#pharonic

[dood1e-bug]

Couple of Secret Saturdays memes

[ballet-symphonie]

Mariinsky Asks

I was wondering if you've seen the pictures and videos of La Fille du Pharaon premiering at the Mariinsky. I've been waiting with trepidation. I have the video of this ballet staged by the Bolshoi and their make up was very problematic, to the say the least. Especially Aspiccia's maid in full on blackface. I don't think I've managed to watch the entire thing because it REALLY bothered me.

I was very pleasantly surprised with the costumes at the Mariinsky! Such stunning costumes! Probably their most beautiful. I didn't see the entire thing but, from what I've watched, no blackface to be seen and I breathed a sigh of relief. Hopefully this is a first step in the right direction. Maybe next thing they'll be changing around some other makeup in other ballets? (Especially in The Bayadere, I have to skip the entire part featuring children) Baby I steps? cannot speak for the cultural appropriation and aspects of Egyptian culture being used because it's not my place to but I'd be curious about it, too.

Sure its better because there’s no blackface but that’s the lowest bar ever.  I’m not sure this is a ballet I’d really want to see. It’s not dramatically captivating, and some of the variations just look downright uncomfortable to get through (unless you’re Kimin Kim). I personally didn’t like the costumes, for how much money they must have spent, they looked a little tacky and overly shiny to me. I have also read reviews saying this ballet REALLY dragged with excessive pantomime. Like its 3.5 hours long- absolutely obnoxious. Haven’t found many clips of the pantomime, obviously because no one is interested. It is an interesting concept of reconstruction, but it almost feels like something that belongs in a museum and not on stage. 

Hey, Ale, first of all big love to you for your great blog 🫶🏼 Concerning Anastasia Plotnikova, I feel like she’s kind of become the 2020 graduate with the most featured roles at MT. Others like Valeria Bespalova and Lizi Avsadjanishvili (before she left) seemed to stand out more at Vaganova. Still, Plotnikova seemed to get more soloist parts that seem to lead the path to promotions for new graduates (shades solo, odaliaques solo, variation in Paquita) while the others didn’t. I think the biggest part she’s gotten is the Queen of the Dryads. I don’t know if that’s considered a principal role? But I think at least a big soloist role? :D I just think it’s interesting how things for the 2020 class are working out. They are the first Vaganova class I followed as students already and to me, it seemed that they would take over the theatre like Khoreva and friends, only that their year had even more red diplomas. I was a bit surprised that it seemed that they were given opportunities so much slower than at least the 2018 year. I’m really interested in hearing your thoughts on the 2020 graduates, especially because I thought it was so fascinating that 5 girls danced Masha in the Nutcracker, when only two years later no girl in the graduate year was deemed good enough.

Plotnikova has definitely adjusted to professional life better than expected and is certainly making the most of herself and separating herself from the rather mediocre classes from 2020-2022. Queen of the Dryads is a good step forward. I theoretically would worry about her getting pushed aside for the 2023…but since the ‘big 3’ are all going to BT, I think we will be seeing more of her. 

A red diploma doesn’t guarantee anything. There are girls who are soloists without one, and there are girls who are sitting in the corps for life with red diplomas. It’s important to remember that the diplomas take their dancing and their academics into account. For example, Elya Sevenard doesn’t have a red diploma. You need one to work in the theater of course, but that’s it. 

Regarding the VBA’s Nutcracker casting, I truly have no explanation. Principal roles in public shows should be kept for the strongest students of the graduating class. Not juniors with 2 more years left and certainly no poaching MT boys. 

What did you think of Bulanova’s recent black swan pas? I’m not sure she’s quite ready for a debut, although her turns were great as usual. Tbh I’d be more concerned about her odette in this case, but I’m hoping to see her in more classical leads. I really hope she debuts kitri soon, and i dream of seeing her as aurora although that probably won’t happen anytime soon lol

O/O is not a walk in the park and I don’t think she’s ready. Shakirova, who is also very much not the O/O type, found her technical shortcomings front and center in the White acts. I don’t think Bulanova would be any stronger honestly. I’d think about giving her a shot at Kitri, but I think she’s even worse suited for Aurora than O/O. 

It looks like as of 4 April Mariinsky finally promoted some of their men, Roman Belyakov and Evgeny Konovalov are now first soloists! Also a couple of Tsiskaridze´s boys are now coryphees too

Took them long enough, it’s what they deserve. 

Is it just me, or Lukina's dancing seems a bit "jerky" to me? Like I never feel comfortable when watching her, especially during more technical choreo like the Medora variation, etc. I feel much better watching Bulanova, but it seems that Lukina will be promoted first. Thoughts?

Lukina is generally not the strongest technical dancer and has had a string of injuries resulting in tendencies to be tentative with harder choreography. However, she is known to have powerful people pushing for her in the theater in addition to a comparatively better physique.  On the other hand, Bulanova is seemingly fearless and will dive head first into anything she’s given but is subjected to heavy typecasting and is also more limited in terms of her options for a partner. 

Did Alina Somova leave the Mariinsky?

This is very old news no? But yes, she’s at Ananiashvili's State Ballet of Georgia. Her husband is Georgian and has appeared in Ukrainian benefit galas in Zurich. 

[fumikomiyasaki]

This was two things... me trying out different brushes in Paint tool sai and also me wanting to show off some things about my ocs: Gregory can Shapeshift thanks to his species yet hasn’t had it under control yet hence he does some changes... the White hair is a reference to Mega Gengar.

Vanessa uses hair color magic to change her hair based on diffrent Wine Flavours. The outfit is inspired by a costume of her Inspiration Vampire cookie.

Tiam changes his hair color thanks to pills and his hair tastes like different Sodas, in this case its Fanta.

Taron has a fully transperent tongue... the only thing that makes them half alien, they are more Fairy than Alien actually.

[littlegasoline0976]

Actually I’m a fan of Gilbert Garfield

[churchofthegreytrousers]

Firstly the doctor is right, its ridiculous to assume a HOME test would be 100% accurate. And she was so desperate and panicked at the time, she absolutely could have fucked it up. I mean, that test got tossed around like a football as she tried to hide what she was up to.

Secondly, I think I remember at the time we all predicted this would be the outcome. We just thought it would come to light at the birth, instead of now. Ultimately Phil and Sharon were always going to end up back in each others lives like this. It won't be long before the Kate/Phil divorce and Pharon is back up and running.

[navree]

if i could i would gatekeep ancient egypt from the rest of the world, because apparently the concept that one of the most powerful kingdoms in the world that’s been a melting pot for different cultures and a crossroads for the world for literally millennia is apparently too hard to fucking understand

[masterhallmark]

Honestly, the Star Sapphire Corps designs should have just kept the classic outfit when initially introduced

It's cute, still sexy, more practical, and still has the space look to it.

Instead of...

WAIT A MINUTE....

Why couldn't Carol keep her old outfit if someone else got to wear almost the exact same thing?! Was Miri Riam designed by someone with the same opinion as me?!

And then the other girls get either a full body suit or a crop top and shorts! With the white collar actually attached instead of hovering awkwardly. Did the artists just collectively hate Carol and Fatality's outfits, but weren't allowed to change them at the time?!

[dood1e-bug]

Yippe finished the cover!! Been debating on making a comic still not 100% sure due to me starting and loosing motivation on past comics.

If not

Maybe draw a scene or two out and type it? Not sure. Kur reborn takes place after the show months after the cryptid war.

[fumikomiyasaki]

Oof... won’t be drawing chibis for a while... this kinda killed me... anyways given Valentines comes closer have some Tiny ships.

Flynn x Hoshi @wanou-dorm

Vanessa x Ellen @multydoodles

Midas x Zyan @rookvonhunt

Julian x Tomoai @silent-dragon

[skylarkspinner]

fiber art adventures in egypt

I recently got back from a trip to Egypt & finally got around to organizing some pictures to share. One of the things I was most excited about was seeing what I could find on fiber arts and textiles.

Dropping everything under a read more, 'cause this will be a long post haha

first visit: the National Museum of Egyptian Civilization (NMEC)

At the time of visiting, they had a special textiles exhibit. It covered Pharonic Egypt all the way up to modern times, although I only had time to check out the dynastic & a bit of the Coptic portion of the exhibit (which was what I was really hoping to see anyways)

Was super excited to see this diorama in person. I knew about it but had never seen good pictures of it. From the little I've seen of ancient Egyptian spinning, spinning with two spindles seems to be the norm rather than a master technique? It also shows up in tomb art, which the exhibit also shared:

They also used a different fiber preparation (splicing to create a rove of fiber, no traditional drafting to my understanding) so that probably made a difference? Regardless I really want to see if I can replicate the technique, especially because their spindles look so similar to modern spindles??

I took so many pictures of spindles, guys, and I fully intend to either have a few replicas made or to learn to make some myself. Also, although they were unlabeled... I'm pretty sure those are beaters for weaving? That was a bit of a trend with this trip, so much stuff was unlabeled :( I would've killed to at least get some date estimates for some of the stuff they had on display. I was nerding out in here though, and my family took a few pictures of how excited I was getting. A bit embarrassing, but eh haha

The exhibit also had a section on natural dyes used with a fun visual;

There was several diagrams specifically describing each dye source, but in the interest of not overloading on pictures I'll just list them out. For blues; woad, Yellows; turmeric, safflower, saffron, or yellow ochre; reds; madder, henna, pomegranate, and kermes. I originally thought kermes was another way to say cochineal, but it only seems to be distantly related.

next visit: Ramses Wissa Wassef Art Center

A small art center dedicated to hand-weaving wool and cotton tapestries. All of their work was museum quality & awe inspiring!!

Was even invited to their back rooms to watch a few of their weavers working; no I don't have room to put a room-sized loom anywhere but heck do I want one now

Our guide that took us through talked a bit about the natural dyes they use (all of their dyes are dyed in house with what they grow in their dye garden!!!) and got excited to hear I was also interested in natural dyes! He seemed a bit disappointed I'd never worked with indigo and. while indigo scares me, I'll take it as a sign that maybe I should try some time this year haha.

final visit; the Egyptian Museum

we really had to rush through this one which was a huge shame because it's packed full of artifacts. Also, the lighting in there is atrocious, so apologies for the not great pictures ahead.

They had a fascinating display of textile tools, more than what the NMEC had;

(Hand for size reference) I want all of these spindles! So badly! But a few of them look so much like a few of the spindles I own already?? A few of them had a spiraling notch, that's so cool? But also, what's going on with the one with two whorls? I have no idea. I'm fascinated.

Look at these whorls!! Although again, I'm a bit confused; the lack of labeling strikes again. Unsure why some of these "whorls" have two holes, or what the metal object with the wooden handle is. The display implies sewing needles, and some of them do look like it, but others.... really don't look like sewing needles. I'm absolutely enchanted by this little whorl though. I think it has birds on it?

More objects that I'm baffled by- the signage doesn't really indicate what some of this stuff is, if it's even known. Also confused by the object wrapped in white string in the right pic; it looks like a distaff but to the best of my knowledge the (ancient at least) Egyptians didn't use distaffs. It probably popped up in later times and was put in this display since it was still relevant, but I'm still not sure.

I have so many more pictures & thoughts but I'll save those for more specific future projects. I've been doing research outside this trip on ancient Egyptian spinning techniques and desperately want to go deeper into that, this trip just solidified how excited it makes me. If you made it all the way through this, many thanks for reading!

Bonus; look at this ancient linen 🥺

[maverick-werewolf]

Mythology Fact #1 - Sobek, Egyptian Crocodile God

NEW SERIES! Mythology Facts will explore many elements of world mythologies, but with a particular focus on Greek, Egyptian, and Norse, especially at the start.

Easily the winner of the first poll about this new series as held on my Patreon is Sobek, the ancient Egyptian crocodile-headed god!

Head of a limestone statue of Sobek, as previously on display at the Met as part of a special collection; Met info on the statue head here

In ancient Egypt, like many ancient cultures, the most fearsome of beasts were highly regarded for their awe-inspiring endurance, power, and ferocity - a concept often little-understood today, as animals are now often seen as obstacles to be conquered or put out of the way, hence why it can occasionally be difficult to detail to the modern mind the relationship between men and wolves throughout history (but I'm not on that right now, so I'll stop). The people of ancient Egypt held great reverence for many animals, not least among them being the obviously very dangerous crocodile.

An integral part of life in ancient Egypt was the rise and fall of the Nile. Sobek was a centerpiece of the Nile life - crocodiles were abundant, a testament to their fertility and virility, and they were fearsome, strong, and enduring. Sobek's nature is intensely complex and his "domains," as we so often think of deities as having, were extensive, including but not limited to fertility, virility, illness, health, strength, pharonic power, military might, protection (especially protection from, essentially, bad luck), and the dangers and wonders of the Nile. By nature, he was considered animalistic, unpredictable, strong, protective but dangerous, and highly sexual, aspects frequently associated with the most powerful predators in a given region (notice all those things are also associated with wolves). Sobek was depicted variably as a crocodile and a crocodile-headed man, and holy crocodiles were kept in his name.

Given his association with the Nile and so many other things, Sobek was and mostly remained a very important figure, especially with his later fusion with/association with both Horus and Ra, two extremely important deities...

This is quite the lengthy post! More under the cut.

Among many other things, Sobek was said to have power of the fertility of the Nile's soil, as well as its waters, and thus also had great power over disease, as the Nile could also cause illnesses. Like so many ancient Egyptian deities, Sobek also had an association with the dead, being called upon to bring them sight and return their senses in the afterlife, as well as to assist in protecting them (along with many other deities, including but certainly not limited to Isis, Nephthys, and Anubis).

Sobek's strong association with fertility is found in his many epithets and even the name we use for him most - "Sobek" is thought to perhaps even come from a causative of "to impregnate" (though some scholars contend it instead means "to unite," especially in relation to the pieces of Osiris). Perhaps the first instance we have of Sobek in a text comes from the Pyramid Texts, in which a spell refers to Unis (the pharaoh) as a living incarnation of Sobek - the pharaohs were very often living incarnations of assorted deities at various times - and says that Unis "will copulate" very specifically and that he is the lord of something that would probably get this post censored, "who takes women from their husbands to the place Unis likes according to his heart's fancy."

Mummified crocodiles found in the Temple of Kom Ombo; we have found mummified crocodiles of all ages, even including fertilized eggs

Now let's talk about a thing called the petsuchos. Mummified crocodiles served as images of Sobek in various forms, one of which being Petsuchos, meaning "son of Sobek." It is thought one crocodile in particular took on the aspect of the petsuchos and was kept in Shedet, replaced by a new petsuchos whenever the previous died. Following the death of a holy crocodile, a great ritual took place to mummify the creature and then put it on display, as it remained ever sacred. Living crocodiles were sometimes kept in other temples and holy places, even including outdoor pools. They were adorned with gems and fed delicacies; some were even considered attractions, as feeding the holy crocodile brought good luck, given Sobek's apotropaic nature. There was even a divine crocodile breeding center established by Amenhotep III (who pushed the Sobek cult quite energetically).

There are many depictions of Sobek found throughout what we have of ancient Egypt, including many of its time periods. He is perhaps one of the oldest gods of ancient Egypt, having appeared as early as during the reign of King Narmer in the first dynasty. His importance during the Old Kingdom, as well, can be found in the Pyramid Texts. The entire region of Fayum was a cult center of Sobek, so great was his importance, the seat of which was - of course - the capital, Crocodilopolis or Shedet.

Also very worthy of note is Sobek-Ra, a combination of the gods Sobek and Ra, that appeared in very late-age Egypt in the New Kingdom (1150-1069 BC), and even continued into the Ptolemaic Period (around 332 BC to 390 AD). Sobek-Ra (or Sobek-Re if you want to go that way) may have first appeared during the reign of the first king of the Middle Kingdom, Montuhotep II, as addressed in the Coffin Texts used during the Middle Kingdom (in which Sobek is addressed as "he who rises in the east and sets in the west"). As a combination, depictions thereof often had the head of a falcon but the body of a crocodile, often wearing the solar disc and uraeus (cobra).

He combined aspects of both deities, which is also perhaps thanks to Sobek's association also with Horus. When Horus took on the aspect of a crocodile during his retrieval of Osiris's bodyparts, Sobek became associated with him, even considered an aspect of Horus. Likewise, however, Sobek also was said to have assisted Isis during Horus's birth. Such deity fusions, aspects, and deities becoming an aspect and/or appearing in various myths in nebulous forms were not uncommon in ancient Egypt, and Sobek was also combined with Horus at assorted other points. All of this continues to point to the association between Sobek and kings (pharaohs), especially when you reach the point of learning about Sobek of Shedet-Ra-Horus, but I won't go into all that here due to time constraints.

So, obviously, there's so much more to say that it's, frankly, crazy and almost overwhelming. The study of ancient Egypt is a complex undertaking, hence why we have an entire field called Egyptology. So, consider this very much a simplified overview. Hope you enjoyed the post!

And stay tuned for news and updates on a major [werewolf/fantasy/adventure/horror/epic] book release later this year! Likewise, if you enjoy mythology in general and Egyptian myth, be sure to check out my other works of fiction, including this one here--also available on Amazon.com and many other retailers. Sequel coming next year.

If you like my blog, be sure to follow me here and elsewhere for much more folklore and fiction, including books, especially on werewolves! You can also sign up for my free newsletter for monthly werewolf/vampire/folklore facts, a free story, book previews, and my other sundry projects and works.

Free Newsletter - maverickwerewolf.com (personal site + book shop)  — Patreon — Wulfgard — Werewolf Fact Masterlist — Folklore Fact Masterlist — Mythology Fact Masterlist — X — Vampire Fact Masterlist — Amazon Author page

[masterhallmark]

Honestly, the Star Sapphire Corps designs should have just kept the classic outfit when initially introduced

It's cute, still sexy, more practical, and still has the space look to it.

Instead of...

WAIT A MINUTE....

Why couldn't Carol keep her old outfit if someone else got to wear almost the exact same thing?! Was Miri Riam designed by someone with the same opinion as me?!

And then the other girls get either a full body suit or a crop top and shorts! With the white collar actually attached instead of hovering awkwardly. Did the artists just collectively hate Carol and Fatality's outfits, but weren't allowed to change them at the time?!

[dood1e-bug]

Some sillies

[askrobouteguilliman40k]

So wait, if the process to become a space marine requires the patient be a child, how is it that one of the primarchs had their adopted parent become one? I remember hearing that one of the primarchs had that happen. Can't remember which one.

Luther and Kor Pharon underwent surgery to become space marine light.

They are not as good as Space Marines, do not have all the organs, but are tougher than regular humans.

[fumikomiyasaki]

(since I had them on the brain) ​❝ i can feel your pulse. it jumped. ❞ with Petva x Vanessa ​❝ i’ve got something you might want to taste. ❞ with Petva x Jin-Lou and❝ i hear you, loud and clear. ❞ with Petva x Lyla

The five senses

❝ i can feel your pulse. it jumped. ❞

On that day, Vanessa was mainly done with her hockey training as she noticed at least one of her fellow lap kitties waiting for her in the audience, Petva looked up at her respectfully as she leaned down to meet their eyes.

"If its isn't my favourite Orange, what brings you here, deary? <3 "

"Thought you might need some attention, beautifull."

"You are sweet... how about you follow me then?"

As she finished getting her stuff she led them back to her dorm and her room... however they noticed something about her usual laid back attitude was different somehow... different in a case of curiousity... and so as she sat down next to them and offered a simple juice they waited for what she wanted to do.

"Kitty, would you mind letting me your hand?"

"Sure I don't know why but go ahead."

With a warm smile Vanessa stroke their palm and relaxed a little.

❝ I can feel your pulse. It jumped. ❞

"Right... you have none, right?"

She showed her vampire teeth and leaned over them.

"Its why it interested me how that is supposed to feel like...thank you my dear orange."

"Its nothing just... Can't even imagine that."

"Well do you want to feel it? You know I could turn you?~ .... Just kidding I probably wouldn't."

Baring her fangs playfully she noticed them drool a little looking at her and leaned back again.

"I do need to still change... you can watch I don't mind.But I need to get out of my hockey jacket."

"YES PLEASE."

❝ i’ve got something you might want to taste. ❞

On that night, Jin-Lou dragged Petva to her favourite district to get drinks, the defacto china town of the city... the smell of beefbowls and tons of cultural foods drawing them in already... as Jin layed an arm around him.

"Come on this stuff is second rate, this is the real shit I brought you here for."

She pointed to a more fancy looking bar, smirking at them cheeky... both sat down at the front table as Petva layed a hand over her hip as to mark their territory about her... however that lossened up as some of the guests greeted her like she was a buddy... she ordered them both drinks without asking them what they wanted and just told some stories.

"You know these streets used to be quite more messy, but thanks to my skills its far more bareable now... if someone bothers you, you just knock them out and things are fair game. of course outsiders who can't fight won't be attacked, its the way to handle conflicts here... oh wait you gotta try this."

She handed them the glass as if to make a toast as they both downed it... the taste first shivered a little on Petvas tongue untill they suddenly noticed Jin-Lou getting closer.

"This is... not really my taste Jin..."

❝ I’ve got something you might want to taste. ❞

Pulling them down for a kiss... suddenly the sweetness of their drink combined with the bitterness of hers on their lips wasn't that bad... it was enjoyable even... keeping their lips locked with her untill they both were done.

"Told you it tasted great, right?"

"If it means I get more of these kisses, count me in."

"Bold kitty... well lets make it a challenge then, how long you can hold it out."

Later they both called Lyla to drag them back home cause they overdid it.

❝ i hear you, loud and clear. ❞

Around class time ending she was outside trying to get a breather from all the noises in the building... she already disliked all the noise she heard thanks to all the mind reading her UM did, hence she closes her ears with headphones a lot... sitting in the courtyard she however noticed a familiar face being nearby and took them off... hearing their thoughts.

'Wonder if my hot emerald is already out, I can't wait once she sees what i got her... "

Hearing Petva she sighed and got up from her place... walking up to them and tapping on their shoulder.

❝ I hear you, loud and clear. ❞

"H-huh... where did you came from?"

"You do forget my powers each time, amirite?"

"Fine... guess you found me out..."

They hold out a box to her and placed it in her hands as she opened it with a warm smile.

"Noise cancelling headphones."

"I heard yours had connection problems... Bengal told me the last time you two worked together on a song."

Lyla leaned up to place a kiss on their face and look into their eyes.

"Despite all chaoticness... you know whats important... thank you... this will cause me far less headaches from now on."

"And it will make my thoughts be less heard by you."

With a smirk she pulled them down by their collar to get close.

"Well don't be so sure about that!"