#photo by Terry O’Neill

[omg-hellgirl]

Chrissie was from the old scene, the Swinging London of dollies and pop stars. It was a very put-together look. The wig, false eyelashes and thick makeup. It took her simply ages to get ready. She could never spend the night anywhere because she might fall apart. Like Cinderella.

The times were changing and Chrissie wasn't.

Marianne Faithfull, Faithfull: An Autobiography.

[waugh-bao]

I was like ‘Mick’s birthday…I have to get over to Charlie’s insta to see what they put up before it gets taken down!’ 😂😂 But I should have known that this account would stay with classic adorable photos for a birthday post. They’ll wait for a random Thursday afternoon and put up a post for 20 minutes like ‘here’s a photo of Mick kissing Charlie on the lips after a session in 1965. And yes that’s Mrs. Watts watching them. 🥁 ❤️’

[citizenscreen]

Today in 1977, the morning after the 49th Academy Awards, Terry O’Neill took these photos of Faye Dunaway at the Beverly Hills Hotel. She poses with her Best Actress award for NETWORK #Oscars

[davidhudson]

Happy 77th, Elton John.

1975 photo by Terry O’Neill.

[harrisonarchive]

Photo by Terry O’Neill.

“My Dad didn’t like to see people upset. He hated it when people weren’t happy when they could be.” - Dhani Harrison, Concert for George microsite (x)

[persephone-nymph]

Elton John, London, 1972, photo by Terry O’Neill

[brittsekland]

American actress Raquel Welch in a photo conceived by photographer Terry O’Neill when Welch noted that she was afraid that the press would ‘crucify’ her for her film choices, taken on the Fox Lot, late 1960s. Originally deemed too scandalous for use at the time, the photo wasn’t published until 30 years later, on the cover of The Sunday Times magazine, and is now one of O’Neill’s most iconic and collected works.

[60sfactorygirl]

A publicity shot for the mod film ‘The Touchables’, 1968.

Photo by Terry O’Neill

[stylecouncil]

“Bowie has brought along a contact sheet of a photo session he did with William Burroughs in 1973. Today Bowie is dressed just like Burroughs was – gray suit, white shirt with a thin, dark stripe, and a fedora. Brett is dressed like Brett, in what the tabloids have taken to referring to as his “jumble sale chic”.

‘Tell you what, I’ll be Bill and you be me,’ Bowie says to Brett. It helps break the ice.’” - NME 20 March 1993

1993 📸: Pennie Smith / 1974 📸: Terry O’Neil

[transistoradio]

Faye Dunaway lounging by the pool at the Beverly Hills Hotel with the day’s newspapers, 29 March 1977, the morning after her 1977 Oscars win. Photos by Terry O’Neill.

[anotherdayinbliss]

The Rolling Stones, London, 1964. Photo by Terry O’Neill.

[waugh-bao]

@charlesandkeef Me too.

I’m not necessarily saying this is what did happen (or that it didn’t), but it does seem pretty convincing when you consider what the rest of their photos for 1964 (when this was taken) looked like. At the very least, 1964 was definitely the point of no return for Keith in his Charlie infatuation.

[davidhudson]

Happy 80th, Roger Daltrey.

Photo by Terry O’Neill.

[harrisonarchive]

Photos by Harry Goodwin and Terry O’Neill.

Q: “In I Me Mine, it’s surprising that you didn’t cover —“ George Harrison: “The Beatles [laughs].” Q: “— or your musical influences and upbringing.” GH: “Well, you’ve got to understand that the book really started out as a facsimile of the bits of paper that the songs were written on. And then it developed into talking about each song — how I wrote it or some little story. Then they decided to get Derek Taylor, a friend who is a writer, to fill in bits. We’d have a tape recorder and just talk, like we’re talking now, and then later they’d type it up and I’d read it and edit or polish it up a bit. And it just became a book. But it’s just really random conversations from three or four different occasions put together. And the Beatles had been so ripped off and used by everybody — lots of people — in one way or another. And they still are, to this day. So I didn’t want to appear to be riding on the Beatles’ coattails either. I know John got personally insulted because I never mentioned him in it, but I never really mentioned Paul or Ringo. Derek even said, ‘Well, hadn’t you better say something about Pattie? You were married to her for 10 years.’ ‘Oh, okay then.’ I was avoiding all the stuff people would really want to know about, the gossip side of things, and also I didn’t want to insult the other guys - ‘Look, he’s just cashing in on the Beatles.’ I wanted it to be what it set out to be, which was just the songs, the bits of paper, how I wrote them.” - Guitar Player, November 1987 (x)

[persephone-nymph]

Mick Jagger at the BBC studios, photo by Terry O’Neill, 1963

[paul-newmans-sauce]

looking thru terry o’neill’s photographs. tell me why he took FIFTY ONE images of paul newman and clint eastwood outside of a motel together. i get like one or two or maybe ten if you’re feeling crazy but FIFTY ONE ??

what was the reason for this

source below cut:

https://iconiclicensing.net/photo/eastwood-marvin-newman-contact-022