#pack alex lawther

[mikhailoaleksandr]

alex lawther gif pack

HERE you’ll find 466 gifs in his role as JAMES in THE END OF THE F***ING WORLD (SEASON 1). All of these were made by me. Do not repost as your own. I don’t mind what else you do with them, just please credit me! Like/reblog if you found them useful.

[ofnailbatsandaxefives]

In the source link you will find #30 gifs of Alex Lawther in the short film Miss Fortunate. He is white (English and Irish). Do not use in gif hunts or make icons. Remember to please like and reblog if you decide to use.

[vampirepacks]

TEOTFW (mega pack)

Eu resolvi fazer um pack da série queridinha do momento e não só por ela ser a queridinha do momento e sim porque até agora não vi nenhum pack. Eu assisti e achei muito boa, estou esperando a 2 temp e a escolha dos atores foi ótima. Não decepcione, netflix!

Jessica Barden

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(Esse conjunto ficou bem peculiar, é pra quem gosta de pack “desmontado”, mas que tem alguma coisa que faz ficar agradável)

Alex Lawther 

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(Fav dele ♥)

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(Esses packs verdes também são desconstruídos)

Like or Reblog

Credts: @downeysupremo 

[iconthusiast]

JAMES ICONS

The End of The F***ing World

fav / reblog se pegar!!

credits on twitter; @funkymwnks

[stuffsmartina]

*:･ﾟ✧ like/reblog if you save *:･ﾟ✫

(c) @sadmrtina

headers: @weaknesszpacks

[melitta69]

Somos ese amor que arde cuando nos besamos.

Que por cada beso es una herida abierta.

Hacemos el amor en el medio del fuego.

Cada ves que me tienes siento que soy fuego.

Este amor es fuego puro cariño.

[meredithgifs]

𝐈𝐍 𝐓𝐇𝐈𝐒 𝐏𝐀𝐂𝐊 you will find - fifty four gifs of Alex Lawther as James in episode one, season one of the End of the Fucking World. He is of white ethnicity, so please cast him accordingly. This gif pack is of most of his appearance in the episode, and is finished. Please do not edit these gifs in any way without permission, except for personal use. Like or reblog if you use these gifs. It is available on a page linked below, as well as under the cut.

𝐏𝐀𝐂𝐊 𝐅𝐄𝐀𝐓𝐔𝐑𝐄𝐒: Jessica Barden.  𝐏𝐎𝐓𝐄𝐍𝐓𝐈𝐀𝐋 𝐓𝐑𝐈𝐆𝐆𝐄𝐑𝐒: None.

𝐆𝐈𝐅 𝐏𝐀𝐆𝐄

[ykemzy]

TEOTFW - Headers. - 3 Aesthetic

Ajuste corretamente as duas últimas headers em seu perfil.

Fav or reblogue if you use/save.

Cr. to @troyes on Twitter.

Favor, não reposte! Don’t repost!

[gresstuff]

DUA LIPA + THE END OF THE F***ING WORLD. 🐞🍃🌾

♡like/reblog if you like it ♡like/reblog if you use or save

headers: twidumb, wthpsd (1,3,4)

©itxndehui on twitter

[newrulesedits]

•˚.✽ ⊰ Alex Lawther twitter packs.

❁ Like/reblog if you like/save them.

Credits to @newrulesedits on Twitter.

Note: If you use them and don’t give credits this Tumblr will be closed. It’s frustrating to see people using the edits without giving credits, attributing them to themselves.

[artistwithoutfurther]

The End Of The F***king World

like or reblog

[jaileytrust]

camila + taylor + selena + the end of the f ** king world

like or reblog if you use/save.

headers: stuffsseries

[olllua]

[fuckyeahatwell]

When “Agent Carter” was canceled in May 2016, Hayley Atwell was fine. No shade intended, but she was ready to say goodbye to Peggy Carter and Marvel Studios when the TV show’s pink slip arrived.

“That was just a job to me,” Atwell told me during an afternoon at a New York City bar last month. “I put as much into her as I have into ‘Black Mirror’ or any kind of my stage work. It just happens to become special because, when you’re in a franchise like that, it has more commercial interest.”

The 36-year-old British-American actor, who got hooked on theater growing up in inner-city London, knows she’s more recognized for playing Peggy, the love interest to Captain America, than, say, for her recent, critically acclaimed performance on the BBC One-Starz collaboration “Howards End.”

“It was press attention and public attention I never had before,” she said of her Marvel experience, which crossed from TV into film. When I asked whether she might return to the cinematic universe ― in light of that shocking “Avengers: Infinity War” ending ― Atwell laughed and admitted she hasn’t seen the $2 billion worldwide box-office smash.

“Really,” she muttered when I told her about the multiple deaths and timeline tricks that could allow her character, Agent Carter, to come back.

“To get a call now would be like, ‘Oh, God!’” she said. “I’m sure anything could happen, but it’s this genre world that’s so multifaceted it’s like, will it ever die?”

Not that she’d want it to. “I really like them, and I love the way ... they made me feel safe and also empowered,” she said of Marvel Studios President Kevin Feige and his associates. “That’s the best thing to come out of it. It’s not this kind of ― from my experience ― scary, patriarchal, dominant, body-shaming Hollywood sphere machine. It was just really nerdy guys who love what they’re doing.”

Ultimately, Atwell, a self-professed “loner” kid, would rather talk about her historical rom-dram miniseries, which wrapped its arc on Starz at the end of April. “Howards End” follows 20th century Englishwoman Margaret Schlegel and her two siblings Helen (Philippa Coulthard) and Tibby (Alex Lawther), characters originally developed by beloved novelist E.M. Forster, as they navigate the social conventions of their time. To Atwell, portraying the dauntless, self-sufficient woman (crafted by Oscar-winning writer Kenneth Lonergan for the screen) was a thrill all its own.

In a time in the entertainment industry when actresses are expecting to play more fully developed characters than former eras afforded them, books of the past, like the socially driven adaptation of The Handmaid’s Tale, can provide a compelling template, she said.

“There’s something to be learned from them.”

“Howards End” focuses on Margaret’s love affair with widower Henry Wilcox (Matthew Macfadyen), a powerful businessman whose morals don’t quite align with those of Margaret’s family. In Atwell’s eyes, their situation is relatable, reflective of “the constant roaring between opposing sides” happening today.

“It’s easy with the world that we live in to be righteous in your opinion or headlines or soundbites or memes of the extreme left or the extreme right,” she said. In “Howards End,” “you have opposing sides not using their differences against one another but using them to create interesting conversation, to exchange ideas and hone one’s own or be willing to be challenged and change or be changed. That is, I think, more human, more evolved and much more living in the gray area.”

“These are not characters who, within the limitations of being women at a time that they live in, are aggressively fighting anything. They’re seeking to understand and change the system from within.”

Atwell is not the first actress to bring Margaret’s character to life. Emma Thompson played the iconic role in the 1992 film version of “Howards End.” Following in her footsteps was surely intimidating, but when asked about it, Atwell was steadfast: Portraying someone like Margaret Schlegel, she said, or Jo March or Lady Macbeth should always be an option for actresses.

“I was speaking to Emma Thompson about it, that question of, ‘Do you feel scared?’” she said. “Just because Judi Dench played a great Macbeth in the ’70s with Sir Ian McKellen doesn’t mean now no one else should. Those stories should be retold because they’re dealing with very human ideas. As an actor, you want to feel the challenge of having to say those words and bring them to life and be enriched by them. That’s the exciting thing, being able to fully inhabit someone who asks you to not reduce her to who you are.”

On the heels of “Howards End,” Atwell has packed up one character and is on to the next. She’s set to appear in a gender-swapping version of Shakespeare’s “Measure for Measure” in London’s West End this fall, which will see her and “Dunkirk” star Jack Lowden alternate the male and female roles of the Puritan Lord Angelo and Isabella in the tale set in a corrupt Vienna. She’ll also play Christopher Robin’s wife, Evelyn, alongside Ewan McGregor in a Winnie-the-Pooh live-action movie hitting theaters in August.

For Atwell, she took on both projects with the same goal in mind.

“What I’ve discovered is I’m searching for a connection, for a relationship between telling a story and experiencing that story and having the response of someone witnessing it in whatever capacity that is. I know what Marvel is and where it sits for people, and I equally know where some plays sit for people .... There’s space for everything to coexist and have its place.”

[nightmareonfilmstreet]

8 Films We Can’t Wait To See at The 2018 Overlook Film Festival

The Overlook Film Festival descends on New Orleans in just a few short days, and this year’s lineup is jam packed with horror films, interactive exhibits and panels. A 4-day celebration of all things horror, this year’s festival begins April 19, 2018 in America’s most haunted city: New Orleans, Louisiana. A city brimming with ancient voodoo and restless spirits, New Orleans is also home to a ghost said to be Stephen King’s inspiration for The Shining‘s Grady Twins. Ghosts aside, The Overlook Film Festival is the most incredible film festival you will ever attend, and you should absolutely make the trip out this year to immerse yourself in a mind-bending weekend full of kickass movies, and kickass people.

The 2018 line-up is full of movies every horror fan is dying to see, including A24’s upcoming Hereditary and Blumhouse’s surprise sequel Unfriended: Dark Web. Also making an appearance are festival favorites Revenge, Tigers Are Not Afraid, and The Ranger which our very own Stephanie Cole called, “a great genre remix that gets to the heart of why horror fans keep coming back for more“. We’re crazy excited to take-in everything Overlook has to offer but here are 8 Movies that may not already be on your radar.

  Blood Fest

  Director: Owen Egerton Cast: Robbie Kay, Jacob Batalon, Seychelle Gabriel, Tate Donovan, Barbara Dunkelman, Nick Rutherford, Zachary Levi United States, 2018When the most exciting horror festival in the country turns the tables on its zealous fan base by trapping them on the grounds and murdering them en masse, a group of teens armed with the knowledge of a thousand horror movies must fight their way through the bloodbath in this hilarious send-up of horror culture.

  St. Agatha

  WORLD PREMIERE Director: Darren Lynn Bousman Cast: Sabrina Kern, Carolyn Hennesy, Courtney Halverson United States, 2018

Horror film impresario Darren Lynn Bousman, director of SAW II, III and IV, modern experiments REPO! A GENETIC OPERA and THE DEVIL’S CARNIVAL, not to mention the groundbreaking ongoing immersive property The Tension Experience, brings to life his latest vision, a period piece concerning a troubled woman running from her past who finds herself kept hostage by a coven of vicious nuns.

  Don’t Leave Home

  Director: Michael Tully Cast: Anna Margaret Hollyman, Lalor Roddy, Helena Bereen, David McSavage, Karrie Cox Ireland, 2018 An American artist accepts a strange invitation to a secluded Irish manor to construct an original sculpture for a priestly painter whose work has been shrouded in a sinister urban legend involving the disappearance of an 8-year-old girl in this creepy, offbeat cinematic discovery from indie stalwart Michael Tully (SEPTIEN).

  Ghost Stories

  Director: Jeremy Dyson & Andy Nyman Cast: Martin Freeman, Alex Lawther, Andy Nyman, Paul Whitehouse United Kingdom, 2017 After stumbling across a long-lost folder of material from his childhood hero, Goodman, a TV investigator known for debumking psychic hoaxes, digs deep into three cases of ghoulish hauntings. Determined to find rational explanations, Goodman quickly realizes he’s in over his head. Featuring Martin Freeman, this spine-tingling anthology, adapted from the hit stage play, tells enough tales to keep you up for nights to come.

  Good Manners

  Director: Juliana Rojas & Marco Dutra Cast: Isabél Zuaa, Marjorie Estiano, Miguel Lobo Brazil/France, 2017 A surprising, imaginative and engaging twist on classic genre stories told with a sophisticated cinematic technique, GOOD MANNERS begins unassumingly with a near destitute nurse becoming the caretaker for a wealthy, isolated pregnant woman exhibiting strange behavior. But soon her habits turn into a sleeping hunger that changes both of their lives forever.

  Satan’s Slaves 

  Director: Joko Anwar Cast: Tara Basro, Bront Palarae, Dimas Aditya, Endy Arfian, Nasar Annuz, Ayu Laksmi, Egy Fedly Indonesia, 2017 When Mawarni, a famous Indonesian singer, dies of a mysterious illness, her husband and four children are left behind to pick up the pieces, only to discover that they are being haunted by a pack of rabid spirits headed by Mawarni herself. Technically billed as a remake of the 1982 Indonesian remake of Don Coscarelli’s PHANTASM, celebrated director Joko Anwar’s SATAN’S SLAVES is its own chilling throwback to 70s supernatural thrillers, packed to the brim with jump scares and iconic imagery.

  What Keeps You Alive

  Director: Colin Minihan Cast: Hannah Emily Anderson, Brittany Allen, Martha Macisaac, Joey Klein, Charlotte Lindsay Marron Canada, 2018 For their first wedding anniversary, Jackie and Jules retreat to a cozy cabin near a beautiful lake. The sudden appearance of Jackie’s childhood best friend sets off a chain of unlikely events that turn a quiet vacation into the deadliest game of cat and mouse in Overlook Alum Colin Minihan’s (writer of STILL/BORN) claustrophobic survivalist thriller.

  Puppet Master: The Littlest Reich

  WORLD PREMIERE Director: Sonny Laguna & Tommy Wiklund Cast: Thomas Lennon, Michael Paré, Barbara Crampton, Udo Kier United Kingdom / United States, 2018 During a roadtrip to a convention for the 30th Anniversary of the infamous Toulon Murders, a comic book nerd, his new girlfriend and his best friend come face to face with a set of sadistic nazi puppets out for blood. A reimagining of the Charles Band classic, this uproarious horror comedy starring Thomas Lennon, Udo Kier, Barbara Crampton, Nelson Franklin, and Charlene Yi pays homage to the Full Moon features of the late 80s, early 90s.

  The Overlook Film Festival run April 19-24, 2018 at the Bourbon Orleans Hotel in New Orleans, Louisiana. Festival Passes and individual tickets can be purchased HERE. And if will be attending the festival this year, let us know on Twitter, Instagram, Reddit, and in the Horror Fiends of Nightmare on Film Street Facebook group!

The post 8 Films We Can’t Wait To See at The 2018 Overlook Film Festival appeared first on Nightmare on Film Street - Horror Movie Podcast, News and Reviews.

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[iflicks]

Ghost Stories is a terrific, innovative treat

Jeremy Dyson and Andy Nyman bring their hit London stage play to the big screen – and the result is a theatrical triumph, combining creepy surprises and quiet emotion to chilling, entertaining effect. 

The anthology of three stories takes us from a dark spin on a haunted house (starring an excellent Paul Whitehouse) to a bedroom pregnant with portent (hello to Martin Freeman, enjoying playing against type) and a monstrous encounter in the woods (featuring future household name Alex Lawther).  Spliced together with a framing device about Phillip Goodman (the deliciously bitter Andy Nyman), an academic debunker of the paranormal, the pacing is perfectly judged, cumulatively building up suspense until a conclusion that’s packed with pathos and wit. 

Presented with old-school practical effects that make everything more believable, the imaginative production rips the scenery out from under your feet time and time again, creating something that’s enjoyably nostalgic but thrillingly innovative – and never once feels staged. A terrific treat in every sense of the word.

✮✮✮✮✮ In UK cinemas now

(Originally published on VODzilla.co)