Results

I definitely noticed a sharp uptick in engagement during the campaign! It hit the target audience of ~7k around one hour into the campaign, after which point I noticed engagement take a sharp decline.

Here's the Blaze campaign analytics provided by Tumblr (which was also very helpful to have):

So it seems ~12.5k views from Blaze, ~370 likes, ~80 reblogs, 5 shares elsewhere. The post itself has ~520 notes, so I assume there's some reblogging and liking happening from beyond the Blaze campaign that isn't pictured here. The good thing is that despite having reached its 7k target after only 1 hour, it continued to circulate and be Blazed until 24 hours later. Eventually the post made it to ~12k views overall, which was nearly double the amount promised by the campaign - I attribute this mostly to a strong post/target audience/subject matter and I'm sure it's not standard.

Here's the general velocity of engagement around when the post was Blazed:

It jumped much more than I honestly expected, but you can tell Blaze seemed to put it in front of people's faces more than my regular posts do. You can see it drops off sharply as I hit the quoted amount as well, back down to the normal amount of engagement I get on Tumblr.

But this stuff isn't really what I was looking for; I was looking for sales and keeping an eye on 'conversions' - or how many users followed my call to action because of the post. Likes and stuff are fine and cool, but how many people bought or wishlisted the game on Steam as a result of seeing the post on Tumblr?

Tumblr and Blaze obviously have no way of telling me this, so I'm looking to Steam to show me changes there.

Here's what Steam shows me happened to the Bombing!! 2 views yesterday:

That's not nothing! This shows the last month's worth of traffic to the Bombing!! 2 page, and that number was at least double yesterday as it was regularly. It's very cool to know a number of people did actually click through to the game page in order to view the game from the Blaze post.

But the real REAL question is how many bought or wishlisted the game because of this post?

I'll start with Sales, on a graph of 1 month of data:

Flat line :( Which is fine though, as the game wasn't on Sale and was just reaching people for the first time. I didn't honestly expect any immediate sales from this, and was more focused on other engagement anyways. Honestly I would be surprised if someone saw the game on a Blaze post and bought it immediately. I mean it's good but it's probably not THAT good!

Now to Wishlists, which can be a good indicator of who might likely buy your game in the future. Basically if someone has added a game to their wishlist, there's reason to believe they might buy it in the future, which is good for your game.

Here's the Wishlists for Bombing!! 2 from the last month:

That's 23 Wishlists in one day! That's roughly ~18 Wishlists more than an average day!

It's hard to know if some of these are because of the post or just a statistical fluke. However, when compared to previous trends on the game page that's quite a noticeable difference. It means even if no one bought it now, they were interested enough to add it to their shortlist. Looking at it another way, if two people who Wishlisted decided to buy the game in the future the campaign will have paid for itself.

Conclusions

I think like any advertising if you go into it with a plan in mind and try to build something around a specific action, Blaze seems pretty worth it to me especially if I just want to get eyes on something. On top of the obvious data telling me people were interested in the game, there was a few folks who just plain complemented the game or acknowledged it 'was the first Blaze post they were actually interested in', which felt worth it in it's own qualitative sort of way. It's also worth noting my game sells for $20USD, so the margins are large enough that making it back isn't too challenging.

I think having an idea of the message I wanted to send really helped, and I'm sure I'd happily do this again with a larger audience and another plan (and probably will do it for when Centauri Dark releases).

[whenanafallsinlove]

UNDER INVESTIGATION; SHOTO TODOROKI X FEM READER CH. 1: STARTING LINE || series m.list Summary: As a forensic medical examiner, you are used to working alongside the police, but a concerning case calls for the aid of a pro-hero. When Shoto shows up, the time you spend together makes you realise that the case is not the only thing you would like to solve. Maybe what you start to feel needs to go under investigation too. Warnings: crime, violence, discrimination Tags:  prohero au, fem reader, aged up characters, romance + crime, multichapter WC: 4k

It has been a few minutes since the small meeting took place. It concluded with you agreeing to send the autopsies’ reports as soon as you had them. You also agreed to examine each body’s lab results to see if you could find any additional indicators that the three people had died under equal circumstances.

The intention of the meeting was barely a precaution—to advise the police with your opinion as a forensic. As of now, you have no clue how they are handling the investigation or if they have even considered the possibility of these being victims of a murder.

Your supervisor waited for the other two men to leave the room before speaking.

“(Y/L/N), do you really think there is someone behind all this?” His arms cross his chest questioningly.

“I know it is early to assume anything-”

“You know there is no space for assuming in our field.” He interrupts you, and you need to breathe deeply to avoid snapping.

“Yes, I know,” you sigh. “But there is something very wrong about this. Like I said, the three corpses were all at an early stage of postmortem when I examined them. None of them had a reason to decay so rapidly.”

He nodded and stared at his feet thoughtfully.

“Look, the police are currently packed with other minor cases. They are asking Hero Agencies to fill in with the investigations to catch bigger criminals.” He paused to make sure you were following. “During the call, you seemed convinced that this was critical, so they decided to send Shoto. But I need you to be positive that these deaths are related somehow; we cannot make neither the police nor Shoto waste their time.”

You felt almost offended. It was natural for your supervisor to question your work and encourage you to grow. But this felt like he was doubting your years of study and hard work. As if he hadn’t taught you most of the things you currently know.

You mentally scoff before answering.

“I can show you the pictures; I can show you the lab results that show that the bodies have the same mold type; and we can wait for the third lab to prove this too! I’m telling you, this is no coincidence! I took the toxicology tests!” You breathe to calm yourself. “Besides, you know the police think something is wrong too; you heard the detective. Why would they choose the number three hero if they didn’t? Just because I asked? I’m flattered!”

He raises an eyebrow at your tone, making you embarrassed for losing your temper.

“I trust you. I just wanted to confirm that you’re positive about this. As I said, the police are packed and no detectives are available, so I will have to assign you to work on the investigation with Shoto.”

“Me and Shoto? What about the detective that was just here?”

“He’s just a representative; if anything, he’s the busiest at the moment.”

“And who would lead the case?”

“You, of course. It’s time to put to use your criminology degree too.”

“I just got it, and it was merely to give better analysis on the autopsies…”

“(Y/L/N), are you taking the opportunity, or should I find someone else?” He sighs and pinches his nose with two fingers. He looks exasperated.

“Yeah, of course I am!” You say it with an indignant tone.

“Good. You can contact Shoto directly to discuss anything related to the investigation. I trust you’ll do good work?” You nod.

“You know I’ll do my best. Make sure you send me his contact.” You sound defeated, but in reality, you are thrilling with the situation in hand.

Your supervisor grins and walks to the door. Before closing it behind him, he speaks once again.

“And (Y/L/N)?”

“Yes?”

“Stop smiling so much at Shoto; it’s creepy.”

You blush at his comment and thank that no one is around to notice how embarrassed you feel.

It is almost nighttime by the time you make your way home. You take the train with a satisfied grin on your face; the conversation you had with your supervisor is still lingering in your mind. You flush in embarrassment at the memory, but the emotion is switched once again to excitement when you remember the case.

This is a huge opportunity for you. You have been working with your supervisor since your days as a medical intern. After getting to help with some cases, you decided to get a degree in criminology as well; you figured it would help you be better in your field. And even though this was not your first solo investigation, you had always treated minor affairs; the most common deaths were provoked by ‘incidental quirk usage’. A little tragic and funny, in your opinion.

But if your suspicions are correct, this is a major league case.

So now, you find yourself at home with a cup of coffee in hand and roaming once again through some of the lab results.

You read each parameter with detail, your eyes darting between the pages. Nothing catches your eye; everything seems normal outside the organs’ results, which present the same type of fungi in the three bodies.

Then, your phone buzzes, interrupting your analysis. You automatically check to see the notification, and your heart sinks a little when you read it.

An unknown number sent you a message.

[10:48 PM]

Unknown: Hey, this is Shoto. Your supervisor sent me your phone number, but I just want to check if it’s correct. Is this Dr. (Y/L/N)?

You stare at it for a few seconds before saving his number and typing back.

You: Yes! It is me!

You would like to respond to his messages with double the enthusiasm, but you remind yourself to be professional.

Shoto: Ok. Please contact me as soon as you have an update.

You: I already have some of the lab results. I’m currently going through them, so whenever you have time, we can schedule to meet. We need to discuss the investigation in general.

Shoto: I am free tomorrow around lunch. Is it alright for you?

You: Sure!

Shoto: Ok. See you tomorrow. Goodnight.

Just then, the tiredness and sleep deprivation that have been building in the past few days finally hit you. So, you decide it’s time to go to bed.

You wake up the next morning around 7 a.m. and start your daily routine. This is the most you have slept in the last week. As a forensic, you must be accustomed to irregular shifts. There are some things that cannot wait, and analyzing a body is one of them. A few hours can make the difference while searching for proof.

While you are having breakfast, you get a text from Shoto.

[9:03 AM]

Shoto: Good morning, Dr. (Y/L/N). I was wondering where you would want to meet for lunch.

“He texts like my grandpa.” You think and laugh to yourself.

You: Good morning, Shoto! I think somewhere private would be proper, since the information is supposed to be classified. Or somewhere not too busy!

Shoto: Ok. I’ll send you the location. Let’s meet at 12:00.

Shoto: [Attached Location]

You: Good, see you in a few hours! :)

It is still early, so you go through the paperwork once again, just to make sure all the reports are coherent with the lab results. There is a minor unease in the back of your mind; you feel a little anxious at the thought of messing up in your first important work. Besides, working closely with a top hero is not cooperating with your growing stress.

A few hours later, you arrive at his agency. You walk into the building and notice how big it is. There is a young man and an older woman seated at the reception. In the middle of the construction, there is a transparent elevator that connects all the floors. You start to walk towards the workplace cafeteria, where Shoto had asked you to meet. He had given you some indications to avoid that you got lost, and you cannot be more grateful. As you enter the small food place, you find a free table and sit there, shuffling in your bag and grabbing your phone in case he texts.

“Hey, did you get here alright?” You hear Shoto’s voice and see him approaching you.

“Yes, thank you! I had never been here; it’s very nice!” you say, and he grins politely at your compliment.

“Do you want something to eat before we get to work? It’s on me.”

“Uh, sure! I’ll have whatever you have!” He nods and walks towards the cafeteria counter.

A couple of minutes later, he comes back with two plates of soba. It looks and smells amazing, and your stomach growls.

“Thanks, it looks really good!”

“I wasn’t sure if you liked soba, so I brought a couple of pork buns too.” He seems indifferent when he says this, but you still feel grateful.

“I appreciate it.” You smile and decide to go straight to the work talk. “So, have they given you all the investigation paperwork?” You ask as you start to eat.

“Yes, but it doesn’t have a lot of information since it is all recent.” He says and you nod in understanding.

“Do you have it with you?” you ask.

“All the files are on my computer. After we have lunch, we can go to my office and check all the information we have together.”

“Sounds good.” You nod and give him a slight smile.

After that, none of you speak for a few minutes. You feel awkward as you hear some room chatter and cutlery sounds echoing in the background.

You search in your mind for topics you can talk about with Shoto, but your confidence in starting a conversation lessens every time you see his uninterested face. You know from the media that he is not very talkative, but he still has a great reputation for treating his fans and other civilians with respect. You look at him in an attempt to find the key to making him speak.

He suddenly looks up from his plate of soba and meets your gaze, quirking his brow in curiosity. You blush, feeling a wave of embarrassment for being caught, and then focus your eyes again on your own food.

Shoto is very interested in your personality. Yesterday, while you were in the morgue, you seemed very confident and eager to be heard, but right now, you are as quiet as a mouse. He doesn’t know if something is bothering you, so he decides to clear his throat and break the silence.

“What you were explaining yesterday was interesting.”

He sees how your face lights up, and he thinks you resemble a little kid that is given candy.

“Really? I thought you were going to pass out right there.” You chuckle at the memory.

“I was not. I don’t usually see corpses, so I was just taking it all in.” He shrugs while sinking back to his plate.

“Right.” You understand how impactful it is to see a scene like that for the first time. “You said it was your first time in a morgue; did you like it?” You offer an expectant smile, as if what you just asked was common.

Shoto thinks for a couple of seconds for the right words and then answers.

“Uhm- I mean, as a job it is intriguing, but I really expect it to be the only reason I’m ever there.” He scratches the back of his neck, with a thoughtful look.

“Yeah, I get it!” You say, while laughing at his unintended joke. You see how the corners of his lips shift to a small smile.

“Do you like it? Your job?” he asks.

“Yes! I always liked science as a kid, and when I got older, I started reading and watching a lot of crime stories. So, I chose a job where I can do both!”

“How are you capable of facing death so easily?”

You’re not taken aback by the question. People commonly ask you that when they learn what your job is, but it surprises you that he is engaging in the talk. Not that you’re complaining; you are a very talkative person.

“I mean, it’s not that it doesn’t affect me. I have seen terrible and heart-wrenching things, but I would rather think of the people that may be saved if I helped even the slightest from my lab. You’re a hero; you must know what I mean.”

He hums and nods in response, seemingly satisfied with your answer. After that, you fall back in silence for a while as you both finish your food. Then, you decide to ask him if he’s ready to chime into work.

"Well, do you-”

“Are you-”

You and Shoto speak at the same time, making the both of you blush at the awkwardness.

“Sorry, what were you saying?” You ask first.

“I was going to ask if you were finished with your food so we could get to work.”

“Oh! Yeah, I’m finished. I was about to ask you the same thing.” You chuckle.

“Let’s go, then.” He gives a small smile.

You follow Shoto through the agency; he enters the elevator and presses the last button, apparently for the highest floor in the building. The elevator is made of glass, allowing you to admire the agency as you go up.

It takes a few seconds for the elevator to arrive, and when the door opens, you catch sight of the entire city through the big windows. It is an awesome view, but you get chills when you realize how far from the floor you are.

Before you can think any further, Shoto taps on your shoulder and tells you, “My office is over here.” Gesturing to a door at the end of the hall.

He starts to walk, and you go behind him. He shuffles in the bags of his pants, looking for his keys, and opens the door, moving to the side so you can enter first.

“Thanks.” You say, and he closes the door after getting in.

You turn to see the office; it is very neat and organized; it is very ordinary as well. There are some wooden shelves in the back, stuck up with decorations; there is a simple desk made of a similar wood; and three black leather chairs, one behind the desk and two in front.

“Let me move one of the chairs next to mine, so you can see the computer.” Shoto says, and soon enough he is carrying one of the chairs and placing it beside his.

You walk around the desk and take a seat, thanking Shoto once again. He nods and sits next to you; then, he turns the computer on and types a password that you swear is longer than a whole book chapter, so you start laughing.

He turns to look at you and asks, “Why are you laughing? Are you okay?”

“Yeah, it’s just that your password is very long! Sorry for prying, but I noticed you tapped like a whole sentence.” You keep laughing, and he just stares, confused. “How do you even remember that?”

“I just changed it today. I used to have just a pin, but you said that the files are supposed to be confidential, so I thought I was supposed to be more cautious. That’s why I locked my office too.” Shoto explained, still unamused and disconcerted.

“Oh.” Now you feel bad for laughing, but you find it a little adorable how serious Shoto is taking everything you say. “I guess it’s fine then; better safe than sorry,” and you smile at him.

He nods and smiles as well, then turns around and clicks around his files to find the one with all the information the police had collected. When it opens, you see that it’s just three pages of information, one for each person that was found.

You read through it and see that it’s just details of the victims and where and how they were found.

“Is it really just that?” You ask, a little disappointed and stressed about how you really are going to have to start from zero.

“And some photos, but I was waiting for you so we could see them.”

“Okay.” You sigh and pinch the bridge of your nose. “Where do you want to start? Should we read the files, the labs, or see the photos?”

Shoto notices how you tense up a little, so he figures you should start with the topic that you like the most.

“Let’s read the labs first.”

“Nice choice.” You grab the documents that you had in your bag and place them on the desk. “So… Did you understand everything I explained yesterday, or should we go over it again?”

“I got it after you explained it in a more universal language.” He says with a slight apologetic tone. You laugh slightly.

“Good! But, I guess I’ll have to give you a ‘Forensics Medicine 101’ as we go through the labs!” 

“Okay.” Shoto says, and shrugs.

“Wait, really? I was joking.”

“Only if you want. I think it is important for me to understand the case better.”

“Oh, okay. Take one of the labs; we’ll go through it together as I explain, then!”

Shoto nods and takes the document that is on top.

“Okay, so first things first. As a medical examiner, my job is to collect the proof that the body presents. I am in charge of the autopsies to determine the cause of death and other conditions that people may have been exposed to before and after dying.”

“And you do that only by watching the body?”

“Mostly, yes. There’s so much a body can say: the facial expressions, the placement of the body, the condition of the organs… But when there are signs of exposure to unnatural circumstances, we take samples of the body fluids for analysis.”

“And what made you think there was something unnatural about this?”

“Honestly, I was just taking the labs to confirm the time that the body had been deceased. At first, I thought the person had had some kind of terrible infection, but then the lab results did not check with the decomposition.”

“It’s what you were saying yesterday, right?”

“Yeah. And after that, a second and third bodies arrived with similar signs. So, I just got suspicious that something was wrong.” You shrug.

“I get it; I would have thought so too.” He says, and you feel glad that someone is on your side.

“Well, back to the labs. I took samples of everything, so we can go through each section.”

“Each section?”

“Yeah, you know; blood, hormones, organs, toxicology, DNA…”

“Oh, okay.” He nods.

You read each result with Shoto, explaining if anything was in or out of the parameters. This is like the hundredth time you have read these labs, so you almost know them by memory. As you explain, Shoto just nods or frowns, but he seems to understand most of it.

Then, you get to the last section, which was DNA. You are reading when Shoto interrupts you.

“You can see a person’s quirk in a DNA test?”

“Yes, of course! There are DNA tests that specialize in genealogical quirk trees!”

“And what does it mean if it says ‘n/e’?”

“What? Where did you see that?” Shoto extends the paper and points to the words he just read.

You seem suddenly agitated and grab the other two labs. You turn the pages straight to the DNA sections and gasp.

“I knew something was slipping from me!”

“What is happening?” Shoto asks.

“The three labs say ‘n/e’ in this section; ‘n/e’ means ‘non-existent’.” You take your hand to cover your mouth in a very pensive manner.

“I still don’t get it.”

“Shoto, none of these people had quirks. If a person is really behind this, they may be targeting quirkless people!”

You can physically see how the information dawns on Shoto. His lips part, and his eyes open in surprise. As you both process the new knowledge, the room goes silent for a while.

“Now what? What do we do with this information?” You ask with a nervous laugh.

“We should write it down, I guess.”

“I mean, obviously. But what I’m saying is that we should alert the population, right? We cannot let quirkless people roam around like everything is just fine!”

“But we cannot tell them either, at least not yet. We will only cause a mass panic.” Shoto's expression is stoic, in comparison to yours.

“And we let innocent people die while we figure it out?” Your tone is low, but accusative.

“For all we know, this person is not yet aware that we are investigating these murders. We already have a lead; we are on advantage.”

“I understand that, but I really think we should at least tell the police.”

“(Y/L/N), we are technically the police. But don’t worry; it is very uncommon nowadays to find people without a quirk. I’ll make the agency double the security in secluded areas; that should avoid that there’s another victim soon.”

“Okay.” You take a deep breath. “Sorry for panicking; this is my first case involving a possible serial killer; I don’t want to mess up!”

“It’s okay. You seem… passionate about your job.” Shoto says, and it makes you cackle.

“Let’s go back to the topic. I was thinking we could speak with someone who is specialized in fungi and quirks that involve mushrooms, like Shemage.”

“I know her; she was in my school. I can try to contact her.” Shoto says, with a thoughtful tone.

“Good!” You feel relieved to hear that someone might help you. You think that Shemage will be a great guide at understanding the killer’s quirk, which reduces the stress you were building.

After that, the two of you decide to continue reading the few information that was on the files, exchanging some commentary in between. As you go through the information, you write down the points you find the most important.

Start searching in the government’s quirk registration

Start an investigation for quirk extremists

Speak with Shemage

Speak with the victims’ families

The list of tasks seems simple; you and Shoto can do this. How difficult can it be?

a/n: eng is not my first language, excuse any mistakes! I hope you liked it, comment your thoughts! <3

TAGS: @miyamoratsumuu, @serxndipity-ipity-blog, @lauffey, @pretty-sparkle-bomb, @atashiboba, @the-hangry-otter

[monstrousmuse]

They released a Word Search for The Book Of Bill….and I have thoughts.

Thank you to the wonderful @trickengf for bringing this to our attention over on Twitter/X.

POTENTIAL SPOILERS BELOW THE CUT!

These keywords are…intriguing, to say the least. They seem rather broad, and give the impression of being either chapter titles, or general topics that will be covered in the book.

Right. Time for some speculation:

Global Domination - I think we were all expecting this one, since there was an overt reference to the book containing a ‘key to overthrowing the world (laid out in a handy step-by-step guide’ in its description.

Possession - will we be given insight into how possession works/the ‘mechanics’ surrounding it, and how it feels to possess a human body from the perspective of a being such as Bill? Why he finds physical sensations like pain to be ‘hilarious’, and why ‘body spasms’ are so uncomfortable for him? Maybe he’ll tell us about some of the famous historical figures he enjoyed tormenting, or how ‘itchy’ their meat suits were. 0/10, would not recommend. Will be returning to the store tomorrow. Someone forgot to cut off the tags.

Triangle - triangle anatomy…? A trigonometry lesson? Information surrounding the Second Dimension, perhaps? The book is intended for a ‘mature audience’…Show us what you look like without your exoskeleton, Bill!

Death - either this could mean that Bill will reveal what happened to him after he was ‘erased’ from Stanley’s mind and how he subsequently survived the whole ordeal (including that rather painful-looking punch to the face), or Bill joins the likes of Heidegger and Camus and philosophises for several pages straight. I would personally be happy with either, or both. Although…I still find the idea of the entire book just being some sort of postmortem soul-searching project assigned to him by The Axolotl, and Bill begrudgingly going along with it because it was in the terms of the deal he made to ensure his survival to be absolutely hilarious.

Relationships - …excuse me? Relationships? …With whom, pray tell? Platonic relationships? Romantic relationships? Filial relationships? Bill’s relationship with his family? With The Axolotl, with Time Baby? With Ford?

AXOLOTL - ah, well, there we are. So Bill is most likely going reveal more about his connection with the Big Frills and divulge some interesting bits of lore. …Or not. Does he even know about the ‘sixty degrees that come in threes’ poem?

Demons - interesting. I wonder if there will be a catalogue of the different demons that Bill is aware of/has encountered/is friends with, in a similar fashion to the section in Journal 3 on the categories of ghosts. I also hope that the whole ‘dream demon’ thing will touched upon, since this was an aspect of Bill’s nature that was never really explained in a satisfactory manner, and was arguably even retconned by the time that Weirdmageddon rolled around. Is Bill a ‘dream demon’, or is he a being from the Second Dimension who was somehow rendered both omnipotent and (nigh-)omniscient, and thus merely shares characteristics with true ‘dream demons’, but is not one himself? Neither? Both? And what about the Henchmaniacs? Bill referred to them as ‘demons and nightmares’; are they all different species of demons native to different dimensions across the multiverse, or were they born of the Nightmare Realm and its natural entropy? How is all of this connected to the Mindscape and mortal dreams? So many questions…

Codes - again, will the book include a similar set of pages to the ones that can be found in Ford’s Journal? There are most definitely going to be new ciphers and codes to crack, but for some odd reason, I highly doubt that Bill is going to make it easy for us.

Straws - Silly Straws chapter has been confirmed!!! …In all seriousness, I genuinely have no clue as to what role the illustrious Silly Straw will play in this book. Perhaps there really is going to be an entire section devoted to Bill’s apparent fascination with them, or perhaps there is simply a little throwaway comment tucked in the margins somewhere… I guess we’ll just have to wait and find out when the book is released in *checks calendar* five days.