#please check out all these fics!!

[thekaiserroll]

Hug

It's nearly impossible to have a quiet and peaceful day with the crew, like the strawhats. Nami is mostly used to the noise on Going Merry but one day she gets fed up with Zoro and Sanji arguing. Not only are they extremely loud, but they've also already broken way too many things during their fights.

She decides that If they want to act like brats, then she's going to treat them as such. So she makes them apologize and hug each other in silence for an hour. None of them are happy about this punishment, but Nami threatened to raise Zoro's debt, and Sanji couldn't say no to her. It could be worse.

It's awkward enough for them to not incite any fight for a long time and Nami is quite proud of herself. She knows it won't last forever but at least now she knows how to handle them. It inevitably happens again. And again. And again.

Much to her surprise, those fights became more and more frequent. And what's even weirder is that she could see the way both Zoro and Sanji occasionally glanced at her to make sure she was nearby. It's almost as if they wanted someone to make them hug each other. As if they needed an excuse.... these idiots.

Soon, they don't even need Nami's help. When they aren't busy training, cooking or fighting, they cuddle together. Sometimes Luffy or Chopper would join them, but most of the crew knew it was their time.

After two years spent separately, they became extremely clingy. It's no surprise when they start sleeping in the same bed. What is surprising is that despite them behaving like a lovey-dovey couple, those oblivious idiots are STILL unaware of each other's feelings.

[girlshadowthehedgehog]

wowzas!! here's my submission for the @sthbigbang in collaboration with the lovely writer @stillafanofsonic and the artists @vulcan-moon , @whalesharkstho , and @brobexx!! it was an absolute pleasure to work with talented artists on an incredible story. check out their submissions, too!!!! <3

fic: x

artwork: x x x

[captainbobbin]

happy birthday, saix

[missingn000]

hey all! i wrote a what-if character study & action fic for if king fought sanji instead of zoro during the raid on onigashima. i'd really love if you gave it a read! thanks so much!

link

playlist

happy reading!

[messy-crisantemo]

Since last week, I wanted to make a

🎴 GenTan fic recommendation list Part 2! 🍉

Don’t forget to check out Part 1 too!

As the last time, this list is based on my personal likes and, ofc, on the fics I’ve read. I tried to include all GenTan flavors ❤️💜 They’re not put in any particular order and most of them are completed fics. I’m adding some of the tags, but not all of them since I don’t want to make this post extra long, so please read them again once you go to the Ao3 link. Anime-onlies, beware of spoilers. Please enjoy!

sliding across the clouded sky by mimimimi (reiiiiii), 179k, WIP

(Figure skating AU, Modern Setting, Fluff and Angst, Slow Burn, Aged-Up Character(s), Friends to Lovers, Mutual Pining)

The life of a figure skater is short. People expect you to retire at a young age and the moment you have an injury and take a break to recover, you're done for.

Shinazugawa Genya had to deal with it now that he's gotten the biggest injury on his skating career. And the press isn't helping at all, either.

The only light keeping him connected to the figure skating world? Kamado Tanjirou.

Starting with a classic! This beautiful slow burn explores the nature of their relationship as something that makes grow both Genya and Tanjirou. It has lots of funny and tender moments.

Life in plastic, it’s fantastic! by Side_Ponytail, 4k

(Modern Setting, Meet-Cute, Hijinks & Shenanigans, Getting Together, First Kiss, POV Alternating, Fluff and Humor, Scheming)

Tanjiro takes his siblings to see the Barbie movie, Genya’s siblings drag him along, and Parent Trap levels of shenanigans ensue.

No Barbie Movies were spoiled in the making of this fic.

One of the funniest and most adorable fics I’ve ever read. If you need a boost of sugar, this is it.

June Bridegroom by 125389, 2k

(Canon Compliant, Post-Canon, Fluff and Angst, Established Relationship, Kamado Tanjirou-centric, Horror, Manga Spoilers)

Upon concluding an important day, the boundary between dreams and reality blurs as Tanjirou reveals the true nature of his feelings and whom he's really marrying.

A fic for those who love to suffer and don’t fear to embrace the tragic nature of GenTan.

a checkered haori by DragonsAndCryptids, 2k

(Post-Swordsmith Village Arc, Hurt/Comfort, Scents & Smells, Pre-Relationship, Fluff)

After the confrontation with Sanemi, Genya steals Tanjiro's haori because he likes the way it smells and it helps calm him down.

He doesn't want to address why that is, but when Tanjiro finds out, he doesn't give him much of a choice.

Tanjirou being Genya’s weak point, we all love it.

All Bark, No Bite by Rigmaroler, 92k

(Witch Tanjiro, Werewolf Genya, Alternate Universe - Fantasy, Hurt/Comfort, Falling in Love, Worldbuilding, Fluff, Action/Adventure, Sharing a Bed)

When Tanjirou first sees the wolf, he only has one thought in his head. He sees it under the light of the moon, just bright enough for the wet blood in its dark gray pelt to shine. Its teeth are bared, white, sharp and long as each of Tanjirou’s fingers. Its growl is a low bass rumble that Tanjirou can practically feel in his bones, rattling his spine. Its muzzle is stained red with blood, and marred with a jagged scar that cuts through its dense fur.

Or: Tanjirou is a witch's apprentice with a bad habit of bringing home strays. Genya is a young man who's been called a monster so many times, he's started to believe it.

Genya letting himself to be loved, Tanjirou learning that he can also want things for himself. Just beautiful.

The hidden stairs (Red velvet flicker) by Wild_Quetzal, 4k

(Alternate Universe - Vampire, Horror, Romance, Hurt/Comfort, vampire!Shinazugawa Genya, Dubious Morality, Enemies to Lovers)

A couple of minutes later, Tanjirou is left in his chambers. The place is big and empty. Despite the cold temperature, Tanjirou pays it no mind. He presses his ear against the heavy wooden door, then he sniffs it. Nothing seems out of place. He’s truly alone.

What the old lady who gave him instructions told him echoes in his mind: “That man is no Count. He’s a thief.”

Tanjirou arrives at the castle looking for answers. His host will only give him more questions. What is Genya hiding?

Yes, it’s the self-promo part. We had werewolf Genya and now we have vampire Genya in some very gothic and dramatic romance.

[kurtsascot]

Ugh, As If!

read klueless, a klaine!clueless au, on ao3!!!!

HQ Version of Cover Art ; Art Ref Image

Summary: It’s 1995. Kurt’s a senior at McKinley High, and he’s looking to lose his virginity and get his love life in order before he goes off to college.

Unfortunately, Blaine, the pretentious son of Burt’s ex-wife, is in Lima to intern for Burt’s congressional reelection campaign, and Kurt is stuck dealing with him until the election is over.

Art: alice / @warblercore @mistyintherivers

Rating: M*

Key Tags: enemies to lovers, but its more like, oblivious idiots to lovers, kurt’s more oblivious than blaine, romcom shenanigans, 90s slang, humor, virginity, falling in love, forced proximity, first time*, pining, hurt/comfort, fluff, slowburn, kind of ?, internalized homophobia, period appropriate homophobia but like…as little as possible, klaine endgame

Soundtrack (updated as chapters go live)

closeups under the read more !!

[one-flower-one-sword]

well I know what you want from me you want someone to be your reflection, your bitter deception setting you free won't you come and dance in the dark with me? show me what you are, I am desperate to know nobody better than the perfect enemy and I know what you want from me you want the same as me my redemption, eternal ascension setting me free

for @bladesmercy's fic The Fear of Falling Stars

[eurydia]

Inferna Victoria (Portrait of the Archdevil and Archduchess Supreme of the Nine) a royal portrait of Raphael and Tav in the style of a Van Dyck for my fic, The Lover's Gambit. it's now my most popular fic, thank you so much for your support! you all have exquisite taste ��️

Raphael's outfit was inspired by a beautiful gifset by @cherriesandsulphur

details, context below

[Solo Raph painting]

Baroque is one of my fave art movements. the in-game art looked inspired by it, and I wanted to do a piece that combined my love for it and royal portraiture. this was inspired by the works of Flemish Baroque master Anthony Van Dyck.

this is one of the most ambitious and detailed pieces I've done so far: the fullsize is 22 x 32in, and it took over 50+ hrs. royal portraiture usually has extensive detail, so I wanted to make it as detailed as possible. it was challenging and time consuming, but a lot of fun!

framed version (Cassetta frame from the Met website:)

process

spoiler details (for the game + fic)

- their ship came about because I wanted to give Raph a chaotic evil counterpart to his lawful evil. basically he’s the “mansplain, manipulate, malewife” to her “gaslight, (Baldur’s)gatekeep, girlboss” lol.

- I hc this Tav’s ending is the “In my name” one. though I hc she says “In our name” instead ;)

- visually, it looks like Raphael has more power but I hc it’s actually Tav for several reasons: many elements of the composition lead to her (Raph’s sash, arms, the curtains), she’s wearing her crown and is seated, and is also foremost while Raph is in the back.

- Raph’s crown is ceremonial/for vanity only while Tav’s tiara has enough fragments of the stone to be fully functional.

- The crown’s design is based on concept art, and if you look closely it kinda looks like it has hearts on the sides. I added the red gems.

I hc that Raph is a romantic and some of his lines seem to allude to this (code phrase of “my heart’s desire”, the Amulet of Greater Health, which Tav is wearing here, in a prominent place in his house, and his words to Hope in a transcript: “…serve me with your whole heart”)

- I hc they’re married at this point. Tav’s ring has two additional gems, and her outfit in general was inspired by the canon design of the Crown of Karsus.

- there’s a lot of red because according to Hope, Raph’s favorite color is “blood”. my hc for the painting overall is that it was done by his personal painter, maybe a debtor who has to paint for him for all eternity (not a bad deal right? /s) so it reflects his and Tav’s requests.

- I picture this hanging either above Raph’s fireplace in the dining room. or bedroom - much to Haarlep’s dismay 🤣

[mysweetpareidolia]

Guess what I'm thinking about again!!

Fanart for Soul Grown Deep by @griffincastle ❤️

[llheji]

My @aftgbigbang pieces for the lovely @yrmumishot 's fic the phases we call love💜

While running from his father's men, Neil jumps into the back of a limousine, which happens to be owned by famous exy player, Andrew Minyard.

[applestorms]

the winners & losers of death note

after repeatedly trying and failing to write this death note essay i'm just gonna go for it:

the fundamental flaw of L, whether you see this as a flaw/discrepancy in his character or the writing surrounding him itself, is the fact that by the time of his death, he has no clear win state. let me explain... by first talking extensively about light aljdsflksd.

MAJOR spoiler warning after this point. 3-ish (very long) sections.

1. light's goals: kira & utopian ideals (ft. fem!light)

i discussed this a bit in my tags on this post talking about how light's core character traits would translate over to a female version of himself, but to elaborate/summarize my thoughts further: i believe that light's fundamental flaw/weakness comes down to his desire to be Seen, to be recognized & validated by the people around him. i often see/hear people describing light's ultimate flaw as "ego," and while that's definitely a part of it, i think this is perhaps a more nuanced/neutral way of understanding it.

as has been pointed out before, light's goal of becoming the "god of the new world," isn't really an idea he immediately comes up with but rather is more of a retroactive justification that he clings to for the rest of the series after the initial rush of guilt he feels for murdering two people without thinking. this is perhaps even more obvious in the manga, as while episode 1 of the anime ends with light's claim to godhood, in the manga it takes him a lot longer to build up to that conclusion and really develop the full extent of his hubris. (EDIT: he totally says this in ch1 of the manga too, i just forgot. the point about it being retroactive justification still stands, though.) even so, i think post-death note light takes to this justification so easily for a reason: again, his desire to be seen.

before the death note, light takes a very understandable if somewhat flawed/juvenile approach to this sating this desire, specifically in how he aims to excel in every single system he is presented with, whether that be academics, sports/physicality (not just tennis, but physical attractiveness/neatness/cleanliness), and social interactions. it's that last category that i think is the most notable here, as light wants to succeed socially on multiple levels: on a personal scale, he aims to be pleasing and charming and polite to everyone he speaks to, for the sake of manipulating them, sure, but also so that he can extend that victory past personal relationships and into something Greater, into the Image of Light Yagami as the studious, respectable son. it isn't just enough for him to do well, he needs the reputation to go along with it, and the recognition and respect that comes with it.

this is part of the reason why the lind l. tailor moment is such a beautiful part of the writing of death note, as it is a moment where L simultaneously fucks light over massively, pinpointing his location and sending a squad his way in an instant, but also a moment where L gives light exactly what he wants: recognition. L doesn't just establish himself as a rival to take seriously w/ this move, he also reveals kira's existence to the world, that the deaths are the actions of a single person consciously and carefully acting and not just some divine power. he see's light's humanity, the potential cracks in his ego and temper, the overwhelming humanity of his ideals, efficiently using such traits to get kira to reveal himself in the first place.

i tend to take a lot of light's explanations of his actions to ryuk with a grain of salt as i think he is a lot less skilled at planning than he lets on, with his real skill being his in-the-moment acting & reactions, but i'm inclined to believe him when he tells ryuk in ch1 that

as a justification for not writing more specific deaths and therefore hiding his existence for longer. keep in mind, kira is established on the internet long before L enters the picture & the lind l. tailor incident-- light is utilizing the death note to push himself into the spotlight of the entire globe, not just the limited social sphere he grew up with.

(sidenote1: i think you can also definitely read into this on a more internal level of why light would want to be recognized so badly in the first place, considering how busy soichiro yagami most likely is and what their relationship looks like throughout the series. i don't think there's any evidence that he's actively neglectful necessarily, if anything light is described as being pretty spoiled & soichiro cares about him when he's around, but it still feels notable to me how empty his life is pre-death note. you can just Feel the silence as he goes through the motions in the first episode, barely talking to anyone as he ghosts his way through life. he might be succeeding in everything system he approaches technically, but that sure as hell doesn't make him happy. whether or not the death note makes him happy is a whole nother question...)

ANYWAYS. this is all to say that light's ideals give him a pretty clear win state, both in terms of what he actually, physically wants in terms of world domination/godhood, but also emotionally when it comes to what truly satisfies him. on a meta level, kira gives light really good motivation-- for the sake of his ideals, for the sake of trying to create his vision of a utopian society, for the sake of being Seen, he needs to keep writing names and out-thinking anyone who tries to stop him. on an internal level, it just starts getting complicated when the one who Sees him best is the one who fully dedicated to stopping him.

speaking of which.

2. L's goals: no real win state?

the lind l. tailor moment is such a fantastic instance in the story because it really works both ways in setting up the rivalry/mutual satisfaction that L and light grant each other. i've already described what light gets out of it, and simultaneous terror and delight that he gets out of it, but this is mostly an L post so let's talk about his side of things.

to my understanding, if what light fundamentally wants is to be Seen, what L fundamentally wants is to Win. ok, yeah, the way he says it is that he "hates losing," but same difference.

the problem with this desire is that in order for L to win or lose, he needs circumstances under which those options are the two main choices in the first place-- he needs a game, someone to test himself against, a challenge(r). when lind l. tailor dies and L proves kira's meager human existence to the world he practically sounds like he's cumming his pants, so i think we can assume kira stands as a particularly alluring challenge for him.

this also explains why L gets so depressed and frustrated with light over the course of the yotsuba arc. not only is light somehow out-foxing him by creating a circumstance under which he can claim not to be kira and actually be correct insofar as his memories are concerned, light has also set the game so that he's stepped off the board entirely, trusting his planning and his own non-death note influenced psyche and denouncing his role as a player entirely. in a way you could read this as light utilizing the one strength he has over L to his advantage: not just his awareness of the supernatural, as people often say, but the fact that kira has goals outside of winning, which can't really be said for L (or at least not without some additional extrapolation/interpretations of his inner psyche).

this is why my main claim here is that L doesn't really have a clear win state. for kira, winning consists of a few clear, distinct things: a utopian world, free from crime, under the reign of kira, where light has the control & worship of a god. for L, winning is a lot less distinct: really just. not letting light do all that. as this other post points out, it really isn't that far off to assume that L's motivations might've shifted from his initial state goal of executing kira, particularly as he gets more attached to light on an individual level, even if it's more as a rival than a true friendship. L is a liar and a troll, yes, but he still has "flashes of sentiment," and it makes a lot of sense to me that so many people see L winning as him stealing light away for himself to be locked away for the rest of their lives.

(sidenote2: i believe it was one of the jdramas (?) that actually does portray L winning but specifically at the cost of his own life, which again fits considering everything i just went through. i don't think L is actively suicidal at the idea of no longer having kira as a rival (well. <3< rival, the children yearn for kismesissitude), but. well, see the final section of this essay where i talk more about boredom for more on that.)

ultimately, light and L kind of suffer for the same reason: living for the rivalry, but also because of that never being truly satisfied no matter which way they come out in the end. the tragic yaoi of it all. i guess one of the conclusions here is that you should read this fic time speaks by aSmallMoon333 for a fascinating evolution of the rivalry past the supposed ending point of canon. anywho.

3. L's death: a failure of writing, or character?

hot take (??? genuinely can't tell if this is hot anymore so ig mean this like, partially sarcastically) but L's death is kind of really fucking unsatisfying, especially if you're witnessing it for the first ever time. i remember distinctly reading the manga back in high school and being really caught off guard by it, despite already having been spoiled about it, and while i pinpointed the cause initially being the fact that light doesn't even bother to write down the damn name himself, i think there's a lot more to this than that.

i've been writing about this idea of L not having a clear win state primarily under the approach of character analysis, looking at L's motivations and emotional desires to see how they inform what him winning would look like, but you could very well read this as being a flaw in the writing surrounding him as well.

L's not really a moral character, primarily because that's one of the main ways he's a foil to light-- where light is painfully, excruciatingly human, naive in his ideals, dedicated to them at all costs, L is a lot more apathetic, perhaps not to the same degree as near sometimes comes across (though he has more to him too, even if the anime doesn't really give enough time for that), but still enough to be generally considered a pretty amoral character. L definitely comes across to me as the type of person that understands the world deeply on an intellectual level, but struggles to meaningfully emotionally connect with it. the way he interacts with people is the clearest example of this, again making him a foil to light in that he gives no shits about how people view him and prefers staying hidden as much as possible, creating detailed psychological profiles of the criminals he follows but still misreading details in-the-moment while speaking to people (the autism. the autism), but i think this could very well extend to how he views morals as well, deciding that kira is evil on a logical level because people dying=bad but not really emotionally connecting with that. like,

yeah yeah they're both JUSTICE!! or whatever, but is this really true? not to get into an in-depth discussion on the nature of ethics & morality in my tumblr essay (though i actually wouldn't mind doing that...), but as the series and especially the yotsuba arc goes on, it becomes more and more clear that L's lack of attachment to people extends to his lack of attachment to traditional ethics. time and time again, L does shady shit for the sake of finding kira, whether that be covering the yagami household in a truly absurd number of cameras, recruiting actual criminals to help with the investigation, or chaining some kid to him 24/7 for weeks on end. this is a large part of the reason behind why i question what winning would actually look like for L-- would he be willing to turn kira in, should he get sufficient evidence to put light through the actual justice system? even if he is willing to give that rivalry up, i have a hard time believing he wouldn't want to confirm the death by doing it himself or something. but if that's the case, then why bother waiting? clearly, he's pretty fucking sure that light is kira, and he basically does figure everything out by the end of the yotsuba arc. so, why? is he waiting to prove it to the task force? is he still waiting for light to incriminate himself? but that seems like an awfully stupid thing to still be waiting for. what does L actually want here?

^^^ this last entire paragraph was basically my motivation for writing this, btw. ultimately, i still don't know if i have a conclusion that i'm really satisfied with, here. perhaps it really is just that light isn't the one to pull the trigger in the end, the nerve of a move that bitchy that kinda instinctively icks me out. or maybe ohba just wrote it bad!! idk. final thoughts-wise.........

one satisfying thing: in a way, light wins because he wins over people (namely, the rest of the task force), which tracks. the only reason why he keeps winning post-L death is because of this win, actually, which keeps him going for years despite the fact that he's doing objectively a dogshit job as L, as near so sweetly points out.

one unsatisfying thing: you could read L as losing because ohba doesn't actually have all that extensive of a view of what a good view of justice would look like, particularly in opposition to kira's view. in a way, L kind of just ends up representing a return to the status quo, where the criminals that kira is so desperate to purge are simply dealt with in the usual way & their crimes are a fact of life. perhaps this is asking too much, the rivalry alone is fun enough to watch without having to get too in-depth asking question about ideal global justice systems and the nature of crime & criminals. i genuinely do think a part of my frustration here is just that light was too much of a bitch to kill his main rival by his own hand, despite holding himself to a more respectable Standard in desperate moments prior (e.g. not taking the eyes deal w/ naomi misora). but it's at least an adjacent question, and maybe establishing more clearly what L's true win would've looked like could have made light's eventual victory just a bit more satisfying, instead of feeling like it comes out of nowhere after his extensive planning miraculously works perfectly according to keikaku. it's almost the marvel problem as is... but i digress.

bonus: boredom

in my recent reread/rewatch of the series, i keep getting struck by how much i really like the beginning of death note, like the beginning beginning of the series and when each main character is initially introduced, especially light and ryuk.

i don't think it's too much of a stretch to equate "boredom" with "depression" in this context. long before L is introduced to the series ryuk is the one being presented as light's equal and opposite-- parallels from opposite worlds, mutually disgusted by their own kind and the miserable state the world around them has devolved to. for L this sentiment is a bit less overt, mostly because again, apathy, but the fact that he spends the majority of his time hyperfixated on the worst parts of humanity speaks of something. perhaps i'll have more feelings about this upon rereading the ending, as that's a bit (a lot) fuzzy in my mind, but it's one of the main points i emotionally resonated with the strongest, a point of connection i keep coming back to.

light really is just a kid, at the core of everything. a teenager that did everything he was supposed to and still couldn't make himself happy with it. that's the real tragedy of death note to me, that for all he did to create a better, more ideal world, he never felt all that happy with any of it. not that he would admit that. but what is light yagami's greatest skill if not his denial...

[empress-of-snark]

hit me like a ray of sun

burning through my darkest night

you’re the only one that I want

think I’m addicted to your light

stranger things rarepair collection

[right-there-ride-on]

Gyjo in the fandom

cw: light discussion of ableism

Gyjo… what am I thinking about gyjo…

I like them. I like them a lot, actually. They have paralleled narrative arcs, they complement each other nicely, the romantic subtext is incredibly obvious to the point that even the most homophobic fan you know will admit they understand why people ship it… so why do I also have a problem with it?

There’s a lot of good fanart. Hell, I’ve reblogged plenty. Maybe it’s just something that’s more pronounced in fic.

I’m trying to word this correctly. My issue with gyjo has nothing to do with the text itself. I think my problem is just how people portray it in the fandom.

Maybe it’s because it’s so popular, or maybe it’s the sheer prominence of applying ‘Character A’ and ‘Character B’ dynamics without considerable regard for the characters involved, but I feel gyjo is very prone to flanderization. I believe the intersection with how ableist people are toward Johnny (intentionally or not, subtly or not) and the old tropes these two get shoved into makes it so I have trouble enjoying fics in the fandom.

I’m not saying it’s bad to enjoy certain tropes. I’m not saying headcanons are bad either. What I am saying is that writing is hard, but if you’re going to write fanfiction please have consideration for the characters you’re writing. The arcs of these two are complex and multilayered, which is why I think they have such staying power, but I also think they also provide a good opportunity for us as writers and artists to examine our biases when it comes to the portrayal of certain groups, personality types, mental illnesses, queerness, disability, etc. and maybe come out better people for it.

[pondhue]

Delta Δ

my half of a trade with the super sweet @d33pwithinmys0ul featuring their character Delta from their fic I Only Have Eyes for U137 - please read it if you haven't and are in search of Rick Sanchez x Reader fics!

for their part of the trade I requested that they wrote a fluffy Rick x Reader fic where the reader paints Rick's nails and it's very sweet and I love it and encourage you all to read it (and send them love on their stuff in general)!

[nuttersincorporated]

Welcome Back, Stanley: Choose-Your-Own-Adventure Booklet

The ‘Welcome Back, Stanley’ Choose-Your-Own-Adventure booklet is now available!

This is a free CYOA, set in the world of The Stanley Parable and Ultra Deluxe. It’s a 161-page interactive pdf, written by four writers (I was one of them). There are five routes and seventeen endings.

The other writers for the CYOA are the wonderful @scramblecat, @stanwixbuster and @crescenttwins

This is the final part of the 'Welcome Back, Stanley' project. A group of fans came together to make a zine and free merch for fans for The Stanley Parable.

This has been a fun project to be a part of and I hope you will enjoy reading it.

[velvetwyrms]

I read 2 chapters of two separate fics (The Moss, The Grapes of Debauchery) and one standalone 4k fic (Sherbet Skies) in the past hour and a half, while adding to a few chapters of my own fic here and there. I cannot be stopped and I’m four chapters into writing my Alien AU—