#polymnia worship

[diana-thyme]

Greek Gods 101: A Masterlist

This is a masterlist of the “Greek Gods 101” series. This series aims to provide basic information and worship ideas for both major and minor deities. This masterlist also involves heroes, deified mortals, spirits, and other figures of Greek mythology.

Aceso

Acheron

Acratos

Aedos

Aegle

Aeolus

Aether

Aglaea

Akhlys

Ampelus

Amphitrite

Ananke

Anemoi

Angelia

Anteros

Antheia

Aphrodite

Apollon

Aporia

Ares

Arete

Ariadne

Aristaeus

Artemis

Asklepios

Asteria

Astraeus

Astrape

Athena

Atlas

Bia

Britomartis

Calliope

Carpi

Cassandra

Ceraon

Cerberus

Ceto

Chaos

Charon

Chione

Chiron

Chloris

Chrysos

Circe

Clio

Clymene

Comus

Cratus

Cronos

Daphne

Deimus

Deipneus

Demeter

Dicaeosyne

Dike

Dionysus

Dysnomia

Ececheria

Eileithyia

Eirene

Ekho

Electryone

Eleos

Elpis

Endymion

Enyo

Eos

Epiales

Epione

Epiphron

Erato

Erebus

Eris

Eros

Ersa

Eucleia

Eudaemonia

Eunomia

Eupheme

Euphrosyne

Euporia

Eupraxia

Eurybia

Eurydice

Eusebia

Euterpe

Euthenia

Eutychia

Fates

Furies

Gaea

Galateia

Ganymedes

Gelus

Hades

Harmonia

Harpocrates

Hebe

Hecate

Hedone

Hedylogus

Helius

Hemera

Hephaestus

Hera

Heracles

Hermaphroditus

Hermes

Hestia

Hesychia

Himeros

Homonoia

Horae (Seasons)

Horae (Time)

Hormes

Hybris

Hydros

Hygieia

Hymenaeus

Hypnus

Iaso

Iris

Lelantus

Lethe

Leto

Macaria

Matton

Medusa

Melinoe

Melpomene

Methe

Mnemosyne

Morpheus

Nemesis

Nike

Nyx

Oizys

Orpheus

Orthannes

Ossa

Ourania

Ouranos

Ourea

Paeon

Paidia

Palaemon

Pallas

Pan

Panacea

Pandaisia

Pandora

Pannychis

Panopia

Paregoros

Pasithea

Pegasus

Peitho

Penia

Penthus

Persephone

Perses

Perseus

Phales

Phanes

Phaunus

Pheme

Philophrosyne

Philotes

Phobus

Phoebe

Phorcys

Phthonus

Phusis

Pistis

Plutus

Poena

Polemus

Polymnia

Pompe

Pontus

Ponus

Porus

Poseidon

Pothus

Priapus

Prometheus

Pronoea

Prophesis

Psamathe

Pseudologoi

Psyche

Ptocheia

Rhea

Selene

Silenos

Sophrosyne

Soter

Soteria

Styx

Tartarus

Telesphorus

Terpsichore

Tethys

Thalassa

Thalia (Mousai)

Thalia

Thallo

Thanatus

Thaumas

Thea

Themis

Theseus

Thesis

Thrasus

Thyone

Tithonus

Triptolemus

Triton

Tritopatores

Tyche

Tychon

Urania

Uranus

Zagreus

Zelus

Zeus

What is a “Universal Offering/Devotional Act?”

Feel free to request or suggest deities! This list will be done in order but you can ask for me to complete one that’s further down the list.

This list is subject to change. There are probably repeat deities (deities who go by multiple names, parts of groups like the Horae or Charities who are mostly grouped together, etc.) on this list. Some deities are not on here. Some names are spelt wrong or different.

[differentsoulsweets]

Have a seat and a chat~! ⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆ a b o u t m e - Jackie | 20 | any prns | Libra | DID System - artist and wannabe cafe owner ⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆ - I am a landlocked sea witch who specializes in protection work, sea magick and kitchen magick - I believe in -> Omnism - Devoted to -> Poseidon! - Work/worship -> Aphrodite, Eros, Polymnia !! Antifascist and Anti-appropriation !! ⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆ b l o g i n f o - Asks are open! - You can write my informational posts in your notes but please don't repost

[antinous-posts]

Mythology

Early life

According to Apollodorus and a fragment of Pindar, Orpheus' father was Oeagrus, a Thracian king, or, according to another version of the story, the god Apollo. His mother was (1) the muse Calliope, (2) her sister Polymnia, (3) a daughter of Pierus, son of Makednos or (4) lastly of Menippe, daughter of Thamyris. According to Tzetzes, he was from Bisaltia. His birthplace and place of residence was Pimpleia close to the Olympus. Strabo mentions that he lived in Pimpleia. According to the epic poem Argonautica, Pimpleia was the location of Oeagrus' and Calliope's wedding. While living with his mother and her eight beautiful sisters in Parnassus, he met Apollo, who was courting the laughing muse Thalia. Apollo, as the god of music, gave Orpheus a golden lyre and taught him to play it. Orpheus' mother taught him to make verses for singing. He is also said to have studied in Egypt.

Orpheus is said to have established the worship of Hecate in Aegina. In Laconia Orpheus is said to have brought the worship of Demeter Chthonia and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens'). Also in Taygetos a wooden image of Orpheus was said to have been kept by Pelasgians in the sanctuary of the Eleusinian Demeter.

According to Diodorus Siculus, Musaeus of Athens was the son of Orpheus.

Adventure as an Argonaut

Main article: Argonautica

The Argonautica (Ἀργοναυτικά) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. Orpheus took part in this adventure and used his skills to aid his companions. Chiron told Jason that without the aid of Orpheus, the Argonauts would never be able to pass the Sirens—the same Sirens encountered by Odysseus in Homer's epic poem the Odyssey. The Sirens lived on three small, rocky islands called Sirenum scopuli and sang beautiful songs that enticed sailors to come to them, which resulted in the crashing of their ships into the islands. When Orpheus heard their voices, he drew his lyre and played music that was louder and more beautiful, drowning out the Sirens' bewitching songs. According to 3rd century BC Hellenistic elegiac poet Phanocles, Orpheus loved the young Argonaut Calais, "the son of Boreas, with all his heart, and went often in shaded groves still singing of his desire, nor was his heart at rest. But always, sleepless cares wasted his spirits as he looked at fresh Calais."

Death of Eurydice

The most famous story in which Orpheus figures is that of his wife Eurydice (sometimes referred to as Euridice and also known as Argiope). While walking among her people, the Cicones, in tall grass at her wedding, Eurydice was set upon by a satyr. In her efforts to escape the satyr, Eurydice fell into a nest of vipers and suffered a fatal bite on her heel. Her body was discovered by Orpheus who, overcome with grief, played such sad and mournful songs that all the nymphs and gods wept. On their advice, Orpheus traveled to the underworld. His music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to earth on one condition: he should walk in front of her and not look back until they both had reached the upper world. Orpheus set off with Eurydice following; however, as soon as he had reached the upper world, he immediately turned to look at her, forgetting in his eagerness that both of them needed to be in the upper world for the condition to be met. As Eurydice had not yet crossed into the upper world, she vanished for the second time, this time forever.

The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus (by the time of Virgil's Georgics, the myth has Aristaeus chasing Eurydice when she was bitten by a serpent) and the tragic outcome. Other ancient writers, however, speak of Orpheus' visit to the underworld in a more negative light; according to Phaedrus in Plato's Symposium, the infernal gods only "presented an apparition" of Eurydice to him. In fact, Plato's representation of Orpheus is that of a coward, as instead of choosing to die in order to be with the one he loved, he instead mocked the gods by trying to go to Hades to bring her back alive. Since his love was not "true"—he did not want to die for love—he was actually punished by the gods, first by giving him only the apparition of his former wife in the underworld, and then by being killed by women. In Ovid's account, however, Eurydice's death by a snake bite is incurred while she was dancing with naiads on her wedding day.

Virgil wrote in his poem that Dryads wept from Epirus and Hebrus up to the land of the Getae (north east Danube valley) and even describes him wandering into Hyperborea and Tanais (ancient Greek city in the Don river delta) due to his grief.

The story of Eurydice may actually be a late addition to the Orpheus myths. In particular, the name Eurudike ("she whose justice extends widely") recalls cult-titles attached to Persephone. According to the theories of poet Robert Graves, the myth may have been derived from another Orpheus legend, in which he travels to Tartarus and charms the goddess Hecate.

The myth theme of not looking back, an essential precaution in Jason's raising of chthonic Brimo Hekate under Medea's guidance, is reflected in the Biblical story of Lot's wife when escaping from Sodom. More directly, the story of Orpheus is similar to the ancient Greek tales of Persephone captured by Hades and similar stories of Adonis captive in the underworld. However, the developed form of the Orpheus myth was entwined with the Orphic mystery cults and, later in Rome, with the development of Mithraism and the cult of Sol Invictus.

Death

According to a Late Antique summary of Aeschylus' lost play Bassarids, Orpheus, towards the end of his life, disdained the worship of all gods except the sun, whom he called Apollo. One early morning he went to the oracle of Dionysus at Mount Pangaion to salute his god at dawn, but was ripped to shreds by Thracian Maenads for not honoring his previous patron (Dionysus) and was buried in Pieria. Here his death is analogous with that of Pentheus, who was also torn to pieces by Maenads; and it has been speculated that the Orphic mystery cult regarded Orpheus as a parallel figure to or even an incarnation of Dionysus. Both made similar journeys into Hades, and Dionysus-Zagreus suffered an identical death. Pausanias writes that Orpheus was buried in Dion and that he met his death there. He writes that the river Helicon sank underground when the women that killed Orpheus tried to wash off their blood-stained hands in its waters. Other legends claim that Orpheus became a follower of Dionysus and spread his cult across the land. In this version of the legend, it is said that Orpheus was torn to shreds by the women of Thrace for his inattention.

Ovid recounts that Orpheus ...

had abstained from the love of women, either because things ended badly for him, or because he had sworn to do so. Yet, many felt a desire to be joined with the poet, and many grieved at rejection. Indeed, he was the first of the Thracian people to transfer his affection to young boys and enjoy their brief springtime, and early flowering this side of manhood.

— Ovid. trans. A. S. Kline, Ovid: The Metamorphoses, Book X

Feeling spurned by Orpheus for taking only male lovers (eromenoi), the Ciconian women, followers of Dionysus, first threw sticks and stones at him as he played, but his music was so beautiful even the rocks and branches refused to hit him. Enraged, the women tore him to pieces during the frenzy of their Bacchic orgies. In Albrecht Dürer's drawing of Orpheus' death, based on an original, now lost, by Andrea Mantegna, a ribbon high in the tree above him is lettered Orfeus der erst puseran ("Orpheus, the first pederast").

His head and lyre, still singing mournful songs, floated down the River Hebrus into the sea, after which the winds and waves carried them to the island of Lesbos, at the city of Methymna; there, the inhabitants buried his head and a shrine was built in his honour near Antissa; there his oracle prophesied, until it was silenced by Apollo. In addition to the people of Lesbos, Greeks from Ionia and Aetolia consulted the oracle, and his reputation spread as far as Babylon.

Cave of Orpheus' oracle in Antissa, Lesbos

Orpheus' lyre was carried to heaven by the Muses, and was placed among the stars. The Muses also gathered up the fragments of his body and buried them at Leibethra below Mount Olympus, where the nightingales sang over his grave. After the river Sys flooded

Leibethra, the Macedonians took his bones to Dion. Orpheus' soul returned to the underworld, to the fields of the Blessed, where he was reunited at last with his beloved Eurydice.

Another legend places his tomb at Dion, near Pydna in Macedon. In another version of the myth, Orpheus travels to Aornum in Thesprotia, Epirus to an old oracle for the dead. In the end Orpheus commits suicide from his grief unable to find Eurydice.

"Others said that he was the victim of a thunderbolt."

From Wikipedia

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Orpheus the musician & beast tamer.

Art by Brittany Beverung @artistfuly

[winebrightruby]

planetary attributions of the Muses

I had a theory a while back that, if all things fall under the influence of the planets and their spheres, the Muses could be similarly categorized, perhaps even approached as intermediaries or embassies of their respective planetary rulers.

Why the Muses, you ask? I’ve been exploring some wider, more applicable branches (? terminology?) of magic, and before jumping into “develop strong relationships with spirits who will help you magic!”, I figured I should explore the spirits and deities with whom I’ve already developed strong relationships through worship and offerings. If the Muses did indeed hold some type of planetary sway, I could extend my worship of them into invocation during planetary workings as well as other spellwork.

There are 9 Olympian Muses and 7 classical astrological planets. I assumed going in that either the two luminaries (sun and moon) or the Greater Benefic and Malefic (Jupiter and Saturn) would have two representatives. It became clear pretty quickly that it was the planets, not the luminaries, that had two Muses.

I ran through several weeks of offerings, divination, and experiments evoking the relevant (I thought) Muses on particular days or for particular workings. I made several (or many) changes to the list throughout these workings. I don’t know if this list is universally true or, frankly, if it’s even relevant to anyone but me. But here’s what I’ve come up with in terms of planetary rulerships of the nine Olympian Muses:

Sun: Calliope, eldest sister, muse of eloquence and prestige, tutor of princes Moon: Ourania, muse of astronomy, science, and mystery, heavenly singer Mars: Terpsichore, muse of dance, who expresses her every feeling in her body Mercury: Euterpe, singer of lyric poetry, she who delights in infinite variety Jupiter: Thaleia, joy and mirth and abundance; and Polymnia, singer of sacred songs, dignity of religious service and authority Venus: Erato, beloved, Aphrodite’s handmaiden Saturn: Melpomene, Thaleia’s mirror, muse of tragedy and catharsis; and Kleio, historian, who tells every story that we might remember their lessons

There’s still so much potential to explore, but I feel like I have a solid foundation to build on.