Bakugou is willing to eat it in any position. You’ve learned this as time went on in your relationship, that no matter the place, time, or circumstance, he’d eat it anyway he could.
In some fancy bathroom at a hero gala, with you bent over the sink, your dress hiked up high on your thighs. Your face is this close to being smushed if not for the hand you have to throw up to keep from smearing your makeup. You pant against the glass, angling your body to watch how his blond tuft of hair moves rhythmically in the mirror when he licks you from clit to taint. You moan quietly when he leans back to spit on your hole, not realizing how disheveled he looks all the while. His hands are gripped tightly on the globes of your ass, spreading you, as he watches his spit dribble before he dives back in to lick it up.
On your kitchen counter, with your toes curled into the edge of the marble, your hands holding onto his hair for dear life. Bakugou holds you by the hip and tit as he works his mouth over your clit, sucking and licking at the swelling nub as he stares up at you from under thick blond lashes. He likes this angle where he can watch the pretty faces you make whenever his tongue lashes on your clit, and how your eyes always roll back when you realize he’s been looking at you the entire time.
On your side while you lay in bed on a hot day, forgoing any clothes due to the sticky heat. You’re tempting him, he tells you as he kneels on the floor beside the bed where your ass sticks up, right in his damn face—how could he resist? You’re not complaining though, as you hold one cheek open for him to lash his tongue against both holes, gasping in surprise when he groans against you, and dips his tongue inside of you as far as it can go. He pulls back with a smack of his lips and a bite at your pert little cheek, before he wiggles his tongue back inside of you once more.
Up against the wall after a night out, all sweaty and inebriated and drunk on the love you have for each other. He doesn’t even let you take your shoes off, just hikes your skirt up and places your thigh over his shoulder. He cranes his neck to slurp at your cunt, grunting when you pull his hair, licking at you with desperation to taste your cum flooding on his tongue as soon as he possibly can.
He loves it especially, when you sit on his face. With your thighs caging his head in as you ride his tongue and use him like the toy he is for you. Or when you turn around and really sit on his face, lightly playing with his neglected cock because the both of you know that right now, this is for him, and all he wants is for you to ride his face until he can’t breathe. He likes when you rub your scent all over his skin, rub your entire pussy from top to bottom, his nose bumping your clit all the while, his tongue out to catch whatever he can.
he’s just a feen for you and eating you every way he can basically.
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And so my time as a layout supervisor on Moominvalley season 4 comes to an end. It’s been a ride!
I wanna thank all my colleagues at Anima Vitae and people of Gutsy Animations. Couldn’t have asked for a better community of animation professionals ❤️
- Jussi Saarelma
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i had a filthy wet dream about ratio oh my god
its essentially him offering to massage my back (bc gat damn i need to go get one irl) and it starts out fine until it leads to him roughly fingering me
is this my reward for finally sleeping 😵💫
-🍄
HELLO?????? ME WHEN OH MY GOD AND YES YES IT IS YOUR REWARD FOR SLEEPING DO SLEEP MORE SO YOU’LL GET MORE OF THIS AND ALSO BECAUSE IT’S GOOD FOR YOUR HEALTH 😭
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The entire western liberal worldview is currently balanced on the ability to psychologically compartmentalize away from the mass atrocities in Gaza and what western governments are doing to perpetuate them.
Everything that mainstream liberals claim to oppose is on full display in Israel’s actions in Gaza. Racism. Fascism. Tyranny. Injustice. Genocide. Yet they must necessarily avoid throwing themselves into opposing these things there at all cost, because it would mean acknowledging that their own political allegiances are inseparably interwoven with them.
It would mean turning against Biden during an election year. It would mean admitting that their entire political posture against Trump all these years has been a phony performance, because they’re tacitly endorsing all the things they claimed to hate about him. It would mean admitting their entire worldview is a lie, and that all their critics to their left have been correct.
The western liberal is therefore in the year 2024 engaged in an exhausting regimen of nonstop mental gymnastics to avoid having an authentic relationship with the reality of what’s happening Gaza. They squirm this way and that, twisting their gaze toward empty nonsense like Barbie movie Oscar snubs and Trump’s latest instance of verbal diarrhea to avoid looking at what’s happening. On those odd occasions when they are forced to confront the reality of Gaza they start spouting gibberish about how “complicated” and “heartbreaking” it is and how they hope there can be peace as soon as possible, while frenetically avoiding saying precisely how that “peace” should be brought about.
Gaza exposes the mainstream western liberal ideology for the kayfabe performance it always has been. The job of the so-called liberal “moderate” has never been to oppose racism, fascism, tyranny, injustice or genocide, their job is to perpetually give the thumbs-up to one head of the two-headed monster that is the murderous western empire. Their job is to help put a positive spin on a globe-spanning power structure that is fueled by human blood. To help elect Bidens and Starmers and Trudeaus and Albaneses who will ensure that the gears of the empire keep on turning completely unhindered while paying lip service to human rights and social justice.
The one faint glimmer of brightness in this profoundly dark chapter in human history is that it might start opening some eyes to the fraudulence of the mainstream fake-left political faction that has been marketed to the western public as an alternative to far right depravity. That westerners might start awakening to the reality that everything they’ve been trained to believe about politics, their government and their world is a lie. Such an awakening would be the first step toward a mass-scale movement into health.
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Gideon as a mystery genre archetype?
Something I've been mulling over is Gideon's position in the narrative. And I think he is like a specific mystery archetype- the detective/cop/whoever character who's generally wrong.
The archetype in question is pretty standard in mystery works and has been since the start of the genre with Sherlock Holmes. What makes me think this is both how often Gideon's wrong or missing crucial information and, importantly, how he's wrong or missing information.
It's kind of a meme that he's called the All-Knowing but incredibly ignorant of things or just flat-out wrong (that Marika wants people to war eternally and a Tarnished can't become Elden Lord). But I think it's intentional. The structure of Elden Ring and other Soulslikes is mystery-esque, imo.
It seems like Gideon does the thing that archetype tend to do. Those characters are supposed to present plausible red herring explanations that are oversimplified and lack key information that recontextualizes everything. These explanations sound like reasonable conclusions to draw and are often something the audience might easily slip into thinking if they're not paying attention to the finer details.
It acts as a good contrast. In mysteries, it's used to establish the more competent character as being more competent for noticing details the other character omitted if any details are remarked upon before the end. It's also used for similar reasons during the actual conclusion of the mystery as part of the 'game' mysteries go for, especially fair play stories and howcatchems.
It's also used to add conflict between characters. It means the actually good investigator has to deal with the more incompetent investigator's bullshit and cut through it.
For example, in A Study in Scarlet, one of the detectives assumes the word "Rache" in blood is the name Rachel, but Holmes points out details that mean it's intended to be rache, but the writer isn't German. Someone might reasonably assume someone was writing the name of a killer and and was noticed, after all. But those details are important.
Or, when the character ends up being right about something, it's either something that literally anyone following anything in the story would conclude ("got stabbed in the chest = murder"), or the problem is that they cannot actually articulate how they're right properly, or their evidence is super shaky, or their conclusion is in spite of not having enough information which makes the audience balk.
For example, Lassiter in Psych knows that Shawn isn't a psychic, but can't pin Shawn down. It's a gut thing that Shawn's faking it, and he's right, but he also can't put the pieces together of how he's right in that conclusion.
And how someone is right or wrong matters from a narrative perspective. It's why Hbomberguy notes all the stuff with BBC Sherlock not working in relation to being a mystery. While Sherlock is narratively correct, it's the process of how the pieces come together that matter. It's also why a common conflict in mysteries is "I know x did it, but I have to prove it despite y detail [which allegedly exonerates them]."
Generally, why the generally wrong characters are generally wrong varies by the writer and the tone of the works. In some cases, it's that they're hopelessly conventional and set in their ways. Other times, it's because they're lazy. Or they're stupid. Or they're in on it and actively lying. Etc.
In Gideon's case, at least part of it has to do with him getting almost all of his information secondhand. He's incredibly dependent on his informants to do the legwork and this inevitably means he's getting their interpretations of information and they may not necessarily want to share all the details with him for one reason or another, or may not get access to key pieces of information.
Likewise, he's also hiding information from the player character and initially tries to kill the player character via Ensha.
Ultimately, even when Gideon is right about anything, the audience will never accept that he's intelligent because his correctness isn't based on being well-reasoned or having all the pieces of information. He hides too much, he has an agenda, and he's also missing too much information. But, unlike BBC Sherlock, this seems to be the point with Gideon.
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