#post construction cleaning orange county

[jscleanum]

From Construction to Clean: Post-Construction Services in Orange County

As the construction industry in Orange County thrives, an often overlooked but vital aspect of the process is post construction cleaning in orange county services. These services play a crucial role in ensuring a smooth transition from the completion of a project to the final handover to the client or occupants. In this comprehensive article, we'll explore the different types of post-construction services available in Orange County, their benefits, and how they can contribute to the overall success of a construction project.

Understanding Post-Construction Services

Post-construction services refer to the wide range of tasks and activities that take place after the physical construction of a building or infrastructure is complete. These services typically involve cleaning, inspecting, testing, and preparing the newly constructed space for occupancy or use. They ensure that the finished product meets all necessary standards, codes, and customer expectations.

Types of Post-Construction Services

In Orange County, a variety of post-construction services are available to meet the diverse needs of construction projects. Let's dive into the most common types:

1. Final Cleaning

One of the most essential post-construction services is final cleaning. This comprehensive cleaning process removes all construction debris, dust, and residue from the newly built or renovated space. Professional cleaning teams use specialized equipment and techniques to thoroughly clean floors, walls, windows, and surfaces, leaving the space spotless and ready for occupancy.

2. Specialized Cleaning

In addition to the general final cleaning, some projects may require more specialized cleaning services. This can include:

Carpet cleaning: Removing construction-related stains and restoring the carpet to its original condition.

Tile and grout cleaning: Thoroughly cleaning and sealing tile and grout to enhance the appearance and protect the surfaces.

Duct and HVAC cleaning: Ensuring the building's air systems are free of construction debris and pollutants.

Hazardous material removal: Safely disposing of any hazardous materials left behind from the construction process.

3. Construction Inspection and Testing

Post-construction services also involve a thorough inspection and testing of the completed project. This includes:

Building code compliance: Ensuring the construction meets all relevant building codes and regulations.

Safety inspections: Verifying that the space is safe for occupancy, with proper fire safety measures, electrical systems, and emergency exits.

System testing: Checking the functionality of mechanical, electrical, and plumbing systems to ensure they are operating correctly.

Indoor air quality testing: Measuring the air quality and addressing any potential issues before occupancy.

4. Warranty and Maintenance Services

Many post-construction services also include warranty and maintenance support. This can involve:

Providing warranty information and assistance for any issues that arise during the warranty period.

Developing a maintenance plan for the building or facility, including regular inspections and preventative maintenance tasks.

Coordinating with the client or facility management team to ensure the smooth operation and upkeep of the property.

5. Project Documentation and Handover

The final stage of post-construction services involves the comprehensive documentation and handover of the project. This includes:

Compiling all relevant construction documents, including permits, plans, and as-built drawings.

Providing operation and maintenance manuals for the building's systems and equipment.

Organizing a thorough walkthrough and training session for the client or facility management team to familiarize them with the property.

Ensuring a seamless transition from the construction phase to the occupancy and maintenance phase.

The Benefits of Post-Construction Services

Investing in comprehensive post-construction services in Orange County can provide numerous benefits for construction projects, including:

Quality Assurance: Post-construction services ensure that the final product meets or exceeds the expected standards of quality, safety, and functionality.

Efficient Handover: The detailed documentation and smooth transition to the client or facility management team helps to minimize disruptions and ensure a seamless occupancy process.

Cost Savings: By catching and addressing any issues or defects early on, post-construction services can help prevent costly, long-term problems that may arise down the line.

Compliance and Regulatory Adherence: Thorough inspections and testing help to verify that the construction project complies with all relevant building codes, regulations, and safety standards.

Improved Customer Satisfaction: A well-executed post-construction process can enhance the overall client experience and increase their confidence in the construction team's ability to deliver a high-quality project.

Reduced Maintenance Burden: Comprehensive cleaning, system testing, and maintenance planning can help to reduce the long-term maintenance and operational costs for the building or facility.

The Importance of Choosing the Right Post-Construction Service Provider

When it comes to post-construction services in Orange County, the choice of service provider can have a significant impact on the success of the project. Here are some key factors to consider when selecting a post-construction service provider:

Experience and Expertise: Look for a provider with a proven track record of delivering high-quality post-construction services, particularly in the specific type of project or industry.

Comprehensive Service Offerings: Ensure the provider can address all your post-construction needs, from final cleaning to warranty management, to provide a seamless and integrated service.

Compliance and Certifications: Verify that the provider is licensed, insured, and adheres to all relevant industry standards and regulations.

Customer Service and Communication: Prioritize a provider that is responsive, communicative, and committed to addressing your concerns and needs throughout the post-construction process.

Customized Solutions: A good post-construction service provider should be able to tailor their services to the unique requirements of your project, rather than offering a one-size-fits-all approach.

Conclusion

In the dynamic construction landscape of Orange County, post-construction services play a vital role in ensuring the successful completion and handover of a project. From final cleaning to specialized testing and maintenance planning, these services help to safeguard the quality, compliance, and long-term viability of the constructed space. By partnering with a reputable and experienced post-construction service provider, construction companies and clients can enjoy a seamless transition from the construction phase to the occupancy and maintenance phase, ultimately contributing to the overall success of the project.

[oclacleaning1]

Choosing The Right Cleaning Service: A Guide To Finding Your Trusted Partner

Finding the right cleaning service can be a daunting task, especially with the myriad of options available in Orange County. Whether you're looking for a one-time deep clean or regular maintenance, selecting a trusted partner like OCLA Cleaning is crucial for ensuring quality service and peace of mind.

When searching for an affordable cleaning service in Orange County, several factors should guide your decision-making process. OCLA Cleaning understands the importance of transparency, reliability, and affordability in meeting the diverse needs of customers.

First and foremost, consider the range of services offered by OCLA Cleaning. From standard cleaning tasks to specialized services like move-in/out cleaning and post-construction cleanup, OCLA Cleaning provides comprehensive solutions tailored to your unique requirements. Assess your cleaning needs and ensure that the cleaning service you choose offers the specific services you require.

Next, prioritize affordability without compromising on quality. OCLA Cleaning prides itself on offering competitive rates without sacrificing the standard of service. Transparent pricing and flexible service packages ensure that customers receive value for their investment without hidden fees or unexpected charges.

Trustworthiness is paramount when inviting a cleaning service into your home. OCLA Cleaning understands the importance of hiring reliable and trustworthy cleaners who undergo thorough background checks and rigorous training. Rest assured that OCLA Cleaning's team of professionals treats your home with respect and care, delivering consistently high-quality results with every visit.

Customer reviews and testimonials offer valuable insights into the reputation and reliability of a cleaning service. Take the time to read reviews and testimonials from satisfied customers to gauge OCLA Cleaning's track record and commitment to customer satisfaction. Positive feedback and word-of-mouth recommendations speak volumes about OCLA Cleaning's dedication to excellence.

In conclusion, choosing the right cleaning service is essential for maintaining a clean and healthy living environment. By following these guidelines and partnering with a trusted provider like OCLA Cleaning, you can find your trusted cleaning partner in Orange County. With affordable rates, comprehensive services, and a commitment to excellence, OCLA Cleaning is your go-to solution for all your cleaning needs.

[dreamworksremodeling]

Standard post published to Dreamworks Design Center at March 14, 2023 17:55

General Contractor Orange County, CA General Contractor Orange County CA, Dreamworks Design Center, your premier full remodeling, complete renovations company , Major Home Improvement Contractor. Our staff is with you from start to finish for every project, from design with material choices to job completion and clean up. Larger Accessory Building Units & Room Additions, Remodeling & Renovations for kitchen, bathrooms, master bedrooms, with plans & permits when needed, drawings by architects, flooring installations, wall moving, interior structural work and exterior structural repairs, including patios covers & decks, tile with large format designs with many choices from our showroom, drywall up to level 5 finish if wanted, all types of electrical including new panels lighting and more, Custom & New Construction & Building Design Company, Interior & Exterior Construction Contractor, Affordable Handyman projects as well, Small or minor Home Improvements, wood rot and structural Termite Repair, fire & flood damage Repairs, new walls and ceiling & roofing joist repaired and installed, beams and posts removed and installed, support structures & ceilings assessed and repaired. Call for App. (714) 993-2225 Lic 1008091

source https://local.google.com/place?id=15295308596767683551&use=posts&lpsid=CIHM0ogKEICAgIDhjZf-wgE

[oclacleaning]

Website : https://www.oclacleaning.com/

Address : 7700 Irvine Center Drive, Suite 800, Irvine, CA 92618

Phone : +1 949-779-1400

Looking for reliable house cleaning services in Orange County? Look no further than OCLA Cleaning! As a new provider of professional house cleaning services in the area, We will make sure you get a 5 Star Cleaning Service with a focus on meeting the unique needs of each and every customer. OCLA Cleaning is committed to helping you save time and maintain a clean, healthy environment for your family.

At OCLA Cleaning, we understand the importance of a clean and healthy home. That's why Our team of professional cleaners uses eco-friendly cleaning products to ensure a safe living environment. YES, 100% satisfaction is guaranteed, We Promise.

Whether you need basic one-time cleaning services, deep cleaning, move-in and move-out cleaning, post-construction cleaning, special event cleaning, or office cleaning services, OCLA Cleaning has got you covered. we will offer you discounted prices for Monthly, Weekly, and Bi-weekly Cleaning Services. Our expert cleaners are trained to provide efficient and effective cleaning services customized to your specific needs. Whether you require a one-time cleaning or recurring cleaning services, OCLA Cleaning is the right choice for busy homeowners who want to keep Their homes and environment clean.

[bcrpro]

5 Reasons Why Flat Roofs are Good for Commercial Buildings

When building an industrial or commercial facility, one of the first things you’ll likely consider is how to keep your roof looking good. Flat roofs offer a more aesthetically pleasing design and can withstand high wind loads, making them a good option for your project.

In this blog article, we’ll go over the five main reasons why flat roofs are often a better choice for commercial buildings and outline some valuable tips that can help you build in low-lying areas.

Easy to install When it comes to flat roofs, it’s common for the insulation, structure, and waterproofing materials to be installed directly on the sub-deck of the roof. This makes installation relatively painless, as it doesn’t require much construction time or excessive workforce.

Easy to clean The lack of a slope or slanted roof can make cleaning your roof a breeze. You won’t need to worry about the rainwater pooling on top of the roof, as it will drain off quickly, and gravity will do the rest.

They offer space for HVAC units Since flat roofs are more conducive to HVAC units, you’ll have more room for your HVAC equipment than with a pitched top. This allows your HVAC equipment to perform better and makes it easier to keep the system running smoothly and efficiently.

The most effective insulation used in these roofs Because of their design, flat roofs tend to be better at insulating – they prevent the heat from escaping into the environment and then convecting back into the building. This makes them a good option for facilities with tight budgets as it will save money on heating/cooling costs.

They are more affordable than other types of roofing When it comes to flat roofs, you’ll have less material and construction time per area than with pitched roofs because they do not require as much support. Another advantage is that, with a flat roof, there’s considerably less material needed for building materials.

Get Expert Commercial Roofing Services in Orange County, CA, and San Juan Capistrano, CA

At Beach Cities Roofing, we know it is typical for a commercial building project to outgrow the original plans. However, our team of experts ensures that you receive the best quality commercial roofing services efficiently and promptly.

Our goal is to provide clients with the finest roofing services at reasonable rates. We pride ourselves on offering affordable, efficient, and guaranteed long-term-quality roofing solutions.

So call us at 949-329-9981.

The post 5 Reasons Why Flat Roofs are Good for Commercial Buildings first appeared on Beach Cities Roofing.

Originally published here: https://www.bcrpro.com/uncategorized/5-reasons-why-flat-roofs-are-good-for-commercial-buildings/

[mainsju]

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[red-will]

I don't know what to do with good white people.

I've been surrounded by good white people my whole life. Good white people living in my neighborhood, who returned our dog when he got loose; good white teachers in elementary school who pushed books into my hands; good white professors at Stanford, a Bay Area bastion of goodwhiteness, who recommended me M.F.A. programs where I met good white writers, liberal enough for a Portlandia sketch.

I should be grateful for this. Who, in generations of my family, has ever been surrounded by so many good white people? My mother was born to sharecroppers in Louisiana; she used to measure her feet with a piece of string because they could not try on shoes in the store. She tells me of a white policeman who humiliated her mother by forcing her to empty her purse on the store counter just so he could watch her few coins spiral out.

Two summers ago, my mother showed me the welfare reports written about her family. The welfare officer, a white woman, observed my family with a careful, anthropological eye. She described the children, including my mother, as "nice and clean." She asked personal questions (did my grandmother have a boyfriend?) and wrote her findings in a detached tone. She wondered why my grandmother, an illiterate Black mother of nine living in the Jim Crow South, struggled to find a steady job. Maybe, she wrote in her loopy scrawl, my grandmother wasn't searching hard enough.

This faded report is the type of official document a historian might consult if he were re-constructing the story of my family. The author, this white welfare officer, writes as if she is an objective observer, but she tells a well-worn story of Black women who refuse to work and instead depend on welfare. Occasionally, her clinical tone breaks down. Once, she notes that my mother is pretty. She probably considered herself a good white person.

In the wake of the Darren Wilson non-indictment, I've only deleted one racist Facebook friend. This friend, as barely a friend as a high school classmate can be, re-posted a rant calling rioters niggers. (She was not a good white person.) Most of my white friends have responded to recent events with empathy or outrage. Some have joined protests. Others have posted Criming While White stories, a hashtag that has been criticized for detracting from Black voices. Look at me, the hashtag screams, I know that I am privileged. I am a good white person. Join me and remind others that you are a good white person too.

Over the past two weeks, I've seen good white people congratulate themselves for deleting racist friends or debating family members or performing small acts of kindness to Black people. Sometimes I think I'd prefer racist trolling to this grade of self-aggrandizement. A racist troll is easy to dismiss. He does not think decency is enough. Sometimes I think good white people expect to be rewarded for their decency. We are not like those other white people. See how enlightened and aware we are? See how we are good?

Over the past two weeks, I have fluctuated between anger and grief. I feel surrounded by Black death. What a privilege, to concern yourself with seeming good while the rest of us want to seem worthy of life.

When my father was a young man, he was arrested at gunpoint. He was a Deputy District Attorney at the time, driving home one night from bible study when LAPD pulled him over. A traffic violation, he'd thought, until officers swarmed his car with shotguns aimed at his head. The cops refused to look in his wallet at his badge. They cuffed him and threw him on the curb.

My father is mostly thankful that he'd stayed calm. In his shock, he had done nothing. That's what he believes saved his life.

I think about this while I watch Eric Garner die. For months, I avoided the video, until we arrived at another officer non-indictment. Now I've seen the video of Garner's death, as well as a second video I find even more disturbing. This second video, taken immediately after Garner has been killed by a banned chokehold, shows officers attempting to speak to him, asking him to respond to EMTs. They do not yet know that he is dead, and there's something about this moment, officers shuffling around as an EMT seeks a pulse, that is so bafflingly and frustratingly human, so different from the five officers lunging and wrangling Garner to the ground.

In the wake of this non-indictment, a surprising coalition of detractors has emerged. Not just black and brown students hitting the streets in protest but conservative stalwarts, like Bill O'Reilly or John Boehner, criticizing the lack of justice. Even George W. Bush weighed in, calling the grand jury's decision "sad." But even though many find Garner's death wrong, others refuse to believe that race played a role. His death was the result of overzealous policing, a series of bad individual choices. It would have happened to a white guy. The same way in Cleveland, a 12-year-old Black boy named Tamir Rice was killed by officers for playing with a toy gun. An unfortunate tragedy, but not racial. Any white kid playing with a realistic-looking toy gun would have been killed too.

Darren Wilson has been unrepentant about taking Mike Brown's life. He insists he could not have done anything differently. Daniel Pantaleo has offered condolences to the Garner family, admitting that he "feels very bad" about Garner's death.

"It is never my intention to harm anyone," he said.

I don't know which is worse, the unrepentant killer or the man who insists to the end that he meant well.

A year ago, outside the Orange County airport, a white woman cut in front of me at the luggage check. She had been standing next to me, and soon as the luggage handlers called next, she swooped up her things and went to the counter. She'd cut me because I was black. Or maybe because I was young. Maybe she was running late for her flight or maybe she was just rude. She would've cut me if I had been a white woman like her. She would've cut me if I had been anyone.

Of course, the woman ended up on my flight, and of course, she was seated right next to me. Before the flight took off, she turned to me and said, "I'm sorry if I cut you earlier. I didn't see you standing there."

I often hear good white people ask why people of color must make everything about race, as if we enjoy considering racism as a motivation. I wish I never had to cycle through these small interactions and wonder: Am I overthinking? Am I just being paranoid? It's exhausting.

"It was a lot simpler in the rural South," my mother tells me. "White people let you know right away where you stood."

The problem is that you can never know someone else's intentions. And sometimes I feel like I live in a world where I'm forced to parse through the intentions of people who have no interest in knowing mine. A grand jury believed that Darren Wilson was a good officer doing his job. This same grand jury believed than an eighteen-year-old kid in a monstrous rage charged into a hailstorm of bullets toward a cop's gun.

Wilson described Michael Brown as a black brute, a demon. No one questioned Michael Brown's intentions. A stereotype does not have complex, individual motivations. A stereotype, treated as such, can be forced into whatever action we expect.

I spent a four hour flight trying not to wonder about the white woman's intentions. But why would she think about mine? She didn't even see me.

In elementary school, my older sister came home one day crying. She had learned about the Ku Klux Klan in class that day and she was afraid that men in white hoods would attack us. My father told her there was nothing to worry about.

"If a Klansman sat at this table right now," he said, "I'd laugh right in his face."

My mother tells stories of Klansmen riding at night, of how her grandmother worried when the doctor's son—a white boy—visited her youngest sister because she feared the Klan would burn down their home. When I was a child, I only saw the Klan in made-for-TV civil rights movies or on theatrical episodes of Jerry Springer. My parents knew what we would later learn, that in the nineties, in our California home, surrounded by good white people, we had more to fear than racism that announces itself.

We all want to believe in progress, in history that marches forward in a neat line, in transcended differences and growing acceptance, in how good the good white people have become. So we expect racism to appear, cartoonishly evil like a Disney villain. As if a racist cop is one who wakes in the morning, twirling his mustache and rubbing his hands together as he plots how to destroy black lives.

I don't think Darren Wilson or Daniel Pantaleo set out to kill Black men. I'm sure the cops who arrested my father meant well. But what good are your good intentions if they kill us?

When my friends and I discuss people we dislike, we often end our conversations with, "But he means well."

We always land here, because we want to affirm ourselves as fair, non-judgmental people who examine a person not only by what he does but also by what he intends to. After all, aren't all of us standing in the gap between who we are and who we try to be? Isn't it human to allow those we dislike—even those who harm us—a residence in this space as well?

"You know what? He means well," we say. We lean on this, and the phrase is so condescending, so cloyingly sweet, so hollow, that I'd almost rather anyone say anything else about me than how awful I am despite how good I intend to be.

I think about this during a car ride last weekend with my dad, where he tells me what happened once the cops finally realized they had arrested the wrong man. They picked him up from the curb, brushed him off.

"Sorry, buddy," an officer said, unlocking his handcuffs.

They'd made an honest mistake. He'd fit the description. Well, of course he did. The description is always the same. The police escorted my father onto the road. My father, not yet my father, drove all the way home without remembering to turn his headlights on.

Brit Bennett recently earned her M.F.A. in creative writing at the the Helen Zell Writers' Program at the University of Michigan. She is currently a Zell Postgraduate Fellow, where she is working on her first novel.

[pocketseizure]

Disneybound

Case #0180602. Statement of Ted Nakamura, regarding a strange experience at the Haunted Mansion attraction in Disneyland, California. Statement recorded directly from subject on June 2, 2018.

Jonathan takes the statement of someone whose memories may not accurately reflect the events of his childhood. He then has a short conversation with Martin and learns something (perhaps not so) surprising about Elias.

The events of this story take place after Episode 103, "Cruelty Free" (the one in which Jon reads the statement of a farmer in New Zealand with a monster pig).

( This story is also on AO3. )

. . . . . . . . . . . . . . .

Jon cast a level gaze at the American sitting on the other side of the table. He was fit and clean-shaven, and he appeared to be in his early thirties. He wore a wide grin and a bright red shirt depicting Minnie Mouse posing in front of the Eiffel Tower.

Jon sighed and pressed the record button of his tape recorder.

“Statement of Theodore Nakamura – ”

“Call me Ted, please. Or Teddy, if you like. All my friends do.”

“Ted Nakamura, regarding a strange phenomenon he experienced at the Haunted Mansion attraction in Disney World – ”

“Sorry, but it’s ‘Disneyland.’ Disney World is the one in Florida.”

“In Disneyland, California. Statement recorded directly from subject on May 25, 2018.”

“This is exciting! I love the detail you’ve devoted to authenticity. The tape recorder is a nice touch.”

Jon grimaced. “Statement begins.”

A hint of uncertainty crept into Ted’s smile. “I’ve never done this before. Is there a protocol? Maybe some sort of standard introduction I should start with?”

“Just tell me about the incident you came to report. You can start whenever you’re ready.”

“All right, I’ll start at the beginning.”

Ted clapped his hands on his knees and took a deep breath. Jon watched as his eyes made a brief circuit around the densely packed shelves arranged in disorderly rows at the rear of the room before finally coming to rest on one of the objects jammed between the accordion folders and cardboard boxes. He’d witnessed this process often enough that he could pinpoint the object of the man’s attention – a cloudy snow globe with a tarnished metal base. It wasn’t connected to any of the cases on file in the archives, merely something Gertrude had brought back from one of her travels on a whim.

“I guess you could say that I’m not the sort of person who would be the star of a Disney movie,” Ted began. “I’m not an orphan, and I had a happy childhood. My mother was an architect who moved from San Francisco to Los Angeles during the construction boom of the 1980s, and my father went to business school at UCLA and never left. His family is from Seattle, and they made some money in real estate in the 1990s. We’re comfortably middle class, but I went to one of the big public schools in Orange County.”

He paused, seeming to expect some sort of reaction. When it became clear that no such reaction was forthcoming, he continued.

“Even in LA, where everyone tries to stand out, high school was all about belonging to a group. I didn’t have any interest in the grandstanding of my school’s Gay-Straight Alliance, and I didn’t have the looks or the talent for the student theater club, which is where a lot of kids like me spent a year or two on their way out of the closet. Mostly I kept my grades up and my head down as my circle of friends from middle school gradually went their separate ways.

“My mom worked from home, and she made sure our house had the first high-speed internet connection in my neighborhood. I don’t mind admitting that I spent a lot of time online. I posted an embarrassing number of bad stories about cartoon characters on LiveJournal, and I eventually ended up being invited to join a popular Disney fan community moderated by a friend of a friend. All the people I spoke with on the comm were strangers, at least at first, but we gradually got to know one another as we responded to each other’s posts and comments.

“Between one thing and another, we somehow managed to figure out that most of us were the same age. Oddly enough, a lot of us lived in SoCal, so we decided to meet up over the summer at Disneyland. Everyone showed up, and we had a great time. We met again the next summer, and then again after my senior year.

“Nothing bad happened, but I stopped updating my LiveJournal after that. I went to college in New York, got a job in the city, and fell out of touch with most of my online friends.

“I moved back to LA four years ago, not that I do anything glamorous. I manage the back end of a tech company’s website and intranet, mostly database stuff, but I still have an IG account. I started it just for fun, but I joined early and picked up more than a thousand followers in less than a year. Someone suggested that it would be cool for me to visit to Disneyland and post photos, so I thought, why not? Like, I love Disneyland!”

Jon cleared his throat. “And what is this ‘strange incident’ you came to report?”

“Hold your horses, I’m getting to it. It’s important that you know my background, right? What I’m trying to say is that I’d only been to Disneyland three times before. It wasn’t a major part of my life. But it was a good part of my life – that’s important.”

Jon nodded in acknowledgment. “Very well, then. Duly noted.”

“Disneyland was considered to be a little seedy when I was in high school, but it’s gotten fancy in the past ten years or so. It used to be that you could just walk in, but these days you practically have to make an itinerary. So I did some research, got a group of people together, and we went and saw the sights. Everyone wore an outfit to match the style of a character, and we took a lot of pictures. The photos were so popular that I hit 5k followers in less than 24 hours, can you believe it? Everyone and their sister is into DisneyBounding these days, but picking up that sort of following from on-location fashion photos was still a thing you could do in 2015.

“Like I said, I had a happy childhood, but no one ever paid me that sort of attention. It was such a dopamine hit, you have no idea. Or maybe you do?”

Jon grit his teeth. “Please continue with the statement.”

Ted laughed. “Pushy, aren’t you? But that’s all right. It’s weird, but I feel like I can tell you anything. Has anyone ever said that to you before?”

“You’re not the first.”

“Maybe it’s the librarian thing you’ve got going on – or archivist thing, sorry. Puts me right at ease. And I appreciate that. If there’s an adult who willingly goes to Disneyland for fun, especially someone like me, people tend to think that’s creepy. The therapist I was seeing at the time called it ‘Peter Pan Syndrome,’ of all things. I never went to another appointment with her again, but that’s beside the point. What I’m trying to say is that I kept going back to Disneyland, usually with friends but sometimes with my boyfriend, who I met on Insta. We bonded while sharing theories about the Haunted Mansion, which is… Well, it used to be my favorite ride in the park. It still is, I guess, but I can’t go on it anymore.

“It took me long enough to get here, but this is the part of my story that should interest you. The reason I like the Haunted Mansion is because it reminds me of my mother, who passed away from a heart attack while I was living in New York. It was very sudden, completely out of the blue, and I never got to say good-bye. I never cared about the Haunted Mansion when I was in high school – we all thought it was cringe for some silly teenage reason that probably involved how awkward it would be if we were in the dark with each other. It wasn’t until I visited the park again as an adult that I finally went on the ride. When I did, I had this sudden flashback to a childhood memory.

“I must have gone to Disneyland with my parents when I was young, because standing in the dark and listening to the music made me recall being on the ride with my mother. This was during the lead-up, before you get in the Doom Buggies and begin the ride proper. I remember being absolutely terrified by what I thought was an endless maze. I felt like that line, after it entered the building, lasted forever. Kids can be like that sometimes, but my memory of this is crystal clear – the corridor genuinely didn’t end. I felt like there were people all around us, there had to be, but somehow it was just me and my mother, alone in the darkness.

“And then I remember that this terrible thing appeared out of nowhere. I’m not sure how to describe it. It definitely wasn’t a person in a costume, but it was too realistic to be the projection of a cartoon, and it was talking to us in voice that sounded like laughter and crying at the same time. Like it was hurt, but it found its pain amusing. Meanwhile, the walls kept stretching, and as they got taller I started to see awful things in the gaps between the ceiling and the floor.

“My mother held my hand the whole time. She kept whispering to me: ‘It’s going to be okay. You are brave, and you are strong. Nothing in here can hurt you.’ Just that, over and over, until the ride was over.

“When we finally got out, I ran straight to my dad, who knelt down on the pavement on the other side of the gate and hugged me. He and my mother both patted my back as I cried. I was so relieved to be outside again that my tears wouldn’t stop.

“My dad seemed confused by how afraid I was. This didn’t occur to me until I started thinking about it much later, but isn’t it strange that he didn’t understand why a young child would be frightened by a scary ride?

“I moved back to LA almost immediately after my mom’s funeral, but Dad became a little distant with me. We were both grieving, and it must have seemed callous to him that I was posting shots of myself at Disneyland on social media right after Mom died. Really I just needed a break from the move, from my job, from mourning, from everything – and I guess a part of me felt like my mother would never die as long as I kept returning to that memory of her holding my hand in the Haunted Mansion.

“My dad eventually moved on and married a younger woman. She would probably be my evil stepmother if my life were a Disney movie, but she’s actually a princess, and I adore her. I spend more time with her than I do with my dad these days, but I’m trying to do better. I thought I could reconnect with him if I took him along with me on a visit to the park, but he turned down my invitation. He told me he enjoyed my photos, but that he had never been to Disneyland and had no interest in going. Too many screaming children, he said.

“That was a surprise to me, so I told him about my memory of the Haunted Mansion. While I was talking, his face went completely pale. I don’t mean that as a figure of speech – it was like all the blood had been drained from his skin.

“He insisted that he had never been to Disneyland with me and my mother, but then he told me something strange. When I was about five years old, we went to visit his family in Seattle. My grandfather had just taken on management of a property in Capitol Hill, one of the old Gothic Revival mansions that used to be common there before the neighborhood gentrified. It was an old house, almost as old as the city itself, but my grandfather was having trouble finding potential buyers. The property had been designed by the student of a famous British architect by the name of Robert Smirke, and he wanted my mother to come take a look. Do a walkthrough, point out any potential areas of interest and value, that sort of thing.

“According to my father, my mother had a bad experience in that house. She refused to talk about it with him or anyone else, and she never went back to Seattle. She took me along with her on her tour of the property, and I was apparently just as upset as she was when we came out, even though my dad says we spent less than ten minutes inside. If I thought this place was the Haunted Mansion, and if the ride at Disneyland evoked such a strong memory, it makes me wonder – what did we see in that house?

“I checked with my grandfather, and he said the property never did find a buyer. The only person who seemed seriously interested was a British woman by the name of Gertrude Robinson. Shortly after she made inquiries, the place burned down. Imagine my surprise when I ran a search and learned that this Gertrude Robinson was employed by an institute dedicated to paranormal research.

“So,” Ted concluded, meeting Jon’s eyes, “I gave you my statement. I hope it will be useful to you. I was wondering what you could tell me in return.”

“Not much, I’m afraid. As you can see, we’re still in the process of organizing our records. We’ll investigate to the best of our abilities and contact you if we learn anything.”

“I would love that, thank you. Well, you have my information so…”

“We’ll be in touch. I believe I see my assistant Melanie hovering around. She used to have a large following on social media herself. I’m sure she’d be happy to show you outside.”

“So you’re from LA,” Jon heard Melanie say as she held the door open. Ted directed his dazzling smile at her, which she returned before allowing the door to slam shut behind them.

“Statement ends,” Jon muttered as listened to their conversation growing fainter. He ended the recording and leaned back in his chair.

“Any thoughts you’d like to share, Martin?”

“Oh, I, um,” Martin stammered. “I didn’t want to interrupt the, you know. The statement.” He rubbed the back of his neck as he emerged from between the shelves.

“It’s fine, Martin. It was a relief. To know that you were listening.”

“I’m sorry, I… What? It was?”

“I’ve never been good with people like that.”

“People like… Wait, excuse me?”

“People who are so…” Jon made a vague gesture to illustrate his point. “Sunny. Bright. Content. When someone comes here to make a statement, they’re usually upset.”

“Ah, right. I can see what you mean. But he looks like he just got back from a trip to the happiest place on earth.”

“The happiest place on earth?”

“You know, Disneyland Paris.”

“Disneyland Paris? They finished construction?”

“A few decades ago, actually.”

Jon sympathized with Ted Nakamura’s father. Between the crowds and the relentless sunshine, he couldn’t imagine a more ghastly location, and by this point he considered himself something of an expert on cursed geography.

“I don’t suppose we’ll have to go there ourselves to investigate,” he said, making an attempt to smile. He failed. His muscles were still tense from the process of taking a statement, and his face felt frozen.

“Really? You… want to go to Disneyland Paris? I suppose I could come too, I mean, if it’s not…”

Jon was alarmed by how red Martin’s face was becoming. Did Martin want to go to a theme park? Jon didn’t know much about Disneyland – or Paris, for that matter – but his childhood had been unusual, to say the least. He’d never asked, but Martin’s family couldn’t have been much if he had nowhere to sleep but down here in the archives. Perhaps he could use a vacation. Perhaps they both could.

Jon turned to face his assistant. “Martin, I…”

“Did someone say Disneyland Paris?”

Jon frowned. “Does this conversation interest you, Elias?”

“I heard you were planning a trip. You really must go sometime. It’s fantastic, quite the experience. I went myself, back in 1996.”

Elias made a quick series of taps on the screen of his phone before holding it out in front of him. Jon and Martin leaned forward to get a better look.

In the photo, Elias was posing next to someone wearing a Mickey Mouse costume. He wore an aloha shirt over denim shorts, and he was grinning from ear to ear. The camera had caught him in the act of pulling a tall man with a square jaw and a severe expression into the frame. The image quality was poor, but the man seemed far too pale for the summer sunshine.

Jon’s frown deepened. “And that is…?”

“Oh, this is Peter. You’ll meet him soon enough, I’m sure.”

“Do you, um. Do you go to Disneyland often, then?” Martin asked.

“Just the once. Peter lost a bet, you see.”

“Right.” Jon couldn’t put his finger on it, but he had a bad feeling about this.

“I wouldn’t mind going back. We could all go together, make an office party of it. It would be fun. You do know what fun is, don’t you, Archivist?”

Martin’s eyes darted between Elias and Jon. “I don’t think it’s safe to…”

“Come now,” Elias interrupted. “Would you have any reason not to?”

“China.”

“Excuse me?”

“China. I need to follow up on a statement, something Gertrude was looking into before she traveled to New Zealand.”

“Excellent. I’m glad that’s settled. I’ll leave you to your preparations, then.”

“Damn it.” Jon clenched his fists on the table as Elias left. A trap had been set, and he’d walked right into it.

“Don’t feel bad,” Martin said, oddly perceptive. After everything they’d been through, Jon was coming to appreciate that about him. “At least we know that Elias is still human. He likes Disneyland, after all.”

Jon wasn’t convinced that a fondness for theme parks qualified someone as being ‘human,’ but what would he know? He had to admit that Elias was right about one thing – it would do him good to get out of the archives.

“Are you really going to China, then?”

“I suppose I am.” Jon removed his glasses and rubbed his forehead.

“I’ve always wanted to go someplace like that, somewhere far away,” Martin said, his eyes darting to the tape recorder on the table. “I’d like to hear about it. If you don’t… If you don’t mind, of course. Maybe I could, I mean, we could go out for a coffee together. After you get back.”

“All right,” Jon replied, replacing his glasses. That would be rather nice, actually. “After I get back.”

[nobody-knose--archive]

well i got home a lot earlier than i thought i would today, which i’m happy for seeing as the place was filled to the brim with people not wearing masks. like this place is normally decently busy this time of year but it was packed to the goddam brim today for some reason. anyway! i took pictures of the place for reference, and whenever i get around to carving the pumpkins we picked out i’ll share pics of that as well. this is lowkey going to be an advertisement for the place because if you ever visit the central valley you really should come around here, especially if you are/have kids it’s amazing. starting from the top.

[image description: a picture of a creek bluff. in the foreground are some ground brush cast in shadow. in the middle ground is some long yellow grasses in patchy sunlight taking up the space where a creek would run if there was rain around here (california). slightly up the hill is a small footbrigde connecting a path that goes from left to right along the side of the bluff. just behind it in the background is the side of a small hill that’s covered in the same long yellow grass from before, and the sky is clear and blue where at the top of the bluff. scattered throughout are oak trees, some small and young, and a few that are old, tall, & mighty. end image description.]

y’all are so lucky i managed to get pictures without people there were so damn many. my older brother was freaking out the entire time about catching corona (he’s nd but he’s in denial about it) and ive decided that for the sake of this post & onwards i’ll be referring to my older brother as Idon & my younger brother as Dr. Lion given that those are dumb unused nicknames we have for each other and it’s easier than referring to them as my older & younger brother all the time. anyway the whole area is set up in this lil creekbed area and normally when it’s winter & it’s not hot n stuff (twas decently hot today, tshirt shorts & no jacket weather in the sun) there’s a bit of water that runs through it. the rest of the time it’s dry and people will walk straight to it to get to the bluffside trail that features a handful of small attractions like a tiny castle, tunnel, metal slide, & other things that appeal to all the children that can fit in them. this place is basically the hotspot for any and all children in this county youve just gotta come here some time it’s so damn fun. there’s even a swinging rope bridge over the creek that leads to the bluffside trail that’s raised way up in the air and is an honestly harrowing experience for every kid who goes across it i could talk about this place for hours. i havent even brought up the train line that goes around the tree farm & things at the top of the bluff. anyway

[image description: a picture of a pumpkin patch, taken from behind a few stalks of corn. the field is full of pumpkin plants with their large, green leaves extended into the air, though there’s no pumpkins visible. there are various flowers i believe to be carnations dotted throughout the patch, in shades of  light pink, magenta, orange, and red, and a few stalks of corn also grow in the patch. in the distance a field of corn that doubles as a small maze grows off to the right, and lining the background is a row of large trees that grow along the creekbed behind them. the sky is bright blue & clear from the upper left part of the picture it can be seen in. end image description]

so one attraction of this place (one thing that gives it such an appeal to people who want aesthetic pictures for instagram & whatnot) is that they always set up little pumpkin people all over the place, taking various poses. when i say pumpkin people i mean basically scarecrows, clothing stuffed with straw & posed doing things, but with pumpkins for heads. most of them are out of the way enough that people cant mess with them but can take pictures like i did here. oh can you not see it? well let me just zoom in for you-

[image description: a zoomed in picture of the scene described above. clearly shown is a scarecrow-type figure with a pumpkin for a head standing up in the field. it’s wearing a rather nondescript grey shirt, blue jeans, and a floppy brown farmer’s hat. it’s surrounded by pumpkin plants, carnations, & corn stalks, with a corn field to the back & more large trees casting shadows to the back, as indicated above. there are also some large leaves from corn plants directly in front of the camera where it’s taking the picture, taking up a large chunk of the picture. end image description]

here it is! this is the only one i took a picture of because it was the only one i could possibly find the time to capture without it being swarmed by other people. i was really lucky to take these pictures without anyone in the background here it’s honestly hard to tell from what i’m showing but there was an obscene amount of people there, hence why we barely spent 1.5 hours there. i suspect idon’s unending stream of complaints and fretting and honest request to tell every member of our extended family that we’d have to quarantine for the next 2 weeks got us out a bit faster than we wouldve otherwise done but eh. that stuff’s especially ironic considering dr lion’s going back to physical school starting this week but hey what can ya do. we wore our masks. homemade by my mother because she had nothing better to do the first few weeks of quarantine and now i’m just rambling about my home life. moving on

[image description: a picture of a string of lightbulbs, focused on one in particular that’s completely shattered. behind, various trees, oaks being the only ones i can name, fill up almost the entire background. blue sky can be seen through the branches of a tree to the upper right portion of the picture. for the most part only the lightbubs & the tree closest to it, taking up the rightmost portion of the photo, are illuminated by the sun. end image description]

this is making me realize i didnt take many good pictures. i only took this one because ive got a story behind it but hey i’ll be coming back this winter to pick out a pine tree probably bc they double as a pine tree farm as well as a pumpkin patch and general creekbluff attraction so i can get some better pictures of the area when there’s less people. hopefully. anyway you see how that lightbulb’s broken? well i being the lil aspiring biologist i am saw a bone lying in the dirt next to our car when we were leaving and immediately picked it up. it was picked clean, almost certainly by ants or something, and i was kinda hoping it was the product of some owl because there are a lot of those in the area around the creek, but my family decided twas but the product of some other family’s picnic there. what it was doing in the parking lot i’d love to know, but i couldnt bring it with me (”that’s disgusting” it’s picked clean dirty & dusty lying in the dirt i guarantee it’s not got anyone’s dna on it any more but that of the chicken it came from) so i take a step closer to the treeline to throw it away. and then of course where does it go after i release it from my hand but directly into one of the lightbulbs hanging up by a string all along the outside of the parking lot. whoopsy. so of course i take a picture as soon as i’m done explaining it to my family & freaking out about doing actual damage to this beloved creek pumpkin patch/pine tree farm. then we have a brief argument on whether to tell the staff about it (there’s actual broken glass what else can we do) and so we drive up to the guy sitting there watching people leave, giving directions, our mom rolls down the window, and i, on the opposite side of the car from him, barely get out a proclamation along the lines of “there’s a broken lightbulb down in the parking lot with glass on the ground” he says “ok sure” and we leave. it takes me like 5 minutes to calm down from that which i dont get because we do a whole expedition up to the top of the bluff to see the construction theyre doing to the train line that theyve been working on for years & we dont even get out of the car to walk around because a. social distancing we already took off our masks & they have to be tied on it’s too much work to put it back on and b. the sheer number of cars there was menacing so we just sorta drove around and glanced down the side of the bluff to the best of our abilities. god that’s a damn paragraph. it’s been an hour. <3 i guess

[internationalprocesssoluti-blog1]

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[vatofrain]

The Most Sweaterboy Lyrics of Every Song In My Sweaterboy Playlist

Pristine by Snail Mail

“Don’t you like me for me / is there any better feeling than coming clean” so this whole song is a giant SB mood about loving someone who couldn’t love you because you’re too small and dirty to ever be truly loved but you’re still doomed to quietly love them forever and the use of ‘anyways’ throughout to reassert how casual it is like it’s fine i promise everything is fine… anyways. The whole idea here is that being ‘pristine’ or ‘coming clean’ is like this horizon for us SBs, like it’s the dream to not only be liked but to be loved and not only be loved but loved for who we really are. But in order for that to happen we have to come clean and that’s something too big, too real, too terrifying to really engage with as anything beyond a kind of fever dream.

Safe Place to Land by Christian Burghardt

“You say your heart is made of glass / if you fall apart then I’ll glue you back / well, I’m made of paper mache / and I’ll blow away if I can’t make you stay” hhhhhhhhh okay so like this whole idea of only being able to show love through fixing things for people and if I tell you I love you then that’s more vulnerable than I’m willing to be but if I just like…. Fix things for you constantly then it’s fine everything’s fine. Please need me. Please let all my service be worth enough to stick around.

Movement by Hozier

“When you move / honey, I’m put in awe of somethin’ so flawed and free” this is our whole DEAL we are in complete awe of the capacity of AN’s to move freely, flaws so visible. Everything is so close to our chest always and nothing inspires awe and love in an SB like the movement of ANs.

I Will Follow You Into The Dark by Death Cab for Cutie

This song is our goddamned national anthem. Like literally every line of the chorus makes me nearly murderous with how much it’s pegged the SB desire to follow the people they love literally anywhere. We are creatures of such silent devotion. It doesn’t matter where you go or why or when like we will follow love to fucking hell and back and we won’t say a word. “If there’s no one beside you when your soul embarks / then I’ll follow you into the dark”

Golden by Hippo Campus

So Hippo Campus tends to have pretty nightmarish songs so I was shocked by the pure sweaterboy energy that is “I’m sick of sleeping longer nights with lesser feelings” because like. Yeah. We lock our feelings and our pain and our anger and our trauma and our grief deep inside of ourselves so that we can sleep at night because we’re afraid we can’t contain all of our emotion. That it’ll be like when a mortal sees a god in their true form and burns up because they aren’t built to handle energy in such a pure form. But the issue is that bottling all of that shit up and not really taking the world in means that life is just…. Boring. And at some point you get sick of it.

Your Dog by Soccer Mommy

This is like the dark side of being an SB because when you construct a self that’s all about loyalty and giving to others and self-denial… people take advantage of that shit. And then you end up feeling used and hollow and like there is no inherent worth to you, only what you can provide for others. So like “I’m not a prop for you to use / when you’re lonely or confused.” Like… yeah. Yeah man.

Full Control by Snail Mail

Like she just starts out going for the kill with “don’t even wanna fix it now / should know better than to wait around” because like the thing about SBs is that we will always wait. I think it was @beachdeath who made that post about how to distinguish between SBs and ANs and knowing that SBs are always the ones that wait. We should know better. But we can’t fucking help it, we love by showing up and waiting every goddamn time, even when we shouldn’t anymore. Even when it’s love. Even when it’s not.

Washing Machine Heart by Mitski

Miss Mitski patron saint of Sweaterboys honestly. “toss your shoes in my washing machine heart / baby, bang it up inside” like I think something people don’t necessarily understand about SBs is how sometimes care can be a form of self-harm, how we clean and care for others at the expense of ourselves not necessarily out of obliviousness but as a deliberate, conscious decision to fuck ourselves up. We’ll get you nice and clean but the dents will be here for years.

Corduroy Dreams by Rex Orange County

“Girl, don’t worry about me / but if you’re ever unhappy / then maybe, baby, I must let you go” like GOD we GET IT you love to MARTYR YOURSELVES. But like! Is it a sweaterboy if all of its care doesn’t come out of a fundamental lack of self-worth? Probably not! Like we convince ourselves that we can handle any amount of pain and loneliness, that we can internalize almost any level of misery. But we let go of people easily because we believe that we are not worth any amount of pain to anyone. If I ever make you even kind of unhappy then, babe, you gotta go, because I’m not worth that. If you make me unhappy? That’s just love, babe, that’s how it goes.

Pluto by Sleeping At Last

It’s funny that SAL has the first track on my nightmare playlist because the vast majority of their songs are enormously SB. like come on. “I’m pinned under the weight / of what I believed would keep me safe” let a bitch live! But yeah the whole idea of what you use for protection holding you down and keeping you still. We’re trapped in a burning building and the metal bookcase that fell on us is keeping the fire from consuming us, sure, but we’re still fucking stuck in a goddamn burning building.

Drew Barrymore by SZA

“And she’s perfect and I hate it / oh so glad you made it” this just makes me fucking laugh because yeah. We’re those bitches. We’re jealous motherfuckers because other people have perfection that we don’t and we just want to hoard all the Correct ways of living because if we aren’t doing everything right, if there are other ways of doing things right that we’re neglecting-- well, shit would hit the fan. We wouldn’t be worth anything. But hell if we’ll let you know that, if we’ll be anything other than completely lovely and polite. And that’s mostly because we hate that we feel jealous! We shouldn’t feel jealous! That’s not a Correct feeling! So obviously it will go away if we pretend it’s not there.

All I Want by WALK THE MOON

What this song does so well is express the whole idea of what could I be doing to make myself worthy of existing.? What am I doing wrong? What should I be doing? What am I doing to deserve to this? Maybe if I did this, maybe if I did that, “maybe if I was straight / maybe if I was vegan / maybe if I still had you to kiss.” I think nightmares who don’t like themselves have kind of accepted that this is who they are and who they are gonna be forever so they play it up to distract from self-loathing. We try to be someone different. We can’t accept that this is really who we have to be forever so we keep trying things and are shocked when giving up gluten and donating to charity doesn’t save us from being the four-legged gremlins we know/believe ourselves to be.

I’m Gonna Be (500 Miles) by The Proclaimers

Like do I even have to explain this one. SB devotion. I’ll walk 500 miles and 500 miles more just to fucking collapse at your door because I love you and that’s what we think love means. Pushing yourself past human capacity for someone else. It’s not love unless your feet are bleeding. Anyway, you know the fucking line. The main one. Yeah. Fuck you Proclaimers.

I Will Wait by Mumford and Sons

Again, do I need to explain because like I mean “And I will wait, I will wait for you.” We’re the ones who fucking wait. I don’t know how many of you watched Doctor Who but you know that whole plotline where Rory waits 2000 years to guard Amy inside the big grey box thing? Yeah. Peak sweaterboy.

Bloody Shirt by To Kill a King

This is very specifically a song about a sweaterboy caring for their fucked up nightmare. We can be angry, this can be the 5000th time we’ve had to pay your bail or drive you home or bandage your wounds. We’ll still do it. We don’t care if you’re sorry or not sorry because we have to clean out the cut and then apply the gauze so just shut up and let us work. It’s fine. We don’t mind. “I stepped out with heavy heart / to bail you out again / oh those things you do.” Oh the things we do. Oh the things we can live with.

Savior - piano version by St. Vincent

I think this is really funny but honestly? The most sweaterboy line in this song is the same as the most nightmarish line which is Peak I’m you, aren’t I. “adore you to the grave and father / honey, I can’t be your martyr” this comes back to this whole theme of SBs martyring themselves for love because the thing is there comes a point where we can’t do it anymore. We are notorious for setting ourselves on fire to keep others warm but, fuck man, sometimes there’s just nothing left to burn. And I think for ANs this line is about the tragedy of someone loving the myth of you rather than the person but for SBs this is the fucked up tragedy of not being able to give any more of yourself to someone even when you feel like you should be able to.

Devil in Me by Halsey

“I won’t take anyone down if I crawl tonight / but I still let everyone down when I change in size / and I went tumbling down tryna reach your height / but I scream too loud if I speak my mind” like miss halsey your MIND. But yeah making yourself small to be palatable to others. How can I do the least damage / leave the least impact asks the sweaterboy because the sweaterboy fundamentally disbelieves that any impact they have will be positive. I can’t speak my mind because I’ll just start fucking screaming.

Am I Pretty? (acoustic) by The Maine

“I’ll get used to getting used / I’ll do that for you / so maybe then you’ll have me” like do I need to elaborate this is what I’ve been saying. Only lovable when we’re useful!

Love you Like That by Dagny

I think that while ANs are afraid of being loved incorrectly, SBs are afraid of loving incorrectly, of having our love be misread or insufficient. “I know when I say it, it doesn’t say enough / with you close, I’m the happiest I ever was” I need you to know I love you. I need you to know I’m trying. I need you to know I know my words will never be enough.

Me & My Dog by boygenius

Like so it pains me that my favorite line in this song isn’t the most SB but alas that’s how it be sometimes. Anyhow we’re great at insisting everything is fine and regular and, fuck, “I didn’t wanna be this guy / I cried at your show with the teenagers / Tell your friend I’ll be alright / in the morning it won’t matter,” you know? You’d be surprised what you can live with.

I Don’t Smoke by Mitski

I am losing my MIND miss mitski understands she just! Gets it! “If you need to be mean / be mean to me / I can take it and put it inside of me” BITCH YOU’D BE SURPRISED WHAT YOU CAN LIVE WITH. Like take all of your anger and pain and direct it at me I can take it is such a SB sentiment because that’s what we think we need to do to love someone! If you aren’t bleeding it isn’t love! God! We just keep trying to metabolize things that the human heart wasn’t meant to metabolize. Please love us.

All That by Carly Rae Jepsen

“I’ll be your lighthouse if you’re lost at sea / I’ll keep my light on, baby / you can always come to me” Miss Jepsen queen of unrepressed sweaterboys which is frankly unfathomable to me but y’all are killing it. Like this song is like show me that you love me, show me if you really think I’m so wonderful, I do so much to love you, show me that you love me beyond what I do for you, no I won’t stop doing things for you.

Night Shift by Lucy Dacus

“Why did I come here? To sit and watch you stare at your feet? / What was the plan? Absolve your guilt and shake hands?” so I think an important dynamic dichotomy is that SBs forgive but never forget and ANs forget but don’t forgive and this song conveys that really well it’s like. Yeah this ended and yeah now I have this vulnerability and love and commitment hangover but you know what? I’ll just take the night shift. I’ll slip out of your life like I was never there. I’ll call it all good and make sure our paths never cross again. Because we really will absolve your guilt and shake hands, we’ll show up just to sit and watch you stare at your feet, and then we will never see you again if we can help it.

Smoke Signals by Phoebe Bridgers

“Oh my god uma we get it you’re repressed” no okay LISTEN. Listen to me. There is a thing SBs do where we retreat within ourselves because the energy required to maintain our delightful yet unsharing front is enormous. And on some level, we are the only people we really trust to stick around when the entirety of who we are is exposed. Like I am the only person in the world I know for sure won’t go running if I turn up the noise on myself simply because I literally can’t. So we retreat within ourselves and turn up the volume within our hollow recesses. “You are anonymous / I am a concrete wall” we fancy ourselves unknown and unknowable. You can talk to us for an hour and learn nothing about who we are.

Neptune by Sleeping at Last

I think there’s this idea that SBs don’t share about themselves because we choose not to. I’m not gonna say that’s completely false but like it’s complicated and this line gets at it well “I’m only honest when it rains / if I time it right the thunder breaks / when I open my mouth / I want to tell you but I don’t know how.” We are so afraid of getting it wrong and the only way not to get it wrong is not to try, you know? And also sometimes we just cannot do it, sometimes it is impossible for us to expose ourselves, sometimes we have to wait for thunder to break.

Your Type by Carly Rae Jepsen

Thank you for sticking with me for this incredibly long ride you’re a fucking champ. “I bet she acts so perfectly / you probably eat up every word she says / and if you ever think of me / I bet I’m just a flicker in your head” so like this is fine I guess. This whole song is, much like “all that,” about that tension between wanting someone to love you (maybe even love you well) and wanting to just like douse them in sweaterboy love and acts of service and struggling with how much of that is you wanting to make them love you and how much of it is just the plain and simple human ache to love. She seems to struggle with this idea that she isn’t the kind of person that is loveable but hey look here I’ll make time for you I’ll do this and I’ll do that. Please love me. You won’t. You can’t. God please love me.

[rocketwerks]

Saunders-Willard House

AKA, Founders Hall 827 West Franklin Street Built, 1883

January 2019

In the spring of 1919, the Richmond School of Social Work and Public Health faced growing pains. The Saunders-Willard House provided the answer.

December 2014 — Beers House — 1228 East Broad Street

The vestry of Monumental Church offered the school a "whole building" at 1228 East Broad Street, a three-story residence next door to the church and rent free. The offer was accepted.

Miss Catherine Harahan wrote in her reminiscences: "Anyone who attended school there could never forget it. The building had been renovated; it was clean and neat, but bare. In the basement were two large rooms for the recreational leadership department. On the second and third floors there were classrooms. The small library was on the first floor." [HRPI]

But there were issues.

[ORN] — Mayo Street, former red light district, later transformed into the new Fourteenth Street when Interstate 95 was built

Number 1228 East Broad Street had been built in the era when few houses had indoor bathrooms, and the ones which had these conveniences, often did not locate them in the house itself. Number 1228 was like this. The bathroom was in a separate little addition in the rear, across the porch, "which one had to cross to get there."

The 1228 location was then rather "slummy". The night students were the first to reject the 1228 East Broad Street area. They said they were afraid to go there. It was too close to the former "red light" district and also only a block, and a short block at that, from "Jail Alley", they complained.

The questions came to be asked: Wouldn't it be better to rent quarters in a better downtown neighborhood? And wouldn't the increased enrollment produce revenue to pay the rent? [HRPI]

[RVCJ93] — Saunders-Willard House — 827 West Franklin Street

On November 30, 1882, E. A. Saunders bought the site of his future mansion, now known as Founder’s Hall, for $7500.00 at a public auction of the estate of the deceased James B. Taylor. At that time, the land and frame house was put in the name of his wife, Mary J. Saunders. Their initials "E.A.S." still are etched in the glass transom over the main entrance door. The building suggests the home which Scarlett O'Hara and Rhett Butler of "Gone with the Wind" built in Atlanta about the same time.

(Rocket Werks RVA Postcards) — Shirley Plantation

Mr. and Mrs. Saunders had owned at least fifteen properties in and around Richmond. These estates included farms, plantations, and houses. The farming land that Saunders owned, which bordered the James River, included “Boscobel,” 450 acres; “Buckland,” 650 acres; “Shirley Plantation,” 800 acres; and “Weyanoke,” and some properties in Orange County close to Gordonsville.

[RVCJ93] — Edmund A. Saunders

E. A. Saunders was a successful entrepreneur and was involved in endeavors beyond the aforementioned grocery empire. For some time, Walker and E. A. Saunders were again business partners in a substantial milling industry. Saunders was a component of the tobacco manufacturing concern of Hardgrove, Pollard and Company as well as a part of the firm of E. A. Saunders and Company of New York, which dealt in the Cord-Wood and Lumber Association of Virginia. [TWVMFA]

(Wikipedia)  — Joseph Edward Willard

After the Saunders family moved from the house, Number 827 was rented to the Honorable Joseph E. Willard when he served as lieutenant-governor of Virginia in 1902-06 and while he served on the State Corporation Commission in 1906-1910. Mr. Willard continued to live at the residence until about 1915, although after 1913 he was abroad much of the time as ambassador to Spain.

After Mr. Willard, Number 827 was occupied by the University Club of Richmond on a rental basis. In 1925 Franklin Street was chiefly residential, even though it was on the edge of the central section of Richmond and within walking distance of the business district. Many of the old houses still were occupied by members of the original families which built them. However, the Franklin-Shafer Street-Monroe Park neighborhood was changing. [HRPI]

(Rarely Seen Richmond) — postcard of the Richmond School of Social Work and Public Health — compare this with the photo at top and see the vanished entrance to Shafer Street and the additions at the rear

The fates of the house and the School of Social Work began to align.

The question of finding a suitable, permanent location concerned officials and friends of the school for many months. Between 1922 and 1925, the minutes of the Board of Directors record many talks with President J. A. C. Chandler about "William and Mary taking over the school entirely."

President Chandler said that he would recommend to the Board of Visitors of the College of William and Mary the absorption of the school, with the understanding that William and Mary would maintain the institution permanently in Richmond "provided the school acquired a permanent building in a good central neighborhood."

More specifically, it was recommended that the Board of Directors acquire as a "permanent home of the school" the former Saunders-Willard house, on the southeast corner of Franklin and Shafer Streets.

January 2019

There was some objection to the site as a permanent location for the school. One view held that it was too near the business section and "never could be made to look like a campus." This objection to location in the central part of the city, where no conventional campus was possible, continued through the years.

January 2019 — showing the above mentioned E.A.S. initials etched into the glass above the front door, alas spoiled by the interior light

Two answers primarily were made to this question in 1925. First, it was felt that a good central location would result in an increase in the number of tuition-paying students and would also make possible higher tuition charges. The second answer was that the nature and purpose of the institution was the important factor. The kind of educational work contemplated for the new institution needed a central city location. A suburb or small town, while fine for a liberal arts college, was not a satisfactory setting for the kind of institution of higher education which emphasized the professions, vocations, occupations or "extension work".

January 2019

Another factor in 1925 favoring the Franklin Street area was that the Richmond Public Library at 901 West Franklin was then located across from Shafer Street and available to students. In any case, the kind of neighborhood selected for the permanent location of the new institution was of great importance in the subsequent history of Richmond Professional Institute and of the emerging University. In ways, it is true that the selection of this permanent location for the new type of institution was one of the wisest decisions the founders made. [HRPI]

January 2019

The house itself is composed of brick, two-and-one-half stories, mansard roof, three-bay front, molded deck, modillioned cornice, ornamental gables cap the dormers, corbelled chimney cap, stone hood molding cut with scrollwork, bay projections, Corinthian porch with latticework crowning balustrade and splayed newel posts, and door with segmental surround. (VDHR)

January 2019

Generally considered "Victorian" in style, as are most of the preserved 19th century homes on Franklin Street, Founders Hall is classified specifically as "French Second Empire" in the Epes and Nicholson study. The distinguishing feature according to them is the "mansard roof": "Decorative patterns of color or texture in the roofing materials." The appearance of the original structure is very attractive due to its first and second floor bay windows on the front and west sides; the variation in architectural patterns around the roof line, front porch and entry way; and its pleasing blend of red brick, gray stone and wood materials. 

January 2019 — showing additions to the original building

The additions to the rear are constructed from red brick and concrete and are functional but unattractive. No attempt appears to have been made to integrate style and materials with the older part of the structure. The brickwork at the rear of the addition, however, is not uniform. The bricks at lower levels appear more worn and slightly larger than the bricks at higher levels. Also, the walls along the rear are not all the same height. Based on these observations, it seems that the additions could have been built on top of and beside existing brick structures that may have been associated with the original structure before 1925. [FOUH]

January 2019

Unfortunately, it’s also another victim of the insidious Tree-Architecture Conspiracy, but that’s the least of its problems. While it may be structurally sound, the exterior is in appalling condition. There’s peeling paint everywhere, mold on the newel posts leading to the front door and elsewhere, and a rats nest of cobwebs on the ceiling of the porch. On close inspection, it looks terrible — dirty, and in dire need of power washing.

VCU has done an amazing job transforming this area of the city and has built wonderful new additions to the Monroe Park campus. Their track record of stewardship for their older historic buildings doesn't always match this pattern of success. Considering what Founder’s Hall represents to the university, VCU should be embarrassed.

(Saunders-Willard House is part of the Atlas RVA! Project)

Sources

[FOUH] Founders Hall, Virginia Commonwealth University, Richmond, Virginia. James A. Shultz. 1995.

[HRPI] A History of the Richmond Professional Institute. Henry H. Hibbs. 1973.

[RVCJ93] Richmond, Virginia: The City on the James: The Book of Its Chamber of Commerce and Principal Business Interests. G. W. Engelhardt. 1893.

[TWVMFA] A Tiffany Window In the Virginia Museum of Fine Arts and the Patronage of The Saunders Family of Richmond. Joshua A. Kline. 2012.

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[happyweddingblogs]

Top 15 Beautiful Engagement Photo Locations in California

Are you planning a breathtaking engagement photo shoot in California?

Well, that’s amazing! But choosing the place where to take your photos with so many options in California can be taxing. Worry not! Read this post. Here in this post, we’re sharing some gorgeous places for your engagement photo shoot.

After the immense popularity of destination weddings, many couples are now considering to have their engagement photo shoot away from their homeland. And why not! After all, your engagement is the first step to your new life; it should be celebrated the grand way. What better way to celebrate than with a lavish engagement photo shoot in California?

California is one of the most beautiful settings for an engagement photo shoot in the United States. Apart from traveling and exploring, it’s a great site to create fond memories of your engagement.

Ready to explore?

Let’s get started…

15 Stunning Locations In California For Engagement Photography

1. Marin Headlands

The Marin Headlands are a mountainous peninsula in Marin County, California, located approximately north of San Francisco across the Golden Gate Bridge, which unites the two counties and peninsulas. The Golden Gate National Recreation Area encompasses the entire area. The views of the Bay Area from the Headlands are legendary, particularly of the Golden Gate Bridge.

The spectacular views from this gorgeous San Francisco site, which overlooks the shoreline to the north and the Golden Gate Bridge to the south, will take your breath away. If you want a lot of variety in one place plus one of the best views of the Golden Gate Bridge and San Francisco, this is the place to go.

2. Half Moon Bay

Half Moon Bay, a small town in California, is one of California’s best engagement photo shoot locations. It’s a gorgeous coast side town with lots of incredible beaches and hidden corners. You’ll be mesmerized to see the beauty of hidden beaches and breathtaking views here in Half Moon Bay. A perfect location for a memorable photo shoot.

3. Carmel-by-the-Sea

Carmel-by-the-Sea is a tiny coastal town on the Monterey Peninsula in California. The beaches surrounding this large bay provide an exceptionally stunning backdrop for beach engagement photos. Besides, it’s recognized for the ancient Carmel Mission’s museums and library, as well as the village-like center’s fairytale homes and galleries.

The Scenic Bluff Path, which has a scuba entrance point, leads from Carmel Beach to the bird-rich Carmel River State Beach. The sea critters and whaling museum of Point Lobos State Natural Reserve are located to the south.

So, if you’re seeking for a location with more engagement photography alternatives, Carmel-by-the-Sea is the place to go. There are sundry options to choose from; besides beach photography, you can even opt for a library or museum for photo shoot. Moreover, there are so many other places to visit and make your vacation memorable.

4. The Legion of Honor

The California Palace of the Legion of Honor, popularly known as the Legion of Honor, is a museum in San Francisco, California. It’s in Lincoln Park. This historic San Francisco art museum is the ideal setting for engagement photos in California. The secret to outstanding and distinctive engagement photos is classic architecture and a clean, romantic aesthetic.

Related: Best Poses for Your Engagement Photos

5. Golden Gate Bridge Overlook

The Golden Gate Overlook provides a unique perspective of the bridge that bears its name. This magnificent viewpoint and its close relative, the Pacific Overlook, were created in 2012 to commemorate the Golden Gate Bridge’s 75th anniversary. The viewing area of the Golden Gate Overlook, located off Lincoln Boulevard, is a curved concrete plaza that embraces the edge of the coastal bluff, mirroring the architecture of the surrounding military fortifications and artillery batteries. Wooden benches urge you to take a break and take in the beautiful native vegetation and views of the meandering trails below as you take in the coastal views.

Having your engagement photos at the Golden Gate Bridge overlook is unquestionably like adding both grandiose and excitement to your pictures. This hidden overlook location offers one of the most beautiful views of the Golden Gate Bridge.

6. Garin Park

Garin Park, part of the East Bay Regional Parks system, is located in Hayward, California. Dry Creek Pioneer Regional Park, a sister park, shares a congruent border with it. The park is located on the former Garin Ranch, which was sold to the district in 1966 by Andrew J. Garin.

This charming park offers all you need for breathtaking shots in California’s famous golden rolling hills. If you’re looking for astonishingly gorgeous daylight, enormous views of rolling hills, and a modest yet attractive backdrop for your California engagement photos, Garin Park is the place.

7. Baker Beach

Baker Beach is a beach located on San Francisco’s peninsula. The beach is located northwest of the city on the Pacific Ocean, making it one of the ideal locations for your engagement photo shoot.

This well-known San Francisco beach offers a spectacular view of the Golden Gate Bridge. It offers magnificent sunset light and the most beautiful views of the Bridge – perfect for a romantic shoot. This is an ideal location for your shoot if you want to capture some glorious California light on the beach.

8. Pasadena City Hall

Pasadena City Hall, erected in 1927, is a prominent architectural specimen of the City Beautiful movement of the 1920s and serves as the central headquarters for city government in the City of Pasadena, California. It features everything that you need to make your shoot stunning – a lovely fountain, lush landscaping, and 1920s architecture.

It is one of the dazzling locations for an engagement photo shoot. If you’re looking for a royal theme or something with a “castle” vibe for your engagement photo shoot, this is the place to opt for.

9. Vasquez Rocks

Vasquez Rocks Natural Area Park is a gorgeous 932-acre park in northern Los Angeles County, California, located in the Sierra Pelona Mountains. It’s famous for its rock formations, which are the consequence of sedimentary layering and subsequent seismic uplift.

If the theme is “adventure” for your engagement photo shoot, then wait not to drive to the Vasquez Rocks in the Sierra Pelona Mountains, which is just past Santa Clarita. The park’s rock formations and paths are incredibly magnificent. You will be trudging uphill to get those stunning photos of yours, but trust it’s worth it! There are several steep upward angles on the big rock formations that you’ll want to photograph.

10. Mission San Juan Capistrano

Mission San Juan Capistrano is a Spanish Mission in San Juan Capistrano, Orange County, California. It was named after Saint John of Capistrano and was founded on November 1, 1776, in colonial Las Californias by Spanish Catholic Franciscan missionaries. It’s a rare historic site perfect for your engagement photo shoot.

The Mission is noted for its distinctive architecture, which is distinguished by the play of light and shadows, giving it a majestic, romantic appearance. Fountains, bells, and other architectural elements provide interesting specular highlights and backdrops. The Mission’s core has a wonderful appeal with well-kept lawns, attractive flowers, and running water fountains. For those interested in a “Vintage” motif, Mission San Juan Capistrano is an excellent choice.

11. Treasure Island

Treasure Island is a manmade island in San Francisco Bay. The World’s Fair site on the island, constructed in the year 1936–37 for the 1939 Golden Gate International Exposition, is a California Historic Landmark. If you’re looking for a blend of beach images, breathtaking scenery, and amazing views, Treasure Island in Laguna Beach is the place to go!

The breathtaking views of the ocean from the overlook make for amazingly romantic engagement photos. This is one of the most enchanting locations for engagement photos in Orange County. Give it a shot!

12. Mormon Rocks

Mormon Rocks, situated about 1 mile west of the freeway and north of Highway 138, is a very popular and breathtaking site for your engagement photo shoot. It appears to greet visitors to the Mojave Desert. Look no further than Mormon Rocks for stunning desert and mountain views! You’re going to love this place for sure!

13. Victoria Beach

Without a doubt, one of Laguna’s most well-known beaches is Victoria beach. It has iconic sites like the fabled “Pirate Tower” and a circular, artificial pool, as well as rugged landscapes and spectacular sunsets, making it an ideal location for your engagement photo shoot. Skim boarders adore it as well.

Note: Don’t miss to check the surf report before going out, as the tide can catch you off guard, and don’t forget your permit, which is required when photographing a picture session on most California beaches.

14. Joshua Tree National Park

Joshua Tree National Park is one of California’s most beautiful national parks located east of Los Angeles and San Bernardino. It is a large protected area that features rugged rock formations and stark desert vistas. The park is situated between the cactus-studded Colorado Desert and the higher, cooler Mojave Desert and is named after the region’s twisted, bristling Joshua trees. The Coachella Valley can be seen from Keys View. Famous for hiking, hiking routes wind their way through Hidden Valley’s boulders.

The site offers impressive desert views and unique landscapes, perfect for a spellbinding photo session, in addition to plenty of rock formations, meadows, dunes, and, of course, Joshua Trees.

Note: This location is ideal for spring and fall as the weather during this time is most pleasant.

15. Lake Tahoe

Lake Tahoe is a vast freshwater lake located in the Sierra Nevada Mountains on the California-Nevada border. This location is famous for its beaches and ski resorts. Emerald Bay State Park on the southwest side is home to the 1929 Nordic-style mansion Vikingsholm. Sand Harbor Beach and Spooner Lake, a gateway to the long-distance Tahoe Rim Trail, are located in Lake Tahoe Nevada State Park on the lake’s northeast shore.

Known for its hiking trails and ski slopes, Lake Tahoe is an ideal alpine location for your engagement photo shoot. Your photographer will get unlimited options and spots to click memorable pictures, as the surrounding area is full of natural beauty and gorgeous backdrops.

Wrapping it up…

So, these are the top 15 engagement photo shoot locations in California to explore. Aside from these, there are a number of other stunning spots in California where you can have your engagement photo shoot.

All you have to take care of is the weather conditions. Also, don’t miss obtaining permits beforehand for your engagement photo shoot, mainly when you’ll shoot on a beach or a museum or any other such place.