#pagu
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Augusto de Campos, Pagu, Patrícia Galvão: vida-obra, «Antologias», Brasiliense, São Paulo, 1982
#graphic design#typography#poetry#book#cover#book cover#augusto de campos#pagu#patrícia galvão#antonio riserio#brasiliense#1980s
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𝚠𝚘𝚖𝚎𝚗 𝚒𝚗 𝚕𝚒𝚝𝚎𝚛𝚊𝚝𝚞𝚛𝚎
Pagu.
#pagu#patricia galvao#feminism#women#feminismo#retro#aesthetic#woman#literature#women in literature#brazilian#brazil icons
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Pagu helped to lead Brasil into the Modern age!🇧🇷
📖🇧🇷📚
#history#pagu#brasil#patricia rehder galvao#socialism#womens history#paraque industrial#art#feminist#south america#brazilian history#brasilien#socialist#historical women#women empowerment#sisterhood#latina#sao paulo#brazil#politics#socialist history#historical figures#girl power#brazilian culture#writer#women authors#art history#latin america#nickys facts
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Pagu, e a conveniência do esquecimento
Além de escrever aqui no blog e nas redes sociais, também faço parte de um coletivo de mídia alternativa, o Jornal Santista. Recentemente, emprestei minha voz para a narração de um texto escrito por uma grande amiga, a Carla Clemente (professora de filosofia e militante feminista) sobre Pagu. O vídeo foi elaborado por Heric Moura, estudante de Serviço Social e um dos responsáveis por criar o…
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It was Pagu's public debut at a fund-raising event at the São Paulo municipal theater in June, however, that caused the greatest stir. Dressed by Tarsila in an extravagant white dress and red-lined black cape, she recited three poems, including Bopp's poem on her seductiveness and her own poem about her lewd cat who had a long tail and imagined she was a serpent. If the audience was stunned by Pagu's daring, they were also captivated. Thunderous applause was followed by reviews that proclaimed her appearance a "total success." For the next few months, Pagu occupied the spotlight as the person who more than anyone else embodied the antropofagist creed: "[to] constantly and directly consume the taboo," or "[to transform the] taboo into totem." Her admirers, in awe of her shocking and audacious defiance of social conventions, pronounced: "Pagu abolished the grammar of life." "She would be capable of devouring various venomous bishops." (quoted from Campos, Pagu, 321-23).
-- Susan K. Besse, "Pagu: Patrícia Galvão--Rebel," from The Human Tradition in Latin America
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Lady of the Sands
Played a one-off DnD campaign with my partner, @ark-shifter, and my sister-in-law. I'm not very good at drawing people, but I got so attached to my character I felt compelled to draw her.
This is Pagu. She's an aasimar (basically descended from DnD's version of angels, celestials). I did a bunch of research into the different kinds of celestials before for a different character, so I know there are celestials that are specifically anthropomorphic and that the aasimar descended from them can inherit some of the animalistic physical traits. But I can't remember what they're called now or if there are, technically, canonically, aquatic types. We're not a rules-strict household, though, so we just assumed that there are and I ran with it.
Pagu's celestial ancestor was hermit crabby, hence the shell for hair, black eyes, and weird coloring. Of course she's a druid (honestly my favorite class anyway). She lives alone in a small cottage by the beach. Well, she did live alone, but she adopted a dog (not pictured) and a water weird (pictured) during the campaign.
"Lady of the Sands" is what the people in the nearest village call her. I decided to interpret "aasimar hide their identities to go around amongst humans performing good deeds" as the in-world folk stories about them. So when people encounter someone who's obviously an aasimar (like Pagu), they assume that all the aasimar wants in the world is to find a way to help them. Pagu can't actually do much to help people, she's just a beach hermit who has an affinity for nature. That doesn't stop people from asking for her help, though, and in fact the village has turned her into a bit of a tourist trap, advertising her to adventurers as the Lady of the Sands who can bless them, their equipment, and/or their journey. And when she tells them that she can do no such thing? Well naturally The Lady is very picky about those she helps and she can see into the very hearts of the people seeking her blessing and you simply must not have been worthy enough.
It's totally a scam.
Anyway. I think she came out better than I thought she would, but I still need to work desperately on actually drawing people.
In the meantime I had SO much fun drawing the background. Figuring out how to make the waves look natural; getting the texture on the cottage right; I even had fun with the billowing curtain and the drying line. I think I just like drawing scenery, guys.
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#DiaInternacionalDaMulher #InternacionalWomanDay #lupitajuanita🐾#Mulheres #Women #Woman #lupita #lupitajuanitabr🐾 #Pagu #FelizDiaDasMulheres #8DeMarço #March8th #SimEuPosso #Fêmeas #Females #RitaLee (em São Paulo, Brazil) https://www.instagram.com/p/CpilRI2u57Z/?igshid=NGJjMDIxMWI=
#diainternacionaldamulher#internacionalwomanday#lupitajuanita🐾#mulheres#women#woman#lupita#lupitajuanitabr🐾#pagu#felizdiadasmulheres#8demarço#march8th#simeuposso#fêmeas#females#ritalee
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Red.
Featuring (and heavily inspired by) the lyrics of Chico Buarque's Construção.
#shigeo's inverted section being specifically the “deus me pague”'s lyrics is very interesting to me#as its a resentful and quite ironic expression of “gratitude” because any anger or dissatisfaction you feel is heavily repressed#the contexts are different but it matched him. for me#mp100#mob psycho 100#mp100 fanart#???%#shigeo kageyama#mp100 spoilers#lalarts
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O Largo da Sé é uma gritaria. Voltam cansadas para os seus tugúrios as multidões que manipulam o conforto dos ricos.
Os jornais burgueses gritam pela boca maltratada dos garotos rasgados os últimos escândalos.
O camarão capitalista escancara a porta para a vítima que lhe vai dar mais duzentos réis, destinados a Wall Street.
O bonde se abarrota. De empregadinhas dos magazines. Telefonistas. Caixeirinhos. Toda a população de mais explorados, de menos explorados. Para os seus cortiços na imensa cidade proletária, o Brás.
Pagu (Parque Industrial)
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Little proof of concept of a project for a cryptozoology book. My book idea is field journal type style. It would focus on the way these myths live in their environment and how the young grow into adults.
#pagupaige#pocket pagu#concept art#cryptozoology#cryptid#illustration#bigfoot#mermaid#fairy#unicorn#mothman#my art#myart
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Happy Holidays from Hal, Alfy, and Hal's new buddy Paguro! ❄️
Ik it's a bit late but I wanted to make a piece celebrating the winter season!
I hope the next year brings everyone joy! Things can be tough, but they can get better with time!
Version without text!
#cyberangel hal-o-gram#hal-o-gram#dr. alfy#dr. huxley#paguro#pagu-chan#winter#winter art#holiday art#christmas lights#winter outfits#cyber y2k#cybercore#robot oc#robot girl#idol oc#my art#my ocs#draconifay art#draconifay ocs#original character#art#illustration#ibispaint x#digital art#digital illustration#artists on tumblr#cute art#night scene#90s anime
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An American badger in southwestern Colorado.
© Chris Pague / TNC
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maybe it's just because i dont have tiktok but i see more posts being annoyed at people calling Hozier cottagecore (and reducing him to only that) than people actually doing that and like... i get it but i also think it's weird to be mad at people thinking his songs fit a specific vibe? It's not all of them but there are a lot of his songs that i'd classify as "songs I'd listen to while dancing on a field" or something... I just think that you can appreciate an artist for multiple things at once without reducing them to one thing and one thing only...
#and as much as cottagecore as a whole is worthy of criticism it also has a lot of anti-capitalist potential#like wanting to live slower and resisting fast paced consumerism#again maybe it's because i avoid tiktok like the pague and don't really see Bad Takes about this#and see cottagecore through the lense of queer people who'd like to make art write books and bake bread with their partner#instead of dealing with The Horrors of late stage capitalism#and appreciate hozier both for the vibes(tm) and the messages#what i'm trying to say is that you can like an artist for multiple reasons#and just because you really like the general vibes of a song doesn't mean you're completely ignoring everything else about it#that being said if you completely ignore hoziers political messages and his repeatedly stated influenced from Black artists i WILL bite you#hozier#idk if this is a hot take#please don't kill me for this lol#my post
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