#plain catgut suture
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B2B Directory for Catgut Suture: Connect with Top Suppliers on Justdial
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https://github.com/anjalibade2456/Eco-Sphere-Systems/Plain-Catgut-Sutures-Market.md
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Plain Catgut Suture
Sutures are vital in surgeries, helping wound healing by holding tissue together securely. India’s top suture manufacturers, like Orion Sutures, supply a range of high-quality sutures suited to different medical needs, including polyglycolic acid sutures, chromic catgut, and polypropylene mesh. Here’s a closer look at some popular suture types and surgical supplies Orion Sutures offers to meet diverse surgical demands.
1. Polyglycolic Acid Suture
Polyglycolic acid (PGA) sutures are absorbable sutures known for their strength and minimal tissue reactivity. Ideal for internal suturing, they dissolve in the body over time, reducing the need for removal. Orion Sutures offers a range of PGA sutures designed for reliable performance and precision in wound closure.
Explore Polyglycolic Acid Sutures: Polyglycolic Acid Suture
2. Polyglactin Suture
Another absorbable option, polyglactin 910 sutures offer strength and controlled absorption, making them suitable for soft tissue closures. These sutures are known for their low risk of infection and excellent tensile strength, making them ideal for various surgeries.
Discover Polyglactin Sutures: Polyglactin 910 Suture
3. Poliglecaprone Suture
Poliglecaprone sutures are a monofilament type with a smooth texture, often used in procedures where fast healing is expected. They are absorbable and cause minimal tissue reaction, making them suitable for subcutaneous closures and pediatric surgeries.
Learn More About Poliglecaprone Sutures: Poliglecaprone Suture
4. Polydioxanone Suture
Polydioxanone (PDS) sutures provide long-term support, taking longer to absorb, making them ideal for procedures that require extended wound support. Often used in abdominal or thoracic surgeries, they help reduce post-operative complications.
Check Out Polydioxanone Sutures: Polydioxanone Suture
5. Chromic Catgut Suture
Chromic catgut sutures are natural absorbable sutures treated with chromium salts to slow down absorption, providing prolonged support. These sutures are used in soft tissue repair and often preferred for oral, gynecological, and gastrointestinal surgeries.
View Chromic Catgut Sutures: Chromic Catgut Suture
6. Plain Catgut Suture
Plain catgut sutures are rapidly absorbing sutures used in tissues that heal quickly. They’re widely used in general surgeries and veterinary medicine, offering a temporary solution with minimal tissue reaction.
Explore Plain Catgut Sutures: Plain Catgut Suture
7. Polypropylene Suture
Polypropylene sutures are non-absorbable, monofilament sutures known for their high tensile strength and minimal tissue reaction, making them a preferred choice for cardiovascular, plastic, and orthopedic surgeries.
Discover Polypropylene Sutures: Polypropylene Suture
8. Polypropylene Mesh
Polypropylene mesh is used in hernia repair and other soft tissue support surgeries. Its lightweight and biocompatible material makes it effective in reinforcing weakened tissue, providing long-lasting support.
Learn About Polypropylene Mesh: Polypropylene Mesh
9. Surgical Bone Wax
Bone wax is a specialized product used to control bleeding from bone surfaces during surgical procedures. It’s especially useful in orthopedic and neurosurgical applications, preventing blood loss without hindering bone healing.
Explore Surgical Bone Wax: Surgical Bone Wax
Why Choose Orion Sutures for Surgical Supplies in India?
Orion Sutures stands out as a trusted suture manufacturer in India, providing a comprehensive range of sutures and surgical supplies that adhere to global standards. Their products are crafted to meet the needs of various surgical procedures, offering options in absorbable, non-absorbable, natural, and synthetic materials.
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"Although I do have to say, a plain needle and some catgut come close second --- Suturing was one of the first skills I learned so I’ve got a bit of a sentimental attachment to those! Still, nothing beats a smooth cut with a sharp knife,”
Fun Fact: Catgut is a misleading name since the suture material is indeed made from animal intestines but it doesn’t come from cats! Catgut actually comes from the guts of sheep or horses! Modern day sutures are made with silk or other synthetic absorbable material, but other sutures back in Gil’s time were made from things like cotton, grass, flax, and even human hair!
#ask19thcenturydoctorgilbert#Hetalia Ask Blog#historical hetalia#prussia ask blog#aph prussia#hws prussia
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The Midwife
AO3 :: Previously
With a sure, efficient hand, I applied more honey to Jamie’s injuries. Two hospital orderlies had helped him stand for the first time in days, leading him onto a sturdy trestle table where I could have better access to his wounds. I was uncharacteristically silent, replying only to his Scottish burred, “Good morning.”
Jamie winced as I prodded gently at an open sore. “This hasn’t closed, still. I think I shall have to stitch it. Is that alright?”
“Whatever ye feel is best, Sassenach.” His voice was subdued as well, his tone somber, and he didn’t even flinch as I poked the needle through his ravaged skin. I snipped the catgut sutures and daubed more honey onto the wound.
“There. I’m done here—I’ll have Jean and Hubert take you back to rest.”
“I missed ye last night.”
And there it was.
I swallowed and closed my eyes and my heart. “I was busy. I have other duties to perform. I apologize.”
“An apology is no necessary. I just wondered is all. I was worrit.”
“But you weren’t alone,” I said softly while avoiding his gaze. Jesu, I had told myself not to mention Malva’s presence. I busied my hands with my instruments and calling the aides over to help him.
Jamie looked taken aback. “The grey-eyed lass ye mean? Malva? Aye, she was with me for a bit. We talked. Nothing more.”
“I am sorry I brought it up; you don’t need to offer any explanations. ‘Tis none of my business who you spend time with, and I’m sure you are bored, spending all your time lying down.”
Hubert, stocky but strong, eased Jamie’s legs off the table while Jean gripped his muscled forearms to bring him to his feet. He shook a bit with the effort and I couldn’t help an appreciative glance at his honed warrior’s body. This was not helping my resolve at all.
“Sister Minèrve will bring you some broth later—”
“Mistress, how did I offend ye?” Jamie asked softly, a fingertip lingering on my arm.
“You do not offend, Monsieur Fraser. It has become clear to me that I must focus on my work here, not… personal matters.” I cursed my glass face; I could see plain as day Jamie Fraser was aware of what I meant by “personal matters”.
“It is personal. Verra much so.” He traced patterns on my arm, like Malva had done for him before. Jean and Hubert looked away discreetly, witnesses to the breaking of my heart.
I pulled away. “A man like you will easily able to find a girl more suitable than me,” I said coldly, averting my gaze. He would have instantly divined the truth behind my eyes.
“Suitable?” he asked, puzzled. “Do ye think am I promised to someone else? I can assure ye—”
“I can assure you, monsieur, that my training takes precedence over everything. If you will excuse me, please.” I left quickly, not pausing, not thinking, not feeling.
But that was a lie.
* * *
“A novice?” Mother Hildegarde blinked, surveying me over her round spectacles.
I twisted the apron on my lap nervously. “Yes, ma mère, it is my wish to take vows someday.”
“Claire, chère, you do not mean this,” she said sternly.
“But I do.” I looked down. “In my time here with you and the soeurs, I have come to greatly admire the work that is done here, and I feel that my soul would be comforted by pledging myself to God and his church.”
“We appreciate that, but I do not feel that religious life is your calling.”
“Healing is my calling. I can also serve God in this way,” I said stubbornly.
“You already do.” Mother Hildegarde smiled. “There is no need for you to take a vow.” She tucked her hands inside her habit and walked around her desk, contemplative. “Is it what your mother would have wanted?”
I paused. “Maman would want me to be safe.”
“Ah.” Mère Hildegarde sat in the empty chair across from mine. I felt her penetrating eyes strip me bare, able to look inside my soul and reveal my deepest secrets. “It is safety you seek then. An escape, perhaps.”
“Ma mère, I…” There was no defense left. “Where else can I go?”
“Why would you wish to leave? Your training is not complete.”
“The man I have been tending to, James Fraser,” I began desperately. “I am afraid he wants—no, I want. I fear I should want him.” I hung my head in shame, unable to face Mother Hildegarde.
She regarded me carefully, choosing her words. “Is he married? Betrothed? Are you?”
“No, he is not. Neither am I.” I breathed deeply. “I knew his family, a long time ago. Attended his mother in childbirth, and her funeral. He has wealthy and powerful relatives. I have no one. Surely I am not meant for him.”
“So you thought that a novitiate was an easier escape than admitting your feelings for this young man.” Mother Hildegarde shook her head. “These walls were not meant to shut out problems. You have to face them. You have to live the life you were born to live.”
“What life is that?” I asked, resigned.
“Midwife, healer, wife, mother… only God knows. It is my belief that you would be terribly unhappy as a nun. This life, my child, it is not for you. You have a gift for healing, it is true. But I see your spirit, and it is not well-suited for a fate like mine. Trust me. I would see you happy, Claire, chérie. But not like this.”
#outlander#outlander fanfic#outlander au#jamie and claire#the midwife viii#inspired by the sound of music#it's my birthday on tuesday dec 4
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The Global Plain Catgut Sutures Market witnessed a rapid growth in the historic period from 2016 to 2019 and is anticipated to witness significant growth during the forecast period.
Global Plain Catgut Sutures Market Size, Trends, Growth, Competitive Landscape and Key Regional Analysis to 2027” offers broad information and understanding of the Plain Catgut Sutures markets. The report analyses the Plain Catgut Sutures market for the historical (2016–2020) and forecast (2021–2027) periods. The report includes drivers, restraints and opportunities influencing the market, market size analysis with respect to revenue. The report also provides a snapshot of the competitive landscape of the key players operating in the market along with the percentage market share of the top players. The report has a section on the impact of COVID-19 on the Plain Catgut Sutures market at the global and country levels. This analysis includes demand & supply side implications of Plain Catgut Sutures market in 2019. The report is built using data and information sourced from primary & secondary research, proprietary databases, paid data base among others.
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Plain Catgut Suture is a fast-absorbing surgical gut suture made from a strand of collagenous material prepared from Plain Catgut Suture.
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Catgut Suture: An Age-Old Solution for Surgical Wound Closure
When it comes to surgical procedures and wound closure, one material has stood the test of time: catgut suture. This natural and biodegradable suture material has been used for centuries and continues to find its place in modern surgical practices. In this blog post, we will delve into the world of catgut suture, exploring its composition, uses, benefits, and the different types available in the market.
What is Catgut Suture?
Catgut suture is a type of absorbable surgical suture made from the submucosal layer of sheep or goat intestines. Contrary to its name, it does not come from the guts of cats but was historically believed to be made from cat intestines. Catgut suture is an organic material that is processed and sterilized to ensure its safety and effectiveness in wound closure.
Types of Catgut Suture
Uses and Benefits of Catgut Suture:
Catgut suture is commonly used in various surgical procedures, including general surgery, obstetrics, gynecology, and orthopedics. Its popularity stems from several benefits it offers:
Catgut Suture Price:
The cost of catgut suture can vary depending on factors such as the type, length, and thickness of the suture, as well as the supplier and geographical location. Prices can also fluctuate based on market demand and availability. It is advisable to consult with medical suppliers or professionals for accurate and up-to-date pricing information.
Conclusion:
Catgut suture, with its long history in surgical practice, continues to be a reliable option for wound closure. Its organic composition, biodegradability, and satisfactory tensile strength make it a preferred choice for various surgical procedures. Whether it's plain catgut or chromic catgut, these sutures provide essential support during the initial stages of healing, ensuring optimal patient outcomes. Despite the advent of synthetic sutures, catgut suture remains a valuable tool in the surgeon's armamentarium, offering a blend of tradition and modern surgical expertise.
Please note: The information provided in this blog post is for educational purposes only and should not be considered as medical advice. Always consult with a healthcare professional for personalized guidance regarding your specific medical needs.
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He wasn't sure if he felt relief or a further sense of concern when he said he didn't feel pain. On one hand that was miracle, because otherwise.. he suspected there would be quite a bit of it, between the stitches and the way the skin seemed to want to fall away. Just thinking of the place on his back where it had come loose made Simon's own back itch, though he fought the urge to scratch it. But on the other hand..
A complete lack of pain wasn't right. None of him was right. His gaze traveled down his chest, studying again the mismatched pieces of skin and the way it was all pulled together. When he mentioned being dead, Simon looked up, surprised. "That's.. not possible," he replied, searching his eyes. The cloudiness of them made Simon wonder just what color they'd been originally, if he was seeing them clearly. And could he see, through that layer over his eyes? He frowned, thoughtful. "None of that is possible. I.."
It wasn't possible, but it was in front of him, plain as day. Simon's frown deepened, but he stepped away, moving to a table set up against a wall to pull open one of the drawers. It took a moment to find and decide on a material to use; it wasn't often they relied on silk sutures anymore, but he had the feeling catgut might still dissolve in the man's skin. Glancing back at him, he frowned again, figuring that would just leave him with the same problem as he had now. At least silk would last a little longer.
He looked away again, opening a small glass tube that already held the needle and the material inside. He let out a slow breath. "I.. am going to trust you when you say you don't feel pain. But.. do let me know if that changes." He looked back at him again, this time meeting his gaze. "And.. maybe I should have asked before, but do you have a name?"
Breathing in and out, Alistair tried his best to keep himself calm. Under his clothing, he could feel another of the stitches pop, the patch on his back slowly becoming undone. He wasn't entirely sure if it would slough off if he ignored it or if his body could hold on, but if it was anything like his arm, it would need to be fastened again if he wanted to keep it.
Behind dark glasses, he eyed the building with hesitancy. He'd gone three months without the help of another, without having to reveal what he was to anyone else. He wasn't even sure what he was in the first place, but he knew if he had a choice, nobody would ever know. Heart reached into his jacket pocket and brushed his fingers over the small pistol there, his eyes squeezing shut. What option did he have? He had no idea what would happen if he let himself fall apart; he needed the help whether he wanted it or not. And the only person who had any clue what was going on at all was well.. dead. After months of being barely tended to, Alistair had made a bloody mess of the man who raised him without much hesitation at all. It'd been instinct-- And although this wasn't, he knew better than to pretend it wasnt a problem.
With another long breath, he moved towards the doors.
In the front reception area, he sighed at the sight of other patients. He'd hoped if he was early enough, he wouldn't have to do anything but lock the door behind him. Heart tongued the inside of his cheek before pulling the gun out and giving it wave, the action so anxious it almost looked lazy. Even without the pistol, he looked crazy dressed in so many layers it completely obscured him. And if he didn't look completely unhinged, he surely seemed ready for a blizzard. "Get out." He started, "All of you! Get out get out get out GET OUT!" Turning off the safety, he closed his eyes and fired at the ceiling. "Leave! Leave leave LEAVE!" He hissed, "Where is the doctor?!"
@purposefully-lost
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Plain Catgut Sutures Market - Global Industry Analysis & Forecast to 2027
Plain Catgut Sutures Market – Global Industry Analysis & Forecast to 2027
A Qualitative Research Study done by Crystal Market Research on Global Plain Catgut Sutures Marketreport provisions current and forthcoming trends that are outlined to determine the overall attractiveness and to single out profitable Plain Catgut Sutures trends to gain a stronger position in Industry anticipated to reflect a positive growth trend in upcoming years as well. The global Plain Catgut…
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Vibrant Fibre: WhiteFeather’s Biotextiles
Function Keys 3 Conference of New Technology and Digital Culture, Centre[3] for Print and Media Art, Hamilton, ON.
By Tara Bursey
Biotextile I, catgut sutures, cell culture media, 3T3 cells, glass petri dish, 3D printed miniature loom and tools, 2014.
For many, BioArt — an art practice where humans work with live tissues, bacteria, living organisms, and life processes — conjures a visceral discomfort fitting for a genre known to encroach into the realm of human and animal bodies and cells. BioArt auteurs Eduardo Kac (whose infamous GFP Bunny was a live rabbit whose genome was spliced with the green fluorescent protein of a jellyfish) and Stelarc (who implanted a polyethylene ear into his arm that both hears and transmits sound) embody a postmodern swagger akin to how the abstract expressionists were perhaps perceived three-quarters of a century ago. Critiques of the use of lab resources, animals and other living materials to pose questions instead of solving proven problems (in combination with the cult of celebrity around a handful of BioArt pioneers) has given the genre it’s reputation for being ethically-questionable.
Montreal-based artist WhiteFeather, a presenter at Centre[3]’s Function Keys conference last November, approaches BioArt from a background in textiles, dually grounded in feminism and affect theory and influenced by Marxism and witchcraft. Her production and long-term investigation of biotextiles — scientifically-engineered textiles designed for medical applications such as skin and organ repair — has produced a constellation of works that imbed a politic of care within their very fabric. The spirit of co-agency and co-authorship between animate and inanimate subjects are alive in work in which, in WhiteFeather’s words, empathy serves as a core lab technique.
Biotextile experiment with handwoven horsehair scaffold and 3T3 mammalian connective tissue growth, 2016.
One of WhiteFeather’s investigations, a time-lapse video called Aseptic Requiem (2014) documenting a silk fibre’s encounter with connective tissue cells is a lavender-hued frenzied dance, evoking something between a psychedelic experience and the pulsating forms we associate with educational videos showing the fertilization of a human egg. In Biotextile I (2014), a weaving using catgut sutures (thread made from collagen found in the small intestine of cows, goats and sheep) on a palm-sized 3D printed loom was labelled in a petri dish and enculturated with connective tissue cells steeped in a day-glo pink solution. Twelve weeks in the lab produced a reaction of cell growth in the negative space of the plain weave: a membrane of live tissue growth with its own material logic becoming one with the grid pattern of the woven structure.
WhiteFeather relates this catalytic meeting of inanimate and animate matter to the writings of political theorist Jane Bennett. In her 2009 book Vibrant Matter: a political ecology of things, Bennett describes “thing power” — the active participation of nonhuman forces in events. Thing power is central to much of WhiteFeather’s work — the importance of both live and inanimate subjects as active agents equal to the artist in the creation of the work, as well as the role of shared space and agency in allowing exquisite, mysterious logics to unfold.
For WhiteFeather, and for those who learn about or experience her work, there are inherent tensions at play, from balancing the immediate and intuitive practices of an artist with the essential sterility of environments where live cultures are handled and tested. The clinical space of the lab, and the criticality of procedures that will ensure the safe handling of the biotextiles as well as the safety of lab technicians and the broader public are imbedded in the content of the work while rubbing up against more intuitive processes of craft production, the domain of WhiteFeather’s practice for decades. While a textile artist may use her saliva to shape the end of a thread in the same way a mother animal grooms its young, or mend a garment in the same way a doctor would stitch a wound, equivalent gestures look and feel different within WhiteFeather’s practice while still positioning acts of care at the centre of the work.
In her 2015 exhibition Biomateria, WhiteFeather performed the “aesthetics of care”— a term coined by BioArtists Oron Catts and Ionat Zurr to reflect the care of “semi-living” beings within the context of BioArt — though a biosafety lab set up at FOFA Gallery in Montreal. In performance, through costume and official and quasi-official procedure, WhiteFeather (as well as trained gallery staff) enacted care as both a way of (in the artist’s words), “reflect(ing) social norms with regards to risk perception, and social (moral) codes about the body” as well as the practical need to keep a biotextile specimen safe within its controlled space. This performance both critiqued and highlighted the methods and means through which scientific work is navigated, while giving equal weight to the safety and care of both the viewing public and the vital material situated in the gallery.
The artist performing in lab gallery installation The Ossificatorium with Incubatrix Neith and Biotextile n=x, 2015. FOFA Gallery, Montreal. Photo credit: Carlos Jabbour.
Care is a long game. During a time of rapid technological change and innovation, the dissolution of the post-war social contract and emergent 21st century civil rights movements in light of rampant social injustices, care — whether care for the self or care for those in our community and abroad — can be seen as a critical political act. WhiteFeather’s Biotextiles highlight the meeting of living and non-living subjects as both carriers of knowledge and bodies worthy of care that are, to paraphrase Catts and Zurr, creators of our bodies as much as we are theirs.
This essay has been adapted from a previous version commissioned for the Function Keys 2016 conference catalogue by Centre[3] for Print and Media Art.
Tara Bursey is an Hamilton-based artist, independent curator and arts worker. Formerly a Curatorial Assistant at the Textile Museum of Canada, she coordinates exhibitions and programs at the Workers Arts & Heritage Centre, the country’s only labour history museum and multidisciplinary art centre.
#criticalsuperbeast#hamont#artcriticism#WhiteFeather#WhiteFeatherHunter#TaraBursey#Centre3#functionkeys#textiles#bioart#biotextiles#newmedia#artandscience#Montreal#EduardoKac#Stelarc#janebennett#performance#care
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