#posting this and running out of this place i am NOT reading bsd spoilers

[starrynightarchive]

out of context church server: sex and mpreg edition

[afinepricklypear]

Compare and Contrast: K Project vs. Bungou Stray Dogs - Part 3

**Disclaimer: I love both K Project and Bungou Stray Dogs. I highly recommend watching both of them. This series of Compare and Contrast posts I’m doing is merely for my own sake, to get these thoughts out of my head. If you are a fan of one show and not the other, please don’t read, or if you do, save your bashing comments for like-minded antis elsewhere. If you have not seen both, there are a lot of Spoilers ahead, please don’t read. I am heavily critical of both shows, so if you are someone who cannot handle negative things being said (I try not to outright bash and just provide reasonable evidence from the material to back my stances) about your favorite fandom or characters please don’t read. Thank you! ***

Read Part 1, Part 2

Characters

Both Bungo Stray Dogs and K feature ensemble casts, with large numbers of characters. That being said, the shows have vastly different approaches for how they handle those characters and those approaches impact the way they come across for the viewer.

One of the things that K does a hell of a lot better than BSD, is fleshing out and managing of its characters. This may in part be due to the fact, K doesn’t attempt to give all of its characters a starring space in the story. It’s comfortable letting some characters fall into the background, allocating them to the role of side characters. There are only a few members of each of our main clans (Silver, Red, Blue, and later, Green) that are given attention and the rest of the clansmen (Red and Blue are the only clans shown to have notable clans members who regularly show up and are given names and little else outside of our mains) fall to the background. For some people, this may be frustrating, as we don’t learn a whole lot about the rest of Scepter 4 or HOMRA in the anime, but narratively, I’m comfortable with it because I’m not asked by the show to care about those characters, and the characters that I’m meant to care about are given adequate screen time to develop them into someone who’s story I am invested in. That being said, K does have moments that utterly flop. Scepter 4, for me, beyond Fushimi, is an absolute failure in presenting itself as a likeable or, even, relatable organization of individuals (Full disclosure, I hate Munakata, and while Awashima has potential, she’s treated by the series as little more than a miniskirt and bad boob job obsessed with Munakata). They seem to be there only to be obnoxious. I get the sense they were originally intended to be viewed as villains, but they became so popular following the first season, that the creators tried to treat them more as heroes in the movie and second season. However, it was painfully obvious in the final episode of K: Seven Stories – Nameless Circle, as the surviving members of the Green, Red, Silver, and good Colorless clan members (Yukari and Kuroh) enjoyed their final farewells with their fallen clansmen (I dare you not to cry when Mikoto and Totsuka pour Kusanagi a glass and Yata takes Anna’s hand in the background), that Scepter 4 staring up at Munakata’s lost Sword of Damocles was the least humanized of the Clans. They lost nothing, they felt nothing, their presence in Nameless Circle was nearly pointless beyond fan service. Likewise, K heavily drops the ball in Season 1 with its primary antagonist, the Evil Colorless King, who’s back history, motivations, and even his (her?) name remain a mystery to date.

BSD starts out with an already large cast, and while Atsushi and Dazai might arguably be the “main” characters of the show, starring roles in various arcs and episodes are given to the other characters, as well. Most of those episodes, however, can easily be relegated to the “filler” pile. On top of this, BSD continually introduces increasing numbers of characters, it also likes to bump characters up from side character to more main character type roles, which only serves to take limited screen time from the initial cast of characters and ultimately fails to give itself enough space to flesh out the cast. Time constraints, of course, doesn’t always mean a character can’t be adequately developed (see the first ten minutes of Pixar’s Up for how it’s done right), but possibly, because of this limitation, BSD has a tendency to fall back on telling instead of showing. It also feels like many of its characters were not fully developed in the creator’s minds (this appears to have been confirmed in several interviews with the creators) when they started their story, so that when those backgrounds are revealed, especially in those far too often instances where characters that have interacted in past episodes and given no indication of a history between them are newly revealed to have a connections to one another. It feels tacked on and last minute, and consistency of characterizations is lost. As previously discussed in a past post for this Review Series, this may also be due to the fact that K was envisioned as a self-contained story, and BSD seems to have been developed as an ongoing serial without a predetermined ending.

For these next several posts, I want to do more individualized character analyses, but to keep things simple, I will only focus on the characters of K that are given focus in the story and I’ll try to reference only its anime (just to be fair, because I’ve read all of K’s extra materials, and have not for BSD because I lack access in my country). Likewise, I’m only going to talk about BSD’s characters from the Armed Detective Agency and the Port Mafia, as well as, a few key villains like Shibusawa, Fitzgerald, and Fyodor. Once again, I will attempt to keep to only what’s been revealed in the anime.

A reasonable starting point on character analysis for these two shows would be our sort-of main protagonists. Although, BSD and K are both ensemble anime, they do each feature a character that may ostensibly be considered the “main” character, in the sense that they kick off our main events and are positioned as integral to all subsequent storylines. For BSD, that character is Nakajima Atsushi, and for K, that character is Yashiro “Shiro” Isana. Interestingly (maybe), these characters share a similar aesthetic. Both are young males, with white hair and light-colored eyes, they are also both small, waif-like, bishounen that might be better suited to a shojo or even yaoi anime, rather than leads on a seinen series.

At the start of both series, Atsushi and Shiro, respectively, find themselves thrust into a world of supernatural powered people in which they are targeted for reasons to be revealed throughout the story. The greatest similarity between these two, however, is that they are both weak characters. Neither one proves interesting enough to shoulder the responsibilities as main character of the show. You would be hard pressed in either fandom to find someone who would name Atsushi or Shiro as their favorite character. I’m not saying these fans don’t exist, because they do, they are just few and far between.

Shiro spends the first half of the first season trying to avoid being killed by the Red Clan, who believes he killed their Clansman, Tatara Totsuka, at the same time, he is trying to convince his reluctant ally and potential executioner, Kuroh, that he isn’t the Evil Colorless King responsible for Totsuka’s death. Atsushi’s story, on the other hand, begins with him finding out he’s an ability user that shapeshifts into a white tiger, and, subsequently, being rescued and recruited into the Armed Detective Agency by Dazai. Then the Port Mafia begins hunting him because a bounty has been placed on his head, conveniently only after he’s learned that he is the white tiger that he believed had been hunting him his entire life, he’s joined the ADA, and Dazai has the chance to warn him with a picture of Akutagawa “beware of this bad boy” mere hours before Akutagawa attacks him.

The initial drawback with both of these characters is that they are merely victims of the plot and not helping to drive the plot forward in anyway. Shiro only becomes invested in determining why there’s video footage of him murdering Totsuka because Kuroh demands he provide evidence that he’s not the Evil Colorless King or he’ll face justice at the end of Kuroh’s blade. When Atsushi learns about the bounty on his head that Port Mafia is pursuing, rather than show interest in why anyone would want to capture him (alive, to boot), he “nobly” decides to run away, in his naivete believing that it would spare the ADA war with Port Mafia.

Throughout the K story, we do see real change in Shiro’s investment in his own mystery when it’s revealed that his memories, and the memories his classmates have of him, are not real, but fabricated and imposed upon him and those in close proximity by the cat girl that’s obsessed with him, Neko, AKA Official Provider of Fanservice #1.  This provides a further explanation for why he’s so lackluster about pursuing the truth, she’s been bending his reality and his perception of it from the start. It isn’t until her ability and how she’s been using it is revealed, and she runs off in humiliation and panic, that Shiro begins to actively pursue the truth. Even before this, however, Shiro is shown to be a wily and clever character who is quite self-sufficient. In his first meeting with Kuroh, he’s able to escape Kuroh’s justice by lying and manipulating the swordsman. He later throws off the Red Clansmen pursuing him by appearing just as Kuroh is facing off against a very annoyed Yata and calling out to Kuroh as though they are allies. This falls in line nicely with the big reveal of Shiro’s true identity as the Silver King, Adolf K. Weissman. In flashbacks to an unnamed great war (FYI, people speculate this was WWII, which, fun fact, would make Adolf a Nazi, but because this story takes place in an alternate history of the world, it’s equally possible Nazis never existed), we see that Adolf was originally researching the Dresden Slate, a mysterious artifact capable of granting people mysterious powers.

As Adolf, Shiro is shown to be a light-hearted, goofy man with no place in war or battle (consistent with what we’ve already seen in the show). Nothing of his character feels last minute retconned, and no previously unheard of connections are revealed to other existing characters in the show that haven’t been heavily hinted at or already explained. He believes that his research will be helpful in granting people their wishes throughout the world, yet when his sister is killed during an air raid, he runs away, leaving his research and the Slate with his friend, a Japanese military officer who becomes the Gold King and curator of the artifact. This turn of events does grant Shiro greater weight as a main character, and an importance in the plot that doesn’t feel contrived or heavy handed. Hints exist early on that Shiro is not who he thinks he is, starting with his high school classmate, Kukuri noting in introductory scene that she feels like he’ll disappear if she takes her eyes off of him. After all, one of the things that K is often praised for is its mastery of foreshadowing, this comes from having a very clear idea of the entire story its creators hoped to tell and a firm grasp of the connections between all of its characters.

That said, Shiro still remains throughout the story as relatively uninteresting, serving more as a plot device rather than a character. After the Blue Clan, the Silver Clan is the second least relatable and their scenes in Nameless Circle also remain a bit ‘meh’ as the “losses” the Silver Clan experienced throughout the anime were far removed from the actual plot. They didn’t resonate. We see, in Nameless Circle, Adolf’s sister and the younger version of his lost friend, the Gold King, enjoying breakfast with the Silver Clan every morning on repeat. Yet, Adolf’s sister was never developed beyond “here’s a tragic thing that happened in Adolf’s past”, so it’s hard to really feel her loss. She isn’t a person but a plot device, used to reveal more of Adolf/Shiro’s character rather than having anything of her own. As for the Gold King, he suffers the same fate as Adolf’s sister, but also, he lived a long life, and died of old age, so his death isn’t any kind of tragedy in the same sense as Mikoto, Totsuka, or Nagare’s deaths. There’s certainly a melancholy to these scenes, Adolf misses his friends, but it doesn’t pull at the heart strings, quite the way the Red and Green Clans losses do.

The real reason that Atsushi is being pursued at the start of the manga is yet to be resolved. We’re given a loose explanation, a foreign organization known as the Guild put the bounty on his head because allegedly his ability is the key to finding some powerful book that can manipulate reality. When the main antagonist of the Guild, Fitzerald, is defeated, this explanation and Atsushi’s importance becomes all but forgotten in subsequent arcs featuring new villain, Fyodor Dostoevsky. Atsushi himself can best be described as whiny and severely underdeveloped. He continues to be a victim of the plot just dragging him along, but worse, he quickly becomes one note with the constant flashback to his Orphanage’s director telling him he’s useless and doesn’t belong anywhere. There are entire scenes dedicated to this refrain causing him to full-scale breakdown into bouts of self-doubt. All I can say is he was eighteen when he was “kicked out” of the orphanage, he had zero work experience, and when we find him at the start of the story, he’s only been on his own a couple weeks and is already considering turning to assault and thievery to survive. Considering that Dazai and Chuuya were sixteen when they became Executives in the Port Mafia, Kunikida is only twenty-two and has already had a successful career as a teacher before becoming a detective with the ADA, Kenji is fourteen when we find him at the ADA and a former hard-working farmhand, Kyouka is a capable fourteen year old assassin before joining the ADA, Lucy is eighteen and comes from a similar abusive background and is already busting her ass to work for the Guild and then the ADA’s favorite Coffee Shop (jobs she got herself, thank you very much, for spending anytime looking for her like you promised, Atsushi, you jerk), and so on…I’m inclined to side with the orphanage director: Atsushi is useless. It’s a good thing they kicked him out, or he’d probably still be a bum surviving off social welfare the rest of his life.

I also can’t help but agree with Akutagawa, Atsushi has practically had everything handed to him and yet still manages to pull a pity party routine on the regular. It isn’t long after getting kicked out of the orphanage that he’s taken under Dazai’s wing and handed a job with the ADA. This wouldn’t be so terrible if he didn’t constantly squander it, and consistently prove that he doesn’t earn it. It’s hard to like him, especially when the author seems to be bending the story over backwards to give him some semblance of importance in the plot to the point it hurts the narrative. This is best exemplified in Dead Apple. Throughout the entire movie, we see every other character acting to bring the plot forward, meanwhile, Atsushi spends the entire time whining that they need to find Dazai, because Dazai will know what to do. Bitch, Dazai is busy trying to outsmart two super smart bad guys; he doesn’t have time to also prop you up on your own damn feet. It gets so bad that even Kyouka becomes fed up and leaves him. It really says something that the majority of comments for the movie on CrunchyRoll are complaining about how whiny Atsushi is throughout the movie.

While some people are quick to defend Atsushi by pointing to his abusive childhood to excuse his behavior, it is worth noting, he is not the only character that has an abusive past and he is far from being the character who has suffered the most abuse, and that’s including the odd growth on the side of Dead Apple’s plot that is the inexplicable, unnecessary, and might I add, ridiculous connection that was made between him and Shibusawa at the last minute that only raised more questions than answers and created huge plot holes. Atsushi’s travel companions in Dead Apple, Kyouka and Akutagawa, both have their own history of being abused. Just to underline Akutagawa’s complaint that Atsushi has everything and manages to forsake it all, Akutagawa was abused by Dazai, whereas, Atsushi is saved, fawned over, and praised by Dazai seemingly only for the sake of further tormenting Akutagawa. This continues to contribute to making Atsushi a weak character that I find difficult to really like all that much or see as having anything more than a forced relevance to the plot.

Atsushi does have redeemable moments in his interactions with Kyouka and Lucy. With the aforementioned Dead Apple aside, Atsushi is often at his best when he is with Kyouka. She sees him as her savior, and it reflects in the way that he treats her, being seen that way helps to boost him from pitiful status to someone that may actually have potential as a hero. As for Lucy, because she has a similar life history as Atsushi (abused orphan with matching burn marks), he can’t get away with the same woe is me lines that he throws at every one else. She’s got the same kind of past and manages to stand on her own two feet, forcing him to also rise up to meet her. Both of these girls have tragic histories, but seek to lift themselves up from those histories and stand their own ground, which serves to lift Atsushi as well, unlike with other characters that only patronize, validate, or outright feed into his insecurities leaving me playing on my phone hoping his scenes end quickly. More interactions between Atsushi and Kyouka, Atsushi and Lucy, or all three together would be a welcome addition in Season 4. These babies build each other up, and it’s beautiful to see.

At the end of the day, Shiro and Atsushi are prime examples of the “perfectly innocent protagonist whose only flaw is their own self-doubt” and exemplify why this type of a character is always, ultimately a failure.  They’re bright eyed, they’re kind, without internal debate they always make the right choice, everyone is drawn to them because they are light and goodness, I guess, and even when they are clearly the weakest in a fight, they always come out on top without working towards bettering themselves in anyway beyond putting in some old-fashioned good guy gumption. This is so painstakingly evident in Atsushi, who receives zero training upon joining the ADA, and is expected to battle (and is successful) against exceedingly powerful bad guys on the regular. Contrast this against Akutagawa, who we see underwent harsh training from the Port Mafia, yet still manages to always lose in his battles against the untrained Atsushi. Proving yet again, that you don’t need hard work to become the best, when you got the power of good on your side. Self-doubt exhibited by these types of characters never rings true, because we see them always get their way, everything turns out fine for them in the end, they never encounter lasting consequences for their choices (at one point in BSD, Akutagawa mocks Atsushi that everyone around him dies, but we have yet to see anyone he cares about die – the only person’s death that we see him have to deal with is his Orphanage Director that was coming to visit him with flowers and probably apologize for being a jerk, and his struggle there is with whether he’s allowed to still hate the guy or not, I mean, come on), and everyone around them that matters respects and dotes on them even before them being shown to truly do anything that should earn that respect and affection. I still don’t fully understand what compelled Kuroh to swear loyalty to Shiro, if I’m being perfectly honest, when Shiro is a lay-about, coward and liar, that ditches his clan in the end to soul search in his airship. Though, I will note, Shiro does demonstrate this character type a mite less than Atsushi. He’s not often shown to come out on top in battles, he doesn’t actually engage in any physical battle himself (his fight with Nagare at the end of Missing Kings, not withstanding, because he’s really just blocking that whole time waiting for Kuroh to show up and do the heavy lifting), he typically needs to rely on the strength and intelligence of others, and is more often than not shown running away. Also, Shiro is never really put into a position where he needs to make any hard, moral choices which has its own drawbacks for a main character in a show where a lot of hard, gray moral choices are being made around him.

I have seen it commented in defense of these characters’ weaknesses that the main character of a shonen/seinen story are always weak. This is not true, and I will point to one of my all-time favorite characters from any anime, as example: Edward Elric of Fullmetal Alchemist (both versions of the anime). Ed is badass, he earns his name as Fullmetal, and he earns his title as the youngest State Alchemist. We see him earn it as we watch him and his brother, Alphonse’s journey to become stronger, yet he also makes mistakes. It is his own arrogance that kicks off the entire anime when, in the Elric brother’s attempt to bring their mother back to life using forbidden Alchemy, Ed loses his arm and then his leg to save his brother who has lost his entire body. Their journey to find the philosopher stone for Ed is entirely about restoring his brother, he doesn’t care about his own body and, in fact, views his missing limbs as his own deserved punishment for challenging God, and throughout we see how their moral failing in the past effects all of their choices going forward. We know why Ed makes the choices he does; it isn’t merely because he is the “perfectly innocent protagonist that exudes light and good”; it is because he has learned from his mistakes. His naivete is not shown as a benefit, but as something to overcome. Ed is always acting on his own motives, while the plot is being driven forward by other characters around him, he is not merely a victim of the plot or being dragged along by it, his own actions and goals also help to forward the story and eventually brings him in direct conflict with the big bad. He struggles under the weight of the choices he’s made, he bears the burden of those he couldn’t save, he doesn’t leave the heavy lifting of gray moral decisions to the other characters, he’s seen to struggle and even lose in the anime, and in those instances, we watch him work to better himself so that he can come back stronger. We know where his power comes from – he trained and studied for it; it was never handed to him. Throughout the anime he is shown to literally and figuratively grow and develop into a powerful hero that we can believe is capable of overcoming our main antagonist, Father, in the end, but not without losses and struggle. This is a protagonist done right. Compared against Ed, the failings of both Shiro and Atsushi is glaring.

That is all I have to say about those two. Next up will be the Black Dog of the Silver Clan versus the Black Dog of Port Mafia.

[courage-a-word-of-justice]

Shield Hero 20 - 22 | Sarazanmai 7 - 9 | BSD 32 - 34 | Fruits Basket 8 - 9 | Demon Slayer 8 - 10 | OPM 20 - 21

Shield Hero 20

Motoyasu getting dragged by Filo was funny…not enough to get a proper laugh though. Just a smirk or two.

Stop narrating and just get on with it, Naofumi and friends…!

“I was saying we should fight together all along.” (from Itsuki) – Were you, now…? (skeptical)

Ass-pull! I call “ass-pull” at the power to swallow the phoenix flame! Seriously, when did the dragon get the opportunity to teach Naofumi how to do that???

How did Naofumi not die after losing so much blood…?

What does the Q even stand for in the queen’s name…?

Sarazanmai 7

The seagulls…so fluffy…

For some reason, I expect a fakeout, but then it never arrives…these boys are really connecting…

I found some kappa croquette thingy online, but it referred to a “Shiki City” which probably isn’t in Asakusa…

The shirt…Kazuki’s shirt says “frog” but I get the feeling it also means “return”.

Shirohasu water. It’s Irohasu in Japan.

Was the lyric to Kawausoiya (the otter song) “gonna take ‘em”…?

Nice ET reference, Sara.

Balls…not just sport entendre, but…y’know. The sort of humour I don’t like as much.

Ooh…Keppi is shaping up to be the bad guy. But what plans does he have? Am I speculating too much and is he being framed? Hard to know until next time…

BSD 32

When Kyouka is eating the sundae, she looks like the Tofu Kyouka from Mayoi…hmm.

Can I confess something? Before I saw the illustrations for s2, I thought Louisa’s hair was much darker than what it is in the anime…hmmm, indeed.

I don’t think we were ever told (in the manga or the anime) what Louisa’s wish was…

This bit with Fyodor…I don’t think it was in the manga.

Subarashi-sou is a pun on “it seems wonderful”. That wasn’t in the manga, but it’s a great pun (because it’s right up my alley).

Fitz laughing at the neighbour’s TV wasn’t in the manga either, but that’s just the anime director’s humour peeking through.

“Blalack Daniel’s”, LOL.

Ohh…a quick Google reveals TJ Eckleberg is from the Great Gatsby. In there, he’s an eye doctor, but here, he’s an engineer.

George B Wilson is also from the Great Gatsby…Here be spoilers, but…George dies in his original work too.

Manhasset is a place in New York…I assume it’s connected to the Great Gatsby as well…

Oh yeah! Random Poe moment. That’s in the manga, so Igarashi (or whoever’s responsible for the terrible humour) doesn’t have to fake that bit.

Cue “Objection!” by Fitz, lemme guess. Even if I know the outcome and how it was done, I’d like to have my memory refreshed (by stabbing in the dark…and making an Ace Attorney joke in the process).

I already know, without googling, that Tom Buchanan is part of Great Gatsby as well…

Bank of Amerigo…LOL.

Fruits Basket 8

“If you show up for the banquet now…”

“The banquet sounds just like the folk tale!” Honestly, subbers, proofread…

Haa-kun and Haa-san. No distinguishing between them (aside from honorifics), even though they’re two completely different people.

Hatori’s squinty face was…hilarious, to put it simply.

Oh…I forgot the dance seems to be something the animal of the year does. So if Yuki was 3 years ago, it makes sense Momiji is doing it this year.

Best seat in the house for a sunrise, huh?

Kimetsu no Yaiba 8

I’ve seen Muzan being described as “Demon Michael Jackson” and now I can’t get that out of my head when I see him…sorry.

Tsukihiko, huh? It translates to “moon’s radiance” or something like that. That name is appropriate for a bad guy, isn’t it?

This is the first time I’ve really listened to the OST (aside from the OP and ED), so it’s…really something.

Ooh, I didn’t realise until now, but Ufotable even imitated the paper Jump is printed on with the next-ep previews…

OPM 2 8 (OPM 20)

Er…I haven’t mentioned it for the past few episodes, but Suiryu is hotttttttt. (No? I said that? Okay, next step.) That’s basically the only reason why I’m watching anymore…I can’t seem to find anyone who thinks positively of this tournament arc enough to do reviews of it that I can read, which has made my own opinion of this beloved series go down the drain…Also, if you weren’t aware, my taste lies not in Suiryu’s huge bulk, but rather in the fact he’s got long hair.

Didn’t Suiryu get pierced in the abs??? Where’s the blood coming from his injuries??? Update: He does have injuries there, they’re just not bloody…that’s all.

The main criticism for OPM 2 is the fact that it keeps cutting between different events, so it’s hard to follow. Well, I’ve had worse (see Concrete Revolutio) so that’s why I’m still here.

People say that clothing changes you – say if you put on a new outfit, you feel like a new person. (Of course, that’s all glamorising and praising consumption, but that’s beside the point here.) I think that’s what’s up with Max and Snek.

Shield Hero 21

“…the Shield Hero is worshipped.”

Really? Boob jiggle, at a time like this??? (Context: Malty is getting th slave crest painted on her.)

Wait, was there ever a Shield Church???

Okay, that felt like a real seasonal ending. What the heck is going to happen in the last few episodes, I wonder…?

Sarazanmai 8

Chikai knows the real meaning of YOLO…heh. I’m only kidding…

To be honest, I think I like Toi best out of the main trio. I tend to like the boys in blue…and no, I don’t mean the otter police.

Kazuki’s service provider is “Kappa Phone”, LOL.

When Reo held up the gun, I was yelling, “Enta! Get it for him!” (i.e. take the bullet) I didn’t expect him to actually do it…

…and here I thought tragic yuri was common enough and we don’t have enough Tragic Yaoi Dudes…

Notably, Toi was registered on Enta’s phone as “Kuji”, while Kazuki is registered as “Kazuki” (katakana) on Toi’s.

Shots fired…!

Update: I didn’t notice this, but the evil dude with kamome written behind him (I think it’s in this episode, but it might have been in the last one instead) must be based on a seagull…because that’s what kamome means.

Bungou Stray Dogs 33 (BSD S3 Ep 8)

I think it was around here I stopped reading the scans, because the series was picked up legally anyway…but I can see the death flags for a certain Port Mafia man…one who stands at the top.

As expected…butt shot. Igarashi (or whoever’s responsible for that shot) likes butts, so between this and Sarazanmai…*imagines image of kappa!Kazuki holding a shirikodama* There’s absolutely no buts about it (LOL), there’s no shortage of butts this season.

“To think that the rabbit being hunted would show its face…” – I think it’s hard for you to say that, Akutagawa, when you yourself have no face in that frame…

Why are both Akutagawa and Fyodor Naruto running today???

“So you’re doing this for that woman.”

What is “Mukurotoride”? I don’t seem to remember…maybe I never learnt what it was. Update: Apparently a tower in Dead Apple is called Mukurotoride.

Conspiracy time! This book sounds like Kunikida’s Ability…so imagine if it were under Dazai’s nose the entire time…

Fruits Basket 9

I love how the synopsis for this episode goes, “Kyo fights Yuki, Yuki fights a cold…”

Hatsuharu’s wearing such an ostentatious fluffy jacket…LOL, I love it.

Holy cow (LOL), I forgot how old Hatsuharu is…so that means he’s 15-ish, right?

Come to think of it…I see Fruits Basket characters in Ro Te O, which I started writing at about this time in 2013. The Azrael of that time was a hybrid of Hatsuharu, Ritsu and Ayame, Tetsuya is basically Yuki and Ryou is Kyou…hmm.

Apparently, Shigure had in the 2001 anime a song that went like, “High school girls, high school girls, cute high school girls for me.” So that’s where it was??? (Context: I haven’t seen Fruits Basket 2001, but read the entire manga.)

Kimetsu no Yaiba 9

Recap time, recap time…so the lady’s in the back room and Tanjiro conveniently forgets the man is in the basement…? Wuh?

Moya was complaining about how repetitive this show can get when it comes to the script (i.e. it repeats itself because it doesn’t trust its audience, but I think that’s because this is originally serialised on TV week by week that people may forget if they’re not bingeing, taking notes or following the manga). I’ll talk more about that in my KnY collab post, I guess…

When Yushiro said “watch your back”…he really meant it, huh?

Temari are the balls, but kemari is when you kick the balls.

“…the eyeballs on his hands are creepy.” – LOL.

Shield Hero 22

The ep title just says “Hero Council”…not specifically that there are 4 of them.

My stream’s been buffering more than usual, so I went “like mother, like daughter” before Naofumi did…

It would’ve ben massively funny to hear Melty call Malty either “Trash” or “B****”…especially the last one, because that’s always a fun way to end a sentence (especially for a girl as young as her). Update: She does, but the way she does it isn’t as funny as I thought it would be (and she doesn’t end her sentence with her sister’s new name).

Wait, I thought they got rid of her slave pact??? I thought it was only for the duration of her trial that she needed it for.

L’Arc and that lady seem like they’re foreshadowing for later…hmm. Update: The next-episode synopsis says “yes”. So does that new visual.

Sarazanmai 9

I can’t believe this show’s almost over…That means I gotta get a move on with RobiHachi, but to be honest? Non-anime things are probably going to kep me busy until…a few days from now. So I’ll get RobiHachi watched then.

Characetrs are dying en masse in this episode, aren’t they??? I saw a spoiler that (well, SPOILER) Chikai’s gonna die, but I don’t know about Enta or Keppi…Update: To be honest, I thought Chikai was going to become the next monster – a gun monster, perhaps. Maybe now that I’ve finished the episode, he’ll become a real zombie. (Hey, see what I did there with the bolding…? How’s that for hiding spoilers, eh???)

Oh yeah…I forgot Enta’s sister was Kazuki’s teacher…

There was a sign behind Masa that said”Hinode Asakusa” – “hi no de” meaning roughly “under the sun” or “leaving the sun”.

Tokarev…? The gun? Gun monster, maybe? Is this a critique of the American gun…(exaggerated voice) Nah, can’t be…this is Japanese.

Lionel…Lionel…for some reason, that name in relation to soccer seems familiar...I just can’t put my finger on who it reminds me of, though. Update: Is it, perhaps, Messi…? Yes, I think that’s the guy I was thinking of…!

Aw…I’m not crying, you are…But these words were running through my head before Toi chucked the bag of money away and yelled, “F***!”: “Everything I do, I do it for you.” Isn’t that cute…?

Bungou Stray Dogs 34

“…one by one?” Junban means “sequentially”, so I don’t see why you have to use the phrase “one by one”. Or “one at a time” would also work.

Hardbank…to contrast Softbank (a phone company in Japan).

Face-stealing aliens strike again…(re: Atsushi)

Oh flip. This reminds me of my Kunikida fic…yeah, I bet you don’t remember it.

Hey, this dude! Apparently he’s from one of Kunikida’s stories. I really am approaching the end of what I know of canon…*gulp* Update: Oops, we already passed that part…

I wonder if the real Fyodor could play cello…? Or is this just a thing to make him ominous and villanous…?

The cross on the wall behind Kunikida…makes this show more like Eva than Kekkai Sensen…exquisite. Absolutely exquisite, isn’t it?

Another cool cross, behind Tanizaki!

What’s a tatamigatana? Also, I didn’t know other people could be synchronised using Doppo Poet and Ranpo’s deduction…

Does Kouyou mean (by “the one I most despise”)…Chuuya? Or herself? It’s definitely not Ace.

Kimetsu no Yaiba 10

Headpats for Yushiro as well! Headpats for everyone!

There’s a lot of Tanjiro being terrified in this episode…

Wait…Kizuki? I thought they were the 12 Moons? (Well, “tsuki” means “moon”, but then what’s the “ki”?) Update: The “ki” means “demon”, so the Kizuki are the 12 Demon Moons.

Being alone with the body…that’s always a scary thought in murder mysteries…for the people who dissect them to determine the cause of death, that is.

Considering the name of the episode is “Together Forever”…nup, I don’t see Nezuko and Tanjiro separating anytime soon…

The Kasugai crow is what happens when you can’t turn off your Google Assistant…or GPS…or Siri.

If Tanjiro knows the name of his crow, how do the crows get their names? Do their trainers (is that the right term for a crow breeder in this case…?) give them names?

OPM S2 Ep 9 (Ep 21)

LOL, that one shot of the ants…JC Staff really don’t care about this series, do they…?

I kinda forgot about Genos after a bit more than a week…sorry, I was watching other anime in between. (More than usual, at least. I started playing Chibi Tamago – a forum game for AniList where you collect badges for watching anime - that’s why.)

Did he (Pri-Pri Prisoner)…store his phone in his butt…?