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c-40 · 2 months
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A-T-4 097 Euro-Rap Pt.3: Great Britain
Grandmaster Richie Rich - Check It Out the first record from London DJ and co-founder of Gee Street Records Richie Rich (Richard Morgan)
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Broken Glass - Style Of The Street Manchester b-boy troop Broken Glass and Liverpudlian DJ Greg Wilson with Andy Connell and Martin Jackson of Swing Out Sister et al. Kermit who would go onto be in the Ruthless Rap Assassins and Black Grape and Fiddz are the rappers. Greg Wilson tells all here https://electrofunkroots.co.uk/articles/broken_glass.html
Style Of The Street was originally on the completely fabricated Street Sounds UK Electro compilation. It's a bit of a shame they thought they had to invent a scene because the UK was releasing so def electro. Anyway, Greg Wilson will not let it lie https://electrofunkroots.co.uk/misc/uk_electro.html
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Rapologists Featuring Flakey 'C' And Early Daze - The Hip Hop Beat - Kids' Rap The Kid in Kid's Rap is Whiz Kid who released Play That Beat Mr. D.J. with G.L.O.B.E. and was married to Betty Boo. The instrumental Street Mix is my preferred mix but here's the vocal. The Rapologists changed their name to Universal Funk, central to them was Herbie Laidley of the Mastermind hip hop sound system who mixed many of the Street Sounds Electro albums
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Junior Gee and The Capital Boys - Check Us Out Junior Gee had already put out Caveman Rock the year before. Check Us Out was written and produced by Tony Williams of the Funk Masters, they're best known for Love Money
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Family Quest & Automation - Outer Space 84 Rap b-side to an electro version of Atmostphere's Dancing In Outta Space. In 1986 Family Quest won the King Of The Streets competition on Mike Allen’s legendary Capital Radio show, their vocals flip between American accents and London
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As you can hear rap at this time sounded quite different in the UK, France, and Italy. In the UK an effort not to sound like our American cousins was already beginning. The UK had a strong sound system culture and the Saxon DJs like Papa Levi were developing a distinct British voice, over the next decade the same would happen in UK rap. Some bright person could write a PHD about the development of rap in Europe and each European countries relationship with the US, immigration, and their colonial pasts. Perhaps because the UK has a rather weak cultural identity that UK rap imitated the US more closely? The early 1980s was the time of race riots so it’s easy to imagine the appeal of African American culture over the Black British experience for young brits
There were a few novelty or spoof rap records put out in the UK in 1984, like The Baron Knights' Churchill Rap. In the British music hall tradition we have spoken interludes to dip into which you can hear in Noël Coward and becomes the whole of Rex Harrison performance of Why Can't The English? in the musical My Fair Lady, it's the mixture of these two traditions Pet Shop Boys and The Flying Lizards tap into. Music hall songs also used call and response with audiences
The Flying Lizards - Sex Machine
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samuraiofhyuga · 7 years
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"New blog post! SoH Achievement Guide." https://t.co/gOSTxfDIwU
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bergoglionate · 5 years
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Attacco a Wojtyla e a Ratzinger. La vendetta dei gesuiti quarant’anni dopo.
Attacco a Wojtyla e a Ratzinger. La vendetta dei gesuiti quarant’anni dopo.
I gesuiti di Pedro Arrupe si arrancarono il “diritto” di applicare il Concilio Vaticano II — il suo “spirito” — e nonostante i continui richiami di quattro papi (Paolo VI, Giovanni Paolo I, Giovanni Paolo II e Benedetto XVI) hanno continuato su quella diabolica strada. Adesso che sul Trono di Pietro siede uno di loro, non hanno più freni.
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bunnymcbunnister · 4 years
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SPN Season 15 Spoiler Sheet, update 10/3
Lots and lots of updates abound. I took out some old general stuff because this monster is huge (but it will only get shorter, sniff sniff) Spoilery goodness under the cut. 
DISCLAIMER: This is gathered info from various sources. This is not confirmed information. Stuff in this WILL be wrong. Don’t take this too seriously. This is for fun. Also, if you use this info for another publication, please let me know as a courtesy. Don’t be a dick. It's all out there, but it hurts to see my same phrasing on other publications after all the work I’ve done to consolidate it…  
General Info (oldest to newest). This is a blend of pre-COVID and post COVID, so some might change. 
In an interview, Kripe indicated that the series ending would have “peace” for Sam and Dean
Misha will be in 15 out of 20 episodes this season (he’s missed 3 so far and I suspect will miss 14. Unclear about 16, 19, and 20). 
Dean and Amara’s connection will be explored
JaxCon/Vegas Con spoilers: 
Misha said the ending was “happier than he expected” but also had some sadness. He later used “sad and redemptive”
Misha mentioned that Claire will be mentioned on the show, but as of yet not appear. 
Dean says the line “stop killing my people” (to god?)
Jensen said he doesn’t see how the story could continue past this season, but Jared said its more of “a see you later”
Al Cal posted a pic of a “thrown away” call sheet that seem to indicate Micheal, Lucifer, and a character named “Betty” interacting in the bunker. Unclear as to the validity, could be from 19 based on casting 
Charlie (original flavor) will return
Filming resumed on Aug 18th. Per Canadian policy, they must quarantine for two weeks. Those quarantining seemed to include:
Fairly Clear: Jared, Jensen, Jake Abel (Micheal), Rob Benedict (Chuck/God) Mark Pelligrino (Lucifer), Al Cal (didn't need to quarantine, but he is definitely on set), Jim Beaver (Bobby)
Unclear/Rumored: Misha (he is being deliberately cagey), Osric Chau (Kevin- but likely for another project, he was a week ahead of everyone else)
Reasons Unlikely: Sam Smith (chemo treatment), Kim Rhodes (working at a camp during quarantine), Ruth Connell (posted from Malibu the entire time)
No idea: Shoshannah Stern 
Jensen said sp 19 is more of a season finale, while 20 is a series finale. Repeated in interviews/livestreams. 
Megan Fitz. complimented both Dabb’s and Glynn’s writing on twitter. Not sure if it is in reference to rewrites or the special retrospective that is planned. 
Jensen indicated that the ending did change per COVID protocols. Later interviews (Variety) confirmed this, but it seemed to indicate the changes were in regards to how many people filmed at once (crowd scenes, recurring characters returning)
Misha is being very, very cagey about where he was. Some live streams seem to indicate he is not at home, but he has yet to confirm- his presence in 19/20 is hard to track. In an interview with Metaverse, he was in bed in a hotel looking space and you could see mountains in the background. He was not on set for the first week of filming, so he could be a week behind. 
Misha has thrown around the words “final”  and “what he <Misha> would have wanted” per Cas’ ending. “Sad/Proud” and “poignant” were also used. His latest line is “sad but satisfying”
The final episodes will premier October 8th. The finale will air Nov 19th in conjunction with an hour long special. 
Dabb confirmed to TV line the episode 19/20 explanation Jensen’s mentioned- For the most part, we wrap up a big chunk of our mythology in Episode 19,Episode 20 is more character-based and is more concerned with Sam, Dean and this family they’ve built around them than it is with figuring out the Case of the Week.
When talking about the lightheartedness of returning on ep 14, Dabb said deeply depressing and upsetting episodes are coming (USAToday). He also said we would see “new sides” of Jack, Cas, and Billie. A revisit of Chuck and Amara’s “sibling issues” as well is on tap. Jared said sacrifices are coming. 
From TV Line-  re the battle with Chuck. Allies will return, buit was repeated several times in the article that is comes down to Sam and Dean. Jack will struggle with getting his soul back but will be helped by Cas.
It was confirmed there will be no appearances by mamma and papa Winchester, possible due to COVID. (TVLine)
A trailer was released on 8/27. Scenes included:
A moving speech from Sam to Dean
(Possibly from 18) A teary conversation between Dean and Cas
Injured Dean being helped by Cas in the bunker
Jack breaking some cuffs/bring thrown into a wall/saying he has to kill god
Dean and his grenade launcher and a purple nightgown 
Sam in a sweater vest getting a gun from under a pillow
A glimpse of a body with “Lust” written above it/a matronly woman (I think the villain from 14) saying “Boys”
Ghose Dean? Little Sam cutting off a hand
Some intermixed scenes from past episodes
https://youtu.be/d5AzUa5zABI
A second trailer was released on 8/31. Scenes included:
A monologue from Billie about god coming to destroy the planet plus her banging on a bunker door (with her hand all gooey) and striking someone with her scythe
Jack continuing his speech about killing god but expanding that he has a ritual to do
Lots of red danger lights in the bunker/ 3 people getting tossed around in the bunker/Chuck in the bunker
Chuck saying he doesn't believe Sam and Dean can kill him
Young Sam and not ghost Young dean
Dean angrily driving the Impala then saying “its time”
Cas drawing his blade in front of an old truck to protect someone in a suit (Jack? I can't tell)
More Dean tears
A surprise appearance from Bobby
Some of the same scenes as before
https://youtu.be/mBTwCWkOFKw
A third trailer was released on 9/24. It was a rehash of the other two, but a new new scenes included: 
A handcuffed Jack asking Dean if his plan will work, Dean cheekily replying, and swing a machete at the cuffs
More of Dean and his nightgown
Sam saying “it's our one shot”
A pair of werewolves/vampires?
https://youtu.be/7oVO9BdADnQ
A Shaving People, Punting Things trailer was released on 10/2. Scenes included:
Dean in a bar with a blond woman
Sam by the mountain lake with facial wounds
Sam in a birthday crown
Several scenes with Sam and Dean in a barn
Team Free Will 2.0 in  a bunker corridor, Jack looking injured (?)
Cas digging near a stop sign
Sam, Dean, and Jack walking down a street/later in a church/in the Impala
Sad Dean in the dungeon/Sad Sam drinking and knocking over a book
Sad Jack and Cas leaning on the Impala
Scattered shot of Sad Sam and Dean (drinking in the bunker, learning against the Impala)
Sam/Donna hug
Sad Jack on a bed
Dean entering a motel room
Amara looking blissful
Dean giving Sam an encouraging face pat
Billie choking Cas
Sam and Dean shooting/swinging machetes/knives
Glowing eye lady in the bunker
Sam and Dean getting thrown around the bunker
Sam in Death’s library, hurting
Billie swinging a scythe
A bunker door getting blown up
Many behind the scenes shots, including one of Felicia Day (Charlie)
https://youtu.be/yex3jbuf8Mo
Episode 15x14
Title: Last Holiday
OFFICIAL SYNOPSIS: MAKING UP FOR LOST TIME – Sam (Jared Padalecki) and Dean (Jensen Ackles) discover a wood nymph (guest star Meagan Fey) living in the bunker who is determined to protect her family, at any cost. Eduardo Sanchez directed the episode written by Jeremy Adams (#1514). Original airdate 3/30/2020.
Written by: Jeremy Adams
Director: Eduardo Sanchez
Filming Dates:1/15- 1/24
Airdate: unknown- October 8th
Photos: https://www.tvinsider.com/gallery/supernatural-returns-season-15-episode-14-last-holiday/
Promo: kind of lumped in with the other promos
Sneak Peak: https://www.instagram.com/tv/CF0HK1blaFU/?igshid=o2ffwvgud56j
Sneak Peak 2: https://www.usatoday.com/story/entertainment/tv/2020/10/07/final-supernatural-episodes-lead-climactic-amazing-showdown/3632212001/
Castiel ? eh… I don't think so Jack ? yes
Guest stars:  Meagen Fay (fae lady)
Other Spoilers/info:
Misha mentioned being at an airport the first day of filming, maybe he’ll miss this one
The director shared a BTS shot with AlCal’s chair in the background. He also posted on that looked like the statues in hell. Lots of filming at the bunker. A few impala shots were shared as well. 
In an EW article, “a mysterious woman gives Sam and Dean every holiday they ever missed”
Episode 15x15
Title: Gimme Shelter
OFFICIAL SYNOPSIS: MATT COHEN DIRECTS – Castiel (Misha Collins) and Jack (Alexander Calvert) work a case involving members of a local church. Meanwhile, Sam (Jared Padalecki) and Dean (Jensen Ackles) go off in search of Amara (guest star Emily Swallow). Matt Cohen directed the episode written by Davy Perez (#1515). Original airdate 10/15/2020.
Written by: Davy Perez
Director: Matt Cohen
Filming Dates: 1/27-2/5
Airdate: unknown. October 15th
Photos: http://www.ksitetv.com/supernatural/supernatural-gimme-shelter-preview-images-released/205510/
Promo:
Sneak Peak:
Castiel ?yes  Jack ? Yes
Guest stars: Emily Sparrow? 
Other Spoilers/info:
There was some filming done at the crossroads with only Misha. 
Alex and Misha filmed together
It seems as if J2 didn’t film at all the first week, Misha filmed six or seven days, is this is a Cas centric ep?
Episode 15x16
Title: Drag Me Away (From You)
OFFICIAL SYNOPSIS: FLASHBACK TO A YOUNG SAM AND DEAN – Sam (Jared Padalecki) and Dean (Jensen Ackles) are asked to investigate the murder of a childhood friend, calling them back to a motel from their past and perplexing the brothers with a case they thought was solved a long time ago. Amyn Kaderali directed the episode written by Meghan Fitzmartin (#1516). Original airdate 10/22/2020.
Written by: Megan Fitzmartin
Director: Amyn Kaderali
Filming Dates: 2/6-2/17
Airdate: October 22nd
Photos: 
Promo:
Sneak Peak:
Castiel ? I think so… briefly? Jack ? not sure either. 
Guest stars: IMDB credits Lisa Berry (Billie/Death)  as well as Young Sam, Young Dean and both grown and young Caitlyn
Other Spoilers/info:
Alex got a cast of his face around the filming of this- so this ep or the one after
Looks like we get Dean in a robe!
They filmed at Rooster’s Sunrise Hotel for 3 days/nights
This is the flashback ep
From TVLine- “It worked not only as a case right now, but also as something that informed the journey Sam and Dean have taken, where they started as kids, how they kind of came together and then how that has [led up] to the point that they are, emotionally, when the episode airs. So it ended up being a really good reflection of our guys now, telling a story about our guys then, which, to me, are always the best versions of those types of flashback stories.”
Episode 15x17
Title: Unity
OFFICIAL SYNOPSIS:  ONE WAY OR ANOTHER – Dean (Jensen Ackles) hits the road with Jack (Alexander Calvert) who needs to complete a final ritual in the quest to beat Chuck (guest star Rob Benedict). A difference of opinion leaves Sam (Jared Padalecki) and Castiel (Misha Collins) behind looking for answers to questions of their own. Catriona McKenzie directed the episode written by Meredith Glynn (#1517). Original airdate 10/29/2020.
Written by: Meredith Gylnn
Director: Catrion McKenzie
Filming Dates: 2/19-2/28
Airdate: Oct 29th?
Photos: 
Promo:
Sneak Peak:
Castiel ? yes Jack ? yes
Guest stars: Rob Benedict and Emily Sparrow. IMDB credits Robert Wisdom (Uriel)
Other Spoilers/info:
Chuck and Amara trailers were seen on set when filming in a garden
Jensen was in NOLA Friday, possible Monday
“Uriel” was around for filming (Post COVID update: Misha seemed to indicate that this was because the actor was nearby filming? Not sure if this is to cover up the spoiler or the truth)
Alex and Jensen filmed in the imala
Episode 15x18
Title: Despair (it was The Truth at some point I think)
OFFICIAL SYNOPSIS: 
Written by: BOBO
Director: Speight
Filming Dates: 3/2--3/11
Airdate: Nov 5th?
Photos: 
Promo:
Sneak Peak:
Castiel ? yes Jack ? yes
Guest stars: IMDB credits Billie
Other Spoilers/info:
Misha and Alex filmed near the impala. J2 showed up later that night. This was the source of the “last time they all filmed on set” photo)
An really emotional scene was filmed with Misha and Jensen. Jared was definitely not there, but Alex was on the flight they took with Rich, so its possible he was too. This was revealed at a con in which the four of them were on a plane that had an in-flight problem.
Filming watchers saw a bro hug
Tape Ball posted a shot of field that looks like where dean came back from hell
Misha indicated this was his “favorite episode” in a recent interview
Episode 15x19
Title: Inherit the Earth
OFFICIAL SYNOPSIS: 
Written by: bucklelimg
Director: John Showalter
Filming Dates:: 3/12-3/23/cancelled for COVID and then 8/18-8/27
Airdate: Nov 12th
Photos: 
Promo:
Sneak Peak:
Castiel ? unknown Jack ? yes
Guest stars: Jake Abel (Micheal), Mark Pelligrino (Lucifer) 
Other Spoilers/info:
Production shut down as a precaution for coronavirus on 3/13, two days into filming. It is scheduled to start again on Aug 18th. 
Jensen indicated there might be some re-writes for this ep to account for COVID protocols.
When they started filming, they indicated they were on day two. So maybe they could only use some of the scenes they shot? Then they added an extra day all called it day 9. COVID protocols makes things take longer 
AlCal was definitely on set. 
Jake Abel is definitely on set, and he posted an instagram story with his trailer and Lucifer’s (Mark Pelligrino)
Some filming was done at a gas station called Showalter’s (name of the director) with Jared, Jensen, and Alex
Jake “Spoiler King” Abel filmed a video showing chairs for Jared, Jensen, and Alex as well as Rob Benedict (Chuck/God). They were filming near a lake with a mountain view (that looked similar to where Cas died in season 13)
Rob Benedict posted it was his last day in Vancouver, indicating we won't see Chuck past this episode? Or very very briefly in 20? Jake Abel posted a similar message, also baiting fans about Misha’s whereabouts 
Scene “28” took several days and seemed to go across both 19 and 20? So they might have done some combo filming?
 Episode 15x20
Title: Carry On
OFFICIAL SYNOPSIS: 
Written by: Dabb
Director: Bob Singer
Filming Dates: 8/28- 9/10  
Airdate: November 19th
Photos: 
Promo:
Sneak Peak:
Castiel ? maaaaybe? Jack ? maaaaybe?
Guest stars: Jim Beaver
Other Spoilers/info:
Jensen indicated filming would take two weeks, longer than usual (looks like a 9 day shoot, with a day off for Labor Day)
According to Superwiki, 9/3 was the last day on the bunker set, the final days are on location. 
Scene “28” took several days and seemed to go across both 19 and 20? So they might have done some combo filming?
Filming locations seemed to include a barn (pic with a stunt guy showed wooden walls and straw) and a lake (not the mountain lake from 19), and a forest. Filming signs spotted at Lower Seymour Conservation Reserve. 
Jim Beaver confirmed his appearance on Twitter
There was a pic of J2 with baby on a bridge. Baby had her original plates. They seem to be wearing the same clothes they were in the pilot. There may be grey (??) In their hair, but that could be lighting
Misha posted some creation videos, saying he had been on an impromptu camping trip. He was back in his house. They were posted on the last day of filming and he had pretty decent scruff. He also mentioned that it was the last day of filming and he wasn't up there. 
The show officially wrapped at 6:25 on 9/10
Jared said “the last time Sam and Dean see each other is the last time Jared and Jensen film together” but seem to imply that was not the final scene? It was a confusing answer to a question about filming the final scene.
IMDB credits a vampire?
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whatdoesshedotothem · 3 years
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Saturday 11 April 1835: SH:7/ML/E/18/0016
8 20
11 55
No kiss. fine morning F48° at 9 5 am at which hour breakfast and at downstairs reading till 10 50 from p. 181 to 195 Philip of Idiopathic fevers - John took before breakfast my letter written last night as above to ‘Messrs. Jonathan Gray and son solicitors Petergate York ppd’ - out at 11 5 sometime with Charles H- and John Mann in the joiners’ shop - talking about the Spiggs coal pit - then had Charles planning a granary over part of the new coach house and bottle cratches and lumber etc cupboard in the laundry - had Mr Freeman from about (before)12 to 2 20 - out with A- at 2 35 left her at the Cliff Hill gate close to the house- walked leisurely back by the old highroad - paid Charles H- senior for the compass I had from him sometime ago - went up to Walker pit - told Joseph Mann to try and agree with Pickells for a gin horse for a few days or a week by the day and to send Holt’s horse home for fear it should die with us - have had 4 days - then giving orders to John - to get his brother to come and what jobs to set him - then giving orders to Charles Howarth and set out railing in Allen car for Richard Woodhead to do in my absence - then up again at Walker pit to lock up the gin shafts with a padlock from home Holt having promised but failed to get one - came in at 6 10 - wrote the last 6 lines - and wrote 4 pages of ½ sheet and 3 or 4 lines on envelope (what I wrote on Thursday would not do) and wrote under the seal small and close to Lady VC- of what I wrote on Thursday - dinner at 7 - sent off at 7 ½ my letter to ‘the honourable Lady Stuart 21 Grosvenor Place’ and enclosed with it my letter to ‘the Lady Vere Cameron’ both undercover to ‘Lord Stuart de Rothesay 3 Carlton house Terrace London’ - Mr Washington waited about ½ hour till we had done dinner - A- with him while I came up to dress and went down again to coffee at 7 55 - Mr Washington staid till 9 ½ - with my aunt ¼ hour till 10 10 - had just before going to her had letter from Mr Jonathan Gray to say he would be at home and would call on us at 6 pm on Monday and kind letter one ½ sheet full from lady Stuart de R- skimmed over the London paper came upstairs at 11 ¼ - fine day F49° now at 11 ¼ pm - Mr Freeman came about Barber’s information against the 2 young men - all against B- said he had informed against these two youths tho’ he confessed he had seen Gill come in the right and fetch trees away and had never told because he was afraid if he had Gill would have murdered - I said if Mr F- would stand to this it was reason enough to turn B- off said I was going from home - would meet Mr F- in the wood and have B- before us on my return - F- had been much hurt fancied I was offended against him - quoting the conclusion of my note (vid. line 6p. 19 - explained that) merely meant that whoever was wrong Gill had beaten both F- and me  and that tho’ I was absolutely in want of stakes and buildings at the time I could neither get them from Gill nor get any value from them from any one  - luckily consulted Mr F- about an architect and engineer - it seems Mr. Bradley had nearly got out of F- £300 and in the same almost swindling sort of way for £1500 out of Wentworth’s and Chaloners’ bank
SH:7/ML/E/18/0017
at Wakefield - Bradley not a man to be depended on - very idle - never right in his estates - not fit to be an architect except a soft stone country - not fit for stone like ours - once gave F- an order for a portico (Corinthian capitals etc) estate £20 and F- told him he could not get the work done under £25 let alone price of stone - I said this would never do for me - mentioned my intention of making Northgate house into a good Inn - F- thought it would answer very well - he mentioned Johnstone of Lichfield, and also Potter an elderly man (also of Lichfield) very clever who built Stafford jail and infirmary - but Mr. Bernard Hartley aetatis about 55 of Pontefract (employed for the country) one of the most honest men to be found - he might be interested implicitly - Jesse Hartley of Liverpool brother to Bernard also an architect - Mr. Thomas Lees of Cheetham hill, Manchester, a very clever man, but not quite to be taken of his word - F- did not know of any engineer - said Rag Covers from 4 to 6 in. thick enough to be carted by Mark Hepworth e.g. and delivered (from F-‘s Northowram quarry) at Denmark engine pit at 2/3 per superficial yard - 9 square ft. = 1 superficial yard .:. a goit 5ft. wide (i.e. requiring bottoms of 6ft. long) would take 1 ½ superficial yards per yard in length - therefore my 5ft. wide goit will cost ¾ ½ per yard in length for bottoms - suppose the goit costs 12/-
Bottoms per linear yard = 3.4 ½
Tops ditto ditooo = 3.4 ½
Side walling stones = 1.0 ?
Labour walling and digging = 4.0
11.9
per yard – and the arched part might not cost more for F- would have me buy field wall stones (by the lump) for it
this hearing about Bradley is terrible - but it is well, nothing is absolutely began - I must look about me for somebody else - what a pity so much time has been lost! - note this morning from Mr Parker with my bill and cash account and papers of my field purchased of Mr S. Washington and a deed relating to the Staups purchase - ‘Mr Mitchell called this morning and proposed fixing a price upon the lower George when he had seen Mr Bateman’ - I should have returned some answer this evening as Mr P- is going to London tomorrow but for matter escaped my memory - nice letter from lady Stuart de R- impossible to say what will be done - Lord Grey has failed to make a ministry ditto Lord Melbourne - ‘if Lord Lansdowne excludes Lord Bingham and chances to give office to O’ Connell, I think he will be more mad than the ex. chancellor’ - Lady S- de R- will be out of London at Easter for a week ‘and then must be back to present Louisa! who is really grown up I hope, or she will be too tall - she and Charlotte and papa all desire kind remembrances and believe me very truly yours E. Stuart de Rothesay’ -
my letter to V- merely a kind letter of congratulation on the birth of the young laird - and my letter to lady Stuart merely thanks for her telling me so immediately of V-‘s confinement and affectionate inquires after and hopes about Lady S-‘s own health - her letter had alarmed me and prepared me in some sort for the melancholy political news of the resignation of minsters -
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ton-e · 4 years
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Lol ok so I didn't wanna do aesthetics so I wanna brainstorm possible scenes instead
Ok so the premise is, basically, Viktor, an aspiring kid looking to enter this straining affair of the boxing world. He's young and impressionable and he's got something to say. Something that old underground New York pubs and junior gyms don't provide enough eco for.
Barnes, a big shot star in the 80s, is pretty much known as the best of the best there, holding the impressive score of 34-1. (Tho I don't know if it can count as a victory since he wasn't even there for the fight, anyway) but after a near fatal shooting which happened right before his big championship match with Rollins, a bullet piercing his right shoulder which leads to the amputation of his limb, he dissapears into the shadows. The world moves on.
I like the idea of Barnes being trained by Mary who was in his exact same spot years ago but had to give up her career to have Anthony which she doesn't regret! Between her heart problems and the growing annoyance of public attention, a baby is practically a blessing and if it puts Jarvis and Howie to rest then it's a bonus. (I also kind of like the idea of her having only losing once and it was against Maria lol)
And maybe Viktor goes to her first but, while she does seem fond, like she's looking at an old memory twice, she refuses. "Kid, I'm gonna tell you exactly what I told my old pain in the ass when he stood in your spot: I can't."
"Why?"
"Because us Carbonells train to kill, not fight. Alright, what you think boxing is, - this cookie-cutter bullshit version you kids have today? The civilized conversation, the heavy editing, the contracts promising defenses, - that doesn't mean shit. Apollo Creed had a contract.
Muhammed Ali had a contract. So did Jimmy Doyle, Frankie Cambell, and Brad Connels. A sheet of paper can't protect you from the ring, and I'm not having another kid on my conscience. Besides, these guys? They have purpose. Whether it's money, or sport, or just to chase the high - they have it. You just want the glory."
"Yeah? So what?" So what if he wants to be seen? So what if he's doing all of this hoping to impress? So what if he has to prove he's worth someone's time. "If I die I die. Big deal."
For some reason, he wants to both cry and retaliate at the look of pity that crosses her face. "Go home, kid. You're gonna break your momma's heart." Are his last words to him before she closes the door.
In a Viktor fashion, he does the exact opposite.
He likes the street fighting, - the vibrations under his fists, the crack of his bones, the violent taste of crimson metal blossoming in his mouth, it's liberating. He doesn't think about anything. It's just him and his adversary, not an enemy, just someone seeing him as Viktor sees them. That rush could ruin a man.
It doesn't hurt he's making pocket money on the side, either. Certainly better than watching some snotty kids or mowing laws, in his book.
No, what kind of hurts is seeing the sharp scrutiny in Aleksei's sharp eye and the soft disappointment uncovering Ryurik's Dad Stare when they come pick him up from the station.
He and his mother are alike a lot in that aspect, - really he's pretty sure the five, Sasha and him have had an agreement to collectively throw themselves off a cliff if they disappointed Ryurik in some way. A broken arm, bruised ribs, and black eye? Pale in comparison to what Ryurik's power really holds.
I refuse to believe Aleksei doesn't freely parent other people's kids sksk Aleksei only stops scolding him when a police officer says ''He's going to spend the first part of his life in the streets, and the other in the grave. I put my life on it." Well a certain fashion teacher is gonna design the outfit for your funeral BITCH-
"You're so damn lucky Talusha was busy digging her medicure through someone's intestines right now. Do you even know how bad you look right now? Of the mountain of trouble you're into? Are you? Viktor Iosef Novak, you look at me when I'm talking to you, -"
"Relax, relax, take it down to a two, " Viktor pushes back a laugh watching Ryurik placate his husband bc it's just cute, and ignores the shush river of Russian pet names bc they're not for him to hear. It makes him feel vulnerable tho, that Ryurik feels the need to somehow hold Aleksei back. He can take the heat just fine.
He can take it and give it just as good, because every battle he's been into before has been on his own name. But this is harder because it was never a fight, to begin with.
Fighting is easy. Stopping is harder.
It doesn't stop feeling bad when Sasha bandages his wounds and his back doesn't cool town from the target five pair of eyes fixate on. Yasha's burn the hardest thought. "The fuck you looking at?" He playfully glares, the good part of his shoulder bumping against the other boy's, who tries to small but it lifts with a strain.
"An idiot."
"Are you looking for a mirror?"
"Fuck you, Vitya."
"Hard pass."
"Okay, Viktor you're not getting away that easy, " Ronin says, arms still bound tightly around Antoska's slender shoulders and Sasha's frail middle. Despite his easy going tone, Viktor uncovers the touch of concern underneath. "Why can't you just ask your mom to teach you? Or Papa? I mean, you want to be on a knuckle sandwich diet be my guest, but it's not really good for digestion from what I hear."
"It's not the same. Your father knows another kind of style."
'He doesn't want to learn from mom and uncle Ryurik because she's a girl,' Sasha signes irritably, eyes making an impressive tumble. 'My brother, the 14 year old, making sexist comment. What a never heard of fact.'
"I didn't say that!" He exclaims, flushed. Hissing when Natalia kicks him in the tender bruise he sports on his hip. "I just said, that I want to learn boxing! And that's not the same thing as what Ma does, or you guys do. Boxing is special. But if I can't learn from Barnes specifically, then there's no point!"
The red head huffs in indignation. "Okay, so, boo hoo, some washed-up Rocky Balboa doesn't want to train you. You have options, V. People give up over worse."
He doesn't feel like being home anymore, so he flees, the call outs to his name going ignored. in the street or just outside, he doesn't know. He just knows red follows him, that concrete shakes under the stomp of his heel and that the wetness on his cheeks freezes on his face. No one gets it, no one gets HIM. It hurts, that a part of him, the part that tells him he's worthless and insignificant and forgetful , really does think Barnes has better things to do than train him.
A sleek car, long, vintage, a touch too expensive for the streets he's haunting right now, stops beside him. He continues. It follows him, engines unusually quiet.
"Mr. Novak?" A deep voice, subdued, but persuasive nonethelesss coerces him into stopping. The windows roll down, revealing a man with a smile too friendly to be true and eyes too kind to be nondeceiving. "My name is Alexander Pierce. And I happen to have an irresistible offer."
"It's in the process of extension, " Pierce expresses later, as he leads Viktor through the underground fighting bar. Its practically a huge stadium in a molehill and his mind struggles to compute how Pierce pulled it off. "I'm looking for capable young talents to craft into tomorrow's brightest stars. I'm assuming you've heard of Rumlow before?"
"Crossbones? 23-2? Yeah, I heard. He's currently heavyweight champ, right?" Barnes should have been, he wants to say, but reading the room better he thinks against it. "I don't... Actually think I've seen him around much. Maybe since '98, but that's his most recent match. What's ... Up with that?"
"He's kept that belt around him for closer than two decades. Id say its time for some adjuments in the records, don't you agree?" He doesn't like it when Pierce smiles. Bad things happen when he smiles, of that Viktor is certain. "That being said. I think you could be our following breakthrough. What do you say? I'd love to see a performance. "
"I'd be surprised if you guys had a Juniors league." He snorts, expecting a smart retort, but all he gets is a sinister grin. All of a sudden he's in the ring, without even noticing he was moved, and before him stands a beast of a man, two heads taller and promise of pain in his eyes. "... What juice do you give this kid?"
"You're charismatic. You'll need that in this world. He's your adversary for tonight. I'd suggest an old fashioned glove bump for the sake of sport, but, seeing as you're barehanded id advise against it. "
"You can't do that, " nervousness bubbles in his throat. "That's against the rules. I can't fight like that."
"Oh! Don't worry. You don't have to fight. You just have to die."
--
The last time Rumlow sees Barnes is on a stretcher, arm bathed in blood and with the press around an ambulance.
He doesn't know what they were. Fuck buddies to almost friends to friends with benefits? He doesn't know what he had, but he knows he lost it. All he has is a sheet of paper with scratched blue ink, digits that no longer call, and some gold on leather.
"You should treat that belt with more respect. " Rollins scolds him. Rumlow uses it as feet rest next, and doesn't flinch at the sharp slap he receives. Instead, he smiles mockingly, lower lip sticking out in a tempting pout.
"Hit a bit harder next time and maybe it'll be half close to how Barnes used to do it. Just because it felt good with him doesn't mean you'll receive the same response." The pout slips into a smile that drinks into the frustration sizzling around the air. "Besides, I don't listen to cowards, Jackie. Thought we established that."
"Oh, please. Are you ever going to let that go? I ain't gonna repeat it a thousand times till you get It through that hard head of yours, but I didn't shoot your boy toy."
'' I didn't say you shot him. Pussy like yourself, I'm thinking you hired someone. Why did you do it? Hm? Were you that scared to fight him that you wanted to kill him? Hell, I don't blame you. Man sprints like Ali and serves like Creed. "
It's Jack's turn to return that grin, that fucking blood-curling grin. " Used to, for sure. Remember when he fucked up your pretty face in '84. Now? He's a street rat barely getting by, sniffing after junk and scraps just to stay alive. Must be hard to think about, I guess, that he used to give it so good and now he can't even hold you, can't he? Not with his cripple self. "
The beer can in Rumlow's hand spills over. Neither comment. "I ain't afraid of no half-man, Brocky, " Honey-sweet words make him sick. He wants to kick Jack out, but they both know he won't stay away, and that Rumlow won't keep him away. He's too dependent on him at this point. "And not stupid enough to think he's coming back."
"... You're right. You're not afraid to fight him. You've got a lot of words worth to point the finger at, but chicken shit? Ain't one of them. You know what I think?" Rumlow sits back, smirk wide and nasty, contradicting the sadness on his tongue, the venom, the tired. " I think you were afraid to be him. That he just? Didn't give a shit. Just like I did. That he could fuck me whenever and wherever he damn well pleased without giving a shit about who had something to say about it.
You were afraid I'd say something about you, even if we both damn well know that never happened, that he found out. I think you were terrified he was gonna tell the world Jack Rollins was a faggot just like his daddy."
He can't snapshot the moment his body makes contact to the floor. He doesn't count the punches either, letting them numb over his face, no longer present for the beating. At around one point, his neck snaps to the TV screen, in sync with Jack ceasing his onslaught, and his eyeballs follow his stunned gaze.
Rumlow can recall the time Barnes lost his right hand.
And he'll brain engrave the image of him kncoking some goon out with his left.
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amandabe11man · 5 years
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While I construct playlists on and off pm all the time, I release this one because I realized it was done, and as another tribute to Rutger Hauer :’(
[ LISTEN HERE ]
further on up the road – johnny cash | hitchin’ a ride – green day | the mechanic – nova social | highway song – SOAD | ‘74-’75 – the connells | erase/rewind – the cardigans | upside down – diana ross | broken soul – brand new sin | deep red bells – neko case | killer on the road – oh laura | don’t look to the eyes of a stranger – iron maiden | fever fever – melody club | …to be loved – papa roach | victim of reality – pennywise | time of dying – three days grace | savior – 30 seconds to mars | coming home in a body bag – sparzanza | headstrong – trapt | i stand alone – godsmack | danger zone – gwen stefani | highway to hell – AC/DC | i hate everything about you – three days grace
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papermoonloveslucy · 3 years
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LUCILLE BALL IS ON THE WARPATH
January 15, 1973
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By ELAINE SHEPARD, HOLLYWOOD (WNS) 
Faint-hearted TV and film executives had better start circling the wagons. Lucille Ball is on the warpath. 
Lucy never does anything by halves, and is feisty enough to take on the whole show business establishment. She has become one of the television industry's richest, most influential leaders, and she has a very personal set of moral weights and measures. 
"A lot of dirty old men have been on a ragged, jagged toot of making money and pandering to an audience's basest instincts. As soon as they are not making money which is happening already those pictures will sit in the vault.” 
"I know my audience is still out there so I'm not worried. But it's a terrible thing as a mother or father to try to shape your children morally and in every other way and have it torn down in one short season of movie-going. Because once they are 15 and a certain height they are allowed in to the theatres and everything they were taught to believe in is ripped apart. All this permissiveness has put tremendous responsibility on young people's shoulders. At least you and I had guidelines. Now they are not even allowed a conscience that tells them right from wrong." 
Tacky pictures are something to be avoided like drafts and bad cooking, says Lucy. "At home, I've stopped many movies in the middle and sent guests and projectionists home.” 
"Violence has gone beyond the bounds of tolerance. Today's films leave the young people in a spiritual wasteland. No direction. Everything is dirty, smelly, icky, lousy. They should have something to hope for, to dream about. We need a little fantasy. Not just sexual fantasies. We give them no hope any place." 
Lucy was one of the first to demolish forever the cliché that beauty and brains are incompatible. Her energy is atomic. Smoking cigarettes at a cancerous rate, she was on the phone arranging last-minute details for her 80-year-old carrot - topped mother, Dede, to go fishing in Colorado. "My condominium is at 9,800 feet. You should see Dede going down the mountain with the kids on a belly-whacker at 40 miles an hour." 
Tall and handsome Gary Morton says his 11-year alliance with Lucille is "the most wonderful thing that ever happened to him." It is a marriage that hums. You can sense the little waves of approval and the love arrows going back and forth. He gave Lucy a white juiced-up golf cart with her name on the door to carry her around the Universal Studios lot. Gary is executive producer of "Here's Lucy." This season represents his wife's 22nd year as a major CBS Television Network star. 
With every rung of the theatrical ladder greased and the most slippery one at the top, Lucille keeps her watchful big blue eyes on 21-year-old daughter Lucie, a costar on the program. "She is quite serious about her career." 
Lucie and her brother Desi IV (20 this month) have been raised with every advantage that wealth and love could provide. "Their father (Desi Arnaz III) is proud of them. He has a Moroccan palace in Baja. The kids, including Liza Minelli, visit them there. My son loves Liza very much and so do we. I knew her before I knew my own children. Our family is so close now it hurts. Very close. So close that the telephone bills from Desi's movie locations in Japan and Israel are astronomical." 
She has no plans to retire. "I don't know what I'm going to do from one minute to the next. When it's time to make a decision I make it. I don't feel any need to change the comedy format. Response from the fans indicates it works." 
How did movie standards get twisted? "Some producers have been given so much rope they are hanging themselves. A lot of pornographic stuff is going begging. We have good directors but no big studios with jobs for them. No 'papas' around anymore; nobody to set standards and give direction. Among the exceptions in this town are Disney and Ross Hunter. I say 'thank God' for them."
Former waitress, soda jerk, wholesale garment model and chorus girl, Lucy became the first woman president of a major Hollywood film producing company (Desilu Productions) with an estimated annual gross of $25,000,000. In 1967 she sold her interest in Desilu to Golf & Western Industries and is a substantial shareholder in that financial empire. 
In 1968 she formed Lucille Ball Productions. Headquarters is rented from Universal Studios. "I am happy to be a tenant and not interested in being a big tycoon anymore. We will create new TV programs, specials and movies." 
We didn't discuss Women's Lib. For Lucy is Women's Lib personified. 
She also is Auntie Mame. The movie starts this month, will make a fortune for Warner Bros., and be a coronation for the queen of comedy. 
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Monday, January 15, 1973, also saw the premiere of “Lucy and Her Genuine Twimby” (HL S5;E17) guest-starring Robert Cummings. 
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On the same date, UPI reported that “Here’s Lucy” would return for a sixth season, marking Ball’s 23rd year on TV. Coincidentally, the following item reports that Lucy’s friend and frequent co-star Mary Wickes would recreated her Broadway and film role in a television version of “The Man Who Came To Dinner” for Hallmark Hall of Fame. 
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[January 15, 1973, was also just before production began on the film musical Mame. Joan Crosby reported on the press event.]
It was like the old days of Hollywood. The red carpet was laid at Studio One at The Burbank Studios (nee Warner Brothers) and 200 people showed up for lunch with Lucille Ball and the cast of "Mame," the day before production. 
Lucy made a great entrance in her silver-and-black outfit, with long earrings, cigarette holder to match, close cropped black hair and tightly wound silver turban. If you wonder why Mame couldn't be, like Lucy, a redhead. Lucy says a lot of thought went into the color, which will be used in the early scenes. Before the 20 years of Maine's life are finished she will also be seen as a blonde, redhead and finally, blue-tinted, silver-haired lady. Told that it's hard to get used to her with dark hair, Lucy smiled and said, "I can't get used to me, either." 
Lucy will have about 45 costume changes in the musical, which delights her and should please the ladies. 
Robert Fryer, who is co-producer of "Mame," said they needed an actress for the role who was "chic, humorous, warm and loving," and Lucy mugged her way through that. 
Lucy said she was delighted to do "Mame" because it is "a four-letter word and so is love, so is care and so is hope." She added that so many films today lack these qualities. "Also, they don't give us anything to hum unless you want to come out of the theater humming a manure pile."
Lucy introduced costars Robert Preston, Bea Arthur (who played Vera on Broadway and will recreate it here), Jane Connell, the original Agnes Gooch, and darling Kirby Furlong; who will turn 10 during production. 
Kirby, who is very small for his age, was wearing a tuxedo and director Gene Saks said, "Kirby always dresses that way. He gets up in the morning and jumps into his tux." Kirby laughed. 
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Meanwhile, in other papers, Mame’s casting was reported, concentrating on adult Patrick, played by Bruce Davison. The release incorrectly lists Madeline Kahn, who was initially cast as Gooch, but left the production, reportedly due to a conflict with Lucille Ball. 
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aion-rsa · 4 years
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Supernatural Season 15 Episode 17 Trailer, Synopsis, and News
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Supernatural Season 15 was confirmed by The CW back in January 2019, obviously to no one’s surprise. However, it turns out that the Winchesters aren’t going to live forever, since we would later learn that said fifteenth season will be the final one for the long-running genre series, set for a 20-episode run. Believe it or not, Supernatural is the longest-running genre series in American broadcast television history. The series is also the last remaining vestige of The WB network, which merged with UPN in 2006 to create The CW network as we know it today.
The latest news? Supernatural Season 15 is back from a covid-driven hiatus for its final episodes.
You can read our review of the latest episode here.
Supernatural Season 15 Episode 17 Trailer & Synopsis
What’s next? Episode 17, titled “Unity,” which is slated to air on October 29th. Check out the promo…
Dean hits the road with Jack, who needs to complete a final ritual in the quest to beat Chuck; a difference of opinion leaves Sam and Castiel behind as they look for answers to questions of their own.
Here’s everything else we know about Supernatural Season 15!
Supernatural Season 15 Episode Guide
Click on the blue links below to read full reviews of the episodes.
Supernatural Season 15, Episode 1: Back and To the Future
“Picking up here we left off last season, Sam (Jared Padalecki), Dean (Jensen Ackles) and Castiel (Misha Collins) are left to defend the world after all the souls in hell have been released and are back on Earth and free to kill again.”
Original airdate: 10/10/19
Read our review of “Back to the Future.”
Supernatural Season 15, Episode 2: Raising Hell
“Sam (Jared Padalecki), Dean (Jensen Ackles) and Castiel (Misha Collins) call on Rowena (Guest Star Ruth Connell) to help keep the evil souls at bay and get an unexpected assist from Ketch (Guest Star David Haydn-Jones).”
Original airdate: 10/17/19
Read our review of “Raising Hell.”
Supernatural Season 15, Episode 3: The Rupture
“Sam, Dean and Rowena work tirelessly to keep all of hell from breaking loose; Castiel cannot forgive an arrogant betrayal.”
Original airdate: 10/24/19
Read our review of “The Rupture.”
Supernatural Season 15, Episode 4: Atomic Monsters
“Sam and Dean investigate the mysterious death of a girl and the disappearance of another.”
Original airdate: 11/7/19
Read our review of “Atomic Monsters.”
Supernatural Season 15, Episode 5: Proverbs 17:3
“Sam and Dean’s routine case turns out to be anything but.”
Original airdate: 11/14/19
Supernatural Season 15, Episode 6: Golden Time
“Sam and Dean are visited by an old friend. Castiel investigates the disappearance of a local teen.”
Original airdate: 11/21/19
Supernatural Season 15, Episode 7: Last Call
“Dean (Jensen Ackles) goes off on his own to take on a case. Meanwhile, Castiel (Misha Collins) has an idea of how he can help Sam (Jared Padalecki) track down God.“
Original airdate: 12/5/19
Supernatural Season 15, Episode 8: Our Father, Who Aren’t in Heaven
“Sam, Dean and Castiel’s continued search for a way to defeat Chuck leads them to unexpected places and toward unlikely allies.“
Original airdate: 12/12/19
Read our review of “Our Father, Who Aren’t in Heaven.”
Supernatural Season 15, Episode 9: The Trap
“Sam and Eileen are faced with the brutal truth; Dean and Cas work together in the hopes of getting a step ahead of Chuck.“
Original airdate: 1/16/20
Read our review of “The Trap.”
Supernatural Season 15, Episode 10: The Heroes’ Journey
“Sam (Jared Padalecki) and Dean (Jensen Ackles) hit the road to help an old friend, but it appears that their luck may have finally run out and they are the ones who may be in need of rescue.“
Original airdate: 1/23/20
Read our review of “The Heroe’s Journey.”
Supernatural Season 15, Episode 11: The Gamblers
“Sam (Jared Padalecki) and Dean (Jensen Ackles) press their luck in a winner-takes-all game of pool. Meanwhile, Castiel (Misha Collins) hunts down a would-be murderer, but not for reasons one might think.“
Original airdate: 1/30/20
Read our review of “The Gamblers” here.
Supernatural Season 15, Episode 12: Galaxy Brain
“Sam and Dean respond to a frantic call and assist in an extraordinary and heartbreaking rescue; Billie surprises everyone with a visit to the bunker.”
Original airdate: 3/16/20
Read our review of “Galaxy Brain” here.
Supernatural Season 15, Episode 13: Destiny’s Child
“A search for the one thing that may give the Winchesters an edge against God leads Sam and Dean to Jo’s door and to a secret that may have died with Ruby; Castiel asks Jack to do the unthinkable to help the brothers in their quest.”
Original airdate: 3/23/20
Read our review of “Destiny’s Child” here.
Supernatural Season 15, Episode 14: Last Holiday
“Sam and Dean discover a wood nymph who is determined to protect her family at any cost.”
Original airdate: 10/8/20
Read our review of “Last Holiday” here.
Supernatural Season 15 Episode 15: Gimme Shelter
“Castiel and Jack work a case involving members of a local church; Sam and Dean go off in search of Amara.”
Original airdate: 10/15/20
Read our review of “Gimme Shelter” here.
Supernatural Season 15 Episode 16: Drag Me Away (From You)
“Sam and Dean are asked to investigate the murder of a childhood friend, calling them back to a motel from their past and perplexing the brothers with a case they thought was solved a long time ago.”
Original airdate: 10/22/20
Read our review of “Drag Me Away (From You)” here.
Supernatural Season 15 Episode 17: Unity
“Dean hits the road with Jack, who needs to complete a final ritual in the quest to beat Chuck; a difference of opinion leaves Sam and Castiel behind as they look for answers to questions of their own.”
Original airdate: 10/29/20
Supernatural Season 15 Episode 18: Despair
“With the plan in full motion, Sam, Dean, Castiel and Jack fight for the good of the common goal.”
Original airdate: 11/5/20
Supernatural Season 15 Cast
Stars Jensen Ackles, Jared Padalecki, and Misha Collins released this video message to the fans following the big announcement of the show’s final season.
Of course, Jensen Ackles (Dean) and Jared Padalecki (Sam) are back for the final run, as is Misha Collins (Castiel). But what about Jeffrey Dean Morgan, whose long-gone John Winchester returned for the series’ 300th episode?
There’s no word on whether we can count on one more apperance from Papa Winchester, but Morgan had this to say on Twitter about the final season being announced: 
— Jeffrey Dean Morgan (@JDMorgan) March 26, 2019
Here’s to hoping we get to see him back on the show one more time.
Supernatural Season 15 Trailer
A trailer for the collective back-half of Supernatural’s fifteenth and final season has arrived, previewing the ultimate endgame of the venerable CW staple. On an interesting note, the song used in the clip is “Drowning” by Radio Company, which features co-star Jensen Ackles himself on vocals.
That trailer was preceded last fall by the one immediately above, appropriately titled “Last Ride,” which served as an overall preview for the front-half of Supernatural’s final season.
Supernatural Season 15 Plot
As executive producers Robert Singer and Andrew Dabb said of the final season (and its eventual resolution,) in a statement: 
“Firstly, we would like to thank all the people who have been involved with the show both in front of and behind the camera. For us it has been an experience of a lifetime. The support we have had from both Warner Bros Television and The CW has been incredible. We’d like to give special thanks to Jensen, Jared and Misha for making this journey so special. It is now most important to us to give these characters that we love the send off they deserve.”
Of course, Supernatural has a lot of loose ends to tie up, and we’re not just talking about what happened in the Season 14 finale. With more than a decade of storytelling to conclude, how will showrunner Andrew Dabb go about it? 
As Dabb previously told Entertainment Weekly: 
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
“God was not kidding when he said it was the end of this story. And by the end of this story, it means the end of the world. The question of what that looks like, the question of how Sam and Dean deal with that, I think those are the big things that we’re going to explore going into season 15.”
The post Supernatural Season 15 Episode 17 Trailer, Synopsis, and News appeared first on Den of Geek.
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samuraiofhyuga · 7 years
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"Book 3 Status: Copyedit is complete. I am now waiting for Hosted Games to get the save importing features online to playtest. And to my fellow Americans, have a great Thanksgiving week!"
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eliottdemauries · 7 years
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This might be unusual of me to ask but can you post the song list of Tarjei's playlist if it's not too much bc Spotify doesn't work in my country and i can't see all the songs rip 😔😑
it’s a lot of songs and the playlist is literally so mixed when it comes to genre (loads of classics though) but yeah here is the list:
my name is - eminem
the real slim shady - eminem
the birmingham ho - morten abel
wonderwall - oasis
everybody hurts - r.e.m.
too close - alex clare
bitter sweet symphony - the verve
friday i’m in love - the cure
hjerteknuser - kaizers orcestra
butterfly, butterfly (the lasy hurrah) - a-ha
losing my religion - r.e.m.
stop for a minute - keane k’naan
everybody’s changing - keane
se på meg - delillos
yellow - coldplay
in the backseat - jonas alaska
take on me - a-ha
sail - awolnation
do i wanna know? - arctic monkey 
human - the killers
pump it - the black eyed peas
just can’t get enough - the black eyed peas
rather be - clean bandit feat. jess glynne
somebody told me - the killers
where is the love? - the black eyed peas
i see fire - ed sheeran
can’t stop loving you - phil collins
never let me down again (remastered) - depeche mode
personal jesus (remastered) - depeche mode
open up your eyes - tom hugo
spiralling - keane
you’re beautiful - james blunt
moves like jagger - maroon 5 feat- christina aguilera 
bonfire heart - james blunt
ampersand - stephen walking soulero
love me again - john newman
puttin’ on the ritz - fred astaire 
daybreak (gopro hero3 edit) - overwerk
with or without you - u2
there she goes - the la’s
from nowhere - dan croll
paper planes - m.i.a.
april come she will - simon & garfunkel
seven nation army - the white stripes
pretty fly (for a white guy) - the offspring
i got you (i feel good) - james brown
one - mary j. blige feat. u2
our house - madness
baggy trousers - madness
your song - elton john
changes - butterfly boucher feat. david bowie
the logical song - supertramp
‘74-’75 - the connells
nothing compares 2 u - sinéad o’connor
the one i love - r.e.m.
i’m too sexy - right said fred (literally why tarjei??)
livin’ la vida loca - ricky martin (he basically have the entire shrek 2 soundtrack in this playlist,, i hate him)
hurt - johnny cash
can’t help falling in love - elvis presley 
supermassive black hole - muse (i got way to exicted when i saw that he listens to muse)
fell in love with a girl - the white stripes 
every breath you take - the police
roxanne - the police 
wannabe - spice girls
don’t look back in anger (remastered) - oasis
basket case - green day (bae listens to green day,, day is made)
good riddance (time of your life) - green day (tHIS SONG THOUGH)
don’t stop me now (remastered) - queen
tears in heaven - eric clapton 
young and beautiful - lana del rey
summertime sadness - lana del rey
feel good inc - gorillaz
on melancholy hill - gorillaz
clint eastwood - gorillaz (he seems to like gorillaz)
far from any road - the handsome family
man on the moon - r.e.m. (also seems to be a fav of his)
pokemon theme - pokémon (fucking hate this guy..)
homecoming - kanye west feat. chris martin
i wanna be sedated (remastered) - ramones
stuck in the middle with you - stealers wheel
lay all your love on me (from mamma mia) - dominic cooper & amanda seyfried (this musical is everything)
the sound of silence - simon & garfunkel
i need a hero - andrew spencer (blue nature mix edit) (again with the songs from shrek 2,,,,)
rock the casbah (remastered) - the clash
you can call me al - paul simon
shout - bernhoft
styggen på ryggen - onklp & de fjerne slektingene 
don’t you (forget about me) - simple minds (the breakfast club
wicked games - chris isaak 
everybody wants to rule the world - lorde (this boy seriously listens to all my favs??!!)
dragostea din tei (original romanian version) - o-zone
tusen bitar - laleh (favvvvvvv)
outside - calvin harris feat. ellie goulding)
i’m an albatroz - aronchupa
lie to me - chris isaak
the scientist - coldplay 
halo - ane brun & linnea olsson
man in black - johnny cash
ave maria - beyoncé
little green bag - george baker selection
always on my mind - pet shop boys
a little less conversation - elvis presley (jxl radio edit)
hooked on a feeling - blue swede
unchained melody - the righteous brothers
go your own way - fleetwood mac
i will survive - gloria gaynor
hotel california - eagles
september - earth, wind & fire
cheerleader (felix jaehn remix) - omi
livet er for kjipt - lars kilevold
gdfr - flo rida feat. sage the gemini & lookas
blue velvet - lana del rey
one of us - joan osborne
glemte minner - delillos
eple - röyksopp
monument - röyksopp feat. robyn
this love - maroon 5
mad world - gary jules feat. michael andrews
old thing back - matoma & the notorious b.i.g. feat. ja rule and ralph tresvant
pumped up kicks - foster the people
i’m on fire - awolnation
creep - radiohead
karma police - radiohead (he listens to radiohead,,what more can you ask for)
hypnotize - the notorious b.i.g.
ghetto gospel - 2pac
this summer - maroon 5
tandtråd - tjuvjakt
you don’t own me - grace feat. g-ezy
i get around - the beach boys
ms.jackson - outkast
no surprises - radiohead
big in japan - alphaville
save tonight - eagle-eye cherry
hero - family of the year
iris - the goo goo dolls
kast alle papirene - delillos (this translates to “throw away all paper”,, i’m looking at you even)
wuthering heights - kate bush
starman - david bowie
spis din syvende sans - karpe diem
tusen tegninger - karpe diem (”thousand drawings”,, why all the s3 references)
like a stone - audioslave
california dremin’ - the mamas & the papas
bridge over troubled water - simon & garfunkel
ave maria - johann sebastian bach & charles gounod (’cause he seems to need ave maria twice)
evig forelsket da - delillos 
forelsket - delillos
hemingway 2016 - ganic & johnny whitehouse
sugar - robin schulz feat. francesco yates
suser avgårde alle man - delillos 
mindre alvorlige ting - delillos (this dude and delillos….)
the hardest part - coldplay
swedish television - bigbang
sike 2016 - mehiko & n.o. beats (russ music deluxe)
relax, take it easy - mika
hjernen er alene - delillos (skam soundtrack yay)
varsko - klovner i kamp
glade dager - klovner i kamp
du og jeg og livet - lars lillo-stenberg
finns de en kvinne - delillos (i think i have found his fav band)
the penetrators 2016 - hanzee (skam soundtrack yay pt.2)
gå hjem - delillos (surprise it’s delillos again)
didn’t i (blow your mind this time) - the delfonics
girls just want to have fun (demo) - greg laswell
mine peannøtter er ikke gode - delillos (i get it tarjei,, u like ‘em)
i’d rather dance with you - kings of convenience 
ikke gå - delillos (……)
the pop kids (radio edit) - pet shop boys
go west - pet shop boys
forever young - alphaville (skam soundtrack yay pt.3)
boat behind - kings of convenience 
24-25 - kings of convenience 
love to hate you - erasure
a little respect - erasure 
running out - matoma feat. astrid s
trendsetter - morten abel
i don’t want to be - gavin degraw 
if only as a ghost - jonas alaska
lonely - akon (this boy is just a parody on himself really) 
i believe in a thing called love - the darkness
this list is so random but i think that we can get quite a good idea of how tarjei is through it (,, which seems to be a fucking dork). note that this playlist hasn’t been updated since july so it’s a bit outdated.
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tsuruun · 7 years
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Post 5 ships from 5 different shows and pass this on to the next 5 people in your notifications
1 | fairy taillevy mcgarden x gajeel redfoxerza scarlet x jellal fernandesnatsu dragneel x lucy heartfiliafreed justine x laxus dreyarbisca mulan connell x alzack connell
2 | dcverse (I know it said show but whatever)koriand'r x dick graysonartemis crock x wally westiris west x barry allencassie sandsmark x jaime reyesdinah lance x oliver queen
3 | the get downshaolin fantastic x ezekiel figueromylene cruz x regina x yolanda kiplingdizzee kipling x thorpapa fuerte x mylene’s mom (honestly..)the get down brothers x happiness
4 | bonestemperance brennan x seeley boothangela montenegro x jack hodginscamille saroyan x arastoo vaziridaisy wick x lance sweets jessica warren x james aubrey bonus: angela montenegro x happiness, health, more power
5 | riverdalearchie / veronica / bettyveronica lodge x reggie mantlecheryl blossom x josie mccoyveronica lodge x cheryl blossomveronica lodge x happinessbonus: kevin keller x joaquin
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jeichanhaka · 7 years
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And Carried Me Away: Ch. 6
Chapter 1|| Chapter 2|| Chapter 3|| Chapter 4|| Chapter 5|| Chapter 6||
Chapter 7|| Chapter 8|| Chapter 9|| Chapter 10|| Chapter 11|| Chapter 12||
Chapter 13|| Chapter 14|| Chapter 15||
Chapter Six:
Burnt sienna eyes slowly took in their surroundings, absorbing the decorations, space, and scenery. Alsie walked beside Spencer, her heart and mind impatient to see her daughter but at the same time terrified. Though she was more stable now than nine weeks ago, she was terrified of Jemma denying her. Of Jemma saying she wanted Linnet or Jemma calling Linnet 'papa.'
"It'll be fine. Don't worry." Spencer whispered to his sister, reaching for her hand to give it a reassuring squeeze. The corner of his lips twitched - this situation was so similar to when he'd brought Alsie to the BAU to tell Rossi about her and James. She'd been so nervous, she'd grabbed Spencer's hand.
Alsie smiled up at Spencer, but withdrew her hand. Her outburst at the hospital was still fresh in her thoughts, including what she confessed to her brother. That she loved him since they were children. That she still did, despite everything.
"Oh! Hello." Joy, having just entered the hall, greeted Spencer before her gaze drifted onto Alsie. "You must be Alsie. I'm Joy Struthers."
"Hi..." Alsie replied, smiling weakly. Her brow furrowed a moment as she placed the name. During her nine week stay in the hospital, David Rossi had visited or called frequently to tell her about how Jemma was doing. He also had mentioned that he had an adult daughter and a grandson. "...where's Jemma?"
"She's taking a nap." Joy replied, gesturing to the room she just exited. Before she could say anything more, Alsie entered the room in question and hurried over to her daughter. Not bothering to close the door. The look on Alsie's face as she knelt beside the slumbering three-year-old was enough that Joy didn't mind the other woman's abruptness.
"Thank you for helping with Jemma." Spencer whispered, his own gaze locked on Alsie and his niece. His stomach knotted.
"Not a problem. She's family." Joy reassured, smiling at Spencer. It had been a shock for her when she found out about her half-brother James being switched at birth, even more so when she read the articles about what he'd done. It had taken a few days to wrap her head around the facts - she had refused to believe it at first, and hadn't until she heard it from her dad directly. "It's lucky that the media haven't found out about Jemma. Or Alsie."
"Yeah." Spencer mumbled, his eyes still focused on his sister and his niece. Making him miss the scrutinizing look Joy gave him. Once he did notice it he blinked, confused. "What is it?"
"...You're Jemma's uncle biologically, and not just because you're part of the BAU family, aren't you?" Joy said, her eyes lighting up in triumph at the look her words brought to Spencer's face. Before the genius could do more than sputter, she continued. "Dad didn't tell me. I just had a feeling there was something about Jemma's mother that he wouldn't divulge. And seeing you and Alsie side by side right now, I figured out what it was. I'm not sure why, though. Why keep it a secret?"
Spencer swallowed, uncomfortable. He hadn't specifically asked any of his team to keep him having a sister secret, but he knew they knew he was uncomfortable telling others. "...our mom doesn't know yet, about Alsie."
"Huh? Why wouldn't..." Joy's eyes widened, her brain locking on an idea. "My god. Is Alsie...one of those who were taken by Connell as well? Like James?"
Spencer's uncomfortable and sad smile was answer enough for Joy. The journalist turned towards Alsie, more concerned about the brunette than ever.
"My god. That's awful. That's..." Joy shook her head, flabbergasted. Her journalistic curiosity took hold and asked a question before she could rethink it. "Is that how she met James?"
"Wha...no. That..." Spencer faltered in his denial, the question making him realize that none of them knew actually how James and Alsie had met. Each of them had had their own guess about how the two met, but none of them had asked either that question.
"...we met outside a bar. It was raining, he had been drinking, and I offered to drive him home." Alsie interrupted, turning to glance at the two standing by the door. Her brow furrowed, her recollection after driving James hazy. It had been during the time when she was still taking narcotics, so she couldn't be sure if her lack of recollection was drug-induced or from her D.I.D. Until recently she had assumed it was the former.
"Oh. So it was by chance?" Joy asked and approached Alsie, brimming with curiosity. She didn't know much of anything about her half-brother, aside from his being switched at birth and his crimes. And what she'd seen of and heard about Alsie, made her curious about how someone responsible for such horrors could be with someone so nice.
"..." Spencer watched his sister's face, recognizing her confusion and trepidation. It was the same look she gave over recent weeks as she started coming to grips with her diagnosis, and questioning her blackouts. His stomach clenched, understanding how accurate his and the team's hypothesis had been. If Alsie had shifted to an alter shortly after meeting James, it had to be because he'd attacked her. "Alsie, I..."
Alsie shook her head slightly and gave a small, demure smile. "I'm fine. Besides, the team called about a case while we were on our way here. You should go help. It has to be important if they called on your day off."
Spencer shook his head. "I'm staying here to help with Jemma. I wasn't called in."
Even as he lied, he could tell Alsie wanted to believe him but was confused. Joy too gave him an unbelieving look. He grimaced, thinking about the call Alsie had mentioned.
-"There's an unsub copying James' M.O. Unlike James though, this unsub is killing his victims." Hotch said, after Spencer assured him Alsie couldn't overhear. "This unsub is targeting James' rape victims. He hopefully doesn't know about Alsie, and even though she isn't a victim of James', it'd be best not to chance it. You should stick with Alsie and Jemma until we catch this unsub."-
"I'm not leaving you or Jemma. All right?" Spencer repeated, deciding it was best to stick with the truthful part rather than the false.
"...all right." Alsie replied, still giving her brother a slightly dubious stare.
0Tape:
-"Please! Stop!" The burgundy haired woman screamed, struggling to move though unable. Her legs were useless, unmoving and her wrists were rubbed raw from the plastic rope tied around them.
There were some muffled sounds, a question asked by the unsub off camera. Or a comment. Whatever it was, the woman's eyes widened.
"I don't...please...I don't know. I don't..." The woman stammered, each words punctuated by a sob. It was getting more and more difficult to stay conscious. What looked like a splotch of blood on her shirt was steadily growing larger.
There was a cold, unamused chuckle and then a man strode in front of the camera. He was obscured by shadow and the fact that his back was to the camera. In his hand was a long darning needle, sharpened to a point and with a makeshift hand-grip. It was designed so the needle wouldn't slide from the man's grip.
The man pushed the woman forward, and readied the darning needle at her spine.
x
Hotch stopped the video, saving the rest of the BAU, and especially Garcia, from having to see the unsub actually stab his victim's spine. It was only a modicum of relief, since the details were present in the case files each agent had.
"...this is from the tape the unsub sent to Rossi?" Morgan asked, reading over the autopsy report on the victim found in New Jersey.
"Yes. And facial recognition software confirmed this is the same victim whose body was found by New Jersey police. Who they've identified as Olivia Sutters. Aged 38. Originally from Poughkeepsie, New York." Garcia interjected before Hotch could. "I'm running a search on her, trying to see if I can figure out where she and the unsub may have crossed paths."
"What about the other thing the unsub sent to Rossi?" JJ inquired, refraining from mentioning the word 'eyes' in respect of the tech analyst's squeamishness.
"You mean the um..." Garcia faltered, the image of gouged out eyeballs flashing in his thought. "Well, um..."
"Preliminary DNA tests have confirmed them to be the victim's." Hotch replied in the tech analyst's stead.
"I'm curious why this unsub went from attacking women previously attacked by James, to attacking an unconnected woman." Tara spoke as she reread part of the file. "Especially since this unsub abducted his latest victim from New York. Some of James' most recent victims still live in the state, right?"
"Yes. And they're being brought into protective custody just in case." Hotch answered. He paused a moment. "Because of the possibility of James having known the unsub or come in contact with him, we should question him."
"...James is still refusing to speak to any of us though, right? Even after we found Jemma." JJ asked, her expression concerned. Rossi hadn't told them specifically what James had said the last time he visited James in prison, a few weeks after finding Jemma, but it had been enough to make the senior agent furious.
"Agent Fitzgerald has offered to interview him, since it's..." The sound of the door opening interrupted the unit chief. Before Hotch could continue, Rossi entered the room agitated. Cam Fitzgerald followed behind him. Hotch's eyebrows rose slightly, and then his eyes narrowed by the same amount. "Rossi...? Fitzgerald? Did James...?"
Rossi shook his head, his expression more livid than any of them thought it would be if James' had simply refused an interview.
"There was some incident at the prison, between James and a guard..." Cam started to explain, her heterochromatic gaze on Rossi.
"They threw him back in solitary, Hotch." Rossi seethed, shaking his head in disbelief. His mind filled with the not too distant memory of seeing his son unconscious in the prison's medical wing. The result of a psychotic break following being thrown in solitary. "Even after what happened last time, they still..." He trailed off, muttering a few choice words in English and Italian.
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procellasdracon · 7 years
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Natza Prompts
Prompt #2 - Hand
“You’re always so gentle with Asuka,” Erza made the comment as the two of them walked away from the guild together. Waving goodbye was the Connell family of Alzack, Bisca, and Asuka. The youngest member of Fairy Tail rode atop her papa’s shoulders, waving both hands gleefully at Natsu and Erza and they went their separate ways. “She really adores you.”
“Really,” Natsu made a face, considering the thought. “Hah, I never really thought about it. But she’s so tiny! I have to really watch it around her. Just one wrong move and Bisca will fill me full of holes.” The sheer terror on his face made Erza chuckle. Even as strong as he was, the thought of crossing Bisca when she was in ‘Angry Mother Mode’ was a state that no man, regardless of stature or power, would want to trifle with.
“You would never hurt her,” Erza spoke confidently. “Of that I am certain so you can stop worrying.” On an impulse, she reached over and took one of his hands, a move that instantly brought a blush to Natsu’s face.
“Wha-what is it??” He blinked as Erza engrossed herself with inspecting his hand, seemingly deep in thought.
She knew so much about his hands, their coarse texture belied the gentleness they were capable of. The warmth they radiated was comforting to his friends and allies, and a searing inferno to those who counted among their enemies. A small blush tinged her own cheeks as she remembered how tightly he had held onto her after saving them from the Etherion at the Tower of Heaven.
“They really are warm,” she murmured, lowering his hand down to her side. Instead of releasing it, she kept hold of it, walking close enough so that it was easy to maintain. She turned her head slightly to look at him. “May I?”
Natsu wanted to say something - anything - like how embarrassing it was, or that he didn’t feel like it but surprisingly nothing came when he opened his mouth. After a moment, he just turned his head away but he did not pull his hand away.
Besides, her hand felt nice too...
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theultimatefan · 6 years
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Shatner, ‘Supernatural’ Q&A’s, Cosplay, Creative Panels Head Programming At Wizard World Madison; Most Included With Any Admission
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Q&A sessions with William Shatner (“Star Trek”), Dean Cain (“Lois & Clark”), Matthew Lewis (Harry Potter), stars of “Supernatural” (Ruth Connell and Lisa Berry) and “Charmed” (Holly Marie Combs, Drew Fuller and Brian Krause) plus Barry Williams (“The Brady Bunch”), Jason Ralph (“The Magicians”), Kevin Sorbo (“Hercules”), anime, video games, cosplayer and comics creator sessions, adult and kids costume contests and more highlight the programming offerings at Wizard World Madison, Friday through Sunday, at the Alliant Energy Center. Most programming is included as part of the standard event admission and is in addition to the live entertainment options (dancing, music, etc.) all weekend.
Some highlights of the more than 50 hours of panels scheduled to date include:
Interactive group Q&As with the casts of “Supernatural” (Saturday, 3 p.m.) and “Charmed” (Saturday, 4 p.m.),
Sessions with Shatner (Sunday, noon), Sorbo (Saturday, 3 p.m.), Cain (Saturday, 4 p.m.), Lewis (Saturday, 5 p.m.), Williams (Sunday, 1 p.m.), Ralph (Sunday, 1 p.m.) and Kimberly J. Brown (“Halloweentown,” Sunday, 1 p.m.)
Disney Trivia panel with Walt Before Mickey stars Thomas Ian Nicholas (Rookie of the Year) and Jon Heder (Napoleon Dynamite), moderated by Handbook for Mortals author Lani Sarem (Saturday, 2 p.m.)
Voice actor sessions featuring Patricia Summersett (“Legend of Zelda: The Breath of the Wild”), Erica Schroeder (“Pokemon”) and Samantha Newark (“Jem and the Holograms”) (Saturday, 3:30 p.m)
Documentary Beyond The Comic Panels Preview Screening and Artist Q&A with cinematographer Jason C. Gares and Tom Cook, Steve Geiger and Mostafa Moussa (Friday, 6-8 p.m.) -- filmed at Wizard World Madison 2017!
Creator sessions with industry superstars Geiger, Moussa, Trevor Mueller, Mark Stegbauer, Thomas Estrada, Jeremy Clark and more
Fan- and industry-based panels on subjects ranging from Krampus, podcasting, Marvel vs. DC, diversity in cosplay, IDW Transformers, cosplay portrait editing, Haunted Wisconsin, Pokémon and more
Kids programming all three days, including story time, face painting, puppet shows, dance parties, magic, learn to draw, (and Kids 10 and under are free every day with paid adult)
World-famous Wizard World Adult Costume Contest, Saturday at 7 p.m. and Kids Costume Contests on Saturday and Sunday at 2 p.m.
Cosplay with special guests Captain K, Mogchelle, Papa Bear Cosplay, Kael Star, cosplay photographer Spyros Henaidis and more, throughout the weekend
Cosplay and Industry Workshops (Pokémon, Sculpting, Worbla, Voice Acting, Foam Building, Resin Casting), require additional ticket
Unless noted, programming events take place in the designated General Programming Rooms or show floor stages at the convention center. VIP tickets or additional costs may apply to ensure access to select activities, as noted.
A full list of Wizard World Madison programming is available at http://wizardworld.com/programming-entertainment/madison (subjects, guests, times and rooms subject to change).
Wizard World events bring together thousands of fans of all ages to celebrate the best in pop culture: movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. The 13th and final event scheduled on the 2018 Wizard World calendar, Madison show hours are Friday, November 30, 4-9 p.m.; Saturday, December 1, 10 a.m.-7 p.m.; Sunday, December 2, 10 a.m.-4 p.m. Kids 10 and under are admitted free with paid adult.
Wizard World Madison is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday evening.
For more on the 2018 Wizard World Madison, visit http://wizd.me/MadisonPR.
About Wizard World (OTCBB: WIZD)
Wizard World, Inc. (www.wizardworld.com) produces comic, gaming and pop culture conventions across North America that celebrate the best in pop culture: movies, television, gaming, live entertainment, tech, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. A first-class lineup of topical programming and entertainment takes place at each event, with celebrity Q&A's, comics-themed sessions, costume contests, movie screenings, evening parties and more. Wizard World has also teamed with Sony Pictures Entertainment to find the next generation of movies as well as to engage in a number of strategic initiatives. Additional initiatives may include an augmented touring schedule of Wizard World shows, fixed-site installations, curated e-commerce, and the production and distribution of content both in the U.S. and internationally. Fans can interact with Wizard World at www.wizardworld.com and on Facebook, Twitter, Pinterest, Instagram and other social media services.
The 2018-19 Wizard World convention schedule is available at: http://www.wizardworld.com/comiccon.
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— Dr. Jim Macnamara, Vice-Reitor, Universidade de Tecnologia de Sydney, Austrália.
Em questões sensíveis e altamente atuais, como custódia e apoio à criança, o debate público sobre questões de paternidade foi muitas vezes atolado em vitriolos feministas contra homens. Por exemplo, em um artigo de opinião importante, Trish Bolton, um tutor nas Universidades de Swinburne e Monash, criticou os “pais mortos” e generalizou sobre os homens e a política do governo sobre a custódia e apoio da criança com a ampla alegação de que “muitos homens simplesmente não Quer saber “(Sydney Morning Herald, 4 de setembro de 2003, p.15). A afirmação do título de Bolton é falsa pela pesquisa da Family Court of Australia conduzida por Bruce Hawthorne em 2002, o que mostra que 56% dos pais não residentes querem mais tempo com seus filhos. Além disso, um importante relatório de pesquisa produzido pelo Instituto Australiano de Estudos Familiares (Smyth, 2004) cita pesquisas de Kruk (1993) que descobriram que a ausência do pai após a separação é um caso de “papas vencidos” em vez de “pais mortos” e Braver e O ‘Connell em 1998 informou que o motivo excessivo de que os pais se desvinculam de seus filhos é porque se sentem “privados de direitos” pelo sistema judicial ou pelo ex-cônjuge ou ambos.
Sim, alguns homens falham em suas responsabilidades como pais. Mas muitos assumem suas responsabilidades a sério e mantêm um amor profundo e duradouro para seus filhos – inclusive após separação e divórcio. Mas todos os homens parecem estar “alinhados com um único pincel” no debate sobre a paternidade.
Um exemplo extremo do foco unilateral e gynocentric de discussão pública sobre a paternidade é evidente em uma série de artigos de mídia em que escritor australiano e ex-consultor do governo Blair na Grã-Bretanha, Adrienne Burgess, foi citado como um “especialista em paternidade” e Um “consultor da paternidade”. Burgess, autor de Paternidade Reclamada: The Making of the Modern Father, tem algumas coisas informativas e valiosas a dizer em seu livro e na mídia. Seu gênero não a desqualifica de falar e escrever sobre a paternidade, mas a capacidade de Burgess de conhecer as experiências e os sentimentos dos pais é, pelo menos, limitada e seu posicionamento como “especialista em paternidade” deve ser questionável. Um homem escrevendo da mesma maneira na maternidade e sendo citado como “especialista em maternidade” seria saudado com alguma incredulidade.
Embora as experiências, sentimentos e pontos de vista subjetivos dos homens sejam sub-representados ou desaparecidos nas discussões sobre questões como a paternidade, as relações familiares equilibradas e a política social, provavelmente não ocorrerão.
Com uma das crianças menores de 18 anos que tem pouco ou nenhum contato com seu pai de acordo com a pesquisa do Australian Institute of Family Studies, a questão é de grande importância social.
Enquanto isso, uma grande história da primeira página em The Age intitulada “The Family Court: como isso pode empurrar os homens para a borda” informou que o tribunal estava investigando até que ponto suas decisões contribuíram para suicídios masculinos. O artigo relatou: “Pequenas pesquisas foram realizadas na área, mas a mais recente, publicada no Journal of Family Studies há sete anos, descobriu que homens separados eram seis vezes mais propensos a cometer suicídio do que homens casados”. O artigo observou que “quase 2.000 homens se matam todos os anos na Austrália e o número está aumentando” (The Age, 19 de agosto, 2003, p. 1).
Bibliografia
Braver, S., & O’Connell, D. (1998). Divorced dads: Shattering the myths. Tarcher/Putnam, New York.Flood, M. (2003). Fatherhood and fatherlessness. Discussion Paper No. 59, November. Australia Institute. Hearn, J. (Ed.) (1993). Researching men and researching men’s violences’. Research Paper No. 4.BD7, University of Bradford. Retrieved April 14, 2004, from http://www.europrofem.org/o2.info/22contri/2.04en/4en/viol.42en_vio.htm Kruk, E. (1993). Divorce and disengagement: Patterns of fatherhood within and beyond marriage. Fernwood Publications, Halifax, NS. Macnamara, J. (2005). Representations of Men and Male Identities in Australian Mass Media. Unpublished doctoral thesis, University of Western Sydney. Macnamara, J. (2006). Media and Male Identity: The Making and Remaking of Men. London: Palgrave Macmillan. Smyth, B. (Ed.). (2004) Parent Child Contact and Post-Separation Parenting Arrangement. Australian Institute of Family Studies. Research Report No. 9.
— Jim Macnamara, “Mum’s the word on fatherhood”, Archipelago Press,. http://www.archipelagopress.com/index.php?option=com_content&task=view&id=46&Itemid=247
Olha essas também:
• “Deveríamos respeitar a autonomia reprodutiva dos homens.” « EUA ocontraditorio.com/ladodireitodaequidade/?p=5205
• “Dizem que homens se matam porque não pedem socorro, mas serviços de socorro estão contra eles.” « Jasmin Newman ocontraditorio.com/ladodireitodaequidade/?p=10913
• “Mulheres não podem ser pai, assim como homens não podem ser mãe.” « EUA ocontraditorio.com/ladodireitodaequidade/?p=52841
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