#pete sandoval

[k-i-l-l-e-r-b-e-e-6-9]

[bilrost]

[plasticbubbleboy]

[stoneoferech]

Morbid Angel "Altars of Madness"

[themetalmassacrevault]

[metalspitfire6g6g6g]

~Terrorizer - World Downfall~

[beastofmetal666]

𝕸𝖔𝖗𝖇𝖎𝖉 𝕬𝖓𝖌𝖊𝖑

𝕮𝖔𝖛𝖊𝖓𝖆𝖓𝖙

22 𝖉𝖊 𝖏𝖚𝖓𝖎𝖔 𝖉𝖊 1993

31 𝐀𝐍𝐈𝐕𝐄𝐑𝐒𝐀𝐑𝐈𝐎 del tercer álbum de Morbid Angel "Covenant", grabado en los estudios Morrisound, producido por Morbid Angel y Flemming Rasmussen, lanzado por Giant Records. "Covenant" fue para Morbid Angel un trabajo angular por el hecho de todo lo que se puso a disposición para su concreción, una producción en verdad elevada para un trabajo de ese estilo en aquella época y un contrato discográfico para auténticas estrellas, lo que fueron en realidad Morbid Angel en aquellos años. El estilo respeta muy acertadamente la esencia de la vieja escuela, la brutalidad poderosa y directa que Morbid Angel proyectaba desde sus primeras épocas, pero en esta ocasión con un sonido muy profesional, pulido a niveles que no eran comunes para el metal más extremo. Aparte, los músicos eran de lo más sobresaliente que se podía escuchar dentro del death metal. Trey Azagthoth, al igual que Chuck Schuldiner, fue una de las más grandes revelaciones de la guitarra dentro del death metal, ambos pioneros del género desde los 80's, con sus diferencias estilísticas, Chuck más técnico de una forma más clásica, con una influencia muy marcada de la NWOBHM, en cambio Trey era más virtuoso de una forma instintiva y visceral, con solos que tenían un sello amorfo y surrealista que nadie más tenía. Pete Sandoval por otra parte era un verdadero tornado de devastación, un batería con una fuerza animal impresionante y técnicamente eficiente a niveles supremos. Y David Vincent, la voz y el rostro de la banda cuya sola presencia impactaba, además de ser un habilidoso bajista. Juntos encarnaron la versión más efectiva de la banda, tanto en lo musical como en el plano estético, con una imagen desafiante y maligna que era respaldada por una música igual de poderosa. Morbid Angel cruzaba por su época de más grande gloria, y este disco contiene toda la esencia de la banda con toda su fuerza, magnificencia y genio musical.

¡𝐒𝐢́𝐠𝐮𝐞𝐦𝐞 𝐞𝐧 𝐘𝐨𝐮𝐭𝐮𝐛𝐞! 𝐁𝐄𝐀𝐒𝐓 𝐎𝐅 𝐌𝐄𝐓𝐀𝐋https://www.youtube.com/channel/UC2OGceA1nrP1kCdIjE64DlAhttps://www.instagram.com/beast_ofmetal/

🇺🇸💀🎸𝕾𝖙𝖊𝖕𝖕𝖊𝖓𝖜𝖔𝖑𝖋🥁💀🇺🇸

[savage-kult-of-gorthaur]

RECORDED (AND MIXED) IN EIGHT HOURS, AND THIS IS NEWS TO ME!! SOUNDTRACK TO OUR WORLD DOWNFALL.

PIC(S) INFO: Spotlight on the CD pressing of "World Downfall," debut and sole studio album by Los Angeles, CA, deathgrind/grindcore band, TERRORIZER, and released under the UK's Earache label in 1989.

NIHILISTIC WEBZINE: "How exactly did recording for "World Downfall" come about and how did you react when you were told that you’d be recording for Earache? I read an ancient interview with Jesse that the LP was recorded in 8 hours and that you didn’t play guitar on it because you forgot half the riffs (or is this Jesse just being a smartass???)??? How did DAVID VINCENT end up playing bass (duh, he was what, TERRORIZER’s number one fan right???)?"

OSCAR GARCIA: "Jesse would correspond with Mick from "Napalm Death", who in turned talked to "Earache" and got us the deal. Yes, "World Downfall" was recorded in 8 hours. It wasn’t that I forgot, I was rusty and since we were not given much time, I didn’t want to hold up the recording so I just told Jesse to play all the guitars. David Vincent was just lucky to get on the recording, we needed a bass player at the last minute, and he was at the right place at the right time. "

Source: https://nihilistic-webzine-distro.fr/Interviews/terrorizer.htm.

[thislovintime]

Peter Tork in 1964. Photo © Andrew Sandoval.

“We worked with the Phoenix Singers for about seven months, and during the last couple of months there were bad vibrations in the air. Pete loved to clown around on stage and the Phoenix Singers didn’t dig that. Pete also disliked being ordered around or told what to do. These two elements clashed, and the fireworks that resulted were the following: It was in October 1964, and we had just finished an in-person, fund-raising concert for Lyndon B. Johnson in Denver. As I said, the pressure had been building for several months. Two of the Phoenix Singers didn’t want Pete in the group, but my buddy Ned wanted him to stay because he dug him musically. I had mixed feelings at the time. I agreed that musically Pete was excellent, but I felt that he had to cool it a bit on stage because there was a personality conflict between him and the two Phoenix Singers mentioned. Anyway, after the LBJ thing in Denver we were preparing to drive back to the hotel in a rented car and Peter, who was going to drive, said, ‘Everybody put on your safety belt.’ Ned, who was in a bad mood, said, ‘No.’ Peter told him once more to put on his safety belt, and once more Ned declined. Soon, they were at it. Ned got loud; Pete’s face got red; and I retreated into a corner of the car. Flash! Out came Pete’s stubborn streak: He said, ‘O.K. — if you don’t put on your safety belt, I refuse to drive.’ And he folded his arms and sat rigidly in the driver’s seat. In a fit of temper, Ned got out of the car and told Pete, ‘Get out!’ Pete removed his safety belt and angrily got into the back seat of the car, and we drove off. At the airport, we got on the plane to New York. It was on the way from Colorado to New York, at 30,000 feet in the air, that the three Phoenix Singers had a meeting, and two against one (for Ned still dug Pete’s musicianship) they voted Tork out of the group. Peter was quiet for the whole flight, and I could tell he was not very happy. I don’t think he cared about the Phoenix Singers that much, but I think he cared about the security that the job had provided and the fun he had been having on the road. I stayed on with the Phoenix Singers for quite a while, and Pete went on to the old routine down in the Village.” - Lance Wakely, 16 Magazine, April 1967 That Denver campaign event is presumably the one that took place 60 years ago today: “No admission will be charged at the [Denver] Coliseum, where the doors were to open at 4:30 p.m. The Phoenix Singers and the Queen City Jazz Band arranged to provide music from 4:30 p.m. until the President’s address starting at 6:00 p.m.” - The Daily Sentinel, October 12, 1964 (As an addendum to Lance Wakely’s article… From Peter’s episode commentary for Monkee vs. Machine (specifically, the line: “Peter, you dig? Pete.”): “I decided I didn’t like ‘Pete’ somewhere around here. Maybe it was that very moment.”)

[thethroneislost]

MORBID ANGEL Tampa, FL, US Photos of the band and promotion during the era of their 1991 "Blessed of the Sick" LP One of if not the most influential death metal acts of all time, led by Trey Azagthoth with David Vincent, Pete Sandoval, and Richard Brunelle. 'Blessed of the Sick' of course being their sophomore full length that lays down some GOOD riffs.

[k-i-l-l-e-r-b-e-e-6-9]

𝔐𝔬𝔯𝔟𝔦𝔡 𝔄𝔫𝔤𝔢𝔩 ⸸⛧

[bilrost]

PRAYER OF HATRED

[donthitanybody]

#MakeAmericanMetalGreatAgain

Metal peaked in the 90s. You wanna know why?

Sepultura (one of the top 5 bands that pushed death metal into the mainstream) Max and Igor Cavalera - Brazilian immigrants

Tom Araya - (Slayer, you know, another top 5) immigrant from Chile

Pedro "Pete" Sandoval (Terrorizer, Morbid Angel), the King of Blast Beats - immigrant from San Salvador

Paul Masvidal (Death, Cynic) - immigrant from Puerto Rico

Fear factory/Brujeria - (okay the line up keeps changing but a lot of Hispanic musicians. Dino Cazares is the only original member, but he's US American born.)

My point is, open the god damn borders, and we can fix the sorry state of metal.

#opentheborders #makemetalgreatagain

[stoneoferech]

Morbid Angel

[musicshooterspt]

SWR Barroselas Metal Fest, 24 a 27 de Abril

Listen to the clamour of steel... SWR FEST returns to the northern village of Barroselas from 24-27 April 2024 for its 24th edition, heavier and louder than ever! 40 bands, two indoor stages, and the same appetite for extreme music.

TICKETS / INFO

The cult is once again alive and this time we're celebrating death: David Vincent, Mr. Evil D himself, will be in Barroselas alongside Pete Sandoval in I AM MORBID, to celebrate the music of the almighty Morbid Angel with the same ferocity and heaviness we find in albums such as "Altars of Madness", turning 35 this year! And that's not all: as TERRORIZER, they'll take it up a notch in terms of speed, grinding death to its utmost. Death, of course, pairs up well with war: also from across the Atlantic, SWR will welcome the iconic BLASPHEMY, who will bring their particular brand of black metal hatred to Lusitanian soil for the very first time! Those who hunger - nay, thirst - for a good time will do no better than give a warm welcome to TANKARD, whose alcohol-fueled teutonic thrash will certainly get the party going, and if you're in the mood for pestilence look no further than SARGEIST; 25 years of pure finnish misanthropy. The melodically heavy BELL WITCH will return to Portugal with a new album, and an extreme line-up wouldn't be complete without the british CANCER, spreading death since 1988. Is that all? No, this metallic x-mas features loads more killer souvenirs on a platter. COBRAFUMA, ALPHA WARHEAD, VERME, VØIDWOMB, ANALEPSY, NECROBODE, BOOBY TRAP, TOXIKULL, REDEMPTUS, SONNEILLON, MORTE INCANDESCENTE, SYSTEMIK VIOLENCE, ELS FOCS NEGRES and CAPELA MORTUÁRIA are here to represent the best of the Lusitanian hordes. NOSTROMO (Switzerland), KRYPTS (Finland), VULTURE, ROPE SECT (Germany), THANTIFAXATH (Canada), HEXECUTOR (France), CHILD, LIK, FREDAG DEN 13E, SKITSYSTEM (Sweden), ENTROPIAH, APOSENTO (Spain), DIOCLETIAN (New Zealand), VIRCOLAC (Ireland), SCHIZOPHRENIA (Belgium), DISGRACE AND TERROR (Brazil), CONJURER (UK), SNĚŤ (Czechia) and HIEROPHANT (Italy) are the allied armies who'll be finding their way to Barroselas with only one thought in their minds: brutality! Tickets available at swrfest.bigcartel.com and at the Official Stores

Tradução 🇵🇹

Oiçam o clamor do aço... O SWR FEST está de volta à aldeia de Barroselas nos dias 24 a 27 de Abril, celebrando a sua 24º edição, mais heavy e barulhenta que nunca! 40 bandas, dois palcos indoor, e o mesmo apetite de sempre pela música extrema.

Bilhetes/Info

O culto está mais uma vez vivo e desta vez estamos a celebrar a morte: David Vincent, o Mr. Evil D em pessoa, estará em Barroselas ao lado de Pete Sandoval em I AM MORBID, para celebrar a música do todo-poderoso Morbid Angel com a mesma ferocidade e peso que encontramos em álbuns como "Altars of Madness", que este ano completa 35 anos! E não é tudo: como TERRORIZER, vão aumentar a velocidade, esmagando a morte ao máximo. A morte, claro, combina bem com a guerra: também do outro lado do Atlântico, o SWR vai receber os icónicos BLASPHEMY, que vão trazer a sua marca particular de black metal para o solo lusitano pela primeira vez! Quem tem fome - ou melhor, sede - de diversão, não fará melhor do que dar as boas-vindas aos TANKARD, cujo thrash teutónico, alimentado a álcool, irá certamente animar a festa, e se estiver com vontade de pestilência, não procure mais, SARGEIST; 25 anos de pura misantropia finlandesa. Os melodicamente pesados BELL WITCH regressam a Portugal com um novo álbum, e o alinhamento extremo não estaria completo sem os britânicos CANCER, que espalham a morte desde 1988.

É só isso? Não, este X-Mas metálico apresenta muito mais numa bandeja. COBRAFUMA, ALPHA WARHEAD, VERME, VØIDWOMB, ANALEPSY, NECROBODE, BOOBY TRAP, TOXIKULL, REDEMPTUS, SONNEILLON, MORTE INCANDESCENTE, SYSTEMIK VIOLENCE, ELS FOCS NEGRES e CAPELA MORTUÁRIA estão aqui para representar o melhor das hordas lusitanas. NOSTROMO (Suíça), KRYPTS (Finlândia), VULTURE, ROPE SECT (Alemanha), THANTIFAXATH (Canadá), HEXECUTOR (França), CHILD, LIK, FREDAG DEN 13E, SKITSYSTEM (Suécia), ENTROPIAH, APOSENTO (Espanha), DIOCLETIAN (Nova Zelândia), VIRCOLAC (Irlanda), SCHIZOPHRENIA (Bélgica), DISGRACE AND TERROR (Brasil), CONJURER (Reino Unido), SNĚŤ (Chéquia) e HIEROPHANT (Itália) são os exércitos aliados que vão chegar a Barroselas com um único pensamento: brutalidade!

[herenciarumbera]

AL AIRE... EN REPETICIÓN "HABLANDO EN CLAVE" con Tommy Thomas Muriel y el Especial PETE ESCOVEDO: RETROSPECTIVA. Esta noche la clave viene importada de Hollywood, celebrando 6 décadas de trayectoria de uno de los patriarcas de la música latina en California. Percusionista, cantante, director de orquesta y artista plástico con un un señor resumé a cuestas (Mongo Santamaría, Cal Tjader, Tito Puente, Azteca, Santana, Herbie Hancock, Lionel Ritchie y siga sumando), Pete Escovedo se ha dado el lujo de tocar de todo y con todo el mundo. Amén de ser el comandante en jefe de una familia musical que incluye entre otros a la mismísima Sheila E. En esta edición especial repasamos su legado y trayectoria junto a todos éstos y al lado de otros virtuosos de la talla de Chick Corea, Ron Carter, Wayne Shorter, Justo Almario, John Santos, Arturo Sandoval, Ray Vega, Oskar Cartaya, Bill Ortiz y Rebeca Mauleon. ¡Los esperamos, familia! Pueden sintonizar vía nuestras páginas web, móviles, listas de radio , TuneIn y nuestra app actualizada en https://play.google.com/store/apps/details?id=red.simpleapp.herenciarumbera Página web: https://www.herenciarumberaradio.com/ TuneIn https://tunein.com/radio/Herencia-Rumbera-s268720/ Radio Garden http://radio.garden/listen/herencia-rumbera-radio/7vF-acFD Únete a nuestro Canal de Telegram https://t.me/herenciarumberaradio Grupo de Chat Telegram: https://t.me/hrumberachat Listas de Radio Raddios https://www.raddios.com/12968-radio-online-herencia-rumbera-radio-online-lima-peru Radio Box https://onlineradiobox.com/pe/herenciarumbera/ Radios.com https://radios.com.pe/herencia-rumbera My Tuner https://mytuner-radio.com/radio/herencia-rumbera-433815/ Radio Streema https://streema.com/radios/Herencia_Rumbera Radio es https://www.radio.es/s/herenciarumbera #HABLANDOENCLAVE #AQUÍSIHAYTIMBALES #BORICUASTRONG #RAÍCES #GRABAQUETECONVIENE #ELNEGROVOLVIÓ #HACETIEMPOQUEVENGONARRANDOELTAMBÓ https://www.instagram.com/p/CofxffNPPsr/?igshid=NGJjMDIxMWI=