#pash illustration file

[books-movies-anime-shows-games]

Love me an Illustration File 🔥

[hanguangjunn]

WANGXIAN: PASH! illustration file 2022-2023 and PASH! MAGAZINE december edition

[genshinresource]

Genshin Impact JP: Official Genshin Fanbook by PASH! Content Preview

Release date: April 4, 2023

Price: 2,980 Yen + 10% tax

Format: A4 size | 224 pages

Main content (excerpt):

Other contents:

Basic knowledge of Genshin Impact world with diagrams

Seiyuu interviews

Gallery of KVs & Pin-up poster of the cover illustration

Different benefits for buying from different stores:

B5 acrylic panel of the cover illustration when ordering the limited set from Animate

B5 postcard of Liyue Archon quest (Illustrator: カネンゴミ) when buying from TSUTAYA

B5 postcard of Mondstadt Archon quest (Illustrator: 葉山えいし) when buying from Rakuten Books, HMV & Stella Worth, more TBU

B5 postcard of Inazuma Archon quest (Illustrator: 池本ゆーこ) when buying from Seven Net Shopping, Gamers, Shosen Book Tower/Grande/Online Shop & Books Horindo, more TBU

A4 clear file when pre-order the digital version from PASH UP!

[rikeijo]

Today's translation #663

Pash! 2017/3, Pash! arts history

2017/02 Artist: Aizawa Kagetz

This art depicts a beautiful beach on the Samet Island located in Rayong province of Thailand. The scenery that Yuuri and the others are admiring is the crystal clear, transparent sea, stretching ahead to the horizon! That's the view that is on the opposite side, that is not drawn in this art, but I think it's fun to imagine that scenery, to feel as if we were watching the view together with them. It would be nice to go on a beach!

2017/03 Artist: Seki Minami

In this art, I wanted to capture the feeling of a warm day in Spring, that naturally makes your spirits high. The request from the Editor was 'The three of them close together', but I thought that Yurio would most likely act shy in such a situation... etc. - drawing them in-character was very fun, but also difficult. Victor is ruffling Yurio's hair, and I remember that I was trying very hard to find a way to make this gesture look soft and full of love... I'm happy that I get to draw Yurio and Makkachin, because I didn't draw them for the anime.

2017 Pash! Illustration file Artist: Yamada Ayumi

To make the props laying around the characters in this art 'Yuri!!!'-like, I added katsudons etc. as key-straps and stickers! What was difficult for me was to get distance between the three characters just right. I adjusted the composition to make Yurio not too far away from Yuuri and Victor, but at the same time not too close, too. I think that thanks to Makkachin and the cats around Yurio the distance between them appears closer! Personally, I very like Makkachin's face catching the wind, because it looks like a very pleasant experience.

[suzalulusource]

illustration by Ishida Kana Code Geass: Lelouch of the Rebellion Pash! Animation File 03

[ot0m3]

[cutesxsherry]

The PASH! Illustration File 2021-2022 was released today in Japan!

I was really looking forward to it and can't wait to get my copy from amazon japan! ❤️❤️❤️ Customers have two options: they can purchase just the magazine alone, or they can get the magazine+tapestry of the MDZS cover art from Animate stores. From all the pics above (shared today by PASH! magazine, Animate stores & Mimifm official twitter accounts) we can tell there are at least 6 MDZS illustrations by GEAROUS, the official artist in charge of the MDZS audio drama art (Japanese version) I've been waiting for this for a while so I'm really excited about it, and about finally able to collect the remaining artworks that I didn't have since I had missed my chance to purchase a couple of Pash! issues in which they were released...

[bobababe]

Hello! I am trying desperately to save money for college (starting this fall!), and so I’m selling a massive amount of my stuff. The PASH illustration file is only missing one poster, and contains full-page art from K project, Free!, Magi, and more. The Spoon magazines cover a lot of ground, from behind the scenes animation and production work to interviews with voice and stage adaptation actors. They’re all in Japanese, but even if you’re not fluent (I’m sure not) its cool to see all the concept sketches and stuff. All magazines are in fairly decent condition, although some are a bit battered on the outside, which is why I’m selling them for a lot less than I bought them for.

If you’re interested, please message me or check out my listings on ebay!

[airisu7425]

PASH ILLUSTRATION FILES 2019 - a few sample pages

[uniquebluemoonmermaid]

It's here!!!! I had forgotten about the BSD art

[p-h03n1-x]

Merch Day - PASH Illustration File 2021 - 2022

Here’s a quick flip through of the PASH Illustration File 2021-2022. It features WangXian art from GEAROUS on the front cover, and the back cover has 5 panel art of 3zun and WangXian.

There’s a lot of other contents but the flip through focuses only on the pages with MDZS art, and bonus sneak peek at TGCF art featuring Hualian which was part of the past issues of PASH ‘21-‘22

It also came with A1 poster of WangXian (the folds, I know the folds 🥲) and a very very pretty roll-up silk tapestry.

Link here for the PASH Dec ‘21 issue:

[isinuyasha]

Official MDZS Cover art for “PASH! ILLUSTRATION FILE 2021-2022″ by Gearous

[hanguangjunn]

PASH! ILLUSTRATION FILE 2023 ♡ art by: GEAROUS

[katyatalks]

PASH! ILLUSTRATION FILE 2017 (January 2017) - Character Designer Kameda & Director Tachikawa - Character Design Notes

Here’s Director Tachikawa & Character Designer Kameda’s notes on a few Mob Psycho character designs from PASH! ILLUSTRATION FILE 2017 (January 2017). Includes a bunch of interesting info including Reigen’s shoujo manga love interest roots, Ritsu’s hair changes, and Teru’s connection with Neon Genesis Evangelion. Characters covered; Kageyama Shigeo, Reigen Arataka, Dimple, Kageyama Ritsu, Onigawara Tenga, Hanazawa Teruki, Mezato Ichi, Kurata Tome, Tsubomi, Gouda Musashi, Kamuro Shinji, Suzuki Shou.

KAGEYAMA SHIGEO

Tachikawa; “Deciding how big to make Mob’s irises was something that often caused a bit of trouble. There were plenty of times where I’d look at him on paper, or I’d draw him and think that his irises were an OK size, but then actually looking at him animated they’d be too small and a little scary...”

Kameda; “I’ve become aware that when I draw him, I make his irises not too small, but so that they reach about half-way down the whites of his eyes. I think Mob’s face around volume 9, 10 of the manga is really good!”

REIGEN ARATAKA

Kameda; “I paid attention to the way he stands, so that just by looking at his silhouette his character would stand out. In contrast to Mob-kun’s spaced-out standing pose, Reigen exudes confidence. I pay attention to the line his body follows, so that it resembles an S shape. I imagine Marmalade Boy’s Matsuura Yuu-kun, and apply that coolness to Reigen.”

Tachikawa; “Sakurai-san’s performance as him is also great. There’s a slight shadiness to his voice, so to say…”

Kameda; “It gives Reigen this handsome vibe (laughs).”

DIMPLE

Kameda; “I wanted his form to sway in the anime, so I drew him like a fireball with his edges spinning clockwise. Actually, the way his edges move differs depending on the episode; in some, it’s an anti-clockwise spin, and in others it’s a movement from both sides that spits off at the top, and so on (laughs). Also, when he possesses the security guard, he has wrinkles under his eyes. Without those lines, he’s too fresh-faced. He’s the sole adult within this work * - I’m also conscious of that.”

Tachikawa; “I’m glad that Ootsuka-san’s cool voice was able to add a liveliness to this work. I wanted there to be some weight when he plays the funnyman.”

KAGEYAMA RITSU

Tachikawa; “The volume of his hair proves a struggle.”

Kameda; “Actually, when I draw him, I have two ways of doing so. From episodes 1 to 8 I gave his hair a big volume and made the ends pointy, but episode 9 onwards he rounds out a little. When he reconciles with Mob-kun and the darkness in him fades, the spikiness of his hair also decreases (laughs). I kept that a secret. So this amusement park art takes place during a time in which Mob-kun and Ritsu-kun have reconciled.”

Tachikawa; “So, when you look at Ritsu’s hair, you can see how he’s doing mentally (laughs).”

ONIGAWARA TENGA

Kameda; “What stands out in his design is the plaster on his left cheek. I proposed his design should have something that identifies Onigawara as some king of the punks. In the manga, he only has the plaster when he first appears, and following that it’s typically gone, but I think the plaster is good in that it gives him this delinquent vibe.”

Tachikawa; “Also, he has eye bags and two lines there.”

Kameda; “Yes. Much like the manga, I gave him those two lines.”

HANAZAWA TERUKI

Kameda; “When I draw Teru’s hair, I imagine Neon Genesis Evangelion’s Nagisa Kaworu-kun, & I give it that kind of square silhouette. What also stands out in his design is the way that bundle of hair jumps at his parting. Also, when his hair is at 150%, I have the ends of his hair be a little wriggly. Seems like plenty of our staff thought that drawing that ‘bundle of hair’ feeling was difficult.”

Tachikawa; “There were also people who made the ends of his hair bounce cleanly.”

MEZATO ICHI

Kameda; “She’s cute.”

Tachikawa; “That’s right. I also love her.”

Kameda; “When I drew her, I did so with the impression that she’s one who’s got her eyes open. She is sharp sighted, after all.”

KURATA TOME

Kameda; “Tome-san strikes me as a character who pulls a lot of blank faces.”

Tachikawa; “She appears in this amusement park art… and yet she seems bored, doesn’t she.”

Kameda; “She’s at an amusement park, and yet, she’s playing a video game (laughs).”

TSUBOMI

Tachikawa; “Tsubomi’s anime design is completely different to how it is in the manga.”

Kameda; “She’s /the/ bishoujo. However, with each character in the Mob Psycho 100 manga they have distinct lines that mark their upper and lower eyelids, so I drew the anime’s Tsubomi while respecting that rule.”

GOUDA MUSASHI

Tachikawa; “I feel I really put my all into drawing Gouda.”

Kameda; “He’s got plenty of special aspects to his design such as his faux hawk and centipede eyebrows, but contrary to expectations he’s difficult to draw. I tend to give him droopy eyes…”

KAMURO SHINJI

Tachikawa; “Onigawara has them too, but I think Kamuro’s eyebags are his special feature.”

Kameda; “I agree.”

Tachikawa; “I suppose those lines under his eyes that go toward his cheeks are also a feature.”

SUZUKI SHOU

Tachikawa; “Shou distinctly has pupils, so when you compare him to the others characters he looks a little different.”

Kameda; “Definitely! Since he has pupils, he’s the only character who looks like a foreigner.”

---

* Cast have taken digs at Reigen being an adult ‘only in age’ before

---

Originally posted on twitter here.

The interview that comes with these notes was translated by Kaga, here.

[rikeijo]

Today's translation #192

Pash! Illustration file 2017, Hiramatsu Tadashi's comments & interview

Part 2.

Are there any parts of the story your perception of has change now after the anime ended, compared to when it was airing?

Yuri!!! on ICE wasn't produced like standard animes, where the production begins after the scenario for all episodes has been written. Firstly, the storyboards for one episode drawn by Kubo-san were finished [the storyboards that mangakas draw are called "neemu"], and then transformed into anime via director's storyboards [the storyboards that anime directors/episode directors draw are called "ekonte"] and then we started working on animation to make the finished product. We repeated this process for each episode, so it was like creating the anime one step at a time. At the time when we were working on episode 1, I haven't yet seen storyboards [neemu] later than episode 5's, if I recall correctly? This is how "live" the production process was, so up until around episode 3, the staff members also were groping around for the right way to do things. Of course, the general plotline has been shared with all staff members, but we didn't know a lot about details concerning other characters. As the story progressed, you can see the contrast between Yuuri and Yurio, and their state of mind, as well as conflicts the other characters are facing. And as a result, with every new episode, the way I interpreted the story has been changing gradually. "I'll do what I can" - even if you failed once, it's not the end, it will turn into strength for the future - I started to think that this is the theme of this show. GuangHong who didn't make it to the Grand Prix Final, or Minami-kun, and other characters too - each of them carries their own story, and possibly they will shine in the future. From episode 10 onward, I was thinking about stuff like that, while I was working.

What did you think about the last episode, when you actually watched it?

I felt that last scene in St Petersburg, where Yuuri is running toward Victor, was really good. This show as a story has been completed, but for most characters it ended with this "the fight has just started" feeling. It was a finale that made you look forward to see what the future is like for Yuuri, Yuri and Victor, and the others.

[haru-choices]

『PASH! ILLUSTRATION FILE 2020』9月24日発売決定！

『地縛少年花子くん』と『浦島坂田船の日常』のW表紙！

「PASH! Illustration File 2020」 will be released on 24th September. Featuring Jibaku Shounen Hanako Kun and Daily Lives of UraShimaSakataSen.

Apologies if my translation is incorrect. I am still a beginner.