#performer: Alice Kessler
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With twins returning to Eurovision this year via Azerbaijan, we need some twin participant facts: how many, the first (Germany 1959, both still alive), the sad story of Sophie and Magaly, the fact that Netherlands 2021 had twins, etc.
Eurovision Fact #337:
Germany's 1959 representatives, Alice and Ellen Kessler, were the first twins to ever perform in the Eurovision Song Contest. The duo is most famous for their dancing abilities, and have appeared in many films in the 50s and 60s. Their song 'Heut' Woll'n Wir Tanzen Geh'n' placed 8th overall.
The Kesslers started their careers in 1942 and are still active actors today.
The twins' were very popular in the United States in the late 50s and 60s, but remain heavily popular in their native Germany and Italy.
In fact, when they agreed to be on the cover of the Italian edition of Playboy at the age of 40, that edition of the magazine sold more copies than any other edition in history, and the record still stands.
[Sources]
Participants of Cannes 1959: Alice and Ellen Kessler, Eurovision.tv.
Kessler Twins, Wikipedia.org.
Alice Kessler, IMDb.com.
Ellen Kessler, IMDb.com.
'Perché le gambe delle gemelle Kessler erano il sogno di tutte? La vera storia delle dive della tv italiana,' elle.com.
#Thanks so much for the request!#There's a lot of great info in your ask so I hope you don't mind me breaking it down into a few facts!#esc#eurovision facts oc#esc facts oc#eurovision song contest#eurovision#esc 1959#kessler twins#alice kessler#ellen kessler
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And with this I have finally posted at least one song from every contest.
I’m always delighted by the songs from the 50s and 60s with obvious gimmicks. And the song is fun, too!
#esc#eurovision song contest#year: 1959#draw: 6#performer: Ellen Kessler#performer: Alice Kessler#place: 8#country: germany#language: german#points: 5#voting: 10 points to give#duet#sibling team
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Kessler/Year 2/Week 4/Day 5
The sun is rising and there was a lovely pinkish glow to the frost on the house!
Britta is up and reading a book while ignoring Stacia.
It looks like both girls have earned raises! Good job!
The work day is over. Britta invited Rasheed over and Stacia is off to the Yellow Lab to try to meet new friends. It looks like Tanika Bateman is here along with Brendan Hayward, Kelly Brady and Alice Dubose, who is reading a book at the bar..LOL!
Hey! Antoine Smalley is performing again tonight! Stacia decided to stay for the show and it looks like Corinne Watt is here too! Busy place tonight!
#thicket-world#sims 3#sims 3 custom world#ts3#ts3 gameplay#ts3 world stories#kessler/valesco#britta kessler#stacia valesco#tanika bateman#corinne watt#antoine smalley#kelly brady#brendan haywood#alice dubose
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Experts watch in horror as 2 dead satellites are on track for a potential collision
https://sciencespies.com/space/experts-watch-in-horror-as-2-dead-satellites-are-on-track-for-a-potential-collision/
Experts watch in horror as 2 dead satellites are on track for a potential collision
For the second time this year, experts can only watch and wait as two large objects close in on a potential collision course in low-Earth orbit.
According to space debris tracking service LeoLabs, an old, discarded Chinese rocket stage and a defunct Russian military satellite are due to pass within 12 metres (40 feet) of each other on 16 October 2020 at 00:56 UTC.
There is, LeoLabs says, a greater than 10 percent chance that the two objects will collide at an altitude of 991 kilometres (616 miles) over the Weddell Sea just off the Antarctic Peninsula.
We are monitoring a very high risk conjunction between two large defunct objects in LEO. Multiple data points show miss distance <25m and Pc between 1% and 20%. Combined mass of both objects is ~2,800kg.
Object 1: 19826 Object 2: 36123 TCA: Oct 16 00:56UTC Event altitude: 991km pic.twitter.com/6yWDx7bziw
— LeoLabs, Inc. (@LeoLabs_Space) October 13, 2020
“This is probably one of the potentially worst accidental collisions that we’ve seen for a while,” space archaeologist Alice Gorman of Flinders University in Australia told ScienceAlert.
The two objects are substantial, with a combined mass of about 2,800 kilograms (6,170 pounds), travelling in opposite directions with a relative velocity of 14.7 kilometres per second (9.1 miles per second). The rocket stage is part of a Long March 4B rocket launched on 10 May 1999; after it safely transported its payload, the stage was discarded, as has been normal procedure for decades.
The satellite is a Russian Parus military satellite weighing about 825 kilograms (1,820 pounds), launched on 22 February 1989, and previously used for communication and navigation. It’s no longer operational. So neither object can be communicated with or manoeuvred to avoid a smash-up.
1/ This event continues to be very high risk and will likely stay this way through the time of closest approach. Our system generates new conjunction reports 6-8x per day on this event with new observation data each time. pic.twitter.com/d3tRbcV2P0
— LeoLabs, Inc. (@LeoLabs_Space) October 14, 2020
It’s similar to a situation earlier in the year, in which two old satellites were projected to pass within 15 to 30 metres of each other, with a one in 100 chance of collision. They later sailed harmlessly by each other like ships in the night.
In that close approach, as well as this, the chance of collision is complicated by the shape of the spacecraft. The Parus satellite has a 17-metre (56-foot) boom that could easily close the projected gap between them. But the worst case scenario would be if the two bodies collide.
There’s no risk to us here on Earth, even if the potential collision would be taking place over a densely populated region. The concern is that the two objects would create a shower of small debris. This would burn up on atmospheric entry – but it’s more likely to hang around in low-Earth orbit creating hazards for other objects up there.
“Last year, when India performed an anti-satellite test, that created about 400 cases of trackable debris. So we’d be looking at at least that number. And then of course, there’s all the small bits which aren’t trackable,” Gorman said.
“We’re not yet in a position where we can actively remove any debris like this. So it’ll be up there for a while. And because of the altitude of about 1,000 kilometres, this stuff isn’t going to reenter within a matter of weeks or months. Some of it is likely to be up there for quite some time.”
While the rate of collisions is currently quite small – in the last 10 years, they constituted just 0.83 percent of all fragmentation events in low-Earth orbit – the concern is that more serious collisions will take us rapidly down the path to Kessler Syndrome.
This was predicted by former NASA astrophysicist Donald Kessler in 1978, and it states that, with enough junk and debris in space, eventually there will be a runaway collision cascade. One collision will create hundreds or thousands of pieces of junk that will go on to collide with others, until near-Earth space is basically unusable.
“We’re not yet at that Kessler Syndrome point. But how much closer in time does this bring us to that point?” Gorman said.
“We’ll have a sudden injection of a large amount of debris that was unpredicted. And this means there’s a likelihood of other things colliding with those pieces of debris. It just makes the situation a bit more complicated.”
2/ Current risk metrics from our most recent CDMs: Miss distance: 12 meters (+18/-12 meters) Probability of Collision: >10%, scaled to account for large object sizes Relative velocity: 14.7 km/s pic.twitter.com/y44QXyhHJK
— LeoLabs, Inc. (@LeoLabs_Space) October 14, 2020
This, of course, is the worst case scenario; according to LeoLabs’ probability calculations it’s not likely here. But even if the two objects miss each other, it’s only a matter of time before something big does collide in near-Earth space, and we don’t currently have the ability to stop it.
This event is a grim reminder that the space debris problem, if left to its own devices, is only going to get worse. The good news is that space agencies are working towards solutions. By far the biggest generator of space debris is explosions in orbit caused by leftover fuel and batteries; space agencies and aerospace engineering companies are starting to incorporate end-of-mission planning such as defuelling in orbit to minimise those risks.
And new technologies, such as automated collision avoidance manoeuvring and space junk collection, are in the works. So we just have to hope we can continue to avoid large collisions until we have some better space junk mitigation techniques.
“My feeling about this is probably it’s not going to happen, just to be optimistic. But we’ll have to wait,” Gorman told ScienceAlert. “Let’s keep our fingers crossed.”
LeoLabs is continuing to monitor the situation. You can follow its reports on Twitter.
#Space
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Eurovision 1959 my top 11
And now with the 4th chapter, as we go way back to March 11th 1959, where the Eurovision Song Contest 1959 was held in Cannes, France after André Claveau’s win a year before. Monaco entered for the first time, the UK returned and Luxembourg withdrew, making a total of 11 countries competing for the title. The contest was won by The Netherlands with Een Beetje sung by Teddy Scholten. Let’s see now my top 11.
1st Place: THE NETHERLANDS/Teddy Scholten/Een beetje (Real Placing: 1st-21 points)
But this is an absolute delight to listen at. Maybe it was the first time an uptempo song won, and certainly is a well-deserved win. The performance is everything and she is so beautiful and cute.
2nd Place: UNITED KINGDOM/Pearl Carr & Teddy Johnson/Sing Little Birdie (Real Placing: 2nd-16 points)
The first of many runner-up positions for the UK and it’s a nice one to start this streak. They sound great together and the music is catchy and it’s one of the songs I remember a lot when 1959 comes up. The bird was such a nice detail and the whistling added the song a nice atmosphere.
3rd Place: DENMARK/Birthe Wilke-Uh, jeg ville ønske jeg var dig (Real Placing: 5th-12 points)
This is prettyful, her UH is classic and the music is nice, she is a great singer and her gestures are a delight to see. The orchestra makes this song big and that energy is contagious.
4th Place: FRANCE/Jean Philippe-Oui, oui, oui, oui (Real Placing: 3rd-15 points)
This is a nice song to listen, Jean Philippe is a good singer and the music is pretty good, but maybe the fact he repeats a lot oui bothers me a little bit.
5th Place: GERMANY/Alice & Ellen Kessler-Heute Abend wollen wir tanzen geh’n (Real Placing: 8th-5 points)
This is one of my faves ever in the 50′s, catchy, maybe their voices were a bit off but the song itself is great, and the dancing interlude is enjoyable. Nice one from Germany.
6th Place: SWITZERLAND/Christa Williams-Irgendwoher (Real Placing: 4th-14 points)
Such a cute song, and she has a nice voice, the orchestra sounds amazing on this one and it has a winter vibe that makes me feel cozy.
7th Place: SWEDEN/Brita Borg-Augustin (Real Placing: =9th-4 points)
The song itself is amazing on it’s own, her voice is good but I think it didn’t suit the song, although her low notes are on top and make the song enjoyable, maybe Siw Malmkvist was a better option for this little tune.
8th Place: ITALY/Domenico Modugno-Piove (Ciao, ciao bambina) (Real Placing: =6th-9 points)
Don’t know what to think about this, the music is good, but maybe a bit mediocre, still Domenico’s voice is on top and he is an amazing performer.
9th Place: AUSTRIA/Ferry Graf-Der K und K Kalypso aus Wien (Real Placing: =9th-4 points)
KALYPSO AUS MEXIKO!! An uplifting song and I don’t know what to think about this, love the yodel and the music.
10th Place: MONACO/Jacques Pills-Mon ami Pierrot (Real Placing: 11th-1 point/last)
This is quite a weird song and it was hard for me to place it, maybe the tempo was the problem, but his voice is outstanding, but it’s not enough for getting a last place because for me it’s memorable.
11th Place: BELGIUM/Bob Benny-Hou toch van mij (Real Placing: =6th-9 points)
Sadly this is one of the songs I don’t remember from this year, nice voice, but it’s the only remarkable thing of this song.
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The Kessler Twins (Alice and Ellen) performing on The Danny Kaye Show | publicity photo dated December 16, 1966, show aired January 4, 1967 | CBS Television
#Kessler Twins#1966#dancer#singer#actress#Danny Kaye Show#CBS#Alice Kessler#Ellen Kessler#hat#chapeau#television#television show#1960s fashion#1960s#danseuse#chanteuse#actrice
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Beyond ecstatic and honoured to be invited to participate in a week long residency in Berlin, Germany in early August hosted by @coloramaprint! CLUBHOUSE week is a special summer workshop organized by Aisha Franz @aishathesheriff and Colorama / Johanna Maierski @coloramaprint that will feature 15 artists working mainly in comics and illustration collaborating with 15 artists from afar that will be creating posters that co-respond to narratives featured in a Riso-printed book launching August 5 + 6 at ACUD Gallery @acudmachtneu! As a part of the residency I'll be doing multiple live + dj performances - stay tuned for details! Artists in Berlin: Alpha Rats (Berlin) @alpha_rats, Jon Vaughn (Saskatoon) @jon_vaughn23, Tim Romanowsky (Leipzig) @timowskee, Tara Booth (Portland) @tarabooth, Jack Taylor (Berlin) @jacktaylorworks, Anna Haifisch (Leipzig) @the.artist942, Lea Heinrich (Kassel/Berlin) @leamariaheinrich, Alice Wietzel (Paris) @alicewietzel, Johannes Rodenacker (Berlin) @petersellerie, Jan Soeken (Hamburg) @jansoeken, Burn Björn (Vienna) @burnbjoern, Jul Gordon (Hamburg), Ruohan Wang (Berlin) @ruo_han_wang, Katya Dorokhina (Moscow) @katyadorokhina, José Jajaja (Rotterdam) @josejajaja_artist. Artists working remotely: Richard Short @klausdogram, Joe Kessler (London) @joebaskervillekessler, Patrick Kyle (Toronto) @patrick.kyle, Andrés Magán (Paris) @andresmaganz, George Wylesol (Baltimore), @sassybluepanda, Bettina Henni (France) @bettina.henni, Marc Hennes (Berlin) @marc_hennes, Sean Christensen (Portland) @phull_collums, Brie Moreno (London) @boogerbrie, Antoine Cossé (London) @antoinecosse, Jack Sachs (Berlin) @jacksachs, Lasse Wandschneider (Berlin) @lassewand, Paul Paetzel (Berlin) @paul.paetzel. Link with more details in bio! https://www.facebook.com/events/1870204709905919/?ti=cl ________________________________ Berlin friends come say hi!! We will be in the gallery and breaking every day for a communal lunch that's open to public so don't be shy! 💚🖖😄💚 (at ACUD MACHT NEU)
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2018-04-02 15 CELEBRITY now
CELEBRITY
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Why Mothers’ Choices About Work and Family Often Feel Like No Choice at All
In the mid-1980s, in a landmark employment discrimination case against Sears, Roebuck and Co., the company argued that women were not promoted because they did not choose high-paying or stressful jobs. Sears won, but in testimony, Alice Kessler-Harris, a labor historian, offered an alternate lens: “Choice can be understood only within the framework of available opportunity.”
In a 1991 paper, “Gender Wars: Selfless Women in the Republic of Choice,” Joan C. Williams, a work-life law scholar, wrote: “This insistent focus on the ‘choices’ of individual actors deflects attention from the truly stunning consistency with which it ‘happens’ to be wives who ‘choose’ careers that ‘accommodate their children’s needs,’ while husbands continue (as they always have) to perform as ideal workers.”
Today, the divide is less stark: Three-quarters of mothers are employed. But many feel forced to make painful decisions, like leaving their child in inadequate care, or working in scaled-back jobs they say they wouldn’t have chosen under different circumstances.
It’s still framed as a woman’s own decision — lean in or opt out — and the language of choice continues to shape policy debates.
Democrats have proposed new federal programs, financed by taxpayers, that would provide things like paid family leave and public preschool — which they say would free parents from the limits on their choices today.
Republican proposals focus on individual solutions — like letting new parents draw down their Social Security or tax credits early, and providing funding to increase the number of home-based family child care providers. They say these would give parents more choice without having the government sway them in any direction, and ensure that “the people making different choices than you aren’t paying for your choices,” said Carrie Lukas, president of the Independent Women’s Forum, a conservative policy group.
“It’s not just society forcing women to work less,” she said. “Or maybe it is partially society forcing them to, but at some point I think we’ve just got to accept the idea of women wanting to do this. I want them to have the best options possible and the most say to decide what their own personal preferences are.”
Preferences are shaped by policy, culture, the workplace and the realities of daily life. The question is how women’s choices might change if their options were different.
Sahred From Source link Fashion and Style
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Why Mothers’ Choices About Work and Family Often Feel Like No Choice at All
In the mid-1980s, in a landmark employment discrimination case against Sears, Roebuck and Co., the company argued that women were not promoted because they did not choose high-paying or stressful jobs. Sears won, but in testimony, Alice Kessler-Harris, a labor historian, offered an alternate lens: “Choice can be understood only within the framework of available opportunity.”
In a 1991 paper, “Gender Wars: Selfless Women in the Republic of Choice,” Joan C. Williams, a work-life law scholar, wrote: “This insistent focus on the ‘choices’ of individual actors deflects attention from the truly stunning consistency with which it ‘happens’ to be wives who ‘choose’ careers that ‘accommodate their children’s needs,’ while husbands continue (as they always have) to perform as ideal workers.”
Today, the divide is less stark: Three-quarters of mothers are employed. But many feel forced to make painful decisions, like leaving their child in inadequate care, or working in scaled-back jobs they say they wouldn’t have chosen under different circumstances.
It’s still framed as a woman’s own decision — lean in or opt out — and the language of choice continues to shape policy debates.
Democrats have proposed new federal programs, financed by taxpayers, that would provide things like paid family leave and public preschool — which they say would free parents from the limits on their choices today.
Republican proposals focus on individual solutions — like letting new parents draw down their Social Security or tax credits early, and providing funding to increase the number of home-based family child care providers. They say these would give parents more choice without the government swaying them in any direction, and ensure that “the people making different choices than you aren’t paying for your choices,” said Carrie Lukas, president of the Independent Women’s Forum, a conservative policy group.
“It’s not just society forcing women to work less,” she said. “Or maybe it is partially society forcing them to, but at some point I think we’ve just got to accept the idea of women wanting to do this. I want them to have the best options possible and the most say to decide what their own personal preferences are.”
Preferences are shaped by policy, culture, the workplace and the realities of daily life. The question is how women’s choices might change if their options were different.
from WordPress https://mastcomm.com/why-mothers-choices-about-work-and-family-often-feel-like-no-choice-at-all/
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The Underwater Realm - Part II - 1942 (HD) from Realm Pictures on Vimeo.
The journey continues in Part III. Click here to watch the next in the series - vimeo.com/realmpictures/uwr1588
Explore The Underwater Realm further at theunderwaterrealm.com.
Watch the films as they were intended - big, loud and in maximum resolution!
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DIRECTED BY David M Reynolds
ASSISTANT DIRECTOR Alan Mandel
PRODUCER Jonathan Dupont
ASSOCIATE PRODUCERS Alan Mandel Rich Maskey Jen Manby Mark Ruddick Arthur Douglass
DIRECTOR OF PHOTGRAPHY Eve Hazelton
PRODUCTION DESIGN BY Shahriar Abdullah
MARINE COORDINATOR Rich Stevenson
EDITED BY Eve Hazelton
ORIGINAL SCORE BY Rob Westwood
SOUND DESIGN BY Michael Leaning & Luke Hatton
HAIR, MAKE UP & PROSTHETICS DESIGN BY Danny Marie Elias
COSTUME DESIGN BY Sarah Dutton
WORLD CREATED BY Rosie Claverton Jonathan Dupont David M Reynolds
2012
DAN Dan Richardson REBEKAH Lauren Ashcroft OLD ARYL Diane Townsend
1942
WALTER Andy Torbet YOUNG ARYL Jenanne Redman
1588
TEYO Jamie Matthews IGNACIO Frederick Roll
SAILOR Alan Neal SAILOR James Wagner SAILOR Ray Delamare SAILOR Mike Hall SAILOR Geoff Murby SAILOR Darren Murphy SA ILOR Adrian Swain
LLANTUS Jessica Blake CARNYN Venetia Maitland WOREN Beccy MacEnri
SCAVENGER Josh Ockenden SCAVENGER Alex Mackie SCAVENGER Cullum Austin SCAVENGER Miro Papay SCAVENGER J-P Berry
CHIEF NESTOR Gareth Lawrence
1208
LADY CONANT Harriet Moran LORD CONANT Jon Campling ROLAND Duran Fulton Brown
GUARD Rory Wilton GUARD Graham Dack
AWAWRATH Haakon M A Smestad ACINOS Nigel Barber TERATH Alex Corbet Burcher RAWSYN Conner McKenzy
149BC
IYSTYN Amanda Piery ATALYN Daan Verhoeven TENOS Daniel Nehme QUINTUS Gordon Alexander HARGRYN Sam Still CRETUS Patt Bauristhene
STUNT COORDINATOR Mark Ruddick
SPECIAL EFFECTS SUPERVISOR (1588) Jenny Groves
PYROTECHNICS ASSISTANT Mike Evans
CASTING ASSISTANT Sian Deasy
HAIR & MAKE UP ASSISTANTS Jody Amner Catrin Evans Jo-Lee Davies
COSTUME DESIGN ASSISTANT Katie Sampaio
COSTUME SUPERVISOR Samantha Kent
COSTUME DEPARTMENT
Monika Bereza Alex Cawkwell Tessa Sillars-Powell Syban Verladi-Laufer Naomi Oppenheim Johann Boyer Leah Brooker James Elphick Joel Honeywell Caitlin Mogridge Claire Serra Anne Von Bengard Jessica Gelpke Michael Wood Al Overdrive Becca Kenchington Laura Plant Gabriela Hanula Doroto Hanula Hannah Crompton Jennifer Csy
ART DEPARTMENT
Nate Drake Kat Hyland Sam Osman Bryony Reynolds Robin Seabrook Lucy Townsend Mike Evans
BOOM OPERATOR (1208) Chris Snelling
MUSIC PERFORMED BY Nigel Shaw
UNDERWATER CAMERA OPERATOR Rich Stevenson
UNDERWATER FOCUS ENGINEER Peter Hoare
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CAMERA ASSISTANTS Phil Arntz & Andy Martin
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FOCUS PULLER Veronica Keszthelyi
DIVE TEAM
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ROTO ARTISTS Andi Ramsey Karl Impey Dominic Coddington Tommy Davis Scott Wharram
DIGITAL ARTIST Lorenz Hideyoshi Ruwwe
TRACKING Ray Zschau
VISUAL EFFECTS Jan Herms
COMPOSITORS Darin Eaton II Fumie Nagano Oliver Andranghi Tom Tatchell Nathan Mateer Johan Bodin Alan Banis John Carter Jevon James Valgas Moore Mike Evans
ASSOCIATE PRODUCERS (KICKSTARTER)
Imran Farouk - Philip Bloom - Nick Ruddick - LateNite Films - Beth Ranjit Tobit Emmens - Allar Kaasik - James Huston - Franck A. Onouviet Alison M K Chapman - Jack Plumbley - Danny Cooke - Joel Chu Josh Davies - Michael Curtis - Yael - Michael A. Riley - Joseph Hatfield Michael Wallace - Gwyn Cole - Mick Jones - Roz Savage - Chris Portal Jennifer Van Gessel - Lewis Oyeghe - George Chiesa - Volker Schönefeld Shahnaz Dulaimy - James M Wagner - Stephanie Tobor - Harrison Sanborn Roman Martinez - Alan Thompson - Paul Craig - Mahmood Al-Yousif Mike Altmann - Sylvia A. Earle - LittleBigFilmCo - Xavier Rodriguez Jonathan Jarrett - Darius Wilhere - Daniel Fahre - Izzy Pollak - Tom Walter Kota - Hashiba - Lisa Williams - Alan Reynolds - Don Sausa - Opiyo Okeyo Erik Kessler - Chris Anderson - Mark E. Phair - Erik Beeson - Jason Powell
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Twins! A dance sequence! This performance is downright flashy!
#esc#eurovision song contest#year: 1959#draw: 6#performer: Alice & Ellen Kessler#place: 8#country: germany#language: german#points: 5#voting: 10 points to give#composer: Helmut Zander#lyricist: Astrid Voltmann#sibling team#duet
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6 Artists Smashing Our Expectations of What Marble Can Be
It is hard to imagine a material that signifies high art more than marble—the medium of Michelangelo, Bernini, and Brancusi, and which composes the wings of Winged Victory and the slithering sea serpents of Laocoön.
Yet marble has also come to signify bougie kitchen countertops and the tacky opulence of Las Vegas hotel lobbies. Plus, owing to its beauty and durability, marble remains as popular a material for modern headstones as it was for ancient temples and tombs. Marble communicates status, history, and wealth—even if these are merely aspirations.
Contemporary sculptors working with marble speak effusively of their medium, as if it’s a high-maintenance spouse, but one who continues to surprise and delight after all these years. They praise its hardness, its delicacy, its art historical bonafides, its workhorse practicality, its spectrum of colors, and its ability to resemble both flesh and rock, often within the same work.
Whether with traditional craft techniques or CNC carving machines, artists continue to explore marble’s possibilities, despite the weight of its history. Below, we share the works and insights of seven artists who have expanded the uses of marble and are pushing the medium into new territory.
Milena Naef
b. 1990, based in Mexico City, Mexico
Milena Naef, Fleeting Parts, 2016. Photo by Lisa-Marie Vliestra and Alice Trimouille. Courtesy of the artist.
Milena Naef, Fleeting Parts, 2016. Photo by Lisa-Marie Vliestra. Courtesy of the artist.
Milena Naef, Fleeting Parts, 2016. Photo by Lisa-Marie Vliestra. Courtesy of the artist.
Milena Naef, Fleeting Parts, 2016. Photo by Alice Trimouille. Courtesy of the artist.
Milena Naef, Weight Of Four Generations, 2015. Photo by Lisa-Marie Vliestra. Courtesy of the artist.
Milena Naef, Weight Of Four Generations, 2015. Photo by Lisa-Marie Vliestra. Courtesy of the artist.
For Milena Naef, sculpture is something like a family business. She’s the latest of four generations to sculpt in stone, but her performance-based practice takes the material in an unorthodox direction. “I started inserting myself into the stone, creating a negative shape to fit my own body,” she explained.
In her “Fleeting Parts” series, Naef carves holes into marble slabs that fit her as precisely as a couture gown, so that a shoulder, leg, or hip emerges from the stone. The effect is startling: a merger of flesh and rock that suggests mythic stories of transformation—Medusa turned to stone, or Han Solo frozen in carbonite. “The hardness of stone in general is an interesting characteristic to work with,” Naef said. “It demands time and patience, which stands in contrast to my fast-paced life. It’s a hard material that, at the same time, is very fragile.”
Instead of mimicking flesh with marble, as artists have done for centuries, these works act as a frame or a support for a living body, blurring the line between material and model, subject and object. Yet the works of “Fleeting Parts,” as much as any classical marble nudes, still act as memento mori—a reminder that stone will always outlive flesh. Naef sees these sculptures as both elements in a performance and as independent works in their own right, and her reasons are surprisingly practical. “Eventually, the plates have to function as autonomous objects.” she explained, “since they will outlive my body.”
Daniel Dewar and Grégory Gicquel
b. 1976, based in Brussels, Belgium
b. 1975, based in Paris, France
Daniel Dewar & Grégory Gicquel, Stone Marquetry with Body, Soap Dispenser and Taps II, 2017. Courtesy of the artist and C L E A R I N G New York / Brussels.
Daniel Dewar & Grégory Gicquel, Nudes VII, 2018. Courtesy of the artist and C L E A R I N G New York / Brussels.
Daniel Dewar & Grégory Gicquel, Nudes IV, 2017. Courtesy of the artist and C L E A R I N G New York / Brussels.
Daniel Dewar & Grégory Gicquel, Nudes V, 2017. Courtesy of the artist and C L E A R I N G New York / Brussels.
Over the course of more than 20 years, Daniel Dewar and Grégory Gicquel have together explored traditional craft techniques, always constructing the works themselves rather than relying on fabricators, and often making a single material the focus of a body of work.
In a recent exhibition at the Brooklyn gallery Clearing, the pair turned their attention to marble. Titled “Rosa Aurora Rosa,” the show featured enormous blocks of marble (each weighing over 7 tons), which the artists carved with hand tools. “We like to use large blocks and carve them by hand in a traditional fashion, emphasizing the possibilities that each technique offers,” the duo explained via email, “from bush-hammering an area of non finito (leaving areas of the work unfinished) to polishing the surface of a figure or an object.”
From these rough blocks of stone, Dewar and Gicquel conjure pedestal sinks, toilets, and shower heads, as well as human arms and legs. Previously, the pair has merged bodies and objects: a stoneware vessel with a human foot, or a wooden relief of the digestive tract adorning a heavy wooden cupboard. Their combinations are especially effective in pink marble, owing to its tendency to resemble human skin. “We chose this specific pink Portuguese marble for its color and pictorial quality,” the duo said, “and its ability to incarnate the idea of flesh, body fragments and bathroom fittings.”
Barry X Ball
b. 1955, based in New York, New York
Barry X Ball, Fantastico (Portrait of Jon Kessler), 2001-05. Courtesy of the artist.
Barry X Ball, Sleeping Hermaphrodite, after Hermaphrodite Endormi (Erfmafrodito Borghese), 2008-10. Courtesy of the artist.
Barry X Ball, Hard Dark Soft Light, 2000-02. Courtesy of the artist.
Barry X Ball, Dual Jeanne Portrait, 2007-10. Courtesy of the artist.
Much of Barry X Ball’s work in marble and other calciferous stones begins not with charcoal sketches or clay models, but with digital data. For his “Portrait Sculptures,” “Masterpieces,” and “Scholars’ Rocks” series, the artist used a 3D scanner to record the forms of living portrait subjects and historical works, such as Michelangelo’s Pietà Rondanini (1552–64). Although Ball has been working in this way for many years, he is still impressed by the scanner’s accuracy. “Unlike traditional forms of copying, where artists interpret their models, 3D scanning allows me to start with truly objective data,” Ball explained. “This incredible technology also enables me to see the scanned sculptures better than even their creators could.”
Armed with this data, Ball begins with a perfect copy of his subject, then either improves or alters their faces and bodies in surreal and eerie ways. In his “Portrait Sculptures” series, his subjects’ faces often appear to be stretched and pulled like taffy, overlaid with strange textures, or doubled so that two heads emerge from a single neck.
Ball’s 20,000-square-foot Greenpoint studio is a technological wonderland of modern fabrication tools, including a massive CNC wire saw and anthropomorphic robots. But he seems equally—if not more—attentive to the eccentricities of the ancient stones, often adjusting his approach based on what he discovers within it. “Just last week, I performed a horizontal test cut on a large boulder freshly arrived from Mexico and discovered an amazing dense field of crusty cavities distributed throughout the onyx,” Ball said. “Immediately, I thought of Grünewald’s still-shocking Isenheim Altarpiece—that boulder is shouting at me to incorporate its wounds.”
Nevine Mahmoud
b. 1988, based in Los Angeles, California
Nevine Mahmoud, Blue donut, 2017. Photo by Marten Elder. Courtesy of the artist and M+B, Los Angeles.
Nevine Mahmoud, Mother milk, 2017. Photo by Marten Elder. Courtesy of the artist and M+B, Los Angeles.
Nevine Mahmoud, Still Life with Peach, 2016. Photo by Jeff McLane. Courtesy of the artist and M+B, Los Angeles.
Nevine Mahmoud, Lick, 2017. Photo by Marten Elder. Courtesy of the artist and M+B, Los Angeles.
Nevine Mahmoud, Tutti Laying, 2016. Photo by Jeff McLane. Courtesy of the artist and M+B, Los Angeles
Juicy, squishy, soft, damp: no qualities typically present—or, let’s face it, usually desirable—in marble sculpture, but Nevine Mahmoud’s work makes them seem innate. The artist’s sculptures of fruits, tongues, and breasts appear at first glance to be pliable and soft. Blue Doughnut (2017), a marble circle balanced on a plexiglass plinth, looks as puffy as its namesake suggests, and both sweet and a little lascivious.
These apparent contradictions—along with the trick of carving an ancient material into friendly, Pop art shapes—are some of several things that fuel Mahmoud’s practice. Her interest in marble arises, in part, from the oppositions inherent in the medium—its strength and its delicacy. “On the one hand, there is a relative force required to move the stone, break it, hollow it, shape it into the sculpture,” Mahmoud said. “At the same time, one needs a minute-by-minute sensitivity in order to understand the limits of the rock in front of you—its unique fractures, curves, and hidden layers.”
Matthew Simmonds
b. 1963, based in Kvistgård, Elsinore, Denmark
Matthew Simmonds, Mars Ultor, 2010. Courtesy of the artist.
Matthew Simmonds, The Passage, 2003. Courtesy of the artist.
Matthew Simmonds, Rotunda, 2007. Courtesy of the artist.
Matthew Simmonds, Basilica III, 2010. Courtesy of the artist.
Matthew Simmonds, Cube, 2016. Courtesy of the artist.
Matthew Simmonds, The Undiscovered Country, 2018. Courtesy of the artist
Matthew Simmonds, Olympian Progression, 2016. Courtesy of the artist.
Matthew Simmonds’s exquisite carvings (most stand less than 2 feet tall), each carved from a single block of marble, appear at first glance to be replicas or models of existing structures: perhaps the nave of a particular Romanesque cathedral, or the newly excavated ruins of a Greek temple. And while they may be inspired by existing architecture, many designs are entirely born of Simmonds’s own invention. He approaches each piece with an architect’s eye for planning and precision, while allowing for adjustments along the way.
“I tend to work things out in measured plan and elevation drawings first, considering how these will interact with the natural shape of the stone,” he explained. “Usually, I don’t know exactly what a sculpture should look like when I begin, and during the working process, there are often several points where I can decide on a change in the design before a piece is finished.”
Simmonds has long been fascinated with historical stone buildings (the Hagia Sofia is one of his favorites), particularly those with sacred or religious import. Beyond the design of these historical structures, he’s also attentive to how the architects used light and space to communicate a spiritual message—one he tries to replicate in his own work. Ultimately, Simmons’s goal is to “create the sensibility these buildings convey [but] in a small internal world inside the stone,” he said.
Hanna Eshel
b. 1926, based in New York, New York
Sphère Tailèe, ca. 1970. Hanna Eshel Patrick Parrish Gallery
Untitled, ca. 1970. Hanna Eshel Patrick Parrish Gallery
Untitled, ca. 1970. Hanna Eshel Patrick Parrish Gallery
Untitled (Set of Six), ca. 1970. Hanna Eshel Patrick Parrish Gallery
Set of Three Columns, ca. 1970. Hanna Eshel Patrick Parrish Gallery
Untitled, ca. 1970. Hanna Eshel Patrick Parrish Gallery
Untitled, ca. 1970. Hanna Eshel Patrick Parrish Gallery
By turns rough and smooth, and biomorphic and geometric, Hanna Eshel’s abstract marble forms recall Isamu Noguchi’s simplicity and Brancusi’s rigor and balance. Often—as is the case of Sphère Tailèe (ca. 1970), a white marble sphere with a protruding slice—they have the appearance of being split apart, and then reassembled, as if to suggest the artist’s own overlapping identities and adventurous life.
Eshel has the sort of biography upon which big-budget historical films are based. Born in Jerusalem in the 1920s, she served as a cartographer in the Israeli Air Force, and in the 1950s, moved to Paris, where she studied painting. She later lived in Carrara, Italy, where she spent six years mastering marble sculpting as the only woman in her group at the prestigious Atelier Nicoli.
Although Eshel did not begin working with marble until she was 46 years old, it was the medium in which she found her voice as an artist, and to which she dedicated her long career. An autobiographical poem on Eshel’s website suggests that marble formed the bedrock for her life and work: “I still own no house or country home, no diamonds, furs or cars– / I am weightless – does this make me a CITIZEN OF SPACE? / But my marble keeps me anchored!”
In Carrara, she won the Fiori Carrara prize for her work in marble, and rubbed elbows with Noguchi and Henry Moore. She later penned a memoir about that time, entitled Michelangelo and Me: Six Years in My Carrara Haven. When she arrived in New York in 1978, it was with over 20,000 pounds of her work in tow (much of it had to be lifted through the window of her Manhattan apartment by a crane). Now in her nineties, Eshel is no longer up to the physical challenge of working in stone, but her love of the material has not faded. When asked what interested her most about marble, she responded simply: “It’s alive. It talks to you.”
from Artsy News
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Matt Mottel co-organizes Freak Flag Fest in Brooklyn this June, ft. Excepter, Hard Nips, Prince Harvey, Jessica Pavone, Cooper Moore, Matt Mottel, Mike Watt, Danny Frankel, more
Man, it’s tough to be a flag-waver these days. Cheer too politely or meekly and your heart and allegiance to the cause will be questioned. Being too boisterous brings the bad sorts of jingoism and chauvinism to the concern. Why can’t a group just get together and fly its colors for the right causes like music, art, food and booze, camaraderie and friendship, and celebrating a city’s freaky scene? Well, they can! Organized by fraternal freaks Matt Mottel (Talibam!), Erkkiblum (Brooklyn Kitchen) and the not-for-profit label Ignivomous, the first-ever Freak Flag Fest will take place June 15-17 at Brooklyn Kitchen. The three day extravaganza will feature sets by a slew of disparate acts, including Excepter, Hard Nips, Prince Harvey, Jessica Pavone, Cooper Moore, the Afternoon Freak supergroup (Mottel, Mike Watt, and Danny Frankel), and many others. Add in film screenings by the likes of Troma and Horror Boobs, visual artists like Jonathan Sims and Matt Ortega, and food and drink, and you have a festival celebrating the Brooklyn artistic community that will have you white-flag surrendering. The full bill of artists performing is listed below, and festival info and ticket ordering can be found here. Additional dirt on the acts, nibbles, bevvies, and assorted fest hoopla is also available on the Facebook event page here. 06.15.18 - Brooklyn, NY - Brooklyn Kitchen # 06.16.18 - Brooklyn, NY - Brooklyn Kitchen % 06.17.18 - Brooklyn, NY - Brooklyn Kitchen ^ # Scott Kiernan and Victoria Keddie, Hard Nips, Jessica Pavone, Mia Theodoratus with lary7 and Michael Evans, Cooper Moore, Spires That in The Sunset Rise, Hippy with a Hammer (Steve DiBenedetto of Ted Carol Alice, Ernie Brooks of Modern Lovers, Bill Komoski of Dirty Mirrors, Jon Kessler of Patsys), Upper Wilds (with Dan Friel) % Afternoon Freak (feat. Mike Watt, Danny Frankel and Matt Mottel), Colin Langenus (Usaisamonster) and Jim Mchugh (Sunwatchers), Laura Ortman, C. Tara and David Gladden, Excepter, Electroputas ^ Interactive inflatable installation by Tamar Ettun, Bob Bellerue, Sandy Ewen, Mrs. William Horsley, Causings, Prince Harvey, TROOSTITE http://j.mp/2JgEJkn
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Residential real estate transfers, March 18
Birge, William J. and Constance L. to Charleston Homes LLC, 7414 N. 161st St., $37,450.
North Ida Street Investments LLC to Richland Homes LLC, 7226 N. 162nd St., $39,950.
Boyer Young Equities XV-Heritage LLC to River Stone Custom Homes LLC, 10213 N. 152nd Ave., $39,950.
State Street Investments LLC to Richland Homes LLC, 15981 Reynolds St., $42,950.
State Street Investments LLC to Richland Homes LLC, 16004 Young St., $43,950.
Sweetbriar Syndicate LLC to Zurek, Nicole and Bradly, 11822 N. 175th Circle, $150,000.
Celebrity Homes Inc. to Angeles, Ismael, 14476 Gilder Ave., $192,900.
Legacy Homes Omaha LLC to Krasne, Adam J., 16091 Weber St., $200,812.
Legacy Homes Omaha LLC to Kamstra, Tracy L. and Robert W., 15064 Sandpiper St., $265,452.
Sidoruk, Boris and Cameo to Maus, Andrew J., 7304 N. 151st Circle, $400,000.
Fire Ridge Real Estate LLC to Brown, Carol J., 19653 Harney St., $30,000.
Elkhorn Highlands Inc. to Hildy Construction Inc., 2434 N. 191st Ave., $34,250.
South Hamptons Land Development LLC to Belt Construction Co. Inc., 5810 S. 238th St., $84,950.
Pacific Windgate II LLC to Kubat, Joseph S. and Amy L., 2016 S. 208th St., $85,000.
Castle Brook Land Development LLC to Castle Brook Builders LLC, 1444 S. 211th St., $90,000.
Malibu Holdings LLC to Foxx, James B. and Kimberly S., 2415 S. 219th St., $93,000.
Binder, Kevin G. Trust to Baltzell, Beau and Amy, 21428 Fieldcrest Drive, $186,500.
Wilmes, Laura to Duren, Jack D. and Shelby S., 1617 N. 208th St., $235,000.
Baker, Larry and Alma to Eley, Lisa A., 19105 Lake St., $265,000.
Charleston Homes LLC to Kruse, Larry C., 4715 N. 205th Ave., $298,450.
Schmid, Daniel A. and Veronica L. to Wilcher, Joel D. and Mary, 2727 N. 191st St., $299,900.
Cambridge Homes LLC to Johnson, Mitchell J., 2603 N. 185th St., $350,000.
Cooper, John S. and Susan M. to Powell, Robert S. Jr. and Rachel H., 18401 Jackson St., $373,000.
Trademark Homes Inc. to Thummalapalli, Rama and Kakumanu, Sireesha, 18909 Boyd St., $397,992.
Landmark Performance Corp. to Lucey, Guy E. and Julie A., 3818 N. 190th St., $405,406.
Landmark Performance Corp. to Sickler, Vince and Mallory, 4013 N. 190th St., $409,900.
Vencil Construction Inc. to Milenkovich, Richard D. and Shannon L., 2305 N. 188th St., $410,000.
Concept Homes & Design Inc. to Graves, Thomas C. and Serafini, Lisa Y., 2402 N. 188th St., $490,000.
Luke Custom Homes LLC to Phipps, Amber and Worsley, Michael, 19021 Lafayette Ave., $725,146.
Johnson, Scott L. and Debra D. to Costello, Regina and Christopher, 115 E. Whittingham St., $92,000.
Hamel, Michael R. and Carol L. to Stene, Terrie L., 508 N. Front St., $95,000.
Bonella, David A. Estate to Albers, Ryan, 22637 Wilson Ave., $160,000.
Rolfe, Jeanne A. and Scott, Mary A. to Jackson, Ryan A. Trust, 312 S. 16th St., $150,000.
Salerno, Michael G. to KR Properties LLC, 420 S. 11th St., $320,000.
Johnson, Michael L. to Kuester, Anthony G. and Catherine E., 1502 Jones St., $414,000.
Mahoney, Richard J. and Susan K. to Murow, Daniel and Bolling, Charity, 1308 Jackson St., $480,000.
Burke, Alice H. Trust to LCT Homes LLC, 5905 Sahler St., $54,372.
Anderson, Delores M. to McMurphy, James P. and Sherry L., 5635 Ohio St., $60,000.
Arnold, Kimberly L. and Walker, Harold R. Jr. to Qualified Property Solutions LLC, 3514 N. 55th St., $72,000.
McGill, Kathy and Brian to Huss, Ryan, 6664 Decatur St., $102,000.
Foster, Terry to Huitron, Esber and Ochoa Soto, Yesenia, 4506 Laurel Ave., $20,000.
Kidwell, Nannette to Cyr, Keith P., 3551 N. 59th St., $20,000.
H & S Partnership LLP to Van Noort, Jared and Alexandria, 6619 Franklin St., $115,000.
Pomerleau, Christopher and Sharma, Shivani to Lempka, Justin, 4919 N. 64th St., $119,250.
Home Start LLC to Shwe, A. and Lay, Moo, 6634 Curtis Ave., $141,000.
HBI LLC to Irvin, Thomas C. and Barkley Hunter, Heather, 2304 N. 50th St., $173,000.
Hall, Ethan and Sadieto Arroyo, Arturo, 3116 Vinton St., $50,000.
Bank of America to Miklas, Joseph M., 3920 Gold St., $60,100.
Truong, Thanh T. and Chau, Bich to Shirk Management LLC, 4212 Barker Ave., $70,000.
Cubrich, Robert J. to Buhl, Marc and Hope, 2814 S. 38th Ave., $20,000.
Brink, Edward E., trustee, to 100 Year Homes Inc., 2211 Hanscom Blvd., $105,000.
Chaidez Blanco, Jubentino and Chaidez, Delfina to Roach, Daniel and Myers, Jennifer, 2424 S. 42nd St., $108,000.
Seykora, Daniel R. and Jacqueline M. to Rokahr, Shane and Makayla, 4381 Mason St., $109,900.
Pratt, Scott L. Jr. to Salgado, Liliana, 2730 S. 41st St., $138,000.
Vazquez, David A. to Garcia, Roger and Yanira L., 3635 Olin Ave., $142,000.
Zych, Robert J. and Janet M. to Mumm, Joshua D. and Kerry L., 2122 S. 33rd St., $145,000.
Lynch, Ryan and Allen, Stephanie L. to Mertes, Micah J. and Duerr, Erin R., 3201 S. 32nd Ave., $185,000.
Mitchell, Scott B. Sr. and Mitchell, Mary M. to Mullen, Brent and Carmichael, Kristen, 1823 Twinridge Blvd., $235,000.
Fox, Robert A. and Mary A. Trust to Bode, Akanksha and Thaddaeus, 3560 Woolworth Ave., $252,000.
Leise, Michele and Andrew to Wilton, Kristina M. and Stanley R., 4213 Walnut St., $270,000.
Uptown Properties LLC to Widhalm, Christian, 919 S. 31st St., $295,000.
Lee, Shawn M. and Shelly to Cherry, Roger and Patricia, 2229 S. 59th St., $65,000.
Steffen, Kenneth L. and Rosemary J. to Kessler, Randall M., 3101 S. 56th St., $127,950.
Hankin, Robert B. and Pangle, Sarah to Widener, Benjamin B. and Cassandra J., 4836 Woolworth Ave., $205,000.
Davis, A. Scott to Cai, Rongxuan and Ding, Ping, 4678 Pine St., $225,000.
Gillaspie, Elizabeth A. to O’Connor, Joseph R. and Caitlin M., 5649 Emile St., $312,000.
Mejstrik, Marten R. to Bost, Joseph and Rachel, 5714 Jones St., $429,000.
HBI LLC to Arias, Victor, 6227 Wilson Circle, $35,000.
Zagata, Joseph and Margaret to Rodriguez, Juan M., 4225 S. 22nd St., $56,500.
Morales, Martin C. to Sandoval, Salvador M. and Bustamante, Lilla S., 5014 S. 36th St., $66,500.
Czerwinski, Mark and Michele to Uttecht, Larry H. Jr., 4485 Dayton St., $70,000.
Legacy Ventures I LLC to W Realty LLC, 4019 S. 35th St., $74,000.
Anderson, Paul and Suzanne to Sherman Properties IV LLC, 3819 S. 33rd St., $82,500.
Kankovsky, Frank J. to Hernandez, Claudio J., 6103 S. 19th St., $104,000.
Ryan, Daniel J. and Rayleen to Arman, Karley A., 5613 S. 22nd St., $115,000.
Beck, David A. and Valerie to Gomez, Pedro M., 2933 S. 18th St., $33,000.
Favela, Fidel and Lucia to P3M Investments LLC, 2210 S. 15th St., $115,000.
Koethe, Scott and Julie to Mejstrik, Marten R., 1233 Marcy Plaza, $268,000.
Dietzler, Brittany L. to Thomas, Brian A., 715 Pacific St., $280,000.
Johns, Carol A. and Williams, Eddy M. to Habitat for Humanity of Omaha Inc., 4210 N. 21st St., $22,000.
U Name It Construction LLC to Valdivieso, Cesar E., 5215 N. 14th St., $20,000.
Silva Moreno, Jose J. to Linares, Isai, 2616 N. 15th St., $22,600.
Horning, Fred H. Trust to Rash, Andre J., 3852 Decatur St., $27,500.
Barn Old Inc. to Arnold, Erin, 4545 N. 40th St., $35,000.
Hollis, Lisa and Courtney to Gemerson Properties LLC, 3730 N. 42nd St., $42,200.
3949 Kansas Avenue LLC to DG Homes LLC, 3949 Kansas Ave., $66,000.
Three T Investments LLC to Moran Asencio, Olinda C., 4510 N. 41st St., $70,000.
Punch It Out Inc. to Harrington, Pamela J., 3472 Fowler Circle, $110,000.
CESH LLC to Armstrong, Marc L. and Sammie J., 2879 Ida St., $99,900.
HBI LLC to James, Stephanie, 2879 Titus Ave., $110,000.
Andrews, Kourtney to Garrison, Alexandra and Joneson, Jeffrey, 6710 N. 41st St., $144,500.
Science Safety Inc. to Red Ladder LLC, 8214 Hillside Drive, $50,500.
A & A Properties LLC to Anderson, Salina V. and Russell L., 515 S. 78th St., $97,000.
Bird, Travis J. and Molly J. to Lavelle, Mary E. and Michael J., 923 N. 74th Ave., $135,500.
Hoesing, Nicholas to Pfeffer, Brian J. and Suhr, Corrie A., 842 N. 76th St., $145,000.
No Equity Homes LLC to Mahoney, Susan K., 529 S. 87th Circle, $206,000.
Turner, Paul J. and Beverly G. to Russell, Julia, 902 S. 88th St., $360,000.
Kavan Homes Inc. to Troia, Andrew and Duff, Corey, 9926 Harney Parkway, $462,500.
Castle Creek Development LLC to Pine Crest Homes LLC, 5369 N. 155th St., $43,500.
Castle Creek Development LLC to Lambert, Edwin M. and Kathleen A., 5546 N. 153rd Ave., $47,950.
G Lee Homes Inc. to Hildy Construction Inc., 3218 N. 178th St., $80,000.
McMichael, Donald H. Jr. Estate to Comer, Justin F. and Mary A., 3325 N. 148th Court, $135,500.
Kelly, Scott and Shelley to Hill, Dustin R. and Love, Kathy, 14927 Wirt St., $157,500.
Albus, Gregg J. and Laura J. to Monaghan, Angela K., 4802 N. 177th St., $165,000.
Peterson, Amy N. to OHG LLC, 17170 Manderson St., $168,500.
Feregrino, John Jr. and Lindsey M. to Oripov, Bakhrom and Karrie K., 15214 Butler Ave., $205,000.
Clure, Brett and Megan M. to Goren, Eran, 15111 Meredith Ave., $211,500.
Syed, Asim J. and Hussain, Tehniyet to Brue, Erinn, 16526 Ames Ave., $241,000.
Fitzgerald, Patrick M. and Jill M. to Herr, Dennis W. and Sheri J., 3913 N. 161st Ave., $259,900.
Celebrity Homes Inc. to Kelly, Scott P. and Shelley A., 17205 Meredith Ave., $272,900.
Slotsve, Wayne E. and Donna H. to Ferrel, Wesley R. and Stacy J., 2101 N. 144th Ave., $273,000.
Paulson, Clinton M. and Katie M. to Ginn, Michaela, 15215 Vernon Ave., $273,000.
Prairie Homes Inc. to Rodriguez, Wolfgang and Troncoso, Claudia L., 2304 N. 176th Ave., $399,950.
Ramm Construction Inc. to Podrazo, William J. Jr. and Deborah J. Trust of 2015, 17809 Binney St., $416,557.
Hiatt, Mary E. Estate to Geaney, Mark, 5609 S. 52nd St., $68,500.
Hasbrouck, Jerry D. and Joanie L. to Martinez, Ciro, 4504 S. 48th St., $100,000.
Legacy Ventures I LLC to W Realty LLC, 5037 S. 49th St., $105,000.
Czerwinski, Mark L. and Michele M. to Uttecht, Larry H. Jr., 4713 S. 53rd St., $140,000.
Knoll, Steven C. to Urbina-Guerrero, Jose E. and Urbina-Gonzalez, Maria M., 4819 K St., $176,500.
McGaha, Scott A. and Amy L. to Smith, Brian and Michelle R., 1622 N. 174th St., $296,000.
Legacy Ventures I LLC to W Realty LLC, 7529 Mary St., $84,000.
Evans, Jacob to Evans, Sara and Ryan, 7910 Redick Ave., $140,000.
Washington, Pierre D. and Anna M. to Conte, Michael J. and Kayla R., 8045 Newport Ave., $141,000.
Miller, Theresa K. to Tway, Pite and Paw, November, 8005 Bauman Ave., $144,000.
Vargas, Davey and Saphire B. to Schenkelberg, Jerry A. and Jennifer J. Trust, 6958 N. 87th Ave., $147,500.
Chapman, Jared J. to Hill, Justin and Sturdivant, Kayleen, 8212 Clay St., $150,000.
Nelson, Benjamin L. and Jamie to Okuma, Hugh and Jennifer, 7530 N. 82nd Circle, $153,000.
Rokusek, Emily to Barnes, Aaron and Haley, 7338 N. 90th St., $161,000.
Dahir, Debora A. to Quinn, James D. and Vickie L., 8020 Nina St., $120,500.
Smith, Zachary A. to Kreifels, Martin F. and Charise B., 8714 A St., $140,000.
TK3 Investments LLC to Weiler, David J. and Manana N., 2824 S. 76th Ave., $140,000.
Bilek, Richard M. and Jaycie to Cruz, Gilberto and Ovato, Maira, 8173 Hascall St., $141,500.
Om 3517 S 105 Trust to KFM Properties LLC, 3517 S. 105th St., $162,000.
De Los Reyes, Manolo F. and Eden C. to Mallum, Mitchell G. and Tamera S., 7639 Wright St., $170,000.
Stroh Orians, Karen Trust to Vacek, Robert, 3125 S. 80th St., $200,000.
Firmature, Joseph Jr. and A. Gloria to Wheeler, Patricia L. and Jason W., 1305 S. 94th St., $275,000.
Bovard Sayre, Karen K. to Lofgren, Luke and Mandy, 9102 Poppleton Ave., $290,000.
Wilson, Brian A. and Caroline J. to Engel, Brian K. and Cynthia S., 2410 S. 102nd St., $407,000.
Menck, Thomas W. and Peggy to 5703 LLC, 5703 S. 77th St., $55,000.
Dynamic Properties LLC to Pusher, Jessica, 5402 S. 75th St., $129,000.
Konecky, Elisha R. to Merchant, Eric A. and Suzanne M., 6701 S. 83rd Ave., $151,500.
Kawa, John E. and Irene M. Trust to Brazil, Joe J., 4905 S. 78th Ave., $154,900.
McWilliams, Tony L. and Brenda K. to Arehart, Myles, 10321 N St., $160,000.
Curtis, Kevin M. and Jodi L. to Schultz, Alexander and Madelin, 5080 S. 106th Ave., $242,400.
Phipps, Amber R. and Worsley, Michael to Butterfield, Dean and Maurine, 6510 Daly Circle, $360,000.
Johnson, Margaret M., trustee, to Tyler, Beth L., 15905 Frances Circle, $175,000.
Jackson, Nathan and Meisha to McGuire, Colin T., 2418 S. 164th Ave., $194,000.
Roll, Joyce A. and Rex A. to Goodson, Michele and Darin C., 15932 Spring St., $194,000.
C130 LLC to Roll, Rex A. and Joyce A., 2323 S. 166th St., $235,000.
Merritt, Michelle D. to McCoy, David L. and Alisa C., 19819 Frances St., $287,500.
THT Enterprises LLC to D & J Homes LLC, 3118 Cass St., $73,000.
JSD Real Estate Co. LLC to Soethout, John, 3000 Farnam St., $79,000.
Miller, Nicholas W. and Ellen M. to Keithley, Steven G., 4127 Nicholas St., $94,000.
Foster, Christopher G. to Perry, Eliza W. and Cronin, Matthew A., 3409 California St., $116,000.
YK Holdings LLC to Gilbatrar LLC, 414 N. 31st St., $120,000.
Sifuentes-Futrell, Christine J. Trust to INE LLC, 200 S. 31st Ave., $174,000.
Costanzo, Bryan to Tranmer, Mitchell L., 200 S. 31st Ave., $182,500.
Boland, Thomas and Elena to Schenzel Properties LLC, 623 N. 47th St., $135,000.
Raiti, Angela E. and David L. Trust to Danielson, Mary A. and Hommen, Michael F., 852 N. 68th St., $176,500.
Hartle, Patricia and Dibble, Lester D. to Miller Way LLC, 2524 Benson Gardens Blvd., $48,500.
Dishong, Joseph T. and Teresa T. to Team Rhino PC, 9423 Grand Ave., $68,000.
Moehring, Melissa to Graham, Jacinda K., 4721 N. 82nd St., $143,500.
Schorle-Milan, Karla N. and Milan, David to Tian, Jing, 5005 N. 107th St., $148,000.
Mahony, Jacque to Voss, Jillian, 2705 N. 96th Drive, $149,900.
Root, Lynn E. to Seredina, Yelizaveta M. and Ellis, Richard W., 4210 Terrace Drive, $170,000.
Borg, Michael A. and Suzanne M. to Adanlete, Veve, 9524 Sprague St., $170,750.
Hazlett, Jonathon J. and Dooley, Katherine L. to Gujjula, Nagarjuna and Reddy-Gujjula, Harita, 5824 N. 80th St., $197,000.
Zahm, Nicholas and Amanda to Shane, Danny and Sandy 2014 Trust, 19428 X St., $163,000.
Kiger, Jennifer M. to Jensen, Sandy, 4811 S. 189th St., $165,000.
Lash, Levi and Jenna to Stokes, Annemarie, 5623 S. 190th Terrace, $190,000.
Johnson, Judith A. Trust to Owen, Jeffrey D. and Elizabeth H., 15634 Monroe Circle, $192,000.
Meyer, Scott E. and Cindy K. to Stessman, Nicholas M., 16805 M Circle, $235,000.
Celebrity Homes Inc. to Medina, Leo and Ycelsa, 19868 L St., $258,900.
Celebrity Homes Inc. to Pallepati, Vivek and Dugyala, Preethi, 19879 K St., $268,400.
Yang, Andy W. and Reed, Sugiko M. to Hazard, Matthew J. and Kelsey M., 17014 T St., $280,000.
Ludwick, Dale A. and Susan M. to Kopun, Gabriel V. and Lyndsey T., 6309 S. 176th St., $292,000.
Bright, Jim A. and Penny S. to Grant, Dewan and Elizabeth, 17528 Jefferson St., $295,000.
Mills, James A. and Elizabeth A. to Black, Jordan and Megan L., 4322 S. 174th Ave., $315,000.
Pacesetter Homes Inc. to Ludwick, Dale A. and Susan M., 6707 S. 199th St., $359,654.
Simonsen, Mark J. to Ball, Melva R., 15414 R St., $130,000.
Grojean, Benjamin S. and Krystal to Omaha Homes LLC, 6527 S. 139th Circle, $135,000.
Reeves, Nicklaus J. and Tiffany L. to Byers, Donavan and Brandy, 14304 Anne St., $135,000.
Brink, Edward E., trustee, to Peters, Susan A. and James R., 5529 S. 152nd St., $145,000.
Markham, Nicholas P. and Marlena L. to Neely, Roger, 5138 S. 121st St., $155,000.
United Equity LLC to Tran, Whitney D. and Tri, 13567 Polk St., $155,000.
Feld, Kerry, trustee, to 5109 Real Estate LLC, 14616 Monroe St., $155,600.
Book, Judith K. Trust to Wills, Jacqueline, 6013 Oakcrest Plaza, $160,000.
Chamberlain, Catherine S. and Medina, Gilbert S. to Spomer, Julie, 4374 S. 154th St., $210,000.
Hauptman, Nathan R. and Molly to Holtmeyer, Kyle D. and Elizabeth, 4368 S. 149th Avenue Circle, $222,750.
Lewis-Starostka Inc. to Chen, Xiaolong and Wang, Yuyu, 7159 N. 122nd Ave., $41,900.
Lewis-Starostka Inc. to Luethge Homes LLC, 11562 Scott St., $59,000.
Deer Creek Reserve LLC to Pacesetter Homes Inc., 8011 N. 129th St., $72,000.
Deer Creek Reserve LLC to Hildy Construction Inc., 12922 Reynolds St., $130,000.
Celebrity Homes Inc. to Peitz, Amy S. and Nathan G., 7423 N. 140th Ave., $228,800.
Brown, Tyler J. and Kaitlyn M. to Sherman, Terry W. and Mary L., 13962 Potter Parkway, $235,000.
Celebrity Homes Inc. to Houser-Hanson, Tamala R., 13940 Wood Valley Drive, $252,300.
Pedersen, Chad M. and Melissa A. to Smith, Todd E., 7901 N. 116th St., $278,000.
Luedtke, Joseph Estate to Molnar Investments 401K Trust, 3510 S. 120th St., $135,000.
Anglemyer, Taylor and Jillian to Jacobsen, Alexander J. and Amanda J., 2318 S. 125th St., $152,500.
Hancock, Eric and Traci to Cook, Jasmine A. and Cook, Latashia S., 2323 S. 133rd Ave., $159,000.
Hitzfeld, Carol A. to Rohde, Karen A., 14817 Arbor St., $160,000.
Buck, Christopher M. and Christine A. to Zart, Daniel and Leah, 3409 S. 108th St., $178,000.
Moore, Jake J. to Rouse, Shannon K., 3330 S. 137th St., $179,900.
Grace Life Bible Church Of Omaha to Liberty Church Inc., 11213 Bel Air Drive, $425,000.
Legacy Ventures I LLC to W Realty LLC, 3130 Harrison St., $84,000.
Scott, Deborah L. to Awng, Naw, 6515 Newport Ave., $125,000.
Hall, Robert J. and Mel S. to Williams, Ramel L. and Stacey, 6249 Whitmore St., $147,000.
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Bingham, Angela M. and Patrick to Reddy, Sharath K. and Saritha, 14462 Seward St., $170,000.
Ginn, Michaela C. to Iveson, Sarah E. and Ladouceur, Joel D., 15105 Lincoln Circle, $184,900.
TSV A LLC to Bell, Patrick and Smoot, Ashley, 15505 Marcy Circle, $192,900.
Randall, Carole R. Trust to Geiger, Michael P. and Hatley Geiger, Mary E., 920 N. 146th Circle, $200,000.
Overmiller, Janis E. Trust to Orand, Steven D. and Carol K., 12371 Rose Lane, $235,000.
Burchard, Alice G. and L. John to Determan, Joseph A. and Wendy J., 13421 Parker Circle, $425,000.
Merrill, Carolyn L. and Alfred D. to Pecha, Patrick M. and Lacie C., 10810 Larimore Ave., $141,500.
Serafini, Craig to Oswald, Bianca and Clayton, 6616 N. 116th Circle, $153,000.
Claborn, Kyle B. and Sarah to Universal Assurors Agency Inc., 2717 N. 121st Ave., $156,600.
Hannum, Deena M. and Joshua E. to Gelecki, Grant S., 6230 N. 114th St., $165,000.
McCollough, Reggie J. to Faris, Tony, 6202 N. 131st Ave., $165,000.
O & H Properties Inc. to Thomas, Yvette L. and Anthony L., 13013 Jaynes Circle, $168,000.
Clure, Brett and Megan to Barnes, Jacqueline, 4825 N. 136th Ave., $252,500.
Wolf, Alexander J. and Angela S. to Ingram, Jennifer M. and Joel A., 4912 N. 139th Ave., $319,900.
Phillips, Denise L. and Daniel W. to Mead, Michele S., 506 W. 33rd Ave., $137,000.
Swanson, Steffi A., trustee, to Fay Servicing LLC, 2805 Crawford St., $78,000.
McDowell, James L. to Heaton, Tanner L., 1725 Bellevue Blvd. North, $159,000.
Hamilton, Thyroney and Oliver to Pelletier, Joel G. and Lanpher-Pelletier, Tina M., 1701 Thomas Drive, $135,000.
Halmes, Rachel and Bullock, Andrew to Wirth, Bradley S. and Halmes, Sara M., 1511 Warren St., $150,000.
McCaghy, Vincent A. and Gloria C. to McKee, Keith D. and Carleen E., 1319 Camp Gifford Road, $300,000.
Frics, Paul A. and Bonnie J. to Armstrong, Eric H. and Stephanie E., 1102 Bellevue Blvd. South, $235,000.
Dynamic Properties LLC to Svehla, John K. and Lebeda-Svehla, Kristen M., 1022 Denver St., $114,000.
Grundmayer, Gregory P. and Laura J. to Omaha RJ1 Rents LLC, 208 Meadow Drive, $143,000.
Cottonwood Investments LLC to Wacker, Jodi, 19832 Bellbrook Blvd., $380,000.
McCune Development LLC to Laid Back Lifestyles LLC, 19780 Devonshire Drive, $50,000.
Charleston Homes LLC to Mullins, Katie E., 17220 Morgan Ave., $237,000.
Isaacson, Ronald and Sheila to Grundmayer, Gregory and Laura, 128 S. Bryan St., $234,000.
McCune Development LLC to Laid Back Lifestyles LLC, 11467 S. 198th St., $50,000.
Kirkpatrick, Rochelle L. and Robert W. and Amy to Nahomy, Cory and Kim, 11203 S. 170th St., $239,000.
Cafferty, Kim B. and Mary A. to Christensen, Chad and Rachel, 10909 S. 237th St., $599,000.
Brown, Kevin P. and Jane M. to Waters, John J. and Kara A., 905 Joseph Drive, $232,000.
Rothe, Terry E. and Sandra R. to Bruyette, Matthew D., 310 Cheyenne Drive, $164,000.
Kircher, Thomas J. and Rosemarie H. to Greska, Benjamin R. and Samantha M., 302 S. Fillmore St., $250,000.
Austin, Denise J. to Burke, Liam C. and Desiree C., 2409 S. Mineral Drive, $236,000.
Donley, Jessie W. and Jenna M. to Royster, Jessica C., 1702 Eastview Drive, $242,000.
Kimberlin, Kyle and Margaret to Christiansen, Cameron L. and Wittland, Maggie K., 1304 Mesquite Circle, $320,000.
H & S Partnership LLP to VKB Properties LLC, 1202 La Port Drive, $143,000.
Empire Homes & Remodeling Inc. to Boatwright, Jason M. and Kimberly D., 11512 S. 110th St., $353,000.
Feld, Kerry, trustee, to KH2 Equity LLC, 1016 Normandy Drive, $147,000.
Kildow-Hull, Lorraine Trust to Palmer, Janice A. and Danielle E., 500 S. Seventh St., $280,000.
Sayers, Richard A. to Fryar, Rick and Kimberly, 405 S. Fourth St., $174,000.
Fryar, Rick and Kimberly C. to Brown, Jeff A. and Muggy, Brian and Samantha, 285 N. Third St., $180,000.
Cottonwood Investments LLC to Chandler, Joshua, 9713 Linden Ave., $145,000.
Ransom, Tracy E. and Chelsea D. to Lee, Jason T. and Patricia C., 3723 Lawnwood Drive, $178,000.
Linder, Howard and Hall, Echelle to MTGLQ Investors LP, 2412 Circletown Place, $144,000.
Celebrity Homes Inc. to Powers, Preston J. and Kendra R., 14606 S. 23rd St., $300,000.
Curtis, Robert J. and Melanie N. to Nguyen, Toby T. and Brooks, Katie L., 14207 S. 18th St., $255,000.
Nguyen, Toby T. and Brooks, Katie L. to Munar Penaloza, Julian M. and Munar, Kristen, 13905 S. 43rd St., $212,000.
Moore, Robert B. and Jenna M. to Nikolaus, Darin L. and Laurel, 13508 S. 42nd Ave., $298,000.
Caswell, Sunee and William R. to Good, Robert L. and West, Mary K., 13206 S. 35th Ave., $220,000.
Sandiland, Thelma P. to Lukes, Leo L. and Debora C., 8820 S. 99th St., $235,000.
Anderson, Sonia. to Serow, Christopher C. and Lisa C., 8421 S. 103rd St., $385,000.
Boatwright, Jason M. and Kimberly D. to Randall, Nicholas J., 7907 S. 101st St., $258,000.
Peterson, William and Lisa to Kane, Erin M. and Misty A., 7773 Greenleaf Drive, $150,000.
Thurman, Michele R. and Todd A. to Tromler, Joshua J., 7601 Susan Ave., $150,000.
Zhao, Qiang and Jinhua to Kline, Conor O. and Lauren, 7411 Terry Drive, $119,000.
Busby, James M. and Kimberly R. to Sargent, Daniel P. and Alison E., 10075 Quail Ridge Drive, $289,000.
Royster, William and Jessica. to Nuckoles, Rodney W., 6652 Park Crest Drive, $375,000.
Stepanek, Victor C. Estate to Siders, Andy and Deanna, 5551 Maass Road, $500,000.
Richards, Jessie J. and Amanda M. to Slade, Tshara M., 4612 Waterford Ave., $235,000.
Fleuren, Daniel and Sarah to Cooper, Jacob L., 4607 Brook St., $215,000.
Ashford Hollow Development LLC to Charleston Homes LLC, 4515 Brook Circle, $40,000.
Cottonwood Investments LLC to Walsh, Kim, 324 Inglewood Circle, $314,000.
Ryba, Larry Estate to Jones, James C. and Dawna G., 15806 S. 63rd St., $221,000.
Ryba, Connie R. to Jones, James C. and Dawna G., 15806 S. 63rd St., $221,000.
Augustine, Kevin O. and Brandi S. to Maynard, Paul N. and Shannon, 1505 Beechwood Ave., $210,000.
Cook, Pamela J. and Michael K. to Brookfield Relocation Inc., 11828 Timberridge Drive, $280,000.
Brookfield Relocation Inc. to Schmidt, Wyatt A., 11828 Timberridge Drive, $280,000.
Celebrity Homes Inc. to Anderson, Alisha K., 8219 S. 190th Ave., $286,000.
Vetsch, Katlin and Justin. to Johnson, Taylor and Cara, 7721 S. 162nd Ave., $265,000.
Richland Homes LLC to Cabral, Deborah A., 16901 Aurora St., $278,000.
Baker, Donald E. and Catherine M. Trust to Frodyma, Alex and Danielle, 15726 Cherrywood St., $191,000.
Nelson Builders Inc. to Attarwala, Muffadal and Meghan M., 10628 S. 189th St., $389,000.
Jennings, David N. and Emily E. to Vargas, Octavio Y. and Lajba, Marie L., 7115 Audrey St., $192,000.
Johnson, Cara L. and Taylor S. to Newhouse, Christine, 8010 S. 154th St., $172,000.
DeMaria, John M. and Anderson, Tina L. to Peterson, James, 7605 S. 136th St., $165,000.
Blazka, Frank R. Estate to Buena Vista Development LLC, 7201 S. 148th St., $114,000.
Robles, Amy M. and Roberto to Reynolds, Maureen E., 15518 Borman St., $174,000.
Vavruska, Denise A. to Ballard, Adam and Stacia, 13522 Josephine St., $159,000.
Arter, Kim R. and Valker, William S. to McGlothen, Andrew J., 13414 Olive St., $168,000.
Huynh, Thanh and Tran. Daisy to Woodson, Makayla and Doke, Mallerie and Ryan, 13002 Edna St., $158,000.
Kreifel, Kelly J. to Beckman, Jeffery M. and Megan A., 9403 S. 28th St., $293,000.
Matthies, Robert J. to Orozco, Eliseo Jr., 5220 Gertrude St., $145,000.
Swanson, Kaye A. and Leonard C. to State of Iowa, 3634 Fourth Ave., $140,000.
Kemmish, Gerald D. and Glenda D. and Steadman, Delmar D. and Sally A. to Minor, Anna M. and Jeffrey, 501 26th Ave., $35,000.
Smith, James and Karen to Drummey, Douglas P. and Haifa M., 2304 Ave. F, $28,000.
Ellis, David M. and Jacqueline L. to Johnstone Partners LLC, 20 Country Club Acres St., $75,000.
Red Light Properties to Fox, Thomas J., 25 Spencer Circle, $131,000.
Nash, Jason M. and Kristina M. to Potvin, Dena C. and Thomas R., 5303 Carrick St., $315,000.
Whitesel, Phylis A. and Steven F. to Dewitt, George G. and Sarah D., 114 Fenwick Circle, $233,000.
Johnston, Heather and Michael to Balcom, Nicole M., 1231 Fairmount Ave., $110,000.
Council Bluffs Development Corp. LLC to Poe, Cynthia and Deborah and Matthew and Warren, 112 Autumn Circle, $185,000.
Johnson, Dorothy J. to Johnson, Alyssa and Joshua, 510 Iowa Ave., $60,000.
Broadway, George and Tremont, John A. to Suiter, Corinna, 118 N. Millard St., $335,000.
Primmer, Chad D. to Cross, Kathleen L., 526 S. Third St., $347,500.
Heyveld, Russell and Tara to Seltzer, Nicholas and Thaddeus, 508 Knox St., Macedonia, $43,000.
Deakins, Natasha M. to Seltzer, Nicholas and Thaddeus, 202 Dye St., Macedonia, $34,000.
Dickerson, Denise D. and James D. to Dickerson, Kelsey and Matthew D., 30605 Second St., Neola, $180,000.
Turner, Joan L. Trust to Anderson, Paxton M. and Turner, Brian D., 207 Kearney St., Oakland, $45,000.
Bonar, Vernel to Klahn, Duane D., 120 Main St., Treynor, $175,000.
Alan Investments III LLC to Bauerkemper, Donald, 604 Atlantic St., Walnut, $40,000.
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New from Arrow Video US in September!
THE GHOUL [Blu-ray] and [DVD] (9/12)
ERIK THE CONQUEROR [Dual Format] (9/12)
A FISH CALLED WANDA [Blu-ray] (9/19)
CHILDREN OF THE CORN [Blu-ray] (9/19)
BRIDE OF RE-ANIMATOR [Limited Edition Steelbook Blu-ray] (9/26)
DON'T TORTURE A DUCKLING [Dual Format] (9/26)
THE SUSPICIOUS DEATH OF A MINOR [Dual Format] (9/26)
via MVD Entertainment Group
September's lineup from Arrow Video includes a unique Brit chiller, a Mario Bava masterpiece, an Oscar-winning British comedy classic, classic horror from Stephen King, a beautiful steel book, and two superb Italian thrillers,- in short, a veritable late summer feast for cineastes. First up this month is The Ghoul, an outstanding debut from writer-director Gareth Tunley, from executive producer Ben Wheatley (Kill List, Free Fire), about a cop investigating a series of murders who finds himself drawn into the murky world of the occult. Starring Tom Meeten (Sightseers) and Alice Lowe (Prevenge), The Ghoul is a unique and nasty slice of British horror cinema. In 1961, director Mario Bava (Rabid Dogs, Kill Baby Kill) turned his hand to the historical adventure genre, capitalizing on the recent success of 1958's Kirk Douglas vehicle The Vikings. The result was a colorful, swashbuckling epic of treachery, heroism and forbidden love: Erik the Conqueror. In mid-September is the Blu-ray release of A Fish Called Wanda, the hilarious and irresistible farce from 1988, starring John Cleese, Michael Palin, Jamie Lee Curtis and Kevin Kline. A box office smash, nominated for three Academy Awards (winning one for Kline's outstanding supporting turn as the psychotic Otto), A Fish Called Wanda has stood the test of time and can be rightfully called a comedy classic. Featuring stellar performances from Linda Hamilton (Terminator) and Peter Horton (thirtysomething) and based on a short story by Stephen King, The Children of the Corn is a horror classic that has spawned multiple sequels and imitators, but none as harrowing as this masterpiece of horror. The success of Stuart Gordon's hit horror-comedy Re-Animator meant that a sequel was all but inevitable. The resulting follow-up, Bride of Re-Animator - this time helmed by director Brian Yuzna (Society, Return of the Living Dead III) - would prove that there was a good deal more life (and death) left in the story of Dr Herbert West and his ghoulish exploits. With special effects master Screaming Mad George (the man behind the infamous "shunting" sequence of Society) on hand to contribute a host of characteristically weird and wonderful creations, Bride of Re-Animator is a more than worthy successor to Stuart Gordon's original cult classic. Late-September sees the release of two superior Italian thrillers. First, deemed shocking at the time for its brutal violence, depiction of the Catholic Church and themes of child murder and paedophilia, Don't Torture a Duckling is widely regarded today as Fulci's greatest film, rivalling the best of his close rival Dario Argento. Arrow Video is proud to present this uniquely chilling film in its North American high definition debut. From Lucio Fulci, the godfather of gore (The Psychic, The Beyond), comes one of the most powerful and unsettling giallo thrillers ever produced. Second, the Dual Format debut of The Suspicious Death of a Minor, a 1975 giallo/'poliziotteschi' hybrid, from the great Sergio Martino (All the Colours of the Dark, Torso). With a cast that includes Mel Ferrer (Nightmare City), Barbara Magnolfi (Suspiria) and Jenny Tamburi (The Psychic), the lurid murder-mystery sees a cop on the trail of a Milanese criminal gang, and the Dual Format release includes a brand new 2K restoration of the film from the original camera negative, produced exclusively by Arrow Video. THE GHOUL (2016)
Blu-ray and DVD (9/12)
From executive producer Ben Wheatley (Kill List, Free Fire) comes a mind-bending British psychological thriller to sit alongside such classics of the genre as Nicolas Roeg and Donald Cammell's Performance, David Lynch's Lost Highway and Christopher Nolan's Following. Chris is a homicide detective called to London to investigate a strange double murder. Both victims appear to have continued moving towards their assailant despite multiple gunshots to the face and chest. On a hunch, and with the help of an old colleague - and former girlfriend - Chris decides to go undercover as a patient to investigate the suspect's psychotherapist, the mysterious Alexander Morland, who has a taste for the occult... The debut feature of writer-director Gareth Tunley, starring Tom Meeten (Sightseers), Alice Lowe (Garth Marenghi's Darkplace) and Dan Renton Skinner (Notes on Blindness), The Ghoul is the latest standout addition to a thriving new wave of British cinema. Director-Approved Special Edition Contents - High Definition Blu-ray (1080p) presentation / Standard Definition DVD presentation - Original 5.1 audio - Optional English subtitles for the deaf and hard-of-hearing - Commentary by writer-director Gareth Tunley, actor-producer Tom Meeten and producer Jack Healy Guttmann - In the Loop, a brand-new documentary on the conception and making of The Ghoul produced by Arrow Films exclusively for this release. Featuring interviews with Tunley, Meeten, Guttmann, actors Alice Lowe, Geoff McGivern, Niamh Cusack Rufus Jones and Dan Skinner, composer Waen Shepherd, and executive producers Dhiraj Mahey and Ben Wheatley. - The Baron, a 2013 short film with optional commentary by writer-director Tunley and writer-actor Meeten - Theatrical trailer - FIRST PRESSING ONLY: Booklet featuring writing on the film by Adam Scovell, author of Folk Horror: Hours Dreadful and Things Strange Specs Street Date: 09/12/17 Label: Arrow Video Run Time: 85 mins Audio: STEREO Director: Gareth Tunley Actors: Tom Meeten, Alice Lowe Territory: US Language: English ERIK THE CONQUEROR (1961)
Dual Format BD/DVD (9/12)
In 1961, director Mario Bava (Rabid Dogs, Kill Baby Kill) turned his hand to the historical adventure genre, capitalizing on the recent success of 1958's Kirk Douglas vehicle The Vikings. The result was a colorful, swashbuckling epic of treachery, heroism and forbidden love: Erik the Conqueror. In 786 AD, the invading Viking forces are repelled from the shores of England, leaving behind a young boy - Erik, son of the slain Viking king. Years later, Erik (George Ardisson, Juliet of the Spirits), raised by the English queen as her own, becomes Duke of Helford, while across the sea, his brother Eron (Cameron Mitchell, Blood and Black Lace) assumes leadership of the Viking horde and sets his sights on conquering England once again, setting the two estranged brothers on a collision course that will determine the fates of their respective kingdoms... Featuring a bombastic score by frequent collaborator Roberto Nicolosi (Black Sunday) and memorably co-starring the stunning Kessler twins (Sodom and Gomorrah), Erik the Conqueror showcases Bava's immense talent for creating awe-inspiring spectacle with limited resources. Now restored in high definition for the first time, Arrow Video is proud to present this cult classic in all its original splendor. Features - Brand new 2K restoration of the film from the original camera negative - High Definition Blu-ray (1080p) and Standard Definition DVD presentations - Original Italian and English mono audio (lossless on the Blu-ray Disc) - Newly translated English subtitles for the Italian soundtrack - Optional English subtitles for the deaf and hard of hearing for the English soundtrack - New audio commentary by Tim Lucas, author of Mario Bava - All the Colors of the Dark Gli imitatori, a comparison between Erik the Conqueror and its unacknowledged source, The Vikings - Original ending - Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys - FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by critic Kat Ellinger Specs Street Date: 08/29/17 Label: Arrow Video Run Time: 98 mins Audio: STEREO Director: Mario Bava Actors: Cameron Mitchell, George Ardisson, Alice Kessler, Ellen Kessler Territory: US Language: Italian A FISH CALLED WANDA (1988)
Blu-ray (9/19)
In 1988, John Cleese, former Python and the mastermind behind Fawlty Towers, teamed up with the veteran Ealing Comedy director Charles Crichton (The Lavender Hill Mob) to produce another classic of British comedy. Cleese plays Archie Leach, a weak-willed barrister who finds himself embroiled with a quartet of ill-matched jewel thieves - two American con artists played by Jamie Lee Curtis and Kevin Kline, Michael Palin's animal-loving hitman and London gangster Tom Georgeson - when Georgeson is arrested. Only he and Palin know the whereabouts of the diamonds, prompting plenty of farce and in-fighting as well as some embarrassing nudity and the unfortunate demise of some innocent pooches... Nominated for three Academy Awards and winning one for Kline's outstanding supporting turn as the psychopathic Otto, A Fish Called Wanda has stood the test of time, earning its rightful place among its creators' remarkable comedy pedigree. Features - Brand-new 4K restoration from the original negative, produced by Arrow Films exclusively for this release - High Definition Blu-ray (1080p) presentation - Original English mono audio (uncompressed LPCM) - Optional English subtitles for the deaf and hard-of-hearing - Commentary by writer and star John Cleese - Brand-new appreciation by Vic Pratt of the BFI National Archive - Brand-new interviews with composer John Du Prez, production designer Roger Murray Leach, executive producer Steve Abbott and makeup supervisor Paul Engelen - John Cleese's Final Farewell Performance, a 1988 documentary on the making of A Fish Called Wanda featuring interviews with actors Cleese, Jamie Lee Curtis, Michael Palin, Kevin Kline and director Charles Crichton - Something Fishy, a 15th anniversary retrospective documentary featuring interviews with Cleese, Curtis, Kline and Palin, executive producer Steve Abbott and director of photography Alan Hume - Fish You Were Here, a documentary on the film's locations hosted by Robert Powell - 24 deleted/alternative scenes with introductions by Cleese - A Message from John Cleese, a tongue-in-cheek introduction recorded for the film's original release - Gallery - Trivia track - Theatrical trailer - FIRST PRESSING ONLY: Booklet featuring writing on the film by Sophie Monks Kaufman Specs Street Date: 09/19/17 Label: Arrow Video Run Time: 108 mins Audio: STEREO Director: Charles Crichton Actors: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin Territory: US Language: English CHILDREN OF THE CORN (1984)
Blu-ray (9/19)
A young couple travelling cross-country find themselves stranded in the small town of Gatlin, where they meet a mysterious religious cult of children. With no adults in sight the terror brews as the new arrivals find the secrets of the prospering corn fields and the children who inhabit them. Led by the mysterious Isaac and the unhinged Malachi the blood-curdling secrets of the children of Gatlin are soon revealed to their new 'outlander' guests. Featuring stellar performances from Linda Hamilton (Terminator) and Peter Horton (thirtysomething) and based on a short story by Stephen King, The Children of the Corn is a horror classic that has spawned multiple sequels and imitators, but none as harrowing as this masterpiece of horror. Features - Brand new 2K restoration from the original negative - High Definition Blu-ray (1080p) presentation - Original Mono and 5.1 Audio Options - Optional English subtitles for the deaf and hard of hearing - Brand new audio commentary with John Sullivan of childrenofthecornmovie.com and horror journalist Justin Beahm - Audio commentary with director Fritz Kiersch, producer Terrence Kirby and actors John Franklin and Courtney Gains - Harvesting Horror: The Making of Children of the Corn - retrospective piece featuring interviews with director Fritz Kiersch and actors John Franklin and Courtney Gains - It Was the Eighties! - an interview with actress Linda Hamilton - Return to Gatlin - brand new featurette revisiting the film's original Iowa shooting locations - Stephen King on a Shoestring - an interview with producer Donald Borchers - Welcome to Gatlin: The Sights and Sounds of Children of the Corn - an interview with production designer Craig Stearns and composer Jonathan Elias - Feeling Blue - an interview with the actor who played "The Blue Man" in the fabled excised sequence - Theatrical Trailer - Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin - FIRST PRESSING: Collectors booklet featuring new writing in the film. Specs Street Date: 09/19/17 Label: Arrow Video Run Time: 92 mins Audio: STEREO Director: Fritz Kiersch Actors: Peter Horton, Linda Hamilton Territory: US Language: English BRIDE OF RE-ANIMATOR (1989)
Limited Edition Steelbook Blu-ray (9/26)
The success of Stuart Gordon's hit horror-comedy Re-Animator meant that a sequel was all but inevitable. The resulting follow-up, Bride of Re-Animator - this time helmed by director Brian Yuzna (Society, Return of the Living Dead III) - would prove that there was a good deal more life (and death) left in the story of Dr Herbert West and his ghoulish exploits. It has been eight months since the bloody massacre at Miskatonic Medical School. Unperturbed by the disastrous outcome of his previous meddling with the dead, Dr West (again played by Jeffrey Combs) continues his research into the phenomenon of re-animation; only this time, he plans to create life - starting with the heart of his young protégé Dan's dearly deceased, Meg Halsey. Surely nothing could go wrong? With special effects master Screaming Mad George (the man behind the infamous "shunting" sequence of Society) on hand to contribute a host of characteristically weird and wonderful creations, Bride of Re-Animator is a more than worthy successor to Stuart Gordon's original cult classic. Features - 2K restoration of the Unrated version, approved by director Brian Yuzna - High Definition Blu-ray (1080p) presentation - Optional English subtitles for the deaf and hard of hearing - Audio commentary with Yuzna - Audio commentary with Yuzna, star Jeffrey Combs, special effects co-ordinator Tom Rainone and the effects team including John Buechler, Mike Deak, Robert Kurtzman, Howard Berger and Screaming Mad George - Audio commentary with stars Jeffrey Combs and Bruce Abbott - Brian Yuzna Remembers Bride of Re-Animator - featurette in which the director looks back at the making of the first Re-Animator sequel - Splatter Masters: The Special Effects Artists of Bride of Re-Animator - FX featurette with a wealth of behind-the-scenes footage and interviews with Robert Kurtzman of KNB, Screaming Mad George, Tony Doublin and John Buechler - Getting Ahead in Horror - archive making-of featurette - Deleted Scenes - 24-page illustrated collector's booklet featuring writing on the film by programmer Michael Blyth Specs Street Date: 09/26/17 Label: Arrow Video Run Time: 96 mins Audio: STEREO Director: Brian Yuzna Actors: Jeffrey Combs, Bruce Abbott, Claude Earl Jones Territory: US Language: English DON'T TORTURE A DUCKLING (1972)
Dual Format BD/DVD (9/26)
From Lucio Fulci, the godfather of gore (The Psychic, The Beyond), comes one of the most powerful and unsettling giallo thrillers ever produced: his 1972 masterpiece Don't Torture a Duckling. When the sleepy rural village of Accendura is rocked by a series of murders of young boys, the superstitious locals are quick to apportion blame, with the suspects including the local "witch", Maciara (Florinda Bolkan, A Lizard in a Woman's Skin). With the bodies piling up and the community gripped by panic and a thirst for bloody vengeance, two outsiders - city journalist Andrea (Tomas Milian, The Four of the Apocalypse) and spoilt rich girl Patrizia (Barbara Bouchet, The Red Queen Kills Seven Times) - team up to crack the case. But before the mystery is solved, more blood will have been spilled, and not all of it belonging to innocents... Deemed shocking at the time for its brutal violence, depiction of the Catholic Church and themes of child murder and paedophilia, Don't Torture a Duckling is widely regarded today as Fulci's greatest film, rivalling the best of his close rival Dario Argento. Arrow Video is proud to present this uniquely chilling film in its North American high definition debut. Features - High Definition Blu-ray (1080p) and Standard Definition DVD presentations - Original mono Italian and English soundtracks (lossless on the Blu-ray Disc) - English subtitles for the Italian soundtrack - Optional English subtitles for the deaf and hard of hearing for the English soundtrack - New audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films - The Blood of Innocents, a new video discussion with Mikel J. Koven, author of La Dolce Morte: Vernacular Cinema and the Italian Giallo Film - Every (Wo)man Their Own Hell, a new video essay by critic Kat Ellinger - Interviews with co-writer/director Lucio Fulci, actor Florinda Bolkan, cinematographer Sergio D'Offizi, assistant editor Bruno Micheli and assistant makeup artist Maurizio Trani - Reversible sleeve featuring original and newly commissioned artwork by Timothy Pittides - FIRST PRESSING ONLY: Collector's booklet with new writing on the film by Barry Forshaw and Howard Hughes Specs Street Date: 09/26/17 Label: Arrow Video Run Time: 108 mins Audio: STEREO Director: Lucio Fulci Actors: Florinda Bolkan, Barbara Bouchet, Tomas Milian Territory: US Language: Italian THE SUSPICIOUS DEATH OF A MINOR (1975)
Dual Format DVD/BD (9/26)
In the wake of the success of Dario Argento's ground-breaking giallo The Bird with the Crystal Plumage, numerous other directors stepped forward to try their hand at these lurid murder-mysteries. At the forefront was Sergio Martino (The Strange Vice of Mrs. Wardh, Torso), whose sensual 70s thrillers starring Edwige Fenech and George Hilton are widely celebrated as some of the best the genre has to offer. The final of Martino's six gialli, The Suspicious Death of a Minor combines conventional giallo trappings with elements of the then flourishing 'poliziotteschi' crime thrillers. Claudio Cassinelli (What Have They Done to Your Daughters?) stars as undercover cop Paolo Germi, on the trail of a Milanese criminal outfit following the brutal murder of an underage prostitute. But a killer-for-hire is also on the prowl, bumping off witnesses before they have a chance to talk... Also starring Mel Ferrer (Nightmare City), Barbara Magnolfi (Suspiria) and Jenny Tamburi (The Psychic), and featuring a script by veteran giallo writer Ernesto Gastaldi (All the Colors of the Dark, Death Walks at Midnight), this unique and lesser-known entry in Martino's filmography serves as an essential link between two different movements in Italian popular cinema. Features - Brand new 2K restoration of the film from the original camera negative produced by Arrow Video exclusively for this release - High Definition Blu-ray (1080p) and Standard Definition DVD presentations - Original mono Italian and English soundtracks (lossless on the Blu-ray Disc) - English subtitles for the Italian soundtrack - Optional English subtitles for the deaf and hard of hearing for the English soundtrack - New audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films - New interviews with director Sergio Martino and cinematographer Giancarlo Ferrando - Reversible sleeve featuring original and newly commissioned artwork by Chris Malbon Specs Format: BLU-RAY Street Date: 09/26/17 Label: Arrow Video Run Time: 100 mins Audio: STEREO Director: Sergio Martino Actors: Claudio Cassinelli, Mel Ferrer Territory: US Language: English https://mcbastardsmausoleum.blogspot.com
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