#post / origin story

[aesethewitch]

When I was a kid, we moved into a house that had a huge lilac tree out front. It was mostly rotten, and it needed to be taken down before it fell. It took a while, but eventually, it was gone.

Mostly. A couple years later, little lilac babies popped out of the ground in its place. My mom was determined to get rid of them, because she'd planted a beautiful flower garden there, and the lilac trees would overshadow and kill the whole garden. I insisted on saving at least a few saplings. She said fine, but I had to dig them out and put them in pots myself.

So, I did. I spent days digging little lilac bushes out of the ground and putting them into pots. Some couldn't be saved, but some could. When all was said and done, I had five brand-new lilac saplings. Seven or eight years old, and it was my absolute pride and joy.

Three died due to sun scorching, severe drought that no amount of watering could save, and perhaps just being moved from their place in the ground. But two survived, and I was awfully proud of them! I'd go out and talk to them every single day. I watered them by hand and made sure they were fertilized properly. I learned all about their favored environments, and I was determined to make sure they lived.

One of my mom's friends saw what I was doing with the lilacs. She asked if she could have one to put in her backyard, and I agreed on the condition that she take very, very good care of it.

It's now fucking enormous. I'm talking ten feet tall and bursting with beautiful purple flowers every spring. My mom still gets updates each year as they start to bloom, which she forwards to me. And all I can think is, "That's my friend! Thriving some twenty years on, there it is."

The other tree nearly died, too. It lived in a pot for far, far too long. I wanted to plant it somewhere in my parents' yard, but my mom was reluctant. Eventually, we agreed to put it in the far back garden. It grew okay for many years, despite the shade, but in all these years, it's never bloomed.

Last year, the massive tree casting massive shadows over the lilac and the garden cracked in half and fell. It tumbled into the garden, crushing part of the nearby shed and destroying a few plants beneath it.

It missed my lilac by inches.

The clean-up is long done. The rest of the tree has been cut down, and my lilac has full sunlight for the first time in fifteen years. It won't bloom this year, I know. But it's got new shoots up. It's taller than ever. I spent half an hour a few weeks ago praising it for surviving all this time, dreaming about its future and telling it how I believe it'll become the tall beauty it's always been meant to be.

I think next year, I'll see flowers.

[disney-is-mylife]

THIS IS NOT A COMPREHENSIVE LIST. I just wanted to highlight some beloved and underrated nostalgic classics.

I am NOT counting: Studio Ghibli, DC, Marvel, Scooby-Doo, sequels/prequels, and most other franchises. I also chose to cut Dreamworks, because I wanted to give as much love as possible to other nostalgic films. There's a LOT to cover in the 80s-90s, hence why I split the two polls.

80's Poll

Happy voting! ❤

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[secondbeatsongs]

you will never truly know the effect you have on other people's lives

this is both a blessing and a curse

[blackkatdraws2]

[Toon x Mobster] New character: the old guardian of the Huffman siblings! + LORE and COMICS

Sir. Wallace Kingsman. A retired hitman/boss in his late 80s who's a father figure to the Huffman siblings

He's rather old fashioned and stoic, only ever showing his much softer side towards the two kids, a few other close companions, and nobody else. He's both well-respected and feared by the people who knows him.

His stance on the relationship between the Toons and the Huffman siblings are vague. He does not reveal his true thoughts and feelings, only quietly observing them. However, by the end, he sees that being with the toons makes Gavriel and Grace happy so he chooses to just leave it be.

[Background Info and Comics:] (Warning: Injury, blood, dark topics.)

As little children, the Huffman siblings found Kingsman in the slums when the old gentleman was collapsed due to his injuries from a gunfight nearby.

Gavriel Huffman, accustomed to the violence, planned on leaving the dying man alone, not wanting to take the risk of potentially getting into trouble with his involvement. Grace was able to [hesitantly] change his mind due to her persistent begging to save the old man.

Gavriel Huffman during this time was 16 years old, with Grace Huffman being 7 years old. Both children have no parents and they live on their own, alongside the poor/homeless population of the area they reside in.

After the Huffman siblings saved Sir Kingsman's life, he eventually gets well enough to leave on his own and come back later to repay the kindness that was shown to him by the people of the slums, especially the Huffman siblings.

He takes the Huffman siblings under his wing and raised them as his own where they grew to become elite members of their organization through their unexpected talent and incredible hard work.

The three initially did not consider each other as family, more like friendly acquaintances. However, there were signs of their relationship developing to that route, which accelerated after a particular accident happened.

They only ever referred to each other with formality. This was the first time they've called each other familial terms.

Grace Huffman, upset at having experienced such a harrowing event, swore to become stronger so her old brother doesn't have to get hurt protecting her anymore.

[ministarfruit]

day 15: haunting ♡

(femslashfeb prompt list)

[thehammyyammy]

The Doctor: We are in Wales, spectacular!

Ruby's plot, literally two minutes later:

[and-corn]

[rcmclachlan]

8x06 fix-it fic: Amnion

Buck doesn't bounce back from Tommy the way he did with all his other breakups for reasons he can't articulate or even look at. He thinks of how long it took him to recover from Abby, but even that felt different, because he'd had hope carrying him through most of it. He doesn't have that now.

The worst part is it's bringing everyone else down. It's starting to affect the job, and he can't take any more of Bobby's pity dinner invites or the kid gloves Eddie handles him with. Then one day, Chimney (in an attempt to lighten the mood) asks Buck if he's pregnant, and it awakens some primordial rage in Buck that he never knew he possessed and damn near rips off Chimney's head about it.

But once the blood levels in his adrenaline start rising and he calms down, he starts thinking about it. Before he knows it he's thinking about it day and night, and now that's starting to affect the job more than his heartbreak had been.

Then one night Maddie invites him over to watch trash TV and eat junk food until they can't feel feelings anymore, but instead of the patented Maddie Hug he's expecting, she hands him a First Response test stick the second he walks in the door.

Five minutes later, he comes out of the bathroom pale-faced and dripping tears because there are two lines in the test result window, and Maddie leads him over to the couch where they curl up and cry together. Just like the old days.

Maddie asks if he's going to tell Tommy, but there's no judgment in her voice, like she's behind him no matter what he decides, and Buck tries to make her laugh when he says, "How do you know it's his? I could've been living it up for the last month. New person almost every night. Exploring myself."

She just gives him a Look. Also patented.

Under the weight of her scrutiny, Buck thinks about Tommy's face before he left the loft that night and how ''Buck'' looked and sounded so wrong coming from him. Like the shape of it was so painful he could barely move his mouth around it.

Finally, he shakes his head. His eyes well up with more tears, which feels impossible, because the human body can't possibly produce this much liquid. He's going to drown them both. "I thought... I thought we had a future, Maddie. I really did. I guess I still get one... but only with part of him."

A couple of months pass and Buck's entire world shifts. The 118 have rallied around him in a way that almost feels like they're closing ranks to every other firehouse. Eddie becomes especially protective and devises a 5000-point care plan that makes him twitch if Buck so much as thinks about deviating from it, but he also keeps telling Buck that he needs to tell Tommy about the pregnancy.

"If only to get his family history," Eddie says reasonably, but there's something pleading in his voice every time, like there's so much more under the surface that he's trying to keep under wraps. Like there's more about this that he thinks Tommy should know.

Chimney's in the middle of explaining why he's stealing the cool uncle crown from Buck and sitting pretty on the throne when Buck asks him about it.

"Is there something about Tommy that no one's telling me?"

It trips Chimney up. Literally. He just barely catches himself from going headfirst into the kitchen counter.

Buck's heart starts pounding. "Chim, does he know?"

"No," Chimney says, firm and almost a little offended. "We promised you we wouldn't say anything. But Buck... you should tell him. You should talk to him."

Part of him wants to whip his phone out right then and there and dial Tommy's number. He could do what he did the first time: ask to meet somewhere and laugh about bad coffee and plead his case for a second chance. He could reach across the table for his hand, but this time, he'd stand up and walk over to Tommy and place it on his belly. "I don't care about firsts or lasts," he'd say. "I care about only's. And you're the only one I want."

But the other part of him, still licking its wounds, hormones in flux and forcing organs to shift and bend as it makes room for the thing he and Tommy made together, bares its teeth and snaps, "He made it very clear that he had no interest in hearing what I had to say."

Chimney never brings it up again.

Meanwhile, Hen goes a little overboard with forcing him to undergo random physicals—she pops out of the shadows twice a day to ambush him with the blood pressure machine, and he keeps threatening to avoid rooms that have doors—but he loves it. His body is a complete stranger to him for the first time in a long time, but the changes he's experiencing are interesting and he's having a blast cataloging every new one. He and Hen have a spreadsheet with like fifty tabs, and she helps him navigate every test his actual OBGYN sets him up for.

He's over her house at least once a week, although pregnancy talk at the dinner table is verboten.

"If one of you says the word 'amniocentesis' one more time, I will start a food fight," Karen had said, finally putting her foot down. Across the table, Denny perked up.

As much as he hesitates to even think the Q-word, it's a pretty quiet pregnancy. The cravings are kind of wild, though, and he goes most of his first trimester feeling like he's going to die if he can't eat rice krispie treats with cottage cheese. Every time Bobby sees him cracking open another container of Hood, it looks like he's seriously reconsidering sobriety.

But as incredible as they are about the pregnancy, they're all tiptoeing around the other elephant in the room: when Buck is going to stop working scenes. He and Bobby have a series of discussions that satisfies neither of them and resolves nothing, and it builds to a big blow-out that ends when Bobby tearfully begs Buck to stop risking his own life and the life of Bobby's grandkid.

After that, it's like some stone thing in him dissolves into sand and he finally eases back a bit in his fifth month. He doesn't put up a fight when Bobby orders him to only handle the winch or stick with hose duty, and if he stays a little closer to the engine because he gets winded so easily these days, no one comments on it.

In his sixth month, the inevitable happens: there's a call out at Palos Verdes and it's all hands on deck, which means the 217 is there too. At first he thinks he might make it through without running into Tommy at all, but he turns a corner and—there he is. Smudged with mud and looking like a drowned rat because of the downpours, but in his turnouts he's big and capable and, for a second, he's walking into First Presbyterian and apologizing for missing the ceremony.

But the memory is easily wrestled back into the past the second Tommy's gaze fixes on Buck's belly.

Buck wants to stage a retreat that would make the Allies at Dunkirk stand up and applaud. He wants to throw his arms open so Tommy can get a better look at it, say something cool and mean, like, "Did you know that INNOTEX makes turnouts for carriers these days? Pretty progressive of them, if you ask me."

He wants to be weak and ask if Tommy will spare him a hug. Just one. Nothing greedy. Just—a moment to soak in his warmth, to inhale the smell of his skin. Enough to carry him through the rest of it.

But he does none of that. He inhales through his nose, lifts his chin, and says, "Firefighter Kinard."

At that, Tommy smiles, and it's completely awful. There's no joy in it. Not even amusement. He looks like he wants to be sick, and Buck feels like a monster.

But Tommy swallows and says, earnest as anything, "Congratulations. I-I knew you'd find it. I never doubted for a second that you'd find the person who'd be your last."

Even as he says it, Tommy's face does something indescribable, but it rips through Buck's chest and shatters his ribs, tearing through pericardial layers until it scores the vulnerable muscle of his heart. It's so shocking that it almost knocks the truth right out of Buck's mouth.

Someone comes over the radio and requests all available first responders with flight experience to report to the B-zone, and Tommy straightens up and locks whatever it was away.

With an unsteady hand, he tips an invisible hat to Buck and says wryly, "Firefighter Buckley," before jogging away.

And Buck stands there like an idiot watching him go. It's that night all over again. It's Buck instead of Evan.

"See you around," he whispers, and then runs back to his post in the A-zone.

+

Tommy gets the call when he's halfway through a burrito foisted upon him by Dana, who had taken one look at him and said, "You look like a flood victim. Eat something before I get HR involved."

He'd taken a mutinous bite and couldn't argue with her. Months later and it still felt like he'd watched everything he loved wash away with a tide he couldn't fight. Except he'd sent the tide himself. He had no business feeling like this.

But they send him to the site of a car accident where a pregnant driver had been T-boned by some asshole who ran the red light, and the RA unit called to the scene didn't have the right equipment to assess the fetus. But the victim's belly was hard enough to warrant a med evac.

By the time Dana gets the victim loaded on the backboard and inside, Tommy's already on with both First Presbyterian and LA General to see whose neonatal surgery team is available.

The door on Tommy's side slides open and Tommy turns in his seat to ask what the hell Dana's doing over there, but it's Hen who's pulling herself inside.

His stomach clenches with dread. "Hen?"

"I'm riding with you," she shouts, taking the headset that Dana gives her.

He looks just beyond her and wishes he'd had the presence of mind to listen to the manifest when Dana had read it aloud to him, because Evan Buckley is strapped to the gurney and looks like he's on a completely different planet.

"Hen." Tommy can't hear him say her name, but he sees Evan's mouth shape the word. Evan reaches clumsily out for her with one hand while pressing the other to his belly.

Hen murmurs something to him that the comms can't pick up, and Tommy wonders if they've notified Maddie, if they've notified the father, whoever they are. If they're already at the hospital waiting for them. If Tommy will have to see them, talk to them face to face.

Tommy bites the inside of his cheek until he feels the hot wash of blood over his tongue, then forces everything down to join the burrito from earlier that really wants to make a reappearance. It isn't his right to know any of it. That went out with the tide, too.

He locks it down tight enough that he gets them into the air so easily they might be a feather on the wind, then he heads in the direction of First Presbyterian. The real start of it all.

They're maybe halfway across the city when Evan shouts, desperation and fear carrying his voice over the rotors, the words sliding together, "Hen, check Nora! Y-Y'need to ch—"

"Nora's fine, Buck," Hen says, her voice clear as a bell in Tommy's ear.

Staring at a skyline he can't see, Tommy says, "'Nora'? Was someone else in the car with him?"

When Hen comes over the comm, her voice is as inescapable as a flood. "Nora's what he decided on for the baby. It's her name."

Tommy's hand tightens on the cyclic so the way it starts shaking won't be so obvious. "Nora was my grandmother's name."

He'd told Buck about the woman who was basically the only family he could stand, who was responsible for not letting him become his piece of shit father, who accepted him when no one else would. She'd meant the world to him. She'd been the world to him. And for Evan to give his kid her name—

Realization hits like a levy breaking, and he turns to look wide-eyed over his shoulder at Hen, because it can't—he couldn't be—

"Patient, male, 33, prenatal course complicated at 8 months gestation," Dispatch had said.

The timeline is right.

Hen stares right back, as good of a confirmation that he could get outside of a DNA test.

Without breaking her gaze, Tommy tells Dana to take over. She gives him an unreadable look but says nothing except, "Copy that," and smoothly resumes their journey while he squeezes into the back. There's hardly any room next to the gurney and his knees are compressing his lungs, but he takes Evan's' hand and stares blankly at the shiner forming around his right eye until Hen breaks the silence.

Why didn't you tell me, he wants to demand, but he knows that if he so much as opens his mouth, he's going to start screaming until someone sedates him.

"For the record," she says, "I hate what you did. I hate what you took from him. But I understand why you did it."

Tommy rolls his lips inward and wants to suffocate himself to death. She understands? Does she? Does she know a life can be obliterated in the span of a minute? Does she know what it is to live a half life, to walk through the world like a five-year old drew a scribble on a blank sheet of paper that was supposed to be a person?

Does she know what Evan looks like when his joy is sucked away? Because Tommy does. She hates what he did? No one hates what he did more than him. No one hates him more than him.

Shakily, he lifts his other hand and touches the tips of his fingers to Evan's birthmark, which used to know the touch of his lips so well that Evan would joke that it was actually in the shape of Tommy's mouth print. Like a brand.

He forces himself to inhale. It seems impossible that Evan's here, carrying their child, their Nora. Evan used to say the lightning strike gave him super powers, made him invincible, and Tommy's ashamed to admit that he almost believed him. It seemed like nothing could ever bring Evan Buckley down, but here he is in Tommy's sky, halfway to Heaven already.

He glances at the LifePAK—where Evan's life has been concentrated into a series of lines and numbers, the reading strong despite everything—and then looks back at Evan, who is still the most beautiful man Tommy has ever seen even now.

"Evan," he chokes out.

There's no answer. At least not from Evan.

Across from him, Hen breathes through her nose and then quietly says, "I'm only going to say this once, Tommy, so I hope you're listening. If you can't trust him to know what his own heart wants, then this flight will never have happened. When he wakes up, you will not have been here. I'll change the manifest myself."

Tommy closes his eyes. Something hot spills down his cheeks.

"I know things haven't been all sunshine and roses for you. Lucy's said you've basically shut down since it ended. I know you're hurting just as much as Buck is... which is why I'm telling you: be sure. He's going to have enough on his plate without worrying about whether or not you're going to swan out of his life again. You need to be sure, Tommy."

Tommy doesn't say anything, but he opens his eyes and holds her gaze without flinching, and he tightens his hold on Evan's hand.

The rest of the flight passes in the kind of silence that feels like a cyst was lanced. Or maybe a boil, as it were.

+

Buck wakes up in stages to find he's in a hospital bed, and when he puts a hand on his belly it's smaller and almost deflated beneath his palm. He is just starting to hyperventilate when suddenly Tommy's there, murmuring to him, "You're okay. Everything's okay, I promise, she's fine. She's fine. Look."

And Buck, heart racing, forces himself to breathe slowly while he follows Tommy's gaze down to the bundle in Tommy's arms. Then he stops breathing altogether.

"She's fine," Tommy says. "A little early, according to the doctor, but absolutely fine."

Buck collapses back to the bed and weeps in relief, because she's fine. She's here and she's fine and she's perfect. Tommy gently places her in Buck's arms before retreating to the chair next to the bed which has a dent in the vinyl in the shape of his ass.

But Buck is enraptured with Nora, who smacks her lips in her sleep, and he marvels aloud, "She has my mouth."

"Thank God for that," Tommy says with a laugh. "It'll help take the focus off my nose. Poor kid."

It hits Buck like lightning that Tommy is here. He's in this room and talking about Nora like—like he knows. And there are things Buck should probably be saying, like apologizing for not telling Tommy about her as soon as he found out, or asking why he's there at all, but the words are crowding in his mouth and he can't figure out which ones should go first.

Tommy's lips twitch in a smile that is awful to look at, like he completely understand Buck's struggle, but his voice is soft and even when he says, "I need you to know that it wasn't about you. Not you personally. It never was."

Buck stops trying to speak and just stares at him, because that is bullshit, and oh, he knows which words should come first, and he opens his mouth to release them into the wild but Tommy holds up a hand.

"I know," he says. "I was a coward and an asshole, and I'm more sorry than I can possibly say. I won't ever be able to make up for what I did. But I need you to know why I did it."

And, in fits and starts before he finally finds the thread, Tommy tells him about Jeremy.

After Tommy ended things with Abby and then finally came out, he dated around for a long time before he met Jeremy, who was brilliant and fun and new. Tommy was the first man Jeremy had ever been with, and Jeremy was the first person Tommy saw a future with. He'd been so sure about Jeremy. He'd believed that Jeremy was it.

Until, almost two years in, Jeremy ended it. He'd sat Tommy down and said kindly, cruelly, "You're amazing, Tom, but you're just the first. You can't be my last." And then he'd left Tommy completely shattered in the rearview.

"That night, when you asked me to move in... it was like I was watching him put on his coat all over again," Tommy says shakily. "But what I felt for you was lightyears beyond anything I felt for him. I'd fallen so hard for you that I knew if I had to watch you walk away I'd never get up again."

Buck stares at Tommy, eyes rimmed red, and says, "So instead you made me watch you walk away."

It must land like a fist because Tommy exhales sharply and hangs his head, bowing around the pain. He sits like that for a moment, absorbing it, before he lifts his head and nods. "Yeah. That's exactly what I did."

There are deep, dark circles under Tommy's eyes that speak of a hundred sleepless nights, and his body is sharper, leaner, trimmed entirely of anything soft. He's made entirely of angles. He's so unfairly hot. He's miserable to look at.

Buck swallows and murmurs, "You look like there's no love in your life, Tommy."

Sucking in a trembling breath, Tommy smiles weakly and sketches a shrug. It looks like the fatigued steel of his edges are starting to crack.

"I left all my love with you that night." His gaze darts down. "Among other things."

Buck looks down at Nora, who's sleeping the sleep of someone already exhausted by existence, or maybe just by her fathers' drama, and thinks that maybe he really has been carrying all his love plus Tommy's around. Because otherwise he has no idea how he's so full of it.

"She's absolutely perfect," Buck says, smiling dopily.

"She's... more than anything I could've ever dreamed of."

He looks up in time to see Tommy drop his gaze to the floor at the same time his shoulders lift and lock like they're bracing for a blow. And in a voice so thin it's barely a sound, Tommy says, "I know I don't have... any right to ask, but is there any... any chance I could be part of her life?"

The tears that have been languishing at the edges of Buck's eyes finally see an opportunity. He doesn't think he could've held them back any longer if he tried.

Mouth trembling, he whispers, "Just hers?"

At that, Tommy looks up, eyes wide, disbelief and hope chasing each other across his face like dogs. He jerks a little in his chair but he doesn't move. He doesn't move.

Buck stares at him, a tsunami pulling everything back from his shoreline, and bites out, "Thomas James Kinard, if you don't get over here and kiss me, I swear to Christ—"

But Tommy's out of the chair and at his bedside, cupping Buck's face and tenderly smearing a kiss over his open mouth, licking the relieved gasp right off Buck's tongue.

Between them, Nora makes a tiny noise, and Tommy startles away just enough that he can press the side of his head to Buck's and gaze down at her with a tremulous smile.

"She really is something, huh? Sorry about the nose, kiddo," he says softly.

Buck knocks their heads together and says, "I happen to love that nose, thanks. And like you said, my lips will help balance it out."

Huffing a laugh, Tommy kisses Buck's lips. And the side of his nose and the bolt of his jaw. Then he leans down and presses a kiss to Nora's little pink and blue hat.

"I'm sure if you are," Tommy murmurs, tilting his chin up so he can flash a brave smile up at Buck, who smiles back.

"I was always sure."

[prismatoxic]

"chilchuck isn't a twink, he's a DILF!" now i get why you're saying that but i feel like you've maybe forgotten what chilchuck tims canonically looks like

i'm sorry but this man is a twink. also DILF isn't a body type it's a status (and technically, an opinion) so he can be both

"but he's middle-aged!" look at him. look with your eyeballs. his age has nothing to do with the fact that he Looks Like That. he's a twink. the sooner you accept this the less angry his fandom will make you

edit bc this post has become the bane of my existence:

FAQ

Q: wtf do you mean he's a dad? he looks like a kid. A: he is 29 years old, and a half-foot. half-foots are dungeon meshi's halflings, or hobbits, or whatever you want to call them.

Q: wait, if he's 29, why the fuck are you calling him middle-aged? A: half-foots have an average lifespan of 50 years. chilchuck was originally drawn with grey hairs (you can see that in the manga fullbody) but the mangaka gave up on that over time. he's middle-aged for his race.

Q: hey, doesn't that look like a little angry face on his boot in the manga drawing? A: yea kinda

[burr-ell]

What I love about Spy x Family's recent chapters concerning Martha and Henry—two secondary characters with little direct connection to the plot as we've known it—is that Endo's taking the opportunity to once again hammer home what the story's actual stakes are. The idea of potential conflict between Ostania and Westalis isn't just window dressing for a wacky wholesome badass family gimmick—the previous wars are real events that various characters lived through, and all of them are in some way affected by it and have good reasons to want to avoid another one. This is primarily an action-adventure/slice-of-life manga with a lot of sendups to spy movies and pop culture of the 60s, but I think those things hold much more weight with the thematic underpinning of the horrors of war and the ruin it leaves behind.

[cardo-de-comer]

soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3

i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.

It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.

The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.

City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.

Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.

look at him

Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.

Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.

the latin text all over them is just a part of their design

The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.

no one likes him at all, expect maybe Imri who just tolerates his presence like he always does

That's the main three. There is a few secondary characters, Imri's father being one of them.

sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.

He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.

few people said that the angel accompanying him looks like d20 and so be it

The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what.

creators of the Stars - some part of a human soul that i can't talk about :)

Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.

they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.

this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.

Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.

There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.

Now i need to get back to drawing. Thank you all for your support. <3

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[professorcalculusstanaccount]

Update! You decide my next project!

For the House of Glass I have decided to plan out pages for the entire story - normally I script the entire thing and only draw out and release a few snippets.

Pages I've released so far: pt 1, pt 2, pt 3, pt 4

It's a two parter, and part one has 50 pages including the ones I have already posted. Part two is shorter and has more character stuff. So here's the big question -

If you guys don't want to see the full thing I still plan to post specific extracts!

[rubbertplant]

I'm the fan accounts