#please don't say you love me

[dailyquotes6563]

How we feel is hard to fake, so let's not give the game away.

Gabrielle Aplin, Please Don't Say You Love Me

[foundmywei]

theo decker coded

[forever-fixating]

Howdy, friend!

Here, you'll find a list of my completed projects, along with works-in-progress (both posted and ones I have behind the scenes.) Feel free to ask questions about any of the WIPs because I am a story nerd and love to geek out about what I'm writing!

Completed:

All I Want for Christmas is You (One-Shot)

“I’ve been talking with Catherine.”

Alex let out a wet laugh. “I don’t know whether to be excited or afraid.”

“Watch it, kiddo,” she chided with a light smack to the back of his head. “Anyway, we’ve been talking, and we both agree you boys deserve some alone time together.”

---

With the election drama behind them, Ellen Claremont and Catherine Fox conspire to give their boys an early Christmas present: three weeks alone in a cabin in the Rocky Mountains. Alex and Henry couldn't be more excited.

Click here to read!

if you guys only knew… (One-Shot)

Summary: Alex livetweets his and Henry’s reactions to the season two finale of AMC’s Interview with the Vampire

Click here to read!

Love on the Menu (Multi-Chapter)

Henry Fox has a side hustle at his job as a host in an upscale restaurant. He loves setting up romantic moments for guests who want a little something extra for their night out to dinner. A bouquet of flowers and a bottle of champagne for the couple celebrating their 50th anniversary? Easy. A special table with candles and a dessert with a surprise for the woman about to propose? Child’s play. But despite playing Cupid for the restaurant’s guests, Henry has never been on the receiving end of a grand romantic gesture. So imagine his surprised delight when anonymous gifts begin appearing just for him. 

Who is Henry’s secret admirer? Only Valentine’s Day will tell.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Works in Progress

Posted

living in a new normal (Multi-Chapter)

Henry Fox could write an entire dissertation based on how much information his twin nieces Penelope and Grace have told him about their favorite band, Austin Heat. The girls peppered him with neverending facts since he surprised them with tickets and meet-and-greet passes to their concert at Madison Square Garden last Christmas.

Henry Fox takes his nieces to a concert of their favorite band, Austin Heat. He gets a bit more than he bargained for when he meets singer and guitarist Alex Claremont-Diaz.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 |

Accompanied with Podfic

Chef Specials of Love

One-shots set in the world of Love on the Menu. These will include moments from the story from Alex's POV as well as follow-up moments to see the first year of the boys in love and beyond.

Part 1 |

A Tournament for His Heart

In the ancient island kingdom of Lerasea, Prince Henry is trapped. Following the tragic deaths of his parents and the poisoning of his beloved twin sister Bea, he has been living under the oppressive thumb of his grandmother, Queen Mary. Now she has informed Henry that he is to be the grand prize of the joust as the culmination for the month-long celebration of her Diamond Jubilee. But little does she know, Henry is aware that this so-called contest is a farse, that she intends the wicked Lord Richards of Heinsestadt to be the victor, no matter what.

But not all hope is lost…

In the fledging but progressive country of Ararbas, Prince Alexander Claremont-Diaz receives an invitation to attend the Diamond Jubilee celebrations and a chance to compete for Prince Henry’s hand. He knows the odds will be stacked against him, but Alex's love for the golden boy he once knew has never faltered. He accepts the invitation, determined to free his love from Mary’s sinister clutches.

Will the young lovers finally get their happily ever after? Or will the gods see their story end in tragedy and heartbreak?

Prologue | Chapter One | Chapter Two |

WIPs Behind the Scenes

Please don't say you love me (Multi-Chapter)

Summary: When Henry has his first heartbreak, he leaves England for the Southern comfort of his Granny Bea in his dad’s hometown of Hot Springs, Arkansas. There, he finds more than he was looking for in a queer community where he’s able to explore and accept his sexuality as he never had before and an infuriating server/bartender/barista Alex who challenges him at every turn. Can he set aside his heartbreak and allow himself to be truly loved for the first time? (My passionate passion project. I won’t post it until it’s done, but I’ve been slowly tinkering on it. I am beyond excited for this story and can only hope I can do its themes and my interpretations of these characters I love justice.)

Notes on International Relations (Multi-Chapter)

Summary: When First Daughter Alexa Claremont-Diaz decides to spend a year studying abroad at Oxford, her mom decides to “help” by arranging for her to room with Princess Henrietta Fox-Mountchristen-Windsor. This will prove to be very awkward as Alex can’t stand the Princess due to a terrible first impression at the Rio Olympics.

But little does Alex know, two semesters in close proximity with Hen will bring a whole new meaning to “international relations.”

a love time will lie down and be still for (Multi-Chapter)

Summary: To be a child of the 90s is to love this movie. Henry and Bea are siblings bound by a family curse that dooms the ones they love to an early grave. Can love really travel back in time and heal a broken heart? Will Henry and Bea defeat the curse that has plagued their family for generations? Will Henry get the mythical impossible boy he cast a spell for as a child?

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[what-am-i-doing-in-this-fandom]

Yeah, I don't know about you, Fidds, but I'd fold at this 🙏

Previous!!

Next!!

First!!

[makemycitybreak]

So please hurry leave me

[asukachii]

"Why don't YOU drive for once?! Ya idiot!"

"BECAAAAUUSE! I... can't.. drive these things!"

[bonus]

(I don’t like putting watermarks so, PLEASE, if you want to post these gifs somewhere GIVE CREDITS! Also, don’t use them in edits/videos. Thanks~)

[kensatou]

forget the horrors and think about this baby achieving everything he wanted and more (first goal, 2005 vs 600th goal, 2024)

[deep-space-lines]

okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.

yeah ok. i dunno man. is this anything

((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))

and then they fucked nasty the end

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[queenie-ofthe-void]

A Very Hopper Holidays

Hopper POV || wc: 3.7k || tags: smoking, recreational drugs, grouchy old men dealing with their feelings, smart-ass Eddie Munson, meet-cute Steddie, Steve and Max siblings, El thinks Steve is cute (so does Eddie), emotionally available Wayne Munson gives the best advice, holiday fluff, found family

This is a companion piece to my fic The Babysitter Chronicles, but can be read separately!

Brief background: Wayne patched Steve up after his fight with Billy in s2

Hopper’s freezing his goddamn balls off out here, waiting on the front stoop in the dark, banging his fist on the door. There’s no answer, but the lights are all on and it’s dinnertime on Christmas Eve. So someone’s fucking home, and the sooner they answer the sooner he can leave.

“Dammit, Wayne. Open the door so I can give you a damn present, or next time I pick up your nephew maybe I throw him in jail for the night instead of bringing him home.”

Sure enough, the door flies open, but it’s not Wayne on the other side. The kid’s standing there, layered in enough flannel shirts and sweatpants to dress all of El’s shithead friends with some left over. Hopper watches as he drags the sleeve of an oversized black flannel across his red and dripping nose, shifting uncomfortably and eyes darting side to side.

“Munson,” Hopper crosses his arms, “where the hell’s your uncle?”

Even bundled up like a little kid, he still tries to make himself bigger, taller, meaner, like he always does when Hopper picks him up. “Not here.” The tone is flat, devoid of Munson’s usual snark as a particularly intense gust of wind slams the screen door open against the side of the trailer.

“It’s Christmas eve, what do you mean he’s not here?”

“He’s working.”

Hopper scoffs. “You’re telling me your uncle works Christmas eve?”

Munson scoffs back at him, a dramatic mockery of Hopper’s own tone. “We’re Jewish, asshole.”

Well, shit.

He doesn’t have time for the kid’s hardass act. All he wanted to do was drop off a simple thank you and also merry christmas but now probably happy hanukkah gift and be on his way to his own family. He can only hope El spares him a bit of holiday mercy for making her wait. 

“Kid, can I just come in?” He takes another step up, only for Munson to block his path.

His eyes grate across Hopper’s jacket, noting the star on the chest. “No cops in the trailer.” 

A low grumble forces its way up Hopper’s throat which breaks into a frustrated groan when another gust of wind scrapes the exposed skin on his cheeks. He stamps his feet on the stairs hoping it’ll keep the blood flow going to his toes as they start to tingle. Munson’s wrapped his hands up inside the sleeves of what’s most likely one of Wayne’s old jackets.

“Look,” Eddie starts, sniffling another drip back inside his nose, “if you could just–”

But Hopper cuts him off with a deranged laugh, head thrown back in dismay at this entire situation. “No, you look here. You’re going to listen to exactly what I have to say.”

Eddie’s taken a step back, and yeah, Hopper supposes he’s never seen the Chief of Police actually freak out before. But it’s been a long day of wellness checks and stove fires, and Eddie’s the only thing standing between him and a night of kid’s Christmas movies and spiked eggnog.

So he pushes forward, spurred on by the kid’s once-in-a-lifetime stunned silence. “Now it’s clear that Wayne’s working nights, probably earning holiday hours to pay for the radiator which is pretty obviously busted, given the ten to twenty shirts you’re wearing. Meaning you’re alone, in a tin box with a tiny space heater that’s so old it’s a fire hazard shoved into the corner of your room.” The Chief walks up the stairs, standing on the step just before the door so he’s towering over Eddie, who shrinks in on himself just a bit. 

“Here’s what’s going to happen, Munson.” Hopper ticks off each gloved finger as his list of demands grows, Eddie’s growing wider in time. “You’re going to let me inside so I can piss and blow my nose, since I’ve been standing out here for too fucking long. You’re going to pack a bag, you’re going to call your uncle, and you’re going to tell him you’re staying with me for the night.”

Eddie stammers, mouth flapping around words he can’t find fast enough. It doesn’t matter, because Hopper’s on a roll now.

“Then,” he steamrolls Eddie again, pushing his way into the trailer, closing the door as Eddie stumbles backwards down onto the couch, “you’re going to eat my food, you’re going to watch our movies, you’re going to smile when we smile and laugh when we laugh because even if you’re Jewish you can still have a damn good fucking Christmas eve!”

He’s sick and tired of stupid teenage boys trying to be something they aren’t, like they’re manly or tough or strong for barely surviving on their own, practically raising themselves. And the best way Hopper can drill that into their thick skulls is to get them to shut the fuck up and feed them.

The silence lingers on the frost coating the inside of the windows and the crust of dried snot on Eddie’s sleeve. The kid’s avoiding eye contact, like Hopper will just leave if he’s ignored. But if Hopper can outlast guards in the POW camp, and a little girl who hates green beans, then he can sure as hell outlast Eddie goddamn Munson. So Hopper waits. And waits. 

It pays off, like he knew it would. The kid gets up, storms towards one end of the trailer. Hopper slowly follows down the narrow hallway and sees Eddie viciously shoving rumpled clothes into a backpack, mumbling about pigs and asshole cops. 

After all’s said and done, they’re pulling up to the cabin about twenty minutes later. The front door opens with a bang in greeting, causing Eddie to jump out of his skin. But when they step through the now open door into the warmth of the living room, there’s no one there to greet them.

Ah, so she’s a little upset.

El’s door is closed, like it’s not supposed to be. Light shines out from underneath, and he can hear soft voices inside. The whispers are abruptly hushed when he knocks on her door. “El, honey, I need you to open the door. Six inches, remember?” Hopper tries turning the handle but it doesn’t budge. Honestly he can’t help but wonder why he bothered to install a door with no lock when she’s got superpowers– that’s on him, he supposes. 

He turns around to find Munson standing awkwardly in the middle of the living room. “Take your jacket off, put your shit down, and stay a while, will ya?” Hopper laughs at Eddie’s incredulous expression, eyebrows scrunched together and lips pursed tight. 

“Ok,” Eddie drags the sound out in question as he sets his pack next to the couch, “who opened the fucking door?”

“Hey, language!" Hopper calls, Max’s voice echoing his own.

Eddie startles, head whipping between Hopper’s no-doubt exasperated expression and El’s still-closed bedroom door. He drags his hands down his face and sighs as her mimicry sends the girls into a fit of giggles. He hasn’t decided yet if Max is a good influence on El, even if Hopper knows it’s not himself she’s mocking.

He hears the creak of the bathroom door opening as Steve walks back into the living room. Hopper can’t help but turn to watch the show, the two boys coming face to face. 

Munson’s oversized black and red flannel covers the ripped sleeves of whatever tattered, black band t-shirt he’s wearing. Which would be on par with what he normally looks like, except it’s contrasted against bright blue, wool pajama pants with little white snowflakes on them. When Hopper first spotted them at the trailer, a teasing smirk on his face, Munson only rolled his eyes and argued they were the warmest clean pair he had.

Harrington, on the other hand, has lived his entire life in locker rooms and an empty house. Which means that he once again forgot to bring a shirt to change into after his shower. It's not normally a problem-- except when El catches him, a blush lighting up her face like a goddamn Christmas tree, accompanied by incessant giggles that make Hopper want to drown himself.

What is a problem is Munson’s shameless gawking, mouth wide enough to catch a whole swarm of flies. His blush puts El's to shame, red blotches burst across his neck like hives. Hopper can practically see the steam rolling out of the guy’s ears, hearts popping out of his eyes as he just stares and stares his fill, completely unaware that Hopper’s still standing less than five feet from him.

Thankfully, so far Steve is none the wiser. He’s got a cotton swab in his ear, head tipped down as he double-knots his Tigersharks swim team sweatpants. Hopper notices they hang baggy and loose around his hips. Another shitty reminder of how much weight the kid’s lost since getting kicked off the team because of his ‘incident’ with Hargrove. He wonders about the last time the kid ate a decent meal, and pushes down the rising anger at the most realistic answer, which is not recent enough for his liking. Hopper has the same gnawing concern when he looks back at Munson, dark circles under his eyes, skinny as a bean-pole. 

He’s got to stop taking in strays.

“Harrington, we’ve talked about this.” Hop tries to keep the frustration out of his voice, but if he has to watch El swoon over the kid’s wet hair and bare chest again he’s gonna blow a gasket. “Put a damn shirt on.”

“Oh, yeah sorry, Hop.” Which is the exact moment Steve decides to turn his head. They both catch Munson giving Steve a once over, who then chokes on his own spit when he notices Steve looking back at him. Hopper knows Harrington’s trying to turn over a new leaf, but he also knows the kind of people Richard and Helen Harrington are. So he’s a little surprised when, instead of having to stop a potential hate crime, he notices a similar blush bloom across Steve’s chest– or maybe it’s the heat from the shower. 

“What the fuck are you doing here?” Muson’s screech is so high it could set dogs howling. Steve flinches at the outburst, and Hopper hopes this little interaction doesn’t trigger another migraine for the kid. He was barely pushing through when Hop picked him up yesterday, but seems to be feeling better today.

“Munson, I need you to tone it down,” Hopper argues. It goes unnoticed.

Steve’s sputtering. He runs a nervous hand through his hair and of-fucking-course Munson gasps, swoons just like El. Harrington’s free hand fumbles for a shirt hem that isn’t there. He realizes he’s half naked and turns into a deer in headlights, hands frantically moving over his chest like he doesn’t know how to hide himself. Unfortunately the unintentional groping sends Munson into a coughing fit. 

“Me? What the hell are you doing here, Munson?”

Munson scoffs, crossing his arms as he backs himself into the wall behind him. “The high and mighty Chief of Police here basically kidnapped me. Forced me to pack a bag and tossed me into his truck.” Ah, there’s the Munson he expected. Except if it wasn’t for how many times Hopper’s hauled the kid in, he might not have noticed the nervous energy in Eddie’s twitchy fingers and shifty eyes. “He failed to mention–” he waves around at everything until Munson’s wild gesturing lands on a half-naked, sweats hung low, hair slicked back, barefoot Steve Harrington.

The squeal of El’s door opening behind him propels Hopper full-speed into the living room towards Steve’s duffle. He pulls out the first shirt he manages to find. It hits Steve in the face, and they both breathe a sigh of relief when he pulls it on.

“Aww,” El complains, before her eyes grow ten sizes too big when she catches Hopper glaring back at her. 

“Who the hell is this guy?” Max asks. She makes her way toward the kitchen, dragging El with her to help pull out dishes and cups. 

“Apparently another kidnapping victim.” Steve huffs, annoyed, before making his way over to the girls. “Munson, get over here and help me set the food out.”

Steve doesn’t even look up from where he’s pulling a large cast iron out of the oven, so he misses the absolutely priceless distress scrawled into Eddie’s bulging eyes and flapping hands. Looking back and forth between Harrington and Hopper, Eddie points to himself in confusion as if Steve hadn’t asked him by name. Hopper can only chuckle at the kid’s antics. He rolls his eyes and tilts his head toward the kitchen so Munson finally gets the jist, moving across the cabin in double-time. 

It’s a more intense Christmas dinner than Hopper was hoping for, but after introductions and a full stomach, everyone’s relaxed a bit. El and Max curl up on the couch next to him, snuggled under the same blanket surrounded by bowls of popcorn and half eaten bags of candy. The boys, finally over whatever awkward tension laced between them earlier, are sitting rather comfortably next to each other, poking fun at the cliche holiday movies that Hopper secretly enjoys.

Well after the girls are tucked in and the boys have set up a mess of sleeping bags and blankets on the living room floor, Hopper moves quiet as a mouse across the trailer to Eddie’s duffle. After a quick search, he pulls a joint from a hidden zipper pocket hand-sewn inside the lining.

Kid must think he’s so smart, like he’s the first guy to ever sell drugs.

Hopper deserves a little treat after all the shit he’s been through this year. It’s been ages since he’s smoked, and with the boys here to help watch over the kids, he thinks he can allow himself time to relax for just a little bit. He’s earned it. Plus, it’s not his fault the damned kid decided to try to sneak his stash here. Hop’s not an idiot, even though the boys clearly thought so when they went out for some ‘fresh air’ earlier and came back looking a little less fresh than when they left.

So he brushes the snow off of his favorite lawn chair, wraps himself up in a tattered old blanket, and lights up in the cold, winter air. 

Hop loved smoking in high school, so he takes a long inhale, reveling in the burn heating his chest. Unfortunately, Hopper hasn’t been a teenager in a long, long time. His coughing fit is loud enough to wake his non-existent neighbors. But when he can finally breathe fresh air again, there’s no noise to be heard from inside.

He goes slower this time, tugging on little puffs as he watches the snow fall between the pine trees. It’s quiet, a good quiet, filled with the rustling of rabbits in the brush and bugs singing in the night. Even the joint is absolute shit, like most of Munson’s wares. It’s still enough for him to relax, to appreciate what unfortunate circumstances have gifted him, and keep him from dwelling on what he’s lost. 

Less than an hour’s passed when a pair of headlights shine down the drive. Wayne steps out of his beat-up truck, in only slightly better condition than Eddie’s van, and makes his way over. Without a word, Hopper gets up and grabs another folding chair propped against the end-railing and sets it next to his own.

The joint’s gone by now, but Hopper pulls out a pack of smokes and offers one to Wayne, who silently takes it with just a slight nod of his head in thanks. Out of the corner of his eye, Hopper notices Wayne’s worn-down work boots have a gash at the front, exposing the hard steel underneath the suede. He’s wearing a large, thick flannel that looks exactly like the one Eddie was wearing when Hopper found him, and it’s just as oversized on the old man. 

There’s almost nothing similar between Wayne and his nephew. Wayne’s always been a quiet one. A guy who’d make his way to the back of a crowded room, who kept his head down when he knew what was good for him. And Eddie is– is really just something else. Loud, obnoxious, brash, a kid with a well-crafted personality faker than government coverup. Almost one of a kind, if Hopper didn’t happen to know another boy just like him.

Wayne clears his throat, stubs out the bud with his boot in a little pile of snow. “Got a note from my foreman saying you kidnapped my boy.” His tone is gruff, but Hopper catches the small uptick to the man’s chapped lips.

He doesn’t say anything when Hopper heads inside. It takes him a minute to find the wrapped bottle and two glasses. While he meanders around, he checks that the boys are still both snoring away and the girls are sound asleep amidst a pile of stuffed animals.

When he closes the front door behind him, Jim hands the bottle to Wayne and sets the two glasses into the snow between them. Wayne hums in thought, turning the bottle over in his hand. “Macallen single?”

Jim actually croaks, chest light and filled with laughter when he clocks the mirth in Wayne’s teasing eyes. Maybe him and Eddie aren’t so different after all, both having a shithead sense of humor.

“Just Johnny.” Jim wipes a hand down his face like that’ll hide the sincerity in his smile. “You helped patch up my kid, Wayne. You didn’t save the goddamn world.”

The light in Wayne’s eyes dims only slightly. Instead of unwrapping the bottle, he unscrews the lid off the top, ripping the paper off with it, and pours them both half a glass. They silently cheers, even though the air between them has shifted slightly. 

“Thought that boy was a Harrington, not a Hopper.” It should sting, but it doesn’t, because Wayne’s not that type of man. It’s a genuine question, one that Jim’s not sure how to answer. So he keeps silent, hoping Wayne will cave and move on like his kid does when things stay too quiet. But Wayne sits, and sits, and his own gut finally starts to roil. Ah, so that's what it feels like.

“Apparently I’m good at picking up strays.” Jim’s attempt at a joke falls flat between them. He pinches the bridge of his nose and sighs. “Although, I think I got to Harrington a little too late.”

Wayne takes a decent sip from his glass, smacking his lips together. He peers out into the dark, just beyond the porch railing. But Jim can tell he’s not looking at the woods in front of them or the starry sky overhead. Wayne’s looking at something that’s long behind him.

“Ya know, Harrington didn’t look much different than my boy did when he showed up lookin’ like a dropped sack of peaches. Just a little thing he was; no hair, clothes that didn’t fit. Hell, I’d almost been able to see his ribs if it weren't for the bruises.” Wayne’s looking down at his feet now, scuffing the snow off the bottom of his boots. He downs his glass in one go before pouring himself another. 

“I beat myself up for too long for not doing something sooner. My own nephew, my own brother, livin’ only two towns over, and I had no idea it was that bad. Told m’self over and over that I should’ve known, should’ve helped sooner.” Wayne heaves a heavy sigh before looking up at Jim again. There’s guilt in the crinkles around his eyes, but it’s quickly replaced with resolve. “You might not’ve always been there for the Harrington kid, but that don’t mean he don’t need you now. Maybe more than ever, by the look of him. And if he’s got you watchin’ out for him, maybe he’ll turn out more Hopper than Harrington afterall.”

Jim can’t take the intense eye contact anymore and firmly looks away, finishing his glass and extending it out to Wayne for a refill. It’s quiet, Wayne’s patience sitting on his shoulders like the world’s most uncomfortable blanket. But even blankets that are scratchy as hell can still be warm.

After a while, the silence releases enough tension that he can sit back again, and the two men slowly sip their whiskey and watch dawn break through the trees. Wayne grabs the bottle as he moves to stand and pats Jim’s shoulder a little too hard. The man’s stronger than he looks.

“Why don’t you bring Eddie back yourself a little bit later, give me a chance to fix that radiator. Plus, being around Harrington might be good for him,” he chuckles to himself, hopping into his truck. “Maybe show the boy not every kid who don’t wear all black ain’t a damn conformist suburban yuppie.” Jim laughs, Wayne’s mockery a spot on impression.

All’s still quiet in the cabin, each kid right where he left them. He’s not sure if it’s the joint, the two whiskeys, Wayne’s advice, or just a combination of everything, but there’s a heat behind his eyes he hasn’t had to deal with in a long time. He’s not typically a crier– happy or sad. The only time he’s cried since Sarah was in the elevator shaft, El collapsed in his arms just after closing the gate. And even then, it was only a few stray tears.

Now he’s unspooling wads of toilet paper to blow his damn nose in, crying like a kid who got coal in their stocking. Except this isn’t like when he thought he’d lost El, or when he’d held Sarah’s hand when she took her last breath. Jim Hopper’s happier than he’s been in a long, long time. And after the shit awful year he’s had– that they’ve all had– he lets himself revel in the joy of having a family again.

Gorgeous graphics provided by @steddiecameraroll-graphics

And as always, thank you to @carolperkinsexgirlfriend for telling me "I think your calling might be writing well-meaning, grumpy old men" and also, "you just understand the spirit of The Old Man", but mostly just thank you for being an amazing beta reader <3