#please my braincells are struggling to form a coherent thought just that i really love the composition of the scene

[heeruh]

I find it rather endearing how, at the end of Vila's story quest she somehow gains that reconciliation between her human and Rusalka side—with the help of sweet Avgust

Him pointing out, that despite Vila's insistence that an eternal soul does not really exist in material form but rather a concept of everything and nothing, how can something he see and perceive to be "nothing"

(my sweet boy being poetic: It's golden, like the sun)

I love this part of the story most (aside from the Windsong Vila moments HAHA)

I adore how the way it is framed, like reverse1999 is somehow showing us (and Vila) how she is both human and Rusalka. How despite her internal insistence at the start of the story and her feeling that she never belonged as one—having been shunned out by her kin and hunted for being a half blood— that she is neither one or the other, but both. Also Avgust is right, she's basically sunlight. She carries that pocketful of sunshine wherever she goes that basically in all of her scenes in Farewell Rayashki, she feels like summer.

(Im sleep deprived, and have yet to have my cup of coffee so this rant is going to feel all over the place but yeah)

Also bonus ship points because at the end of that specific scene, bluepoch basically breadcrumbs us with Windsong x Vila

In Hans Christian Andersen's Little Mermaid, mermaids don't have eternal souls like humans do—that unlike humans who go to heaven when they die, they return to the sea as seafoam (but i guess that's for another day and post) I simply wanted to give credit to the framing done by Bluepoch in that scene.

and lol, isn't this a subtle way of saying, Windsong is her prince, given how out of everyone Samodiva can threathen Vila with they chose Windsong to rile her up.