#popcorn atrings
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Beautiful~
#christmas#winter#old fashioned Christmas#christmas from fairytales#tall trees#candles#candlelight tapers#lights#oranges#candy canes#popcorn atrings#wrapped presents#stories told by fireside#cookies#the fir tree#the little match girl#gift of the magi#twas the night before christmas#the talior of glchoster#Christmas or the good fairy#spruces#evergreens#pines#star#beauty#bows#ribbons#mistletoe#holly berry#wreathes
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414 : The Scarlettest Box (News)
Thanks for joining us again at the Clive Barker Podcast. In Episode 414, Jose and Ryan go over some 4K, box set movie release news.
Sponsor :Â Don Bertramâs Celebrate ImaginationÂ
Site News, Catching Up
Ryanâs Microphone died!  RIP ATR-2100.Â
Jose is moving
Book Update! (Also put on Kickstarters)
News From The Reef
Correction about Hellraiser 2 Release Date via Pete Atkins
CPA Authentic Autographs posts photos of Clive Barker signing
New Arrow Hellraiser Box Set, to include Bloodline (1-4)
Transmutations in 4K Coming Soon (October?)
People are starting to receive their copies of 4K Nightbreed
Little Spark Films unboxing video
Nightbreed DC Screening (Popcorn Frights) with Anne Bobby
New stuff at the Clive Barker Archive July 15
World Premiere of Nicholas Vinceâs âI AM MONSTERS!â â Frightfest 8/27
Official Trailer for I AM MONSTERS!
Nicko has a cameo in How to Kill Monsters
Roy Robbins Alligator Skin Maximillian Bacchus
Listener Feedback and Topics
Carcosa Citizen on Reddit â Anyone have scans of the Imajica collectable card game?
What would be the perfect Hellraiser Box Set?
BarkerCast Listeners Group and Discord gives their responses.
Coming NextÂ
More Jericho Squad 77
A-Z Commentaries: Z is for Zombie (Land of the Dead)Â
More Classic Commentaries
And this podcast, having no beginning will have no end.Â
web www.clivebarkercast.com
iOS App| Android App, Apple Podcasts, Google Podcasts, Android, Stitcher, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Google Play, Radio.com, DoubleTwist and YouTube and Join the Occupy Midian and BarkerCast Listenersgroups on Facebook
Discord Community
Twitter:Â @BarkerCast|Â @OccupyMidianÂ
Support the show, Buy a T-Shirt
Opening Music is by Ray Norrish
End Credits Music by Matt Furniss
      New episode of the Clive Barker Podcast
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i atr so much fuckin candy and popcorn at the theater. now my tummy hurts
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The Cloud
Sam Wilson x Reader, angst
A/N: possibility of part two in the far future.
Summary: Your abilities allow you to look back at memories
It felt like being in a movie theater; having the entire place to yourself on a weekday afternoon. Popcorn in hand, soda in the cup holder, the air condition making the entire place cold. It was a lot like watching a movie, except the movie wasnât the latest from Hollywood.
It was your life.
Sometimes the film was crisp, the best of the best screen, felt like you were right there in the mix of it all. But most times it was like an old film reel from the 70âs. It was sadder that way, you figured you deserved that much.
So, you sat there, with your stale popcorn and flat soda, watching as Sam walked around the apartment.
He was wearing black sweats and a gray tee, holding a moving box.
âMoving day,â you smiled, tossing a piece of popcorn into your mouth. âThis was a good day.â
Sam was calling you to the living room, asking where you wanted him to put the box.
âWhat is it labelled, Sam?â
He turned the box around in his hand. âKitchen Crap.â
Coming from the hall, you stared blankly at him. âI wonder where that would go.â
Sam grinned, rolling his eyes as he made his way to the kitchen. âDonât give me that annoyed look, this was your idea, remember?â
âMy idea!â
âYes,â he called over his shoulder, setting the box down on the kitchen counter. He turned to face you, hands crossed against his chest. âYou claimed my place was bigger than yours. So, you wanted to move in.â
Again, you stared at the man in disbelief. âYOU asked ME to marry YOU.â
âAnd YOU said YES,â he argued back, holding back a smile,
The two of you glared at each other, hoping the other would fold until Sam couldnât take it and he laughed, opening his arms wide.
âCome here, baby.â
You grinned and walked into his arms, letting him hold you tight his body. He started to sway you back and forth, rubbing your back gently.
âDamn, Iâm glad you said yes.â
âMe too, because your apartment is way bigger than mine.â
Tears fell down your face as you watched Sam and you kiss, the two of you laughing and messing around when things had to be done. It was always like that, didnât matter where the two of you were â he always knew how to make you smile and laugh. Sam knew you so well, sometimes he loved to just piss you off because he claimed you looked cute when you were mad. On missions, he was your number one cheerleader, his favorite catchphrase was, âHell, yeah. Thatâs my baby right there!â.
He was your everything and you had failed him, you had failed them all.
Thanos won.
Sam was gone.
You were alone.
The movie paused, and you slumped down into the seat until a voice called you to. It sounded like it was coming from somewhere far and you knew it was time to go. Sighing, you looked up at the screen.
Sam was smiling at you.
âIâll see you later, baby.â
Closing your eyes, you counted to ten.
âŠ.
Steve sat at the edge of you bed, waiting anxiously â he never knew if you would come back. Sometimes he feared youâd stay inside and heâd be down another friend, another person he loved. You had offered to take him a few times, to whatever place your powers allowed you to go, but he always declined. He didnât want to relive things, he wanted to fix them. He sighed and reached down for your hand, because you taught him that touch always made you come back faster.
He whispered you name. âCome back, you have to come back.â
Watching for any movement, his eyes started to cave in to his feelings. âCome on, you have to come back. We need you. I need you.â
You didnât move, so he squeezed your hand tighter. âY/NâŠwake up.â
âWake up!â
His own voice shocked him, but when you opened your eyes, Steve felt relieved.
You stared at him for a few seconds, almost lost in trance until you squeezed your palm against his. âHow long was I gone? It felt like a few minutesâŠâ
âItâs been about two hours.â
âJesus, time really does suck when Iâm in the Cloud.â
Steveâs eyebrows furrowed, and you smiled. âGet it? The Cloud? All my memories are in the cloud? I can literally go into â you know what? Never mind.â
He gave you a sympathetic smile and released your hand. âScott is here.â
âLang is here?â
âYeah, and he thinks heâs got a way to fix everything.â
You sat up, heart beating a mile a minute. âI can get Sam back?â
Steve nodded. âWe can get them all back.â
Leaning forward, you hugged the man tightly. He had been your rock since Sam disappeared two years ago, half the damn world just turned to dust, leaving the rest of you behind â lost and broke. But now there might be a way to fix it all and you would do anything to bring back Sam.
Pulling from Steve, you smiled at him. âWhat the hell are we waiting for?â
Forever tags:
@theweirdlunatic @supernaturallymarvellous @dancewaterdance02 @yeahbutmarvel @infinity1321 Â
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Celebrating our beloved San Lazaro on his feast - protector of the sick and the poor, and one of the kindest and most generous of all Saints. San Lazaro, we love you very much, may you always be Blessed and Elevated â€ïžâ€ïžâ€ïž!
He is one of the patrons of our city, where he is offered beeswax candles, flower bouquets, and large round breads on the church devoted to him, which you can see on the second picture.
In the ATRs, he is related to BabaluAyé, the holy and mysterious Orisha of illness, and offered purple candles, popcorn, and red wine.
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Scientists & Steter for the AU 5+1
1. One time on a podcast I heard a story about a baby FBI chemist working in the explosives unit, who, on a Friday evening alone in the lab, got stuck analyzing a large block of packed white powder that had been found hidden on a plane. So the first test the chemist does is the burn test, where you put a small amount of something in a spoon, and hold a flame under it to see whether it burns. It doesnât burn. It melts and bubbles. Next, the chemist puts a little bit of the substance in the ATR to analyze it. Itâs a 99.97% match for cocaine. Baby FBI chemist had just freebased cocaine alone in an FBI lab. Numb lips FBI agent then has to track down a chemist from the drug unit to come test it and take it away.Â
Anyway the baby chemist = Stiles, and the drug unit chemist = Peter, who definitely spent the next week pretending that every day was a random drug test day and scaring the shit out of Stiles.Â
2. On the other hand, one day the drug unit gets whatâs supposed to be cocaine and turns out to be loose powder PETN, and Peter is frozen. He (calmly, no matter what Stiles says) calls the explosives unit to come take care of it. When Stiles gets there, all the lights are off, the computers are shut down, and no machines are running.Â
âUh... whatâs going on?â he asks Peter.Â
Peter, standing utterly still, hisses, âPETN is detonated by electric shock! Iâm not taking any chances!!â
Stiles just laughs and goes to pick up the package, tossing it from hand to hand on the way back to his lab.Â
3. They 100% hook up at the inter-lab Christmas party. Drunken makeout where every single one of their co-workers can see, and they donât even have the decency to be embarrassed about it because theyâre so happy together.Â
4. They love watching dumb actions movies with horrible floppy scientific explanations, and donât give two shits about how accurate it is. However, whenever there are inaccuracies about how the FBI works, they yell and chuck popcorn at the screen.Â
5. Whenever new chemists come to work in their labs, Peter and Stiles always pretend to be having an affair for as long as they can get away with it. They whisper loudly right next to the newbies workstations, saying things like âWe canât keep doing thisâ and âMy husband is getting suspicious.âÂ
When an older co-worker finally rolls their eyes and pulls out a picture of their wedding three years ago, they always have perfect explanations ready.Â
âDonât blame us for the poorly founded conclusions you drew,â Peter says. âWe really couldnât keep doing this- and by âthisâ, of course I meant going to Chipotle for lunch. Twice a week is way too much.â
âAnd my husband is very suspicious,â Stiles adds. âAbout everything. Last Wednesday he was suspicious that the neighbor was stealing our lilacs.â
âHe is! I know it!â Peter protests.
âSure baby,â Stiles says with a pat to his arm.Â
#THANKS FOR PLAYING WITH ME#asks#ask games#steter#evilkneazle#scientist au#this blog needs a tag for my bullshit#tumblr fic and kinda fic
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mkay so
today was spoopy day
and
i was eliza
sorry, a bi eliza
my gay ass friend summer was the fucking cheshire cat but slutty
my friend juliana went from a pregnant woman to a thot to a furry thot
and kam,,, well
she was pan and herself
also we went to a church and they gave us popcorn
and
i
fucking
sw E atr
someone walked past us in an inflateable dinosaur costume
JUST LIKE MILESâ
so we praised them
there was also a minion too...
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 Filmax Cinema Hall - Barcelona
Addicted To Retail (ATR) presents: Filmax Cinema Hall by Arquitecturia + AMOO in Barcelona, Spain.
The Filmax Cinemas in Gran VĂa, located within the Gran VĂa 2 shopping centre, opened their doors 15 years ago. After this golden age and before the paradigm shift, the client seeks a project to straighten up the cinemas by reducing their dimension, optimising their functioning and offering an experience which goes beyond what happens inside the room. The cinemas go from having 15 rooms to 12. These rooms will be converted into a bowling alley, which will be accesible from the cinemas.
The conventional concept of the ticket window is eliminated, getting rid of the volume destined to this function, located in the shopping centreâs restoration terrace. At the main bar, the public can now buy the tickets as well as popcorn, drinks and others, making a single queue. The barriers have been eliminated, delaying the access and opening the hall, taking over the entire floor and easing a fluid circulation. It is no longer compulsory to go to the cinemas to consume their products.Â
With the execution of all the previous points stated above, a bar that allows the worker to carry out all the jobs without moving or interfering with the public is obtained. Thus, the worker can now replace products in the points of sale and in the storehouse, sell tickets, drinks, popcorn, sweets, control the access to the different rooms, control the dynamic digital content and the lighting of the space. The whole false ceiling is demolished in a way that the stepsâ slabs section stand on the hall, enriching the concept of the entrance to the cinemas.Â
Given the great height in some points, it is opted for a comfort height of 2.70 m, as far as all the elements and coatings will arrive. As from this height, seen installations and structure are painted in a same colour, which gives a sense of uniformity. Given the original disorder and randomness, it is decided to order the digital information in two axes. The first one, frontal from the access and parallel to the bar, will announce the schedules of fi lms, drinks and other consumables.Â
In a perpendicular direction, and by screening the original pillars, there will be a billboard with all the films and trailers. The architecture will change according to the information, energising the space. The experience of entering the cinemas is, amongst other things, the change from light to darkness. At a height of 270 cm, a sub-structure is created to support all the arranged lighting in continuous strips that, with their zig-zag, guide the spectator from the doors to the entrance of the rooms.Â
Therefore, the hall becomes the first gradient of darkness. The darkening of the whole environment is finished off with a black terrazzo of large white aggregates that, simulating the effect of spilled popcorn, help to avoid the feeling of negligence during peak service hours or impossibility of cleaning. Within the set of reticulated geometry, it is opted for a singular, dissonant and wheeled element, which will be the sweet trolley. This element can vary its position depending on the day and the use of the rooms.Â
Design: Arquitecturia + AMOO Photography: José Hevia
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