#pier24

[thingstol00kat]

James Nares "STREET"

[4arenne]

So good I had to share! Check out all the items I'm loving on @Poshmarkapp #poshmark #fashion #style #shopmycloset #pier24 #akanneklein: https://posh.mk/6zXEkLoGQX

[aintquiteright]

Untitled by Thomas Hawk http://flic.kr/p/VyPtXJ

[rafaelroncato]

This Land / Identity / Visual Reference

Participating Artists: Dawoud Bey | Guillermo Galindo | Bruce Gilden | Jim Goldberg | Katy Grannan | An-My Lê | Richard Misrach | James Nares | Paolo Pellegrin | Daniel Postaer | Alessandra Sanguinetti | Bryan Schutmaat | Alec Soth | Deanna Templeton | Ed Templeton | Brian Ulrich | Corine Vermeulen | Donovan Wylie

[darinboville]

Some images work in isolation, others need to be grouped. This is the only real way to see the iconic work of the Bechers, a Düsseldorf husband and wife team who photographed old industrial buildings in Europe. Although each particular photo sort of fades in the mind the overall experience of seeing them together does not. #pier24 #pier24photography #art #photography #artphotography #artgallery #artmuseum #sanfrancisco #artcollector #artcurator #artlover #bechers

[anthonygnyc-blog]

[35mmirador]

Patti

[thingstol00kat]

2024 Expos

Amazonias, Sebastiao Salgado. Fundación Fernán Gómez enero 2024, Madrid

Maestras, el Thyssen, enero 2024, Madrid

Reversos, el Prado, enero 2024 Madrid

Los mejores fotógrafos españoles del siglo XX, Blanca Berlín, enero 2024 Madrid

Mark Rothko at Fondation Louis Vuitton, jan 2024, Paris

i need to live, Juergen Teller. Grand Palais, jan 2024 Paris

Corps à Corps, l'histoire de la photographie. Pompidou, jan 2024 Paris

50 years of sketches, Picasso, Pompidou, jan 2024 Paris

Victor Burgin, Jeu de Paume, jan 2024 Paris

Capturer la beauté, Julia Margaret Cameron, Jeu de Paume, jan 2024 Paris

Men Untitled, Carolyn Drake. Fondation Henri Cartier Bresson, jan 2024 Paris

Some Say Ice, Alessandra Sanguinetti, Magnum Gallery, jan 2024 Paris

À toi de Faire, Ma Mignonne, Sophie Calle, Musée Picasso, jan 2024 Paris

Dream House NYC

Liz Deschenes, Miguel Abreu, NYC

Cindy Sherman, Hauser & Wirth, feb 2024 NYC

Exorcism of the Last Painting I Ever Made, Tracey Emin, Faurschou gallery, feb 2024 NYC

Scar Tissue (Blurred Earth) by donna Huanca, Faurschou gallery, Feb 2024 NYC

Barney Does it all, film by Bjarne Melgaard at Faurschou gallery, Feb 2024 NYC

The Train by Justine Kurland, Higher Pictures, Feb 2024 Brooklyn NY

Copy Machines Manifesto, Brooklyn Museum, feb 2024 NYC

The Wanda Coleman Playbook, Cauleen Smith, 52 Walker, Feb 2024 NYC

Broken Spectre by Robert Mosse, Jack Shainman gallery, feb 2024 NYC

Leaving Earth by Mary Lucier at Cirstin Tierney, feb 2024 NYC

Glorify Yourself by Carolyn Drake at Yancey Richardson, feb 2024 NYC

The Dissolve by Helen Van Meene at Yancey Richardson, feb 2024 NYC

Francesca Woodman at Gagosian, march 2024 NYC

Joan Jonas at MOMA, march 2024 NYC

Transmissions by Stan Van der Beek at Magenta Plains, NYC

el abrazo by Deisy Morelos at DIA Chelsea, march 2024 NYC

Pippilotti Rist at Luhring Augustine, march 2024, NYC

Born Black by Gordon Parks at Jack Shainman, march 2024 NYC

Anti-Aging by Lynn Hersman Leeson, Bridget Donahue, april 2024 NYC

Whitney Biennial 2024, NYC

Panoramas by Josef Koudelka at Pace gallery, april 2024 NYC

Glass Flowers by Michal Rovner at Pace, april 2024 NYC

More than I Could Ask for by Dawn Kim, Penumbra Foundation, april 2024 NYC

AIPAD Photo Fair, april 2024 NYC

Don't Forget to call your mother, MEt Museum, june 2024 NYC

Roni Horn, Hauser & Wirth, june 2024 NYC

Aperture Portfolio prize, Avion Pearce at Baxter St, june 2024 NYC

Fistful of love by Reynaldo Rivera, Moma PS1, june 2024 NYC

Moments of Solidarity, LaToya Ruby Frazier, Moma june 2024 NYC

Vivan Maier retro at Fotografiska, august 2024 NYC

Bruce Gilden at Fotografiska, august 2024 NYC

Forks & Spoons curated by Moyra Davey at Bucholz Gallery, april 2024 NYC

Hugh Hayden bathroom exhibition at Lisson

Rituals of Care by Lee Mingwei at deYoung, may 2024 SF

Irving Penn retro at deYoung museum, may 2024 SF

Pier24 final exhibition

Rialto, Peter Hujar at Ukranian Museum, july 2024 NYC

You never did anything wrong, Nan Goldin at Gagosian, sept 2024 NYC

Marisol at Albright Knox, july 2024 Buffalo

Into the Middle of Things by Sophie Schwartz, CC projects, sept 2024 NYC

Baltimore Museum of Art, sept 2024 Baltimore

Subtitled by Christian Markley at Paula Cooper gallery, sept 2024 NYC

SCUMB Flowers by Justine Kurland at Dashwood Projects, sept 2024 NYC

DEEP PHOTOS / IN THE BEGINNING by Laurie Simmons at 46 Henry, sept 2024, NYC

Gregory Crewdson, sept 2024 nyc

Alvin Ailey at the Whitney, NYC, Oct 2024

Ethan James Green, Bombshell, KAPP KAPP , Oct 2024 NYC

Magazinno Italian Art Museum, nov 2024, upstate NYC

Long Story Short by Tania Franco Cohen, Yancey Richardson, nov 2024 NYC

Ref_USE by Silvia Paredes en Space 2 be, nov 2024, Madrid

Life Dances On, Robert Frank at MOMA, nov 2024 NYC

Autopsia del espectáculo, Weegee, Fundación Mapfre, nov 2024 Madrid

31 mujeres de Peggy Guggenheim, fundación mapdre, nov 2024 Madrid

Henry Moore & Georgia O'Keefe at MFA Boston, nov 2024, Boston

Mary Ellen Mark, Tiny at Isabella Stewart Gardner museum, nov 2024, Boston

Kiss of the Sun by Lee Mary Manning, Canada, dec 2024 NYC

The Clock by Christian Marclay at MOMA, dec 2024, NYC

Noguchi Museum, Queens, dec 2024 NYC

NYPL Bohemia exhibition, dec 2024 NYC

Alina Patrick at Brooklyn Film Camera, dec 2024 nyc

To Build an Island by Carlos Chavarría en Le Mur, dic 2024 MAdrid

[yama-bato]

Awoiska van der Molen, #422-7, 2015

https://pier24.org/lecture/awoiska-van-der-molen/

[zacblank]

The Indecisive Moment - Leyla Stevens

There is a tension offered in slow cinema that is all too frequently unexplored through traditional forms of editing and cutting. Letting the scene play out naturally can create a steadily rising sense of anxiety and tension, especially when dealing with the heavy subject matter of the Indonesian genocide. The work of Leyla Stevens is not loud or in your face but opts for a more quiet and slow presentation. A video work might hold on a piece of nature or a crossing for an extended period of time, at least more than we are accustomed to. The works exist in a state of being simultaneously relaxing and tense. Stevens talks about her work representing a rejection against the decisive moment framework for photography as defined by Henri Cartier-Bresson. I am reminded of other work that rejects the decisive moment such as Paul Graham’s ‘A Shimmer of Possibility’, which features a book that explores the multiple images taken from a single scene or subject. The images work on their own and importantly exercise the idea that there may not ever be a truly ‘decisive moment’ within photography. I also see traces of Salote Tawale in Stevens’ work through the exploration of past histories within the gallery. In the same way that Tawale uses video to create a tense scene, Stevens also masters the use of the continuous and unresolved sequence.

Even in feature films like Ida (2014) and Cache (2005) and recently The Invisible Man (2020), there are great examples of still and long scenes that work to create a dynamic and effective way of storytelling. What this leads me to is the time and attention that is often not asked enough from the audience. We are given our own time through stills but with video work, we are immersed and lost within the scene.

Paul Graham 2004, Pittsburg, MACK BOOKS, <https://pier24.org/lecture/paul-graham/>

[erikagabriellearabit-blog]

Robert Adams

https://fraenkelgallery.com/artists/robert-adams

https://pier24.org/artist/robert-adams/

Viewing the works for Robert Adams allowed me to gain inspiration for task 1a. 

Certain photographs and works created by Robert Adams gave a sense of connection between myself and his photographs. Choosing to view the gallery on my own, I was left with the sensation of feeling alone. I then stumbled across his works and felt quite relieved seeing photographs that I could relate to. 

[darinboville]

You can approach this image in a variety of ways but I'm taken by the implied actions (or, more pointy, the inactions) of the sign painter or the person who owns the sign. Whatever business paid for the image has stopped paying but instead of painting the image over while they wait for the next client the billboard people have just obscured the company name and copy text, leaving behind the landscape image. It was too beautiful in itself to destroy and perhaps the real landscape behind it was the better for not having a blank white billboard defacing the viewer's enjoyment. #pier24 #pier24photography #art #photography #artphotography #artgallery #artmuseum #sanfrancisco #artcollector #artcurator #artlover

[thingstol00kat]

Jim Goldberg, pier24 photography, SF may 2024

[yama-bato]

Mark Citret

https://pier24.org/artist/mark-citret/citm-001/