#pete sandoval

[afuror]

Plz don’t kill me

[k-i-l-l-e-r-b-e-e-6-9]

[stoneoferech]

Morbid Angel "Altars of Madness"

[plasticbubbleboy]

[bilrost]

PRAYER OF HATRED

[themetalmassacrevault]

[metalspitfire6g6g6g]

~Terrorizer - World Downfall~

[savage-kult-of-gorthaur]

IN A NUTSHELL: "AS LONG AS IT'S FAST AND EXTREME, I DON'T GIVE A SHIT."

PIC INFO: Spotlight on individual shots of David Vincent, Jesse Pintado (R.I.P.), Oscar Garcia, & Pete "The Feet" Sandoval of American grindcore/deathgrind band TERRORIZER, recording their genre-defining "World Downfall" album at Morrisound Studios, Tampa, FL, c. 1989.

JESSE PINTADO✝: "...we were coming from a hardcore and punk background."

UNBELIEVABLY BAD: "You can hear plenty of that in the mix of styles that TERRORIZER do."

JP: "Yeah, it's just a mixture of the old hardcore and punk and then I got into metal and then it became grindcore and I don't know… as long as it's fast and extreme, I don't give a shit."

Sources: www.reddit.com/r/colorizebot/comments/52xonb/terrorizer_1989 & https://unbelievablybad.wordpress.com/2016/08/27/a-classic-interview-with-jesse-pintado-on-the-10-year-anniversary-of-his-passing.

[g4rden1a]

need this poster in my hands immediately

[beastofmetal666]

𝕸𝖔𝖗𝖇𝖎𝖉 𝕬𝖓𝖌𝖊𝖑

𝕮𝖔𝖛𝖊𝖓𝖆𝖓𝖙

22 𝖉𝖊 𝖏𝖚𝖓𝖎𝖔 𝖉𝖊 1993

31 𝐀𝐍𝐈𝐕𝐄𝐑𝐒𝐀𝐑𝐈𝐎 del tercer álbum de Morbid Angel "Covenant", grabado en los estudios Morrisound, producido por Morbid Angel y Flemming Rasmussen, lanzado por Giant Records. "Covenant" fue para Morbid Angel un trabajo angular por el hecho de todo lo que se puso a disposición para su concreción, una producción en verdad elevada para un trabajo de ese estilo en aquella época y un contrato discográfico para auténticas estrellas, lo que fueron en realidad Morbid Angel en aquellos años. El estilo respeta muy acertadamente la esencia de la vieja escuela, la brutalidad poderosa y directa que Morbid Angel proyectaba desde sus primeras épocas, pero en esta ocasión con un sonido muy profesional, pulido a niveles que no eran comunes para el metal más extremo. Aparte, los músicos eran de lo más sobresaliente que se podía escuchar dentro del death metal. Trey Azagthoth, al igual que Chuck Schuldiner, fue una de las más grandes revelaciones de la guitarra dentro del death metal, ambos pioneros del género desde los 80's, con sus diferencias estilísticas, Chuck más técnico de una forma más clásica, con una influencia muy marcada de la NWOBHM, en cambio Trey era más virtuoso de una forma instintiva y visceral, con solos que tenían un sello amorfo y surrealista que nadie más tenía. Pete Sandoval por otra parte era un verdadero tornado de devastación, un batería con una fuerza animal impresionante y técnicamente eficiente a niveles supremos. Y David Vincent, la voz y el rostro de la banda cuya sola presencia impactaba, además de ser un habilidoso bajista. Juntos encarnaron la versión más efectiva de la banda, tanto en lo musical como en el plano estético, con una imagen desafiante y maligna que era respaldada por una música igual de poderosa. Morbid Angel cruzaba por su época de más grande gloria, y este disco contiene toda la esencia de la banda con toda su fuerza, magnificencia y genio musical.

¡𝐒𝐢́𝐠𝐮𝐞𝐦𝐞 𝐞𝐧 𝐘𝐨𝐮𝐭𝐮𝐛𝐞! 𝐁𝐄𝐀𝐒𝐓 𝐎𝐅 𝐌𝐄𝐓𝐀𝐋https://www.youtube.com/channel/UC2OGceA1nrP1kCdIjE64DlAhttps://www.instagram.com/beast_ofmetal/

🇺🇸💀🎸𝕾𝖙𝖊𝖕𝖕𝖊𝖓𝖜𝖔𝖑𝖋🥁💀🇺🇸

[thislovintime]

Peter Tork in 1964. Photo © Andrew Sandoval.

“We worked with the Phoenix Singers for about seven months, and during the last couple of months there were bad vibrations in the air. Pete loved to clown around on stage and the Phoenix Singers didn’t dig that. Pete also disliked being ordered around or told what to do. These two elements clashed, and the fireworks that resulted were the following: It was in October 1964, and we had just finished an in-person, fund-raising concert for Lyndon B. Johnson in Denver. As I said, the pressure had been building for several months. Two of the Phoenix Singers didn’t want Pete in the group, but my buddy Ned wanted him to stay because he dug him musically. I had mixed feelings at the time. I agreed that musically Pete was excellent, but I felt that he had to cool it a bit on stage because there was a personality conflict between him and the two Phoenix Singers mentioned. Anyway, after the LBJ thing in Denver we were preparing to drive back to the hotel in a rented car and Peter, who was going to drive, said, ‘Everybody put on your safety belt.’ Ned, who was in a bad mood, said, ‘No.’ Peter told him once more to put on his safety belt, and once more Ned declined. Soon, they were at it. Ned got loud; Pete’s face got red; and I retreated into a corner of the car. Flash! Out came Pete’s stubborn streak: He said, ‘O.K. — if you don’t put on your safety belt, I refuse to drive.’ And he folded his arms and sat rigidly in the driver’s seat. In a fit of temper, Ned got out of the car and told Pete, ‘Get out!’ Pete removed his safety belt and angrily got into the back seat of the car, and we drove off. At the airport, we got on the plane to New York. It was on the way from Colorado to New York, at 30,000 feet in the air, that the three Phoenix Singers had a meeting, and two against one (for Ned still dug Pete’s musicianship) they voted Tork out of the group. Peter was quiet for the whole flight, and I could tell he was not very happy. I don’t think he cared about the Phoenix Singers that much, but I think he cared about the security that the job had provided and the fun he had been having on the road. I stayed on with the Phoenix Singers for quite a while, and Pete went on to the old routine down in the Village.” - Lance Wakely, 16 Magazine, April 1967 That Denver campaign event is presumably the one that took place 60 years ago today: “No admission will be charged at the [Denver] Coliseum, where the doors were to open at 4:30 p.m. The Phoenix Singers and the Queen City Jazz Band arranged to provide music from 4:30 p.m. until the President’s address starting at 6:00 p.m.” - The Daily Sentinel, October 12, 1964 (As an addendum to Lance Wakely’s article… From Peter’s episode commentary for Monkee vs. Machine (specifically, the line: “Peter, you dig? Pete.”): “I decided I didn’t like ‘Pete’ somewhere around here. Maybe it was that very moment.”)

[k-i-l-l-e-r-b-e-e-6-9]

𝔐𝔬𝔯𝔟𝔦𝔡 𝔄𝔫𝔤𝔢𝔩 ⸸⛧

[stoneoferech]

Morbid Angel

[thethroneislost]

MORBID ANGEL Tampa, FL, US Photos of the band and promotion during the era of their 1991 "Blessed of the Sick" LP One of if not the most influential death metal acts of all time, led by Trey Azagthoth with David Vincent, Pete Sandoval, and Richard Brunelle. 'Blessed of the Sick' of course being their sophomore full length that lays down some GOOD riffs.

[bilrost]

[donthitanybody]

#MakeAmericanMetalGreatAgain

Metal peaked in the 90s. You wanna know why?

Sepultura (one of the top 5 bands that pushed death metal into the mainstream) Max and Igor Cavalera - Brazilian immigrants

Tom Araya - (Slayer, you know, another top 5) immigrant from Chile

Pedro "Pete" Sandoval (Terrorizer, Morbid Angel), the King of Blast Beats - immigrant from San Salvador

Paul Masvidal (Death, Cynic) - immigrant from Puerto Rico

Fear factory/Brujeria - (okay the line up keeps changing but a lot of Hispanic musicians. Dino Cazares is the only original member, but he's US American born.)

My point is, open the god damn borders, and we can fix the sorry state of metal.

#opentheborders #makemetalgreatagain