#petrit

[mentaltimetraveller]

Petrit Halilaj & Álvaro Urbano 10th of May 2016 (Cherry), 2020 Stainless steel, canvas, acrylic paint, thread 270 x 450 x 450 cm, each blossom

[iviaggisulcomo]

"Quello che è a te destinato possiede il tuo stesso passo."

Petrit Sulaj

[keirametzbrassknuckles]

Kind of interesting being at a point in my academic life where I don't actually need to go see the modern/contemporary wing in any museum unless there's an interesting curatorial project happening. Spent all day at the met with my family looking at etruscan bronzes and medieval altarpieces and was not bored once (they kept asking). I like to go to museums to see things I've never seen before and to learn something. I've already seen and studied the met's collection to death and (mostly) seen better examples of [name your modern/contemporary artist here] than what the Met has on display elsewhere. Unless there's a particularly important piece on view I don't need to even go over there.

[jordi-gali]

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PETRIT HALILAJ

[pear-spective]

Petrit Halilaj at ChertLüdde /x/

[mioritic]

“Gjeologë të Alpeve gjatë punës” (“Alpine geologists at work”), photograph by Petrit Kumi

Ylli: Revistë politiko-shoqërore dhe letraro-artistike 

11 (205), viti XVIII, Nëntor 1977

Scanned and uploaded here - enjoy

[goodgarbs]

Art| Here is A Recap On All Things Art Basel 2024 in Basel

With so much going on this year at Art Basel 2024 in Basel, the art enthusiasts event is named one of the largest art events around the globe. Adding to the renowned history, for the 2024 event, With what concluded on Sunday, June 16th, Art Basel featured over 285 galleries from 40 countries and territories. The show pulled in over 91,000 visitors who got the chance to see nearly 22 first time…

[portalvallenato]

Homenaje a las leyendas del vallenato: Aníbal, Calixto, Alfredo y Lisandro

Un historiador y melómano repasa el legado de grandes cantautores populares, a propósito de la reciente muerte de Lisandro Meza. Petrit Baquero * / Especial para El Espectador Óyeme, Pedrito, vamos a bailar donde Alicia, la flaca que tiene buen vaivén, La vamos a mover, porque es puro esqueleto La quiero estremecer ¡La quiero estremecer! ¡La quiero estremecer! Aníbal Velásquez era el chacho,…

[agnesdelmotte]

petrit halilaj

LAM, villeneuve d ascq

x

[mentaltimetraveller]

Petrit Halilaj and Alvaro Urbano

‘What comes first?’, 2015. Resin, cement, metal, wood, fabric, and chickens. Egg: 280 x 220 x 220 cm.

ChertLüdde Hauptstr. 18 10827 Berlin

[itscolossal]

Petrit Halilaj’s Scratchy Doodles Grapple with Childhood Innocence on The Met Rooftop

[garadinervi]

Cosmos, The Volcano Lover, Curated by Sonia D’Alto, Organized by Fondazione BTS Como Arte, Villa Olmo, Como, October 15 – January 28, 2024

Feat.: Maria Thereza Alves, Yto Barrada, Mirella Bentivoglio, Rossella Biscotti, Pauline Curnier Jardin, Jimmie Durham, Chioma Ebimana, Rose Marie Eggmann, Petrit Halilaj, Pauline Julier, Mike Kelley, Nico Vascellari, Lavanya Mani, Aldo Mondino, Raffaela Naldi Rossano, Diana Policarpo, Slavs and Tatars, Alice Visentin

Image: Mirella Bentivoglio, Da uovo a zero, 1984 [courtesy Archivio Bentivoglio, Roma]

[malesmokingguys]

Petrit Xhafolli

[do-you-have-a-flag]

Petrit Halilaj’s 'Very volcanic over this green feather' at the National Gallery Victoria's Triennial.

from the information card

Petrit Halilaj Very volcanic over this green feather:

Displaced along with members of his immediate family during the Kosovo War (1998–99), Petrit Halilaj’s Very volcanic over this green feather explores his experience as a thirteen-year-old refugee living for more than two years in Kukës II camp in Albania. Art materials were distributed to children at the camp by visiting Italian psychologist Giacomo Poli. Poli encouraged the children to externalise and process their experiences through drawing. Spotting his talent, Poli would much later arrange for Halilaj to attend art school in Italy.

Halilaj’s rediscovery of these felt-tip pendrawings inspired the creation of this large-scale installation which takes thirty-six drawings from the artist’s childhood experience as the basis for a visual and physical journey through the artist’s memory. The work reveals the complex and ever-changing relationships between reality and the imagination, personal history and collective trauma, off i cial histories and lived experiences. Symbols as varied as the Garden of Eden and its birds, trees and fl owers are interspersed with images of war and trauma.

Transferred to thick felt and suspended, the drawings appear as a theatre set or a landscape, where the fragmented visions of war and peace sit side by side.

[blackberryvision]

I love it all. Petrit Halilaj, Met Rooftop.