#photo capturing style

[margaretcruzemark]

Maison Martin Margiela Spring Summer 1994, photography by Tatsuya Kitayama

[arsenicflame]

Keeps me awake still now Retracing what happened

TO RAGE - DAUGHTER

[sonnemordundsterne]

© 2023

[braisedhoney]

i think the running tour cast right now is pretty neat actually ❤️

(first set of... a few? maybe??)

[sepdet]

"Incoming" - original oil painting based on several photos I took at Corona Del Mar some years ago.

[sugardua]

𝐃𝐮𝐚 𝐋𝐢𝐩𝐚 ༄🖤

[nymphaforesta]

c.

[avtrtrmike]

Sunny day in the Metro. 📷

[jeffcbliss]

Brian Setzer (left) and Slim Jim Phantom of Stray Cats - Pacific Amphitheatre; Costa Mesa, CA (8-2-24). @briansetzer59 @officialslimjim @thestraycats

Photo: Jeff Bliss

[chaoticgoodcaptain]

i know this is not an art blog and honestly i don't think i'm there yet artistically (still trying to find my style and so on), but since today is a special day for me and i sketched this drawing anyway...

here, have a gear fifth inspired bounty poster

[hasmephydoneanythingwrong]

Day 446

*Memphis, Tennessee voice* I don’t know if Mephistopheles has done anything wrong, and I don’t care if Mephistopheles has done anything wrong. (/ref)

But!! Gimmicks aside!! Look what came for me in the mail!!

I now own! The only type of Mephistopheles merch that was ever made!! Feast your eyes!! I am. Lllosing my gourd with happiness.

[margaretcruzemark]

Archive Image from Maison Martin Margiela SS1994 Collection

[simplypaola]

Pausa Uffizi

[sirfrogsworth]

How do you take a photo of time?

I've been watching the track events at the Olympics since I was a wee lad. It was a tradition in our family. We'd gather around our ancient low-definition 19 inch CRT television and watch tiny blobs compete against other tiny blobs and root for our country.

It was a bit like watching YouTube on your phone in 144p.

Several heroes emerged.

Jackie Joyner-Kersee was amazing.

You can't forget about Flo-Jo.

And then the Olympics decided NBA players were allowed in the competition.

Which formed... The Dream Team.

Was this fair?

Well... they won each game by an average of 44 points.

So... no. It was not fair.

Though it became more fair as time went on.

But, umm... yeah. The other teams looked like the Washington Generals and the US looked like the Harlem Globetrotters if they stopped screwing around half of the game.

But my absolute favorite Olympian was a runner named Michael Johnson.

He was cool as heck.

For one thing... gold shoes.

But he also had this crazy, upright, Tom Cruise-ish sprinting style that just made him look like a running robot on the track.

And in the 1996 Atlanta games he just trounced EVERYONE. I mean, it wasn't even close.

Yikes. Those losing blobs are probably really embarrassed.

Last night I decided to invigorate my nostalgia and watch the track events again. And I got to see one of the wildest races in history.

It didn't even last 10 seconds but it was one of the most exciting sporting events I've ever witnessed. Almost every runner won the race.

After I saw that initially, I was like... who the heck won???

Even in slow motion I wasn't sure.

This was one of the closest finishes in history. There has never been a race where all 8 runners were within this margin.

The arena was silent as the winner was being confirmed. The runners just kind of paced around waiting for official word. My best guess was the Jamaican runner, Kishane Thompson. But then the loudspeaker announced Noah Lyles.

The last tiny morsel of American pride burst out of me with a big "Wooooo!"

I forgot what it was like to be proud of my country. I wish it happened more often. But this young man, despite being last place in the first 3rd of the race, turned on the afterburners and won in a photo finish.

And that's when my inner nerd took over.

Because when they showed the photo finish image, it looked super weird.

Why is the track white?

Why do all of the runners look all warpy like that QWOP game?

So I went down a research rabbit hole to figure this out.

Photo finishes are actually fascinating. The first photo finish captured the end of a horse race in 1890. But that was mostly luck and timing. The actual photo finish mechanisms weren't used until 1937.

Originally they would film the finish line through a physical slit.

And the first horsie head that appeared in that slit would be the winner. This technology ended a huge aspect of corruption in horse race fixing almost overnight.

But we have come a long way since then. And I'd like to introduce you to the Omega Scan 'O' Vision Ultimate.

This slow motion camera sits fixed on the finish line of every race. The concept of the photo finish has remained remarkably similar to the 1930s approach. The camera sensor is specially designed to only record a vertical slit.

Only the finish line itself is actually captured.

And because it limits what it records to only that slit, it can capture 40,000 frames per second to get amazing temporal resolution.

So why don't the photo finishes just look like, well... this?

That is because the camera takes a picture of time more-so than dimensional space. I guess it would be more accurate to say it *assembles* a picture of time.

As the runners cross the finish line, the camera combines all of the little strips of pictures into a single image.

It's almost like if you tried to reassemble a piece of paper after it had been shredded.

Imagine each strip of paper is a picture of ONLY the finish line, just at a slightly different point in time.

What if someone stopped on the finish line and didn't move... what would that look like?

Once they got there, the same part of their body would just be repeated.

So the right side of the photo finish picture represents earlier in time and it just assembles the image strip by strip as time passes and you literally get a picture of time itself.

NEAT!

Okay, but how do they determine the winner from the photo finish?

I mean, that shoe looks like it is ahead of Noah Lyles!

Clavicles!

The IAFF rules state the foremost part of the torso must cross the finish line first. And the endpoint of the torso is the outer end of the clavicle.

So if you get this bone across the finish line first, you win the race.

Two more fun facts!

The start of the race is actually just as carefully timed as the end of the race. There are sensors in the starting blocks of each runner.

The starting gun also has an electronic sensor.

They have determined the fastest a human can react to the sound of a gun is roughly 100 milliseconds. So if you start running before 100 milliseconds they know you didn't actually hear the gun, you just got antsy and started running too early.

And the final fun fact...

Did you notice the Omega logo at the top of the photo finish?

That isn't superimposed or added after the fact. That is captured by the camera.

But if this image is composed only of tiny little slivers, how did they get the Omega logo to show up?

That is a little display. And it is synchronized with the Scan 'O' Vision Ultimate to show a little sliver of the Omega logo for each frame captured.

So when the final image is stitched together, it looks like a cohesive logo at the top of the photo.

Pretty clever, Omega!

[filtergrade]

Twisted Brownie Capture One Style -Wedding / Content / Lifestyle

[studiocapturelife]

Event photography is fast-paced, requiring both technical skill and the right equipment to ensure that you capture every key moment. 

From weddings to corporate events, having the proper gear can make the difference between ordinary photos and exceptional, high-quality images. 

Whether you're an experienced photographer or just starting, having the essential gear will help you work efficiently while delivering professional results.

Here’s a guide to the must-have gear for capturing high-quality event photos.

1. Reliable Camera Body

The camera body is the foundation of your photography kit. For event photography, a DSLR or mirrorless camera with full-frame sensors is ideal. 

These cameras perform well in low-light conditions, which are often a challenge at indoor events or evening gatherings. They also allow for more dynamic range, higher image quality, and better performance in terms of speed and focus.

Some popular full-frame cameras include the Canon EOS R5, Nikon Z6, and Sony A7 III. These cameras offer fast autofocus, excellent image resolution, and high ISO capabilities, making them suitable for various event scenarios.

2. Versatile Lenses

Having a range of lenses in your kit is crucial for event photography. Different types of lenses allow you to capture wide-angle shots, close-up details, and everything in between. Here are the key lenses to consider:

50mm Prime Lens: Known as the "nifty fifty," this lens offers sharp focus and performs well in low-light environments. It’s perfect for capturing candid moments and portraits.

24-70mm Zoom Lens: This versatile lens covers a wide range of focal lengths, making it a go-to option for event photographers. From wide shots of the venue to close-ups of guests, this lens is great for capturing different perspectives.

70-200mm Telephoto Lens: For events where you need to photograph speakers, performers, or people from a distance without disturbing them, a telephoto lens is essential. This lens helps you get detailed close-ups from afar.

3. External Flash

Natural lighting isn’t always available, especially at indoor or nighttime events. An external flash or speedlight is crucial for illuminating your subjects while avoiding harsh shadows. 

Unlike built-in camera flashes, external flashes can be directed and diffused, providing softer, more flattering light.

You might also consider using flash diffusers or reflectors to soften the light further and prevent overexposure. Wireless triggers allow you to use your flash off-camera, creating even more natural lighting effects.

4. Extra Batteries and Memory Cards

Event photography often involves long hours and hundreds—if not thousands—of photos. Running out of battery power or memory space can be disastrous. 

Always carry extra fully charged batteries and multiple memory cards. High-speed cards with a large storage capacity (64GB or 128GB) are ideal, allowing you to shoot continuously without missing any critical moments.

Consider organizing your memory cards with a dedicated card case, so you can easily switch between them during the event.

5. Portable Lighting Setup

For events that are poorly lit or require more control over lighting, a portable lighting setup, such as a softbox or an LED panel, can come in handy. These lights can be used to fill in shadows or create a dramatic effect, especially in portrait shots or on-stage moments.

Portable lighting equipment is lightweight and easy to set up, making it convenient to use during fast-moving events.

6. Tripod or Monopod

A tripod or monopod is an essential tool for event photographers, especially during long ceremonies or when shooting in low-light conditions. 

A sturdy tripod ensures stability and prevents camera shake, resulting in sharper images.

Monopods offer greater mobility while still providing stability for heavier camera setups. They are especially useful for capturing long-distance shots with telephoto lenses.

7. Camera Straps and Harnesses

Event photographers are often on their feet for hours, constantly moving between different locations to capture all the key moments. 

A comfortable camera strap or harness can make a significant difference in reducing fatigue and keeping your gear secure.

Look for straps with padded shoulders or cross-body designs that distribute the camera’s weight evenly.

Dual camera straps or harnesses are great for carrying two camera bodies at once, enabling you to switch between lenses quickly and efficiently during the event.

8. Lens Filters

Lens filters can enhance the quality of your photos in various lighting conditions. A polarizing filter is great for outdoor events as it reduces glare and enhances colors, making the sky look bluer and foliage more vibrant. 

A UV filter can protect your lens from scratches and dust, especially when shooting outdoors.

For low-light conditions, consider using a neutral density (ND) filter, which allows you to use wider apertures or slower shutter speeds without overexposing the image.

9. Backup Camera Body

Having a backup camera body is essential, particularly for important events where equipment failure is not an option. 

A second camera ensures you won’t miss a moment if your primary camera malfunctions. It’s also useful for attaching a second lens, saving you time switching between lenses during the event.

10. Post-Processing Software

Finally, no event photography workflow is complete without post-processing software like Adobe Lightroom or Photoshop. 

These tools allow you to fine-tune your images, adjust lighting and exposure, and enhance colors. 

Having the right software can help turn a good photo into a great one, ensuring your clients are happy with the final results.

Conclusion

Event photography requires a combination of technical skill and the right equipment to ensure you capture every moment, no matter the setting. 

With a reliable camera, versatile lenses, proper lighting, and accessories, you can confidently take high-quality photos at any event. 

At Studio Capture Life, we understand the importance of being well-prepared for every occasion. 

Whether you're covering a wedding, a corporate event, or a private party, our professional photographers are equipped with the best gear to deliver stunning, high-quality results every time.