#petty bourgeoisie
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Play for Today: Bavarian Night (BBC, 1981)
"These bloody middle class parents, ooh, they do get up my nose! You can work yourself blue in the face for them, go out of your way to accommodate them, but it's no use! They're just out to carve and criticise and try to make a fool out of you! Oh, I felt like - I'm ashamed to tell you what I felt like."
"Giving her a good hiding?"
"Yes, somebody should have done, I don't mind saying so! Oh, they make me sick! Always had their own way, always had the best of everything; she should have been brought up in our house, my dad would've had her sorted! I'm sorry, Estelle, this isn't like me, I know. Well, that's my evening spoilt for a start!"
"But what about the sausages?"
#play for today#bavarian night#1981#single play#andrew davies#jack gold#bob peck#sarah badel#malcolm terris#arwen holm#barrie rutter#gawn grainger#kristopher kum#allan surtees#christine hargreaves#noel collins#brian protheroe#jack chissick#karen craig#a comparatively rare original work from Davies‚ who already in 81 was known chiefly for his adaptations of the work of others#a comic piece about a teacher parent social evening which descends into predictable chaos what with the heavy consumption of alcohol and#the loudly decried lack of sausages. Davies' script is frequently very witty‚ sometimes very funny indeed‚ but in a rather grotesque way#you can tell there's little warmth in his writing for most of the characters on display here: the late great Peck is the ostensible lead‚ a#hypocritical intellectual who waxes lyrical about his love for his children but who really just mines them for material for his job as a#scriptwriter; Rutter's would be progressive young head teacher quickly reveals his reactionary‚ petty nature‚ while Grainger is positively#repulsive as a middle class fascist whose desire to teach the younger generation he despises a lesson in manners is tempered only by his#own cowardice. warmth is reserved only for Badel‚ as Peck's cheating wife who at least retains a streak of humanity and a willingness to#stand by her (mildly) socialist principles‚ and particularly for Kum as the sole parent actually interested in learning more about his#daughter's education and progress (and whose bemused response to the increasingly bacchanalian mood of the evening is often the funniest#thing here). a sharp satirical piece on the mores of 80s English suburbia and the petite bourgeoisie‚ and a genuinely funny play
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astagfirullah theres an nft art and cryptocurrency workshop in my town and its supported by the local government, punk and metal concert promoters, and the local alt radio station
#i gotta say... we used to have actual radicals#the guy who ran one of the event organizing stuff was anarchists#they had food not bombs in their zine workshops#but going forward... all of the people i know have gotten more liberal...#our scene is small and its mixed up with poetry nerds... genuine punk/metalheads and artisans aspiring to make a living with their work#and unfortunately the apolitical artist nerds won over and the ppl with some integrity to not have petty bourgeoisie aspirations are gettin#pushed out. it starts with the sponsors with cigarette brands.... and now this#bunch of fucking idiots all of you#im not surprised if someone in the scene starts endoring political candidates or being buddies with cops#fuck yall#textposts
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sometimes it's flooring just how much mainstream culture (not just media but like what and how people talk online or what products r available and stuff) holds the standards of affluent/upper middle class people when most people have nowhere near that kind of money, never have and never will. but i guess that's why they call it the dictatorship of the bourgeoisie
#it's just a lot caters to ppl straddling the line of petty bourgeois who think they're the average#instead of the like haute bourgeoisie ig who r very clearly undeniably setting the terms for everyone else
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none of my bills are past due right now
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Holy shit read Marx please Jesus.
So much wrong here I actually cant.
I fucking hate this "capitalism is when you make money, the more money you make, the more capitalism it is" mindset people have gotten. No, an artist selling their own work is not them engaging in capitalism, it's literally a worker owning their own means of production.
Remember capitalism is someone profiting off of someone else's labor though owning capital. It is not simply the act of profiting at all.
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I forgot how petty bourgeois liberal y'all mfs are who gives a shit ab intellectual property you will neverrrrrrrrrr be on the level of the haute bourgeoisie and those laws do not protect YOU. None of your ideas are original, don't defend laws that don't benefit anyone in the long term other than corporations and the bourgeoisie.
#my take as a commie#yes i hate the petty bourgeoisie too#that means small business owners#like yall#idc#goodbye
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Dude my friends grandpa is a local right-wing politician and im in his car rn help
#he’s shit talking Democrats and I can agreee with him BUT my secret trap card is that I also despise his politics too#leftism#socialism#he’s part of the petty bourgeoisie so although his class character is still more in the interest of the working class he benefits off of the#Privilege of the bourgeois political affiliation#can’t stand these people istfg but it’s nice opposition research ig
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The panic about "ai" is particularly annoying for the fact that it's a hop and a skip from capitulating to anti piracy calls from these writers which with an ounce of class analysis people rallying behind them under the banner of the "artist" and the elevation of creativity to these sacred and frankly annoying levels would realise that they'll also get fucked over not just by the copyright laws but also the anti piracy itself. These wealthy writers are only looking out for themselves idk why at any point anyone thought it'd be a "democratic win". Stephen King does not have the same class interest as you. Be fucking serious.
#and as always these anti piracy calls will hit the working class in the global south worst#i genuinely hate you petty bourgeoisie cunts so fucking much. you either have the same interest as the working class or an enemy to it#either case im putting your fucking ao3 shitty fanfic in a machine. fuck you lol#idk why this touting creativity as a a mystical thing that is heavenly gets on my nerves so much.#oh 'ai' writes terrible things. yeah so do most of you. like it's petty and ultimately not the bedrock of my grievances w all the clowns#involved in this. but it's so silly
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I've managed to confuse myself about antebellum US politics again XD I mean it's weird because the rural/agricultural parties (Democratic-Republicans in the 1st, Democrats in the 2nd and 3rd party systems) were also the more anti-British, whereas the urban/bourgeois parties (Federalists, Whigs, Republicans* in the 1st, 2nd and 3rd party systems respectively) were more favourable towards Britain. But like the agricultural parties opposed tariffs because they relied on exports, while the industrial parties supported them to protect US industry. So you'd expect it to be the other way around? Like the planters to have closer links to British businesses so more sympathetic? I guess it must be something to do with the particular development of (Northern) US industry but idk enough to say what tbh
#Part of the realignment of the 3rd Party System was the Republicans winning over the rural petty bourgeoisie/small farmers in the North/West#so it wasn't completely a rural/urban divide#history#US history#antebellum#1st party system#2nd Party System#3rd Party System#historical materialism
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dear lord help, the anti ai art people are starting to target people who made realistic reference painting
#im trying to be nice so badly rn#because a lot of my friends are artist and yes ai art could take away their livelihood#and its bad esp since most of them rely on art because they survive on the job market#but somehow the most anti ai art advocates for stricter copyright laws#which could destory fanarts and fanfics while letting big media properties thrive#and they always talk about how ai art is bad and should be banned because its soulless and talentless#a completely worthless discourse that ends up hurting people#whose art gets stolen and copied the most by ai#you petty bourgeoisie luddites are deeply unseries#textpost#disc horse
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american economists will do anything to call as many people as possible middle class. ive seen some measures go straight from "poor" to "lower middle class" so they can avoiding even saying the word "worker." it's a great way to try and convince everyone that they're a potential business owner so that they side with policies that benefit million-dollar megacorps and real estate cartels because it's "good for business"
#im late to a very mild discourse but basically “middle classes” are more specific term if you're doing a proper marxist analysis#refers to petty bourgeoisie peasants and other groups who share interests with both owners and workers#which tbf is a lot of Americans in that anyone who owns a house or has a retirement plan technically has a stake in the market#but i still think the line between working and middle is much higher income on average cuz most people r still wage laborers#although in general framing class as just income is how liberal analyses ignore/obfucscate the real dynamics at work
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TFW you just measure whether a society does something that you consider to be “bad” and if it does you measure it to be a failure and you ignore all the ways that it was vastly better than what came before or after it.
#like of course the ussr had problems#but please compare it to the Russian empire and capitalist Russia for once#also pay any attention to the situation they were in and how that situation affected their policy#we literally have to pay attention to these things if we want to learn any meaningful lessons from where the ussr did fail#if you don’t look at the situation in context you will just project your own dogma onto it#with actual analysis you can determine the good from the bad#anything else is idealism and often a manifestation of petty bourgeoisie ideology as well
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Any analysis of fascism that posits the USA in 1776 as a fascist state is one where 'fascism' is just an edgier way to say 'capitalism' - what capitalism isn't fascist, in this view; and what's the purpose of the term in that case?
Fascism is a specific formulation of capitalism which emerges when the capitalist system is in extreme crisis (specifically a crisis of entrenched fixed capital devastating the rate of profit). It is characterised by the extension of imperial methods to the population of imperial core itself - an autocannibalism when all other sources of profit have dried up - and the mobilisation of the petty-bourgeoisie. It explicitly borrows the methods of settler-colonialism to apply not only to its colonies, but also to itself. Fascism is not simply 'when genocide happens' - capitalism under liberal-democracy carries out genocide just as well.
In this regard it is essentially appropriate to say that fascism has been superfluous in the USA - a fascist movement has historically never been able to seriously gain ground in the USA because the needs of fascism are already met by straightforward settler-colonialism. There has been no deep crisis to spur on fascism, and no need to divide the populace and expropriate some portion of it, because the USA already has an exploitative and expropriative relationship with its internal colonies. This arrangement is not fascist, it is straightforwardly colonial.
There can only be a real fascist movement and fascist state in the USA if two conditions are met: 1) the settler state can no longer wring enough profit out of the exploitation of the indigenous and black peoples; and, 2) serious economic failure and crisis threatens the existence of capitalism, by inspiring popular revolt and communist organisation.
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It's been a while since one has been passed around but does anyone remember when we'd periodically see people on here repost reports from undercover cops trying to get intel on activist/revolutionary groups and they came back with "we can't get anything because all these people do is lounge around, smoke weed, and form cliques over petty shit" and then the response on here would overwhelmingly be "haha it's so awesome that cops can't do anything because we pose no actual threat to bourgeoisie!"
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lowkey that does seem to be what your old argument was implying about artists though, that if you own the intellectual property (as you do with your games) then that somehow automatically makes you an aspiring petit bourgeoisie. genuinely, am I misunderstanding something about your earlier description of the petit bourgeoisie as a concept? hope you're having a good day
yea like i mean it is just factually true that the position of the independent artist is not a proletarian one, most independent artists are artisans and the more succesful ones are petty bourgeois. but yknow class positions aren't like, rpg classes, innate aspects of the self, they're just relations to economic means of production. when i say that independent artists aspire to be petty bourgeois it is because quite simply that is the path to economic success for them! to make the next hazbin hotel or digital circus or whatever and be able to hire proletarian artists to work on their properties while retaining ownership and profiting from it.
the reason the bait ask was silly was because it was implying some kind of moral or artistic superiority in art created by proletarians (in their capacity as exploited labour), not because they correctly identified that d&d artist drawing epic wholesome found family art splashes and i have different economic relations to our work
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