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#perfect for MY agenda
reigningmax · 2 years
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Max’s packing in those trousers wow.
Literally 🥵 a bulge 🥵🥵🥵
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totally-here · 26 days
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3 times Phantom's Guardian was Mentioned + 1 Time He Showed Up
One
Phantom’s introduction to Young Justice wasn’t as dramatic as Empress’ or Slobo’s, or even Arrowette’s first introduction to the cave. No, it wasn’t during the Olympics, or on a battlefield, and he didn’t come in injured and looking for help. 
Impulse just brought Phantom in one day and insisted that he should join because he’s their age, interested in justice, and now that Greta’s human again they need another ghost member. So Phantom stayed, popping in and out for missions but never really sticking around all that long. 
Today is one of the days that Phantom’s with them on a mission, that being looking around a lab of the Brain’s that had an energy surge recently, despite it being presumably abandoned. 
Kon got paired up with Phantom to check the rest out first, since they both have better hearing than Anita and Tim, who were both still in the main room working on checking the computers for previous activity. 
The room is dark except for the light green ball glowing slightly above Phantom’s hand. He waves it around enough for it to reflect off of glass, then throws it up to the ceiling. The light expands enough to illuminate the room. 
Phantom mumbles about not knowing he could do that. Kon ignores him and moves closer to inspect the glass tubes to the side of several monitors set up. 
“Looks like cloning equipment,” Phantom says, casually. He drags a finger through the dust gathering on one of the monitors. “Don’t think they’ve been activated recently, though, so that’s good.”
“What? You got a problem with clones or something?” It’s a quick and defensive answer, and Phantom puts his hands up in surrender. 
“Not in concept.” He shrugs and joins Kon near the tubes. “But not a lot of people ask before making clones.”
“So I don’t need to sic Superman on you?” Obviously Kon could chew Phantom out himself, but few can do a “not mad, just disappointed” face better than Clark. 
Phantom scrunches his face. “Why would you need to?” 
Kon stops pretending to inspect the tube and stares at Phantom. “You do know I’m a clone, right?” The blank look on Phantom’s face tells him that no, he did not. “Well I am. Clone of Superman, though we’re pretty much brothers now.”
“Cool,” Phantom says, not a bit less friendly. He hesitates for a second before continuing, “Could I maybe ask you how you got there? Me and my clone have landed on cousins, but that was also, like, given to us by her evil dad. So.”
Phantom trails off. Huh, that makes three members of the team that have been cloned. Not a lot, but it’s weird that it’s happened three times. 
“You’re making sure she feels accepted, right?” 
“Yeah! Well, whenever she’s around. She,” Phantom waves his hand around, looking for the right word, “She’s a wanderer. Exploring the world and stuff. But Richard has a room for her at home, and I remind her of that whenever she does stop by.” 
“Well, first of all, don’t push it so hard,” Kon says. Phantom nods enthusiastically. “And second, who’s Richard?”
Kon doesn’t know a lot of Richards, and he doesn’t think that Phantom ever mentioned one before. Or even if he remembers his living life. 
“Oh, he’s my, uh, guardian? I guess that’s the best term. The guy I’m living with who forces me to go to school sometimes.” Phantom looks away and back to the tubes. 
Before Kon can ask for more details, Robin and Empress come in with a report of dead computers and wanting to know where they’re at with the cloning room.
They’re unimpressed with their lack of progress.
Two
Wally doesn’t really need to come by the Hamilton Lodge that often, not when that’s Young Justice’s territory and he doesn’t want to get involved in all of That.
But Red Tornado said that the team has a file on a planet that’s very quickly becoming a league problem, and he figured it might be a good time to try to check in with Bart, anyway. Make sure he hasn’t run any cars off cliffs again and all that. 
So he stops by Manchester to ask Bart about the file, then they both head East to actually find it. 
When they arrive at the hotel minutes later, Wally’s surprised to actually find it… clean? There’s no visible trash or overturned furniture or anything else he’d expect from an abandoned hotel filled with teenagers. Well, maybe not filled, lately. He doesn’t think anyone’s living here currently, with Greta at Elias’ for the school year and Slobo gone. 
Still, the room smells slightly of artificial pine scent, and Bart perks up before disappearing and reappearing rapidly, holding a teammate up by his armpits. Said teammate just accepts this, his legs folding into a wispy tail, and head rolling against his shoulders. 
“This is Phantom!” Bart holds him up higher. Phantom waves. Wally’s only heard of him through Max’s updates, the same way he would hear about Preston or Carol, but with more wariness about the supposed ghost. 
Actually looking at the pale face and glowing green eyes contrasting against the darker than dark jumpsuit, Wally’s a little more ready to accept his claim at being undead. 
“He stress cleans,” Bart explains, moving to carry Phantom under his arm. Wally bites down the urge to tell him to put him down, but only because Phantom doesn’t resist the hold, only moving to get into a more comfortable position. His hands are touching the floor. “So what happened?” 
Bart directs the question downwards, and Phantom heaves a very dramatic sigh. Definitely a teenager. It does raise the question of who exactly this kid’s mentor is. Hopefully he does have one. Maybe he’s the Spectre’s kid?
Phantom phases through the arm holding him only to lay on top of Bart’s hair. “I accidentally called Richard dad. And then fled.” 
Bart nods sagely. “Classic. One time I accidentally called Max dad, so I had to start a fire to distract him.”
Phantom sighs again, almost dreamily. “Genius.” 
Wally doesn’t have time to unpack all of that. Well he does, but he’s not going to, because there’s really only one Richard that comes to mind that might have the heart to take in a dead kid, even if he doesn’t go by his full name.
But surely Dick would have told him, or any other Titan, if he had adopted a kid. Right?
But there’s still a little shadow of doubt. Maybe Dick wanted it to be a secret, or it was really new or had a rocky start. Phantom doesn’t seem to hold himself like a Bat, but it’s not a guarantee Dick would have trained him. 
“The lodge looks nice,” Wally offers out loud, which Phantom shrugs at and wraps his tail around Bart’s head to keep secure. “Anyway, Impulse. The file on Myrg?” 
“Oh yeah!” Again, Bart disappears then reappears a few seconds later with a paper file. They really need to start digitizing more of these things. “That’s the planet where we played baseball so that they wouldn’t destroy Earth!” 
“You what.” 
The prospect of Dick following in his dad’s footsteps is forgotten in the face of what the hell Young Justice got up to on Myrg. 
Three
Tim may be in a…Predicament. 
It’s not his fault. Really. He knew what he was doing. He couldn’t let a civilian fall for the trap. But they were already so close, so he just, kinda, pushed himself into the rope instead. 
So there Robin is, tied upside down in a warehouse, with the Joker below next to an overly complicated control panel. The clown’s rambling about bombs hidden all over the city that Tim knows Batman is already tracking down with Batgirl. 
Tim’s not really paying attention to the rant because of that, more focused on wiggling enough to get the spare mini-birdarang out of his glove to cut the rope without notifying the Joker. 
“Yikes, bad time?” Asks Phantom’s voice beside him. Based on the source and accounting for the slight echo, he’s floating with his head near Tim’s, likely upside down. “Want some help?” 
Tim gets the birdarang out and starts sawing at the thick rope. They should be fine anyway, but stalling the Joker for extra time would be helpful. “Can you possess the Joker? Just hold him still.”
“The correct term is overshadow, but sure.” The voice disappears, and a few seconds later the Joker freezes. 
His body jerks forward, then backward, and a laugh chokes out of his throat. His hand claws over his mouth at the noise and he hunches over. All movement halts before he rights himself, shaking out his hands and rolling his shoulders. Phantom looks up at Tim and his eyes are glowing. 
Tim cuts through the rope, kicking and using the momentum to right himself and land on his feet. He brushes past Phantom in Joker’s body to handle the control panel. He turns off the radio broadcast and dismantles the bomb strapped to the panel.
Threat handled, he turns to Phantom and holds up some handcuffs. “Let me arrest you?”
Phantom obliges, turning the Joker’s body around and putting his hands behind his back. Tim lets him walk by himself out of the warehouse and moves the handcuffs around a lamppost. The Joker’s body jerks again, then slumps forward, just as Phantom reappears next to him, scowling down at the unconscious body. 
“That felt really slimy. Zero out of ten, would not do again,” Phantom grouches. 
“Why’re you in Gotham?” Tim asks. It’s not like Phantom makes a habit of visiting. The last time he came into the city, he complained about feeling the dead under the streets. Fortunately, that let Tim uncover a few tunnels that Talons travel through. Phantom, however, was unnerved by the Talons and left quickly. 
“Oh, Solomon Grundy’s back in our sewers. Richard said I should probably tell one of you Gotham heroes, since you keep track of those guys.” He shakes out his hands like they were cramped in the Joker. 
They hadn’t seen Grundy in a while. Tim assumed he was currently in a less violent personality. “What’s he doing?” 
Phantom shrugs. “Just chilling. Mostly underground. I tried to talk to him but he only grunted back at me. He also tried to pick me up, dunno what that was about.”
“Maybe because you’re both dead?” Tim guessed. That would be a surface level connection. Ivy and Woodrue have had more luck working with Grundy than anyone, and Phantom definitely doesn’t have the connection to the Green that’d help with that. 
Police lights turn around the corner, and Tim shoots a grapple to get to the roof above them. Phantom follows, but disappears as soon as they’re on the roof. Going back home, probably. 
Cass drops down from the roof she was listening on. “Richard?”
“Not the same one.”
They both stick around long enough to watch the Joker get put into the cop car. 
Plus one
A spaceship landed in the forests of New York, and Cassie’s team was the first to respond to it. Technically not respond, but check it out, since there wasn’t any alert or anything. 
Still, Wonder Girl has Empress, Robin, and Superboy on the other side of the ship, watching what looks like the back door, while she, Impulse, and Phantom watch the other door and main window. She has binoculars, but the windows are so tinted she can’t quite make anything out. 
No aliens have come out yet, and she hesitates to have anyone go in, in case whoever inside does turn hostile. 
Impulse has offered to run through a total of five times already, and it’s a testament to his restraint that he hasn’t, and a testament to Cassie’s that she hasn’t yelled at him yet. Phantom at least isn’t being annoying, but he’s not necessarily helpful, either. He’s not even watching the spaceship anymore. Now he’s trying to make a flower crown out of dandelions. 
“Door’s opening on our side,” Robin says from the comms. “But no one’s coming out.” 
“Alright, good enough to try to get in,” Cassie decides. She turns to Phantom, who’s closing off the circle of flowers. Beside him, Impulse has since pulled out a gameboy. “Phantom, go in invisibly through the open door and report back. Try to see what their plans are.” 
“Oh, sure. One second.” Phantom finishes the crown and tries to put it on Bart’s head. It doesn’t quite fit over his mane of hair, but Phantom shrugs and leaves it sitting there anyway before going invisible. 
“Maybe I should shave my head again,” Bart says as his game character dies. 
He gets a resounding no in response. 
Half an hour later they have a very annoyed Green Lantern lecturing them about league jurisdiction and knowing when to call someone else. 
Apparently, the alien ship was just stopping to complete some maintenance, and did not appreciate any spying on them, and especially did not appreciate who did it. Green Lantern was more than happy to explain that Wonder Girl’s team is not really a part of the Justice League and he can help with their maintenance. They denied his help and left to find a place with less people in it. 
“-and you!” Green Lantern rounds on Phantom next, but Cassie knows none of them are really listening. Sure, they messed up by freaking out the visiting aliens, and yeah maybe they should have contacted the league about it, but they’ve dealt with stuff worse than this! It’s not Cassie’s fault she thought that this would have stuck to the formula. 
“Who even are you?” Green Lantern runs a hand through his black hair, stupid green gauntlets shining in the sunlight. “Do I need to call your mentor?” He frowns. “Or do they know you mess up alien technology by just being around it?” 
Phantom scoffs and rolls his eyes. “How was I supposed to know their tech would go all fuzzy when I came in?” 
“You wouldn’t have to know if you just stayed out of the spaceship!” 
“Hey!” Cassie cuts in. “Technically that was my call. It’s not all on Phantom.”
“I still could've been more careful,” Phantom says to her, ignoring Green Lantern as they argue about blame. 
“Cut it out for a second, okay?” Green Lantern puts a hand between them and they stop to glare at him. He pulls the hand back. “Look, can I just talk to one of your adults about this?” 
Robin glares. “We don’t need an adult. We have this under control.”
“Only because I’m here now.” 
“I’ll call my mentor,” Phantom says. Kon opens his mouth, most likely to offer to call Superman instead in hopes of a lighter sentence, but Bart covers his mouth, smiling like he knows something Cassie doesn’t. Tim and Anita share a look, and don’t intervene as Phantom pulls out a phone from his chest. 
It rings once before it’s picked up. Cassie can’t hear the other side of the conversation, but Kon’s eyebrows scrunch in confusion. “Hey, do you think you can pick me up? Green Lantern wants to talk to you.” Phantom looks Green Lantern up and down then says, “No, this one doesn’t have a cape.”
Phantom says goodbye after rattling off their coordinates, hangs up, and stares at Green Lantern in silence for a few seconds. 
And then a swirling mass of black seeps into the space next to Phantom. The end of a cane steps out of it, followed by a leg, then the rest of the immaculately dressed man holding the handle of the cane that’s shaped like a bird’s head. 
“Phantom,” The man says. His voice drips with condescension in only a way a british accent can, yet Phantom smiles up at him. The shadowy portal behind him disappears. “What, exactly, happened?”
“That’s the fucking Shade,” Anita hisses to Robin, who shrugs noncommittedly at her. Green Lantern seems to recognise him too, taking a step back and clenching his hand that holds his ring. 
“Well, the team and I were staking out this spaceship–super cool, by the way–and I went inside to check it out, but my presence messed with their tech–which was an accident–and they freaked out, so I freaked out, and then we kinda got into a little fight until Green Lantern came to mediate.”
“Hm. Is that right?” The Shade asks Green Lantern, who nods slowly, still anticipating an attack. “It seems like the problem’s fixed, then.”
“Well, yes, but–”
“And it does seem about time for these kids to get home, doesn't it?” The Shade pulls out an actual pocket watch, chain and all, from his suit pocket and takes his time in checking it. “I’ll see them home.” 
Shadows grow from behind the team, swirling until they become a giant, gaping maw that swallows them up and spits them out in a different forest, or maybe just a different part of the same forest. 
Either way, Cassie has to take a moment to make sure she doesn’t throw up from the sudden vertigo the shadow portal caused. 
The Shade looks at Phantom, and raises an eyebrow. “You can’t expect me to always bail you out.” 
Phantom shrugs, looking guilty. “I know. Thanks, Richard.”
Oh, so that’s who Richard is. Annoyingly, neither Tim or Bart look surprised by this revelation.
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florallylly · 4 months
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less steve harrington "i try to be a good guy despite my past" and more steve harrington "i've always been a good person (albeit probs annoying asf), you just stereotyped me based on my interest in sports"
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buffaluff · 8 months
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happy valentine’s day! 💖
today marks a year since i posted my first public buddie fan art!? so i decided at 10pm the night before to draw a little “sequel” to my first piece, dedicated to all of the cool awesome people i’ve met in this fandom so far ☺️ you’re all my valentines, too bad 😘
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dawnofiight · 19 days
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I offer to the public: Black Sam!
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So. Erm. :D
Peep the way I didn't feel like doing plaid
Taglist:
@achios
@angel-shaw (I just felt like you should be @ ed for this particular drawing-)
@ashertickler
@aurorialwolf
@dukecollinsbf
@infinitelovewiithoutfulfilmentt
@moronkyne
@pandoraroid
@plaqying
@porters-fangs
@professionallyyappinabtangst (I literally just showed you this)
@puffin-smoke
@skunkox
@starlogician
@sunsickcrab
@themeridian
@tunacatfishes
@www-dot-why-are-you-here-dot-com
@zimix-whispers
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moonkhao · 6 days
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Are you here to check up on the whole “mom thing”? No, just been missing you.
HIDDEN AGENDA | EP10
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mamawasatesttube · 2 months
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the geoff retcon is just so poorly done in so many ways. when i think abt it i just rly do have to roll my eyes because it wouldn't even be that hard to be like "actually, paul westfield was duped by agenda under orders from the contessa" and have that as the explanation for the introduction of luthor dna instead of paul westfield's, if you MUST include it. like that way it doesn't blatantly contradict the entire luthor plotline with mae in reign of the supermen, and it could've been a reveal to luthor himself, too. that couldve been fascinating ESPECIALLY in the context of lex having baby lena in that era, until the y2k event.
but fuckign. why do that when we can directly contradict kon's entire origin story which explicitly states he escaped before they were able to put control codes in his head. and when we can also just completely dismiss the ethics of "they [wanted to] put control codes in his head" in favor of "what if... some genes... make you BAD..." which is just very thinly veiled eugenics that the narrative entertains, for some reason. frankly, imo, lex was far more interesting as a character in every plot other than this, because he became so one-dimensionally evil in a very boring stock "manipulative" way. and we didn't even get a single mention of lena in all of his "my son" bullshit. using the contessa wouldve been such an easy and perfect way to tie it all together!!!! but sure. why do anything like that, right geoff.
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bolithesenate · 6 months
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Assajj will get that pistol squat even if it kills her
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@furious-blueberry0 thanks so much for this DTIYS because when I say it INSPIRED me!!!! Gosh, I just love your Ky and Assajj so much, they are so precious.
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mush726 · 4 months
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I've been cooking.
CHAT I LOVE THEM THEY'RE MY BABYZ
I COULDN'T HELP MYSELF I COULD SEE IT IN MY MINDS MIND
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twig-tea · 1 year
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Only Friends Ep 6 Scene By Scene
This is the episode we've all been waiting for. It's the first episode where everyone is objectively a bit of an asshole; it's the first episode where truths are finally talked about, it's the episode that starts to answer two of my most burning questions (what is Boston's home life like, and where is April?), and interestingly it's the first episode we get without any obvious narrative framing or character perspective.
It was so interesting, as the clear pivot point of the story, that there was no obvious framework this ep, but this entire episode was parallels and callbacks and hypocrisy/relying on viewer knowledge to understand all of the subcurrents. I have so many thoughts that I'm talking about each scene so this post is LONG.
First scene: Top and Mew by the pool. Not enough people are giving Force and Book credit for keeping the awkward tension between these two even though they are having textbook cute moments, because these characters still don't trust one another and this scene establishes that before the rest of the episode blows them up: Mew says he's not sure they'll be together in 3 months, explicitly calling out the fragility of their relationship; and Top gets defensive at Mew insinuating he doesn't need a relationship and doesn't trust that they'll stay together, and straight-up lies that he's stopped doing drugs and having casual sex [though I do wonder how much he believes it's a lie because he's clearly cut back from his usual, and when someone does something all the time changing to doing it rarely does feel like not a big deal in comparison] and asks what else about himself he needs to change for Mew [all, by the way, while Mew is preparing to undergo permanent surgery to his eyes for Top]. We also get this called back later in the ep when Mew tells Ray to quit drugs and Ray says sure, and I have to wonder how many times that exchange has happened and if it's partly why Mew is suspicious of Top's "easy" change. Also interesting that Mew seems to be one of the only people in this friend group who has two parents (his moms) that care about him and who also have a good relationship with each other. Mew's point that he doesn't need fulfillment from a relationship because he gets it from his friends and family is interesting; especially given his friends. [Sidenote: This is basically how I feel about my own life so I am curious how other people read this assertion.] The ephemeral change of sleeping around and doing drugs vs the physical and permanent change of Lasik is really standing out to me this scene as significant.
Second scene: the meeting with the professor. It's interesting that even though they're presenting, they're the ones sitting down. Cheum says they can keep personal and professional lives separate and Ray turns to stare directly at Boston. I love that this is even before anyone else knew that the Boston/Top hookup was at the soft launch party for the hostel. Also noting Cheum's catty comment about even Boston helping; this girl is so much messier than people give her credit for [just saw @lurkingshan 's breakdown of this episode as I continue to update this post and yessssss call her out!!]
Third scene: noodles. This is I think the same place they planned the soft launch party. I'm seeing parallels with everyone pressuring Boston to date Nick to everyone pressuring Mew to sleep with Top in the first ep. Also, interesting that Cheum promises to behave this time [and then definitely doesn't]. We've all (or at least I have) been wondering where April is and now we get some explanation. I do wish they'd established this as more of a pattern for Cheum to complain like this, but I'll take it as setup now. The way Ray and his seething is invisible in this scene has been covered beautifully here [by @poetry-protest-pornography and @respectthepetty ].
Fourth scene: Ton and Nick wakeboarding. The parallels here to Top/Mew are twofold: we get the similar sitting by the water parallel from earlier this episode, in which there is a clear undercurrent of hypocrisy between what the characters are saying and what the audience knows about them (that conversation with/about Gap was so good, with the tension in Nick knowing he still has that audio clip and still hasn't deleted it as Boston berates Gap for the same thing), and then there is the contrasting parallel to when Mew took Top wakeboarding for the first time with the rest of his friend group. In contrast, Ton took Nick here alone, clearly still trying to play this game of not dating Nick but doing things with him that they would do if they were dating, that send extremely mixed signals. This scene again underscores the fragility of the relationship Boston and Nick have and how easily it can be broken.
Fifth scene: The hospital. Sand and his mom, in which we see how used he is to taking care of someone who is a bit of a mess [affectionate], and how he can still only be somewhat honest with his mom about his relationship with Ray (more than we'd expect between a 20something and their mom, but less than we the audience know is the truth--they're just having fun but it's not what he wants). And then the confrontation between Top and Sand. Top characterizes his relationship with Mew as "I get what I want" and I have to wonder how much of that is posturing to annoy Sand and how much of it is honesty. I did also think that maybe he meant it when he said "I hope you get what you want soon" because he wants Ray's attention away from Mew.
Sixth scene [start of part 2]: Sand intentionally drops and stomps on his phone to have an excuse to borrow Nick's so he can steal the sex audio. This is the first time that Sand consciously does something shitty to one of his friends, and I am living for it--let good characters make bad decisions! The parallel here is of course to Boston getting his phone fixed by Nick and having Nick steal his photo and adding one of his own from the beginning of the series; also a small one of Sand using his mom as an excuse to lie to his friend, the way Top used his dad as an excuse to lie to Mew the night he slept with Boston [not a comparison Sand would like, which is why I enjoy it]. I love that we see Nick get worried at the end of this scene because he's a phone tech and of course would know to check what Sand did with his phone.
Seventh scene: Top taking care of Mew after Lasik; this is maybe the least tense scene between Mew and Top, and the fact that Mew can barely see and is drugged for it is on point. I do also like that Top isn't great at caretaking but he is trying. This scene reminds me of Mew taking care of Ray and vice versa, especially the latter when Ray kisses Mew while he's sleeping and how that's contrasted with Top (Mew's boyfriend) only kissing Mew's forehead when he realizes he's asleep. The sketches that Top does are also really interesting, and how they hit Mew later is even more fascinating. The conversation they have in which Mew establishes that this is all happening right after they've had penetrative sex for the first time (so not long after ep 5) and makes clear he's still nervous about his performance and then credits Boston for their relationship, setting everything up for later, is just so good, it underscores the importance Mew has been putting on his virginity and sets the betrayal up to hit harder. I love how Top pushes back on giving Ton credit for their relationship here because it makes him so uncomfortable.
Eighth scene: Sand calls Ray out to play the stolen clip for him. This feels like a parallel to Boston calling Top out to play the video of Mew and Ray kissing. Other folks [ @xceanlynx and @respectthepetty linked here] have pointed out that in this scene Sand is choosing his hatred of Top over his potential relationship with Ray here, which I don't disagree with, but also what occurred to me here because of this parallel is the similarity in that both Sand and Boston seem to be motivated by their jealousy of Mew in these scenes too. I also just can't stop thinking about how wild it is that everyone recognizes Top and Ton by their sex noises alone.
Ninth scene: Boston and Nick with Boston's dad. We finally get some background for Boston and he clarifies he's always been planning to bail on Thailand to go to New York. It's interesting that it's made explicit that if Boston fails he's more likely to go to New York sooner, especially after the warning their teacher gave about the hostel project and how we know it's Boston's drama that is threatening to blow that project up. Boston's conversation with his dad is a contrast with Sand and his mom earlier; while Sand sleeping around was not judged by his mom, she did warn him about his feelings, while Boston's dad seemed to celebrate his callousness. The way Boston continues to ask Nick to not be dramatic while stirring up constant drama in his own friend group, and his insistence that his relationship with Nick is special but not a relationship is really something. Also that this convo takes place in Boston's dark room, which gets called out later as one of his regular hookup locations, and where Nick first got suspicious about Boston and Top, is interesting, especially in the context of permanent physical photos vs digital recordings that you can't necessarily erase vs how gossamer thin their relationship security is, and how tied up in voyeurism all of these things are.
Tenth scene [start of part 3]: Ray confronts Boston at the hostel (blatantly running contrast to "we can keep personal and professional lives separate"). We see Boston nervous here when first being confronted before he decides what approach to take with Ray to keep his mouth shut (not for the first time; we saw him nervous in the showers when he first tried to get Top to have sex). Also, I just have to say, respect to Ray for going to Boston first to confirm it's true before deciding what to do with the clip.
Eleventh scene: the birthday party at Yo's bar. It's poetic that the start and end of the Mew/Top relationship is because of conversations at Yolo. Once again, the spectre of failing school [because of the project] comes up in Mew's birthday wish. Cheum immediately breaks her promise to be "good" and teases Boston about Nick. She also says "everyone is dating someone now", apparently forgetting entirely about Ray. This entire conversation was so passive aggressive and @lurkingshan 's post (linked above) breaks it down really well. I am fascinated by Mew's reaction to Top's gift; I hope we get more insight into that because he seemed legitimately shaken, and it didn't seem to be positive. Also highlighting that once again Boston is credited for their relationship (this time by Cheum), and both Boston and Top seem deeply uncomfortable with it but Top doesn't argue it this time.
Twelfth scene: Ray and Mew in the bathroom. I already mentioned Ray's promise to quit and how it parallels Top "quitting for Mew" at the start of the ep; Mew is expressing care for Ray here but in a way that is distant and frankly a bit callous (to say "you'll be dead by thirty" to a guy who was/is suicidal is not the smartest approach even if it isn't intentionally referencing that). He insists that Ray not drive home but doesn't take his keys or stay with him to make sure he does actually get a ride, which is admittedly a big ask on your own birthday but just indicates the intentional boundaries Mew tries to set with Ray about not caring too much, I think. I don't think this makes him a terrible person, but it makes him not a great friend. This is in contrast to Sand, who stayed with Ray and made sure he would not drive before he even knew him, and followed him at the end of this ep to make sure he would not hurt himself or someone else even after Ray pushed him away.
Cursed thirteenth scene: Ray blows everything up [ shoutout to @liyazaki for this perfect post]. First, the same song is playing as the silent disco, calling back how Top's fate was sealed before Mew and Top had even gotten very far. And then once again, Sand's band is interrupted so that someone can take the mic, just as Top did when he asked out Mew for the first time. Mew calls out Cheum and April for their less than perfect relationship despite what it seems on the surface and more specifically calls out Cheum for being a bit of an asshole actually, mentions that Boston is a gossip about his hookups (which is not actually something we've seen evidence of, and I'm interested in how true it is), tells Nick he's not special, tries to explain to Mew that he (Ray) is not who Boston thinks he is and didn't share the clip with Mew to get him for himself [only knowable on rewatch of course]. Cheum finally admits that she fully knew Ray was in love with Mew this whole time and has just been ignoring it/pretending not to [vindication!!] and accuses Mew of exactly what he was trying to deny. Top finally acts his nastiest self in front of Mew, putting his arm around Mew's shoulder and claiming ownership for the second time this party in Ray's face (first time was when Yo joked that she wanted to go out with Mew now that the glasses were gone). Sand can't get Ray to stop, and Ray tries to shame Sand needing money by implying he should have sex with Ray for money. Ray goes after Boston, and Mew can't get Ray to shut up either so he hits him (even knowing why Ray is acting like this; and that's my favourite part of this entire episode, that Mew has decided he wants his moment to confront Top his way, once again using sex to control his feelings--this time to make him humiliated rather than fall in love--and he's willing to punch his friend to get his moment, and I am obsessed).
Fourteen: Only Sand goes after Ray, once again the only one actively trying to stop him from killing himself or someone else on the road. Sand snaps and yells at Ray to pay attention to him, Ray's "what are we to each other?" comes off as desperate rather than accusing, which I love--the question of what they are to one another has come up so many times and neither is willing to admit they want to be more first. Ray again calls Sand a whore this time explicitly, and drives off. Sand follows Ray. This is a beautiful parallel to the first time Sand took Ray home. Like every other couple scene this episode, the tenuousness of their connection is highlighted and even threatened in this scene, but Sand doubles down.
Fifteen: April and Cheum finally have a scene. They reconcile, but (like all of the couples) it feels tenuous. April asks that Cheum not lie to her just to avoid conflict, and Cheum promises to do that--but I am fully expecting this to not last. Since we know Cheum knew Ray was in love with Mew this whole time, it's confirmed that her lying or just glossing over reality to keep things easy is her personality not just something she does with her girlfriend's films.
Sixteen: the scene that we've all been waiting for. This was such a good fake-out, and it's the start of Mew's unhinged era he promised us all at the start of Top's pursuit of Mew. The way he set the stage, prepared a script, and as best I can figure out, TIMED A REMIX OF THE SEX AUDIO TO HIS SEDUCTION is absolutely sending me. Being more sexually confident, initiating sex and holding Top down, and making sure he could see Top's face when he realized what was happening, whew boy what a set-up. I am thinking about how much of that was him wanting Top to feel tricked and violated the way he felt tricked and violated. I also love Mew jumping to the conclusion that Boston and Top planned this and were laughing at him because that's a) indicative of something Mew would do, clearly; b) totally something people think when they're embarrassed, they assume everyone else knows and is laughing at them; c) not totally wrong because Boston did make fun of Mew's lack of experience to Top (shoutout to the YouTube comments for the reminder).
And that last sentence of the episode deserves its own paragraph because it just so perfectly encapsulates exactly where Mew went wrong in his thinking from the start: "I wasn't good enough for you to love only me"... As though other people's behaviour is controlled by your goodness and earned through your own behaviour. As though love and sex are value judgments. As though the world is fair. As though goodness is an objective judgment that allows you to control the people around you. This thinking is so harmful and so pervasive. It's really a sign of Mew's desperate need to be in control (in this version of events, even Top having sex with Boston is actually Mew's doing, which means in theory Mew could prevent it from happening again if he betters himself). And it confirms what we all suspected Mew's been trying to do this whole time: Manipulate Top into changing into a "better person" [read: monogamous and drug-free] through his own behaviour.
I also noticed that almost every camera shot in this entire episode was close faces and there was a lot of hand-held camera work. Intimacy, instability, lack of clarity, all of these things were coming through the way it was shot.
Ahdhsh tumblr keeps eating parts of this so I'm going to stop. But whew this episode just gave and gave!!
@ranchthoughts @slayerkitty @wen-kexing-apologist @neuroticbookworm @waitmyturtles @lurkingshan @distant-screaming @chickenstrangers @clara-maybe-ontheroad
Tagging the ephemerality squad because if any of you pick up on any of these threads and parallels and tie them into your meta I want to know about it! Tumblr is showing me only like half of what people are posting these days and unfollowing people without my consent so pls tag me
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niteyorb · 8 months
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Goddd. Something about Ecaf "loving" Fabian because it's just reflecting what Fabian says he wants and Fabian LOVES it, Baron "loving" Riz because they're just reflecting what Riz says he wants and Riz is HORRIFIED.
Ecaf is nonthreatening because Fabian wants to be loved so badly he doesn't even care if it's from a mirror, Baron is murderous because the idea of romantic love threatens Riz so much.
The mirrors... They're Reflecting.........
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doctorwhoarchive · 1 year
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her ig bio.. she’s so Sam coded
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punkeropercyjackson · 5 months
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#all that tdmm hate that still lingers is some of whitest shit i've ever witnessed td.dks really went all out with the yt gay/yt feminism jfc#like shouto and momo are so obviously japanese in every way(i also hc shouto as part bangladeshi and momo as a blasian dominican-mexican)#i deffo agree they're both queer-coded shouto is transmasc genderfluid and momo is transfem softgirlgender but as poc not white at all#like idc about gay shouto and lesbian momo you can hc what you want but what you guys call 'concrete proof' is just japanese/asian culture#as a homecountry raised poc they're both more trans and autistic-coded than any orientation and their dynamic is so such a poc4poc fantasy#t4t autistic4autistic poc4poc fantasy specifically!!!their characters and story are NOT white western at all and the perfect teen m/f ship#but bnha is so popular with we.ebs who know jackshit about easterners and poc in general tbh they hate todomomo for not being yt bread gays#and think it's a morality thing when it's the most harmless fucking ship AND they ship DABI with a blonde cop.HIS GOTH/CPUNK ASS????????????#PLEASE my afrolatina ass has never been able to take them seriously especially because dadbi/s'mores siblings makes way more sense#but yeah i've talked enough.if you hate todomomo you're probs mad that they're a genuinely unconventional m/f ship instead of palpability#todomomo#t4t todomomo#todomomo protection squad#todoroki shouto#momo yaoyorozu#half bangladeshi rei agenda#blasian latina momo#trans todoroki#trans momo yaoyorozu#goth punk todoroki shouto#pastel punk momo yaoyorozu#partially blind todoroki#chubby momo yaoyorozu#bnha geekery#our hero academia#tea blend crew#team dual#momo is also adhd anxious and ocd along with being autistic thanks#summeredits#summerposting
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thelostgirl21 · 2 months
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When the Prince you're meant to be babysitting suddenly shows up and turns your whole meeting with the Sandpiper into some highly weird and confusing "Deadly Spy, Naughty Spy" routine...
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Poor Jaskier... So, are they planning on letting me go or keeping me? Do they want me to stop fucking or keep fucking? Is getting eaten something I should dread or look forward to?
Technically, it worked though, because Jaskier 100% decided that, given the choice, he'd rather continue to deal with the horny sexy prince than the scary sexy witch, moving forward!
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firstkanaphans · 3 months
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I was tagged by the lovely @visualtaehyun to share some of my favorite onscreen kisses for my followers to vote on. (And y'all know how much I love polls about kissing.) You can view Bella's poll and all of her fantastic choices here.
Rules: Create a poll with five of your all-time favorite onscreen kisses, setting any standard for qualification you choose. Then tag more friends to join in!
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Tagging @scrumptiousstuffs, @moonkhao, @whitnerd, @mbjw, @wangxianinventedromance, and anyone else that wants to play! (Tumblr is not letting me tag more than 5 people because it is perpetually broken.)
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possessedbydevils · 9 months
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Hit Russian author, Fyodor Dostoyevsky, as a Christmas gift, gave me a chapter he scrapped while writing The Possessed and it is now my sole duty to share it with the world
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