#paul richard epworth | Explore Tumblr posts and blogs

thelastuniverse · 4 years ago

Text

GRAMMYs Awards 2021

GENERAL FIELD

Record Of The Year: ‘EVERYTHING I WANTED’ — Billie Eilish Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer

Album Of The Year: ‘FOLKLORE’ — Taylor Swift Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

Song Of The Year: ‘I CAN’T BREATHE’ — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

Best New Artist: Megan Thee Stallion

POP

Best Pop Solo Performance: ‘WATERMELON SUGAR’ — Harry Styles

Best Pop Duo/Group Performance: ‘RAIN ON ME’ — Lady Gaga with Ariana Grande

Best Traditional Pop Vocal Album: ‘AMERICAN STANDARD’ — James Taylor

Best Pop Vocal Album: ‘FUTURE NOSTALGIA’ — Dua Lipa

DANCE/ELECTRONIC MUSIC

Best Dance Recording: ‘10%’ — Kaytranada Featuring Kali Uchis Kaytranada, producer; Neal H. Pogue, mixer

Best Dance/Electronic Album: ‘BUBBA’ — Kaytranada

CONTEMPORARY INSTRUMENTAL MUSIC

Best Contemporary Instrumental Album: ‘LIVE AT THE ROYAL ALBERT HALL’ — Snarky Puppy

ROCK

Best Rock Performance: ‘SHAMEIKA’ — Fiona Apple

Best Metal Performance: ‘BUM-RUSH’ — Body Count

Best Rock Song: ‘STAY HIGH’ — Brittany Howard, songwriter (Brittany Howard)

Best Rock Album: ‘THE NEW ABNORMAL’ — The Strokes

ALTERNATIVE

Best Alternative Music Album: ‘FETCH THE BOLT CUTTERS’ — Fiona Apple

R&B

Best R&B Performance: ‘BLACK PARADE’ — Beyoncé

Best Traditional R&B Performance: ‘ANYTHING FOR YOU’ — Ledisi

Best R&B Song: ‘BETTER THAN I IMAGINED’ — Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)

Best Progressive R&B Album: ‘IT IS WHAT IT IS’ — Thundercat

Best R&B Album: ‘BIGGER LOVE’ — John Legend

RAP

Best Rap Performance: ‘SAVAGE ‘— Megan Thee Stallion Featuring Beyoncé

Best Melodic Rap Performance: ‘LOCKDOWN’ — Anderson .Paak

Best Rap Song: ‘SAVAGE’ — Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

Best Rap Album: ‘KING’S DISEASE’ — Nas

COUNTRY

Best Country Solo Performance: ‘WHEN MY AMY PRAYS’ — Vince Gill

Best Country Duo/Group Performance: ‘10,000 HOURS’ — Dan + Shay & Justin Bieber

Best Country Song: ‘CROWDED TABLE’ — Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)

Best Country Album: ‘WILDCARD’ — Miranda Lambert

NEW AGE

Best New Age Album: ‘MORE GUITAR STORIES’ — Jim “Kimo” West

JAZZ

Best Improvised Jazz Solo: ‘ALL BLUES’ — Chick Corea, soloist Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)

Best Jazz Vocal Album: ‘SECRETS ARE THE BEST STORIES’ — Kurt Elling Featuring Danilo Pérez

Best Jazz Instrumental Album: ‘TRILOGY 2’ — Chick Corea, Christian McBride & Brian Blade

Best Large Jazz Ensemble Album: ‘DATA LORDS’ — Maria Schneider Orchestra

Best Latin Jazz Album: ‘FOUR QUESTIONS’ — Arturo O’Farrill & The Afro Latin Jazz Orchestra

GOSPEL/CONTEMPORARY CHRISTIAN MUSIC

Best Gospel Performance/Song: ‘MOVIN’ ON’ — Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

Best Contemporary Christian Music Performance/Song: ‘THERE WAS JESUS’ — Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

Best Gospel Album: ‘GOSPEL ACCORDING TO PJ’ — PJ Morton

Best Contemporary Christian Music Album: ‘JESUS IS KING’ — Kanye West

Best Roots Gospel Album: ‘CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM)’ — Fisk Jubilee Singers

LATIN

Best Latin Pop or Urban Album: ‘YHLQMDLG’ — Bad Bunny

Best Latin Rock or Alternative Album: ‘LA CONQUISTA DEL ESPACIO’ —Fito Paez

Best Regional Mexican Music Album (Including Tejano): ‘UN CANTO POR MÉXICO, VOL. 1’ — Natalia Lafourcade

Best Tropical Latin Album: ‘40’ — Grupo Niche

AMERICAN ROOTS MUSIC

Best American Roots Performance: ‘I REMEMBER EVERYTHING’ — John Prine

Best American Roots Song: ‘I REMEMBER EVERYTHING’ — Pat McLaughlin & John Prine, songwriters (John Prine)

Best Americana Album: ‘WORLD ON THE GROUND’ — Sarah Jarosz

Best Bluegrass Album: ‘HOME’ — Billy Strings

Best Traditional Blues Album: ‘RAWER THAN RAW’ — Bobby Rush

Best Contemporary Blues Album: ‘HAVE YOU LOST YOUR MIND YET?’ —Fantastic Negrito

Best Folk Album: ‘ALL THE GOOD TIMES’ — Gillian Welch & David Rawlings

Best Regional Roots Music Album: ‘ATMOSPHERE’ — New Orleans Nightcrawlers

REGGAE

Best Reggae Album: ‘GOT TO BE TOUGH’ — Toots & The Maytals

GLOBAL MUSIC

Best Global Music Album: ‘TWICE AS TALL’ — Burna Boy

CHILDREN’S

Best Children’s Music Album: ‘ALL THE LADIES’ — Joanie Leeds

SPOKEN WORD

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): ‘BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH’ — Rachel Maddow

COMEDY

Best Comedy Album: ‘BLACK MITZVAH’ — Tiffany Haddish

MUSICAL THEATER

Best Musical Theater Album: ‘JAGGED LITTLE PILL’ — Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)

MUSIC FOR VISUAL MEDIA

Best Compilation Soundtrack For Visual Media: ‘JOJO RABBIT’ — (Various Artists) Taika Waititi, compilation producer

Best Score Soundtrack For Visual Media: ‘JOKER’ — Hildur Guðnadóttir, composer

Best Song Written For Visual Media: ‘NO TIME TO DIE [FROM NO TIME TO DIE]’ — Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)

COMPOSING/ARRANGING

Best Instrumental Composition: ‘SPUTNIK’ — Maria Schneider, composer (Maria Schneider)

Best Arrangement, Instrumental or A Cappella: ‘DONNA LEE’ — John Beasley, arranger (John Beasley)

Best Arrangement, Instruments and Vocals: ‘HE WON’T HOLD YOU’ —Jacob Collier, arranger (Jacob Collier Featuring Rapsody)

PACKAGE

Best Recording Package: ‘VOLS. 11 & 12’ — Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Best Boxed Or Special Limited Edition Package: ‘ODE TO JOY’ — Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

NOTES

Best Album Notes: ‘DEAD MAN’S POP’ — Bob Mehr, album notes writer (The Replacements)

HISTORICAL

Best Historical Album: ‘IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS’ — Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

PRODUCTION, NON-CLASSICAL

Best Engineered Album, Non-Classical: ‘HYPERSPACE’ — Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)

Producer Of The Year, Non-Classical: ANDREW WATT

• Break My Heart (Dua Lipa) (T) • Me And My Guitar (A Boogie Wit Da Hoodie) (T) • Midnight Sky (Miley Cyrus) (S) • Old Me (5 Seconds Of Summer) (T) • Ordinary Man (Ozzy Osbourne Featuring Elton John) (T) • Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T) • Under The Graveyard (Ozzy Osbourne) (T)

Best Remixed Recording: ‘ROSES (IMANBEK REMIX)’ — Imanbek Zeikenov, remixer (SAINt JHN)

PRODUCTION, IMMERSIVE AUDIO

Best Immersive Audio Album: Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

PRODUCTION, CLASSICAL

Best Engineered Album, Classical: ‘SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’ — David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

Producer Of The Year, Classical: DAVID FROST

Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss) • Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus) • Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus) • Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony) • Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus) • Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner) • Shostakovich: Symphony №13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

CLASSICAL

Best Orchestral Performance: ‘IVES: COMPLETE SYMPHONIES’ — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording: ‘GERSHWIN: PORGY AND BESS’ — David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Choral Performance: ‘DANIELPOUR: THE PASSION OF YESHUAH’ — JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

Best Chamber Music/Small Ensemble Performance: ‘CONTEMPORARY VOICES’ — Pacifica Quartet

Best Classical Instrumental Solo: ‘THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA’ — Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

Best Classical Solo Vocal Album: ‘SMYTH: THE PRISON’ — Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

Best Classical Compendium: ‘THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE’— Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

Best Contemporary Classical Composition: ‘ROUSE: SYMPHONY NO. 5’ — Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

MUSIC VIDEO/FILM

Best Music Video: ‘BROWN SKIN GIRL’ — Beyoncé, Blue Ivy & WizKid , Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers

Best Music Film: ‘LINDA RONSTADT: THE SOUND OF MY VOICE’ — Linda Ronstadt, Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

#grammys #grammys awards #Awards #2021

9 notes · View notes

whitejeweler · 4 years ago

Video

youtube

Welcome to Music Monday when we bring you great songs with jewelry, gemstones or precious metals in the title or lyrics. Today, British sensation Adele “turns her sorrow into treasured gold” in one of the most popular tunes of all time, the 2010 international mega-hit, “Rolling in the Deep.” The official music video has been viewed more than 1.74 billion times.

In this powerful song about a scorned woman seeking to turn the tables on a lover who has done her wrong, Adele promises revenge. In the end, she knows her anguish will pale in comparison to the torment he’s about to suffer. She takes great pleasure in plunging him into the depths of despair, and this is where our precious metal reference comes into focus.

She sings, “Turn my sorrow into treasured gold / You’ll pay me back in kind and reap just what you’ve sown.”

Not surprisingly, the song was inspired by the real-life breakup of Adele and her then-boyfriend. It’s been reported that Adele co-wrote the song with Paul Epworth in a single afternoon.

“Rolling in the Deep,” which was the lead single from Adele’s breakthrough album 21, quickly became an international sensation. It reached #1 in 12 countries, including the U.S. and Canada. As of 2019, “Rolling in the Deep” has sold 20.6 million copies, making it the best-selling digital single of all-time.

The song won three Grammy Awards in 2012 for Record of the Year, Song of the Year and Best Short Form Music Video. Rolling Stone magazine ranked it #8 on its list of “The 100 Greatest Songs of the 21st Century.”

Born in London in 1988, Adele Laurie Blue Adkins began singing at the age of four and eventually attended the prestigious — and free — BRIT School for Performing Arts & Technology.

Four months after graduation, a friend posted a few of Adele’s demo songs on Myspace, which led to a meeting with an executive from XL Recordings. She signed a record deal with the company in 2006 at the age of 18.

During her 14-year career, Adele has sold 120 million singles and secured her reputation as one of the most successful recording artists of all time.

Trivia: The mind-boggling viewer count for “Rolling in the Deep” (1.74 billion) fails to crack the list of the Top 30 most-viewed YouTube music videos of all time. The #1 spot is held by “Despacito” with 7.03 billion views. “Baby Shark Dance” is close behind at 7.00 billion views.

We invite you to watch the official music video of Adele’s “Rolling in the Deep.” The lyrics are below if you’d like to sing along…

“Rolling in the Deep” Written by Adele Laurie Blue Adkins and Paul Richard Epworth. Performed by Adele.

There’s a fire starting in my heart, Reaching a fever pitch and it’s bringing me out the dark. Finally, I can see you crystal clear, Go ahead and sell me out and I’ll lay your ship bare, See how I’ll leave with every piece of you, Don’t underestimate the things that I will do.

There’s a fire starting in my heart, Reaching a fever pitch and it’s bringing me out the dark. The scars of your love remind me of us, They keep me thinking that we almost had it all. The scars of your love, they leave me breathless, I can’t help feeling,

We could have had it all, (Your gonna wish you, never had met me) Rolling in the deep, (Tears are gonna fall, rolling in the deep) You had my heart inside your hand, (You’re gonna wish you never had met me) And you played it to the beat. (Tears are gonna fall, rolling in the deep)

Baby, I have no story to be told, But I’ve heard one on you and I’m gonna make your head burn, Think of me in the depths of your despair, Making a home down there as mine sure won’t be shared,

The scars of your love remind me of us, (You’re gonna wish you never had met me) They keep me thinking that we almost had it all. (Tears are gonna fall, rolling in the deep) The scars of your love, they leave me breathless, (You’re gonna wish you never had met me) I can’t help feeling, (Tears are gonna fall, rolling in the deep)

We could have had it all, (You’re gonna wish you never had met me) Rolling in the deep. (Tears are gonna fall, rolling in the deep) You had my heart inside your hand, (You’re gonna wish you never had met me) And you played it to the beat. (Tears are gonna fall, rolling in the deep)

Could have had it all, Rolling in the deep, You had my heart inside of your hands, But you played it with a beating.

Throw your soul through every open door, Count your blessings to find what you look for. Turn my sorrow into treasured gold, You’ll pay me back in kind and reap just what you’ve sown.

(You’re gonna wish you never had met me) We could have had it all, (Tears are gonna fall, rolling in the deep) We could have had it all. (You’re gonna wish you never had met me), It all, it all, it all. (Tears are gonna fall, rolling in the deep)

We could have had it all, (You’re gonna wish you never had met me) Rolling in the deep. (Tears are gonna fall, rolling in the deep) You had my heart inside of your hand, (You’re gonna wish you never had met me) And you played it to the beat. (Tears are gonna fall, rolling in the deep)

Could have had it all, (You’re gonna wish you never had met me) Rolling in the deep. (Tears are gonna fall, rolling in the deep) You had my heart inside of your hands, (You’re gonna wish you never had met me

But you played it, You played it, You played it, You played it to the beat.

Credit: Photo by Kristopher Harris from Charlotte, NC, CC BY 2.0, via Wikimedia Commons.

Visit our website at whitejewelers.net

Find us on Facebook

0 notes

b-sidemusic · 7 years ago

Photo

THE B-SIDE BUMPER BACKTRACK 2017 - PART TWO

Whoever you talk to, and whatever they're into, the consensus seems to be that 2017 has been an incredible year for the East Anglian DIY music scene. For Part Two of our Festive Retrospective Extravaganza, we spoke to yet more promoters, writers, DJs and artists from around the region about their favourite albums, tracks, gigs and moments from the last 12 months, including Fightmilk, The Interesting Times Gang, Kyanos, Graceland, Desperate Journalist, Sophie Mahon, Kulk, Clown Smash Everything, F.O.X and more...

LILY RAE

The Tyler Durden of Fightmilk club. www.fightmilkisaband.bandcamp.com

Album of the Year: ‘Juniverbrecher’ by The Indelicates. It’s spooky, furious, and you can dance to it. In other words, an ideal album. Track of the Year: ‘Prom’ by SZA. You can just put it on repeat for about an hour and not get bored of it. Lovely. Gig of the Year: I’ve got two: Julien Baker at (London’s) Union Chapel, for my favourite super sad telecaster porn or Tundra at The Hunter Club (In Bury St Edmunds), which was the most fucking amazing thing I’ve ever seen in my life. You could make beer-glitter angels on the venue floor after the set. Moment of the Year: Princess Nokia throwing soup at a racist. More throwing soup at racists in 2018, please. Turns out it’s a very versatile food. Tip for 2018: This is the year you go to the dentist, pal.

HANNAH CUTLER

Leader of The Interesting Times Gang. www.facebook.com/interestingtimesgang

Albums of the Year: ‘Superman’ by Wednesday Campanella. Also, ‘A Deeper Understanding’ by The War On Drugs and 'Every Valley' by Public Service Broadcasting. Tracks of the Year: ‘How Do You Sleep?’ by LCD Soundsystem. Moments of the Year: Not sure if I have any. To be brutally honest, my absolute favourite album I’ve listened to this year is ‘Power Windows’ by Rush. But it was released in 1985.

KYANOS

AKA Seth, Sam, Zach and Fintan: a four-headed psych beast who answer as one. www.kyanosbaby.bandcamp.com

Albums of the Year: ‘Flower Boy’ by Tyler the Creator; ‘The Ooz’ by King Krule; ‘Sketches of Brunswick East’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘Drunk’ by Thundercat.

Tracks of the Year: ‘Rolling Stone’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘For the First Time’ by Mac Demarco; ‘Call Me Up’ by Homeshake; ’Moment I Feared’ by Snoop Dogg.

Gigs of the Year: Homeshake; Chic; Yung Lean; Jamiroquai; King Krule.

Moments of the Year: Being mentioned in NME. First headline gig in London. The release of (debut EP) ‘Elevator to Japan’.

Tips for 2018: Treat 'em clean, keep it mean and have a sweet dream.

MATT CATLING

Ipswich Smokehouse’s Freakverbrator. www.freakverbration.blogspot.co.uk

Albums of the Year: Alvvays - ‘Antisocialites’; Slowdive - ‘Slowdive’; Cigarettes After Sex - ‘Cigarettes After Sex’; Frankie Rose - ‘Cage Tropical’; Fever Dream - ‘Squid’; Thurston Moore - ‘Rock n Roll Concussion’; The Gluts - ‘Estasi’; Kamikaze Girls - ‘Seaform’; Anne Hart - ‘Impossible Accomplice’; Idles - ‘Brutalism’.

Tracks of the Year: No Vacation - ‘Mind Fields’; Hazel English - ‘Fix’; Softer Still - ‘Company’; Major Leagues - ‘Good Love’; Lowtide - ‘Alibi’; Desperate Journalist - ‘Hollow’; METZ - ‘Cellophane’; Diet Cig - ‘Tummy Acre’; Is Bliss - ‘Into A Dream’.

Gigs of the Year: Part Chimp at Cambridge Portland Arms, 13th April; London DIY Pop Fest 2017, 28th-30th April; Desperate Journalist at Bury St Edmunds Hunter Club, 17th June; Kamikaze Girls at Ipswich Smokehouse, 23rd June; Indietracks 2017, 28th-30th July; Liverpool International Festival of Psychedelia, 22nd September; Pinkshinyultrablast at London Hackney Oslo, 20th October; Cambridge Indie Pop all-dayer at The Blue Moon, 18th November; Amusement Parks On Fire at London Borderline, 25th November.

Moments of the Year: Covering festivals like DIY Popfest, Indietracks and Liverpool Psych Fest. Interviewing bands I love such as pinkshinyultrablast, and getting myself an AAA pass. Putting on gigs at The Smokehouse. Getting back into blogging.

Tips for 2018: Keep on plugging away with what you’re doing. Get into covering gigs and festivals. Create your own blog or do your own radio show about your own interests.

MAXIE GEDGE

Graceland sticksmith and PRS Foundation guru. www.soundcloud.com/graceland_band

Albums of the Year: 1. Nubya Garcia - ‘Nubya’s 5ive’ 2. Hannah Peel - ‘Mary Casio: Journey to Cassiopeia’ 3. Lana Del Rey - ‘Lust for Life’ 4. Princess Nokia - ‘1992 Deluxe’ 5. The Big Moon - ‘Love In The 4th Dimension’

Tracks of the Year: 1. Flohio - ‘SE16’ 2. Superorganism - ‘Something For Your Mind’ 3. Charli XCX - ‘Boys’ 4. Sink Ya Teeth - ‘If You See Me’ 5. Goat Girl - ‘Crow Cries’

Gigs of the Year: Mykki Blanco - Meltdown at Southbank Centre; Hannah Peel and Mary Epworth at Norwich Arts Centre.

Moments of the Year:Ray Blk speech at Women in Music Awards and (documentary) ‘The Ballad of Shirley Collins’.

Tips for 2018: Flohio; Soeur; Bonzai; IDER; Maya Law.

NEIL JONES

Bringer of rock thunder to Cambridge 105fm and KLFM; Operations Manager at Cambridge Live. www.cambridge105.co.uk/shows/neil-jones

Album of the Year: Wayward Sons – ‘Ghost Of Yet To Come’.

Tracks of the Year: ‘Play’ by Marmozets.

Gigs of the Year: Subterranean Festival at Cambridge Corn Exchange; Marillion at the Royal Albert Hall; Iron Maiden at Nottingham Arena.

Moments of the Year: On a personal level, launching the new Subterranean one-day festival at Cambridge Corn Exchange, which is back for 2018; a (partially) reformed Guns ’n’ Roses playing the UK; and Prophets of Rage slaying Download.

Tips for 2018: Milk Teeth’s 2017 EPs showed a promise that should be delivered upon in 2018, and Cambridge bands Hollowstar and False Hearts are great bands with a bright future.

PAUL JENKINS

Our man in Norwich. www.outlineonline.co.uk

Albums of the Year: In order: Peter Perret - ‘How The West Was Won’; Madonnatron - ‘Madonnatron’; Jay Ducker - ‘Country Sober’; Mogwai - ‘Every Country’s Sun’; Amadou & Mariam - LA CONFUSION’; Wooden Arms - ‘Trick Of The Light’; British Sea Power - ‘Let The Dancers Inherit The Party’; Wire - ‘Silver / Lead’; The Jesus & Mary Chain - ‘Damage And Joy’; Ho99o9 - ‘United States of Horror’. (I’ve not included compilations. If I had, ‘This Was The Sound of Sugar Town’, ‘This Is The Sound Of Sugar Town Volume 2’ and ‘The Best of Chris T-T’ would have been in there.)

Tracks of the Year: In order: Zero UK - ‘Things You Love’; Gaffa Tape Sandy - ‘Beehive’; Ho99o9 - ‘United States of Horror’; Janet Street Slaughter - ‘The Sensitive Side of Bill Sykes’; Mega Emotion - ‘Sick Burn’; Charlotte Gainsbourg - ‘Deadly Valentine’; Jim Jones & The Righteous Mind - ‘Something’s Gonna Get Its Hands On You’; Madonnatron - ‘Mother’s Funeral’; Marc Almond - ‘Something Bad On My Mind’; Peter Perret - ‘Troika’.

Gigs of the Year: Almost every gig I have been to this year has had at least one excellent act on the bill so picking highlights is tougher than ever but here goes (in date order): Ho99o9, Norwich Waterfront, January; Nightingales and Graceland, Norwich Arts Centre, February; Horse Party and Claws, Bury St Edmunds Hunter Club, April; Melt Banana, Mega Emotion and Algae Bloom, Norwich Arts Centre, June; Magoo, Norwich Arts Centre, July; Dowling Poole and Last Great Dreamers, London Borderline, September; Gaffa Tape Sandy, Norwich Arts Centre, October; Bad Apples, Norwich Owl Sanctuary November; Wonk Unit, Owl Sanctuary, November; Icicle Works, Norwich Arts Centre, November. Honourable mentions also to British Sea Power, Subhumans, Wire, The Lovely Eggs, Rainbow Girls, Hot Raisin, Tubes and the four Quireboys/Last Great Dreamers dates I managed to get to.

Moments of the Year: Driving, crewing and doing merch for Last Great Dreamers when they supported Quireboys in Aberdeen, Glasgow, Newcastle and London; chatting to Alex from Wonk Unit before their Owl Sanctuary gig about addiction and being sober - anyone else would have been dull as chuff but Alex was his usual entertaining, engaging self (haven't paid any attention to him, though); meeting the various members of The Tubes - albeit briefly – after their show at the Waterfront.

Tips for 2018: Charlotte Carpenter, Bryde and Tibetan Night Terrors should break through to some mainstream success. The next She Makes War LP and Last Great Dreamers’ LP number four will be absolute belters. I have not seen New Scientists yet but everyone I know who has seen them says they are destined for big things. Ooh, and I’ve had sneak previews of the next Lovely Eggs and Hookworms albums, and they are crackers.

RICHARD HAUGH

BBC Introducing in Suffolk’s other lovely chap. www.bbc.co.uk/radiosuffolk

Albums of the Year: Dingus Khan - ‘Dunce Kap’. The wait had been too long, but I’ll let them off for that. Sadly, it’s so far only been available at two gigs, but a full release early in the new year [our spies tell us it’ll be out in April - Espionage Ed.] should be celebrated.

Tracks of the Year: Bessie Turner, ‘Words You Say’ – just wow. It never gets boring. And Gaffa Tape Sandy’s ‘Water Bottle’ and ‘Beehive’. It’s really hard to be a stand out indie band but Gaffa Tape Sandy have managed to do just that.

Moments of the Year: My memory is terrible, so I may well be overlooking things, but earlier this week I went to Maida Vale with Bessie Turner and spent the day being stunned by her talent and how much she’s achieved this year. She only released her debut single in April but went on to play at Latitude and has become a firm favourite of Jo Whiley’s. It’s refreshing to see that good things can happen to artists who are doing everything on their own terms, without the reliance of industry connections or a large pile of cash.

Tips for 2018: Hopefully the momentum behind Bessie Turner and Gaffa Tape Sandy will result in further nice things for them both. I’ll also be eagerly awaiting new music from Leaone, Amy Milner and Radio Orwell, who are now a very good live band.

RICHARD ROSE

R*E*P*E*A*T Records’ lone honcho. Does his lists a little differently. www.repeatfanzine.bandcamp.com

Loves: Idles – ‘Brutalism’ Bury St Edmunds #RockCity (and Sugar Town records) International Blue Tories eating themselves Superglu at Washing Machine You Flexi Things SIAH and Saltfen, Beverley Kills and The Baby Seals Relevant Records The Graffiti on Gilbert Rd – JC for PM / I “heart” Catalonia‘ Flawed Is Beautiful’ – These Animal Men / S*M*A*S*H DVD Desperate Journalist – ‘Grow Up’ Introducing ten year old punks on stage (Sound Wave) Vinyl Joanna Gruesome Hardcore Hobbies Strongbow Gaffa Tape Sandy green vinyl The A14 The Batts’ debut EP Finally seeing The Skids live, 40 years on at Cambridge Junction Jeremy Corbyn – kids singing for him at gigs, millions voting for him at the polls, Tories running from him, despite the shit spreaders Badges Badgers My new and lovely red 'entry level' turntable Damage and Joy Janet Street Slaughter Vanilla Coffee Leon Britton (the footballer not the politician) S*M*A*S*H at The Portland Arms Spiders God's Favourite Band Swansea Bay The Virtues at Washing Machine Goldblume

Hates: Lists Football Lads Alliance Retweets of Fascists by fingers on buttons The job you hate but are too scared to pack in Hedge Funds wrecking our clubs The A14 Punctures POP STARS and anyone else without an opinion Fancy cider Punk rock nostalgia Originality Handwriting

SEYMOUR QUIGLEY

B-Side news editor; Washing Machine operator. www.washingmachinebse.co.uk

Albums of the Year: The Baby Seals - ‘The Baby Seals’; Gaffa Tape Sandy - ‘Spring Killing’; Slowdive - ‘Slowdive’; Underworld - ‘Beaucoup Fish’ (re-mastered); Janet Street Slaughter - ‘Janet Street Slaughter’.

Tracks of the Year: Fightmilk - ‘Pity Party’; Gaffa Tape Sandy - ‘Beehive’; Songhoy Blues - ‘Bamako’; Charlotte Gainsbourg - ‘Deadly Valentine’; Bicep - ‘Glue’; Blue Mean Eyes - ‘Escapade’; Desperate Journalist - ‘Hollow’; Goat Girl - ‘Cracker Drool’.

Gigs of the Year: Desperate Journalist at the John Peel Centre, Stowmarket, February; SuperGlu at Bury Fringe Festival, May; Ryan Jordan at The Rehearsal Rooms, Bury St Edmunds, November; Gaffa Tape Sandy at The Hunter Club, Bury St Edmunds, December.

Moments of the Year: Playing 'What I'd Do' at [former band] Horse Party's final gig, at The Hunter Club in April - still not sure how I managed not to weep the tears of horrible sadness.

Tips for 2018: I’m really excited about Sun Scream, The Glitter Shop and Lemondaze. If Slowcoaches release a new album, I will be so so happy. Also: Grimes.

SIMON BAKER

Green Mind’s perennial thrill-monger. www.greenmind.co.uk

Album of the Year: Waxahatchee – ‘Out In The Storm’. Lyrically superb demolition of an abusive relationship coupled with some of the best indie rock I’ve ever heard. So many hooks.

Tracks of the Year: The whole of ‘Out In The Storm’.

Gigs of the Year: Too many to mention, but here’s a short list: Melt Banana at London Highbury Garage – always earshredding and just incredibly fun.

The Jesus & Mary Chain at Cambridge Junction – one of mine and a show I’m incredibly proud of. Bucket list band, coupled with an “all killer, no filler” set list. Nearly exploded when the really chiming bit in ‘Some Candy Talking’ kicked in.

Waxahatchee at End Of The Road – horrible rain all day, but they managed to cut through the rain and were essential.

Car Seat Headrest at End Of The Road – “KILLER WHAAAAALE, KILLER WHAAAALLE!”

Idles – superb live band, but I put them on twice while I was dealing with a recurrent brain condition, so never saw a whole set due to being tired all the time. I need to rectify this in 2018.

Fickle Friends at Junction 2 – straight up pop band with no pretensions. Seeing 350 kids having a brilliant and unpretentious time made this jaded old bastard smile.

Tips for 2018: Idles are clearly going to be the band of 2018. There are so many tedious trench coat wearing post-punk revivalists and Idles just destroy all of them, by being wittier, cleverer and funnier and having their own ideas.

SIMON DROWNER

Desperate Journalist mover, shaker and bass-wielding groove-maker. www.desperatejournalist.co.uk

Albums of the Year: Peter Perrett - ‘How The West Was Won’; LCD Soundsystem - ‘American Dream’; Dexy - ‘Tear It Down’; IDLES - ‘Brutalism’; Moon Duo - ‘Occult Architechture Vol. 1’.

Tracks of the Year: Makthaverskan - ‘In My Dreams’; FEWS - ‘LaGuardia’; Sheer Mag - ‘Just Can't Get Enough’; Ride - ‘Charm Assault’; British Sea Power - ‘Bad Bohemian’.

Gigs of the Year: LCD Soundsystem at Alexandra Palace; Paul Draper at Scala; Ezra Furman at The Barbican; Peter Perrett at The Electric Ballroom; Moonlandingz at The 100 Club.

Moments of the Year: Desperate Journalist playing Scala. Releasing, and eventually selling out of, our album ‘Grow Up’ on vinyl. When the General Election exit poll results came in and half the country (and media) had egg on their faces.

Tips for 2018: Calva Louise, Gaffa Tape Sandy, Bad Nerves, White Trash.

SOPHIE MAHON

Your new BF. www.soundcloud.com/sophie-mahon

Albums of the Year: One which deserves a mention is an instrumental album by one of my bucket list session musicians. Admittedly I don’t normally go for instrumental albums but ‘Trigger’ by Jacob ‘Quist’ Quistgaard is fun and good for when you don’t know what lyrics you need to hear. An album I only discovered this year after reading Nile Rodger’s autobiography is his solo album ‘Adventures In The Land Of The Good Groove’. Yes, it was made in 1983, but it’s Nile experimenting at his peak. David Bowie liked it so I think it deserves a mention.

Tracks of the Year: These questions are much harder to answer than I thought! I’m quite fond of Tears For Fears recent single ‘I Love You But I’m Lost’, very catchy chorus; you’ll wake up at two in the morning with it on your brain. Bryan Ferry’s jazz reworking of his songs for the German TV series ‘Babylon Berlin’ are beautiful (a continuation from his album The Jazz Age’ if you’re interested), particularly ‘Bittersweet’, which he recorded new vocals for too. The song becomes ten times darker, melancholy and weary; I had to listen to it on repeat for at least an hour. Lastly an old track, which I discovered recently, is Etta James’s cover of ‘It’s Alright’ by Curtis Mayfield. The snare is like machine gun fire; give it a listen, that’s all I’ll say.

Gigs of the Year: Chic at The BBC, ABC with Kid Creole and The Coconuts as support and Bryan Ferry at Hampton Court. So much I could say about these, but all it boils down to is that they’re legends for a reason, which is why I will always try to see them whenever possible.For my own gigs, playing The Hunter Club for the first time was awesome - such a great crowd and the first time I have seen strangers dancing to my music, which has always been my aim so it felt great. The second would be playing the Inbetweeners Stage at Latitude - while neither the stage nor the audience were massive, just to be part of something so big was incredible.Actually another band to mention was Divine Comedy, they were at Latitude and I went to watch because they were the only band on that day that I vaguely knew. Best decision I ever made, Neil Hannon is eccentrically English [Actually he’s Irish, but you wouldn’t know it from his singing voice - Lineage Ed.], his lyrics are witty and clever and the performance was so light hearted it made a nice change. I didn’t stop listening to his music for about two months afterwards.

Moments of the Year: Releasing my first single ‘2BF’ and it getting played on BBC Introducing in Suffolk, bit daunting but the feedback on the whole has been pretty positive, thanks to everyone who liked it.Tony Hadley leaving Spandau Ballet; I am still upset.

Tips for 2018: Start as you mean to go on; I live by this and it seems to be working so far. Also just do what makes you happy, the music, image, brand and performance will naturally be more genuine and original, plus you feel happy too. Finally, invest in a bigger car - there is, I find, only so much you can fit in a Ford KA. Or go acoustic; it’ll fit in nicely.

THOM LONGDIN & JADE ASHLEIGH SQUIRES

Together, they are Kulk. www.kulk.bandcamp.com

Albums of the Year: One of our albums of the year is Ty Segall’s self titled album. We discovered Ty through the band Fuzz (who encouraged the purchase of the Fuzz War guitar pedal, which has been a huge impact on our sound). We bought the album as it was engineered by Steve Albini and has a classic rock and roll/garage fuzz feel. Well worth a listen, especially ‘Break A Guitar’. Our other album of the year would be Courtney Barnett and Kurt Vile’s ‘Lotta Sea Lice’, this is their first collaboration of hopefully many. This is on the lighter side of our listening, but is poetic and beautifully bluesy. Highlights of this album include ‘Over Everything’ and ‘Untogether’ .

Tracks of the Year: Our first track of the year is ‘Tasteless’ by Shame. We first discovered Shame supporting Slaves; their sound is best described as indie but in a punk way, the music is heavy and the lyrics are angry but not distorted. If you like ‘Tasteless’ you will love ‘Gold Hole’ and ‘Concrete’. We are also huge fans of Sunflower Bean, so naturally their new single ‘I Was A Fool’ would be on this list. This song is a homage to classic rock with still a hint of psychedelia from their previous album sound. We look forward to this new album next year and seeing them live again.

Gigs of the Year: Our best gig of 2017, which could possibly be the best gig of our lives so far, would have to be in Brixton on Hallowe’en this year: Melvins and Red Kross. Melvins are an inspiration to our music and it was amazing to see them live, with an even heavier sound than on record. For us, the highlight was ‘The Bit’. They’re a must-see for any heavy music fan. The Wytches at Norwich Waterfront studio was another best gig of 2017: the psychedelic riffs and heavy drums with the grit of Christian Bell’s vocals makes for an amazing live show. Their cover of Misfits ‘Cough/Cool’ (from their home recordings) live was particularly exciting. Their support acts - We’ll Be Detectives and The Weirds - created a great sense of what was to come.

Moments of the Year: One of our best moments was our first gig, at The Smokehouse Ipswich, which we organised with our friends Con Party and Jessie Ingate. The night was terrifying but it was amazing to play amongst friends for the first time. We were also amazed after being asked by John Peel’s wife, Sheila, to play on BBC Radio Suffolk for the unveiling of John’s BBC Music Day Blue Plaque award - it was a huge opportunity and we really enjoyed every moment. One of our biggest achievements this year would be the amount of awareness and money raised for the mental health charity Mind, through a gig we organised at The Smokehouse and an online campaign supported by the East Anglian Daily Times, in tribute to our friend Cameron Ray. It was co-organised with Cameron’s friend and celebrated his life through the connection we had with him through music. This moment sadly came from tragedy but it was everyone coming together that made it special. Finally, re-recording our first single with Jamie Robertson has been a massive highlight of the year, the whole process has been great and Jamie has really helped us create something that sounds like it should. When we met Jamie for drinks to discuss the recording it was high on the list that it sounded like “you are in the room with us and can’t get out”, and he has done us proud. It’s very likely that we’ll be able to release it early 2018.

Tips for 2018: We’ve decided to direct our tips at people who want to start bands and want to start gigging: 1. If you want a start a band but there’s only you and a mate who plays bass, go for it and jam together. Basically, start a band with what you’ve got not what you want. Even if you’re not Grade 8, if it sounds good to you it will to others. 2. One of the best tips we can give if you want to start gigging is to support local artists and go to gigs. Enjoy local music and it won’t be so scary to become part of it. Support the scene and it will support you. Speak to people and don’t be afraid to send promoters your stuff. 3. The most important tip of all is keep playing, even if you only have three songs. You want to be able to play them backwards with your eyes closed. Make the most of the one song support at your local pub, no gig is beneath you.

ZAK WHITTAKER

Drum punisher, Clown Smash Everything/Janet Street Slaughter. www.clownsmasheverything.com

Albums of the Year: My album of the year is Slowdive's self-titled comeback, followed closely by ‘Stubborn Persistent Illusions’ by Do Make Say Think and Von Spar's 'Garzweiler' EP.

Tracks of the Year: My tracks of the year are 'Anthem For No State (Pts 1-3)' by Godspeed You! Black Emperor, 'No Longer Making Time' by Slowdive, and a special mention to the 3 unreleased gems that cropped up on Radiohead's 'OK Computer' reissue.

Gig of the Year: Best gig has to be Shellac at London’s Electric Ballroom back in October. Also, I almost forgot about Part Chimp's triumphant and deafening live return at Cambridge's Portland Arms in April.

Moment of the Year: My moment of the year: Probably Theo (Morris, former Janet Street Slaughter guitarist) spectacularly stacking it off the stage at the final JSS gig in November!

ZOE KENT

F.O.X’s singing stadium superstar. www.foxtheband.com

Album of the Year: Lana Del Rey - ‘Lust For Life’. I love everything she does, her voice is so haunting and powerful and I love the visions she creates in her lyrics of broken surburbia. Always takes me somewhere else.

Tracks of the Year: ‘Cover Me’ by Depeche Mode. The first time I heard this song it was like a lightning bolt, I always knew it was incredibly powerful and then when we supported them on tour it became almost their new anthem. A song of two halves. It's beautiful.

Gigs of the Year: It has to be Depeche Mode in Bucharest: it was the most beautiful stadium and the most perfect day. I've never seen them so on fire as I did there, the energy could be felt the entire way round the stadium and I just watched in in awe of it all. I'll never forget the thousands of lighters and phones lighting up the stadium - magical!

Moments of the Year: When we were invited to fly with Depeche Mode on their private jet to Leipzig. It was a true rockstar moment and I totally forgot my fear of flying!

Tips for 2018: My tip would be Amethysts, from Suffolk. I think they've got great songs and star potential - plus they're very nice people.

Click here to read Part One, featuring SuperGlu, Gaffa Tape Sandy, The State, The Glitter Shop, Blue Mean Eyes, Sun Scream, Young States, Lemondaze, Druids, Italian Books and more!

Words & Collage: Seymour Quigley

0 notes