#portsmouth harbor
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lonestarbattleship · 1 year ago
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USS TEXAS (BB-35) steaming up the Piscataqua River to the Portsmouth Naval Shipyard (PSNY) in Kittery, Maine.
Photographed by Alvah C. Card, from Peirce Island in Portsmouth, NH.
Date: August 5, 1939
Portsmouth Athenæum: P0053_178, P0053_179, P0053_180, P0053_181, P0053_182, P0053_183, P0053_184
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wonderlesch · 4 months ago
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New Hampshire Travel Adventures
**New Blog Post Alert** New Hampshire Travel Adventures Join me as we embark on a thrilling journey through the scenic landscapes and thrilling activities that this enchanting state has to offer. Let's travel New Hampshire! #wednesdaywonders
Hello and welcome to my latest travel destination guide New Hampshire Travel Adventures. Nestled in the heart of New England, New Hampshire is a state filled with natural beauty and outdoor adventures just waiting to be explored. Read on to discover your next adventure, from the majestic peaks of the White Mountains to the tranquil shores of its many lakes and rivers. New Hampshire offers a…
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enchanting-whim · 6 months ago
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Portsmouth Promenade (1/2)
- Niche Bar - Sterling-Rico Beauty Salon
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wisdomfish · 2 years ago
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Did you ever see a ship...
Did you ever see a ship in ordinary, in Portsmouth harbor? The hull may perhaps be good and sound; the keel and topsides, and timbers and beams, and decks may be all that you could desire. But she is not rigged, or stored, or armed, or fit for service. It would take weeks and months to make her ready for sea. In her present state, she could do little for her country’s defense.
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The hope of many a believer is like that ship. It exists, it lives, it is real, it is true, it is sound, it is good: it came down from heaven, it was implanted by the Holy Ghost. But, alas, it is not ready for use! Its possessor will find that out, by his own want of joy and sensible comfort, when he comes to his deathbed. Beware that your hope be not a hope of this kind. If you have hope, keep it ready for use, and within reach of your hand.
~ J.C. Ryle
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harveyspictures · 2 years ago
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Portsmouth New Hampshire October 15 2022
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streetsofsalem · 1 year ago
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The Last Weekend in July
I could have named this post “boats and blooms” because that’s about all I have to offer: this has been a working summer and I am running out of steam so no controversies, critiques or deep dives today. Just boats and flowers. We were up in York Harbor for the weekend and as usual, I bypassed the beach for Portsmouth. I just can’t stay away from that city: it was always the perfect place for me…
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ltwilliammowett · 11 months ago
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Door no. 16 and today a very old lady shows up - but please do not believe that she is harmless. Her name "Old Ironside" is not without reason. I think you know who you have here - of course it's USS Constitution
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USS Constitution, photo by Petty Officer 3rd Class Skyler Okerman, 2022
A few more infos about her:
Constitution, warship renowned in American history. One of the first frigates built for the U.S. Navy, she was launched in Boston, Massachusetts, on October 21, 1797; she is the world’s oldest commissioned warship afloat. (The HMS Victory is older (1765) but is preserved in a drydock at Portsmouth, England.)
The Constitution’s overall length is 204 feet (62 metres), its displacement is 2,200 tons, and its gun range is 1,200 yards (1,100 metres). The bolts fastening its timbers and copper sheathing on the bottom were made by the silversmith and patriot Paul Revere. Rated as a 44-gun frigate, it ordinarily carried more than 50 guns and a crew of some 450. Original cost of the vessel exceeded $300,000, including guns and equipment. In the successful war against the Tripoli pirates (1801–05), the Constitution was Commodore Edward Preble’s flagship, and the treaty of peace was signed aboard it. During the War of 1812 it achieved an enduring place in American naval tradition. On August 19, 1812, commanded by Captain Isaac Hull, it won a brilliant victory over the British frigate Guerriere. Tradition has it that during this encounter the American sailors, on seeing British shot failing to penetrate the oak sides of their ship, dubbed it “Old Ironsides.” Several other victories added to its fame. When in 1830 the ship was condemned as unseaworthy and recommended for breaking up, public sentiment was aroused by Oliver Wendell Holmes’s poem “Old Ironsides.”
The ship was preserved, its rebuilding was provided for in 1833, and in 1844 it began a circumnavigation of the globe. The Constitution was removed from active service in 1882, and in 1905 it was opened to the public in Boston Harbor. After a restoration (1927–31) the ship was recommissioned; although it did not sail under its own power, it called at 90 American ports on both coasts and was visited by more than 4.5 million people. Since 1934 it has been based at the Charlestown Navy Yard (now part of the Boston National Historic Park).
In celebration of its bicentennial, the newly renovated Constitution sailed again in July 1997. It also sailed in August 2012 to mark the 200th anniversary of its victory over the Guerriere during the War of 1812.
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heavenlybackside · 2 months ago
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Portsmouth Harbor Lighthouse
New Castle, N.H.
Drone photography
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rested-shaved-coffeed · 1 month ago
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USS Chesapeake, 38, looking particularly handsome under a pyramid of canvas. Painting by F. Muller (early 20th century).
Launched in Portsmouth, Virginia, in 1799, she was one of the original six frigates of the United States Navy authorized in the Naval Act of 1794. She saw service in the Quasi-War with France and the First Barbary War before being involved in two famous run-ins with the Royal Navy. First, in 1807, HMS Leopard, 50, ran down, fired on, and boarded the Chesapeake to impress Royal Navy deserters, despite the US and Great Britain being at peace. Then, in 1813, now at war, the Chesapeake famously sailed out of Boston harbor to fight a single-ship action with the blockading HMS Shannon, 38, and was captured, breaking the Royal Navy’s streak of defeats in single-ship actions with the Americans. She then had a brief career as HMS Chesapeake before being decommissioned in 1819.
Also has a special place in my heart as a Marylander 🌊🦀🌊
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mbta-unofficial · 7 months ago
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Map of New England after the Bakerite wars of 2307-2319.
Charlie Baker, 9th of his name, declared war on the Dunkin-General-hospitals dynasty in boston from his stronghold in Milton MA. This was the first outbreak in hostilities in the region for more than 600 years, since the coup which politically separated the region from their lords in South Anglia, then England. He declared war after the dynasty refused to place him on the ballot, a variety of local democratic ticket. However, his stronghold on the neponset river was quickly breached, forcing a tactical retreat to allied lands in the south. This act which pulled all local eyes to boston, however, prompted a number of local independence movements culminating in a major redrawing of the political and cultural borders of the region. New Hamshire was among the first to arrest the massachusetts diplomats in the region and declare war, hoping to score territory in the north. However, an unpopular peasant levee left them dealing with morale issues as the Massachusetts army quickly advanced and laid siege to the city of manchester. The siege lasted for almost two years, during which time it was renamed Manchingrad after the famous Russian city of stalingrad which resisted teutonic assault for years in the early 20th century and was the turning point in the second war of american supremacy. Over time, the entire region adopted the name manchganistan in reference to the famously unconquerable region between russia and india. Springfield MA, which had long depended on Connecticut for trade along the connecticut river, and Pittsfield which had long allied with Albany, quietly seceded without military intervention as the massachusetts forces were directed north.
In order to support its war effort, however, the nation of massachusetts began a protracted campaign of plundering coastal regions as far north as nova scotia, as well as taking the harbors of portland and portsmouth as naval bases to control the north atlantic. Their southern reach was curtailed by a treaty with New York City, which had in past centuries expanded considerably and separated from Neue York, the french speaking region dominated by torontonian influence. However, both parties began to squeeze connecticut for their mutual military advantage. In 2314 a Marquis of rhode island was designated with the objective to move the front as far into connecticut territory as possible, and this permanent mobile border still exists to this day.
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lonestarbattleship · 1 year ago
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USS TEXAS (BB-35) docking at the Portsmouth Naval Shipyard (PSNY) in Kittery, Maine.
Date: August 5, 1939
Portsmouth Athenæum: P0001_2296
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crimsonhydrangeavn · 8 months ago
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I really enjoyed the demo and the characters we met on day one and look forward to day 2! When playing the demo it made me very nostalgic due to reminding me of a solo trip I took to Nantucket during the off season over a year ago and so I was wondering - What was your inspiration for the setting? Was it referencing Nantucket/Martha's Vineyard or some other location?
Thank you so much for your incredibly sweet words and interest in Crimson Hydrangea!
I'm actually really flattered that you specifically mentioned how Saint Anne's reminds you of Nantucket and Martha's Vineyard! Those two islands are huge inspirations for Crimson Hydrangea as well as other islands and coastal towns on the east coast. Places like Kennebunkport, Portsmouth, and BoothBay Harbor are also other locations I've drawn a lot of inspiration from.
I hope you enjoyed your off season trip to Nantucket! I've never actually been, but I've been considering visiting after working on Crimson Hydrangea.
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enchanting-whim · 5 months ago
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Portsmouth Promenade (2/2)
- Chi & Zen Therapy - Darien Hatton & Associates Detective Agency
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adore-laur · 10 months ago
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BULLSEYE: PART TWO
— last part unfortunately due to lack of inspiration (ends on a cliffhanger btw)
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| The Girl | 
Port ships stationed on choppy waters blare their horns outside Shyla's apartment window. The pane is coated with dispersed rain droplets from the thunderstorm that just faded. 
In the foyer, cardboard boxes stuffed to the brim collect dust as remaining possessions slowly trickle out of their previous positions and into them. The cupboard above the kitchen sink is now empty of hand-painted mugs and colorful bendy straws. Secondhand art pieces have been taken down from the plastered walls of her bedroom. Flowers once quenched in vases are now wilted and ready to be thrown away, the dying petals symbolizing the approaching absence of their caretaker. 
There's nothing else to be said or done. The moving truck will arrive tomorrow, and Shyla will finally detach herself from her poisonous living situation. No more nights being woken up by someone drunkenly stumbling through the front door. No more petty arguments over whose turn it is to wash the dishes, resulting in her doing the chore anyway. No more staring at the ceiling while her friends engage in plans she wasn't invited to. 
It's a fresh start. Onwards to greener grass. 
Perched on the windowsill, Shyla overlooks the gloomy scenery of her hometown. Dull roads, dull buildings, and even duller personalities; it's all so uninspiring to her. The city may look like a seaside harbor of dreams to tourists, but she has lived in the façade her whole life. She knows everyone will eventually become sick of the monotony. 
It seems like everyone has gotten sick of her. People are dwindling out of her life, and while most of the reasonings feel like her fault, she's still finding herself so lonely that she thinks she should've just kept her friends around to keep a tiny piece of her social life intact. Alas, she chose to distance herself from the only friends she had left. She doesn't feel too regretful since they never gave her the time of day. They probably aren't too affected by what happened. 
Shyla was habituated to being walked over like a doormat and thrown around like a rag doll. Emotional bruises from the mental abuse tainted her soul, and it led her to believe that she was completely blindsided by their spiteful ways of showing what she thought was friendship. Now, moving forward, she knows better than to ignore the warning signs. It's as if a switch flipped the night she called them after they left her stranded in an unfamiliar place. 
The flip switched because of Harry. When he told her to screw her friends when she wanted to say goodbye to them at the pub. When he told her he could clearly see how terribly they treated her. How unsettled he was when they left without her. How he tried to convince her to stay with him. It's worth wondering if things would be different if she hadn't said no. 
It doesn't help that Shyla has been failing miserably at not thinking about him. His dimpled smile. His gentle hands. His leather jacket she took off just so she could feel his warm skin as they danced to Dolly. She was convinced she'd forget about him as soon as she woke up in her bed, but he was the first thought clouding her mind before her eyes fluttered open. 
It's been over a week since she left Lurgashall. Her ex-friends are returning to Portsmouth tomorrow, and she'll only have to suffer one night with the girl she lives with before she officially moves out. Her belongings will be moved into a hotel room until she can find an affordable apartment. She would have stayed with her aunt, but she thinks she'd go insane being stuck in a house with a blood relative. It feels backwards to think that way, but her aunt isn't necessarily the most easygoing person. 
Lost in her thoughts, Shyla waits for the hours to pass by. The grey Monday skies make time move slower than usual. She can't think of anything else to do since most of everything is already packed, the hotel reservation is booked, and her body is ready to get the hell out of the apartment. 
A rhythmic knock on the front door halts her brooding. With a heavy sigh, she stands and walks over to the door, putting on a fake smile for the unexpected visitor. Briefly looking through the peephole, she's surprised to see the postman, Edgar, with a satchel full of mail slung over his shoulder. She unlocks the chain and cracks open the door, her mind scrambling at what could possibly be here for her, considering she already got her weekly mail from the lobby. 
"Delivery from... Lurgashall, West Sussex," Edgar says slowly, reading from the envelope. "Not sure where that is. There's no name, and I was told it's fragile, so I didn't want to just drop it in your parcel locker." 
Shyla feels her heart drop to her stomach. It can't be. But who else would write to her from a place she spent no more than a day in? Well, the three stooges are still there, but she knows for a fact that they would never go out of their way and send her something, especially a handwritten letter. 
Her mouth opens and closes as she attempts to speak through her jumbled thoughts about what it could be. "I—um, thanks. Thank you. I think I know who it's from. Have a nice day, Edgar." 
He waves goodbye and strolls down the hallway as Shyla closes the door and puts her back against it. The thick envelope feels like a metaphorical anchor in her hand, pulling her down until she slides to the floor. 
What she's holding has been touched by Harry. He pushed the lead onto the paper, sealed it, and sent it to her address. He thought of her. Shyla releases a breath she didn't realize she was holding and bravely glances down. She assumes he got her address when she wrote her information on the waiver the day she went horseback riding. The front of the envelope is blank except for the return address with no name and a horseshoe stamp in the top right corner. 
When she flips it over, she gasps and holds it against her chest as if she's in a period drama and just got a letter from her lover off at war. However, she feels her reaction is appropriate because a sketch is on the envelope's seal. It's a minimalistic style that resembles Harry's tattoo sketches of hands reaching out to touch one another. She doesn't know what it insinuates, but the mere fact that he had drawn it makes her shake with anticipation. 
Shyla inhales deeply before carefully ripping the seal open. She immediately sees something wrapped in bubble wrap, the cause of such a chunky envelope; it must be why Edgar said it was fragile. She takes it out and begins unwrapping it.
What lies in her palm is a pink dart. 
Shyla squeezes her eyes shut and leans her head against the door, the cold surface juxtaposing the blazing object between her fingers. Why must he pull her back in so easily with a simple gesture? How does he know how to make her feel things she hasn't even discovered yet? 
She opens her eyes and takes out the neatly folded paper inside the envelope. Skimming over the words, she notices Harry's handwriting is messy but eligible nonetheless. 
Shyla, 
I haven't heard from you since you left, and I can't help but feel that I'm the reason why. I hope you're doing well. Did you make it back to Portsmouth safely? Have you found another place to stay yet? 
Do you think of me like I've been thinking of you? 
Your name plays like a record in my head, falling from my lips with constant yearning. Your touch is engraved on my skin, leaving a burning, physical ache. I want to swim in the melted honey of your eyes. I long for one more taste of your lips. I need to hear the softness in which you speak your persuasive words. 
Please talk to me. Or if you never want to hear from me again, just tell me. Let me down gently, and I will try to move on. If not, you know where to find me. I will wait for you. 
Also, I believe we have a game of darts to finish. 
Yours regardless, 
Harry 
Shyla reads the words repeatedly until she can't make them out anymore due to tears blurring her vision. Why hasn't she called him? How could she think she could forget about a man with such a kind soul? She can't leave him hanging. He doesn't deserve that. 
She runs her fingers over the graphite like she did in his cabin with his sketches. He's the only one who has scratched deeper than the surface of who she is. He's the only one who has cared enough about how people treat her. He's the only one to have spoken up about it and convinced her to break away from that toxic part of her life she's been holding on to for far too long. 
She needs to see him again. 
After folding the letter, she rushes to grab her car keys and wallet. A trip to the post office will surely pass the time and help ease the ache clawing at her heart. 
—— 
| The Boy | 
Another shift at the ranch moves by like molasses since no reservations are booked for the day. Warbler birds chirp incessantly under the afternoon sun as the dusty roads absorb the heat. The room is stale, with dust particles floating around in the natural light. The wood floors creak with any sudden movement, and the papers tacked onto the wall flutter when the wind picks up, the front door propped open like always. 
Harry's father is in the outlying pasture next to the ranch, giving a customer an equestrian lesson. Harry was left to run the front desk by himself in case anyone comes by, but he doubts that will happen. It's Wednesday; he's sure everyone would rather be inside enjoying air conditioning on such a humid day. 
Sitting behind the counter, he twirls a pen between his fingers and wishes time would pass faster. It's muggy out, causing his forehead to sweat as he looks out the window for any sign of life to bring him a distraction. He'll usually bring his sketchbook, but on days with his father around, he wants to avoid him walking in on him drawing tattoo ideas. He can't imagine how he'd react. 
Harry is hungover. It's no surprise, though; he's been at the pub every night for the past week, always staying within the bar area in case the phone rings. He hasn't been playing darts, the memory of brown skin and soft whispers invading his mind to the point where even if he did play, he would be too distracted to do any good. A local always ends up having to drive him home. He then wakes up with a pounding headache and internally debates about not going to work so he doesn't snap at someone, especially his father. 
The cycle slowly demolishes any relish for life he has left in him. He can't sleep. When he manages to get a couple of hours, his dreams aren't pleasant anymore. Some nights, he doesn't even dream at all.         
When he's not at the pub or the ranch, he's in his cabin all alone. But he doesn't find solace in that loneliness anymore. Now, he just walks around aimlessly, trying to find something to numb his thoughts — drinking, sketching, reading. He'll read a sappy romance novel to try and feel anything, but the lovesick words on the pages only make him crave what he experienced with Shyla. 
After another uneventful hour of twiddling his thumbs and ignoring the magnitude of his unhappiness, Harry hears the postal truck stop at the mailbox by the front porch. He sputters his lips and walks out the door. It's probably bills or business forms his father takes care of. 
He opens the wooden flap and sees only one letter today. A small white envelope with pretty cursive written on the front stands out against the dark interior of the mailbox. He gently takes it out and brings it closer to his face. It has his name in the middle, and there's a sticker in the corner with an address from Portsmouth. Can it be…?
Harry has to kneel so he doesn't pass out from shock. She got his letter. She wrote back. 
He glances over his shoulder to ensure his father isn't lurking around before he tears the seal open. He removes and unfolds the creased paper inside, his eyes immediately taking in her delicate and slanted handwriting. It makes sense for it to look like that. 
The ink is bold against the white paper. Harry looks up at the sky and swallows harshly before reading the words that could either break his heart or make him the happiest man in Lurgashall. 
Harry, 
I got your letter and the dart. Stealing business property, are we? 
That's not the point. The point is that I want to see you again. I'm an idiot to think I could just ignore you. I'm sorry if it came across that I never wanted to speak to you again. I've been stressed and busy. 
To answer your question, I'm staying at a hotel until I find somewhere to live. As for your other question, I've also been thinking about you. I miss your hands. I miss how easy it is to talk to you. I miss dancing together. 
I'm in the middle of moving right now, but I should be situated by next week. If you'll have me, I'd love to come back to Lurgashall and meet somewhere. Does next Monday work for you? 
If so, get ready for me to kick your ass in darts. 
Love, 
Shyla 
Harry grips the letter like it's his life source, reading the words I want to see you again over and over until his eyes hurt from the closeness in which he's viewing the paper. He slams the mailbox shut and strides back into the ranch, stumbling behind the counter to take out several cardboard boxes kept under it. The junk gets tossed onto the floor and makes a clatter. He finally finds the box that stores envelopes, and he's never moved faster to grab one.
Shyla, 
Monday is perfect. Guess what? Karaoke night at the pub is on that day. It must be your psychology degree coming in handy. Wait... is that what psychology is? I left school at an early age, so go easy on me. Anyway, I'll wait for you at the pub at 9 PM. 
I'm glad you're moving to a new place. It'll be good for you. I can't wait to see you again.
Don't forget to bring your lucky pink dart. Otherwise, I'm not sure there will be any ass-kicking involved on your end. Please drive safely. 
Take care, 
Harry 
He sets the pen down and rests his forehead on the counter, breathing a disbelieving laugh. He shakes his head before standing straight and tucking the letter in the envelope. As he walks out the back door to the stables, he licks the seal and keeps his footsteps quiet. His father can't see him from where he is far out in the pasture, so Harry sneakily mounts his horse and rides to the village's post office to send the letter as soon as possible. No way is he waiting for the mail to come tomorrow. 
As he passes the pond and the willow tree's drooping branches, his heart feels like it's been healed by her simple words on a crinkly piece of paper. 
—— 
| The Girl | 
It's the following Monday, and Shyla is five minutes away from Lurgashall. She drives through the night to get to the pub. She had written back and said she'd meet him at his suggested time. 
Her suitcase and duffel bag are in the trunk, clunking against the interior as she drives on a bumpy stretch of road. The highways drastically transformed into vacant backroads surrounded by expansive fields. She doesn't know how long she'll be staying, so she packed a bunch of clothes and other essential items she might need. The boxes at her old apartment had been moved into a new complex in Portsmouth. She wasn't looking for anything fancy, just a simple one-bedroom place she could eventually make into her own.
Shyla turns down the volume of a Fleetwood Mac song playing through the car's speakers as she enters the pub's gravel parking lot. She gets hit with déjà vu when she remembers how excited she was to come last time, only to have the night end horribly. This time around, she's walking in by herself and will be around someone who listens and cares. 
Tonight, it'll just be her and Harry. 
He mentioned karaoke night in his letter, so she assumes it will be lively inside. Before opening the car door, she checks herself in the rear-view mirror to ensure she looks presentable. She's makeup-less just in case it's humid in the small room. She wears high-waisted jeans with a few rips and a grey crop top. 
Shyla takes a deep breath and mentally prepares herself to see him again. It's been about two weeks, and she wonders if things will be awkward between them. It's easy to write letters and prepare what you want to say beforehand, but when it's face-to-face, there's a hypercritical pressure to say the right thing.
After fixing her hair, she finally gains the courage to leave her car. She locks it and begins walking to the wooden door as her shoes crunch the gravel beneath them, and it's what she focuses on instead of the nervousness twisting her stomach into knots. She can hear muffled chatter and music that only gets louder when she finally opens the final barrier between her and Harry. 
Once she passes the threshold, she's instantly consumed with the same feeling she had the last time; overwhelmed but comfortably so. She has missed the ambiance of the pub even though she's only been to it once before. Everyone is too preoccupied with themselves to see her arrive, and she's thankful for the lack of perception the people here partake in. Her eyes dance around the room, searching for Harry, first looking at the dartboard in the corner to see if he's already playing a game. He's not there, so she looks behind the bar to see if he might be serving drinks tonight. 
As she scans the preoccupied stools for his curly head of hair, it doesn't even register in her mind that the music playing is coming from the karaoke stage set up in the back. She eventually homes in on a beautiful voice singing along to an instrumental.
Shyla stands on her tiptoes to look over the crowd of people in front of her. That voice is calling to her. She politely excuses herself several times while navigating through the bodies until she's at the front. Her breath catches in her throat when she finally has a clear view of the makeshift stage. 
Harry.
Her jaw drops in shock as she watches him. He sits on a stool, his legs spread casually, and holds a wired microphone in his hand while he sings along to the instrumental of "Ain't No Sunshine" by Bill Withers. He wears see-through yellow sunglasses, a yellow graphic tee, and velvet brown pants. His face is screwed up as he vocalizes on top of the violins and smooth beat of the song, his voice the perfect mixture of raspy yet smooth. The way the notes and vibratos flow from his throat seems effortless. 
Shyla is awestruck. She can't stop looking at him. It's like they're the only two people in the room as everything else becomes static noise. A few pub patrons admire Harry along with her, while the rest discourse and drink elsewhere. She thinks she could listen to his voice for the rest of her life. She thinks Dolly Parton's voice is like honey, but Harry's is like a silky stream of liquid gold that melts and aligns in the crevices of her soul just right. 
Shyla's hand raises to her chest, feeling her heart pound strongly. Harry's voice fades as the song ends, and claps and whistles are thrown his way. She joins in, still not able to process what she just witnessed. Harry's hands come together in a silent gesture of gratitude before he bows his head shyly. His eyes rove the room until they land on hers. His body is frozen in the motion of getting off the stool, but then he blinks once and smiles wider than Shyla has ever seen. He offers a small wave before handing the microphone to the person next in line. He jerks his head toward the back door, and Shyla snaps out of her reverie, beginning to follow him out while wiping her sweaty palms against her jeans. 
Once outside, they stand facing each other under the red glow of the exit sign. No one is around except crickets chirping in the tall weeds growing around the pub. It's a little chilly, and Shyla shivers as she rubs her hands up and down her arms to create circulation. Harry holds up one finger as a signal to wait before returning inside. 
Shyla slaps her face several times while she waits, trying to remain calm. She can't believe it's happening. She looks at the streetlamps that illuminate the fields behind the pub and hopes everything goes well tonight. 
Moments later, Harry comes out holding his brown leather jacket. He hands it to her.
"Thank you. I didn't realize it would be this cold," Shyla says quietly as she engulfs her body in the garment. It smells like the cologne he wore when they played darts. 
"Yeah, it gets nippy here at night." He sets his sunglasses on the top of his head and sighs happily. "Hi. You're really here." 
Shyla giggles and admires his now clearly visible eyes. "I'm here. It's nice to see you again, Harry. You look really good." 
"You're absolutely beautiful," he says, gazing across her face and body. "I didn't know if you'd actually come back." 
"I know. I'm so sorry I didn't call or write—" 
"Shy," he interrupts softly. "I understand, okay? I didn't know you were busy with moving, so I just stupidly assumed you were done with me. You were going through shit and needed some time for yourself. Don't worry about it." 
"Well, I'm glad you wrote to me. Otherwise, I would've thought you were done with me too." 
"Why would you think that?" He steps closer and cradles Shyla's cheeks, tilting her head up. "You haven't left my mind. I've been feeling miserable about how we left things." 
"Same here," she says. "Can we… maybe go to your cabin to talk more? Only if it's okay with you. It's just that it's cold, and someone could see us and—" 
Harry's mouth is on hers instantly, stopping her nervous rambling. Shyla melts into him just as he pulls back too quickly for her liking, her bottom lip snapping back in place. Her gaze darts between his eyes as he rubs his thumb along her cheek. 
"Sorry. I should've asked—" 
Shyla cuts him off, this time with her lips against his. Harry hums lowly as his brows furrow, tilting her head more for better access. He kisses her deeply, and Shyla's hands crawl under his shirt to feel his warm, soft skin under her fingertips. They graze the trail of coarse hair under his belly button, causing his stomach to twitch and then relax. She switches to kissing his top lip and notices that there's not as much hair above it since the last time she saw him. 
They finally run out of breath and part. Shyla removes her greedy hand from under his shirt, and Harry removes his hands from her cheeks. 
"Let's go to my place," he whispers, his mouth glistening. 
"Yes," she replies pleadingly. "I can drive us. I have my luggage in my car, and we can listen to music on the way. There's actually a song I wanted to introduce you to." 
Harry smiles. "Well, what are we waiting for? Let's hope you're better at steering a car than a horse." 
Shyla playfully scrunches her nose at him before they both start walking around the pub to get to her car. The headlights flash as she presses the unlock button, and she gets in the driver's seat. Harry smoothly slides into the passenger side. She twists the key in the ignition, and her Bluetooth automatically connects and plays a song. They both jolt at the loud volume, and Shyla embarrassingly turns it down before grabbing her phone to scroll through her playlist. In her peripheral, she sees Harry reach over to buckle her seatbelt while she finds the song. 
"So, I know you like Dolly Parton and Shania Twain. Country isn't my favorite genre, but for some reason, women artists just hit different, you know?"
Harry leans his elbow on the console and nods with an intrigued expression. 
"There's this one song that I've loved since I was a kid," she continues. "Like, it's one of the first memories I can remember with my mom because she would always play it in the car. It's called "This Kiss" by Faith Hill, and it's one of the best songs ever created." 
"The name rings a bell. Play it. Let's see if the lyrics come back to me." 
Shyla excitedly shifts in her seat and presses play before reversing out of the parking lot. She turns the volume up and grooves her head to the beginning instrumental, smiling when Harry does the same. She begins singing as she drives along the empty roads. 
When the euphoric chorus hits, she shouts the lyrics. Something about being around Harry brings out fortuitous bursts of confidence. 
"This kiss, this kiss!" Harry joins in as they both point at each other. "Unstoppable!" 
When the key change comes, they're at a stop sign with no one else on the streets. They lean their heads against the headrests and look at each other during the final chorus. Harry grabs Shyla's face, squishing her cheeks and mouthing the lyrics with his lips brushing against hers. 
She doesn't want to keep driving; she wants to stay in this moment forever. 
They continue singing all the way to his cabin. Harry gives her directions, and the song ends just as she slows down on his long driveway weaving through the woods. She parks under the balcony and shuts the car off, the absence of music creating a deafening silence. She turns to Harry and notices the rings on his fingers. His hands are incredibly attractive.
She shakes her head to eliminate the dangerous thought as Harry says, "I'll grab your stuff. You can go inside and get comfortable. The door is unlocked."
"Oh, thank you. Sorry if they're heavy. I didn't know how much to pack." 
"Not to brag, but I can carry a sixty-pound saddle with one hand. I think I'll be able to handle it," Harry teases while stepping out of the car.
She scoffs lightheartedly and begins walking up the stairs to the balcony. She gets hit with a second wave of déjà vu when she passes the jacuzzi, her skin growing hot when she recalls what they did in it. She'll never look at one the same way again.
Making her way through the door and turning the light switch on, Shyla smiles at the immediate comfort she receives from his home. It makes her feel safe. Harry eventually comes in with her suitcase rolling behind him and her duffel bag slung on his shoulder. 
"I'm so tired," Shyla says as she flops on his couch. 
"Well, my bed is more comfortable," he replies, walking up the stairs to his loft. "Please shut the lights off before you come up." 
She doesn't hesitate to slip her shoes off and set his leather jacket on the arm of the couch. Shyla hasn't been in his room yet, and Harry seems to be inviting her, so she smiles giddily and follows him. 
The string lights wrapped around the railing make the room more visible as Shyla takes in his quilted blanket-covered bed. There's one window in the middle of the back wall and a wooden bathtub in the corner. She also notices that he has an intricately carved dresser with a retro record player and a stack of vinyl on it. 
"I picked some out for us before you got here, but if you're too tired, we don't have to dance tonight," Harry says, folding the quilt back. 
"I think it'd be good for us to get some sleep," Shyla replies while sitting on his bed. 
"Agreed. Um, I can… take the couch," he mumbles as he begins searching through the drawers. 
"Why?" Did she misread the situation? Or is he just being a gentleman? 
"I-I just didn't know if you'd be comfortable sleeping together. It's been two weeks and—" 
"Harry, I rode your thigh the night I met you," she says boldly. "I wouldn't come all this way just to be away from you." 
His hands tighten around the shirt he picked out. "Really?" 
She pats the bed and scoots over so she's closer to the wall. "Yes. Come over here." 
"Okay," he murmurs while taking off his shoes. "I don't even wear a shirt to bed, so I don't know why I'm looking for one. I got nervous." He rubs his forehead and puts the garment back in the top drawer before shutting it. 
"Don't be nervous. We've got time to reacquaint ourselves." 
"Right." Harry shuts the lights off and climbs into bed, taking his shirt off. "Are you going to sleep in those clothes?" 
"If I get up to change, I'll lose my tiredness." 
"Wow. Sleeping in jeans is when you know you've hit rock bottom," he says as he slides under the covers. He takes his pants off before turning on his side to face her. 
"If rock bottom is here, then I don't want to leave," she mumbles against his pillow. 
It's silent for a brief moment before he whispers, "Please be here when I wake up."
Her eyes search for him in the dark. "I promise. Goodnight, Harry. Sweet dreams." 
He inches closer to place a blind kiss on her face. "Night, Shy." 
—— 
| The Boy | 
There's a heavy knocking on the door downstairs. Why is it so loud? What time is it? Is it part of a residual dream?
Harry grumbles and squints his eyes against the sunlight beaming through the window. He feels something resting against his chest, and when he looks down, he sees Shyla's cheek pressed against where his heart is. Slow breaths leave her parted lips as she sleeps peacefully.
A relieved sigh escapes him. Thank goodness she didn't leave. 
She apparently can't hear the knocking, and since he doesn't want it to wake her up, he gently slides out from under her to confront whoever it is. He tucks her in, closes the curtains, and then puts on his pants from yesterday. Heading downstairs with soft footsteps, he yawns as he walks toward the persistent pounding. 
When he opens the door, he comes face-to-face with his father. He looks angrier than usual. Maybe because— oh, fuck. He completely forgot he had work today. 
"I expect a phenomenal excuse, boy," says his father. Harry instinctively shrinks into himself. "You were supposed to be at work an hour ago. It's seven already." 
There's no way he can tell him about Shyla. He can't know she's here with him, sleeping in his bed. His father would go berserk. 
"I got really drunk last night and passed out here. I forgot to set my alarm," he lies, scratching his head. 
"That's the best you've got? I can easily count how many times you've come to work hungover. Why is today the day you don't feel up to it, huh? For heaven's sake, you—" 
"Dad," he says with a groan. He really doesn't want to deal with his explosive nature this early. "It won't happen again. I'll come right now, okay? I'll work overtime today." 
His father shakes his head disappointedly. "You're lucky there's no one waiting for a tour. Get a move on. Otherwise, you're not getting paid today." 
Harry nods and rubs his tired eyes. "Okay. Give me ten minutes." 
"You probably reek of whiskey. Take a shower and fix your piss-poor mood." 
He has to bite his tongue so as not to talk back. He wants to tell him that if he just drove him to work, he'd be there faster. Alas, his father has never been a logical man. 
Without another word, his father slams the door shut, shaking the picture frames on the walls. Harry chews on the inside of his cheek to stop the irritation from taking over his body. He kicks the door before making some coffee. 
While it's brewing, he returns to the loft to check on Shyla. She's still lying down, but her eyes are now open. She must have heard everything. 
"Shyla, I'm so sorry," he murmurs as he finds an outfit. "I forgot I have work this morning, and now my father's pissed." 
She smiles and sits up against the headboard. "That's okay. Sorry for distracting you." 
"It's not your fault at all." He glances back at her tired eyes as he jumps into a pair of blue jeans. He then throws on a plain white shirt and shoves his feet into his boots.
"Still. It's our first day together again, and you have to leave." 
"That's on me. I should've had you come when I wasn't working, but it was karaoke night, and I wanted to see you as soon as possible. I feel terrible." 
"Hey, don't worry about it." Shyla sits at the edge of the bed. "I can stay here, right?" 
He sits beside her and admires how the morning sun strikes her skin. "Of course. You can make yourself something to eat. And, um, I've got books and records you can look through," he says meekly, hoping his cabin doesn't appear dull. 
"I'm sure I'll find something. Just know I'll be here when you get back." 
"Okay. I'll try to get out of working overtime. I'm sure it won't be too busy today.
She nods. "I'll walk you out." 
He watches her stretch, her shirt riding up to show a sliver of smooth skin. Then they go downstairs, Harry grabbing his filled coffee mug before he opens the front door. They lean against the frame and face each other. 
Harry clears his throat and says, "You should pick out some records for us to dance to tonight."
"I'd like that." Shyla runs a hand through her hair. "Have a good shift, okay? Don't let your father get in your head." 
"I won't." He gives her a soft smile and moves closer. "Maybe we can go to the pub and finish that game of darts." 
She wraps her arms around his neck, kissing his cheek sweetly. "That sounds perfect. I'll see you soon." 
He blushes and looks at the ground. Should he kiss her? Maybe a hug would be safer? He's overthinking everything. 
"Bye," he blurts. 
"Bye, Harry." 
He exhales and decides to just go for it. Slowly, he places his palm on her cheek just as Shyla looks up at him with those brown eyes that melt him. He kisses her. It's an innocent kiss, nothing more than a long caress of her bottom lip. After breaking away, he rests his forehead against hers, and they both smile like fools. 
He leaves with one last kiss before heading out. Walking down the driveway, he feels elated, knowing he gets more time with her when he arrives home. 
—— 
| The Boy & The Girl | 
Shyla spends the next eight hours getting acquainted with Harry's cabin. She observes every nook and cranny, not in a nosy way, but just because she genuinely wants to see everything that makes him who he is. She still doesn't know much about him and plans to ask him questions tonight without distractions. 
It's now four in the evening, and the sun still shines through the gaps of the tall pine trees outside. She made breakfast and lunch, looked through his book collection, and picked out some records. Now, she sits on his couch and waits for him. The sun will set soon, and she's looking forward to going to the pub later so they can finish their game of darts. 
Just as she's about to skim another book, she hears what sounds like hooves walking on gravel outside the windows she opened earlier. She goes to the one by the front door and sees Harry riding a horse as he chews on a Twizzler—not just any horse, but the same one she rode when she went horseback riding. 
Harry smirks at her confused expression. He also notices that she's changed out of her clothes from last night and into leggings and a white low-cut top with a string halter around her neck. He pulls back on the reigns and steadily dismounts Quake. He decided to bring the horse Shyla would be most comfortable with, not wanting to scare her by bringing his stallion.
Shyla walks over to them with uneasy steps, and he beckons her closer. "Uber's here," he says, grabbing Quake's purple bridle and guiding him toward her. 
"I think Lurgashall should have a horse and carriage ride share company," Shyla says as she timidly pets Quake. 
He laughs. "Let's ride to the pub." 
Shyla quirks an eyebrow. "What do you mean ride?" 
"On Quake. I mean, I did bring him all the way here. He told me he likes you." 
She pretends to mull it over as Harry drapes his arms around her shoulders and brings her in for a hug. He whispers, "You can hold onto me the entire time. I won't let you get hurt. Let's go inside and get ready, yeah?" 
Shyla nods and returns to the cabin as Harry ties Quake to a post. He then follows her to his loft, wiping sweat off his neck with his shirt. He sees Shyla place her suitcase on the bed, stuffed with many garments.
"Why don't you pick out an outfit for me to wear tonight?" he murmurs as he squeezes her upper arms. 
"Are we dressing casually or formally for our incredibly serious dart competition?"
"Hmm... we should be fancy. Did you pack anything like that?" 
"I might have brought a dress," she says, pressing her ass back against him. When she moves away, she hears his dissatisfied sigh. It's fun riling him up.
"Well, while you get ready, I'm going to give Quake a snack." Harry points to his dresser full of outfits, ranging from tattered sweatshirts to crisp button-ups. "Pick out anything you want. Make it good." 
Shyla hums an affirmation as he heads down the stairs. She begins sifting through his drawers, going through shorts, boxers, and different shades of jeans. When she gets to the bottom drawer, she moves some frayed sweaters around and stumbles upon something unlike his other clothing: a black leather jacket and pants. 
She touches the textured material, removes it from the drawer, and places it on his bed. She could never be confident enough to wear leather, but she has a feeling Harry could pull it off. Where could he have possibly worn this before? It almost looks unused. 
When Harry returns, he stops when he sees what Shyla laid out for him. He clears his throat and slowly walks toward the bed. 
"That's what you want me to wear?" he asks, picking up the pristine jacket. 
"Yes," she says hesitantly. "Is it too much? I can find something else if—" 
"Shyla." Her mouth snaps shut at his low tone. "You want me to wear this with no shirt on underneath and my tits out for everyone to see? Are you sure you can handle that?" 
She swallows and nods her head. "You look really good in leather." 
"Yeah? Leather it is, then." 
He begins taking off his clothes, and Shyla distracts herself by looking through her bag to find the dress she packed. She pulls out her black suede heels and silver slip dress she brought in case they went anywhere fancy. The hem falls to her mid-thigh, and the scooped neckline is loose around her cleavage. Before she zips her bag, she remembers that she brought the pink dart with her. It's in the mesh pocket of her bag, and she slyly takes it without him seeing it and puts it in her bra. She then goes to the bathroom to change. 
Once her dress and shoes are on, Shyla splashes her face with cold water and wanders toward his bookcase while she waits, her fingers running along the spines. She still needs to look through all of them. Based on the titles and covers, many of them seem to be in the romance genre, and it tugs at her heartstrings knowing that Harry reads such vulnerable stories in his cabin all alone. 
While reading the back of a book titled Emma, she suddenly hears heavy footsteps descending the stairs, the heels clicking against the wood. When she turns around, she gasps at the sight before her. 
Harry is in his full leather get-up, which fits him perfectly. He has on black heeled dress shoes to match. But most shocking to Shyla is his hair; it's been pushed back from his face, with no curls hanging over his forehead or a significant part down the middle. 
"Ready?" he asks with a smile as he tugs the lapels of his jacket. 
"Holy shit, you look hot," she says, ogling every inch of him. 
He admires her outfit, his tongue running across his teeth. "You look breathtaking. Trying to get me off my A-game tonight?" 
She shrugs playfully and grabs her phone as Harry leads them out the front door. He unties Quake and keeps the rope secure through his belt loops, then mounts him, careful not to rip or ruin his leather. He waves Shyla over. She ambles to Quake. He offers his hand so she can balance more easily, then watches her lift her leg over to sit behind him on the saddle. 
Shyla's hands immediately circle around his waist under his jacket and rest on his exposed stomach. Harry turns his head to smile at her, leaning in for a quick kiss before gently kicking Quake to get him to start trekking down the driveway. 
"This is actually really nice." 
"Atta girl." Harry reaches his hand back to squeeze her thigh. "Wasn't so bad, huh?" 
"As long as we don't start galloping. Don't even try to be funny," Shyla warns, grabbing his hand on her leg. 
A comfortable silence persists throughout the journey. There's no need to talk when the nature around them is a beautiful point of interest. Shyla never feels like she has to fill in empty conversations with Harry since being in each other's presence is enough. 
After about ten minutes, they arrive at the pub. Harry stops Quake around the back of the building and ties him to the fence post. He usually asks for a clean bucket to bring fresh water out for him during the night. He swings his leg over to dismount, then helps Shyla off with his hands on her waist. 
"Ready to lose?" Harry teases in her ear as he interlocks their fingers and guides her through the back door.
"You have to go easy on me. Dumb down your skills so it's a fair game." 
"What happened to being so confident about kicking my ass?"
"I wasn't serious," she mumbles with a small smile as they walk toward the familiar dart board in the corner. No one is playing, and only a few locals are in the room. Some eat appetizers at the bar, and others sit at tables, talking and enjoying the music. 
"I may or may not have told everyone that I needed the dartboard for tonight," he tells her as he grabs chalk to write their names. It doesn't go unnoticed that he writes 'Shy' on the board.
Shyla comes behind him and whispers, "I brought the pink dart." 
Harry tilts his head to look at her, glancing down at her lips. "Best get to using it," he says lowly, jerking his chin to the dart board. 
Shyla smirks and reaches inside the cups of her bra. Harry's eyes trail downwards, and they watch her every move. He inhales sharply when her cleavage is exposed, and she walks behind the white line before he can say anything. 
"Are we playing 305 again?" 
"Yes. Wait, no. Huh? You mean 301?" 
"What? I swear it was 305." Shyla confusedly shakes her head as she tries to replicate the professional stance Harry showed her last time. "Maybe I was thinking of Pitbull. You know, Mr. 305." 
"Right. Mr. Worldwide and all that," he says from his place next to the dartboard. He then smiles mischievously. "Elbow bent, dale." 
She furrows her eyebrows and tries not to laugh. "What did you just say?" 
"Isn't that what Pitbull says? It means darling, right?" 
Did he fuck that up? Why is she laughing? He was just trying to be romantic. 
Shyla snorts. "No, it doesn't. It means give it or go ahead, Harry. Querida means darling." She bends her elbow and brings the dart up to her line of sight. "Also, please move. I don't want to accidentally hit you." 
"I trust you, darling." He smoothly recovers from the embarrassment as he fully leans against the board and crosses his ankles, making Shyla more worried that she might hit him. 
"You have a death wish speaking to me like that when I'm trying to focus." Shyla places weight on her front foot and snaps her wrist forward to throw the dart. It hits the six on the right side of the board, and she pouts at the low number. Harry shakes his head in faux disappointment as he writes her score down. 
"You distracted me! You can't just stand next to the board looking like that and expect me to do well." 
"Switch." Harry dismisses the compliment and gestures for them to trade places. Shyla stands next to the board as he places himself behind the line. While he stances up, she decides to delve into some teasing. 
When Harry glances at her, she slightly lifts the hem of her dress, exposing bare brown skin that he can't get enough of. He clears his throat and looks back at the board, focusing on the bullseye. He closes one eye and throws the dart. 
He scoffs when it lands on the seventeen. She's going to pay for that. 
"Aw, that's too bad," Shyla says sarcastically. She sways her hips as she walks over to the digital jukebox against the opposite wall and types in a song she wants to play. 
"My Kind of Lady" by Supertramp starts, and Shyla shimmies her way back to Harry. They both forget about their ongoing game and join each other to dance. She can't get over how he looks in his outfit, his stomach muscles flexing with each sway and his tattoos looking more tempting than usual. 
Harry dips her when the saxophone solo plays and kisses her neck before smoothly bringing her back up to his chest. They dance in their little corner of the pub, not caring who's watching. It's just like Shyla felt yesterday when Harry was singing karaoke: in their bubble, feeling like the only ones in the world. 
They eventually got back to finishing the game. Harry won by a mile. Shyla told him that she didn't want to drink tonight when he offered to buy shots, and he agreed because he thought back to when she left and how he drowned himself in whiskey every night until he passed out. He's sick of alcohol, and he also doesn't want to have Shyla be a part of riding a horse drunk. 
A little after seven, the pub got crowded, and they decided to leave. Harry told Shyla on the way back that they didn't need to bring Quake back to the stables because he has his own area around the back of his cabin for the nights, and he's too drunk to go to the ranch. Shyla and Harry walk inside after he's tied up and given water and hay. Harry flicks the light switch on, illuminating the safe space he can now share with Shyla. 
"Did you pick out something for us to listen to?" he asks as they head up to his loft. 
"I did," she replies while taking her heels off. "Can we dance some more? I'm not tired yet." 
He nods and smiles, walking to the small record player on his dresser. He sees that she's picked out two of his vinyls when he was at work. He looks through them, finding Super Trouper by ABBA and Eat to the Beat by Blondie. 
"What should we start with?" He glances back and admires how much shorter she is without her heels. 
"Something slow. After that, I want to play you a song I listened to when I was younger." 
"Of course." He steps out of the way so she can play a record. "Show me all the music you like. It's one of the best ways to get to know someone." 
Shyla's face heats as she takes the ABBA record out and places it on the turntable. "Um, I don't know how to make it play a specific song." 
He stands beside her. "This one is ancient, so you have to do it manually. What song did you want?" 
"Track four, please," she says shyly. 
Harry kneels and gently sets the needle against the specific groove. It scratches before a slow, sultry electric guitar crepitates through. He stands and smiles when he recognizes the song: "Andante, Andante." 
Shyla closes the distance between them and repeats the intimate action she did when they first danced. She takes off his black leather jacket and leaves his inked upper half exposed, then wraps her arms around his waist as Harry cradles her head into his chest with both hands. He thinks he could hold her forever in his loft, skin igniting like a never-ending flame. He has never felt this content, her soft breathing synchronizing with his own, their bodies swaying.
"Do you work tomorrow?" Shyla asks against his collarbone, feeling his heart beat melodically. 
He moves one of his hands to run his knuckles up and down her spine. "I have the next two days off. Did you have something you wanted to do?" 
"I don't know. You'll have to show me around Lurgashall." 
"I'd be happy to, Shy. We'll think of something." He clears his throat before asking the question he's wanted to know the answer to since she arrived: "How long are you going to stay?" How long are you willing to stay?
Shyla's breath hitches as she looks at him. "I'm honestly not sure. I just wanted to see you. Do you need me gone by a certain time?" 
"No, you can stay however long you'd like," he says with a kiss on her forehead. "I just don't know if you'd want to stay for a while. I know you have a new apartment and everything, but... shit, I don't know what I'm saying. I want you around." 
"I want to be around you too. We can talk about it tomorrow, though. Let's just dance for now." 
They continue slow dancing. Harry hopes she'll stay longer than a day, but he fears she'll become bored of the place—or worse, bored of him. 
When the song fades, Shyla pulls away to put the other record on to show Harry the song she mentioned. She removes the sleeve and black vinyl, takes the needle off the record, and puts it back where it belongs. 
"Let me teach you how to play something," Harry says.
"Okay. Track four." She laughs softly and sets the record on the turntable. "Again." 
"They're the best, in my opinion. Track four on Fleetwood Mac's self-titled album is "Rhiannon." It's such a good fuckin' song." 
"We should dance to that album tomorrow." 
"Absolutely," he says without hesitation. Anyway, what we'll do is raise the cue lever so we can move the arm." He grabs Shyla's hand and moves it to where it's needed. She raises the lever, and the arm picks up, hovering in the air. "Skipping tracks on vinyl can cause them to be scratched, but I'll let it slide for you." 
He pinches her hip, then maneuvers her hand to where he assumes the fourth track is. There's a loud crackle before the beginning of Blondie's instrumental "Shayla" starts. 
Shyla smiles at the nostalgia that suddenly hits her. "You know how I love Blondie? When I was younger, I pretended my name was Shayla to act like this song was about me." 
Harry rolls his lips inward to hold his laughter but eventually sputters a breathy chuckle at her confession. 
"Stop laughing!" she says, playfully hitting his arm. 
He captures her hand and pulls her back into his chest. "No, it's cute. It can't be worse than pretending songs I don't even relate to are about me. I used to dream about being Rosanna or Fernando. How incredible would it be to leave such an impact on someone that they write an entire song about missing you." 
Shyla laughs as they twirl around his loft. "I can't believe you can sing and didn't tell me." 
He shrugs, wanting to avoid further flattery. "Mediocre at best." 
"I think you're fantastic at it. You could be a star one day." 
"I don't know if singing in front of twenty people in a rundown pub would get me anywhere." 
"You won't get anywhere with that pessimistic attitude." 
Harry just shakes his head with a grin and leans in for a kiss. Shyla hums into his mouth, feeling his warm lips envelop her own. His kisses, she's come to realize, are always led with purpose. They're never too often and surprise her when she least expects it. So delicate and addictive, leaving her wanting more. 
He leans back just enough so their lips brush against one another. He stares into her eyes, drowning in her brown irises that lighten every time she smiles. 
"Let me paint your nails," Shyla whispers. 
His eyebrows furrow at the sudden topic change. "What?" 
"I brought some nail polish. We can listen to more music, and I can paint your nails." 
"My father would kill me." 
"We can take it off before you go to work. Screw your dad. Do something for yourself." 
Harry tosses the idea around in his head. He can't say no when she looks at him with such promise. Her eyes could persuade him to do anything. "Okay," he says eventually. "Just make sure it'll come off easily." 
"Have you ever painted your nails before?" 
"No." Is he missing out? Should he have painted his nails before? He's never seen anyone in town partake in it. 
Shyla pats the bed and leans over the edge to unzip her duffel bag. "Then I'm glad to be your first. Come sit by me." 
She digs until she finds the six bottles of nail polish she packed in a small makeup pouch. Harry sits beside her and nervously wipes his sweaty palms against the sheets. He wants to slap himself to get the image of his father's face out of his head. He needs to stop worrying about doing things that he wouldn't like. He has over a hundred tattoos; polish on his nails is nothing. 
"What color do you want?" Shyla asks, splaying the bottles across her palms. 
"Um, I don't know what would look good on me." He's been so used to wearing neutral colors that he doesn't know where to start. 
"How about smiley faces. Kind of like that yellow shirt you were wearing earlier." 
He shrugs, knowing she can make anything look good on him if the outfit she picked out is any indication. "Sure. Whatever you want." 
Shyla starts shaking the yellow and black bottles to stir the polish, then motions for Harry's hand. She takes his right one when he slowly extends it. She can tell he's hesitant because of his father, but she would never force him to do anything he's uncomfortable with. 
"Are you sure this is okay?" She rubs her thumb along his knuckles to soothe his noticeable anxiety. "You don't have to. I won't be upset." 
"It's fine. My father never really sees me outside of work." Harry awkwardly clears his throat. 
She just nods and begins applying the first coat on his thumb. His nails are surprisingly clean, considering he works at a ranch. "I'm sorry for saying this, but your father's a dick," she tells him, moving to paint his pointer finger. 
Harry laughs through his nose. "You hit the bullseye with that assumption. Shame you couldn't hit an actual one at the pub." 
She scoffs and sits crosslegged next to him for a more accessible angle. "Excuse me? Where did that come from? I insult your father, and then you insult me?" 
"I'm joking, Shy. You're right; he's a total dick. I don't know how my mother dealt with him for all those years." 
When she finishes another nail, Harry mimics her position so they face each other. They both fall into silence when his mother is mentioned. Shyla doesn't want to pry. 
However, Harry feels the need to jump over that hurdle since he's falling for Shyla and knows that if he doesn't open up soon, she'll slip right through his fingers. 
"She passed away from a stroke," he says, keeping his eyes focused on the strokes of the tiny brush. "It happened out of nowhere. One day, she was completely fine, and the next, she was on a stretcher. She was already gone when they got to the hospital." He swallows roughly and rubs at his throat with his free hand to stop the pain from crawling up his throat. 
"She chewed tobacco and smoked cigarettes," he continues in a thick voice. "She started when I was probably around seven or eight. It was every day, too. Just an awful addiction that eventually caught up to her, you know? I should've expected it to happen, but the thing with death is that you never see it coming. Anyway, it flipped my world upside down. One day, I woke up and didn't have a mother anymore." 
Shyla stops and stares at him with sorrowful eyes. Unfortunately, she can relate, but she keeps quiet and lets him proceed.
"I still talk to her. When I get lonely, I sit in bed or in the bathtub and talk to her about everything. Mostly about how my own father acts like he despises me." 
"Do you really feel like he hates you, or is he just projecting his repressed emotions onto you?" 
Harry lets out a humorless laugh. "God, I can't even tell anymore. He's always been strict and closed off since I was young, but ever since my mother passed, he's been unbearable to be around. It's like he sucks the life out of everyone." 
"He wasn't very friendly when I met him," Shyla confesses. When we went to the stables, he told us if you were cranky, we should let him know so he could talk to you." 
Harry's eyebrows raise. "Sounds about right. He thinks I've got anger issues. I don't, at least not anymore. I was barely hanging on the first couple of years without my mother. I didn't want to see anybody or go anywhere. I was eighteen and had just moved into this cabin because I couldn't handle living with my father during all of that. It may sound cruel to just leave him to grieve by himself, but he's stubborn and would probably tell me to fuck off if I had tried to comfort him." 
Shyla nods understandingly as she puts the last coat of polish on his delicate pinky. She then screws the cap on and brings Harry's hands up to her mouth so she can blow on his fingernails. 
"I'm sorry," she whispers. That's never easy, especially when you're eighteen and still trying to figure out life and expect to rely on your parents. I hope you're okay now. It's normal to still have those days where you want to cry over something that happened long ago. I still do." 
"I'm doing well," he says with a smile that doesn't quite reach his eyes. What about you?" 
Shyla opens the black nail polish to apply smiley faces over the yellow. Focusing on the tiny details, she exhales, thinking about where to start. 
"I haven't told anyone this since I went to therapy ages ago. I still cry over my parents. It's funny because I can't even remember how I felt as a kid when they died. I think I blocked it all out. I mean, I couldn't even tie my own shoes yet. I had no grasp on emotions or death. I was four when my grandma picked me up from daycare and told me that they had been in an accident. All I know is that it wasn't fun growing up and not having my parents there to teach me things." 
She sighs and pinches her eyes shut for a second. "For some reason, at the time, it didn't really affect me until I got older. Like, twelve or thirteen was when I started getting really angsty, for lack of better words. Everything caught up to me, and it crushed me that I didn't have a mom or dad to watch me grow up." 
"Did you have any other family?" 
"I stayed with my grandma for about five years before she passed away. Then, I moved in with my aunt until I was about nineteen. Almost ten years of living with her was a journey, to say the least. She's not bad, just stagnant. Never really let me go out of the house to do things. She was trying to keep me safe, but it got old. Then, I finally went to university and found what I wanted to do there. I realized I loved psychology, and I'm hoping to get my degree within the next year. 
Harry watches Shyla finish the last smiley face on his thumb before setting the polish back in her bag. 
"Come here." He pulls her into his lap, careful not to smudge the polish, wrapping his arms around her body. "I can't even begin to fathom what that was like. I'm so sorry you had to grow up like that. I'm always here to listen, okay?" 
"I know." She hugs him back. "I'll always listen to you too. It's so easy with you. I would have never imagined I'd be talking about this after so long of keeping it inside." 
"I never had anyone to talk to until you came here." Harry's voice wavers before he swallows. There's something about you that makes me want to live differently, not be afraid of being vulnerable." 
Shyla melts at his confession. "Tell me something else." 
"Like what?" 
"Like... your tattoos. You have so many. There has to be stories behind each one." 
"Pick one out, and I'll tell you."
Shyla smiles as her eyes rove over his exposed skin, trying to find one that intrigues her the most. They're all so specific; she has no idea what they could symbolize. 
"The one behind your ear. I just noticed it. Your hair is usually covering it." 
Harry tilts his head to the side so she can see it better. "It's an orchid. My mom and I would pick them by the creek during summer. I have a lot of little tattoos that remind me of her." 
Shyla admires the minimalistic black ink of the flower along the curve of his ear. "Did you sketch it yourself?" 
He nods. "I went out to the creek one day and brought my sketchbook. I did all sorts of flower styles, big and small. I decided on it behind my ear because she would always kiss me there before I went to bed." 
She feels tears build in her waterline as her fingers trace the lines of the tattoo. "It's so beautiful." 
"Thank you," he says, tilting his head back toward her. "I tattooed it myself in the bathroom mirror." 
"Is it difficult to tattoo yourself?" Shyla can't imagine the skill needed to permanently ink something on your skin. 
"It gets easier with practice. I have a few on my arm that are rubbish from when I first started." 
"Did they hurt?" 
Harry tenses and clears his throat. "Depends. The ones above my knees hurt a bit." 
"Oh. I don't have any, so I wouldn't know. I'm too scared of the pain." 
"It's not a bad pain," he mumbles, fidgeting with the hem of her dress. 
"What?" 
"It's... not a bad pain," he admits sheepishly. "Sometimes it feels really good." 
"Seriously?" she asks with shock. "How? It's literally a needle going through your skin!" 
"Pain kink, Shyla." He doesn't want to awkwardly beat around the bush anymore. He might as well just get it out of the way. 
She gapes at him, absorbing the simple yet complex words he just spoke. "Pain kink. Cool. Hey, listen, that's your thing. I don't find feeling like I'm being stabbed to be pleasurable, but I won't judge you for it. You can do whatever—" 
"Tattoo me," he interrupts. 
"Excuse me? Are the fumes from the polish going to your head? Harry, don't you need a literal license to do that?" 
"How many more times do I have to say I trust you, Shy? C'mon, I'll teach you. You can do a small one." 
Shyla mulls over everything that could go wrong. Her hands would shake, and she could do a disastrous job. She's not particularly proficient at art, so anything she'd draw would no doubt end up looking like a shitty elementary school art project. She also doesn't want to hurt him, but that's obviously been punted out of the equation, given what he just admitted. 
She sighs, realizing she has to live a little more. There's nothing wrong with doing something out of her comfort zone, especially with Harry. "Okay. You trust me, and I trust you. But don't be upset when it looks like the scum of the earth." 
Harry fondly kisses her cheek and then pats her hip to remove her from his lap. "Thank you. Follow me. I've got my own makeshift studio around back." 
He picks her up bridal style, not wanting her bare feet to step on anything that could be a hazard in the grass outside. He carefully goes downstairs and kicks the back door open with the toe of his boot. Out there, which is an area Shyla has yet to explore, is a lovely, open lawn with a wooden picnic table and a couple of chairs in front of a fire pit. However, what catches her eye is a covered wagon she's seen on Western TV shows before, just like the ones oxen or cattle pull. 
The canvas material lights up when Harry flicks a hidden switch. He strides toward the three steps that lead up the open doorway, setting Shyla down in the process. 
When she walks inside first, her eyes don't know where to land. There's a wooden table at the back with scattered tattoo supplies—ink containers, cotton balls, a half-empty bottle of rubbing alcohol, and a pair of black surgical gloves. She immediately takes note of the daunting tattoo gun, the metal shining under the low light and intimidating her greatly. 
"It's nothing fancy, but it's just for me," he says, rubbing the back of his neck. "And now you. No one else knows about this." 
"I hope you'll invite me in here again after the terrible job I'm about to do," she says self-consciously under her breath. 
"Oh, shut it," he murmurs in a fun-loving tone. He brushes past her and organizes the space a little before taking a new pair of surgical gloves and dangling them tauntingly in front of her. A wicked smirk grows on his face. 
The pit of Shyla's stomach churns at the thought of inking Harry's skin with no experience whatsoever. She blows out a nervous breath and takes the thin gloves from him, stalling by putting them on very slowly. Harry opens a black ink bottle and removes new, sterilized needles from a package. 
Shyla sits in one of two rolling chairs and watches him assemble the tattoo gun with ease. Then he takes a piece of gum from a stray packet on the table, setting it on his tongue as he loads the canister with ink. His jaw flexes with each chew, and she's transfixed by his expertise. 
"Start thinking of something to ink on me," he says, plopping down in the chair beside her. 
Shyla tilts her head and brainstorms what she could permanently tattoo on Harry's beautiful skin. Everything she's coming up with seems too embarrassing to say aloud; a horse that would most likely look like an entirely different animal, a lyric that would definitely be illegible, a dart that would... hold on a second. A dart! That couldn't be too hard, right? 
"Um, a dart? Maybe? You probably already have that somewhere on you." 
"I don't, actually. That's perfect. A tiny, simple one that you can do freehand." 
Shyla's eyes widen. Freehand? She doesn't even think she could do it if Harry guided her hand the entire time. 
"Where do you want it?" she asks apprehensively, rolling her chair closer to him. 
Harry shrugs. "Wherever. I don't care." 
"Okay, how about somewhere on your wrist?" She points to his left one, observing the other tattoos there — an anchor, a clover, and a lock. "I can do something tiny near your other ones." 
"Wherever you want, Shy," he reiterates softly. 
Readily setting his left wrist on the table, he opens the rubbing alcohol and splashes a couple of drops onto a cotton ball. He then sterilizes his entire wrist so whatever patch of skin she picks is safe to prick with a needle. 
"All right. It'll be so tiny. Microscopic, even. And simplistic." Shyla swallows thickly, her hands sweating under the tight gloves. "That's what I'm comfortable with." 
Harry offers her a hopeful smile, then turns the tattoo gun on, its loud buzzing instantly filling the confined space. "Hold your hand around the canister," he instructs, grabbing her hand and maneuvering it to the correct position. "Rest it diagonally against my skin and push down so the needle goes through. Not too deep, but still, make sure it's in there. My skin should resist when you pull it out. Only go a few centimeters before taking it out and continuing." 
Shyla exhales slowly and focuses on an empty patch of skin where she can tattoo the dart. 
"Hey," he says over the buzzing. "It'll be fine. I'll help wipe any excess ink off. If you need me to step in, just let me know, okay?"
She nods and leans forward to shift the gun closer to his wrist. She stretches his skin until it's taut, delicately tracing a short line with the needle. She pulls back quickly and looks at Harry with anxiousness wavering in her gaze. 
He laughs and wipes the liquid ink off, then squeezes her knee. "Keep going," he says hoarsely, feeling the pain rush through his bloodstream. "Stick the needle in for a bit longer. It feels good to me, I promise."
Shyla shifts in her seat and clenches her thighs together. Harry's eyes flutter shut as he comfortably leans back. She goes back at it, then realizes she has no clue how to draw a dart by memory. She wings it, pressing the needle down once again and creating an amateur triangle above the line she drew to represent the tip of a dart. 
When she lingers just a little too long, Harry can't subdue the groan of pleasure that crawls its way up his throat. He blinks up at the wagon covering, his pupils dilating from the addictive pain. 
Shyla thinks his groan is caused by her hurting him, so she removes the needle and blurts, "Sorry! I'm almost—" 
"Keep going," he says, patting her thigh in encouragement. "Please, baby." 
Baby. He's too worked up to notice what he just uttered, but Shyla notices, and she wants to get this goddamn tattoo done so they can head back to his cabin and fuck the tension away. She finishes it by adding two minuscule lines coming out of the straight line. It looks like a toddler did it, but she doesn't care. Harry is so tense, jaw tightened as he chews his gum, and her heart is pounding. 
Harry exhales when she manages to shut the gun off by herself. He lazily wipes the excess ink off, then swiftly pulls her into his lap. He grabs the aftercare ointment and rips the cap off with his teeth before applying a layer over his new tattoo. He then tears some plastic wrap off and hurriedly covers the area, finishing it with gauze. 
He'll clean up later. Right now, he needs Shyla. 
She straddles his legs and takes the gloves off, feeling his cock already hard underneath the leather. He groans again, this time from the pressure of her core against him. The dress she's wearing bunches up around her hips, her underwear entirely exposed. She begins rocking against him as his bandaged wrist pushes on her lower back to guide her, and any movement from his wrist causes a burst of pleasurable pain to shoot throughout his arm. 
"Cabin," he commands gruffly as he lifts her and walks out of the wagon. He blindly shuts the light off, then makes a beeline through the back door and straight up to his loft. 
He gently tosses her on the bed and crawls between her legs, his forearms beside her. "Is this okay?" he asks, his mouth resting against her spread legs. 
"Yes," she whines, sitting up to take her dress off. 
Harry helps lift it over her head, then tosses it over the edge of the bed. Her strapless bra and underwear remain, and he takes his time, leaving kisses up her thighs. He presses his nose into the damp spot forming on her underwear, placing an open-mouthed kiss over it. He moans at the taste of her arousal through the thin fabric before gripping his hands around her upper thighs as Shyla arches her back on the bed. 
"Be a good girl and stay still," he says while looking up. He sees her eyebrows furrowed, silently begging for him to give her what she wants. 
"Rip them off. I don't care, just please," she says, grabbing a fistful of his hair. She pulls it, hoping that his love for pain isn't just with tattoos. 
His reaction to her eagerness and the pulling has him biting marks into her thigh. He then kneels to remove her underwear down her legs. She's already dripping down her entrance, so Harry reaches into the nightstand drawer to grab one of the condoms that he stored up when he found out she was going to visit. He felt some shame about it, especially when the cashier gave him a knowing look as if to say: It's about time. 
Harry gets off the bed to pull his leather pants and boxers down, then takes his shoes off. He opens the package and rolls the condom over his length, moving to crawl over her body. He notices that Shyla has taken her bra off as he lines up with her entrance and swallows his nerves down. 
"Before you ask, I want to do this. I trust you, H." 
The nickname makes him whimper, and his cock throbs. He takes his right hand down to it and guides it up and down Shyla's wetness, getting her used to the feeling. He looks at her one more time to ensure she's ready, and when she nods in a frenzied way, he pushes his tip in. He opens his mouth at the tightness, morning at how well she fits. Like she was made for him. He pushes in slowly until he's all the way in. Shyla gasps at the way he fills her, clenching around him as he thrusts in steady, long movements. His left hand holds onto the top of the headboard, and his other slips under her waist. 
"You feel amazing," he mumbles in the crook of her neck. The bed creaks with each thrust, Shyla's first moan leaving her mouth when he hits deep. 
"I can feel you... right here," she says, touching her lower stomach. She can quite literally see and feel his cock nudging the skin there from how deep he's going. 
"Yeah?" He spurs her on, continuing to thrust in extensive motions through her tight walls. 
He doesn't think he'll last long, not having been intimate with someone in so long, but he wants to make it worth it for her. Shyla lifts her hips to meet his, placing her arms around his neck. She whispers breathy moans in his ear, and Harry is getting close to his climax just from her sounds alone. 
"I'm close," he says through kisses on her neck. 
"Let me be on top." He doesn't dispute this, simply flipping over so that he's on his back. Kiss me. I'm almost there." 
Harry kisses her, quieting her moans as she unravels. She grinds on top of him, holding his shoulders tightly. Harry comes when she clenches around him, his hips stuttering as he rides it out with quick thrusts. He spills into the condom, and his face grows red at how quickly he lets go. Shyla orgasms with him, lifting her hips off him when she gets sensitive. They're both breathing heavily as he rolls the condom off and disposes of it. His hand rests on his stomach, and Shyla flops next to him.  
Eventually, Harry sits up and opens the window to allow the summer breeze in. 
Just as he gets comfortable in his bed again, a sudden and startling noise comes from downstairs. He and Shyla freeze and stare at each other with confused expressions. He holds his pointer finger up, mutely telling Shyla to stay put, then quickly slips into his boxers and a random pair of jeans before slowly walking down the stairs. Shyla covers herself with his sheets and watches from afar, her heart hammering from the unexpected interruption. 
Harry cautiously stops on the middle step when the noise becomes clearer. There's raucous knocking on the front door, and it sounds like the person on the other side is furious. 
—— 
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classicalcanvas · 1 year ago
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Title: Portsmouth Harbor, New Hampshire
Artist: William James Glackens
Date: 1909
Style: Impressionism
Genre: Landscape
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suzetteshea · 8 months ago
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Evening Showers at Portsmouth Harbor Light.
William R. Davis, (American artist, b. 1952).
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