#postblack

[antifascistblackmetalnetwork]

Darkat Yuuyamihn - eu sou a vitima e o carrasco (full album, 2024)

You know the age old saying “come to Brazil”? Well today we bring Brazil to your ears! We are happy to bring you Darkat Yuuyamihn and their brand new album “eu sou a vitima e o carrasco”. This album is a bit of a doozy in a very, very good way. It takes us all over the place musically and even emotionally. Driving us from a contemplative place to feelings of anxiety and dread. Surrounding all these different emotions is quite different layers of musical influences ranging from post-black metal to post-hardcore. Darkat Yuuyamihn manage to combine the likes of V.C.H style shoegaze mixed with Spectral Lore type of black metal with an Ancst after taste. The crazy part? That’s really the tip of the iceberg going on in eu sou a vitima e o carrasco. This album is truly for those who like a variety in their albums.

[fetznerdeathrecords]

Bál - Nagyobb n​á​lam

Atmospheric/Post-Black Metal from Érd, Hungary

The trump card of the BÁL project is the disgust that the actions, deeds and influence of mortal, weak human beings provoke in me. We all live our lives with different perceptions and qualities, but by our very nature we also do things that destroy other processes. The one-man band was formed in 2017, when I had to understand that all "mistakes" come from weakness and there is nothing we can do about it as long as we walk our own path as living human beings. I needed a channel through which pain could flow out of me: (self)destruction for clarity. Since then, BÁL has taught me a lot, but the disgust and hatred remain. It is true that we are not pure beings, but the confrontation with our weak humanity is still for me unprocessable. BÁL is the instrument, the teacher, the comforter, the channel.

1. Bevezetés 01:34 2. Napfény 06:17 3. Integet 04:10 4. Pofán köpött az élet 05:19 5. Satans Braut 03:19 6. Kaotikus együtállás 03:40 7. Ébredés 06:08 8. Tükrök Közt 04:36 9. A világ a semmibe roskad 04:11 10. Szenilis a szív 05:20 11. Elixír 03:50 12. Befejezés 02:30 13. Ráadás - Ceremónia (Acoustic Version) 04:46 14. Ráadás - Színes Foltok (Acoustic Version) 05:32 15. Ráadás - Az Almafám (Acoustic Version) 05:56 16. Ráadás - MLC SubZero 100 01:16 17. Ráadás - Is:tyá i iardör, laut’ha dîn 06:25

Release date: October 13th, 2024

[illiminatibass]

🎸🌌 Immerse yourself in the ethereal sounds of Alcest's "Sapphire" with my bass cover enriched with detailed TABS! 🎶💎

As a devout fan of Alcest, I'm thrilled to present my rendition of "Sapphire," one of my all-time favorites from this exceptional band. 🎵🤘 The track is a testament to Alcest's mastery in forging the atmospheric and emotional realm of BlackGaze, a genre that transcends metal itself. 🌠🎸

With this bass cover, I've aimed to capture the very essence that makes "Sapphire" so enchanting. The gentle yet poignant basslines resonate with the song's ethereal aura, intertwining with its sonic tapestry. ✨🎧

For those eager to journey with me, I've included comprehensive TABS (tablature) in the video. 📜🎶 Whether you're a fellow Alcest admirer or a bass aficionado seeking to delve into the intricate beauty of this song, this cover is your gateway to the extraordinary. ⚡🔊

Let's together pay homage to Alcest and their profound influence on the evocative realm of BlackGaze. 🌌🤍 Let the music guide you through emotions and landscapes you've never ventured before. 🌄🌟

[d-e-r-n-e-b-e-l]

🖤 🖤 🖤 🖤 🖤 . @burdenofymir 🖤 @flowingdownward 🖤 @domino_black_metal_cat 🖤🐱 . #olim #ursine #flowingdownward #flowingdownward #metal #atmosphericblackmetal #blackmetal #blackgaze #postblackmetal #postblack #greatersudbury #abstract #loss #introspection #animals #nature #space #cat #blackmetalcat #cdcollection #cdcollector #metalheadsofinstagram #metalhead #metalheads #metalcollector #metalcollection #recordcollection #recordcollector #musiccollection #musiccollector (à Strasbourg, France) https://www.instagram.com/p/CnhufvTLeXq/?igshid=NGJjMDIxMWI=

[ardl]

kinda think blackgaze is a misnomer, feels like it comes out of french semi-underground post hxc/skramz & post(metal/rock) in general than shoegaze to me, tho i guess tht depends if how u count neige's various projects. the deafheaven postblack/blackgaze style feels a lot more like a usbm take on that scene. tbf posthardcore and postmetal take a lot from shoegaze anyway

[black-metal-artists]

Sliced Neck is a solo DSBM artist influenced by Punk structure, Post Black and Melodic Black. It features melodic leads, slow/fast paced songs, traditional black metal vocals and strong solos.

Spotify: https://open.spotify.com/artist/7urxwazHoN9AY4FmRDDOhu?si=Fk7aPZR7RrKhUoaGuZ3LkQ

Bandcamp: https://slicedneck.bandcamp.com/album/goodbye-to-innocence

SoundCloud: https://soundcloud.com/slicedneck666?ref=clipboard&p=a&c=1&si=44616d1631ab4d028821dbffcb969cef&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

YouTube: https://youtube.com/@slicedneck?si=cawpiLxG2anBZBdV #PunkInfluence, intense #BlackMetalVocal performances, and captivating #MetalSolos. Dive into #DarkMusic and explore the depths of #ExtremeMetal and #MelodicMetal with a unique #SoloArtist perspective. Experience the essence of #DepressiveBlackMetal in the #MetalHeads community, where #UndergroundMetal thrives, embracing #PostBlack and connecting with #MetalCommunity. Discover more about #MetalMusic and #BlackMetalBands with a touch of #GothicMetal and #MetalInfluences.

[slayercain]

Every analysis that attempts to understand the complexities of racial rule and the machinations of the racial state without accounting for black existence within its framework—which does not mean simply listing it among a chain of equivalents or returning to it as an afterthought—is doomed to miss what is essential about the situation. Black existence does not represent the total reality of the racial formation—it is not the beginning and the end of the story—but it does relate to the totality; it indicates the (repressed) truth of the political and economic system. That is to say, the whole range of positions within the racial formation is most fully understood from this vantage point, not unlike the way in which the range of gender and sexual variance under patriarchal and heteronormative regimes is most fully understood through lenses that are feminist and queer. What is lost for the study of black existence in the proposal for a decentered, “postblack” paradigm is a proper analysis of the true scale and nature of black suffering and of the struggles—political, aesthetic, intellectual, and so on—that have sought to transform and undo it. What is lost for the study of nonblack nonwhite existence is a proper analysis of the true scale and nature of its material and symbolic power relative to the category of blackness. This is why every attempt to defend the rights and liberties of the latest victims of state repression will fail to make substantial gains insofar as it forfeits or sidelines the fate of blacks, the prototypical targets of the panoply of police practices and the juridical infrastructure built up around them. Without blacks on board, the only viable political option and the only effective defense against the intensifying cross fire will involve greater alliance with an antiblack civil society and further capitulation to the magnification of state power.

Jared Sexton, People-of-Color-Blindness: Notes on the Afterlife of Slavery

[tempi-dispari]

New Post has been published on https://www.tempi-dispari.it/2023/11/06/vepserhymn-una-lama-di-ghiaccio-in-salsa-space/

Vepserhymn, una lama di ghiaccio in salsa space

Iniziamo questa recensione con un’ammissione di ignoranza. Onestamente non so esattamente cosa sia il post blak, ne ignoravo l’esistenza, e non saprei nominare neppure un gruppo che lo suona. Per me i gruppi post black sono sempre stati gruppi rock che eseguono musica space, onirica e sospesa con sferzate black. L’accostamento tra questo e il black metal tout curt, non l’avrei mai fatto. Questo è il bello della vita, che si impara sempre.

Detto questo, in conseguenza, posso solo descrivere il disco per quello che ha trasmesso a me con quello che sono le mie conoscenze. I Vepserhymn si definiscono, appunto, black/postblack. Sono definizioni, confini troppo ristretti che penalizzano la loro proposta. L’alternarsi di momenti ‘cattivi’, distorti, freddi e taglienti come lame di ghiaccio, sono perfettamente alternati a frangenti sospesi, sognanti, eterei.

Tastiere, voce pulita, batteria minimal, arpeggi disegnano architetture sonore che appaiono disegnate con la luce della luna. I frangenti più violenti sottolineano l’atmosfera general del disco che risulta in ogni caso sulfurea. Certo, si deve essere abituati ad un certo tipo di suono per poterla apprezzare. Tuttavia, essendo meno esasperata del black old school, mantiene perfettamente le atmosfere create.

A fare da contrappunto a questo tipo di architettura ci pensano i testi. Questi riguardano la natura nel suo stato ancora incontaminato. Tenendo presente questo aspetto ben ci si immerge nel disco. Le sensazioni che l’ascolto provoca sono quasi fisiche, di avvolgimento dell’ascoltatore che viene trasportato in foreste, tra altissime montagne. Il tutto in ambiente notturno, crepuscolare, freddo.

L’idea che nasce è quella di star camminando effettivamente tra alberi, boschi, sentieri appena accennati o del tutto assenti. Attorno solo l’eco di spiriti notturni neutri. I Vepserhymn riescono ottimamente a strutturare i brani proprio con questo intento. All’ennesimo ascolto si va oltre l’impatto sono più violento per scoprire l’ottimo utilizzo della tecnica strumentale.

Questa emerge sia dalla composizione delle canzoni sia dalla perizia degli strumentisti. In particolar modo se ci si riferisce agli aspetti rimici e di arpeggio. Tutti molto più intricati e complessi di quanto possa risultare ad un primo ascolto. Probabilmente è anche uno conseguenza per il genere scelto che spinge a trovare soluzioni inusuali. A dominare nell’intero lavoro sono sempre e comunque le atmosfere.

Concludendo. Che si tratti di post black metal o rock, quello dei Vepserhymn è un ottimo lavoro. Curato, ben suonato e strutturato. Può risultare ostico ad un primo ascolto se non si è abituati a suoni e ritmi troppo ‘tirati’ e taglienti. Superato questo primo approccio il disco apre un universo sonoro davvero interessante e carico di suggestioni. La curiosità ora è vedere cosa riusciranno a fare i nostri per evolvere ulteriormente. Difficile andare oltre un lavoro di questa portata.

[valentbaalofficial]

noise . . #blackmetalartwork #dark #blackmetalband #darkness #atmosphericblackmetal #postblack #onemanband #noise #hungarianmetal #darkart #metalheads #instametal #dissonantblackmetal #blackmetalmusic #metalband #blackmetalcollection #blackmetalhead #experimental #darkambient #postblackmetal #blackmetalart #blackmetal #darkmood #darkexperimental https://www.instagram.com/p/CW3-DQoI2Ns/?utm_medium=tumblr

[siriusharvey]

(Oslav Tichie)

[marlonforrester]

View this post on Instagram

A post shared by Marlon Forrester (@marlonforrester)

Video from the Pop Up for my 1st large scale public art commission in collaboration with Studio Luz at the Dewitt Playground. It feels good to connect with the community and hear their feedback about the project. #marlonforrester #afromodern #roxbury #hoopdreams #postblack #studioluz #blackboston (at The Dewitt Center) https://www.instagram.com/p/COMJnp_n_ql/?igshid=f0ewqb8ocnfv

[betterharmonies]

I wished to be a pauper in kind eyes. To feel the gravel beneath my knees. To wake in a home.

God had sent my calamity into a deep space from which not even in my dreams, could I ever imagine my escape.

[totskver]

[mothercollapse]

[iii-days-grace]

if i ever have a blackgaze-postblack-whatcheveryacallit project, im obligated to have an artsy dream pop thing as well as well