#pagu
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garadinervi · 1 month ago
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Augusto de Campos, Pagu, Patrícia Galvão: vida-obra, «Antologias», Brasiliense, São Paulo, 1982
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angerfemme · 2 months ago
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𝚠𝚘𝚖𝚎𝚗 𝚒𝚗 𝚕𝚒𝚝𝚎𝚛𝚊𝚝𝚞𝚛𝚎
Pagu.
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nickysfacts · 3 months ago
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Pagu helped to lead Brasil into the Modern age!🇧🇷
📖🇧🇷📚
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tumuloantropofagico · 8 months ago
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amor-barato · 10 months ago
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devaneiosepoesias · 1 year ago
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Pagu, e a conveniência do esquecimento
Além de escrever aqui no blog e nas redes sociais, também faço parte de um coletivo de mídia alternativa, o Jornal Santista. Recentemente, emprestei minha voz para a narração de um texto escrito por uma grande amiga, a Carla Clemente (professora de filosofia e militante feminista) sobre Pagu. O vídeo foi elaborado por Heric Moura, estudante de Serviço Social e um dos responsáveis por criar o…
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fanzinhapoeta · 1 year ago
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It was Pagu's public debut at a fund-raising event at the São Paulo municipal theater in June, however, that caused the greatest stir. Dressed by Tarsila in an extravagant white dress and red-lined black cape, she recited three poems, including Bopp's poem on her seductiveness and her own poem about her lewd cat who had a long tail and imagined she was a serpent. If the audience was stunned by Pagu's daring, they were also captivated. Thunderous applause was followed by reviews that proclaimed her appearance a "total success." For the next few months, Pagu occupied the spotlight as the person who more than anyone else embodied the antropofagist creed: "[to] constantly and directly consume the taboo," or "[to transform the] taboo into totem." Her admirers, in awe of her shocking and audacious defiance of social conventions, pronounced: "Pagu abolished the grammar of life." "She would be capable of devouring various venomous bishops." (quoted from Campos, Pagu, 321-23).
-- Susan K. Besse, "Pagu: Patrícia Galvão--Rebel," from The Human Tradition in Latin America
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daletrabr · 7 months ago
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Letra da música “Pagu” de Maria Rita
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3ofpents · 1 year ago
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Lady of the Sands
Played a one-off DnD campaign with my partner, @ark-shifter, and my sister-in-law. I'm not very good at drawing people, but I got so attached to my character I felt compelled to draw her.
This is Pagu. She's an aasimar (basically descended from DnD's version of angels, celestials). I did a bunch of research into the different kinds of celestials before for a different character, so I know there are celestials that are specifically anthropomorphic and that the aasimar descended from them can inherit some of the animalistic physical traits. But I can't remember what they're called now or if there are, technically, canonically, aquatic types. We're not a rules-strict household, though, so we just assumed that there are and I ran with it.
Pagu's celestial ancestor was hermit crabby, hence the shell for hair, black eyes, and weird coloring. Of course she's a druid (honestly my favorite class anyway). She lives alone in a small cottage by the beach. Well, she did live alone, but she adopted a dog (not pictured) and a water weird (pictured) during the campaign.
"Lady of the Sands" is what the people in the nearest village call her. I decided to interpret "aasimar hide their identities to go around amongst humans performing good deeds" as the in-world folk stories about them. So when people encounter someone who's obviously an aasimar (like Pagu), they assume that all the aasimar wants in the world is to find a way to help them. Pagu can't actually do much to help people, she's just a beach hermit who has an affinity for nature. That doesn't stop people from asking for her help, though, and in fact the village has turned her into a bit of a tourist trap, advertising her to adventurers as the Lady of the Sands who can bless them, their equipment, and/or their journey. And when she tells them that she can do no such thing? Well naturally The Lady is very picky about those she helps and she can see into the very hearts of the people seeking her blessing and you simply must not have been worthy enough.
It's totally a scam.
Anyway. I think she came out better than I thought she would, but I still need to work desperately on actually drawing people.
In the meantime I had SO much fun drawing the background. Figuring out how to make the waves look natural; getting the texture on the cottage right; I even had fun with the billowing curtain and the drying line. I think I just like drawing scenery, guys.
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lupitajuanitabr · 2 years ago
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#DiaInternacionalDaMulher #InternacionalWomanDay #lupitajuanita🐾#Mulheres #Women #Woman #lupita #lupitajuanitabr🐾 #Pagu #FelizDiaDasMulheres #8DeMarço #March8th #SimEuPosso #Fêmeas #Females #RitaLee (em São Paulo, Brazil) https://www.instagram.com/p/CpilRI2u57Z/?igshid=NGJjMDIxMWI=
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da-janela-lateral · 5 months ago
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Red.
Featuring (and heavily inspired by) the lyrics of Chico Buarque's Construção.
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amor-barato · 11 months ago
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O Largo da Sé é uma gritaria. Voltam cansadas para os seus tugúrios as multidões que manipulam o conforto dos ricos.
Os jornais burgueses gritam pela boca maltratada dos garotos rasgados os últimos escândalos.
O camarão capitalista escancara a porta para a vítima que lhe vai dar mais duzentos réis, destinados a Wall Street.
O bonde se abarrota. De empregadinhas dos magazines. Telefonistas. Caixeirinhos. Toda a população de mais explorados, de menos explorados. Para os seus cortiços na imensa cidade proletária, o Brás.
Pagu (Parque Industrial)
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pocketpagu · 1 year ago
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Little proof of concept of a project for a cryptozoology book. My book idea is field journal type style. It would focus on the way these myths live in their environment and how the young grow into adults.
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draconifay · 11 months ago
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Happy Holidays from Hal, Alfy, and Hal's new buddy Paguro! ❄️
Ik it's a bit late but I wanted to make a piece celebrating the winter season!
I hope the next year brings everyone joy! Things can be tough, but they can get better with time!
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Version without text!
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sitting-on-me-bum · 2 years ago
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An American badger in southwestern Colorado.
© Chris Pague / TNC
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darkacademiaarchivist · 5 months ago
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maybe it's just because i dont have tiktok but i see more posts being annoyed at people calling Hozier cottagecore (and reducing him to only that) than people actually doing that and like... i get it but i also think it's weird to be mad at people thinking his songs fit a specific vibe? It's not all of them but there are a lot of his songs that i'd classify as "songs I'd listen to while dancing on a field" or something... I just think that you can appreciate an artist for multiple things at once without reducing them to one thing and one thing only...
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