#pennisy

[ozkar-krapo]

Francesco PENNISI

"Acanthis"

(LP. RCA. 1986 / rec. 1985) [IT]

[victusinveritas]

"Do Not Put Frida Kahlo in the Poem about Your Daughter" by Linda Tomol Pennisi, CALYX Journal Vo. 29:1 winter/spring 2016.

[vadimblack69]

[elcnasxltzman]

[zanygardenherowobbler]

Nahuel Pennisi - Todo Cambia ( video oficial) Reacción

[saraw4ters]

[letras2wi]

Nahuel Pennisi - Regresa (part. Luciano Pereyra) Letra

Nahuel Pennisi – Regresa (part. Luciano Pereyra) Lyrics, Letra Regresa (part. Luciano Pereyra) Letras, Lyrics: Ya no queda nada por decir Simplemente no estoy bien así Regresa, te pido amor regresa Que el tiempo cure lo que tenga que curar Empieza el día y veo que no estás Descanso en esta triste soledad Regresa, te pido amor regresa Nos merecemos otra oportunidad No me rechaces Si es que te pasa…

[kulturado]

The Story: Former Mafia Member Rates 10 Mafia Scenes In Movies And TV | How Real Is It?

The Writer: Insider

[typhlonectes]

Watch slow-motion tongues offer a snapshot of evolution

High-speed cameras capture the many functional properties of lizard tongues

An early interest in reptile feeding behavior led evolutionary biologist Kurt Schwenk to study the tongues of lizards. Like Charles Darwin’s finches, the various forms and functions of lizard tongues help piece together the story how the diversity of reptiles and amphibians evolved. In this video he explains how his high-speed cameras not only capture every flick, shot, and blob, but have also proved useful in studying a variety of other fast-moving organisms and behaviors. 

Read the feature story by Elizabeth Pennisi for more about the fascinating tales of the tongue.

[valeryseven]

Ph: Cecilia Pennisi

[lunamagicablu]

Non conta quanto è grande la casa, ma quanto è felice la famiglia che ci vive. Giuseppe Pennisi art by_spiderhal2 ***************** It doesn't matter how big the house is, but how happy the family who lives there is. Giuseppe Pennisi art by_spiderhal2

[unapinetaamare718]

Virginia Caldarella e Andrea Pennisi - Trattato di Anatomia Emozionale

[turangalila]

Ivan Fedele (*1953) ERINNI (1998) per pianoforte, cymbalon e vibrafono

Erinni was born from a project organized by the Festival Milano Musica dedicated to György Kurtág where six different Italian composers were asked to set six poems by Alda Merini. A double tribute, therefore, to two very different artists, in some ways very far from each other but both sharing a dazzling lucidity of expression.

Of the six composers (there were also Adriano Guarnieri, Fabio Nieder, Francesco Pennisi, Alessandro Solbiati, Fabio Vacchi) Fedele was the only one to make a choice that is quite uncommon in such cases: to exclude any participation of a voice and thus any explicit rendering of the words of the poem.

Yet again Fedele chooses a formal starting point where the compositional procedures are defined from the form and for the form. Here is the text by the Milanese poet

Erinni (from Il volume del canto)

Fino a quando dovrò, mente dannata, partorir la tua rima e la tua forza onde per gioco mi giocò l'amore? Fino a quando dovrò mandare aromi di tremende vendette alle tue Erinni? Fino a quando giocare sopra questa bussola torta che mi porta piano a farmi di me stesso capitano?

The structure of the poem shows a clear three-part division marked by the words "Fino a quando". The number of lines is irregular (3 - 2 - 3), but the scheme is very well balanced and basically symmetrical thanks also to the internal balance present within each line. This gave Fedele the idea that the three parts portray the same object as seen from three different points of view; three different images that, two to the requirements of verbal language, are presented one after the other but when transposed into music can enjoy the luxury of simultaneity. Each of the three instruments thus assumes a given point of view and develops it in a similar but slightly divergent manner. Passing through phases of impelling urgency or of suspended abandon, the course of the composition traces an elliptic form that reflects the most intimate proprieties of the poetic text. [by Claudio Proietti]

_ Ensemble Accroche Note. Michèle Renoul, piano. Luigi Gaggero, cymbalon. Emmanuel Séjourné, vibraphone. Studio recording 2004

[7lunares]

Llevo en bucle está canción y solo quiero llorar...

[malesmokingguys]

Gabriele Pennisi

[elpollas777]

Nahuel Pennisi - Toco y Me Voy (En Estado Acústico)

vaya cancion tio joder macho