#paulineboty

[wiseblood]

Happy Birthday #PaulineBoty https://www.instagram.com/p/B9crlDoAZQmLiaALPqJMwztFq5CQNg-Q3oMjiI0/?igshid=12kavrpigu1qc

[tizianomazzilli]

Pauline Boty, 1964 #paulineboty https://www.instagram.com/p/B4lEGSKHf2_/?igshid=8sjb1u2e4vd8

[badpunkradio-blog]

THE LAST DAYS OF PAULINE BOTY. Written by Vinny Rawdings. Read by Rosalyn Landor. Soundscape by Inga Tillere and Mat Eric Hart. 

'Salve Regina' Latvian Radio Choir, Sinfonietta Rīga & Tõnu Kaljuste Arvo Pärt: Adam's Lament | 'Zeit' Tangerine Dream: Zeit | 'Seen' Steinbrüchel Yasujiro Ozu : Hitokomakura | 'Un Piano Dans L'Espace' Janko Nilovic Percussions Dans L'Espace | 'Return To Me Who Sleeps' Dale Lloyd Yasujiro Ozu : Hitokomakura | Guillaume Apollinaire | 'Noon' Alva Noto + Ryuichi Sakamoto Vrioon | Jean Cocteau | 'One And The Same, Beginnings And Endings' Dale Lloyd Yasujiro Ozu : Hitokomakura | 'My Little Funny Girl' Me:Mo V.A Landscape 2 | 'some of us [lone wolfs]' AGF [poemproducer] voices disconnected | Field recordings from London Sound Survey | 'Spring Summer Autumn Winter Spring' Talk Less, Say More Meisha's Morning | Jean Genet ‘Le condamné a mort’.

[delicatelyhardinfluencer]

"Revolution" exhibition at @mbamtl Pauline Boty 1964, founder of #british #pop #artmovement #youthquake . . . . . #art #fashion #beatles #60sfashion #paulineboty #musée #artpublic #publicart #photoblog #music #feminism #freedom #newwave #newvibe #polkadot #beauty #wimbledon #bardot #freespirited #revolution #instalike #instagood #instastyle #photooftheday #styleblog #montreal (at Montreal Fine Arts Museum)

[blueveils]

Pauline Boty’s nightmare (rescored). #paulineboty #experimentalfilm #bbcradiophonicworkshop #deliaderbyshire #popgoestheeasel #kenrussell #bbctvcentre #1962 #1960s #popart 

[wiseblood]

#PaulineBoty on #modernistmondays https://www.instagram.com/p/COtzMosgneR/?igshid=192a3t22rsgvs

[suzylwade]

Pauline Boty Pauline Boty (1938 - 1966) was an Artist and Actress. Boty studied at ‘Wimbledon College of Art’ (1954 - 58) and the ‘Royal College of Art’ (1958 - 61). She participated in one of the first exhibitions of British ‘Pop Art’ in London in 1961 and appeared in Ken Russell’s documentary ‘Pop Goes the Easel’ in 1962. By the time of Boty’s first solo show in 1963 she was re-using images of celebrities - as in her painting ‘The Only Blonde in the World’ (1963) depicting Marilyn Monroe. Her work was also becoming increasingly political. As an actress Boty appeared on stage, film - a small part in ‘Alfie' starring Michael Caine - and television. Boty was auditioned for the lead in ‘Darling’ the part went to Julie Christie. I love that film so much. With her daring feminist art and freewheeling lifestyle, Boty personified the cultural scene known as “Swinging London”. Boty died aged 28 from cancer. #neonurchin #neonurchinblog #dedicatedtothethingswelove #suzyurchin #ollyurchin #art #music #photography #fashion #film #words #pictures #neon #urchin #artist #actress #activist #popartist #britishpopart #painter #paulineboty (at London, United Kingdom) https://www.instagram.com/p/CNmhD9MlLE5/?igshid=lnfht51b4pfl

[wiseblood]

Happy Birthday #PaulineBoty https://www.instagram.com/p/CMGd_AMg6mj/?igshid=1wruq3bjaatuz

[charliewarhol]

Pauline Boty's Nightmare

[suzylwade]

Pauline Boty Pauline Boty was one of the earliest and most promising practitioners of ‘Pop Art’ in Britain and her embrace of mass-media imagery reflects some of the deadpan humour and detachment of that movement. When Boty entered graduate school at the ‘Royal College of Art’ in London in 1958, defying a father who wanted her to marry and not have a career, its staff of more than 60 included just six women. Although she wanted to be a painter she enrolled with a focus on stained glass because Boty was told that it would be harder for a woman to earn a spot in the painting program. Boty was just 28 when she died of cancer on July 1, 1966. Most of her canvases were placed in her parents’ attic and were not seen for decades. Even while she was alive, her nascent celebrity and her diverse résumé complicated the reception of her artwork. A 1962 magazine profile introduced her with the line: “Imagine a brainy actress who is also a painter and a blonde and you have PAULINE BOTY.” The exuberance and frank sexuality of Boty’s paintings has connected her to women of the ‘YBA’s’ - Tracey Emin, who turned her unmade bed into the centrepiece of a confessional installation and Sarah Lucas, whose sculptures revel in raunchy humour. Boty was pregnant in 1965 and visiting the doctor on a routine checkup when she learned she had cancer. Radiation treatment would have required her to terminate the pregnancy, and she refused. She died five months after giving birth to her daughter, Boty Goodwin, on Feb. 12, 1966. Clive Goodwin (Boty’s husband a film producer, literary agent and ardent leftist whom she met and married in 1963) died of a cerebral haemorrhage in 1978. Boty Goodwin, who studied art at the ‘California Institute of Arts’ died of a heroin overdose at 29 in 1995. #neonurchin #neonurchinblog #dedicatedtothethingswelove #suzyurchin #ollyurchin #art #music #photography #fashion #film #words #pictures #neon #urchin #artist #actress #activist #popartist #britishpopart #painter #paulineboty (at London, United Kingdom) https://www.instagram.com/p/CNmg_cYFL_0/?igshid=89vzzee3z8kj

[wiseblood]

#modernistmondays with #PaulineBoty https://www.instagram.com/p/CLC2RjlA2yR/?igshid=15zh7416jb0y1