#pierre kast

[las-microfisuras]

"Vacances Portugaises" (1963). El Portugal de Pierre Kast con Daniel Gélin y Françoise Arnoul.

[frenchcurious]

Geneviève Page & France Roche à bord d'une MG A dans le film de Pierre Kast, ''Un Amour de poche'', 1957 - Source Facebook

[ghostnight]

La Brûlure de mille soleils (1965)

[nicoooooooon]

La morte-saison des amours (1961) featuring Françoise Arnoul and Pierre Vaneck

[auxoubliettes]

La Morte-Saison des Amours, dir. Pierre Kast (1961)

[parure-d-insomnie]

L' Herbe Rouge'' (1985)______________Pierre Kast.

Téléfilm adapté de Boris Vian.

[venustapolis]

Illustration by Peter Goodfellow for Pierre Kast's 'The Vampires of Alfana' (1975)

[444names]

Names derived from the English Wikipedia's "List of short place names"

Aanam Aby Aen Aind Airs Aland Alet Alle Allove Alma Almon Aly Ameng Andregic Anoa Anza Ara Aritim Arover Arrlawa Ary Ascoto Ast Astereet Astlanxi Ath

Bad Barand Barish Beas Beldloven Beley Belsicand Berlou Bold Borterlab Bortré Bostreast Bottinet Bralagn Brand Breect Briden Broven Bud Buriguime Calmodal Cand Cary Caty Celage Cely Ces Chejind Chergen Chi Chies Chigeon Chinne Chisturn Chus Cita Com Coman Corislan Cothep Cou Coublity Couters Couth Crorg Czer Dafjor Daly Dania Deran Des Devalagae Digna Dina Disted Diver Don Dounala Edestan Egord Egordis Egy Empe Enatione Enet Enordal Enthome Eogra Epa Epara Epark Epu Etwed Eur Fairs Farkdang Fast Fax Fijin Fin Fincelaby Fir Fordaleas Foria Fortre Fria Frist Fun Funt Garmeast Gawed Geon Ges Ght Glas Gos Govardy Govisa Groli Guch Guriao Gurna Gävle Hand Handeslan Haudi Hea Hebrad Her Herm Heth Heuru Higes Hildlang Hipargium Hisa Hon Hun Hund Hurg Huận Ibelanina Ice Ied Iesied Ine Ing Inowaku Ion Ippent Ire Ireet Irego Ishaug Isia Islo Ist Istai Istla Istreg Ita Japertand Jia Juthnina Jämtlan Kaghea Kaing Kaity Kand Kanine Kast Kay Kayamers Khuantal Kland Knoway Kommuay Korld Krieders Kur Kuren Kurms Kuru Kus Lag Lahong Lamagalac Land Lang Lansuda Later Ledeven Lek Leméislân Ley Lia Liaonnera Licham Lieli Lifent Lincip Lind Linne Lity Liveng Livish Localma Lomadal Lon Loon Lovaskey Lown Luim Lân Mageonsi Mal Mand Mation Mes Modal Modensu Moders Mona Mone Monght Monin Moralit Moriž Mos Mosning Mostleser Mote Moter Moulf Musaket Naanzarob Nagas Nal Namon Naweg Nerme Ners Nia Nitand Nizemian Nog Nor Norequ Norg Norpo Norranyam Nort Nowall Oaterønd Obleon Obos Odalahom Odeven Ohnigin Ohnpe Oirek Oirfas Okince Okinja Okne Olcs Onglermen Oraiferg Ordalan Ordershik Oric Orisland Orly Orma Orrisa Ort Ortreend Orweenes Orwes Oth Oyama Oyang Parace Parai Pard Pardes Parklu Pary Phorgin Phung Pierre Ping Placena Pon Pornsuld Pub Pun Pyrénée Qenia Qenizary Quand Qui Quảngeona Rad Ran Ree Regosniy Reind Res Reso Rhamn Rian Roa Roaria Roldal Roms Roon Roto Rudisa Rys Rézvárom Scoma Scorkiand Seala Sean Seconaa Seed Segionght Seis Sero Seval Seviltesi Shan Shearde Shogreg Shomic Shorany Shord Shorict Sia Sije Sionsus Ske Slanamle Slog Slâ Sma Somb Sopon Soveng Soveslag Spa Stan Ster Stesish Stlany Stra Stry Sul Sunt Surada Surd Surity Svaled Swest Swillanxi Swilloven Sykka Szatis Tameto Tentia Thejia Then Theo Thipark Tholoi Tia Tio Tisidest Tom Tomard Tomestres Torwesinh Touth Tra Traic Tre Trom Try Tshurk Tsus Tuckyotly Turesh Tuzlan Twes Ubdiffeng Udia Ukiastry Ullek Urdlocand Usaif Valu Valuczer Varter Ver Vere Vered Vet Vil Vin Ving Vis Von Vordena Vorkdaya Vys Väst Västami Wakes Wales Way When Wilan Willo Wit Witan Wition Yaman Yamesity Ybei Ybenea Zhnpe Ångent Öden Örður Öst Östal Östrad

[spectaculardistractions]

From Georges Sadoul Paris, 10 December 1951 My dear Luis, I’ve been wanting to reply for six months now to your letter, as I was considerably moved by it. But at Easter, after finishing my tome of a book, I had an attack of lumbago and, after I recovered from that, an extreme case of fatigue lasted well into the summer. The truth is that I have been dragging myself around for six months now and am only a little improved after my return in November. I had an enormous backlog of work when I arrived back in Paris, where I had practically not set foot since April. You will know that your film was a monstrous success in Cannes. I saw it again and some of my reservations disappeared. However, the viewers were largely bemused, always, or almost always applauding at quite the wrong moments. For example: an ovation when the cop tells the mother: ‘it’s the parents’ fault, madam’. They thought that statement was a reflection of your own views, but I know it’s the opposite, because the character of the mother is truly chilling. On my second viewing, what moved me most was your tenderness towards your characters. But Pudovkin only needed to see The Young and the Damned once to understand it and to say as much in places like Pravda. I was too under the weather in April to be able to remember now precisely what he said in private, but it was basically that in a festival where the films from capitalist countries were generally dismal and dispiriting, your film (and the Italian films) introduced a sense of condemnation, a cry of rage, or in other words, hope. You will also have heard that The Young and the Damned has been a great success in Paris for two months now. I haven’t been to Studio Vendôme yet (the old Opéra cinema, Avenue de l’Opéra), but everyone tells me it is full every night. The cinema had been ‘dying’ for a long time and they tried to relaunch it with, amongst other things, that repulsive Swedish film, Fröken Julie (Grand Prix at Cannes), but with no luck. The Young and the Damned is a rejection of society. But what’s most important is that everyone tells me that people (high society people) are leaving ashamed. That doesn’t mean they understand it all, of course, but at least they’ve understood the essential. And they’re not just going to be entertained by the horror, like the Grand Guignol, which is what I feared initially. You may know that at first it was practically sponsored by Le Figaro (even more repugnant in 1951, if possible, than in 1930 in the days of Coty and The Golden Age); a ploy by the distributor of course. Still, The Young and the Damned did not have the impact Le Figaro expected, which is crucial. I was talking about you for hours yesterday with the Lotars, going over so many old and shared memories. They had been interviewed by little Pierre Kast, who wrote an article in Cahiers du cinéma (Lulu and Viñes will have sent it to you) full of memories of your friends, and in which you are represented, at the end of the day, as a Rimbaud who removed himself forever to an inaccessible Harar, or like a Gauguin who never wrote from Tahiti. Apart from the tendency to bury you definitively in ‘other places’, there is little to say about this ‘Search for Buñuel’. However, I really disliked the other Cahiers du cinéma article: the first one. I wrote a letter correcting Little Kast (in reference to the part where he referred to me without naming me). You’ll find a copy of my letter to Kast enclosed, as well as cuttings from my three articles on The Young and the Damned published in L’Humanité, Les Lettres françaises and L’Écran français. I expressed some reservations, as you’ll see, but it would have been worse if I’d written them the day after Studio 28 and before our (last) meeting on the Champs-Élysées (or even just after it). And I also believe that my reservations have faded (although they haven’t yet disappeared altogether). What irritated me most about Little Kast’s article was that he called into question and in the worst possible faith, what I had said about your three films in my Histoire du cinéma. Those three pages were difficult for me to write at the time. I made a real effort to put in them, in good faith, what I thought at the time (and what I’m sure you also thought), between 1927 and 1932. At that time, I think I was a witness, rather than an historian. Nevertheless, witnesses are often confused. If you think that at any point in those three pages I betrayed your principles, do please tell me. I could make corrections to future editions, or to the international editions that are underway. I’m very grateful for the magazines you sent me on Mexican cinema. They will be very useful for the next book I’m preparing (film from 1939 to 1952). But on a personal note, I should like you to keep your promise: to send me the photographs of the Vallée de Chevreuse from 1932. I so much loved the photo you took of poor Norma. I have no other photograph of Pierre Unik and you. If you can, please send me those negatives. I saw a still from your new film. The Lotars mentioned a letter you sent to the Viñes, they tell me you think it’s a very optimistic film. Bravo. And above all, I would be pleased (and here I think I speak on behalf of all your friends) if the success of The Young and the Damned would allow you to return to France. With your wife and children. You must tell your producer that The Young and the Damned would not have sold as well nor earned as much had you not come over to prepare its release (it’s true). And that its chances of winning the Grand Prix at Cannes would have been much higher if you had been at the Festival (even more true). For all these reasons, they must pay for your travel and an extended stay in Paris at the beginning of 1952, or when the Cannes festival is on. Until later. Impatiently awaiting your next film. My wife joins me in sending you our warmest regards and best wishes, Georges Sadoul 3 rue de Bretonvilliers PS I quoted from your letter in my response to Kast and in the article for L’Écran français. Please forgive me, although I’m sure you’ll bear me no ill-will for doing so. I can’t find L’Humanité, but I think Lulu and Ricardo will send it to you.

Jo Evans & Breixo Viejo, Luis Buñuel: A Life in Letters

[isvicreninsesi]

1 Mayıs’ta onbinlerce kişi sokaklara döküldü

🇨🇭SESİ- İşçi Bayramı'nda İsviçre’nin çeşitli şehirlerde mitingler düzenlendi. Bazı bölgelerde göstericiler ile polisler çalıştı. İsviçre’deki İşçi Bayramı'nda onbinlerce kişi ücretlerin iyileştirilmesi, daha iyi emekli maaşı ve daha fazla eşitlik için gösteri yaptı. İsviçre genelinde düzenlenen yaklaşık 50 etkinlikte, sendikacılar ve politikacılar eşitsizliğe karşı mücadele ve toplumsal ilerleme çağrısında bulundu. Polislerin sabote etmesiyle bazı yerlerde göstericiler çatışma yaşandı ve maddi hasar meydana geldi.

Zürih'teki etkinliğe binlerce kişi katıldı. Sosyalist Parti (SP/PS) ulusal meclis üyesi Tamara Funiciello, Sechseläutenplatz'daki mitingde yaptığı konuşmada, çalışma saatlerinin kısaltılması çağrısında bulundu ve işverenler birliği tarafından getirilen emeklilik yaşının 70 olmasına sert bir şekilde karşı çıktı. Kadın haklarından da bahsetti ve 14 Haziran kadın grevine katılma çağrısında bulundu. Öğleden sonra Zürih şehir merkezinde polislerin sabote etmesiyle, göstericilerle çatışma yaşandı. Olaylarda 200’den fazla kişinin 1 Mayıs’a katılması engellenirken, 11 kişide gözaltına alındı. Polis şiddeti nedeniyle iki kişi de yaralandı. SENDİKACILAR SOSYAL YARDIM TALEP ETTİ İsviçre Sendikalar Konfederasyonu (SGB) Başkanı Pierre-Yves Maillard, Interlaken'de yaptığı konuşmada İsviçre'deki çalışma koşullarına değindi. "Satın alma gücü krizinin" daha da kötüleşeceği konusunda uyardı ve ücretlerin ayarlanması, AHV emekli maaşlarının artırılması ve sağlık sigortası primlerinin net gelirin yüzde onu ile sınırlandırılması çağrısında bulundu. SGB ​​baş ekonomisti Daniel Lampart, Thun'da “sosyal AHV”nin genişletilmesi çağrısında bulundu.  BASEL’DEKİ YÜRÜYÜŞE POLİS ENGELİ Basel'deki etkinliğe yaklaşık 1000 kişi katılırken, polis çok sayıda kafesli ve tazyikli su araçlarıyla göstericilerin yürüyüş yapmasını engellemeye çalıştı. https://twitter.com/basta_bs/status/1653019960367562754?s=46&t=7LruKCNOyxTS3EFO0Tl7Vw Cenevre'de yaklaşık 2.000 kişi maaş ve emekli maaşlarının arttırılması için sokaklara çıktı. Eyleme Ulusal Konsey Üyeleri Laurence Fehlmann Rielle (SP), Isabelle Pasquier-Eichenberger (Yeşiller), Devlet Konsey Üyesi Lisa Mazzone (Yeşiller) ve Pazar günü seçilen yeni Devlet Konsey Üyesi Carole-Anne Kast (SP)’ ta katıldı. SP eş başkanı Cédric Wermuth, Zofingen'deki 1 Mayıs kutlamalarında, yaşamak için yeterli maaşlara ve onurlu bir yaşam sürmeyi mümkün kılan emekli maaşlarına ihtiyaç olduğunu söyledi. Kurumlar için daha fazla kar ve vergi indirimi yerine, daha uygun fiyatlı sağlık sigortası primleri ve kiralara da ihtiyaç duyulduğunu vurguladı. Read the full article

[wien1983]

Freitag, 4. November

Habe herausgefunden, dass das gar nicht Ernst Schmidt junior war, der bei der Konrad Bayer Veranstaltung war, sondern Manfred. Habe nämlich in der Früh Geld geholt, war in der Buchhandlung Herrmann in der Grünangergasse, ein Buch gekauft, in dem war das Stück DER KOPF DES VITUS BERING samt Darstellern, ohne Ernst Schmied junior. Mir fiel auch wieder ein, dass ihn Ursula immer Manfred genannt hat. In der Buchhandlung waren Edek Bartz und Brigitte Herrmann, das war gar nicht die Frau, die beim vorletzten Mal da war, die ich für Brigitte Hermann gehalten hatte. Es war die Frau, die im Club 2 war und über Psychiatrie gesprochen hat! Klein und mollig und lange, schwarze Haare. Sie hat dauernd gemotzt. Edek Bartz erkannte ich zuerst an seiner schönen Stimme, dann sagte der Buchhändler, den ich so gerne mag: "Edek, willst du einen Kaffee?" Edek Bartz hat gesprochen: "Ja, Klavierspielen ist etwas Schönes." Weil der Andere war lange fort und jetzt hat er ein billiges Klavier bekommen und es sei besser, wenn jemand streng ist beim Üben. Das alles hat er gesagt. Edek hat Brigitte gestreichelt und sie gebeten, dass sie mit ihm ins U4 gehe, aber sie wollte nicht. Sagte, dass sie einen Film anschauen müsse. Er: Nach dem Film gehen wir ins U4. Sie: Nein!

Ich habe wieder viele, viele Bücher gekauft: Gisela Dischner und KONKURSBUCH Schrecken und ein Geburtstagsgeschenk für Karin: Urwald. Eine Reise zu den Schamanen des Amazonas. Trikont Verlag. Und eins über das ANDERE THEATER. Und wie viele Bücher gäbe es noch! Dann ging ich in die Ringbuchhandlung und kaufte INGEBORG BACHMANN: Bilder aus ihrem Leben. Wien, wie es isst. Natalia Ginzburg und Aristophanes. Dann ins Uni-Buffet, Orangensaft und Wurstbrot. Vorlesung Theaterwissenschaft, Aischylos gekauft im U-Bahnschacht, bei den Mängelexemplaren. Nach Hause, die Bücher eingeordnet und das Datum hineingeschrieben, meine Signatur. Das mache ich noch immer. Da war es schon wieder 16 Uhr. Habe in der U4 das Buch über Ingeborg Bachmann angeschaut, bin zu spät gekommen zum Proseminar. Maria hat mir einen Platz freigehalten. Wir aßen Schokolade, Weiße mit Nüssen. Danach fuhr sie mit mir in der Untergrundbahn zum Karlsplatz; erzählte von einem Mann, der ihr gesagt hat, dass er Angst vor einer Beziehung mit ihr hätte. Ich zog Parallelen zu Tristan, wir fanden heraus, dass beide eine Freundin haben. Peter Handke: Irgendwie sind alle schon besetzt. So wie Stühle besetzt sind. Aus dem Gedächtnis zitiert. Aber es steht in DAS GEWICHT DER WELT. Es war gut, dass ich offen war. Danach wollte ich zu PASSION von Godard im Burgkino gehen, aber sie spielten es noch nicht. Fuhr ins Studio Molière, da gab es einen Film von Pierre Kast, der war selbst anwesend, mit Schal, wie es sich für einen Franzosen gehört. LE BEL AGE, danach fuhr ich sofort nach Hause, obwohl ich mir überlegte, ob ich nicht eine Pizza essen sollte. In der U-Bahn sah ich zwei Punks, die auf die Stiege WHY sprühten, als sie bemerkten, dass ich komme, lächelte ich sie an, sie lächelten zurück.

Zu Hause kochte ich mir ein Supperl, habe mir heute die ZEIT gekauft, werde sie dann lesen, höre gerade Konstantin Wecker. In dem Film, den ich gerade sah, kam ein Claude vor, ein schöner Mensch, der aber nicht mit Frauen umgehen konnte. Er war zu schüchtern. So wie ich. Eine von ihnen hieß Bárbará.

[phantomladyoverparis]

La brûlure de mille soleils (1965), dir. Pierre Kast

[ghostnight]

La Brûlure de mille soleils (1965)

[laurent-bigot]

LES ARTISANS DE LA NOUVELLE VAGUE

LES ARTISANS DE LA NOUVELLE VAGUE

Après des années d’effort, demeurés à peu près vains depuis 1945, de jeunes réalisateurs français réussirent enfin à se faire remarquer en faisant irruption dans le monde cinématographique avec une énergie sans précédent. L’apparition soudaine en 1959 de la nouvelle vague mit le monde cinématographique en émoi. Ce fut une extraordinaire explosion d’activité créatrice : en dix-huit mois, une…

[parure-d-insomnie]

''L'herbe Rouge''__________________de Pierre Kast (1985)

[elegieenbleu]

LA BRÛLURE DE MILLE SOLEILS /

Court film réalisé par Pierre Kast, à partir de dessins du peintre Eduardo Luiz 1965