#polish monarchy
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Portrait of Stanislaus Augustus Poniatowski in Coronation Robes
Artist: Marcello Bacciarelli (Polish-Italian, 1731–1818)
Date: c. 1790
Medium: Oil paint on canvas
Collection: National Museum in Krakow, Poland
Stanisław August Poniatowski
Stanisław August [Stanislaus Augustus] Poniatowski was elected king of Poland in 1764. Especially at the beginning of his reign, he was neither very popular with the nobility nor as influential as his rich family, the Czartoryski Familia. Therefore, he needed a formal portrait emphasizing the special significance of his person as the king of Poland and strengthening the conviction about the lawfulness of his rule, actually assumed with the considerable support of Russia. Moreover, European courts, for example in Vienna and Versailles, were interested in possessing a portrait of the new Polish king. The newly elected monarch sought a talented portraitist, familiar with the latest trends in Western European art, who would be able to paint a splendid formal portrait. He wished to entrust this task to Marcello Bacciarelli, an Italian painter who had stayed at the court of Augustus III the Saxon in Warsaw for several years, leaving in the country a large number of excellent portraits of aristocrats. The king did not want to be portrayed in armor, but in the formal dress that he was wearing during the coronation ceremony: a coat lined with ermine fur, decorated with Polish eagles, a frock coat and trousers, with his hand rested against the baton of the military commander and royal regalia lying on the table beside him. Taking the king's instructions into consideration, Bacciarelli painted the portrait following the en gala pattern dating back to the time of the French absolute rulers, but in the more recent Rococo style. The king's pose was light, refined, elegant and graceful, which was in tune with the fashion of the day. The monarch noted down in his diary that the portrait caught the best likeness of him.
#portrait#painting#oil on canvas#stanislaus augustus poniatowski#standing#coronation robes#three quarter length#classic pillar#stanislaus ii augustus#king of poland#grand duke of lithuania#polish monarchy#marcello bacchiarelli#italian painter#polish culture#polish history#artwork#fine art#european art#18th century painting
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I keep seeing people saying that they don’t understand why Wille was so ready to fight for Simon last season, but won’t now that they can actually be together in season 3, and y’all do realize it’s all because Kristina is sick rn right? Wille even outright asks at one point if her being sick is his fault and he saw how she broke down after he and August fought. She’s still his mother and he doesn’t want to cause her pain, even if it is for Simon. There are more pressing concerns and more serious consequences to Wille acting out in this season than there were last season. I get that it was so frustrating to watch Wille make some of the decisions he did this season, but he’s never been perfect, and he’s under an insane amount of pressure rn.
#Last season he threatened the monarchy and came out to the entire nation of Sweden#This season he won’t even keep on the nail polish Felice put on him so that there’s not any controversy#Simon was right he isn’t acting like himself because he CANT act like himself rn#There’s too much going on and he’s under too much pressure and everything with Erik just completely broke him#Something needs to change before he has a complete breakdown#young royals#young royals spoilers#young royals wilhelm#wilmon#simon eriksson
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Polish actor Krzysztof Świłpa as Władysław III of Poland (31 October 1424 – 10 November 1444), also known as Władysław (Ladislaus) III Jagiellon/Władysław of Varna – King of Poland, Hungary and Croatia as well as Supreme Duke of the Grand Duchy of Lithuania
"[...] it was from his reign that the thinking of Poland as the “bulwark of Christianity” started to develop, so popular later in the 16th and 17th century. In the 15th century, during the reign of Władysław III, the term “bulwark” referred rather to Hungary, threatened by the progressing Turkish expansion, but it was precisely for this purpose that the young king of Poland accepted the Hungarian crown – in order to fight for defending the Kingdom of Hungary. Military successes during the so-called “long campaign” (1443/1444) resulted in the fact that he individually became to be referred to as a “bulwark of the entire Christian Commonwealth” – and not by somebody else but by Francesco Filelfo, one of the greatest snobs, but also the most outstanding erudite humanist of the Italian Renaissance, who was sought after by the most outstanding people of the time, including monarchs and even the pope. Prof. Janusz Tazbir correctly notices that it was at that time that the term antemurale Christianitatis – already widespread in Europe – was for the first time used towards the Polish ruler (!) and not the Kingdom of Poland. For the achieved victories, Władysław III as the first Polish ruler received from the Pope a blessed sword – a special distinction for rulers who distinguished themselves in fighting for the defence of Christian faith". (© Ewa Srebro, Maria Curie Skłodowska University in Lublin)


1) Władysław III depicted in a 15th-century prayerbook, 2) Władysław III by Izydor Jabłoński
#władysław warneńczyk#monarchy#ladislaus of varna#krzysztof świłpa#wladyslaw of varna#władysław of varna#poland#hungary#polish history#jagiellonian dynasty#royalty#catholic#catholicism#roman catholic#roman catholicism#15th century#christianity#christian#kingdom of poland#władysław jagiellończyk#historyblr
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The Royal Castle in Warsaw, Poland.
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*slowly backing away bc i've read marxist literature once or twice* 😔
NOOOO DON'T GO PLS I LOVE YOU BESTIE PLS DON'T HATE ME 😭😭😭😭
#I'm sorry#I'm just not quite fond of communism#and Karl Marx#I do agree with some of his points (esp. about religion)#but I quite disagree with others#being Polish has taught me that both capitalism and communism are equally bad#but I'm not a communist liberal nor a capitalist#I'd say I'm against politics politicians and all political parties in general#plus I hate monarchy ofc#the fact that you've read some Marxist books isn't bad#but people who are really obsessed with them and with communism are just a bunch of weirdos#just like all those people who think that all politicians care about them (spoiler alert: they don't!)#they think only of power over the people (especially those who voted for them) and money that shouldn't belong to them#ok i'm done#lol#stella 🏎️#asked
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@gallusrostromegalus
Top Row:
John II Casimir Vasa
Mieszko II Lambert
Sigismund II Augustus
Middle Row:
Stanisław II August
Michał Korybut Wiśniowiecki
Sigismund III Vasa
Bottom Row:
Władysław II Jagiełło
Bolesław II the Bold
Boleslaus I of Poland
New Meme Alignment Chart came to me in a fit of Mania this morning. Have fun kids!
#did i know literally anything about the polish monarchy before i saw this post?#no#did i just spend 25 minutes caught in a research spiral to identify these guys?#yes#did i forget that i was sitting on the toilet that entire time?#... maybe
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I'm always criticizing eurocentric fantasy worldbuilding, but one thing I think it's underused are city-states and trade republics and leagues. Not that they don't exist, but they're often in the background, the fantasy genre is so focused on monarchies and dynasties and noble drama, while those systems have so much room for intrigue and stuff without getting into "who's the TRUE heir of the super magical monarch" (yes, I know they had aristocratic families that ruled almost as monarchs, but trust me, Medici drama is another beast from regular feudal stuff)
Venice with its stupidly complex election system and their eternal rivals in Genoa, Florence home of the Rennaissance, the Hanseatic League, and lesser known examples like Novgorod, the Polish-Lithuanian Commonwealth, the Taifa of Córdoba, the Consolat de Mar (technically not a republic but kind of an Iberian Hansa) and if we go farther back, the leagues of city states of antiquity... you know what, I'm bored of feudalism. Next time I do a fantasy setting, it will all be city states and republics. Fuck feudalism.
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The one where Y/N and Harry are neighbors in an apartment complex, he's got a bunny called Snuggles, he makes softcore porn spanking people (it's a REALLY LOUD HOBBY), and Y/N has definitely called the police for a domestic disturbance next door.
HI FRIENDS. The council has spoken, so here is the first part of the lovingly-dubbed spanko fic. This series will be early access, so— parts go up on patreon first, then they come to tumblr 3-ish weeks later (but if you wanna get ahead, the second part is already up on patreon). Reader insert, emotionally a slowburn, and basically a garbage fire I'm pouring my deepest, darkest desire into as a coping mechanism :p If you liked TDIAG, you'll probably rock with this one. As always, feedback/reblogs massively appreciated <3 WEEEEEEEE okay bye
ᴄʜᴇᴄᴋ ᴏᴜᴛ ᴛʜᴇ ᴘᴀᴛʀᴇᴏɴ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ : ᴍᴀɪɴ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ
CONTENT/WARNINGS: miss girl misconstruing consensual kink for domestic violence (oops)
WC: 7.8K

Harry’s face is the reason average men have developed a phenomenon called personality.
Historically, it was faces like his, at the very least, that ignited adaptation— this wasn’t an overnight implementation, after all. Men don’t move that fast. There’s a long-lasting, brutally destructive record there, and a tale as old as time itself. Before charisma had to be manufactured in the absence of a devastating jawline, there was the high-cheekbone aristocracy, and its counterpart, what’s known today as the “he’s actually really nice” faction. The beauty privilege inventors; the bedroom-eye monarchy; the symmetrical syndicate of a resting smolder—
And the rest of everyone else.
Rumor has it that the first comedian was a man who watched another guy, who had eyes like wet chrysocolla and really broad shoulders, turn a casual glance into an entire bloodline’s origin story. Maybe the first poet sat next to a man wearing the skin of divine nepotism— and the only defense strategy was to pick up a hobby that spoke less in pretty, heart-shaped lips and more in words like love’s trembling hand doth trace its name upon thy skin. New seduction ritual: implemented.
Basically, the survival mechanism goes like this: if you’re competing with bone structure sculpted by an empyrean chisel, a mouth worthy of oil paintings and crumpled love letters, and the kinds of dimples that were engineered for the sole purpose of emotional damage (Cupid’s attempt; two, little exit wounds, the perfect pair of injustices parenthesizing his smile)…
And you’re lingering in the shadow of those attributes? Operating on a deficit? Well, then. There’s a little more work left to be put in.
If you’re lucky, you’re tall, or you’re well endowed in the basement, or both. If you’re none of those things, you’re banking on a gift with a musical instrument, or you’re coping with the weight of your wallet. You’re getting into niche, esoteric interests you will impress upon every woman that steps foot into your orbit to stand out, or you’re polishing up your comedic abilities. The thing is, society has evolved to the point where this compensation is the foundation to procreation. The foundation to function. And the kind of men with faces like Harry, who got in line not once, but twice when God was handing out genetic privilege (the overachieved extra credit projects), just get to sit back and let the world unravel at their feet.
Men like Harry don’t need personalities because they already look interesting enough. When you’re the kind of pretty that inspires love songs and ill-advised tattoos, you don’t need wit, or pockets lined with green. It opens doors (and legs) with such minimal effort that it may as well be as simple as breathing. The quiet space in a room bends around you when you become the focal point by existing, incidentally magnetic.
It’s pretty unfair, to say the very least.
Y/N only really registers it passing— in fleeting, peripheral moments when the space bends around him and her eyes glue, almost like an accident. A brief sighting here and there, like a rare animal caught between the trees—seen but not acknowledged, because staring starts to feel like stepping into something too raw, too deliberate.
He’s always moving. In motion, slipping past. Glimpses of wide shoulders cutting through the communal pool, water slicking over musculature in a smooth tide and then rivulets, droplets sticking against sun-warmed skin. A silhouette in the elevator at the end of the hall, head bowed. Sorting through crinkled envelopes between his massive hands with a ruckle between his brows.
He’s got the kind of face that suggests he should be gently perched on the edge of a marble fountain, carved in alabaster. A cherubic thing. Rosy-mouthed, haloed by damp curls that tuck around his ears in perfect, artistic disarray. The kind of beauty that feels vaguely mythological, like he should either be blessing crops or luring unbeknownst sailors to their deaths. A visage that belongs on domed Renaissance ceilings.
Y/N breathes. Her pulse feels like it’s rattling a little. It makes her head feel a little gooey when he’s stood in front of her.
And here he is, holding a package in one hand, water still beading at his collarbone from a morning shower, damp curls dripping onto the fabric of a lived-in, vintage T-shirt. The tragic failure of modern existence is that a man like this— who should, by all logic, be strumming a lyre on the edge of a celestial fountain— has instead been doomed to wander the mundanities of the human condition. To swipe through his mail. To stand in front of her door and say things like “Think they swapped our mail again” in that perfectly unassuming, relaxed tone, like his very existence isn’t actively offensive to the concept of mediocrity.
His singular flaw? That one, teeny thing?
He’s a horrific neighbor.
Abysmally inconsiderate, in fact. Maybe, one of the worst people Y/N has ever had the pleasure of sharing a paper-thin wall with.
The thing is, under all normal circumstances, eye candy is a desirable next door tenant, to catch those scarce glimpses of and swoon over. But Harry? He’s dangerous. An illusion gilded in beauty that sits in this achingly so, lazy way. It’s an excellent cover for someone who— based on volume alone— should be legally required to sublet a soundproof chamber instead of an apartment. Beauty privilege, remember?
Instead of spending his days spreading divine harmony and whispering sweet nothings into the ears of poets, her tragically beautiful neighbor has chosen a different calling. One that involves subjecting Y/N to an auditory experience that can only be described as an unholy, unprovoked act of sonic terrorism against anyone who possesses functioning ears.
While he may look like the patron saint of soft lighting and tasteful nudity, he lives like a man who has never once considered the presence of neighbors. Evidently, the universe operates on imbalance.
It’s not surprising that he fucks. Nor is the frequency, given— everything. It would be more surprising if he didn’t, which, statistically, seems impossible. It is the sheer volume at which he fucks and the blatant disregard for customary noise ordinances.
Y/N has had the great misfortune of gaining intimate knowledge of Harry’s extracurricular activities through nothing but flagrantly inconspicuous, unsolicited proximity. She is now, against her will, deeply familiar with the sound of his bed frame against the wall. With the low, gravel-thick groan that spills out of him before everything goes quiet, the sharp gasp from whoever is tangled up in the sheets beneath him. The pornographic chainlink of yes, yes, yes, as if to lyricize the tempo of a wrought iron headboard ramming against hollow drywall. She’s a victim to secondhand moaning; a hostage to the unchecked libido of a man she’s not even screwing.
The young woman isn’t sure who he’s sleeping with, but based on the sounds, they either really, really like whatever feat of Olympian-endurance he’s performing on the other side of the wall, or they’re being held at gunpoint and doing an exceptional job of faking it. It’s loud. A predictable regularity. Enough to make her consider downloading white noise apps and investing in a stronger liquor cabinet.
And every morning, after nights filled with thumping and gypsum-dulled dirty talk— horny monologue hour, hardly softened by an overworked, underpaid layer of rental-grade plaster— and the occasional bass-heavy indie rock soundtrack, he leaves his apartment looking criminally rested. Peaceful. Unbothered by the absolute railing he has just put someone (and the walls) through.
For all his divine aesthetics, Harry fucks like he’s trying to earn a standing ovation. With the kind of dedication to performance that suggests he thinks there’s an awards committee waiting outside in the hallway to hand him a trophy when he’s done.
Y/N doesn’t know what’s worse—the rhythmic, wall-shaking thump of his bed frame, the low, muzzled stream of just incomprehensible enough to stay offensive murmurs, or the fact that he has the audacity to look well-rested when she sees him the next morning, while she lurches past him like a woman who’s been spiritually waterboarded by the full-scale resonance of his sex life.
Y/N has tried— earnestly tried— to ignore it. To mentally downgrade him from disruptively attractive to something more manageable, like guy-next-door cute. But Harry is simply too loud to be ignored.
And not just in volume— though, yes, he operates at a decibel that insinuates he believes “inside voice” is an urban legend. It's everything. The way he takes up space. The way he stretches his arms over his head and his shirt rides up, exposing a sliver of toned stomach like some kind of aesthetic oversight. The way his lips pull into a smirk when he's amused, a single dimple pressing into the smooth skin of his cheek.
The worst part? He doesn’t weaponize it. Just… exists, as if he entirely lacks self-awareness for the unrelenting power he yields with pure aesthetics.
Perhaps the only thing more dangerous than his unregulated evolutionary favoritism is the lack of object permanence it causes. Inspires. Because at the end of the day, despite how polite, how deeply-gnarled in neighborly niceties, The Incident from last month still exists, but miraculously manages to melt into her every time she’s face to face with him. Like a static buzz settling into the way her composure thaws away.
His most notable sound pollution, to date, spilled in the form of audible rejection on a rain-drenched afternoon, dripping through the drywall in a dissent-rusted chain. Stop. No. Please. It was a voice she didn’t recognize. A voice trying to be firm but not entirely expecting to be listened to. It sounded so defeated, like a cry and then a high, sharp whine in response to whatever distinctly lower-pitched murmurs the insulation muzzled. All velvet-dipped tones swallowed by the structural integrity of a shoebox apartment.
Y/N is the last person to dig into others’ preferential depravities, nor does she have the mental bandwidth to file through the archives of a borderline stranger’s hedonisms, but her stomach had twisted up like one of those coiled, abstract sculptures that fits on a bookshelf, and she ended up on the couch with her cellphone tucked to her ear.
Because it wasn’t just the kind of sound that prickled at her nape, but curdled deep in the belly of her, heavy and rotting.
(“Um, hi, I think my neighbor is— hurting someone.”)
But the thing is, standing with her door cracked now, Y/N thinks there needs to be at least one, obnoxiously visible character flaw to remind her and offset the audacity of his aesthetics, because up close, it’s so much worse.
Anything— an overinflated ego, a questionable tattoo, a personality cultivated exclusively from Joe Rogan podcasts. But no. Harry is polite— painfully so, armed with the clean-shaven jawline of a man who has never known an awkward phase and the kind of infuriatingly natural charm that makes all rationale and reason puddle off into awed oblivion.
“Hey,” he says, cradling the package in one palm, curls wet, one rogue lock clinging to the crest of his cheekbone in a way that would look deeply artificial on anyone else. “Think they swapped our mail again.”
The level of allurement at which he functions should come with a warning label, so it’s a little tough to keep The Incident afloat when he just… waterlogs it with simple, blissfully unaware presence. In these types of situations, all that buoys is the vague, internal monologue reminding her that she’s been gawking wordlessly too long to be considered socially acceptable.
Her taller neighbor (significantly taller; really, Y/N thinks— it’s as if he collected hallmarks like they were on conveniently timed clearance) blinks. He’s still holding the package out. Y/N blinks back. Batting her lashes shakes something, as if warding off gnats off in a plume of smoke. Slowly, she accepts the misdelivered offering, and unease creeps into the soft spot between her rib bones and her organs.
Despite the way the man has embedded his existence so deeply into her thoughts— honestly, so much so that he may as well be paying rent (she should be getting compensated for the unpaid mental labor)— Y/N doesn’t actually know Harry.
She knows his name is Harry. H-A-R-R-y, always inscribed in all capitals, besides the cacographic tail end of the lowercase, curving Y. She’s given up on trying to understand why whoever the post office sends insists on treating their mailboxes like interchangeable suggestions rather than fixed addresses. She knows that their mail, through some act of bureaucratic sabotage, somehow manages to interchange between 9B and 9C with unsettling regularity.
She knows he fucks. A lot. So regularly that at this point, it’s practically a statistical impossibility that his celibacy record stands longer than a sparse handful of days. She knows that he wears the face of a misplaced effigy, with a halo’s worth of plausible deniability— the kind that should be mounted to an Italian plaza centerpiece, or live frescoed, immortalized on a high ceiling between Corinthian columns. She knows she called the police on him last month, so she needs to ball her resolve in her arms when it spills apart like unrolled toilet paper—
There is one truth Y/N must latch on and cling to in these tragically catastrophic stand-offs (probably… entirely one-sided, given that the opponent to her poor mettle and overactive nervous system is just… standing there, breathing, entirely oblivious of his innate talent to dilate pupils and cause momentary amnesia), and that truth is this: no superficially aesthetic veneer of deception can shell-up reality.
And the reality is that Y/N does not know this man, and so no cherubic façade, neighborly niceties, or feigned self-unawareness can suppress that he may as well be an entirely different person behind closed doors.
It’s months down the line that the irony will hit her— that yes, undeniably, Harry is almost a direct, walking contradiction behind the assumed sanctity of a closed door— that no pleasantries or seraphic, unassuming dimples can soften the obscenity of his pastimes. Hobbies include: vinyl collecting, long walks, and ensuring that an attitude adjustment sticks. But that’s months down the line, and right now?
Right now he’s just her obnoxiously loud neighbor that, according to probable cause (and the recording of the phone call she made to the emergency hotline, stored somewhere in the 911 archives), may or may not take no for an answer. Which is the biggest tragedy of all, in her opinion.
“Thanks.” There’s a little bite there to the word, there. Enough for him to clock it— for something to flicker along that lazily charming smile, like a gossamer-thin, bewildered film over the surface of his expression.
Harry pauses, almost like he wants to say something (probably to acknowledge the awkwardly apparent dissonance going on), but then he just… doesn’t.
“Okay,” as the man breathes, the breadth of his shoulders swells up, thick muscle rising up under the cotton fabric (not quite pulled taut— not anywhere besides the span of his shoulders— but enough for the shape of his pebbled nipples to poke through the material). Y/N chews into the gummy-smooth skin along the inside of her cheek. Honestly, it’s unfairly disarming; his low voice, his stupid face, his hard nipples prodding through the tee. With his dewy meadow eyes glued onto her, her resolve wobbles like a flimsy stilt house on the coast in a hurricane. “Have a good one.”
He ducks his chin (a subtle period on the uncomfortable pause, a formal seal on his exit) at the young woman, still holding the parchment-wrapped package she’s been awarded as if solidified into a stone-encasement of the position. Y/N blinks. Harry turns.
With a final glance toward his retreating back, the girl closes the door. As her fingers tighten around the package, her knuckles bleach from the strain. It’s either that or punch drywall, and quite frankly, she’s been paying too much in rent to consider remodeling and too many fees in the form of involuntary eavesdropping to afford a fracture in the (poorly constructed) noise barrier. She tucks the chainlink back onto its track as the door clicks shut and resigns herself to another unfortunate truth: Harry is so dangerously attractive that not only is she almost certainly going to think about this moment later, but she will be reminded, every time she’s shepherded into close proximity with him, that when God packages something up in 6 feet of limited-edition facial topography and artfully tousled curls, no amount of unsought aural pornography and creeping suspicion can stop a cosmic nepotism baby from dismantling her concentration.

The last thing Harry expects from a disgruntled herd of bleary-eyed, sock-shuffling renters— a crowd caught somewhere between sleep-deprived and half-dead— is small talk.
Half these people have a look that suggests they contemplated burning alive before choosing to evacuate, and the other half probably wish they decided to wear real pants to bed. Tonight, Harry falls into both categories. With the fire alarm still shrieking from the guts of the complex and the blinking glow of blue and red in the corner of a tar-black night, the briefs hitching high on his meaty thighs is almost… poetic. Cinematic, at the very least. Like a scene from an experimental indie film focused on the gradual dissolution of dignity.
The downy rabbit nestled in his arms, coiled more like a floccose ball than a living animal, is the sartorial maraschino cherry— it pulls the look together. Emergency Evacuation chic. He looks about as disheveled as the rest of the congregation; bedhead, sleep still dusting at his half-mast gaze, keyring slipped over his middle finger and his phone cradled in the same hand (though, Harry thinks wryly, no building-wide emergency couture quite tops the tighty-whitey socks-and-sandals combo that the guy up ahead of him is rocking). There’s sparse chatter going on all around him, a kind of background drone that fades into the wail, but he doesn’t have any intention to engage. Despite the unplanned slumber party and the potential opportunity to trauma-bond, he can’t really find it in him to start ice-breaking and sharing life stories. There’s a time and place to build community with your neighbors— half-dressed in a parking lot at three AM isn’t one of them.
Instead, he stands in the midst of the mass, dead-silent as if still calibrating. It takes him a while to notice the young woman a few feet ahead of him— long enough that the cool air has settled over him in a coat. Her bathrobe wraps tight around her, cinched pink terry-cloth. He doesn’t recognize that she’s a familiar face until she turns enough for him to see her side profile, her phone screen casting light and painting shadows in the crease of her furrowed brow as she sniffs. Thumbing over the device, Y/N turns back over her shoulder.
The longer he stands there, creaking into a more-awake rendition of himself as the faint chill cuts through the grogginess in his skull, the more the silence marinates into impatient restlessness. Stretching like old gum. She lingers in his periphery, shifting from foot to foot as if nursing the same restive itch. Once again, his neighbor twists to the side, rocking onto the balls of her feet and then back down onto her heels. A huff spills from her lips as she turns her phone off and tucks it up under her upper arm, crossing them. It’s not cold enough for the air to bloom with her breath, but the exasperation in it is audible. Maybe because he’s managed to seep closer.
“—Wonder if someone just pulled it.”
At first, Y/N doesn’t acknowledge the statement, as if she doesn’t recognize the remark is directed at her. And then, the presence behind her— not pressing uncomfortably close, just distant enough to notice— has Y/N turning her head over her shoulder. She double-takes.
Harry’s in a new light. Still abysmal to her train of thought, already weak on its tracks given that the drowsiness from being rudely awoken in the middle of the night still has her lingering in a dull, cotton-wrapped awareness. But now, he’s a fraying shape; sleepy and half-nakedly soft. Hair a masterpiece of sleep deprivation— the typically styled ringlets on his head sit mussed; whatever shape (she assumes the usual— somewhere between windswept and enticingly intentional) existed yesterday has gone rogue, erased by his pillow. What’s left is a tousled disarray. He’s in another tee, once again pulled snugly over his shoulders, and he’s cradling what could be a live, fuzzy animal, but more resembles a balled fur stole, its potential face tucked into the nook between his muscly upper arm and his chest. Despite the ridiculous assortment of this particular wardrobe showcase, that’s not what catches her eye most. Y/N sucks in a breath.
Considering a fair share of the evacuees around them teeter on the brink of public-indecency, it shouldn’t throw her guard off as much as it does, but all she can manage in such close proximity with Harry’s thighs is to blink wordlessly. It’s not necessarily his thighs so much as the way they’re denuded— not the way his trousers sit on them so much as their entire lack thereof. It’s the way his lower region is only covered up by a pair of jet-black briefs, clinging like a second skin, riding ridiculously high and ridiculously low. High enough that the only place her eyes can focus is the (chewy) musculature, slightly sun-bathed from all those hours spent in the residential pool, dusted with hair. Low enough that a sliver of skin peeks from between the waistband and hem of his shirt, hitched up just a touch on one side. Enough to hint at a sharp dip of a mostly concealed V, where muscle sinks in a hard line along bone. A tease of whatever workout routine he’s committed to. Beside the rigid line chiseled in there, an inked, leafy stem climbs (a set of mirrored layers that she’d observed on him, supine on a pool chaise).
Basically, it’s the type of thing that should legally classify him as a walking thirst trap.
With the crowd sporting bedtime fashion, some covered only in the most legally vague sense of the word, it leaves Y/N wondering: if most of the people decided to haphazardly vacate their apartments by only tossing on the most minimal attire— if opting to add to their garb in any way— what did Harry add? Did he wear the cream-toned tee to bed? Just the Calvins? Both? Or was he entirely bare, only sloppily throwing on whatever was left discarded by the side of the bed? Does he sleep naked?
With all these sordid thoughts clouding up the forefront of her mind like a thick plume of fog, she can’t find words through alphabet soup and the vague mental images of Harry’s bare skin tangled by sheets. To make it better, he’s just staring at her, like he’s expectantly waiting for her to respond. What was the question?
Y/N blinks again. “What?”
“The—“ Harry bobs his head towards the cluster of emergency vehicles, olive eyes oscillating to the apartment complex and back onto her, “fire alarm. I wonder if someone just pulled it.”
If ever the universe was to humble Harry from a breathing renaissance painting, half-clothed and half-asleep would be the time. He could be knocked down to whatever status a man up front is bearing, clad in a questionably classy fusion of tragic, high-cut cotton underwear, socks, and suede, open-toed sandals. Somehow, though, it’s worse that his bedhead, for the most part, still leaves the tendrils curling in lazy, untamed waves. That his nakedly-beguiling thighs, strong and sculpted with muscle, look like they’re meant to pry knees wide. It’s mortifying—
“Then, they’d be an asshole,” she murmurs, her own gaze raking out and lingering on the building. The words come out clipped with exhaustion, and then that pause lingers again.
Harry hums. She chances another glance at the furball curled to his chest.
“Snuggles,” Harry supplies, raising one arm a tad from where it’s caged to support the animal. The motion is enough to jostle the thing, and it tucks its face out, twitching its nose. With careful precision, the man moves one hand out from the cradle— the one not clutching his keys and his phone (by the way, casually dwarfed by the sheer size of his palm and cupped, lengthy fingers) to skim his pointer along the Holland lop’s dangling ear. “He’s a bit delicate and has some strong opinions on sudden, loud noises. Not a fan of fire alarms, as it turns out.”
The young woman hums noncommittally, eyes snaking back off to the polychrome strobe.
The last thing Harry expects from his neighbors during a mandatory, middle-of-the-night evacuation order are pleasantries. Between the slouched postures, the collective, dead-eyed aura of suffering, the general degree of resentment perfuming the air, and the visible internal debates over whether a hypothetical fire is worth enduring the cold, it’s safe to assume morale is at an all time low. Which brings him to his next point— there is, Harry suspects, something about him that fundamentally offends his neighbor.
Not inherently because she’s not talking to him. Naturally, the theory has no relevance to her lack of enthusiasm at the moment.
There’s a clause to life that he learned as a little kid, an absolute truth that the motto “water off your back” was created around, and this clause is that not everyone will like you. There’s really no gentle way to chew on that one, but it’s a fact Harry has long come to terms with. Jealousy, misery, even a simple case of personalities repelling like mismatched magnets— all things that can cause someone to decide you’re just not their cup of tea. Incompatibility could very easily leave your existence grating someone down to the molecular level. And you can never please everyone— that’s another piece of that truth he had to gnaw on before he decided that he was going to spend the rest of his life marching to the beat of his own drum.
Apparently, something about this tempo scrapes at some highly-sensitive nerve of hers like a dull knife on a chalkboard.
It’s an intuition thing, really. There hasn’t so much been a sharp, substantial instance so much as there’s been instances. Little, creeping things; the way her eyes ward when he’s close, despite the way they hover; the tone she seems to reserve for him, not outwardly rude, but suspiciously close to some awkward admixture between tolerating jury duty and being held at gunpoint. There’s more, among those, too— the suspiciously long pauses that sit like preludes to every response she gives him. The way her gaze flickers off avoidantly.
And those last two aren’t flustered mechanisms.
Harry knows he is, according to conventional, societal standards, attractive. He’s no stranger to reflective surfaces, nor is he unaware of the way actual strangers look at him. Ogle. Gawk.
It was a burgeoning metamorphosis he became acutely aware of between awkward kidhood and the place he’s at now. First, all lanky angles of uncertainty, only half-grown into his features, when his bones had made up their mind but the muscle and skin over them hadn’t quite decided what they wanted to be yet. Then, it was almost overnight. Everything began stretching into place and ubiquitously working in his favor. Eyes lingered, heads turned…
It’s safe to say he knows nervous girls. Boys. The lack of eye contact, or on the polar opposite hand, the blanking, empty stares and the silent beat as their response time glitches and their mouth tries (and fails) to keep up with a short-circuiting nervous system. Not everybody is able to stay the most suave version of themselves interacting with someone they find sexually attractive— his firsthand experience involves not only being on the receiving end, but on the giving end, as well. Granted, the aesthetics boost had given him a sense of confidence that buried his inhibitions down, so it’s been a long while since the last time he tripped over himself in front of someone that made his dick sit up and pay attention, but—
The thing is, Y/N doesn’t glance away like staring at him rapidly dissolves her thoughts in a static haze. She doesn’t take long pauses because she’s floundering over the next word. She doesn’t even look at him in a way that insinuates she’s worried he’ll nip her or something, she’s just so utterly…
Closed off. Disinterested. Like his presence is a jury duty evaluation and she’s wriggling in her seat, waiting to talk about her views on jury nullification.
In fairness, it could very well be a me-not-you thing— the awkward shuffle through their interactions, the severe deficit of enthusiasm. Those communication patterns could very well be sound across the board… in another universe. There are footprints that lead him to the massive elephant in the room, and those footprints spell the vague shape of it didn’t used to be this way.
Sure, Harry contemplates, if she was a miserably unpleasant person that holed up in her apartment with no interest in corresponding with another human being, he’d get it. If she’d given him the idea that something about him rattled her down to atoms the first time he ever said hello to her, he’d get it. But she used to smile. Coyly, almost, he’d go as far to say— one finger away from twirling a lock of hair around her pointer as she talked to him. The kind of simper that accompanies a giggle from a barista handing his drink over across the counter, eyes honed. She used to lean onto her door frame when he handed off a stack of envelopes that got misplaced into his mailbox, or hung back with her eyes wet and lively as she stood at his doorway and handed off a package.
What’s more is that his history is marked by drawing more people in after he opens his mouth, than turning them away. He’s arguably likeable— not in an arrogantly self-absorbed way, but strictly based on track record. He’s befriended too many older ladies (who sparked up chatter with him in grocery stores unprompted, mostly), and gotten slipped too many drinks (on the house) from bartenders to believe otherwise. Generally, his existence tends to fall into the category of charming rather than grating.
When he considers all of this, his analysis only leads him to one conclusion— there is something about him that suddenly, fundamentally offends his neighbor.
And it’s with this hypothesis that Harry clears his throat, hesitates, and prods, with just a moment of lull after she’s turned back away from him, “If I’m misreading this, feel free to tell me to piss off, but— did I do something?”
The young woman pivots back over her shoulder, blinking, almost as if she’d forgotten he was behind her at all.
“…What?”
Harry shrugs. The motion coaxes Snuggles to lift his head again. “I don't expect us to be friends, but I also don't want to be the person you actively avoid in the hallway. If I've done something to make things weird, l'd rather fix it than pretend I don't notice."
For a long second, Y/N doesn’t say anything. Just batting her lashes up at him, features lax, like she’s processing the earnest directness behind his words and letting them settle. And then her face twists.
Ooh— okay. Ruckling brow bone, lips tugging down, the nearly incredulous burst of air she expels as she turns her prickling face away—
She scoffs, muttering something strangely close to, “can’t be serious,” under her breath, and Harry’s eyes pensively narrow just a smidge. Enough to be entirely imperceptible as he drinks in her body language. That’s an indicator, if Harry’s ever seen one.
“You know what, Harry,” she says after a moment (now her arms are caging defensively, that’s an interesting touch), “…I just don’t really …appreciate how you treat women, to be honest.”
Of all the responses Harry had been anticipating, curiously honed on every word, that was— not the one. His dark canopy of lashes sweeps over his eyes as the admission lands and… knocks him off kilter, just a bit. His brows relax, then furrow up as he mulls the statement over, buffering.
He sounds a little bewildered when he says, voice much more soft-spoken, “…Sorry?”
“You should be,” his neighbor tells him pointedly, her arms still crossed like a defensive barrier across her chest, “Hitting women is wrong. Very illegal for a reason, actually.”
At the mention, his head bobbles back a bit like he’s dodging a smack between the brows with the context-lacking declaration. He’s not quite sure he’s heard her right, eyebrows climbing and eyes widening almost comically. Right, okay. This is… a gross misunderstanding, he decides. When the realization hits him, truly hits him, his knee-jerk response is an incredulous laugh, which he muscles down. Instead, his appalled amusement trickles out like a little huff, corners of his strawberry mouth tugging up. Unfortunately, the reaction only seems to irritate her further, and her forehead crinkles up as her own eyebrows ascend in stunned disbelief.
“You think there’s something funny about hitting a woman?” Y/N presses, eyes steeling into slits, her priorly indoor-voice rising a decibel.
The volume of her statement (and the misleading content) has his otherwise mirthy expression falling into something far more serious. Full of comically flat, grievous denial, like a kid being scolded for spray-painting a concrete wall after being caught with the can in its hand.
“—No,” Harry shakes his head slowly, side to side, “Not at all.”
Cautiously, his gaze slips off to the corner, where a few tenants have turned over their shoulder to gauge the commotion. As the young woman’s head swivels to tail where his eye contact has meandered, Harry realizes that backpedaling is only going to become a feat of incredible verbal athleticism from here. Upon catching the other glimpses from the crowd, slowly turning back to their own conversations, Y/N makes a deadpan sound of amusement before she turns back to face him.
“Oh, what? You’re ashamed now that you’re being called out for it? Good,” she bites, shoulders teetering as she leans toward him and unfolds her arms, pointing her index finger into his direction scathingly, “You should be ashamed. It’s absolutely disgusting to put your hands on a woman.”
This is tragically weighed against Harry’s favor. Here he was, just a half-asleep evacuee, holding his rabbit, clad in only a pair of hardly decent briefs, contemplating whether he should Uber Eats tacos as soon as the emergency exit fiasco were to clear up (might as well, since he’s already awake). Somehow, he’s managed to morph from an unassuming extra to the perceived antagonist.
No, Harry thinks— this wouldn’t be a disaster film; it’s a full blown, poorly-contrived drama with a plot twist even the supposed villain is caught off guard by. The curly-headed brunette chances another glance to the other side now, where more people have not only glimpsed over in brief acknowledgement, but have fully twisted their shoulders to observe the apparent scandal. As much as Harry wholeheartedly marches to the beat of his own drum, at this moment in time, his reputation is shaking in its boots and he’s reached a mental checkpoint called time for damage control.
Weaving sincerity into his tone and shaking his head placatingly as he steps forward— a subconscious attempt to coax her into lowering her volume— Harry tells her, “I don’t put my hands on anybody that doesn’t consent to it first.”
Her face scrunches up.
“I think,” his pink tongue slinks out to wet his lips, “maybe, there’s been a misunderstanding.”
“Oh, I don’t think so.”
“No, I really, really do,” Harry counters, ducking his chin into a nod.
Instead of hearing him out, however, his neighbor, as if fueled by the internal calling to manually dismantle misogyny, one assumed violent criminal at a time, only raises her volume a little more. Exceeding the normal range, definitely steeping in public-humiliation-ritual territory.
“I’m not misunderstanding,” Y/N bites, brows pinched like he’s personally offended her by even insinuating as much, “I have ears, just so you know, and I’ve heard a woman saying no, and please, and stop. So you can drop your good boy act, okay—“
Harry blinks. If not for the character defamation going on and the way Socks-and-Sandals raises his phone out of seemingly nowhere, pointing it into their direction as if there isn’t a potential fire to be filmed instead of all things, Harry would laugh. But there is, and the flash is on, weak along his peripheral edge—
“I know guys like you, I know your type,” Y/N declares, jabbing her finger against him again, this time so close to grazing the area along his chest, right between the tops of his pectorals, just over Snuggles, “and it’s gross that you think because you’re attractive you can walk all over everyone and do things like that to people, and you know what, next time maybe the cops won’t be so nice—”
Ah, nice. Another mystery resolved; one which involved a pair of men with guns in their holsters at his door performing a wellness check and an excruciatingly awkward clarification on impact play, consensual sadomasochism, and safewords. For weeks Harry wondered what had inspired a legal inquiry into his pastimes. Now, staring at the culprit— case dismissed— he can only blink before his brows wrinkle up.
“You’re the one who called the police?” Harry murmurs, a note of soft incredulity soaking the phrase.
“Any sane woman would call the police when she heard another woman being abused—“
“Abused?”
“Yes! Abused! And— and— honestly—“
Before Y/N can launch into another ruthlessly-curated, virtue-plated diatribe, Harry resituates the animal in his grip, unlocking his phone to the homescreen. Then, Safari. He thumbs over it with a careful determination seeding along his downturned, sculpted expression.
“I don’t know what form of assault would be worse,” Y/N chimes, hands climbing up in an exaggerated, universal symbol of exasperation before they fall back to her sides (as if she hadn’t even noticed his attention has been redirected to his phone), “but when someone says no, it means no.”
It only takes a second for her to register that his focus has been rerouted elsewhere, though. Her tone dips indignantly.
“Excuse me. I’m talking to you. And also, while we’re at it, you’re unbearably loud and an unmannerly neighbor—“
Harry turns his phone around. His expression is impressively flat, all things considered. Y/N pauses.
“Typically,” Harry states as her eyes rake over the glowing screen, “I like to be wined and dined before I give a crash course on my preferences, but.”
The image stretched across the illuminated LED sits over her tired gaze as she absorbs it, pupils jittering as she reads, but through the lens of his own profile mirrored back, he can see the moment her righteously fueled demeanor chips.
“I do, like, a… softcore porn type thing,” he admits.
Still, her brows are kinked. Only now, in stupefied doubt. “I— what?”
It’s with a rotting sense of dread curdling in the pit of her tummy that it suddenly dawns on Y/N— the mortified realization that she has succumbed to a horrible misunderstanding.
The website the tab is set on almost looks archaic, like a kitsch relic— repository archives of a porn blog from the early 2000s. Spankinggram. The page is set onto a profile, something called Rings&Paddles, and the squared image of an avatar slices through the garishly orange palette of the site’s logo. Her gaze sweeps over the vista; a man sitting down on an armless chair, thighs splayed, palm curled over a …hairbrush.
The profile picture sunders off at the neck. It’s a faceless silhouette, but the miscellany of sketches cascading across a forearm and the distinctly chunky medley of rings are… enough—
“Consensually,” Harry— Rings&Paddles, Y/N recognizes, molten heat dripping along the crests of her cheekbones— adds, “No one is being abused.”
In retrospect, the only feasible option to survive this, Y/N decides, is to change her name and move to another state.
Probably something short and vaguely melancholic, one of those names that would look intriguing in all lowercase. A quiet town. Somewhere coastal, maybe. West. No— north. As far north as geographically possible. Perhaps she could get a dog. An older, ratty boy from a shelter. Drive an old car that’s too big with a busted radio. She’ll pretend it’s a benefit, rather than an inconvenience, because she’ll be the fabricated kind of mystique that insufferably enjoys the quiet calm (and rainstorms). A rebranded, movie-clichè hipster, but not unbearable in real life—
“But I understand the concern,” her neighbor says, cutting through the haze as she contemplates what brand of cigarettes she’ll be taking up as a trait of her pseudo-identity. Against all odds, his tone is calm in an all-too-merciful kind of way, “You can look into… domestic discipline, if you’d like. If you wanted to understand a bit better. There’s loads of really good information on the internet.”
For a moment, Y/N deliberates burning alive. If there isn’t a fire licking up her department store drapes, she’s going to set one to avoid bearing the weight of this shame for the rest of her life. Granted, the heat sizzling at her face feels like a flame, enough, both at the way she’s just publicly kinkshamed an innocent man and at the mention of …domestic discipline.
She’s going to cry.
They would be Virginia Slims.
“You— …what?”
The garbled confusion drenching her tone is almost laughable. She sounds it, too; voice pinched and deceptively close to trembling off into a sob. Y/N stares straight ahead, body locked in a fugue state of humiliation as the realization calcifies in real-time. Her shoulders have gone stiff and her spine rigid, posture squeezed somewhere between standing and catatonic. The scale of her miscalculation worms into her skull like a parasite that’ll chew her awake in the middle of the night, years down the line.
For the last month, Y/N has spent every interaction with Harry evasively toeing over eggshells. Floundering over the way his face was sculpted, rather than compromising the integral structure of their acquaintanceship. Somehow, a sleep cycle cut short and the ambiguous suggestion that he had picked up on her avoidant habits was all it had taken to not only slander his (apparently not safe for work) extracurriculars, but probably assure her foreseeable Amazon packages suddenly start going missing.
Now, with a semi-public declaration of his profile pressed out to her face and his name no longer being audibly smeared with accusations, Harry can appreciate the quiet sense of revelation.
His neighbor, on the other hand, looks visibly wrecked. Her entire stance is pulled in tight, like she’s actively trying to make herself smaller, but it’s her face that really gives her away— the way it twists, fluctuating between wide-eyed horror and the dawning realization that she’s just detonated a social landmine at point-blank range. All heat-tinged and shame-doused, the young woman blinks up at him, doe-eyes rounded in apologetic appall and lips parted slightly like she’s still buffering. The combination of words that just left his mouth— softcore porn, domestic discipline, consensual— seem to be wrestling in her brain like tangled Christmas lights, none of them quite fitting together in a way that makes sense and glinters.
“I am sorry about the noise,” he tells her, shutting the phone off and nestling his arm back up under his pet, “I’ll make sure to keep it to a minimum from now on.”
Y/N wilts. With the phone no longer held out into her direction, the way she stays glued to the same spot on the cement— as if mortified into a motionless piece of stone— is ridiculous enough for him to gnaw into his cheek to chew back a bark of laughter. Despite all trials and tribulations, his coping mechanisms never fail.
“You— oh my God,” Y/N whispers. She makes a sound that could be a vaguely pained noise or the byproduct of her soul seeping out of her body. “Oh my God.”
Harry blinks.
“I called the police on you,” she tells him, utter dismay lacing the words together.
“You did, yeah.”
Harry still remembers the blank expression varnished along the officer’s face— the kind of emotionally vacant stare reserved for department store mannequins. The echo of the distant, metaphysical NOPE that definitely rode along his brainstem the moment the curly-haired brunette mentioned “it’s a kink thing,” and the way his partner, hands allocated to his holster belt, started very obviously examining his own shoes.
“I thought—“ Y/N stutters, her wobbling voice sounding squeezed from her trachea, “I thought—“
“You thought you were living next door to a criminal,” Harry supplies. When he tilts his head, a rogue curl flops over his forehead.
Finally, the young woman moves, burying her face in her hands. This will haunt her, she thinks. Forever.
From the corner of his eye, the man can tell that most of the tenants have gone back to their regularly scheduled repertoires of stalled misery. And despite the absolute PR mess her blunder has induced— his eyes wander over her, the way she’s cupping her face like she wants to melt into her own hands and seep off into the pavement— he feels oddly… bad. Not secondhand embarrassed (firsthand, definitely firsthand), but Y/N looks like she’s going to combust. It’s tragic, really. The kind of pitiful that makes him purse his mouth and stare down at her in contemplation.
“Honestly,” his voice cuts through the haze in her throbbing, hot skull, all even-toned sincerity (which is worse, so much worse), “if I was in your position, yeah? I’d do the same thing.”
The admission coaxes her into a horrified peer through the wedges between her fingers. The warmth pressed to her palms feels borderline pyrexic.
“And if that were the case, you’d be the neighborhood hero. So.” He raises a shoulder nonchalantly.
Y/N doesn’t immediately respond. Instead, she soaks in the crime scene, doused in the blinking blue and red.
“I’m not sure neighborhood hero is how I’ll be remembered,” the young woman finally answers, groaning through her hands, and then pressing her fingertips into her temples.
Harry hums. Then, he sighs. “No, you’re right. I’d say misguided vigilante. I reckon it’s a bit better than violent felon, though.”
Y/N makes another sound. This one sounds a little more wounded.
Read the next part early here
#harry styles#harry styles x reader#harry styles one shot#harry styles smut#harry styles dirty one shot#harry styles dirty fanfiction#harry styles writing#harry styles fanfic#harry styles fic#harry styles fanfiction#dom!harry x sub!reader#harry styles au#harry styles x y/n#harry styles x you#harry styles one shots#dom!harry
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Hey Tumblr, there's a new historical/period comedy series on Netflix which you will love! It's called 1670! It's about Polish nobility and their peasant-thralls. However, Netflix is not promoting it to international audiences, bc it's Polish, even though there are subtitles available in so many languages!
It has:
Great Humour
Amazing Polish Folk Music
Historical Costumes that are not Western!
CANON LESBIANS
One of the said lesbians is a repressed lesbian w religious trauma & the subplot lasts longer than one episode
Priest Jakub
A really good combination of making historical and ahistorical jokes
And much more!
Seriously, give it a watch bc I'd hate to see only my Polish mutuals watch it, it's new, it's fresh, it's witty, not another remake, and it shows another culture & history! (aren't you tired of watching yet another show on the English monarchy, then 1670 is there for ya)
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Here’s an old WIP of mine that I have yet to finish.
Only now did Oscar actually get a good look at the captain's face. The man who had basically ruled the seven seas for the last 8 years, the man whose name alone could send a man trembling to his knees. Oscar didn’t think he’d ever get the misfortune to meet him.
Oscar bowed his head, looking away from the scarred yet shockingly young looking face of the captain. He flexed his hand in his binds, feeling the rope start to burn and chafe against his damp skin.
“What is your name, boy?” The captain asked as Oscar raked his eyes up from the pristinely polished boots to stare at the sword hilted in the captain's belt.
Oscar bit the inside of his cheek, knowing that giving his name would probably be the last thing he ever did, no one survived a run in with Captain Sainz- it’s why no one knew for sure what he looked like. Oscar felt a little defiant, wanting to at least die with dignity.
Suddenly, a booted foot was planted against his back, Oscar fell forward with a groan as his face planted straight into the wooden floor of the ship, his hands still tied behind him.
“Answer when the captain speaks to you,” A voice said. He sounded French, maybe. Oscar struggled to place it exactly but as he turned his head to look at the man, he had an amused glint in his eye- as if he was enjoying Oscar’s guts for defiance.
“Oscar,” He grunted, gaze fixed on the man behind him- decidedly not at the captain. The man’s face lit up. Yeah, he was definitely enjoying this.
“Oscar? Not a very nobel name,” The man said with a smirk.
“I am not a nobel,” Oscar said, straining in his confines. The man behind him seemed to take pity, removing his foot from Oscar’s back to haul him back onto his knees. Oscar was faced with the captain once more, whose face was deep in a frown.
“What are you, then? You don’t look like you can fight,” The captain said, his eyes raking across Oscar’s figure, taking in the tattered clothing and overall dishevelled appearance.
Oscar bit his bottom lip, eyes meeting the captain’s once more. He tried not to let his voice shake as he spoke.
“Women are prohibited on our ships by the articles, sir, bad luck, you see?” Oscar said, looking almost a little desperately at the captain- praying he knew what he meant without having to explain.
“Are you seriously explaining pirate code to me?” The captain asked. He looked completely unimpressed and almost angered. Oscar winced a little, straightening his back.
“The men- they need…they are still men, and men have needs…”
The wave of silence crashed over them quicker than the ripples on the ocean. Oscar could see the tension in the captain's face and he heard a small gasp coming from his left- another of captain Sainzs crew.
“If I spare your life, will you be useful to me?” The captain asked, his gaze narrow and steely. Oscar swallowed thickly- he had done this ‘job’ for years now, a different crew would be no different. He knew how to please- how to be of worth.
“Whatever you ask, I will do, sir” Oscar said and he hated how his voice shook. When his previous ship was attacked, he thought he was saved. They flew the flag of the navy and Oscar felt his heart lurch in his chest when he spotted it. Freedom, at last, after 6 gruelling years. But no, it appears Captain Sainz had flown the flag of the monarchy as a ruse to capture their cargo. And it worked, with Oscar being captured along the way.
“You will help the men clean their weapons, you can start tomorrow morning,” The Captain said, and Oscar felt himself frowning.
“I thought-“
“You said you will do whatever I ask, correct?”
Oscar nodded.
“Well, this is what I am asking. Charles, keep him straight,” The Captain said, nodding to the man behind him. So Charles was his name, good to know, Oscar supposed. Charles gave him a smug grin before unsheathing his sword, cutting away Oscar’s binds with swift accuracy.
“Welcome aboard, matey,”
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[ DANGEROUS DEVOTION ] - S. C.
master lists <> + CHRISTMAS EVENT: day one < > day three (n/a)
pairing: Changbin x fem! reader
summary: Changbin is hired to protect you from a dangerous enemy, but his overprotective nature becomes suffocating. Is he protecting you from harm, or is he the danger you must save from?
date: December 23rd, 2024
playlist: https://open.spotify.com/playlist/3JprLj2NsxJRdY8zsLGoqs?si=wXUixpC2ReC6q5rkKMru4g&pi=u-ljo4I4p8RPOb
warnings: MDNI + NSFW + SLIGHT ANGST + MENTIONS OF DEATH + MENTIONS OF VIOLENCE + MENTIONS OF ALCOHOL + ANAL + SHOWER SEX + TOXIC RELATIONSHIP
Being the youngest daughter of a high-ranking diplomat came with its perks and expectations. From private jets and designer wardrobes to exclusive events and world-class education, your life was a whirlwind of privilege that seemed extravagant to outsiders but was simply part of the norm for high-profile families. Beneath the polished surface of gala dinners and international travel, though, lay the weight of unspoken rules, constant scrutiny, and a life lived under the shadow of diplomacy. For better or worse, your world was one of luxury, security, and the quiet understanding that everything came at a price.
Sometimes, that price puts your life at risk, so your father insisted you accept his proposal of a personal bodyguard capable of protecting you and you alone. After many rounds of debriefs, debates, and deliberations, a decision was made, and a candidate of your father's choosing was hand-picked to fill the role.
He addressed him as First Captain Seo.
You’d grown to know him as Changbin-Binnie when you felt exceptionally comfortable with him.
He was loyal from the start. Trained to handle most, if not all, situations that involve a risk to your safety. There wasn’t a time in the last two years you could remember ever feeling unsafe or unsecured in his presence. His job was your life, and Changbin did not take his responsibility for you lightly.
Although that very virtue of his could be rather tenuous to engage or shift.
Especially at the height of your family’s public appearances and the holiday traveling frenzy. Press tours, interviews, shopping trips, long flights, and tedious schedules were enough. But now came the pending and deliberate threat of opposition to your family's legitimate rule.
A faction of society had deemed royalty or any other form of monarchy within government as useless and disposable. The first to perish at their will was your closest cousin. Passing away in a terrible car crash, only a country away during a diplomatic venture. Their sudden and proclaimed death at the hands of flightless revolutionaries put your father on edge in every aspect, which meant Changbin had a much harder job than usual.
December 23rd, White House Gilded Gala. 10:25 PM
Changbin was counting. He always counted.
How many doors and exits were there?
How many heads were within an 800-foot radius of himself and those in his charge?
How many seconds had passed until the next minute?
How many openings were there for possible intruders or aggravators?
He was always counting.
But as of now, he was tallying the number of champagne flutes you were tossing back.
You’d started early in the night, promising your father that you wouldn’t get as tipsy as last time, but Changbin was well aware you couldn’t keep your word while grieving over your lost cousin.
One drink turned into three, and those three spiraled into…
Changbin minced his train of thought, watching you take the last sip of rose from the clear glass before adding it to his mental scoreboard of your alcohol intake.
That was number eight for you now, and it looked as if you wanted a ninth to follow it from the way he saw your gaze trail after a waiter walking by with a full silver tray of new drinks.
He couldn’t let you keep doing this.
Not tonight, and not for the entirety of it.
Partly due to your father’s wishes but caused mainly by his partiality to you in general….
A particular emotion that hung over his head constantly when you were in his presence that he wished for a while would disappear and never return but had recently come to terms with upon the news of your relatives passing. No bodyguard, well-intentioned and capable or not, should feel the attachment Changbin accepted the moment he saw you crumble to tears in your father’s arms hearing the news.
He knew falling in love with you wasn’t a part of his job description, but it drove his obsession with keeping you safe from harm to new heights. He wouldn’t fail your father and wouldn’t let you slip through his fingers as quickly as your cousin had slipped through her protector's reach.
So, just as you moved to follow the waiter and ask for a ninth glass of champagne, Changbin stepped into your path and caught your dazed gaze with a tilt of his head. “I think you’ve had enough to drink for one night, Miss Y/n.”
His voice was firm yet gentle, starkly contrasting the chaos around the room. You blinked owlishly, trying to focus on his words. “But I’m just getting started,” you responded, slurring slightly, playfully trying to step past him. Changbin's expression softened as he placed a firm yet gentle hand on your left hip. "I'm afraid you'll have to pace yourself," he murmured, steering you away from the waiter's direction.
Your lips part to protest his guidance, but they quickly snap shut as Changbin eyes you with a pointed stare.
The one that made you stop and think.
The one that made your heart race and your cunt throb without warning.
The only stare that told you exactly what was on his mind and why you shouldn’t even attempt to question his actions.
You gulped down a bratty statement, woozy from the alcohol and now aware of the few stares settling on the both of you. A single breath left your lips before you eased into Changbin’s lead, following his heavy and assured steps with your heeled and barely steadied ones, but the security of his hand on your lower back kept you upright and formal to anyone who looked away.
You were tempted to trip yourself up. Make his hand slip a bit lower to graze the curve of your backside hidden underneath the dress you wore to fit the Gala’s modestly endeavored theme of excellence during the season of cheer.
You felt anything but cheerful, sound of mind, or happy. The gleaming lights looked dull. The chatter you suffered through with grace felt like more of a burden. Not even the prettiest of lies and gossip could occupy your mind.
You felt miserable. A doll trapped in a glass box and puppeteered to be perfect when you felt anything but.
Changbin could see it written across your face, looking right past the small smiles you flashed by-passers and keen to the lack of energy you emitted on the trek back to your designated rooms within the government household. Seeing your spirits torn to shreds pained him, and he considered how to cheer you up. He did security checks throughout your private room while you shuffled into a warm shower.
He could read poems…that seemed to work on you often.
He could let you vent if you had the energy to do so again…
He could…
Changbin paused his train of thought, braced by a sudden idea that morphed into a dangerous confidence as he listened for the shower head to turn on.
You stood beneath the water in solace. Upset, that waterproof makeup never smeared with tears that hadn’t seemed to stop coming from your eyes for a week straight now. Nothing helped. Not shopping. Not talking and not hiding.
And god, did you hide…
Forced to live a stricter life and reminded every day that no matter how secure you may feel, the real enemy, family, never rested and grew restless at the simple thought of your existence.
But that was the cost of it all, and you wished occasionally to share the burden with someone who understood you.
Your fears.
Your hopes.
Your life.
And the one person you had begun to let in was now buried six feet under with a branding of rebellion ragged on their mauled body.
You cried at the very thought, whimpering sobs into the running water as if to go unheard, but knowing Changbin could hear every single sound. In a start of shame and embarrassment, you turned to face the wet shower wall, arms raised to hug yourself for a send of comfort as hot droplets of water pattered your bare skin and steam rose from the marbled shower floor to your pouring eyes.
You sniffled, staring at your feet and hoping your heart would cease to ache for a mere second so you could breathe without wanting to fall to pieces; your hopeful thoughts were halted as a much more significant presence came between you and the rushing water.
You knew who it was without a singular glance back, able to feel the ever-present tension in his body a mile away even when he never strayed a foot from you, and you thanked god he never did. Changbin was careful with his approach, hearing you cry softly under running water while undressing from his monochromatic black suit and tie before slipping into the shower with you.
The grey and silver watch on his writs ticked softly, counting the thirty seconds it took you to register his looming presence and measuring the minute and a half of comfortable silence that hung in the steamed room when you did.
This was rare.
This was special to you.
This was indefinitely crossing a line for him.
But he’d done it before on your behalf many times. More often than not, it was as innocent as lingering stares when he should be casing your surroundings, and you should be paying attention to your current task. Sometimes, it was a smooth touch of his hand across parts of your body he had no reason to touch when escorting you from one spot to the next. Other times, it was your quick and chaste kisses on his cheek when you thought something he said was particularly funny or sarcastic -but this only occurred within the utmost private of moments.
And then there were times like this.
Where you both knew so much better.
Where a secret was just that.
A secret between the both of you.
Just like the rest you kept.
Adding to the growing pile of things you’d seen Changbin do and say in the name of your protection.
Killing men with his bare hands -once in front of you for no other reason than him overstaying his welcome in your hotel room during a private trip to Milan.
Threatening reporters who dared to scrutinize you with a charming smile and a promise of eminent destruction if they didn’t retract their statements about you.
Openly unimpressed with your choice of public relationships with various champions, he stalked in the shadows until they eventually felt too unsettled by his constant presence in your life and broke their line of acquaintance with you as a natural result.
First, Captain Seo Changbin was, by all accounts, obsessed with you.
It was painful, to say the least, and intoxicating at most.
You’d thought of saying something. Doing something to alter his fixation on you, but your resolve crumbled to dust at the thought of never having his eyes on you so intensely again.
He paid attention to you.
He sought you out.
He would pay for it, and so would you, but you could care less feeling his warmth, breath fan across the damp skin of your right shoulder all the way up to the crook of your craning neck.
You relaxed, breathing in the musk of his evaporating cologne as his toned front melted into your soaked back. Your hands found a wet wall at the familiar contact, manicured nails digging into the smooth surface as his warm skin electrified yours, and your lips falling apart at the hardened length he pressed into the curve of your ass and lower back.
“Binnie…” you whined quietly, too shy to look him in the eye, and hardly assured of yourself when he snapped you out of your crying fit so abruptly. He hummed deep within his chest, strong hands lowering to knead the fat of your hips and the dip of your stomach, “I hate hearing you cry so much…tell me you know that, Princess..”
Your heart jumped at his sincerity, and before a logical barrier rose in your mind, your mouth was open to shaking him: “I know. I'm sorry…I can’t help it.”
Changbin sighed, planting a kiss behind your left ear as he swept your hair to the right and rested his head against your own, coaxing you to keen and meet his eyes. You obeyed, lovingly seeing his steady gaze look through you like crystal-clear glass. “You need my help..” he uttered, and you knew the statement was far from a question, simply nodding in response to him and blushing as he smiled softly at your wordless confession. “Tell me you need it, sweetheart…” his voice dipped lower in volume, a low rumble as he gently kissed your trembling lips before speaking again. “Tell me you need it to stop…all that pain and…suffering…” Changbin kept you waiting for one kiss after the next as he spoke, barely grazing his tongue into your mouth with each pass and his hips unmoving against yours that began to slowly circle in an attempt to ease the throbbing between your shaken legs.
He caught your jaw with his right hand, fingertips melding into your dampened skin as he angled your head back on his shoulder to force your smaller weight closer to the wall with his impactful stature. You didn’t refuse the new position, blinking slowly as your brain finally began to shut off and delve into a mindless desire for him. “Tell me you need me to fix you again…” He stifled a groan, hips urging forward into yours on his own accord, and his gaze lowering to watch his cock press into your lower back.
You shuddered, finally finding your voice and recapturing his attention with a dazed answer. “I ….need you …t’fix me…please.” Hot tears pooled at your bottom lashes, but you couldn’t care enough to wipe them away as the admission slipped off your tongue and into the steam filling the air. “O-one last time,” you rush out in a whisper, knowing it wouldn’t be but still drawing the imaginary line.
He’d cross every time, and you’d let him.
It was too easy and so much better than pretending he wasn’t the only one capable of doing it.
As if he weren’t the only man to place you in a steady headlock, bicep trapping your throat, and his head tucked into your neck to place lingering wet kisses on your skin as he slid his cock along your plush ass in slowed thrusts.
As if he weren’t the only man to press a hand over your mouth, muting the whines and shouts you gave while his girth slid up and down your most sensitive area, gripping your gaping jaw tight to quiet the inevitable half scream and half moan of his name as he pushed the head of his length past your trained rim.
As if he weren’t the only man to whisper little praises in your ear while nearly splitting you in half with his cock, easing thick inch after thick inch into the tight space as he’d done so many times before, and in a near mess to rival your own when he’d successfully stuffed your ass with what it could take of him.
As if he weren’t the one to wrap a hand through your hair in a tight fist, pulling at the wet strands in practiced strength, manhandling whatever part of your more petite body he could as his length plunged in and out of your fluttering hole.
As if he weren’t the one grunt and groaning profanities and discreet assurances in your ear, tempted to mark up your skin but aware that doing so would ruin all the forbidden fun in your shared future.
As if he weren’t the one, panting into your neck, thankful for the running water dousing you both and keeping your entrance slick and undeniably ready for him.
You had no will to confront him. In love with the pain and elation of it all and tempted to shout it out loud the moment he slipped a hand to settle on your dripping cunt. Changbin knew his way around you just the same way he did any obstacle. Disarming you with slow and tight circles of two fingers on your clit, using them to spread your folds before diving them deep into your entrance and curling them forward to hit a spot that brought stars to your eyes.
He switched between thrusting his cock into your ass and pumping his fingers into your drenched cunt. You reeled at the sensations, wanting to go limp as they overlapped, and urged the coil in your core to tighten minute by minute.
Changbin stopped counting.
Abandoning his vigilance entirely as his high inched closer and entirely too caught up in the tension of your perky rim around his length and the steady flutter of your cunt’s warm walls to keep track of anything else.
This was fixing you.
This was his way of protecting you.
This was your way of thanking him for it.
Even with cum dripping down your thighs for the rest of the night.
A/N: I’m sick so this is late but whatever
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Little Foot of Queen Jadwiga
Artist: Aleksander Kotsis (Polish, 1836–1877)
Date: c. 1859
Medium: Oil on canvas
Collection: National Museum in Warsaw, Poland
#painting#fine art#queen jadwiga#palace#architecture#men#women#stool#shoe#costume#polish history#queen jadwiga of poland#polish monarchy#aleksander kotsis#polish painter#polish culture#19th century painting#oil on canvas#oil painting#polish art#european art#artwork
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Fairytale - Quinn Hughes
Summary: Quinn, a commoner, falls for the princess of his kingdom
content: monarchy (?), fluff, angst, arranged marriage
wc: 9.5k
notes: this is kinda cheesey. i can't tell if it's cringe or not... also i had to use translator app a bit because idk the english words for some like fairytale stuff
Princess Francesca shifted restlessly in her bed, the dawn light casting pale strips of light through her curtains. She could hear the faint, familiar creaks of the palace as it stirred awake--the footsteps of the early-rising servants, the rattle of dishes from the kitchens below, the swish of brooms across the marbled halls.
Today was a court day, and soon her maid would enter with a dress stiff with embroidery, layers of silk, and delicate lace. She'd be expected to sit for hours in the throne room beside her father, listening to noblemen, landowners, and advisors drone on. A long day of diplomacy and keeping her shoulders straight, her chin lifted just so. The thought alone made her itch for escape.
Francesca bit her lip, her heart pounding as she crept to her wardrobe and reached for her plainest, dullest dress. She slipped it over her nightgown, pulling the rough woolen fabric over her head, the fibres scratching against her skin--a small price to pay for a taste of freedom.
She sat at her vanity, shaking her golden hair free from its nightly braid, her curls falling in soft waves past her shoulders. Reaching for her ribbon, a pale blue one that she used almost every day, she grabbed the front strands of her hair, securing them in the back with a bow. The ribbon was her favourite touch--simple, delicate, and nothing like the polished tiaras or heavy jewels she was used to. With a final check to ensure her face was free of any telltale signs of royalty, she drew up her hood and made her way toward the door.
Frankie's maid, Alice, a warm-hearted woman with wise eyes and a knack for knowing precisely when not to ask questions, waited outside her chamber door. She raised an eyebrow as Frankie slipped into the hall, unable to fully hide her smirk. "And where will you be going this morning, Your Highness?"
Frankie rolled her eyes. "Out."
Alice's mouth quirked into a smile. "Just 'out,' is it?"
"Just out," Frankie confirmed, trying to sound nonchalant. She fidgeted with her hands, giving her maid a sheepish smile.
"Right. And if anyone asks, you're...?"
"Visiting the royal library," Frankie said with a practiced innocence that didn't fool anyone. She laughed softly, her excitement showing. "Or perhaps just getting some fresh air."
Alice's face softened. She was the one person in the palace who knew the princess's longing for life outside the walls, for glimpses of the world where people's lives weren't spent writing royal decrees or following courtly schedules. She reached out, tucking a stray curl behind Frankie's ear. "Be careful, my lady."
"I will. I promise." They shared a silent look--a small, loyal moment--and then she hurried down the corridor, her heart racing as she slipped down the servant's staircase.
Once she reached the palace gardens, she held her breath, feeling the crunch of the gravel path under her shoes. She walked briskly, drawing her cloak tightly around her as she slipped through the gates at the side of the gardens, making her way out of the palace grounds and into the village.
Everything around her felt a little brighter. She watched the vendors set up their carts, the farmers unloading barrels and crates, children running along the cobblestone paths with shouts of laughter. She smiled to herself. Here, no one would spot that she was Princess Francesca. Here, she would be just another face in the crowd.
The hum of the village felt so much different than the hum of the palace. Here, people smiled and waved to each other, calling out their familiar greetings. A woman walked past with a basket of freshly picked apples. A dog barked as it chased after a boy in a patchy coat. For the first time in days, Frankie could breathe.
Stepping into the heart of the market, she allowed herself to slow down, to wander without purpose. Here, she was just a girl in a hood, taking in the sights and sounds.
~~
The market hummed with energy, the cobblestone paths busy with villagers setting out baskets of freshly baked bread, bundles of herbs, and gleaming fruits and vegetables. Frankie weaved through the stalls, occasionally glancing over her shoulder, though no one gave her a second glance. Her father ruled the lands with a firm but fair hand, and his face was well-known. But she, safely hidden beneath her cloak, remained unrecognized--a mystery among the townsfolk.
Drawn by the warm glow of a blacksmith's forge near the edge of the square, Frankie approached a modest shop where the rhythmic clang of hammer against metal rang out. She slowed her pace, intrigued by the broad-shouldered young man working within.
He had thick, dark hair that caught in the morning light, and his hands moved with practiced ease, shaping a piece of iron with each strike of his hammer. He face was focused, intent on his work, and she watched him with quiet fascination, feeling like she'd stepped into another world.
Suddenly, his voice interrupted her thoughts. "Do I have something on my face, or are you just that interested in the fine art of smithing?"
Startled, Frankie's eyes snapped up to meet his. His expression held a bit of amusement, the slightest lift of his eyebrow acknowledging the fact that he'd caught her staring.
"Oh, I--no, I mean..." Frankie stammered, momentarily flustered. She tried to regain her composure, pulling her hood down a little lower. "I was just... watching."
"Watching, were you?" His tone was light, teasing, as he wiped his hands on a rough cloth and stepped out from behind the forge. Up close, his face was warm, with sharp blue eyes that seemed to see right through her. "You don't look like a smithing enthusiast, if I'm being honest."
"No, I suppose I'm not," she replied, feeling her cheeks warm. "But it's... interesting. I've never really seen it up close."
"Ah, I see. A newcomer, then," he guess, smiling in a genuine way. "You're safe here, don't worry. No one's going to bite." He extended his hand. "I'm Quinn."
For a split second, Frankie hesitated, but then she placed her hand in his. His grip was rough and firm, completely devoid of the etiquette and delicacy she was used to. It felt real.
"Frankie," she replied, keeping the introduction simple.
"Frankie," he repeated. "Well, Frankie, nice to meet you. And welcome to our fine little village."
"It's lovely," she said earnestly, glancing around. "Much more... lively than the palace."
She caught herself too late, realizing she'd let slip more than she meant to. But if Quinn noticed, he didn't show it. He was looking at her with the same warm smile, his eyes crinkling slightly at the corners.
"What brings you to this side of town?" he asked. "It's rare we get visitors who find the blacksmith shop 'interesting.'"
"Oh, I, um..." She scrambled for an explanation. "I wanted to see a bit more of the kingdom. Sometimes you see things more clearly when you... step outside of your own walls."
Quinn tilted his head, considering her answer. There was a glint of something--understanding, perhaps--in his eyes. "Well, then, you picked a good day for it. And if you're looking to see the world from outside 'your walls,' let me know. I've got a pretty good tour of this place. It's not much, but it's home."
Frankie couldn't help but laugh. "A tour? Do you always offer guided tours to strangers?"
"Only to the ones who seem a bit... lost." He crossed his arms, clearly trying to read her, but without the prying curiousity she had expected.
"Well then, perhaps I'll take you up on it. After all, it's not every day you meet a blacksmith willing to show you around."
A gust of wind swept through the square, lifting her hood slightly. Without thinking, she reached up to pull it back into place, but not before it slipped just far enough to reveal her face fully.
Quinn's eyes widened, recognition flickering across his face as he took a step back. "Wait... you're--"
Before he could finish, he hastily lowered himself into an awkward bow, his expression suddenly formal and full of embarassment. "Your Highness. I'm so sorry, I didn't know--"
"No, please, stand up," she tried to stifle a laugh. "I'm not a princess here. I'm just... Frankie."
He straightened slowly, clearly uncertain. She could tell he was grappling with how to speak to her now that he knew her true identity. A few tense moments passed, before Frankie took a deep breath.
"I really mean it," she said softly. "Out here, I'm just another face in the crowd. Not Princess Francesca. Just Frankie."
"Just... Frankie," he echoed, testing out the words. A small smile played at his lips, and she could see his confidence returning, though there was a newfound hint of respect. "I think I can manage that."
They stood there, quietly holding each other's gaze as the bustling world continued around them. They were both fully aware that something had changed in the brief exchange. Frankie felt even more excitement.
"Well," he said, grinning, "shall we start that tour, then, 'just Frankie'?"
"Lead the way, Quinn."
As they turned and began to walk through the market together, side by side, Frankie felt a lightness that had been missing for so long. And she allowed herself to wonder what it would be like to live like this normally.
Quinn showed her everything--the quiet back gardens of the town's inn, where flowers grew wild and fragrant; the bakery where the owner let her sample fresh pastries; the hidden creek just beyond the town, where they walked barefoot along the edge of the water.
Every place they visited had its own small charm, a piece of the world Quinn knew so well, and Frankie was mesmerized. Her world was expanding with every story he told and every laugh they shared. It was a freedom she'd only dreamed of.
As the sun dipped lower in the sky, they found themselves in a quiet clearing outside the village. They sat on a fallen log, listening to the rustling of the leaves in the wind.
"It must be nice," Frankie finally said, looking out at the trees. "To have this kind of life. To belong to a place like this."
"It has its charms," he agreed. "But I don't think it's as simple as it seems. I have my own responsibilities, even if they're different from yours. Sometimes you don't need a crown to feel trapped by what people expect of you."
Frankie glanced at him, surprised by his honesty. "I suppose you're right. I sometimes think... maybe it doesn't matter who you are. Everyone has a role to play, whether they chose it or not."
Quinn nodded. "But at least you're out here. Maybe that's a sign that you want something different. Something... real."
"I think you might be right," she murmured. "Thank you, Quinn. I mean it."
He reached out, gently tucking a loose strand of hair behind her ear, his fingers brushing against her cheek. For a breathless moment, they were both still, each daring to imagine something beyond the lives they'd known.
"You're welcome, Frankie," he whispered. "Anytime."
~~
The forst clearing outside the village was quiet, except for the leaves and the occasional call of a bird in the distant. Frankie and Quinn sat together on the soft grass, a small spread of bread, cheese, apples between them, a makeshift picnic Frankie had prepared in secret before leaving the palace again. She didn't know what had made her brave enough to bring it--perhaps her desire to spend just a few more moments in his world instead of hers.
"Not much of a royal feast, I'm afraid," she said, laughing as she held up a piece of bread.
Quinn accepted it with a grin. "For someone who's 'just Frankie,' I'd say it's perfect." He took a bite, savouring it as if it were the finest meal. "Besides, it's not every day I get lunch with the princess. I mean... with Frankie."
She chuckled, though she felt a thrill each time he spoke her name, as if it were a secret shared only between them. She lay back in the grass, stretching her legs and looking up at the patches of sky between the treetops. Quinn joined her, lying down, his head tilted to watch the clouds drift by.
"You know," he began, after a few minutes of silence, "you never told me why you started sneaking out of the palace. Not that I'm complaining about it, of course," he added quickly, giving her a lopsided smile.
She paused, gathering her thoughts. "I just... needed to feel free. The palace is so beautiful, but it's also... confining. Every moment, every decision, it's all made for me, like the path of my life was laid out long before I even had the chance to imagine anything else."
She turned her head, meeting his gaze. "Out here, I can be someone else. Not a princess, not the king's daughter. Just... me."
"I think I understand. Growing up in the village I've had people tell me who I'm supposed to be, too. What I should become." He shrugged, staring at his roughened hands.
Frankie smiled, comforted by his words. It was something she'd never shared with anyone--not even Alice, though Alice likely understood more than anyone. She reached out, her fingers brushing his hand, as if she could draw strength from his touch.
"Thank you, Quinn."
He turned his hand over, his fingers entwining with hers. "For what?"
"For letting me be me. I don't think you know how much it means to me."
Their eyes met and the world around them started to fade. The line between their lives disappeared, and she found wondering if maybe--just maybe--she could have this. A life where she was more than just her title. A life where she could be someone like Quinn.
But the thoughts felt too dangerous, too tender and fragile, like a spark that could go out at any moment. She looked away, her face flushing. Yet, she didn't pull her hand from his.
"Frankie," Quinn murmured. "I think... I feel the same way."
She didn't dare move, her heart caught with the knowledge that this was more than just a simple friendship. This was something else, something deep and precious--and terribly risky.
But lying with Quinn in the clearing, she decided that some risks were worth taking.
~~
Back at the palace, Frankie tried to carry on as usual, performing her duties, attending dinners, and studying the various treaties her father was eager to discuss with her. But her mind lingered on those stolen moments with Quinn, on the way his hand felt in hers, the gentle way he listened to her. She felt lighter. She was carrying a secret so precious that she wouldn't trade it for anything.
But that feeling grew harder to hold onto as her father's plans began to solidify. King Eric had summoned her to his study one evening, a summons she knew would not bring good news.
Frankie took a deep breath and knocked on the heavy oak door, the quiet creak that followed her entry filled her with unease. Her father was seated at his desk, papers and maps spread across the surface. His face was set in its usual stern expression, his fingers tapping impatiently as he gestured for her to sit.
"Francesca," he began, folding his hands over the papers before him. "I've made a decision about your future. It's time to take your rightful place in securing the future of our kingdom."
She swallowed, her hands twisting in her lap. She had heard this line before, but something about the look in his eyes filled her with dread. "My rightful place?"
"Yes," he said firmly. "The alliance with Lathora has been in negotiation for some time now. Their prince--Prince Edmond--will make a fine match for you. The marriage will bring stability to both kingdoms and ensure our people are secure for generations to come."
Her heart sank at his words. She'd heard her father discuss the prospect of alliances before, but never with such finality. She felt a surge of panic, her fingers clenching as she fought to keep her composure.
"Father, I..." she hesitated, searching for the right words. "I understand the importance of alliances, but perhaps there's another way. A marriage--"
"Is not negotiable," he interrupted, his tone leaving no room for argument. "I am not blind, Francesca. I see the way you slip from your duties, sneaking off into the village like a commoner. You are a princess--one day a queen. It's time you understand your life is not your own. Your choices affect the entire kingdom."
Frankie looked away, her throat tight. She wanted to tell him about Quinn, to show him that what she'd found was worth more than every alliance, that her happiness could be valuable too. But she knew it would fall on deaf ears.
"Yes, Father," she forced herself to nod.
"Good." He straightened, satisfied with her compliance, and shuffled the papers in front of him. "Prince Edmond will arrive within the month. I expect you to show him the respect and hospitality befitting a future queen."
~~
Late that night, after her father's announcement, Frankie sat by the windows in her chambers, her heart heavy. The palace walls, once merely confining, now felt suffocating. She couldn't bear the thought of marrying a man she barely knew, let alone someone she didn't love.
As if sensing her turmoil, Alice slipped into the room. She had a knack for appearing at the right time, and this was no exception.
"Frankie?" Alice's voice was soft as she approached. "You look troubled, dear."
"It's my father. He's... he's arranged a marriage for me. To a prince from Lathora. It's final--there's no way out."
Alice sat beside her, resting a gentle hand on her shoulder. "I thought something like this might happen. But I had hoped he would see that you're still young, that you deserve a chance to find happiness on your own terms."
A tear slipped down Frankie's cheek, and she quickly brushed it away. "Alice, I don't want this. I don't want him. There's... someone else."
"Quinn?" she asked quietly.
Frankie nodded, unable to hide the longing in her eyes. "He's... he's everything I never thought I could have. He listens to me, sees me--not as the princess, as me. And I know... I know I could be happy with him. Truly happy."
Alice squeezed her hand. "Then, my dear, you owe it to yourself to fight for that happiness."
"But how? My father would never understand. And Quinn... he's a commoner. Father would never allow that."
Alice was silent for a moment, then gave her a gentle smile. "Some things are worth the risk, Frankie. Love is one of those things."
The words lingered and stirred a flicker of hope in Frankie's heart.
~~
The grand meeting hall was dressed to the nines. Banners bearing the royal crest hung from the towering stone walls, and the crystal chandeliers cast a warm glow across the table set with gleaming silverware and fine china.
At the far end of the room, Frankie stood with her father, her hands clasped tightly in front of her. She'd been in formal attire countless times, but today her tiara felt heavier, its sharp edges pressing into her temples. She glanced at her father, who was watching the door with a look of satisfaction, and she couldn't shake the growing dread within her.
"Stand tall, Francesca," he murmured. "Today is important. The kingdom's future depends on it."
She swallowed thickly, straightening her shoulders as the doors opened to reveal Prince Edmond. He was a nobleman, that was for sure. Tall and fair, with a solemn expression and regal posture. Dressed in royal blue and silver, he carried himself with an air of practiced decorum, bowing slightly to her father before moving his gaze to Frankie.
"Princess Francesca," he greeted, extending his hand to her. His tone was formal, his words rehearsed. "It is an honour."
Frankie forced a smile and took his hand, allowing him to lead her to the table. Advisors exchanged approving glances as they sat, and her father looked on with unmistakable pride.
Dinner began, and Frankie found herself struggling to follow the stiff conversation. Edmond seemed nice enough, but he hardly spoke beyond polite small talk and formal questions. He was painfully proper, never once breaking his composure or expressing anything remotely personal.
"Princess, I hear that your kingdom is renowned for its gardens," he remarked between bites, his tone void of warmth. "I would be delighted to take a tour."
"Yes, of course," Frankie replied, trying to match his formality. "Our gardens are... nice."
She felt like a stranger in her own life. She was a performer playing a role that didn't belong to her. Every forced smile, every polite reply, drained her more. With each moment she felt herself drifting further and further from the person she was with Quinn.
She looked around the room, catching Alice's sympathetic gaze from the far end of the room. Her maid offered her a warm, encouraging smile, and Frankie felt a pang of gratitude. But even Alice's support couldn't shake the ugly feeling she had.
As the dinner dragged on, Frankie found herself longing for the forest clearing, the bustling streets of the village, and Quinn's gentle smile. She wondered what he was doing at that very moment, likely enjoying a meal with his family, laughing happily.
Just as she thought she could endure no more, the dinner came to an end. Edmond rose and gave another polite bow, his expression unreadable. "It was a pleasure to meet you, Princess Francesca. I look forward to continuing our... alliance."
"Likewise, Prince Edmond."
As people began to leave the hall, her father took her by the arm, his grip firm. He led her to a quiet corner. "You did well tonight, Francesca. Prince Edmond is an ideal match. Solid, dependable, and the alliance will secure the future of our kingdom."
Frankie wanted to protest, to tell him that there was more to life than alliances and duty, that there were things she couldn't find in a forced marriage. But she knew better than to voice those thoughts.
"Yes, Father."
"Good," he patted her on the arm. "We'll continue with the arrangements. Soon, you'll see that this was the right path."
As he left, Frankie glanced at Alice again, who had quietly made her way over. "Not quite the fairy tale, is it?" the maid mumbled.
"No, not quite."
"Come, I'll take you back to your chambers. And I've got something for you--someone left a note."
Her father's expectations and Prince Edmond's impersonal formality faded into the background as she clutched the note that Alice handed her. With trembling hands, she unfolded it, soft handwriting scrawled across the page:
Stay strong, Frankie. I'll be waiting
The words were simple, but they filled her with courage. She would stay strong. For herself. For Quinn. For the future she really wanted. She would stay strong.
~~
The moon was bright as Frankie slipped through the palace gates and made her way to the forest clearing. She needed to feel free, even if it was only for a few minutes. After hours of gross formalities, she couldn't bare the idea of returning to her chambers. She needed to see Quinn, to be near someone who saw her as more than just a bargaining piece in her father's plans.
When she reached the clearing, she found him waiting, his familiar silhouette illuminated by the glow of the moon. Quinn sat on their fallen log, staring at the stars above, lost in thought. At the sound of her footsteps, he looked up, a smile on his face.
"Frankie," he said quietly, standing to meet her. "I wasn't sure you'd come tonight."
"I had to." Without thinking, she closed the distance between them and wrapped her arms around him, seeking comfort in his embrace. Quinn barely hesitated before returning it, holding her close. She could feel his heartbeat, steady and reassuring, and she could finally breathe.
They stood like that for a while, until Frankie pulled back, looking up into his eyes. "It's hopeless, Quinn. My father has decided everything for me. There's a prince--Prince Edmond. He's the one my father has chosen for me. The one I'm suppoesed to marry."
The words tasted bitter on her tongue, and she saw Quinn's face darken, his expression pained.
"Prince Edmond. And you're just supposed to accept it? No choice?"
She shook her head. "That's the way it's always been. To my father, marriage is a contract--a way to secure power and strengthen alliances. He doesn't see it as anything more."
"So, that's it then?" Quinn looked at the ground. "You'll marry this prince, while I... I go back to being a commoner with nothing to offer you?"
The pain in his voice cut through her, and she held his hand tightly. "Quinn, please. You have to know none of that matters to me. Titles, crowns, alliances--none of it matters when I'm with you." She looked into his eyes, her voice pleading. "You're the only one who makes me feel like I'm more than a princess. With you, I can just be myself."
"But, Frankie... what can I give you that someone like him can't?"
"You've already given me everything," her voice broke. "You give me the freedom to be myself. To be... happy."
Frankie could see the conflict in his eyes, the battle between his feelings for her and his fear that he could never be enough. She could feel her heart breaking at the thought of losing him.
Finally, unable to bear the distance between them, she reached up, cupping his face in her hands as she whispered, "Please, Quinn. Don't pull away from me. Not now."
Slowly, he raised his hand, covering hers. He drew her closer, his forehead resting against hers, their breaths mixing. "I'll try, Frankie. For you... I'll try."
She leaned up, pressing her lips to his in a gentle kiss, one that quickly turned desperate. Slowly, they sank down to the forest floor, their fingers intertwined.
"Stay with me tonight?" she whispered.
"Yeah, let's forget about the rest of the world for a bit."
Just them, beneath the stars, in a world where only they existed.
~~
Frankie stood by the window, focused on the gardens below, though her mind was far from the flowers and fountains stretching across the grounds. The dinner with Prince Edmond still lingered in her head, a reminder of the life her father wanted her to live--bound by duty and sacrifice, devoid of choice. She just clung to the fragile hope that somehow, she and Quinn could find a way to be together.
She didn't hear the door open until her father's voice broke her from her daydreaming.
"Francesca, I have news."
She turned, hiding the worry that twisted her stomach.
"The negotiations with Lathora have failed," he announced, his voice clipped. "Prince Edmond's advisors were unreasonable in their demands, and I will not tolerate such arrogance, not even at the sake of an alliance."
"I see," Frankie replied, her worry replaced by excitement. "Then... there will be no alliance?"
"For now, no. But rest assured, we will find a suitable match. I will not allow this kingdom's future to remain vulnerable."
He studied her, searching for resistance, but she just nodded. She nodded like she always did when her father told her something. She nodded and it made her feel weak. "Of course, Father. I trust you'll make the best decision for the kingdom."
"Good. I have already reached out to another kingdom. Prince Trevor is well-regarded, and his kingdom is both powerful and influential. He's charming, highly capable, and exactly the sort of match we need."
And just like that, the excitement she felt dimmed. Prince Trevor. She'd heard stories of him--a confident, bold young man with a reputation for his charm. Unlike Prince Edmond, who had shown no personal interest in her, Prince Trevor was rumoured to have his own reasons for a royal match, and her father had always spoken highly of him and his father's kindgom.
"He will arrive within the week. Prepare yourself. Remember... respect and warmth befitting of a queen."
Frankie sank back onto the velvet-cushioned bench by the window. Her brief hope was dashed, replaced by dread at the thought of yet another arranged meeting, another prince who would see her as only a political prize.
"What is it, dear?" Alice slipped into the room, a freshly cleaned nightgown in her arms.
"Prince Trevor. Another visit. He's supposed to be a good... match for me."
"Another suitor already? That was fast."
Frankie nodded, a bitter laugh leaving her throat. "Apparently, the kingdom's future can't afford any delay. I thought... maybe I'd have more time between suitors. But now it's worse--this prince, Trevor... he's everything Father could want."
"Time is precious, dear. And it sounds like you'll have to make the most of what you have."
"I just wish... I wish I could talk to Quinn. He's the only one who understands."
"Then talk to him. Don't let this prince or anyone else stop you from finding what matters."
She would talk to Quinn. Make the most of the time she had--no matter what her father's plan was.
~~
Carriages rolled through the gates, flanked by royal guards. Frankie stood up straight and tall as the entourage approached. It took everything in her to maintain the mask of dutiful obedience.
In the lead carriage, a young man stepped out, tall and impeccably dressed in rich, dark fabrics embroided with the crest of another kingdom. His presence was immediately striking--confident and sharp. His blond hair caught the sun, and he wore a self-assured smile.
He crossed the courtyard easily, bowing deeply before the king. "Your Majesty. Thank you for inviting me to your kingdom. It is an honour."
"Prince Trevor," King Eric replied. "We are delighted to have you here. Please, allow me to introduce my daughter, Princess Francesca."
Frankie dipped into a small curtsy, keeping her gaze neutral. To her surprise, Trevor offered her a grin, one that felt genuine and a bit too confident. He took her hand and bowed over it, never taking his eyes off hers in way that made her feel exposed.
"Princess Francesca, I must admit, I was eager to meet you."
"Welcome, Prince Trevor. I trust your journey was pleasant?"
"It was long," he replied with a small chuckle. "But well worth it, if it means meeting such... esteemed company."
King Eric seemed pleased with the exchange, just as he had with Prince Edmond. "Good, good. Let us retire to the main hall. I trust you two will have much to discuss."
Frankie found herself side-by-side with Trevor as they followed her father, his presence uncomfortably close. The palace staff had arranged for refreshments in the main hall, where soft music played, and light filtered through the stained-glass windows.
Trevor leaned in slightly, his voice low enough for only her to hear. "I've heard many things about you, Princess. But none of them seem to capture the... charm of your presence."
Frankie didn't sense any malice in his words--if anything, he seemed genuinely interested in her. But there was a smugness, an unspoken assumption that made her wary,
"Thank you, Your Highness."
"Oh, please," he waved her off dismissively. "There's no need for such formality between us. Call me Trevor."
"Very well, Trevor."
They took their seats in the centre of the room, and as refreshments were brought in, Trevor continued talking. He talked about his kingdom, his travels, his fondness for sports, even sharing an amusing story about an ill-fated hunting trip that had everyone laughing and nodding along.
Trevor was charming--she couldn't deny that. But it was the practiced charm of someone who knew his own worth, who was accustomed to admiration. It only made her think about how different he was tha Quinn, whose honesty was comforting and not... whatever this was.
After a while, Trevor turned the conversation to Frankie. "And tell me, Princess, how do you spend your time in the palace? Surely you must find ways to escape the routine of court life."
"I do enjoy some time in the gardens and reading in the library. Occasionally, I take walks beyond the palace grounds."
"Beyond the grounds?" he raised an eyebrow. "You must be quite adventerous, then. I'm impressed."
"I enjoy the fresh air," she said simply, hoping to deflect his interest.
But Trevor grew even more curious, and he leaned closer. "Perhaps you could show me these spots. I would love to see more of the kingdom--from a local's perspective, of course."
"Perhaps," she replied, though she knew it was unlikely she would bring him to her favourite spots.
Finally, the gathering drew to a close, and Trevor turned to her. "Thank you for your time, Princess. I look forward to seeing you more during my stay." His words held an unspoken promise as he took her hand once more, pressing a kiss to it.
She forced a smile, but it was hollow. Why did her dad get a say in her life and she didn't?
~~
Quinn walked alone, his thoughts heavy. News of Prince Trevor's arrival had swept through the kingdom, carried by rumours and whispers that painted him as the perfect suitor for the beautiful Princess Francesca. Quinn had heard the villagers speak about Trevor's charm, his looks, his power. He was everything a princess could want, everything Quinn felt he was not.
He shook his head, pushing back the growing ache in his chest as he made his way to their forest clearing. He knew Frankie would be waiting for him, but he wasn't sure what he'd say. The thought of her standing beside a prince, a man who could give her the security and life she deserved, made him feel helpless. He could he compete with that?
He found her there, sitting on their log, her face lighting up when she saw him. She rose, coming to meet him, her arms reaching out to pull him close. But he took a step back, his hands tucked in his pockets, his gaze fixed on his shoes.
"Quinn?" Her voice was soft, confused. "Is everything all right?"
"Yeah, I just... I heard the news. About Prince Trevor."
She hesitated, her expression turning guarded as she nodded. "Yes, he arrived today."
Her confirmation made his fists clench in jealousy. "So, he's... he's the new one, then? The prince your father wants you to marry?"
Frankie reached out, her hand resting on his arm. "My father thinks he's the right choice. But I don't."
He shook his head, pulling his arm away, and looked past her. "Frankie, I'm not... I can't compete with him. Or with any prince. I'm just... me."
She stepped closer, reaching for his hands, her eyes pleading. "Quinn, don't say that. You're everything to me."
He let her take his hands, but his grip was loose, uncertain. "Maybe you think that now, but I'm not blind, Frankie. I know what you deserve. Someone who can give you the life you're meant to have."
"But I don't want that life. Not if it means losing you."
Quinn looked down at their hands, his thumb brushing over her knuckles. "But you deserve someone who can be by your side... someone who can stand with you, not behind you."
"Please, Quinn. Don't say that. Don't push me away."
"Frankie, I love you. I love you more than anything. But maybe... maybe loving you means letting you go. So you can have the life you were born to have."
He was saying what she'd feared all along--that he felt he wasn't enough for her, that he would only hold her back. Tears pricked at her eyes, and she could no longer keep her voice steady. "So, that's it? You're giving up on us?"
He closed his eyes for a moment, his jaw tightening. "I don't want to, but I can't ignore reality, Frankie. You're a princess. And I'm..."
"Don't," she interrupted. "Please, don't finish that sentence."
The quiet of the forest around them was thick with tension. She wanted to scream, to beg him to stay, to make him see that he was the only one for her. But his resolve was unshaken despite the pain in his eyes.
"If you leave, Quinn... I don't know what I'll do."
"I'm sorry, Frankie. I wish... I wish things were different."
He turned, his figure retreating back towards the village, and Frankie watched, tears streaming down her face as the one person she loved more than anything disappeared into the night.
~~
Frankie felt numb. She stood by the stone fountain in the garden, watching the water cascade over the edges. The fresh air did little to ease the weight of her heartbreak.
Quinn's words cut at her heart like sharp blades. She could still feel his hands in hers, see the sadness in his features as he said goodbye. How could she even begin to think about marrying someone else when her heart was in a million little pieces?
However, she couldn't afford to avoid Trevor forever, though the thought of pretending to be interested in him felt almost unbearable.
"Princess Francesca?"
Trevor walked over, his charming smile in place. She forced a polite smile, hoping it didn't look as strained as it felt.
"Prince Trevor. I didn't expect to see you out here."
He chuckled, coming to stand beside her by the fountain. "Oh, I've always been a fan of gardens. My mother keeps one back home, though I'll admit, yours puts ours to shame."
Frankie glanced at him, uncertain of how to respond. Why did he care so much?
"You looked lost in thought," he continued, studying her face. "I hope I'm not interrupting anything... important?"
"No, just... enjoying the peace."
Trevor nodded. "I suppose a princess doesn't get much of that, does she? Not with all the demands, the expectations, the responsibilities..."
She glanced at him, trying to gauge his intentions. "You seem to know a lot about it."
He shrugged, folding his hands behind his back as he looked out over the garden. "My life may be different from yours, but it's also very similar. I get what it's like to have your path laid out for you. But I've always believed that duty and happiness don't have to be mutually exclusive."
His words were well-spoken, maybe there was more to him than she'd assumed.
"Your father told me much about you, Princess," his tone dropped to a more personal level. "But I'll admit, I really didn't expect you to be so... captivating."
She tensed, feeling her face flush. "You don't know me, Prince Trevor. Not really."
"Not yet," he remained undeterred. "But I'd like to. I see something in you, Princess. A strength. A desire to be more than what others expect of you."
She wanted to tell him that he was wrong, that her heart was already spoken for, that the life she wanted was far from the one he was offering her. But she bit her tongue, knowing it would only complicate things further.
"You think you see me. But there's more to me than... strength."
"Than show me, Francesca. Show me who you are."
"I appreciate your... interest, Prince Trevor. But I don't think I'm what you're looking for."
"Why do you say that?"
"Because I... I already know who I am. And I'm afraid I may not be able to meet the expectations that you or my father have for me."
To her surprise, Trevor's smile only grew. "Perhaps that's exactly why I'm here, Princess. To help you realize that duty and desire can coexist."
She didn't respond and he gave her a respectful nod. "I'll give you time, Francesca. I'm not here to force anything--only to show you that it's possible."
With a deep sigh, she looked to the edge of the garden, where the forest stretched out for miles and miles. She wished she could run to Quinn, that she could hold him despite her world falling apart. But for now, all she could do was stand there and listen to Trevor's footsteps as he retreated back into the castle.
~~
The day had been exhausting--her father's pointed glances during the afternoon, Trevor's persistent charm, and the unshakable ache in her heart left by Quinn's absence. She was stretched thin with no clear way out.
She found Alice waiting for her in her chambers, preparing the room for the night.
"Oh my! You look exhausted! Come, sit!"
Frankie sat heavily on the edge of her bed, running a hand over her face as she struggled to keep her composure.
"What's troubling you now, Frankie? You're going to give yourself a heartattack."
Frankie was unsure of where to begin. But as she looked at Alice, the words began to spill out, her voice barely a whisper. "It's... everything, Alice. My father, Prince Trevor... and Quinn. I... I love him, Alice. But it feels like everything in the world is trying to tear us apart."
Alice nodded.
"Trevor won't give up and Father loves him. He's so certain that he can make this work, that I'll come to accept it. But I can't... I can't just pretend my heart isn't with someone else."
"And what does Quinn think of all this?"
"He... he think he's not enough. That he can't give me what I need or deserve. He said... he said maybe it would be better if we didn't see each other."
"The heart can be a stubborn thing, Frankie. It often tells us we aren't worthy of people we love most."
"But he is worthy, Alice. He's everything I could want. Kind, honest, and loves me for me and not my title."
"Be brave, Frankie. Like I've said a million times before, be brave."
"What if... what if I can't convince him?"
"Then you'll know you tried. But don't bear a life of regret."
"You're right. You're always right."
"That's what I'm here for, no? Now, get some sleep. You need it," she pulled back the blankets, a smile on her face.
"Thanks, Alice."
"Let me know how it goes," the maid winked before retreating into the hallway, leaving Frankie to figure out how to win back the love of her life.
~~
Frankie held her head in her hands. For days she had felt a deep fatigue that tugged at her bones, combined with spells of nausea and dizziness that seemed to come and go. She had tried to dismiss it, assuming it was the stress of her upcoming marriage to Prince Trevor and the heartbreak of losing Quinn.
"I always feel like I'm asking you what's wrong nowadays," Alice said, approaching with a warm cup of tea.
Frankie smiled, taking the cup in her hands. "I... I don't know, Alice. I just feel... strange. Tired, and unsteady." She paused, a wave of dizziness overcoming her, and took a sip of tea in an attempt to steady herself.
"Forgive me, but... have you considered there might be another reason for this feeling?"
Another reason? Frankie looked up, and the implications of her confidante dawned on her. She felt the room shift around her as the realization struck her like a bolt of lightning.
"Alice... you don't mean...?"
"It's possible, isn't it, dear? You've been feeling unwell, and it's not uncommon for these symptoms to appear under such... circumstances."
Frankie gasped, setting her tea aside. The memories of her night with Quinn flashed before her and her hand drifted to her abdomen.
"Alice... could I really be..." She couldn't finish the sentence. She couldn't speak it into existence.
"There's only one way to know for sure. Shall I walk down with you?"
Frankie could only nod. The palace daughter only worked a couple days a week, but luckily for her today was one of those days. Alice stood with her while the doctor moved around the room, poking and proding the princess. Eventually, he came to his conclusion.
"You're with child."
"It's true then," Frankie whispered. "I'm..."
This child was a symbol of her love for Quinn--a precious connection that bound them together. But as the joy she felt settled, it was quickly replaced by fear. What would her father say? How would he react when he learned the princess was carrying the child of a commoner?
"What am I going to do? My father... he'll be furious. He'll never accept this."
"Francesca, I know this is frightening. But this child is a part of the love that you share with Quinn. Whatever happens, you are not alone."
"What would I do without you?"
"You have the courage to face this, for you and your baby."
Frankie nodded. She would face her father, tell him the truth, and hope that somehow, he would understand. She would protect her baby--no matter the cost.
~~
Frankie took a long breath before she nodded to the butler to open the door to the throne room for her. She knew her face gave away her terror, but she had to face this moment for the sake of her child.
Her father was a solitary figure on the far side of the room. He was seated on his throne, reviewing a parchment with intense focus. He looked up, raising an eyebrow at her sudden entrance.
"Francesca. This is unexpected. What brings you here?"
Her courage wavered under his intense stare. But she felt a surge of strength at the idea that she could live a happy life with her child and Quinn. She looked her father directly in the eyes, inhaling sharply.
"Father, I need to speak with you. It's... it's important."
King Eric's eyes narrowed, his expression shifting to one of mild annoyance. "Very well, Francesca. What is it? You seem rather... grave."
"I... I have something to tell you. Something that I know you won't be pleased to hear." Her voice trembled, but she pushed on. "I am... carrying a child, Father. Quinn's child."
For a moment, she thought she saw a flicker of shock in his eyes, but it quickly vanished, replaced by a cold, piercing stare that made her feel small and insignificant.
"What did you say?"
"I am with child. The child is Quinn's. I... I love him, Father. I know this isn't what you wanted, but I had to tell you. This... is very important to me."
King Eric's hands clenched around the arms of his throne, his face growing hard with anger. He rose slowly, his gaze dark as he approached her. "Francesca," his tone was laced with fury, "do you understand what you have done? You, a princess, have disgraced this family by carrying the child of a commoner! You have risked everything I have worked to build--all for a fleeting, foolish romance!"
Tears stung her eyes, but she held her ground, unwilling to back down. "It's not foolish, Father. I love him. I want him to be part of my life."
"Love? This is not about love, Francesca. This is about duty. About securing the future of this kingdom! Do you realize the scandal this could bring upon us? The disgrace? No one can know of this--no one."
"Father, please. This baby is a part of our family. Can't you see that?"
"Leave! I don't want to speak with you about this further!"
Frankie didn't let her sobs escape her until she'd left the room, running the rest of the way to her chambers. She shoved her head in her pillow, screaming. How could he be so cruel?
~~
It had only been a day since their confrontation and her father had summoned her to his study. She tried to imagine what he could possibly want from her now, after everything he'd said.
She entered the room to find her father seated at his desk. Behind him stood two advisors and, to her surprise, Prince Trevor himself. The prince gave her a sympathetic nod as she entered, but she could sense the tension beneath his charm, as if he, too, were uncomfortable.
"Francesca. Sit."
Reluctantly, she sat across from him, stealing a glance at Trevor, who looked back at her with the same strange, calm expression. Whatever her father was about to say was definitely not going to be in her favour.
"After careful consideration, and after consulting with Prince Trevor and his advisors," the king began, "I have decided on the final plan that will secure our alliance and protect the reputation of our family."
Frankie knew whatever was coming was something monumental, something inescapable.
"You will marry Prince Trevor. And once the child is born, it will be recognized as his legitimate heir. This will satisfy the alliance and protect the throne from any scandal."
"Father... you cannot mean this," she whispered, her voice trembling. "You would have me marry someone I do not love and raise my child as if it belonged to another man?"
Trevor stepped forward. "Princess, please understand that I hold you in the highest respect. This is not a decision I take lightly, but as prince, it is my duty to my people to align with your father's wishes. It would be a... practical arrangement. One that serves us both."
Frankie looked at him, desperation filling her eyes. "And you agree to this? To pretend this child is yours? To live a lie?"
"If it means peace for our people, then yes. Sometimes duty requires us to make sacrifices."
"But this child is not yours, and I am not yours. I... I am bound to someone else, someone who loves me for who I am."
King Eric's face darkened as he listened to her protests, his patience wearing thin. "You are a princess, Francesca. Have you forgotten that? This marriage is not a matter of choice, it's a matter of duty. You will do what is expected of you."
She looked to Trevor again, but he looked away, his silence confirming his compliance. The future she'd envisioned with Quinn was slipping further and further from her grasp.
"What about my baby? What about the truth?"
"Your child will be the future heir, protected by the alliance forged through this marriage. You must set aside your personal attachments, Francesca. This is a sacrifice you will make."
Her father and Trevor had reduced her love, her future, and even her child's identity to nothing more than a means to an end. "Yes, Father. I understand."
"Good. This is for the best, Francesca. One day, you will see that."
She would not betray her love for Quinn, nor would she let her child's life be built off lies. She would find a way out.
~~
The palace was beautiful, with tapestries of gold and crimson adorning the walls and rows of white lillies lining the grand hall, their scent filling the air. Candles in chandaliers flickered above the gathered nobility and dignitaries. It was a sight fit for a royal wedding--a vision of perfection that would make any bride squeal. But Frankie only felt numb with dread.
Dressed in an ivory gown and a veil that trailed behind her like mist, she walked down the aisle on her father's arm. King Eric's face was stern but proud, as if the spectacle he had crafted would hide her sorrow. Frankie kept her head high, but her thoughts were miles away--on the life she would never have, on the man she loved, on the future that was being stolen from her.
At the end of the aisle waited Prince Trevor, standing tall in his ceremonial attire, his expression as neutral as it had been in the meeting. He, too, was playing his part in this theatre. Trevor was bound by duty.
The king's voice was low as he released her hand, a final, whispered warning. "Remember, Francesca. For the kingdom. Do what must be done."
She nodded, standing beside Trevor as the officiant began the ceremony, her gaze distant. This was the final nail in the coffin that was her life.
~~
Quinn sat hunched over a letter in his bedroom, his eyes fixed on Alice's handwriting. The truth hit him like a punch to the gut. Frankie was pregnant with his child. She had been forced into a marriage to protect the kingdom.
Setting the letter down, Quinn rose to his feet, his face pale. He couldn't let this happen. He wouldn't allow her to be trapped in a loveless marriage with his child by her side. Without another thought, he left his home, running through the streets toward the palace, each step fuelled by desperation.
~~
The officiant continued, his voice steady as he reached the vows. Frankie could feel the weight of Trevor's hand resting on hers, but the rest of her body felt numb... frozen.
Just then, the heavy doors to the grand hall swung open with a loud crash, and commotion erupted among the guards. Heads turned in shock as Quinn stormed into the room, his voice ringing out as he called her name.
"FRANKIE!"
Gasps rippled through the crowd, and the guards hurried to interept him, grabbing his arms to restrain him. But Quinn struggled against them, his eyes fixed on Frankie.
"Let me go!" he shouted. "I need to speak to her! Frankie, don't do this!"
Frankie's composure shattered as she saw him fighting against the guards. Her eyes filled with tears, "Father, please let him speak."
"Remove him. He has no place here."
The guards began to drag Quinn back, but he resisted, his voice desperate as ever. "Frankie, don't let them do this to you! You don't have to live this lie! I love you!"
Frankie felt a surge of defiance--a fierce determination to claim the life she wanted, even if it meant forsaking everything she'd ever known. But then, her father gripped her arm, his voice a harsh whisper. "Don't let him make a fool of you, Francesca. This is your duty. Your responsibility to all the people of the kingdom."
Her heart screamed for her to run with Quinn, to escape, but her father's will and the many eyes on her held her back.
"Remove him! This wedding will proceed!" King Eric's voice boomed.
"Frankie, please! You don't have to do this!"
"Let's... let's finish," she whispered.
Quinn was dragged out and the doors shut. The officiant resumed as if nothing had happened and before she knew it she was officially married to Prince Trevor.
~~
The festivities were over, and the palace was dark and quiet. Frankie was wearing the stupid white nightgown she had been forced to wear. She knew this day had been Hell. She knew Quinn was worth the sacrifices and she should've gone with him.
A soft knock sounded at her door, and Alice slipped in holding a small bundle. "It's time, my lady," she whispered with urgency.
Frankie nodded, rising from her bed and taking Alice's hands. "Thank you, Alice. I don't know how I'll ever repay you."
"You can repay me by finding happiness. Now, hurry. I've packed some things for you--just the essentials."
She draped a dark cloak over Frankie's shoulders and tucked the hood around her face, obscuring her features.
"If... if he ever asks, tell my father that this was my choice. That I left willingly."
"You've made the right choice, Princess. This child deserves a life of love and freedom--and so do you."
Frankie blinked back tears, then turned toward the narrow servant's door that Alice had left ajar. Silently, she slipped through the gardens scanning the edge of the woods for any shadows. She prayde that Quinn had received the message that Alice had sent him earlier that evening.
A figure emerged from the trees and she could've died from happiness. He moved forward, in disbelief that she was standing in front of him.
"Frankie," he whispered. "I didn't think... I thought..."
She silenced him with a kiss, her eyes filling with tears. "I couldn't stay, Quinn. I couldn't live that life, not when I knew what we could have together. I chose you. I chose us."
"We... We'll go far from here. Somewhere safe, somewhere we can be free."
"I don't care where we go, as long as we're together."
With one last look at the palace, the place she'd spent her entire life, Frankie turned her back on it, taking Quinn's hand as they disappeared into the forest, leaving behind the world of royalty and expectations. Together they were stepping into the unknown, choosing love and the promise of a new beginning.
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Did Anastasia deserve to die for her family's crimes against Fieval's family?


I've always found it interesting that "Anastasia" and "An American Tail" were made by the same guy...
My mom got us "An American Tail" as kids, since we were Jewish, and a Disney-like movie with Jewish characters was a one-of-a-kind thing. ("The Prince of Egypt" was still a few years away. Yes, I'm that old.) More to the point, my dad's side of the family is largely Russian Jews, who immigrated in the early 1920s, for exactly the same reasons as the Mouskewitz. Being a child of this background and very literally obsessed with cats, I had mixed feelings about the movie.
When "Anastasia" came out a few years later, Mom didn't let that history stop us from enjoying the new princess movie, but she didn't shelter us from it either. We regarded it like we did the real history behind any sugar-coated princess movie. She even got us some history books about the real Romanov family, and we were fascinated by the subject.
Still, it's an odd elephant in the room, watching "Anastasia" and knowing that her granddad was the one who sent those Cossack cats after Fievel's village, and her dad himself continued doing it to the Jewish mice who didn't leave.


"Go, Pompom, Kibble and Fluff-Baron! Kill those Jew mice, and I'll give you extra catnip treats tonight!"
Don Bluth presents both the Romannov family and their victims with equal sympathy, even opening both movies with the family celebrating a holiday, with the kid heroes getting a plot-specific present, before being viciously attacked.


"Wow Grandmama! Fieval and Tanya could use this as a merry-go-round!"
*Cough* "Yes uh, about those Jewish mice Sweetie..."
Bluth's portrayal of the Romanov family is not entirely inaccurate. By all accounts, Nicholas II was a deeply loving father who both doted on his children, but raised them not to be spoiled. Despite being royalty, the princesses shared bedrooms and did charity work at hospitals.

It's a baffling irony that Nicholas was nevertheless was a tyrant, and not remotely just to his Jewish subjects. When I was about twelve, Mom got me the Dear America book A Coal Miner's Bride, about the Catholic Polish immigrants who also fled the oppression of the Russian Tzar. (Anastasia's family conquered part of Poland in the 1800s, banning the Pols from speaking their own language and drafting their sons into the Tzar's dick-measuring contest wars.) Anyway, that's what my mom's side of the family was fleeing when they immigrated. Yes, my family has double reason to hate the Romanovs.

So, I personally don't have a lot of sympathy for Nicholas II. But the horrors his poor wife and children endured in their final moments never fails to get the reaction from me.
The rationalization for the murder of the children and queen was that it was the only way to ensure that the monarchy never returned. But I assume most modern-thinking people would say that the ends do not justify the means in this case.
That said, millions of families like Anetka's and Fievel's suffered as bad or worse than the Romanovs, because of the Romanovs, and no one remembers them because they didn't wear tiaras. This no doubt was another factor that killed sympathy for the Romanov children. But they were still children.

The question today is, if we can feel for a family that was literal royalty, despite their father being an undeniable tyrant against our own families...can we also feel for Palestinian and Israeli families, during a conflict that is vastly more complicated than Imperial Russia?
Or do they need to be cute mice and glittery princesses to get our attention?
#don bluth#anastasia romanov#anastasia 1997#an american tail#fievel#fievel mousekewitz#nicholas ii#tzar#russia#imperial russia#jewish#judaism#poland#a coal miner's bride#dear america#non disney princess#disney princesses#princess#immigrants#antisemitism#imperialism#russian revolution#mouse#mice#animation#hamas#west bank#israel palestine conflict#russian jews#mizrahi jews
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I don't really have much to post since I've been thinking abt Arcane 24/7 so have these refrence sheets I did (I have much more but they're pretty old)
Drop design requests
Here's the list of country's I've done
USA (Revolution/Civil War/WW1/WW2/Current)
Japan
Japanese Empire
Japan (pre-JE)
UK (Kingdom/1700s/Current)
France (Napoleonic Wars/Current)
Spain
Italy
Roman Empire
Athens
Sparta
Greece
North Korea
South Korea
Korea
China
Taiwan
Hong Kong
Macau
China (one of the dynastys)
Scotland (Kingdom)
Austrian Empire
Austro-Hungary
Habsburg Monarchy
Holy Roman Empire
German Empire
Teutonic Order
Prussia
Germany
East Germany
Third Reich
Kingdom of Hungary
USSR
Tsardom of Russia
Russian Empire
Russia
Azerbaijan
Duchy of Lithuania
Polish Kingdom
Polish-Lithuanian Commonwealth
French Kingdom
Ireland
Wales
Northern Ireland
#countryhumans#art#artists on tumblr#greece#greece countryhumans#ireland#ireland countryhumans#united kingdom#united kingdom countryhumans#northern ireland#northern ireland countryhumans#wales#wales countryhumans#italy#italy countryhumans#spain#spain countryhumans
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Chopin's Funeral
By Benita Eisler

Funeral at La Madeleine, 1868
On a sparkling Paris morning, Tuesday, October 30, 1849, crowds poured into the square in front of the Church of the Madeleine. The occasion was the funeral of Frédéric Chopin, and for it, the entire facade of the great neoclassical temple had been draped in swags of black velvet centred with a cartouche bearing the silver-embroidered initials FC.
Admission was by invitation only: Between three thousand and four thousand had received the black-bordered cards. Observing the square with its crush of carriages, the liveried grooms and sleek horses, the throngs converging on the porch, Hector Berlioz reported that "the whole of artistic and aristocratic Paris was there." But another who surveyed the crowd, the music critic for the Times of London, suspected that of the four thousand who filled the pews, a large number had been admitted just before noon, strangers to the dead man, mere bystanders even, "many of whom, perhaps, had never heard of him."


Facades of La Madeleine, 1840-70
If death is a mirror of life, Chopin's funeral reflected all the disjunctions of his brief existence. The most private of artists, his genius was mourned in a public event worthy of a head of state. Canonized as "angelic," a Shelleyan "poet of the keyboard," Chopin seemed to personify romanticism, and before he was buried, its myths had already embalmed him: a short and tragic life; an heroic role as Polish patriot and exile; doomed lover of the century's most notorious woman; and finally, his death from consumption, that killer of youth, beauty, genius, and of courtesans foolish enough to fall in love.

Chopin's Last Chords by Józef Męcina-Krzesz
In reality, he was the least romantic of artists. While the generation that had come of age just before his own in France, including the Olympian Victor Hugo, had defined romanticism as a holy war of the "moderns" (themselves) against the "ancients" (their literary elders), setting off riots in theaters to make their point, Chopin clung to the past. His musical touchstones were Haydn, Mozart-but especially Bach. He harbored doubts about Beethoven's lapses of taste, was incurious about the music of Schubert, and generally contemptuous of his other contemporaries: Schumann, Berlioz, and Liszt, towards whom his feelings were further tangled by rivalrous friendship. In art, he preferred the marmoreal neoclassicism of Ingres and his followers to the radical inventions in color and form of his friend Delacroix. Socially and politically, he was still more conservative.
The same aristocratic circles that had embraced Chopin the child prodigy in Warsaw were waiting to welcome the twenty-one-year-old sensation of Paris. Chopin arrived in France in 1831. One year before, revolution had replaced the Bourbon Restoration with the Orleanists swept in by Louis Philippe and his July monarchy. It was still a world of fixed hierarchies: of titles, birth, and breeding, buoyed by a flood tide of fresh money coined by the financiers and industrialists whose entertainments outshone the Sun King in splendor, if not in style. Chopin made some friends among the professional middle class-a less grand banker or diplomat, a few fellow musicians. He had a horror of "the People" as a force of upheaval or even change (which he dreaded in any form), and he was suspicious of those who championed their cause. He was appalled by that quintessentially romantic belief, whose most ardent proponent was George Sand, that art must serve the cause of social justice-or, indeed, any other cause except itself.
Like many who have thrived as "exceptions," propelled by talent from modest origins to a place among the privileged, Chopin was repelled by marginality: by poor Poles, by Jews, by the ill-dressed and ill-mannered, by coarseness or slovenliness, in art or life.

Chopin’s hand and death mask
Most likenesses of the composer suggest that he was far from handsome. He had pale, colorless hair, a thin, hooked nose, a pursey mouth, and rabbity, lashless eyes. In these images, Chopin bears only a glancing resemblance to his famous portrait by Delacroix-the portrait of romantic genius itself, with his tousled chestnut mane and burning inward gaze. Chopin's famous dandyism, then, must be understood as another labor of creation, like his music an imperious quest for perfection. The dandy enlists distinction-in dress, speech, manners-along with distance, to create a masterpiece: himself.
What appeared to many-then and now-as the snobbery of a provincial, self-invented aristocrat and aesthete, had deeper sources. Chopin needed the reassurance that a fixed social order provides. Dependent and childlike in many ways, he clung to the security of protective institutions-the monarchy, the Church, and the family-which defined themselves proudly as patriarchal, stern but loving fathers keeping watch over children, dedicated to exalting an ideal past and to keeping present chaos at bay.
Two years and only two public concerts after his arrival in Paris, Chopin ranked among those few artists who moved in every circle that counted. Ignoring protocol, older, established musicians called upon him. He was a fixture at the grandest houses, where, arriving in his own carriage, he was welcomed as a lionized guest who never failed to charm and amuse; if he could be prevailed upon to perform, he hypnotized every listener. The musically knowledgeable drew close to the piano to study the wizardry of his technique and his famous inventions in fingering, third finger crossing the fourth, that made his impossibly difficult compositions appear effortless. Fellow exiles heard laments for a homeland in the languorous rubato of the mazurkas, with their heart-catching drop from major to minor keys, but the mood of elegy was as often shattered by discordant salvos of unleashed rage. Even those guests whose attendance was simply an occasion to wear the new diamonds, to remark casually at the bourse that the reception last evening at Baron James's had been more than usually delightful, stayed well past midnight, straining to hear the final note, when the pianist, pale and exhausted, rose wearily to take his bow. It was uncanny how Chopin's music spoke so intimately to their most private, long-buried thoughts and memories, evoking childhood happiness and lost love; innocent, nobler selves trampled by the harsh rules of life.
Seventeen years later, he died, destitute, in an apartment paid for by friends at the most fashionable address in the most expensive quarter of Paris.

A drawing by T. Kwiatkowski of Frederic Chopin on his deathbed, 1849
Now, at the funeral, emissaries from the world of music were outnumbered by mourners from the ranks of the rich and titled. The Polish émigré aristocracy and its French counterpart among the old noblesse were in turn outshone by new money: bankers and speculators whose wives and daughters had also been among Chopin's pupils. Certain of the fashionable, one reporter noted, appeared indecorously attired in brilliant colors, glittering with jewels.
While the crowd filed through the portal, the closed casket was carried from the sanctuary and placed under an elaborate catafalque ("utterly pretentious," in the view of Paris's leading music critic) at the transept. Chopin's embalmed body had lain in the crypt for almost two weeks since his death on October 17, aged thirty-nine. His dying had been long and terrible, the disease that killed him still not diagnosed with certainty: tuberculosis of the larynx, cystic fibrosis, mitral stenosis, or a rare viral infection?

Interior of La Madeleine, 1845.
With a dandy's discipline, in his final agony of slow suffocation, Chopin had planned the musical program whose principal offering was to be a performance of Mozart's Requiem. Unknown to the dying man, women were not permitted to sing in the city's parish churches; it had taken days of pleading on the part of Chopin's most powerful friends before a special dispensation was issued by the Archbishop of Paris. The decree allowed female participation provided it remained invisible; thus the women singers, including Chopin's friend Pauline Viardot among the featured soloists, were hidden from view behind a black velvet curtain.
As the mourners took their places, the organist played the funeral march from Chopin's own Sonata in B-flat Minor. Then, the choir of the Paris Conservatory sounded the opening notes of the Requiem's Introitus, followed by the first solo — "Te decet hymnus, Deus," Viardot sang, her glorious mezzo-soprano soaring above the chorus and orchestra. Then, voices and instruments were stilled while the priest chanted the High Mass for the Dead.


Modern day interior of La Madeleine
The pallbearers emerged from their pews. Two princes, Adam and Alexandre Czartoryski, represented the community of Polish exiles. The painter Eugène Delacroix mourned the friend he had both loved and revered, calling him "the truest artist among us." From the world of music, the composer Giacomo Meyerbeer, decorations glinting against his dark mourning attire, appeared the personification of success. He had been the merest acquaintance, but Chopin, passionate for opera, had been a fan, like millions of others who had made Meyerbeer a rich man. In contrast, cellist and composer Auguste Franchomme was known to few. But the modest, scholarly professor at the Conservatory had been the inspiration for the only music Chopin would ever write for an instrument other than the piano. Franchomme was followed by a collaborator of another kind, Camille Pleyel, manufacturer of the pianos that Chopin, more than any other composer who ever lived, had made the instrument of genius.
Shouldering the massive coffin, the six men moved up the nave to the sounds of the organ playing Chopin's Preludes in E Minor and B Minor. Many of those now leaving had heard the composer play these pieces-his favorites-in their own houses, in the salons of friends, or in Pleyel's concert rooms. The familiar notes on the somber instrument spoke of the voice they would never hear again, and they wept.

Sick Chopin at Piano. Illustration on postcard by A. Serkowicz
Outside the church, the mourners gathered around the corbillard, the wagon hearse particular to Paris. Drawn by black plumed horses, it aroused shivers of dread, but also of excitement: Parisians loved a funeral. By this time, most of the mourners had dispersed; Chopin had forbidden any graveside ceremony. With the exception of the pallbearers, freed now of their burden, those who remained were women. They surrounded the small figure of the composer's older sister, Ludwika, summoned from Warsaw by the dying man at the end of June. "Please come, if you can," he had begged, even if she had to borrow the money, of which, he, alas, had none to advance. "Apply for a passport immediately," he urged, and lest he should sound like his familiar hypochrondriacal self, he invoked the advice of others close to him and concerned for his health who had agreed that no medicine would help him as much as the sight of his sister. At the same time, he tried to deny the urgency of his condition. "I don't know myself why I yearn to see Ludwika," he wrote, with a wan coyness, to the rest of the family. "It's like those whims of pregnant women."

Ludwika Chopin
Chopin might have spent the last twenty years in the most emancipated company of Paris, but it was still natural to him to ask permission of his brother-in-law for Ludwika to make the journey: "A wife must obey her husband," he wrote. "Thus, I am asking you as the husband to accompany your spouse." With the intervention of the czar's ambassador to France, whose wife was Polish, the endless passport process was hastened and Ludwika, accompanied by her husband, Józef Kalasanty Jedrzejewciz, and fifteen-year-old daughter, arrived in Paris in August. But the grumpy Kalasanty returned to Poland in September; it was only Chopin's sister and his little niece Louisette who remained with him to the end.
Another young mourner, Adolf Gutmann, thirty years old, was one of Chopin's few pupils training to be a professional musician. Others, including pianists said to be just as talented, could not have performed by virtue of birth; they were women and aristocrats of title or wealth; indeed, the most gifted of all Chopin's students was a princess, Marcelina Czartoryska, who had walked to the cemetery accompanied by Countess Delfina Potocka. Sumptuously beautiful of face and body, her golden hair as bewitching as her soprano voice, Delfina, long separated from her husband, was so prodigal with her sexual favors that she had been crowned "the Great Sinner"-no small distinction in the Paris of the July Monarchy. Chopin was rumored to have been one of her many lovers. She had rushed to Paris from her villa in Nice at the news that he was dying. With only hours to live, he had begged Delfina to play and sing for him. A piano was moved to the open door of his bedroom. But the sounds of the voice so dear to him or the music she played or sang caused spasms of choking and he motioned for her to stop.

Death of Chopin by Félix-Joseph Barrias. Showing Potocka singing to Chopin.
Sending their carriages ahead, the Polish noblewomen walked the distance, east along the grand boulevards, skirting the slums of Paris to Père Lachaise Cemetery. Others, arriving earlier in hired cabs, stood waiting by the open grave: a brawny red-haired sculptor, Auguste Clésinger, and his young wife, Solange, daughter of George Sand. Clésinger had been summoned to the dying man's bedside to mold the death mask, but the resulting likeness-bald head, drooping eyes, mouth contorted by agonized efforts to breathe-was rejected by the horrified Ludwika. Working swiftly, the sculptor had applied another layer of wet plaster, which, after removal, he reworked, smoothing away all evidence of struggle and pain until the dead man's features were composed into an expression of Christian peace. Clésinger's reward was the commission for a funerary monument, and he now surveyed the site where his marble tribute, featuring a Muse holding a lyre, would rise above a small oval profile of the composer.

Chopin’s Grave, All Souls’ Day.
Towering over the Clésingers, Ludwika, the priest, the Polish nobles, and the pallbearers was the angular figure of Miss Jane Stirling, a Scottish heiress, Chopin's pupil and patroness, who had supported the composer in the last year of his life. It was Stirling who had paid the bill for the funeral-five thousand pounds-of which two thousand were spent on the orchestra and chorus alone.
In the silence ordained by the dead man, his coffin was lowered. The mourners pressed closer together for a last look. But they also seemed to close ranks, filling an empty place among them.
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