#persona 3 portable anthology

[maboroshi-no]

I have remade the scans and updated the translation.

Title: The Boy Who Cried Wolf (Love Version) Artist: Taihei Hiromi Source: Persona 3 Portable Dear Girls Comic Anthology (DNA Media Comics) Story / Chapter: 4 Synopsis: Ryoji finally wakes up after the hotspring incident, and find FeMC at his bedside. Scanlation: maboroshi-no

Read it here:

https://imgur.com/a/0DeeZl0

[elle-p]

Scans of the covers and backs of Persona 3 Portable Comic Anthologies. This isn't all of them.

Original

FES

Movies

[ciel-bell]

Scanned this from Persona 3 Portable Karen na Tenshi (Lovely Angel) Comic Anthology

[katsona-the-katsequel]

Timeline Preface

First of all, it's necessary to make clear which years will be used as reference for each game, for these years will dictate everything else in the timeline.

Persona 1 -> 1996

Persona 2 -> 1999

Persona 3 -> 2009

Persona 4 -> 2011

Persona 5 -> 2016

In total, we will be covering 20 years of in-game events plus a few here and there. The following is a list of the events that WILL NOT be considered canon in the timeline, just to keep it in mind:

Shin Megami Tensei: if... Gakuen no Akuma Tsukai

Shin Megami Tensei if...: Jin of the Expanse

Shin Megami Tensei: Kahn

Revelations: Persona (basically the americanized version)

Megami Ibunroku Persona: Ikuu no Tou Hen

Megami Ibunroku Persona: Shadow Maze

Megami Ibunroku Persona Digital Collection

Persona 2: Innocent Sin ~ The Errors of Their Youth

Persona 2 Tsumi: Lost Memories

Persona 2: Tsumi ga Ataeshi Batsu

Persona 2 Batsu: Infinity Mask

Persona: Tsumi to Batsu

Persona 3: Owari no Kakera

Persona 3: Shadow Cry

Persona 3: The Night Before

Persona 3 Portable

Persona 3 Portable: Velvet Blue

Persona 3 Reload

Persona 3: Dancing in Moonlight

Persona 3 Em

Megami Tensei Chaining Soul: Persona 3

Megami Tensei QIX: Persona 3

Persona 3 Broken Shadow

Persona 3 Illust Puzzle

Persona 3 Escape

Persona 3 Drama CD: New Moon

Persona 3 Drama CD: Full Moon

Persona 3 Social

Persona Ain Soph

Persona 3 FES: Alternative Heart

Persona -trinity soul-

Persona -trinity soul- Novel

Persona 4: Kiri no Amnesia

Persona 4 The Card Battle

Persona 4: Your Affection

Persona x Detective Naoto

Persona 5: Dancing in Starlight

Persona O.A.

Persona 5: Mementos Mission

Persona 5 Tactica

Persona 5: The Phantom X

Persona Mobile Online

Persona Q: Shadow of the Labyrinth*

Persona Q2: New Cinema Labyrinth*

Vanilla Versions of P3, P4, and P5

Animation and Movie Adaptations

Manga Adaptations

Bad Endings

Comic Anthologies

Live Action and Stage Adaptations

Drama CDs unless specifically mentioned

Novel Adaptations

That weird promotional P4 flash game

The ones that WILL be considered canon and will be included in the timeline are the following:

Plus the Persona 2: Eternal Punishment PSP additional scenario.

Final Details

After each part, I will be including a "personal assumptions and headcanons" section. None of the things mentioned in said section are confirmed, in fact, some headcanons will be mentioned. Its purpose is just to enrich the canon already established by the timeline. You'll get it when you see it.

If there is a Social Link/Extra Scene/Additional Dialogue in another game/novel/CD that wasn´t in the list but enriches the story, those details will be included (glances at P3 Portable and Reload). A similar thing happened with PQ, which was almost included because of Chronos. Since everyone's memories were erased anyways, I just took Chronos and left them in their pocket dimension to live their non-canon adventures. Same thing happened with the P1 manga, since it offered extra details and more about Naoya. From Tsumi to Batsu I only took the extended Philemon lore.

Possible Questions

“Why wasn't X media included?”

It depends.

I would have been okay with Tsumi if it didn't overlap with what happens in the main game. Batsu did have some interesting elements, but I couldn't find a gameplay in a language I spoke.

I wanted to include Tsumi ga Ataeshi Batsu so badly, but also couldn't find it online.

I didn't include Vanilla P3 since it needed The Answer to feel truly complete. The same happened with Golden and Royal. Portable was already an AU the moment Minako was included (sorry, queen). Honestly, you can just ignore the extra content from the remastered games or change Minato's name to Minako/Hamuko/Kotone to get the timeline you want (if you want the full FeMC experience, also read Velvet Blue).

At the moment of this timeline's creation, Reload still hasn't launched their own version of The Answer.

Ask me for specifics about other media that wasn't included.

"You forgot X media, which wasn't on either list!"

PLEASE, LET ME KNOW! I know the wiki is incomplete (discovered this when I tried doing an iceberg years ago), and that some media slips through the cracks.

If you can provide a link where I can read/watch/hear it (either English or Spanish is fine), I would be eternally grateful (also if someone can give me a translation of the Naruhodona-SEES section of the Persona Stalker Club pretty please, I would kiss you).

Though if new media was released after March 2024, the year this timeline was made, then that's why it wasn't included.

"Are the timelines already done?"

Nope. They're still in progress, but I wanted to leave some things clear before I published them. If you have any proposals or recommendations, there's still time.

That's all for now. See you next week!

[medjedrpresources]

Saori Hasegawa RP Icons

In this ZIP file, you'll find 18 roleplay icons of Saori Hasegawa from Persona 3 Portable. These icons are all 100x100 and were cropped from game sprites, official artwork, and screencaps from Persona 3 The Movie and the Persona 3 Dear Girls Anthology manga.

Feel free to edit, just don't claim them as your own.

Download: Here!

[xe-5aj1700155-024]

q3 ((2023))  to Q1 ((2024)) - Checklist of Planned Equipment to Obtain:

NOTE: ALL OWNED VIDEO GAMES + EQUIPMENT TO BE LISTED IN A SEPARATE POST

Consoles/Devices to Equip Room with:

PlayStation 2 [eBay/Facebook Marketplace/vintage game store] 

PlayStation 3 [to ship from home]

PlayStation 4 [to ship from home]

Nintendo Switch [eBay/Facebook Marketplace/game store]

Nintendo 3DS [eBay/Facebook Marketplace/vintage game store]

PC w/desktop workstation set-up [build self] - Further research necessary

Mechanical Keyboard [needs more research + self-built]

Huion Kamvas 13 Drawing Tablet [fix + ship from home]

Retro CRT Monitor/TV [Thrift/Facebook Marketplace/eBay]

Nintendo 3DS: 

Animal Crossing: New Leaf

Minecraft

Terraria

Super Smash Bros for Nintendo 3DS

The Legend of Zelda: Ocarina of Time ((1st to play of Zelda series))

The Legend of Zelda: Majora’s Mask ((2nd to play of Zelda series))

Kirby: Triple Deluxe

Nintendo Switch: 

Animal Crossing: New Horizons

Kirby and the Forgotten land

The Legend of Zelda: Tears of Kingdom

Super Smash Bros Ultimate

Nintendo Switch Sports

Mario Kart 8

Nier Automata

PlayStation 2 Games: 

Silent Hill ((1st to play of SH series))

Silent Hill 2 ((2nd to play of SH series))

Silent Hill 3 ((3rd to play of SH series))

Metal Gear Solid 3: Snake Eater ((1st to play of MG series))

Metal Gear Solid: Sons of Liberty ((2nd to play of MG series))

Metal Gear Solid 2: Sons of Liberty ((10th to play of MG series))

Resident Evil - Code: Veronica ((4th to play of RE series))

[IHIFHWKFEJEL!!!] Resident Evil 4 ((5th to play of RE series))

Grand Theft Auto: San Andreas

Bully

Shadow of the Colossus ((2nd to play of Ico-verse)

Final Fantasy X 

Persona 4

SSX Tricky ((1st to play of SSX-verse

SSX 3 ((2nd to play of SSX-verse

PlayStation Portable [PSP] Games: 

Metal Gear Solid: Portable Ops ((3rd to play of MG series))

Metal Gear Solid: Peace Walker ((4th to play of MG series))

PlayStation 3 Games: 

Ico REmaster ((1st to play of Ico-verse))

Metal Gear Solid 4: Guns Of The Patriots ((9th to play of MG series))

Metal Gear Rising: Revengance ((10th [FINAL] to play of MG series))

Resident Evil REmake ((1st to play of RE series))

Resident Evil 0 REmake ((3rd to play of RE series))

Resident Evil 5 ((5th to play of RE series))

Battlefield 3

PlayStation 4 Games: 

Resident Evil 2 ((2nd to play of RE series))

Metal Gear Solid V: Ground Zeroes ((5th to play of MG series))

Metal Gear Solid V: The Phantom Pain ((6th to play of MG series))

The Outlast Series (1 and 2)

PC: 

Metal Gear ((7th to play of MG series))

Metal Gear 2: Solid Snake ((8th to play of MG series))

Metal Gear Solid ((9th to play of MG series)

Resident Evil 7 + watch YouTube cutscenes of RE6 ((6th to play of RE series)) 

Iron Lung

Escape From Tarkov

DayZ

CSGO

Valorant

Dark Pictures Anthology Season 1 [Replay]

[maboroshi-no]

A 3D fanart of one of my favorite P3P anthology comic!!

This one:

“I’m done here!” Aka do NOT touch the watch - Mod Velvet

*this isn’t an edit or a screenshot, this is 3D fanart*

[blondie-inc]

Woah?? Robin's posting about a persona character that ISN'T Akechi?? :0 is this legal?? ...No it's not, don't tell the cops.

Anyways!! I really wanted to color Hamuko (I apologise for crappy shading, it's not my strong spot) it's not the cleanest but I'm literally erasing with my finger.

Please request characters you want me to color!!💙❤️

feel free to use, no credit needed since all I did was color! 💙❤️💙❤️💙❤️

[priestesschan]

Manga :  Persona 3 Portable Comic Anthology (DNA Media Comics)

Artist :  Chitose Asahi

[beautyxofxdestiny]

//Persona 3 Portable Manga Anthology, who gave you permission to hurt me?

[prompt-master]

Hey, Prom, I really wanna get into Persona but I dunno where to start. Can you help?

Personally I've only played persona 5 due to a lack of tech (i don't have the other playstation consoles or a good computer) so i might not be the best at giving advice for getting into the series as a whole!

If youre only looking to get into the stuff that i know and love, then you can pick up persona 5 either on ps4 or steam! Some might disagree with this, but i would reccomend just jumping into persona 5 royal, which is an extension of the first game. You can look up the original vanilla ending afterwards to see what changed!

If you mean the series as a whole: pick and choose the series that most interests you to starts! The persona series is an anthology, and doesnt require playing any previous installments. So you can start on whatever series you want. Altho, I believe like p5 vs p5r, there's similar different versions to play. Such as persona 3 portable vs persona 3 but for the differences between those games im sure you can google which one is better to start with

I hope this helps? Feel free to ask for further details/clarification, i know it can be a lot at once

[maboroshi-no]

Persona 3 Portable 4Koma Gag Battle Art.

[elle-p]

Scans of the covers and backs of Persona 3 Comic Anthologies. This isn't all of them.

FES

Portable

Movies

[ciel-bell]

My scans of the Persona 3 Portable Dengeki Comic Anthology color illustrations (+ more under the cut)

[daily-rayless]

20 Years of Art

2000

(OC / Celes from Final Fantasy 6 / OC / OC)

The influence of Final Fantasy 6, off of the Anthology collection, and Yoshitaka Amano caused a significant shift in my art, leading my human figures to be very slender, graceful, and frequently pale. Most of it was of women, some of it was of horses, and by then I was very self-consciously starting to draw men. I mostly worked in pencils and colored pencils. Faces were oval with high hairlines and long, sharp, narrow noses. Also note my evident fear of mouth-seams and lower eyelids. I was pretty terrible at coloring, often feeling that coloring one of my sketches ruined all the nice linework.

2001

(Quistis from Final Fantasy 8 / Rosa from Final Fantasy 4? / Schala from Chrono Trigger / Dark Knight OC from Final Fantasy 4)

This is where more anime influences came in, and I consciously took on a semi-anime, semi-realistic (in my own mind) style. My ideal of beauty was overbig eyes, overlong nose, and oversmall mouth, and I stuck to it pretty relentlessly. Trying to figure out shadows and face structure. Still bad at coloring. I was incredibly proud of that charcoal picture. Was also going through my mandatory Dark 'n Edgy phase, with a big helping of Phantom of the Opera, Sarah Brightman, and my attempts at designing supercool clothes, many of which I wouldn't have actually worn, even given the opportunity.

2002

(Me trying to recreate “Flaming June” / OC, who incidentally looks almost exactly like Sarah Brightman and whose diadem was bodily lifted from a Jodi Lee painting / angsty symbolic wet chain lady / OC)

Deep in the Dark 'n Edgy. Faces are still very heavily made-up, with big lashes, defined upper eyelids, and dark lips. Trying very hard to be a good artist though, have high expectations for the future. I was so proud of that final pose and worked so hard on it. Lined paper? So not a problem. Besides, how else am I supposed to draw during class? A sketchbook would've been even more obvious than the incredibly obvious I already was. I'm able to listen while drawing pretty reliably, and I did manage to take detailed notes while doodling, so at least I had that going for me.

2003

(Celes / OC / OC / Hermes-inspired wing lady)

I was focusing (at least some of the time) on backgrounds and trying to make my work detailed and polished. Coloring is still hopeless. Often when I colored, I would go super light, even when I was using dark or intense colors. It would give my pictures a sort of faint, half-assed hazy look. I remember an art teacher urging me to use more color, but I probably resisted because I knew that way lay total destruction. I'm sorry, well-meaning art teacher. You are unversed in the ways of my pencils. I have killed too many sketches to take those kinds of risks.

2004

(Rosa? / Meliara from Crown Duel / willow-dress lady / Geddoe and Queen from Suikoden 3)

See the Meliara picture? That's supposed to be a night scene in a forest. Front-lit by blazing firelight. I was too afraid to make the colors darker. This is dark enough, okay? Anyway, this year, along with being utterly obsessed with Suikoden 3 and Crown Duel, I was letting my art head in a more realistic direction...

2005

(OC / Queen / Queen / part of Zetta and Salome from Makai Kingdom; I remember deliberately copying those swoopy Ss from one of my friends’ handwriting. Wishes ended up being the first longform fanfic I posted online.)

...that really flourished this year. It's not actually realism, but I made a point to give my characters, especially the women, more realistic bodies. Faces are very round in this period, often with soft features. Noses are prominent. I'm also, finally, using more vibrant colors. I probably got my first Prismacolor pencils around this time. I also got some really cheap markers, but had no idea how to use them so mostly stuck to pencils.

2006

(All OCs)

I look back on this as a good year. I was learning better coloring techniques. (Bold colors! Press that pencil down! Okay, I still had much to learn.) I got an Elfwood gallery while the site was doing its slow mosey into oblivion. But that was an important step, not just looking at other people's art online, but putting my own up as well. There were downsides though. I began to feel more insecure – or maybe more realistic? – about my art, on this site with so many highly talented artists. Still, 2006 is a good year. It was a lot of fun, and I learned a lot.

2007

(vampire and hunter / Fleur from Harry Potter / OC / Avril from Wild Arms 5)

The year of Fleur Delacour. This is when I was writing Kindred. I think it was because I was trying to depict Fleur as distinctly non-human that my art shifted away from that more realistic style. Fleur, and my other figures, became very tall and slender. The anime DNA is still there though. For a long time, I felt the lying-down picture of Fleur was my best work.

2008

(Revya and Gig from Soul Nomad / my attempts at being “abstract” / OC / OC)

This was the year of Soul Nomad and, towards the end, Tales of the Abyss. Unsurprisingly, the anime influences start moving back to the fore. The eyes are becoming larger again, the features a bit more angular and stylized, mouths are shrinking. I'm still desperately trying to figure out markers and wondering why it's so darn hard (I don't try to educate myself, I just flail), but I was proud of that blue OC picture. It made me feel like I was getting somewhere. 2008 is when I started my deviantART gallery, right when everyone else was moving on to Tumblr.

2009

(teacup lady / Persona 4 noir-style comic / Revya / OC)

Then Persona 4 hit. Shigenori Soejima was a huge influence in this period, especially in eyes and faces. Pupils, chins, and jawlines shrink, eyelashes are sparse and stylized, noses are simplified. 2008 and 2009 are about as pure anime as I've ever gotten. Meanwhile, I'm really exited about my dA gallery and trying lots of different combinations of media. I'm super active on dA and FFN at this point, writing Elysion and then a slew of shorter Persona fics.

2010

(Minako from Persona 3: Portable / concept-art-version Minako / lady with dragon ferret thing / other lady with dragon ferret thing)

I'm still drawing with a lot of Soejima influences. Additionally, bodies are becoming even longer, taller, thinner, and bendier. Some of them look absurd to me now. On the other hand, a lot of pictures from this period have a nice elegance to them. I was still using colored pencils a fair bit, but more clumsy markers are showing up. Persona 3: Portable came out, and this is when I was writing Death and Ker.

2011

(mask lady / hat lady / Archaya, Duphaston, and Iryth from Eternal Poison / symbolic autumn lady and her winter baby)

Midway through this year, I hit a breakthrough when I got my first set of Copics – and skin tones, no less. Even though I was still flailing, I was so thrilled with my results. That Eternal Poison picture left me enormously proud, as did the mother and child one. My style hasn't changed all that much, but it's starting to feel less extreme. The focus on big eyes and tiny little mouths remains.

2012

(Elza from Suikoden 2 / Daryl and Setzer from Final Fantasy 6 / Killey and Lorelai from Suikoden 2 / Lyssa, Greek goddess of madness)

This is the year of Elza. Lots of delicate sketches of this lovely scarred lady, and lots of colored pictures too. I've definitely shifted away from pencils towards markers. The Daryl and Setzer one was an attempt to use both, and I was very happy with it. These pictures show their age, but there's still a lot here I like. Mouths are larger too. However, my online activity was starting to lag.

2013

(Rydia from Final Fantasy 4 / Nia from Infinite Space / the prophet and Schala / Argos and Io from Greek mythology)

The mid-2010s weren't entirely great for me, marked with a lot of frustration and discontent. And that definitely carried over to my art, making me feel very disappointed with myself. There was lots of marker work this year. Probably the standout picture is Argos and Io. This is also when I played through all three routes of Fate/Extra, and my art was suddenly full of Hakuno and Emiya.

2014

(Minako / butterfly lady / Marta and Tenebrae from Tales of Symphonia 2 / Elza)

Looking at it now, this was a good year. Lots of nice marker art. The butterfly one was a big step up for me in terms of coloring. The Marta and Tenebrae has a really cool stylized look to it. But I was becoming less enthusiastic about sharing my art with others. I started to post less and less.

2015

(evil Hakuno and Emiya from the Fate series / Mitsuru from Persona 3 / half moon cookie lady / Hakuno)

I barely posted anything this year, though I was still drawing a ton. As far as making strides, this is one of my better years. Coloring will never be my strong suit, but it's a lot more fun, and it looks a lot better. It's almost entirely marker-work at this point. Despite my, er, angst, a lot of people are smiling this year.

2016

(OC / doodle lady / Luna from Roman mythology / hair bow lady)

At this point, it's feeling too recent for me to really see what's changed. I did a fair bit of eraserless work. One problem I still have – and, yes, it involves coloring my pictures – is losing some of the image's personality after I've inked it and erased the initial pencil work. The picture's still there, but not as nuanced as it originally was. The results often feel stiff to me. Doing the first linework in ink, or not inking at all, allows me to keep that sensitive, spontaneous quality. Luna and the bow and doodle ladies were done without erasers. Another thing I did a lot this year was fill backgrounds with busy shapes and colors, which is a trend I’m still following today.

2017

(flapper and dog / Alcyone and Ceyx from Greek mythology / flower hair lady / Kida from Atlantis)

Not a good year. Not that the art is bad, there just isn't a lot of it, and what there is often isn't very finished. I was still mostly dark online, wondering if I should take down my dA gallery. Drawing and knowing I wasn't going to post something took off some of the pressure of my own expectations, but I was still unhappy.

2018

(Altera from the Fate series / Elizabeth Bathory from the Fate series / OC / Aranea from Final Fantasy 15)

This was a really important year for me. I wrote a novel I'm really proud of, and it's done a lot to give me confidence and a sense of creative direction. I also decided that after New Years, I was going to start a Tumblr gallery...just as everyone who was still on the site was jumping off of it. Much of my 2018 work is still sketchy and unfinished, but I also think it's loosening up some. It feels less stiff than the stuff from the middle of the decade.

2019

(Aloy from Horizon Zero Dawn / medievaly lady / Red from Transistor / Red)

The year of Supergiant Games, which led me to focus more on bright saturated colors. It's really hard for me to analyze these objectively. Coloring is better? I worked more on details? I used my metallic gel pens a ton and did shape-cluttered backgrounds? These aren't new things, but I think they paid off okay. I'm more at peace with my level of ability, I've finished more complicated works, and I crawled out of my den and started posting regularly online again. So that's all good. Curious to see what the art looks like in twenty more years.

[behind-the-screen-of-bangtan]

Details in 2019 Festa’s BTS Family portrait

(← Festa 2019 main post)

j-hope has a jar of Bonne Maman Raspberry Preserve.

The red line near Jungkook has “Danger”, “위험” (danger in Korean), and “안전제일” (safety first) written on it.

SUGA’s jacket is the same as V in the WINGS Short Film #3 STIGMA (cr.).

Above RM’s blackboard, you can read:

I’ve waited all my life Looking for something right Than a boy with luv

Which are “Boy With Luv” lyrics.

The blackboard has similar words to what we could see in Persona Comeback trailer:

Who Am I? Who are you?

Dream Love Happiness

Map of the Soul

Persona Shadow Ego

But there are new citations too:

Having a brewing cup for coffee is fine, Facing weather too hot, too much iron. This strong iron is too late in taste, Much of the flavours are inside. The coffee is not tea, not even anything Like the leaves of danger and bread.

The beginning (1) of the poem “Coffee Is Fine” by Naveed Akram.

I am the wind that wavers,  You are the certain land; I am the shadow that passes  Over the sand.

[...]

You are the light eternal—  Like a torch I shall die; You are the surge of deep music,  I but a cry!

The first (2) and last (3) verses of “I Am the Wind” by Zoë Akins

down again. His host filled it for him. “To look at,” said the sergeant-major, fumbling in his pocket, “it's just an ordinary little paw, dried to a mummy.” He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son

An extract (4) from The Monkey’s Paw by W. W. Jacobs.

Several fans also noticed citations on the wall (they’re only visible in the Episode). They’re from Paddy Clarke Ha Ha Ha by Roddy Doyle:

“We were coming down our road”, the first sentence of the book

“His eyes were closed now as well but the tears were getting out.”

“I loved twirling the dial on the radio.”

“I didn't want [to] go back”

Several books can also be seen around RM:

ФЛОРЕНСКИЙ ПАВЕЛ. ДЕТЯМ МОИМ. ВОСПОМИНАНИЯ ПРОШЛЫХ ДНЕЙ. ГЕНЕАЛОГИЧЕСКОЕ ИССЛЕДОВАНИЕ. ИЗ СОЛОВЕЦКИХ ПИСЕМ. ЗАВЕЩАНИЕ by Pavel Florensky (cr.)

The Dogs of War by Lisa Rogak

She’s Come Undone by Wally Lamb (cr.)

40 Model Essays: a portable anthology by Jane E. Aaron and Ellen Kuhl Repetto

California Angel by Nancy Taylor Rosenberg

Hunger Trilogy by Wang Ruowang

Jihad vs McWorld by Benjamin R. Barber

7.5.  Was Frauen krank macht by Ingrid Olbricht

Managing Staff Development programs in Human Service agencies by Diane Brannon, Michael J. Austin, and Peter J. Pecora

A passage to India by E. M. Forster (cr.)

Doubly Dead

A McKettrick Christmas by Linda Mael Miller

Hoot by Carl Hiaasen. There’s a “Read it!” written on the side

The Grim Grotto (cr.) (A Series of Unfortunate Events) by Daniel Handler

Remember Me by Sophie Kinsella (cr.) (author’s website) 14.5  Eating Well for Optimum Health by Andrew Weil M.D.

The Golden Calf by Ilya Ilf and Evgeny Petrov

Pride & Prejudice by Jane Austen

Илья Эренбург 4 by Ilya Ehrenburg (it’s the 4th volume of his collected works)

Medical Adviser

Wildcat Moon by Babs Horton

The Great Train Robbery by Michael Crichton

To see your face again by Eugenia Price

El Niño Perdido by Dave Pelzer

Tell Me How?: Answers to Hundreds of Questions

The Slippery Slope (A Series of Unfortunate Events) by Daniel Handler

The Dark Hills Divide, the first book of the series The Land of Elyon by Patrick Carman

You can see pages from The New York Times (from both the New York edition and the international edition) and from The Wall Street Journal covering the walls of V’s “Singularity” set.

Here are some of the articles from The Wall Street Journal (src What’s News):

From the 12 October 2018 issue:

1- a U.S. News page (p.4)

2- the article “Expo: Firms Given Assurance on Intellectual Property Rights” (p.26)

3- a Markets page (p.33)

4- From the 30/31 December 2018 issue (the titles tend to differ between the paper and digital version):

“Trade and Yuan Cloud Outlook for Chinese Markets”

“‘Aquaman’ Continues Box-Office Reign as ‘Vice’ Sputters”

From the 24 January 2019 issue:

5- a World News page (p.10, right)

6- a Business & Finance page (p.23)

7- a Technology page (p.25)

Online version of some articles from those pages:

“Inside Google’s Team Fighting to Keep Your Data Safe From Hackers”

“Boeing’s Autonomous Taxi Takes Flight”

“Europe’s Political Funk Sets Back Its Economy”

And some articles from The New York Times:

From the 10 January 2018:

8- the article “With Obesity Rising in China, Coke Helps Set Nutrition Policy”, available online here

From the 21 January 2019:

9- the first page of the World section (p.4)

10- the first page of the Sports section (p.12)

11- the first page of the Culture section (p.14)

From the 23 January 2019:

12- the front page (p.1)

13- a culture page (p.19)