#own ai video model

[news-buzz]

Amazon Hedges Reliance on Anthropic for AI Video Fashions, Report Says

Amazon is creating a brand new AI mannequin referred to as Olympus for video evaluation, The Data reported. The AI instrument may assist seek for particular scenes in video archives. Amazon-backed Anthropic has already launched its personal multimodal mannequin for photographs and movies. Amazon could have doubled down on its funding in Anthropic, but it surely additionally seems to be hedging…

[lwoorl]

I'll say it: "Oh all AI artists do is write a stupid description and immediately get an image with no effort, there's no art in that" is the new "Digital painting doesn't count as art because it takes no effort"

[pikslasrce]

AI art isn't real art because there's no human touch. Typing a prompt into a computer doesn't count.

you are severely missing the point. questioning what constitutes as 'art' is counterproductive and does nothing for the actual issue at hand which is abt the ETHICS of it.

art doesnt have to be ethical to be art, but people need to have integrity and good ethics if they want to be respected by others and also if they want to show solidarity with the workers in the art industry

[treasure-mimic]

So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

[txttletale]

NOT asking this as a gotcha, I'm 100% sincere, can you point to pieces of AI art that you feel are interesting uses of the medium? Because I'm not philosophically opposed to it, but at the same time I've never seen anything that wasn't naked bandwagon shilling by the same people who pushed NFTs

sure! i think a classic of the medium is secret horses

(i sadly don't know who made it, but i've seen it around and fallen in love). this is everything AI art should be, imo, taking advantage of the liminal dreamlike quality of the medium and using titling and framing to say something about the piece that wouldn't exist if it was presented on its own. secret horses...

my favourite band, everything everything, released an album last year that made use of AI generation, both for the album's art and for small portions of the lyrics (interestingly, they've refused to say which lyrics are AI written and which are human written, which adds another layer of intrigue to me -- the only lyric that they've confirmed is AI generated is the title of 'software greatman', which forms the haunting, powerful chorus of the song that gets deconstructed into electronic incoherence. other highlights include the album art, part burning skyscape, part incomprehensible machine. what is the machine? is it a camera? a monitor? a train? does it matter?

and finally from this album cycle i adore the hallucinogenic exuberance of their video for i want a love like this:

in terms of dedicated artists working primarily within the AI medium, i'm a huge fan of @reachartwork, a really innovative artist who keeps blowing me away with evocative and interesting pieces and pioneer in ethical and cooperative AI art techniques. i'm an especially big fan of their grotesque and uncomfortable 'tooth machine' series:

as well as their desolate, bleak, alien landscapes:

(hole in the sky / river lethe )

and their project, the @infiniteartmachine, a model that produces art based upon algorithmically generated prompots -- effectively a long-term art piece.

finally, i'm a very very big fan of @roborosewater-masters, a bot that makes AI-created magic the gathering cards. this might not parse as 'art' to some people, or be interesting to analyze as such, but to me, someone obsessed with games and game studies, i think that the mix of synctactically correct magic the gathering rules text and abrupt non sequitur makes for really striking and funny pieces that prompt me to think about what the limits of games and gaming are

these are just the artists and pieces i can name off the top of my head, but i hope that they're representative of what generative art has to offer when it's not being done by grifters chasing the lowest common denominator.

[dandelionsresilience]

whether the internet becomes an intolerable surveillance state, ubiquitous subscription model, or unusably ad- or AI-ridden shithole, I think we need to remember

how to do things offline

either on your personal hard drive (just because it’s an app doesn’t mean the information is stored in your device) or on paper. I’m not saying the collapse of the internet is imminent, and I’m not suggesting we do everything completely without technology, or even stop using it until we have to. (to be clear, I also don’t think the internet will just blink out of existence, suddenly stop being a thing at all; rather I think it might continue to lose its usefulness to the point where it’s impossible to get anything done. anyway) but some people may have forgotten how we got by before the internet (I almost have!), and the younger generation might not have experienced it at all.

I figure most people probably use the internet mainly for communication with friends and family, entertainment and creation (eg. writing), and looking up how to do things, so here’s how to do those things offline:

First and most importantly, download everything important to you onto at least one hard drive and at least one flashdrive! files can get corrupted and hardware can get damaged or lost, but as long as you keep backup copies, you have much-closer-to-guaranteed access versus hoping a business doesn’t decide to paywall, purge, or otherwise revoke your access. I would recommend getting irreplaceable photos printed as well

download and/or print/write down:

anything important to you - photos/videos, journals, certificates, college transcripts

contact info - phone numbers and/or addresses of friends/family (know how to contact them if you can’t use your favourite messaging app), doctors (open hours would be good too), veterinarians if you have pets, and work

how-to’s - recipes (one, two), emergency preparedness (what do I do if… eg. I smell gas)

other things you might google: cleaning chemicals to NOT mix, what laundry tag symbols mean, people food dogs and cats can and can’t eat, plant toxicity to pets

and know offline ways to find things out - local radio station, newspaper, a nearby highway rest area might have a region map, public libraries usually have a bunch of resources

also, those of you who get periods should strongly consider not using period tracking apps! here’s how to track your period manually

free printable period tracker templates (no printer? public libraries usually charge a few cents per page, or you can recreate it by hand)

moving on to entertainment, you can still get most media for free! it’s completely legal to download your favourite movies to your own personal hard drive, you just can’t sell or distribute copies (not legal advice)

movies: wcostream.tv (right click the player) - the url changes every once in a while but usually redirects; I recently noticed that it’s hiding a lot of movies behind “premium,” so it may or may not work anymore | download youtube videos

music: how to get music without streaming it | legal free downloads

games: steamunlocked.net - doesn’t have every game and can be slow to update, but very reliable

books: free online libraries | legal free downloads

otherwise passing time:

active outdoor games

for road trips (social verbal games)

for when power’s out

for sheltering in place (not all offline, but good ideas)

board games (often found at thrift stores)

ad-free customisable games collection (mobile)

read, write, draw, or whatever your craft is, sing, dance, clean, reorganise, take a bath

go outside - excuses include napping (if safe), eating, reading, finding cool plants/animals/rocks, playing with the dog

places to go include:

zoos and museums can be surprisingly cheap

parks and nature preserves

library, mall, or game shop

and a few miscellaneous things for good measure:

time budgeting | household management

how to use a planner | I’ve had success with visually blocked-out schedules like these

please add on if you have any other offline alternatives to common uses of the internet!

[alcrego]

So to clarify, you use AI to assist making your art, but the AI is also trained solely on your art? And people are mad about that?

Yes. And actually a VERY small % of my WHOLE work that I post since >10 years ago is AI assisted. I would say a 2-5%. All the rest is photography/video/ gif art created by myself.

And even so, when I post them they are NEVER raw images, but always used as “ingredients” in the same way I always used my own photography and video to achieve my OWN ideas.

Art is about ideas, not about creating random images…

-

Im sure people dont use stock images or images from Google to do their work… Im sure!😂👍

Most, if not everybody who critizices AIs never took their time to UNDERSTAND that it can be used with and for OWN work. I never agreed, accepted nor defended other people stealing art to train Custom Models.

Thanks for the question.🙏

[dirtyvulture]

Envy and Venom

Heiress!Natasha Romanoff x CEO!Beefy!Fem!Reader

18+ only, read at your own risk

Summary: You are the notorious playboy who just inherited one of the biggest tech companies in the world. Your first move? Sleeping with the heiress of your rival company.

Word count: 4190

AN: Randomly came up with this idea, it's a little different than my other stuff, but give it a read. :)

DAY 1

“You couldn’t have picked a better person for the job,” you tease, gripping tightly onto your father’s hand as the sea of flashing lights fifteen feet away practically blinds you. The reporters call out for your attention but you ignore them, pausing in the awkward, hand-holding pose with your father so the photo can be plastered across the front page of news outlets around the world. 

“I trust you. Don’t ruin what I’ve started,” your father says, grabbing onto your shoulder and pulling you into a tight embrace. “And please try to keep your…escapades…a little more under wraps, okay?” he whispers into your ear. 

“I’ll try, Dad,” you say, but it isn’t really your fault that the public was so interested in what goes on in your bedroom. Then again, you hadn’t exactly been trying to be subtle when you were fucking your secretary against the penthouse window of your apartment, but people should try to mind their own business more. 

Your father pushes you back and the two of you turn in unison to wave at the crowd once more. 

“Congratulations!” you hear them echoing. “To Envy Industries’ new CEO, Y/N!”

***********************************************************************

Naturally, to celebrate your latest achievement, you host the party of the century, inviting other world-renowned millionaires, fellow tech company gurus, actors, singers, celebrities, and pretty much anyone else who fit society’s thinly-veiled description of “famous.” You initially show up with two models you had already spent the afternoon with, but you weren’t interested in stringing them along and were excited to find some new target to chase after. 

The first hour alone is spent wading through faces you recognize from online but have no personal connection with, and you have to pretend that you’re grateful when they take enough interest and ask about the future of your company. 

“We’ll probably stick to the production of GPUs for a while,” you say, yelling to be heard over the music and rumble of people. “We just signed a huge contract with Tesla, so we’ll be supplying all the hardware they need for their next products. They have a big need for AI software, and we’re one of the few companies that can build exactly what they need.”

“Wow, that’s very impressive.” The short-haired blonde woman suddenly throws herself at you, her nails digging into your bicep so hard you can feel the prick through your burgundy silk jacket.

“Thank you.” You’re not sure you’ve ever seen this woman before in your life and you wonder if she even understood half of what you were saying or she was just trying to get into your pants.

“I’m Carol, by the way. Do you want to get a drink?”

“I would never say no to a drink.” You let Carol lead you to the bar (that you are footing the bill for) and she orders for you, picking an old-fashioned cocktail for you. A decent choice, but if she had read your interview in The Chief Executive Magazine, she would have known that your favorite drink was actually a vodka martini. You join her at an empty table.

“So, what do you do for a living?” you ask out of politeness, taking a sip and letting the whiskey burn your throat.  

“I’m an influencer,” Carol says. “I have one-point-seven million followers on Tik Tok right now. I mostly post fitness routines or travel vlogs. And I also stream video games on Twitch.”

“Ah.” Now it’s your turn to act like you’re impressed when you have no idea what she’s talking about. 

Carol drones on about her next project, which involves a collaboration with another influencer you’ve never heard of. Your eyes scan the people walking by, looking for a new object of infatuation. It doesn’t take long until you make eye contact with a beautiful, redheaded woman, her voluptuous body hugged by an emerald green dress. Immediately, your heart rate spikes as you scan her up and down, not predatorily, but admiringly. The neckline of her dress plunges down to her belly button, a tasteful hint of her cleavage showing through, highlighted by a long  silver necklace with a thin gold bar tassel. 

You perk up, smoothing your hair back and puffing out your chest like a proud pigeon when she starts walking over.

“Congratulations,” the redhead says. “Your family must be very proud of you.”

“My dad didn’t want to give it to me,” you admit, completely oblivious to Carol’s pout as you instantly give your attention to this new woman. “But I convinced him the company would be in good hands.”

“I bet.”

“Can I get you a drink?” you ask, desperate to keep around for the conversation (and perhaps more).

“I should be the one treating you,” the redhead says. She takes the cocktail out of your hands and brings it to her lips. “Hmm. I didn’t think this was your taste,” she notes. “How does a vodka martini sound?”

You know instantly this is the woman you’re taking home with you tonight. “That sounds delightful.”

***********************************************************************

You ditch Carol without a second thought and follow the redhead back to the bar, where she picks up two vodka martinis. She brings you to a private booth, sitting so close to you that your knees are touching hers. You can almost feel her body heat through the fabric of your clothes. 

“To Envy Industries’ long and prosperous future,” she says, raising her drink in a toast.

“Cheers.” You clink your glass to hers and drink half of it in one long sip, smiling in satisfaction. “I didn’t catch your name,” you say.

“Natasha.” It sparks a familiar memory, a name you’ve heard before. But she’s so intoxicating that you give it no second thought. Natasha is one of the most gorgeous women you’ve ever seen in your life and you can’t believe she’s sitting here talking to you and you alone.

“It’s very nice to meet you,” you say, formally offering her your hand. She shakes it, and you gently bring her hand up to your lips to kiss her knuckles.

“Likewise,” she says, crossing one perfectly toned leg over the other, her foot nudging the back of your calf. “Not to eavesdrop, but I overheard you mention a contract with Tesla. Say what you want about that company, but you can’t deny the evidence that they’re one of the highest valued companies in the world. I wouldn’t be surprised if Envy Industries is soon up there with them.”

“Exactly.” Your interest in this woman skyrockets, because you know she isn’t bullshitting you. She isn’t like Carol. She knows what she’s talking about. 

“We’ve been trying to strike deals with the automotive industry for years,” Natasha goes on, “But you’ve beat us to it. And now that you’ve partnered up with Tesla, you’re basically unstoppable.”

“Not quite,” you correct, now unable to stop yourself from unraveling the schemes of your company’s next five years. “Our research on artificial intelligence is just getting started. We just applied for ten new patents within computing technologies and we’re on track to absolutely dominate the market for discrete graphics processing units by the end of the year.” 

Natasha grins at your enthusiasm and you feel yourself blush in embarrassment. You know the media often labeled you as stupid, reckless, irresponsible, unfit to lead, and constantly bashed your sexual appetite, but you were all those things and a technology genius. Your father had built this company from the ground up, but you had been there alongside him the past six years. While everyone classified your promotion to CEO as nepotism, you felt you had rightfully earned it. 

“I don’t know how you do it,” she comments.

“Well, it definitely wouldn’t be wise for the new CEO to be giving away all the secrets, now would it?” you chuckle, even though you’ve definitely already said more than you should’ve. 

“Your success is no trade secret.” Natasha turns her whole body to face you. The attention she’s giving you is almost more than you can bear. Your heart pounds against your chest. No woman has ever made you this excited before. “But if you want, maybe we can go somewhere a little more private, where you can share whatever else you’d like.”

“Hmm.” It was rare for another woman to be so bold with you. But you’ve never lusted after another woman like Natasha before. Arousal heats up in your stomach as Natasha leans forward, resting her hand on your thigh and squeezing it teasingly. Her breath fans over your face and you can smell the vodka and her cherry lipstick. You lean forward to meet her, moving like you’re in a dream, fireworks sparking in the back of your head the moment your lips touch. 

Suddenly, you’re overcome with the carnal desire to drag this woman up to your penthouse and have her squirming underneath you, crying out your name as she comes undone.

“Um, would you like to…” You can hardly think straight. “My room…apartment…is upstairs…if you want to…”

“Show me the way,” Natasha says, standing up and offering you her hand.

***********************************************************************

Your brain is swirling in a fog as you follow Natasha to the elevator. You don’t even register any of the people you pass, fully aware of the fact that someone will report this headline to the National Enquirer, at the very least. But all the worries of the future disappear the moment the elevator doors close and Natasha throws herself at you, her legs hooking around your narrow waist and her heels digging into the small of your back. Your hands support her supple bottom, squeezing in appreciation as her lips crash against yours in a desperate frenzy. 

You stumble into the wall, smashing your hand onto the top floor button and feeling the elevator start to rise, but not fast enough. 

“Lucky me,” Natasha pants between kisses. “Getting to go home with the newly-christened CEO of Envy Industries.”

“You’re the most beautiful woman here tonight,” you respond, heat rising between your legs. “Of course you were coming home with me.”

Natasha glows with the praise and pulls your head into her chest, where you instinctively lick and nip at the flesh of her exposed breasts and she keens at the attention. When the elevator doors open again, you stumble out with her still in your arms, your feet automatically taking you down the path to your apartment. Thankfully, your apartment door opens automatically when your key card is in range, so you’re able to kick it open with your foot, without having to put her down.   

You carry her straight to the bedroom, dropping her on the freshly-changed sheets you had housekeeping put on after you were done with the two models from earlier. You can hardly remember your time with them and your body is practically vibrating in anticipation like you haven’t had sex in years. You crawl on top of Natasha, lowering yourself to kiss her again, this time with more passion and her arms snake over your broad back, pressing your body against hers.  

“I need to get you out of this dress,” you pant, desperate for skin-to-skin contact with her. 

“You first,” she says, releasing you as you sit up, yanking off your jacket and throwing it to the floor. You’re annoyed at your choice of shirt, a white button-up that has way too many buttons, as you impatiently pop them off one at a time and remove your bra. Natasha watches you with hunger in her eyes and you’ve never felt more proud to reveal yourself to another partner. The daily, painful 2-hour visits to the gym and strict adherence to a customized diet showed in your chiseled physique, your biceps bulging like you had baseballs under your skin, your perfect washboard abs, and your thighs were sturdier than tree trunks. 

“Fuck,” she mutters, reaching up to run her hand across your abs like she can’t believe you’re really in front of her. “I could look at you all day.”

It’s a common reaction most people have, but it definitely heats you up more when it comes from Natasha. “Your turn, gorgeous.” 

She sits up and turns around so you can access the zipper of her dress. You sweep her hair to the side, stealing a kiss to her neck because you really can’t help yourself. Natasha hums in appreciation and you lower her zipper slowly. Her dress pools at her waist like a glimmering green puddle. She isn’t wearing a bra so your hands immediately gravitate to cup her breasts, and she arches her back against your bare chest. 

“Are you gonna fuck me the same way you do to every girl you have in here?” she asks, placing one of her hands over yours and guiding it down her stomach, where your fingers part through her soaking folds. 

“If you want me to,” you say, pressing deeper into her and she whines at your touch. “But I’ll give you whatever you want.” Normally, you enjoy being in full control in the bedroom, but you are absolutely willing to give that up if it pleases Natasha. 

She suddenly pushes your hand away from her center; you can still feel traces of her stickiness on your fingers. “Do you have a strap? I want to ride you.”

Your stomach flips at the thought of her on top of you, grinding down on you until she finishes. Her heaving bosom in your face for you to suck and kiss while she enjoys the orgasm you gave her. 

“Yeah, let me grab it.” While you launch yourself off the bed to go fishing around your nightstand drawer, Natasha nudges her dress to the floor and delicately removes her long necklace, settling back comfortably on your king-sized bed while she waits for you. You take off your pants and pull the harness over your waist, turning back to the mouth-watering sight of her naked and ready for your taking. Her body is toned and curved in all the right places: clearly, she respected her body as much as you did to yours. There are few things you love more than a woman who takes care of herself.

You climb back onto the bed and Natasha pounces on you while you’re still getting into position, holding onto your biceps to pin you down. You catch sight of her glimmering wetness as she drags herself along your abs, pressing back against your cock until it rubs against her butt. You reach over to grab the bottle of lube always present on your nightstand and squirt a generous glob onto your strap, not that it looks like Natasha will need it. 

“Look how wet you are. You’ve been waiting for this all night, sweetheart?” you tease, your hands running up and down her sides. Natasha takes you by surprise when she shoves you back against the headboard.  

“Shut up and let me fuck you,” she growls, her voice dangerously dropping an octave. Natasha lifts herself up to line herself with the head of your cock and slides down in one move. The slick noise as it fills her is downright sinful. Your big hands wrap around her tiny waist, guiding her to bounce in an aggressive rhythm as the two of you watch your cock disappear inside of her. 

“Fuck, Y/N,” she moans, throwing her head back, red hair spilling over her shoulders. “That feels so good.”

“Look how well you’re taking me,” you praise, your hips jerking up to match her rhythm. Even though you can’t necessarily feel it, you swear her pussy is clenching around the toy, greedily sucking you in and requiring physical effort to pull out. Your own clit is throbbing as the toy bumps it every time Natasha slams down on your thighs. 

“Deeper, babe. Go deeper,” Natasha begs, moving her hands from your shoulders to the headboard, grabbing it so firmly you hear the wood crack. You change the angle of your hips, punching them up to satisfy her command. The bed frame creaks and shakes; you know your father would be unhappy to hear he has to order you a new one so soon, but you can’t be bothered to care right now.

“Fuck, right there. That’s it,” Natasha moans, rolling her hips with such fluidity it makes your stomach clench. She looks down at you, admiring the flex of your muscles as you do your best to please her, a singular bead of sweat running over your collarbone and sliding down between your breasts. 

“I’m close. I’m almost fucking there,” she warns, her hips beginning to lose their rhythm. But you keep your intense pace, until your abs are cramping and you’re certain there are bruises on your thighs. Your own arousal burns like a ball of white-hot fire and you so desperately want to make this woman cum you will gladly ignore the ache of your own orgasm for hers. 

“You’re fucking me too well, baby. I’m gonna lose it,” Natasha pants and the praise almost breaks your control. She throws her head back as she finishes and you bury your face in her heaving chest, tasting the sweat on her skin and sucking one of her nipples into your mouth. Her hand abandons the headboard to tangle in your hair, yanking almost painfully at your roots while you feel her cum spill onto your lap. She pushes your head away once she’s done, your lips parting from her nipple with a string of saliva, and lifts herself off your cock. The two of you are panting in unison, while you’re still fighting the simmer of arousal in your gut.

“Hmm, that was nice. Do you normally let your partner finish first?” she asks, resting her hands on your chest again. “I didn’t think you were the type.”

Your face burns in embarrassment because she’s not wrong. “Um…no,” you admit, knowing full well you could lie, but you feel like she’ll be able to see through it.

Natasha smirks. “Such a gentlewoman with me,” she says, bending over to kiss you, this time much more softly than before. 

“Only for you,” you murmur back, shocked at how whipped you already are for her. 

“You want me to help you finish?” Natasha asks, pushing the strap aside to brush her fingers across your hot center. Your hips jerk off the bed, almost launching Natasha into the air. “I’ll take that as a yes,” she giggles, climbing off your lap and helping you pull the strap off your waist. You’re practically frozen in anticipation, watching with bated breath as Natasha scoots herself down the bed and lowers her head between your legs.

You melt at the feeling of her mouth against your center, perfectly hot and wet. Your back arches off the bed when her tongue glides through your folds, lapping up the mixture of body fluids like it’s some kind life-saving elixir. 

“Shit, baby, that feels amazing,” you moan, burying one of your hands in her red tresses, motioning with your hips that you want her deeper. She obliges by wrapping her lips around your clit and giving it a few hard sucks that have you seeing white stars behind your eyelids. You let go of her hair, afraid you’ll tear it out and grab onto the Egyptian cotton sheets tightly. Her tongue pushes into you and you swear you convulse around it, already leaking into her mouth when she’s only just started to go down on you.

Natasha’s arms wrap around your powerful thighs, trying to force them apart as you close them around her head. You don’t mean to put her in awkward, even dangerous position, but you can’t think about anything other than the pulsing in your center, soothed and encouraged by the heat of Natasha’s mouth. You dig your heels into the mattress to prevent yourself from bouncing across the bed at the rocking motion your body had adopted to maximize your pleasure. Every time her tongue slips into you, the muscles in your stomach contract so sharply it almost hurts, and when she laps at your clit, the stimulation is so great you feel immediately dizzy.

“Natasha,” you pant, unable to hold out any longer. “I’m gonna…Please let me…” 

She presses into you with even more enthusiasm than before and your body seizes as you release yourself into her mouth. Natasha eagerly collects all your slick, her red lipstick smeared on the insides of your thighs.

“Oh fuck, oh fuck,” you moan, feeling your high is going to last forever. But just the sensations start to fizz, you realize Natasha still has her iron grip on your legs, keeping them spread apart.

“I want another,” she demands, in a sultry tone that almost pulls the second orgasm from you right there.

“Natasha,” you whine, fearing you are too sensitive to deliver her wishes. You twist your body back and forth, half-heartedly trying to free yourself. But Natasha won’t let you, lowering her head to your heat and taking what she wants. Overly stimulated, every muscle in your body goes rigid as fireworks of pleasure, bordering the line of painful, explode inside of you. Natasha’s tongue somehow reaches even deeper than she had the first time, the tip pressing against your front ridged wall and you lose it for the second time in minutes.

“Oh, fuck!” you cry, your back arching off the bed but Natasha holds your waist down, determined to not let a drop of your essence go to waste. Your head is spinning and your body is like a live wire of excitement, twitching and trembling until you have no more energy left and and you melt into a limp mess.

Natasha kisses up your abs, between your breasts and licks at the column of your sweaty throat. Her lips finally connect with yours and you can taste a hint of yourself mixed with hers. You can’t wait to taste her straight from the source, but it’s going to take a bit of time to find the strength to move after two back-to-back orgasms. She wraps her arms around your torso, nuzzling into the side of your chest and inhaling deeply.

There is a long, but not uncomfortable silence as you two of you find your breath.

“I’m not letting you leave until you sit on my face,” you finally say. Natasha looks up at you with a satisfied grin.

“I wasn’t planning on it,” she says, crawling up so she can do just that.

***********************************************************************

The moment Natasha made eye contact with you, she knew you were done for. You were far too predictable. She knew exactly the kind of woman you chased after. She knew what she needed to say to catch your attention, to convince you that she deserved a private moment with you.

You were too easy.

When you were so busy looking at her lips, trying to figure out when the right moment to kiss her was, you didn’t notice her take your phone out of your pocket, plug a flash drive into the charging slot, and return it back to your pocket in record time.

As you carry her in the elevator, your face buried in her breasts while she slips a tiny audio recorder into the pocket of your blazer. Through the fog of pure lust for you, Natasha struggles to but succeeds in making a mental map of your apartment. Where your office is, how many computers you have.

After numerous orgasms, she’s sufficiently fucked your brains out and cuddled with you long enough for you to pass out into an impossibly deep slumber, she gets up and heads into your office. She doesn’t need more than five minutes to hack into your devices and steal all the data saved on them. She chuckles to herself at how easy the task is; if she had known it would’ve been this simple and enjoyable, she would’ve come after you a long time ago.

Natasha gathers all her things and excuses herself from your apartment without a good-bye.

***********************************************************************

DAY 2

When you wake up the next morning, your mind a haze from the absolute debauchery that occurred the previous night. You rub your eyes and roll over, finding yourself naked and alone in bed. There is a deep soreness in your body, in almost every muscle, and some you haven’t felt for a long time. Natasha’s scent of vanilla and cherry lingers, but she’s nowhere to be found.

“Fuck,” you grumble, reaching for your phone on the nightstand. It’s been blowing up with notifications, which is a little unusual, but you assume it’s mostly from friends still congratulating you on your promotion. You open a text from your best friend and work partner, Tony.

From Tony: You fucked up, dude.

He included a link to a TMZ article. You click on it, half-wondering if it’ll send you to some troll site. The headline reads:

New CEO of Envy Industries Y/N spotted getting cozy with Black Widow Corp. heiress Natasha Romanoff 

Everything clicks to you now.

“Oh, fuck.”

---------------------------------------------------------------------------

AN: Click here for Part 2!

Please like, reblog, and comment! Follow for more content. 🥰

[avonne-writes]

Dating app au where Bucky hits on the guy with the super attractive, model-like photos because of the nerdy introduction on his profile, fully believing that the guy on the other side isn’t using photos of his own face or that the photos are AI-edited to make them look better. But he gives it a chance regardless because he’s drained after a string of one-night stands and wants something different.

He and Gale get along well and eventually agree to a video chat. Bucky expects Gale to decline turning on the camera with some stupid excuse. Instead, Gale turns up looking like this:

Photo from this post @platinumsim

After they say goodbye with plans to meet in person, Bucky spends several minutes with his face buried in his pillow, absolutely losing it at how lucky he got. Later, Gale tells him that he was a little disappointed how few people messaged him on the app, and Bucky has to keep from laughing as he tells him that no one believed he actually looked like his pics.

[oc-ology]

How to OC post without being an artist (or spending money)!

As much as I yelled about OC-posting, some people said that they struggled to know what exactly they should be posting. Obviously the answer is whatever you feel like but if you’re already aimless, that answer isn’t very helpful. Additionally, not everyone knows how to draw (which I think is an obvious method of OC-posting) so I wanted to give some ideas for what people could post for their OC! This will be split up into different sections.

Creating visual representations of your OC

Disclaimer: I will not suggest nor support the usage of generative AI. OCs are about creating something yourself, not allowing a computer to do it for you.

Outside of commissioning someone else for art, it can be disappointing and frustrating to not have any visual representation for your character. An easy way to get a representation of your character is to use Picrew, Meiker and other similar sites. There’s a large number of art styles, types of fashion, species, that can all be used to make your OC and that amount only grows by the day. Many of these websites can be accessed on PC and mobile and take very little processing power.

However, this can be limiting at times since you might not find exactly what you’re looking for, especially if your OC has a unique combination of features. For something with more customisation, you can use video games with character creation to make a version of your character. I personally would recommend games like The Sims or Skyrim as both have very active modding communities. This way, if a certain type of clothing or facial feature isn’t present in the base game then you can often find someone who has created a mod that adds it in instead. This does require you to have access to a computer that can run not only the game but the mods as well.

Another option would be using a program like Vroid Studio to make your character from a base model. This has both a mobile and PC version, although I will primarily be speaking from a PC perspective. The mobile app, while able to create a character from scratch, is a lot more limited than the PC version. The great thing about Vroid is that there’s a lot of user-made content that you can often get for free through websites like Booth, as well as many tutorials for beginners to follow along with. Again, this requires a computer that is able to run it. I would recommend against using Vroid on a laptop as it will likely be too intensive for it.

My final suggestion for character visuals is to take a character from anime or cartoons and simply edit them. This was actually how I first got into making original characters! You can recolour their hair or outfits with an editing program (with some free examples being FireAlpaca, Krita or GIMP) and even edit different images together to create something more unique. Please only do this with characters from existing media and avoid using fanart for this.

Other OC visuals

Other than just what your OC looks like, there are other ways to visually put together your OC. Moodboards are the most obvious example of this, but you can also edit other things such as putting together outfits for them or finding pictures of items they would keep in their bag.

If you have multiple OCs, you can create fake text conversations between them using a number of websites. These can be as silly or as serious as you like!

Finally, you can always build them a pinterest board. I am a massive pinterest enjoyer and not only can you use pins that others have posted to pinterest, you can add your own from off the site. 

Writing

Beyond writing out your characters’ story, there are numerous other things you can write. Keeping in line with what you’ve already written, you can re-write scenes from alternative perspectives. These can add context to what is seen in the main story, as well as flesh out background or side characters and their relationship to your other OCs.

Another fun thing to write is non-canon scenes. Write a beach episode! Write about a character getting sick and someone else having to take care of them! There are countless ways to draw your OCs interacting with their world or other characters that wouldn’t necessarily ever fit into the “main” story.

Next is genre changes. If you had to categorise the genre of your OCs’ current story, what would it be? Now image what if the genre was something completely different? Romance to mystery… Slice of life to horror… Part of the challenge is figuring out what story beats remain the same and what gets changed, including character dynamics! And of course… Alternate Universes. There are too many types of AUs to list but some of my favourites are superpowers, mafia, zombies, time loops and time-travel-fix-its. These are similar to genre-changes but often include a number of AU specific tropes. If you’re struggling to figure out the staples of a certain AU or what kind of AUs exist, there’s a really good page about alternate universes on Fanlore.org!

Other ideas

These are ideas that didn’t quite fit into the other categories.

First is music playlists! There are two types of these. The first is a playlist of songs that describe a character and their story while the second is a playlist of songs that the character would listen to. Some people like to combine the two as well! There are no rules to this, simply have fun listening to music and picking out songs that remind you of your OCs.

Second is incorrect quotes. I remember these used to be beloved by fandom and now they can be beloved by you and your OCs! The concept of incorrect quotes is that well-known and funny quotes from pop culture (such as memes or movies) get written out and your characters are assigned a line of dialogue. While there’s a website that’ll generate these incorrect quotes for you, I personally find more fun in coming across quotes organically while scrolling social media and realising that they fit my OCs almost perfectly.

Finally, ask games. These typically take the form of lists of questions or prompts with emojis or numbers next to them. People can send in the relevant emoji or number and you then answer the corresponding prompt. There used to be a kind of “ask game etiquette” where if you reblogged an ask game from someone, you sent an ask from the list to them as well. This way, it allows the game to continue circulating and you can spread the joy of OC-posting with others! It can also lead you to making friends within the community.

And that’s it for my post! If you have other suggestions for kinds of OC-posting then I would love to see them!

[fabaulti]

I think most of us should take the whole ai scraping situation as a sign that we should maybe stop giving google/facebook/big corps all our data and look into alternatives that actually value your privacy.

i know this is easier said than done because everybody under the sun seems to use these services, but I promise you it’s not impossible. In fact, I made a list of a few alternatives to popular apps and services, alternatives that are privacy first, open source and don’t sell your data.

right off the bat I suggest you stop using gmail. it’s trash and not secure at all. google can read your emails. in fact, google has acces to all the data on your account and while what they do with it is already shady, I don’t even want to know what the whole ai situation is going to bring. a good alternative to a few google services is skiff. they provide a secure, e3ee mail service along with a workspace that can easily import google documents, a calendar and 10 gb free storage. i’ve been using it for a while and it’s great.

a good alternative to google drive is either koofr or filen. I use filen because everything you upload on there is end to end encrypted with zero knowledge. they offer 10 gb of free storage and really affordable lifetime plans.

google docs? i don’t know her. instead, try cryptpad. I don’t have the spoons to list all the great features of this service, you just have to believe me. nothing you write there will be used to train ai and you can share it just as easily. if skiff is too limited for you and you also need stuff like sheets or forms, cryptpad is here for you. the only downside i could think of is that they don’t have a mobile app, but the site works great in a browser too.

since there is no real alternative to youtube I recommend watching your little slime videos through a streaming frontend like freetube or new pipe. besides the fact that they remove ads, they also stop google from tracking what you watch. there is a bit of functionality loss with these services, but if you just want to watch videos privately they’re great.

if you’re looking for an alternative to google photos that is secure and end to end encrypted you might want to look into stingle, although in my experience filen’s photos tab works pretty well too.

oh, also, for the love of god, stop using whatsapp, facebook messenger or instagram for messaging. just stop. signal and telegram are literally here and they’re free. spread the word, educate your friends, ask them if they really want anyone to snoop around their private conversations.

regarding browser, you know the drill. throw google chrome/edge in the trash (they really basically spyware disguised as browsers) and download either librewolf or brave. mozilla can be a great secure option too, with a bit of tinkering.

if you wanna get a vpn (and I recommend you do) be wary that some of them are scammy. do your research, read their terms and conditions, familiarise yourself with their model. if you don’t wanna do that and are willing to trust my word, go with mullvad. they don’t keep any logs. it’s 5 euros a month with no different pricing plans or other bullshit.

lastly, whatever alternative you decide on, what matters most is that you don’t keep all your data in one place. don’t trust a service to take care of your emails, documents, photos and messages. store all these things in different, trustworthy (preferably open source) places. there is absolutely no reason google has to know everything about you.

do your own research as well, don’t just trust the first vpn service your favourite youtube gets sponsored by. don’t trust random tech blogs to tell you what the best cloud storage service is — they get good money for advertising one or the other. compare shit on your own or ask a tech savvy friend to help you. you’ve got this.

[reachartwork]

what is project secret moth?

project secret moth is an LLM-based text adventure with optional visual accompaniment. unlike many other LLM-based text adventures where you can basically do whatever you want and its open ended like a lucid dream, project secret moth has actual game structure built beneath and the LLM simply acts as an interpretative + narrative layer to generate description and cohere the varying game elements. in my schema of game design, things like ai dungeon (with no non-self-imposed win or loss state) or "just open ended chatting with an ai" are "toys", rather than "games". sure, they are fun, and you can make your own fun, but it requires a certain amount of buy-in that always leads me to bounce off of them.

project secret moth does not have that, in the prototype. it is a capital letters Video Game.

project secret moth has the same "win state" as any other yume nikki-like - collect all the effects and leave your bedroom.

the beginning of the game offers two modes - "personal" and "story". personal mode will have the narrative ai ask you psychologically probing questions so that it can customize the dream realms to your psyche. story mode will have it procedurally generate an individual, A Madotsuki, and put you in their shoes.

project secret moth does not have a freeform parser. like the very eldest text adventures, it utilizes verb commands - LOOK AT TORININGEN, USE KNIFE ON UBOA, and so on. there is a certain amount of flexibility - it will try to interpret your actions in a way that a traditional parser never can - but you are not free to do whatever you want. there is no macklankey. you are bound like all living things.

the initial prototype will be text-based only, offering a bedroom, 8 dream worlds (with an indeterminate number of extra layers and sub-areas), minor puzzles, NPCs, and the exciting "environmental cascade" system that allows you to solve area puzzles immersive sim style by manipulating the environment of higher-up layers. order a fan off amazon to make your dream worlds colder.

project secret moth will ship bundled with its own local large language model (the particular one is TBD) and will be built to run on relatively low-spec computers or ones with no GPU available, if possible. no internet connection will be required, and no information you send will be sent to external APIs. when the second prototype (with visual accompaniment system - see the attached images?) launches it will also be bundled with its own fine-tuned image model that, again, will be built to run on low-spec computers.

stay attuned

[collapsedsquid]

People who paid to speak to an AI girlfriend modeled after real life 23-year-old influencer Caryn Marjorie are distraught because the service they paid for, Forever Companions, no longer works. It appears that the service stopped working shortly after Forever Companion CEO and founder John Meyer was arrested for trying to set his own apartment on fire.  [...] On social media for the last few weeks, the official Forever Voices Twitter account has been posting bizarre videos and statements about the CIA, Donald Trump, and the FBI. According to Austin NBC affiliate KXAN, Meyer was arrested on October 22 for trying to set fire to the building where he lived, causing an estimated $360,000 in damages. In addition to those arson charges, 404 Media obtained an affidavit for an arrest warrant for charges of “Terroristic Threats” against the headquarters of a company called Cloud Kitchens, which provides software to restaurants. The affidavit states “On October 14th 2023 AT 9:06 PM John Heinrich Meyer posted on Twitter "@travisk get ready for me to literally blow up Cloud Kitchens." This post was posted under the twitter handle for John H. Meyer.” An employee for Cloud Kitchens sent this and additional tweets to the FBI, which is working with Austin police on the case. “Meyer has a history of being an emotionally disturbed person, which is consistent. with the behavior he displayed during this incident,” the affidavit notes.

[s1llydr3amscape]

Maybe it was the friends we made along the way!

My security breach cast re-imagined when we first got the posters and merch leaks!!! I changed them into ocs because after seeing their in game designs I fell in love <33333

Another reason why Vanny is my fave is because I don't have to design her clothes /j

Extras and ramblings under the cut :

Zoomed in because I drew them on the same canvas like a goober :

Many reasons why I chose to make the way it is are cause hehehehe

-I didn't like Roxy at first because off that funko leak being a reused model of Foxy. So I made her a hyena recolor using his model because I think they're cool, yet I still kept the fact she's the shortest because of Foxy in fnaf 1 being the shortest!!! And it did sorta happen with her being his replacement 😭She has short hair because I think one of her main appeals would be she would change up her hair every other week.

-Freddy is a moon bear because I miss Lefty. Also cuz I thought Fazbear Ent developed enough technology so that they could change colors during the night/dark like in the posters making them blacklight/neon. Also once again I miss Lefty and Also Nightmare. He had blue eyes freaky like that because I think FazEnt was developing new technologies to recognize guests by having their main stars test them out. And it did happen in the game so yay!!!

-I genuinely didn't think Bonnie would show up because off the leaks but at the time everyone designed their own version off him and so did I!!! I made him white and brown as a homage to Vannys help wanted mask. The blue streaks in his hair also relates to my Vanessa design. Reasons for this is because with how advanced the AI it was to trick them into thinking they were eachother friends. Why because the heartbreak would've been catastrophic.

-Chica didn't change much but I added brown because I love the color brown it is my top 1 color with purple following behind. Also because I love gradients I fucking love gradients you bet your ass if I add gradients I could <333 She has feather hair like that because off Big Bird I saw in a short fnaf sesame street horror yt video and that scared and gave me nightmares because of this one scene of a lady giving birth to his kid??? Idk it scared me alot. She's my favorite tho <3333

-Monty didn't change except he had circular glasses because I wanted him to match with Roxy as the newest additions to the Fazbear brand!!! Also man I wish one of them was a drummer but I couldn't decide between if Roxy or Monty would get it. I also didn't know Roxanne would be racing and gave her rock climbing. Reasons cause imagining her chasing you being able to climb walls would be scary. My only wish Is that I made his snout longer I want you to be able to hold it like a weapon

-They all have eyelashes because I think that is epic!!!

-Freddy is the tallest. Bonnie and Chica are the same height and Roxanne is the shortest

Might redraw them in my oc world version (if anyone would be interested it's basically also a robot story with my old fnaf oc's now turned rivals to Fazbear Entertainment) and not simplified but my other wips need me they are calling for me they are telling me to finish them and I must!!! Probably

And here's my older art after we got to see the game and the designs are wack oughhh :

They would've fought with my pink yellow blue Vanny design!!! Which is the only one I redesigned because I love Vanny to much... You can see her pre-design here and oughh Pink Vanny <3333

-If you look closely Vanny has a Dino looking tail!!! And that's because I thought hey imagine each time we defeated an animatronic she'd sew a piece off their body onto her suit! So when we killed Monty she'd scavenged and get his tail!!! With Chica she got her chicken feet!! And with Roxanne she gets her teeth!!!

-Why because I associate her with Pinkamena cupcakes so much. Also to add onto my previous statement with Bonnie looking like her old mask. She changed her suit in the final act to solidify herself as the bad guy (final boss) who had been using the animatronics for his own gain.

-Man I never draw Chica with her head bow now that I think abt it same with Vanny's whiskers god what was I thinking!!!

Also sorry they're oddly cropped I watermark my stuff to remember what year I made them in and my old username is bad 💀

[thempregsimmer]

As much as I love video generation via Hailuo AI, sadly the model has changed for commercial.

Although I have a vast collection of approximately 200 videos generated so far (that will of course be posted here over time), it worries me that high-quality generations may become very rare.

Hopefully by the time I run out of videos to post, I will have found another app to use for my generations.

If you have any recommendations of your own, please let me know!

[aboringredmop]

k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!

(edit: here's the full recording! )

Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)

they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)

they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)

they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show

they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol

they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)

they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.

Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"

Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)

they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)

also pilot concept art showed that Mean Steve is in fact just called Key

they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically

also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho

they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck

lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)

international release of the show soon!

Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it

3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!

they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them

they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background

then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends

the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs

the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)

Becky liked my shirt! (the one with the melting trio heads) said she handdrew it

I'll post the signatures and some more stuff tomorrow because it is. 5 am

edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)

(the liyskaen is duck trying to spell my name. they got pretty close)