#pausally

[lord-luminous]

All that energy spent making Poseidon and Sally's relationship a beautiful, tender but painful tragedy was so good. It hit so well.

But I cannot lie to anyone. I am still looking forward to seeing Sally get with Paul in the later seasons.

I'm not gonna apologize for who I become when Poseidon starts getting lowkey salty at Paul for dating Sally.

Block me now, because this is a Paul Blofis stan account and I'm not accepting antis.

[caleohateclub]

Paul Matthews? ahaha... I think you mean, Paul Blofis (please accept my crack fancast please)

[cursethrower]

Pausal - Without

[freedomainnames]

pausal-canonicity.net

[andronicmusicblog]

Beautiful electronic vibes into a mystic atmosphere by Pausal. We added "Murmuration II" on Electronic Voyage https://ift.tt/KTcfOmH Cheers, Andronic Music ❤️

[liah-natasha]

Ang aking Talambuhay

Ako si Alliah Natasha R. Pausal, labimpitong taong gulang at naninirahan sa Brgy. Olympog Lungsod ng Heneral Santos. Noong marso 5, 2005 aking unang nasilayqn at naramdaman ang kagandahan at kahiwagaan ng ating mundo. Ang aming pamilya ay masasabi kong maliit lamang dahil dalawa lang kaming magkapatid. Ang aking mga magulang ay sina Charito Pausal at Mario Pausal at ang panghuli ay ang aking nakababatang kapatid na si Cyrelle Jay Pausal. 

Noong ako ay bata pa lamang, ang aking mga magulang ay kailangang magtrabaho kaya’t ako ay palaging naiiwan sa bahay ng aking lola. Sa murang edad ay natuto na ako sa mga gawaing bahay dahil ako ay sinasanay na ng akong lola. Nagsimula akong pumasok sa paaralan bilang kinder noong ako’y apat na taong gulang. Natatandaan ko, minsan ako ang hinahatid ng aking ina sa paaralan kapag wala siyang trabaho, kahit ipinagpipilitan ko na kaya ko na ang aking sarili na pumunta at umuwi galing eskwelahan.

Ako ay palakaibigan at bibo sa klase kaya’t madami akong natatanggap na mga parangal hanggang sa pagtungtong ko ng elementarya ng A. Biscayda Elementary School, sa aking pagsisikap, ako ay nakagraduate ng elementarya bilang valedictorian. Habang lumalaki ay hindi maiiwasan ang mga problemang ating makakaharap na hindi mo maiiwasang kwestyonin ang halaga ng iyong sarili. Pagtungtong ko ng highschool sa Holy Trinity College of General Santos City ay masaya naman ang aking karanasan. Noong 2020 ay nagstart na ang pandemya at ako ay nagkulong lamang sa bahay dahil sa higpit ng mga panukala. Ako ay kasalakuyang nag aarl sa General Santos Doctors Medical School Foundation Incorporation, kaunting buwan na lamang ay magtatapos na ako sa high school.

[anantradingpvtltd]

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[fleur-vimure]

No words, just listen and leave your body.

[gacougnol]

(via Pausal - Avifaunal | DRONARIVM)

[caleohateclub]

PaulSally drawings!

this is the best way i could show you

[bigbadjackal]

Perhaps this is a weird question, but do you pronounce the ‘t’ at the end of feminine names? Like Amunet and Anupet or even Ammut.

Hi goldenwatcher,

I do personally, but whether it's most authentic to do so or not, I've no idea. I'm not a phoneticist and it's really not my area at all. But you should check out this page, it was written up by someone for whom this is very much an area of expertise. I have also asked him directly and the answer is complicated to say the least. The following is my curated version, selecting for the more practical aspects he shared with me.

"The .t ending is the normal ending for a grammatically feminine word. This shared across much of the Afro-Asiatic language phylum. In many languages the pronounced ending (often *-at, but in various situations it could have other vowels too, depending on language and period and register.)"

"By the later OK (say 5th Dyn very roughly, the /t/ begins to drop out in a few words. This progresses over time, leaving (usually) a final schwa-like or /e/ or /a/ vowel . You see this in many words in Coptic that are feminine. (in Bohairic and Fayoumic it can be spelled with -i as well.)"

(He then spoke about a number of more technical issues with the implication that there was a general overall erosion of the -t from the language and its retention only in some rather particular grammatical cases.)

"A special wrinkle is feminine nisba nouns that are formed on underlying feminine nouns ending in -t. bAst.t, rnnut.t, Ssmt.t (Bastet, Renenutet, Shesmetet) are examples. Those preserve the first t while dropping the final one, according to the original basic rule."

"OK that got us into Goddess names. But one final warning first. It could very well be that -t pronunciations were retained in very formal and religious speech used ritually and for maybe some high literary registers."

"By the MK, probably in informal speech, final feminine ts were dropped in pausal, non-possessed and non-construct situations. By Late Egyptian this was quite far along and was moving into epistolary writing - with final -ts dropping out in hieratic and some simple common words in hieroglyphic - like nb for nb.t. By Ptolemaic we commonly see spellings that drop the final t even in hieroglyphic on Temple walls. It is basically after the NK that you see spellings of Bastet's name with only one t. And even then, not always..."

"Now, we have a good amount of transcriptions from Assyrian cuneiform and Greek, etc that indicate that many Goddess names (and Epithets) are not ordinarily pronounced with final ts. But internal ones in compound names are - like H(w).t-Hr and nb.t-H(w).t. Some names always kept the final t - like ni(y).t (Neith). Isis (originally *Úsit) loses the t (from Greek: Ése)."

"Big bad conclusion. We have to look at the evidence for every single name to figure this out!! While many final t's go away, some persist forever."

A little add from me: In the name Ammut, that final -t is actually not present because of her gender, but is part of mwt, a word for the dead, which she am-swallows. And Hannig Lexica-1 is indicating that mwt is actually a masculine word. ¯\_(ツ)_/¯

[kimsonvalon]

Écouter / acheter: Melatonia de Pausal

[postambientlux]

BEST AMBIENT OF 2018

the 100 BEST AMBIENT ALBUMS of 2018 curated by @holsgr​​

#100 : Marcus Fischer & Simon Scott / Shape Memory

#99 : Dmitry Mazurov / Simulacra

#98 : Siavash Amini / FORAS

#97 : CUTS / A Gradual Decline

#96 : Dntel / Hate In My Heart

#95 : Amplidyne Effect / Gloria on Canvas

#94 : AURAL / Sonic Metamorphosis

#93 :  Saåad / Présence absente

#92 : Rauelsson / Mirall

#91 : Deru / Torn in Two

#90 : Moss Covered Technology / And His Many Seas

#89 : Federico Durand / Pequeñas Melodías

#88 : Arp / ZEBRA

#87 : Jon Porras / Voices of the Air

#86 : Goldmund / Occasus

#85 : Resina / Traces

#84 : Markus Guentner / Empire

#83 : Aidan Baker & Gareth Davis / Invisible Cities

#82 : Valotihkuu / Fragile Melodies

#81 : Shida Shahabi / Homes

#80 : Oren Ambarchi, Kassel Jaeger & James Rushford / Face Time

#79 : 36 / Ego Death

#78 : Jake Muir / Lady’s Mantle

#77 : Bruno Sanfilippo / Unity

#76 : Æthereal Arthropod / Opilio

#75 : Jon Hopkins / Singularity

#74 : Tim Linghaus / Memory Sketches

#73 : Endless Melancholy / Fragments of Scattered Whispers

#72 : Tomasz Bednarczyk / Illustrations For Those Who

#71 : kj / Ex

#70 : Ólafur Arnalds / re:member

#69 : Vanessa Amara / Manos

#68 : uon / uon

#67 : Nico Niquo / Timeless

#66 : Sarah Davachi / Let Night Come On Bells End The Day

#65 : Félicia Atkinson / Coyotes

#64 : Zinovia Arvanitidi / Ivory

#63 :  Kevin Verwijmeren / Dett

#62 : Michael Beharie & Teddy Rankin-Parker / A Heart From Your Shadow

#61 : Kaitlyn Aurelia Smith / Electronic Series Vol 1: Abstractions

#60 : Taylor Deupree / Fallen

#59 : Jean-Michel Blais / Dans ma main

#58 : Hakobune / Betelgeuse

#57 : Grzegorz Bojanek & Piotr Michałowski / Solid

#56 : Zenjungle / Fragmented Lives

#55 : Lucrecia Dalt / Anticlines

#54 : International Debris / Holosphere

#53 : Kasper Bjørke / The Fifty Eleven Project

#52 : GAS / Rausch

#51 :  Śruti / Heard, Unspoken

#50 : Objekt / Cocoon Crush

#49 : Axel Rigaud / Transformation

#48 : Mary Lattimore / Hundreds of Days

#47 : Olan Mill / Variations on the Letter H

#46 : Ian Hawgood / 光

#45 : Yann Novak / The Future is a Forward Escape Into the Past

#44 : Nils Frahm / All Melody

#43 : Pendant / Makes Me Know You Sweet

#42 : Rafael Anton Irisarri / Midnight Colours

#41 : Rival Consoles / Persona

#40 : Pariah / Here From Where We Are

#39 : Halftribe / For The Summer, Or Forever

#38 : Aaron Martin / Touch Dissolves

#37 :  SUGAI KEN meets G禁禁禁禁岩石考 / -yOrUkOrU-

#36 : Ipek Gorgun / Ecce Homo

#35 : Pausal / Volume Flow

#34 : Harnes Kretzer / Black Noise

#33 : Rabit / Life After Death

#32 : Janek Schaefer / What Light There Is Tells Us Nothing

#31 : Aphex Twin / Collapse

#30 : Etelin / Hui Terra

#29 : r beny / Eistla

#28 : The Sight Below / Glider 10: Reworks

#27 : Laurel Halo / Raw Silk Uncut Wood

#26 : Angelo Harmsworth / Kompressor

#25 : Richard Devine / Sort\Lave

#24 : Thomas Ankersmit / Homage to Dick Raaijmakers

#23 : Ian Hawgood & Giulio Aldinucci / Consequence Shadows

#22 : Maria w Horn / Kontrapoetik

#21 : Félicia Atkinson & Jefre-Cantu Ledesma / Limpid As The Solitudes

#20 : Dedekind Cut / Tahoe

#19 : Pascal Savy / Dislocations

#18 : Tim Hecker / Konoyo

#17 : Christina Vantzou / No.4

#16 : Abul Mogard / Above All Dreams

#15 : M. Geddes Gengras / Light Pipe

#14 : CV & JAB — Zin Taylor / Thoughts of a Dot as it Travels a Surface

#13 : Brett Naucke / The Mansion

#12 : Ben Chatwin / Drone Signals

#11 : Ian William Craig / Thresholder

#10 : Eli Keszler / Stadium

#9 : Paperbark & r beny / Resons to Live

#8 : William Basinski & Lawrence English / Selva Oscura

#7 : Giulio Aldinucci / Dissapearing In A Mirror

#6 : Mats Erlandsson / Hypodermic Letters

#5 : Solidarity Hymn / For a Wandering Beam of Sun

#4 : Francis M. Gri & Federico Mosconi / Between Ocean and Sky

#3 : SY/IN / Blinded

#2 : The Caretaker / Everywhere at the End of Time (Stage 4 & 5)

#1 : Alessandro Cortini & Lawrence English / Immediate Horizon 

Experimental electronic & Ambient music blog made by Hermann Holsgr. linktr.ee/postambientlux

[freedomainnames]

pausal-exchequer.org