#outlander season 7b
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"Eight pints. That's how much ye told me the body has. I wish I could give ye some of mine. I've plenty. You said it was possible, but not in this time. Somethin' to do with things in the blood that might not match. But surely our blood would flow, one into the other. My blood kens yours like its own. Blood of my blood, Sassenach. That's what we said. And it is the truth."
#outlander#outlander 7x16#jamie x claire#jamie fraser#claire fraser#perioddramaedit#perioddramasource#perioddramagif#cinematv#outlander season 7B#a hundred thousand angels#my edit
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âIt's about Jamieâ
|from Outlander season 7B official trailer|
#outlander#outlander season 7b#trailer#jamie x claire#outlander starz#jamieclaire#I can't with these two#guess who'll cry over ALL the second part of this season#jamie fraser#claire fraser#jamie and claire#outlander fans#outlander cast#caitriona balfe#sam heughan#lord john grey#david berry#diana gabaldon#outlander books#sam x cait#samcait
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Sutara Gayle plays Lord John's feisty housekeeper Mrs Figg in Series 7 of Outlander.
She will feature in the latter part of the series, in episodes 11-14.Â
ăSpent the best part of 2022 & 23 filming in Bonny Scotland! Looked after by everyone on set, especially gorgeous @samheughan and the super wonderful @caitrionabalfe Oh how we laughed! đ
Icing on the cake is when Sam gifted me a bottle of his very own sassenach Whisky Woyoiii! Fyahh wata at its best. Smooth and tantalising like the man himself!
This was a great gig âOutlander is epic đ watch it âă
#outlander#outlander starz#outlander series#outlander season 7#outlander season 7b#outlander cast#sam heughan#caitrionabalfe#the frasers#jamie fraser#samheughan#jamie&claire#jamie and claire
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#outlander7b#outlanderseason7#outlander season 7b#outlander#outlander art#outlanderedits#caitriona balfe#claire fraser#sassenach#diana gabaldon#jammf#sam heughan#jamie and claire#jamie fraser
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youtube
Simply so wonderful â€ïž
#sam heughan#outlander#jamie fraser#outlanderedit#diana gabaldon#outlander books#outlander season 7b#outlander starz#outlander fanart#outlander series#outlanderseason8#caitriona balfe#samheughanupdates#sam and caitriona#jamie and claire#Youtube
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âŠdang it, now I really wanna bring back A Child of the Stones.
((there is a new chapter of Metamorphosis coming, btw))
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The exchange between them was cute and funny , in this moment... Clair told Jamie she would scream for Rachel, if he basically tried any funny business.
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For pete's sake, we have to wait until november until the second part of season 7?! They can't blame covid or the strike. Both parts were filmed before the strike happened and we got a full trailer for 7b in august, and it's also a UK production, the strike was a Hollywood thing. Every other show who was actually affected by the strike is up and running. They were delayed by a couple of months, NOT ALMOST A YEAR AND A HALF. This is bs. I don't even know with this show anymore. I'm a book reader so i'll still be on track with the story and the characters that i love so much if i choose to stop watching because this is really throwing me off.
#outlander#outlander starz#droughtlander#starz#outlander season 7#outlander season 7a#outlander season 7b
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MY FAV EPISODE!!!! [7X15] â€ïžâ€ïžâ€ïž
[follow my tiktok: danoninhaszz]
#caitriona balfe#claire fraser#jamie and claire#outlander#jamie fraser#sam heughan#outlander season 7#outlander 7b
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"He said once that he would see me again. That we would all see each other again."
#outlander#outlander 7x16#outlander spoilers#jamie x claire#claire fraser#jamie fraser#FAITH FRASER#outlander season 7#outlander season 7b#a hundred thousand angels#perioddramaedit#perioddramasource#perioddramagif#cinematv#THE WAY I SCREAMED#AND CRIED#AND WTF'D#BECAUSE THAT WASN'T A CLIFFHANGER#THAT WAS PUSHING US OUT OF AN AIRPLANE#WITHOUT A PARACHUTE#my edit
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sorry but my parents are the hottest đ„
#outlander#samcait#sam heughan#caitriona balfe#sam x cait#sam and cait#outlander starz#outlander fans#outlander cast#jamie x claire#jamie and claire#jamie fraser#claire fraser#jamieclaire#outlander season 7b
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The nonsense of this part of the story is why I lost all interest in that story, that season. I am not watching it anymore.
Dry Sex. Is there anything worse.
So adding to DGs obsession with sexual violence ( Jamie, Claire and Brianna all rape survivors- what does it say about her, she is truly awful) Toni Graphia has Claire slapping Jamie before reunion, make up sex. Seriously. Violence as foreplay.
I havenât read past book 4 and I never will, so forgive me for not knowing about potting shed sex. I believe itâs sacrilege to not be revenant of all JC sex but can we take a minute to address the fact that Claire was a menopausal woman who has all the issues that brings to intimacy. Could Diana not have injected some realism, not the continued fantasy, of JAMMF, king of men and his ever ready wife đ
JC argue and then boom Claire is ready baby. No foreplay, straight to penetration. WTAF. Could the writers not flesh it out a bit (sorry) before she was on the table moaning and then boom orgasm.
Awful. Unbelievably bad. Clearly Sam and Caitriona being EPâs had no input whatsoever. I canât imagine they would have thought that scene was worthy of the characters or themselves delivering that climax.
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Outlander 7x16 "A Hundred Thousand Angels"
Fannyâs face was still blotched from crying, but she had herself more or less back in hand, and she nodded soberly, moving aside a little. The small bundle of possessions she had brought with her was unrolled, revealing a pathetic little pile of items: a nit comb, the cork from a wine bottle, two neatly folded hanks of thread, one with a needle stuck through it, a paper of pins, and a few small bits of tawdry jewelry. On the quilt was a sheet of paper, much folded and worn in the creases, with a pencil drawing of a girl. âOne of the men dwewâdrewâit, one night in the salon,â Fanny said, moving aside a little, so we could look. It was no more than a sketch, but the artist had caught a spark of life. Jane had been lovely in outline, straight-nosed and with a delicate, ripe mouth, but there was neither flirtation nor demureness in her expression. She was looking half over her shoulder, half smiling, but with an air of mild scorn in her look. âSheâs pretty, Fanny,â Jemmy said, and came to stand by her. He patted her arm as he would have patted a dog, and with as little self-consciousness. Jamie had given Fanny a handkerchief, I saw; she sniffed and blew her nose, nodding. âThis is all I have,â she said, her voice hoarse as a young toadâs. âJust this and her wockâlocket.â âThis?â Jamie stirred the little pile gently with a big forefinger and withdrew a small brass oval, dangling on a chain.
âIs it a miniature of Jane, then, or maybe a lock of her hair?â Fanny shook her head, taking the locket from him. âNo,â she said. âItâs a picture of our muvâmother.â
She slid a thumbnail into the side of the locket and flicked it open. I bent forward to look, but the miniature inside was hard to see, shadowed as it was by Jamieâs body. âMay I?â Fanny handed me the locket and I turned to hold it close to the candle. The woman inside had dark, softly curly hair like Fannyâsâand I thought I could make out a resemblance to Jane in the nose and set of the chin, though it wasnât a particularly skillful rendering.
Behind me, I heard Jamie say, quite casually, âFrances, no man will ever take ye against your will, while I live.â There was a startled silence, and I turned round to see Fanny staring up at him. He touched her hand, very gently. âDâye believe me, Frances?â he said quietly. âYes,â she whispered, after a long moment, and all the tension left her body in a sigh like the east wind. Jemmy leaned against me, head pressing my elbow, and I realized that I was just standing there, my eyes full of tears. I blotted them hastily on my sleeve and pressed the locket closed. Or tried to; it slipped in my fingers and I saw that there was a name inscribed inside it, opposite the miniature.
Faith, it said.
24 Alarms by Night~GO TELL THE BEES THAT I AM GONE
#outlander#the frasers#outlander series#outlander starz#outlander fanart#outlanderedit#jamie fraser#jamie&claire#jamie and claire#claire beauchamp#dr claire randall#claire fraser#caitrionabalfe#outlander book#outlander books#outlander season 7b#outlander 7x16#fanny pocock
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Written in My Own Heart's Blood
Chapter 66
âNone shall sleep.â It was a pieceâa melody, as Brianna had called itâfrom an opera he knew; she had performed in a university production of it, dressed in Chinese clothing. Ian smiled, imagining his tall cousin, towering over so many men, gliding across a stage with silk garments swishing around her; he would have loved to see her. He had begun thinking of her the moment he opened the small deerskin pouch containing his face pigments. Bree was a painter, and a talented one at that. She ground her own pigments, had made him the red ochre, as well as the black and white from charcoal and dried clay. She had even crafted a deep green from crushed malachite and a bright yellow from the bile of a buffalo sheâd killed with her mother. No one else had colors so vivid, and for a moment, he wished Turtle Eater and others from his Mohawk tribe were there to admire them.
The camp noises in the distance reminded him of the cicadasâ song by riverside trees: a buzz too loud to think, yet fading once you adjusted to it. None shall sleep⊠Women and children might sleep⊠but certainly not the whores. Not tonight. That thought brought a twitch he quickly dismissed. He thought of Rachel, and dismissed her, too, though reluctantly.
He opened the willow-bark box where he kept the deer fat and smeared it on his face, chest, and shoulders, slowly, focusing. Normally, during this ritual, he would call upon the spirits of the earth and then his saints, Michael and Brigid. But tonight, neither was present; Brianna lingered in his mind instead, though her image was beginning to fade. Most of all, he felt his fatherâs presence, which unsettled him. It didnât seem respectful to dismiss his father. He stopped what he was doing and closed his eyes instead, trying to discern whether Papa had something to tell him.
âI hope you havenât come to speak to me about my death, aye?â he said aloud. âBecause I donât intend to dieânot before Iâve lain with Rachel, at least.â
âWell, a noble goal, to be sure.â
The dry voice belonged to Uncle Jamie. Ianâs eyes shot open. His uncle stood amid the branches of a willow drooping into the water, wearing nothing but his shirt.
âOut of uniform, eh, Uncle?â Ian said, though his heart jumped like a startled deer mouse. âGeneral Washington wonât be pleased.â
Washington was meticulous about his menâs uniforms. Officers were to be properly dressed at all times; he said the Continentals would never be taken as a proper army if they appeared on the battlefield like a disordered mob with weapons.
âIâm sorry to interrupt you, Ian,â Jamie said, stepping out from the willow. The moon was nearly set; he looked like a specter, bare-legged with his shirt billowing. âBut who were you talking to?â
âOh. To Papa. He was⊠here, in my mind, aye? I mean, I think of him often, but itâs rare to feel him with me. So, I wondered if heâd come to tell me Iâm going to die today.â
Jamie nodded; the idea didnât seem to disturb him.
âI doubt it,â he said. âYouâre painting your face with war colors, aye? Youâre preparing.â
âAye, I was about to. Want some, too?â
He said it half-jokingly, but Jamie took it as humor.
âI would, Ian. But I think General Washington would have me strung up by my thumbs and flogged if I showed up to the lines with my face painted like a Mohawk.â
Ian let out a small amused sound and dipped two fingers into the red ochre, smearing it across his chest.
âAnd what are you doing here in just a shirt?â
âI was washing,â Jamie replied, though his tone suggested there was more to the story. âAnd⊠speaking with my dead.â
âAnyone in particular?â
âMy uncle Dougal and Murtagh, my godfather. Theyâre the two Iâd most want beside me in battle.â He shifted slightly, uneasy. âIf I can, I take a moment to be alone before a battle. To wash, you know⊠and to pray. And⊠to ask them to stand with me.â
Ian found this interesting; he hadnât known either man, both having died at Culloden, though heâd heard many stories about them.
âTwo fine warriors,â he said. âDid you ask my father to join you, too? Maybe thatâs why heâs here.â
Jamie turned sharply to his nephew, surprised. Then he relaxed, shaking his head.
âIâve never had to ask Ian MĂČr,â he said quietly. âHe was⊠always with me.â He made a brief gesture toward the darkness on his right.
Ian felt his eyes sting and a lump rise in his throat. But it was dark; it didnât matter. He cleared his throat and handed Jamie one of his pigment dishes.
âGive me a hand, Uncle Jamie?â
âOh? Aye, of course. How do you want the marks?â
âRed on the forehead⊠but I can do that myself. Black from the dots to the chin.â He traced a finger along the line of dotted tattoos curving beneath his cheekbones. âBlack is for strength, aye? It says youâre a warrior. And yellow means youâre not afraid to die.â
âOh, aye. Want the yellow today?â
âNo.â His tone revealed a faint smile, and Jamie laughed.
Jamie spread some color with a brush made from a rabbitâs paw, then smoothed it evenly with his thumb. Ian closed his eyes, feeling a new strength surge under that touch.
âYou usually do this yourself, Ian? Seems hard without a mirror.â
âMostly. Or we do it in a group, and a brother from the tribe paints you. If itâs something significantâlike a large raid or a warâitâs the medicine man who paints us while singing.â
âTell me you donât want me to sing, Ian,â Jamie muttered. âI mean, I could try, butâŠâ
âIâll manage without, thanks.â
Black for the lower face, red for the forehead, and a stripe of malachite green across the tattoo line from ear to ear, over the nose. Ian studied the pigment dishes and quickly spotted the white, which he pointed to.
âMaybe you could draw a small arrow for me, Uncle? On the forehead.â He traced a finger across his brow to show where.
âAye.â
Jamie bent over the dishes, hand poised. âBut didnât you tell me once that white is for peace?â
âAye; if youâre going to confer or negotiate, you use plenty of white. But itâs also for mourning: so, youâd probably use it for vengeance, too.â
At those words, Jamie raised his head and looked at him intently.
âThe arrowâs not for revenge,â Ian explained. âItâs for Flying Arrow. The dead man whose place I took when I was adopted.â
He tried to keep his tone casual but felt Jamie tense and look down. Neither would ever forget the day of the separation, when Ian had gone to the Kahnyenâkehaka, and they had thought it was forever.
Now Jamie bent and placed a hand on Ianâs arm.
âThat day, Uncle Jamie, you told me: âCuimhnich.â And I have. Remember.â
âI have, too, Ian,â Jamie said softly, drawing the arrow on his forehead like a priest making the sign of the cross on Ash Wednesday. âWe all have. Itâs right.â
Ian cautiously touched the green stripe to ensure it was dry enough.
âAye, I think itâs fine. You know Bree made these pigments for me? I was thinking of her, but then I thought maybe I shouldnât bring her into this.â
He felt Jamieâs breath on his skin as his uncle huffed and leaned against the willow.
âA man always brings his women into battle, Ian Ăg. Theyâre the root of your strength.â
âOh, aye?â It made sense, and Ian felt relieved. Yet⊠âI was thinking it might not be right to think of Rachel in a place like this. Considering sheâs a Quaker.â
Jamie dipped his middle finger into deer fat, then into the white clay powder, and delicately painted a large, deep âVâ near the crest of Ianâs right shoulder. Even in the dark, it stood out vividly.
âA white dove,â Jamie said, nodding. He seemed satisfied. âThis will be Rachel, for you.â
He wiped his fingers on a rock, then stood and stretched his muscles. Ian saw him turn eastward. It was still night, but the air had changed in the brief time theyâd sat together. Uncle Jamieâs tall figure stood out sharply against the sky, where before it had seemed part of the darkness.
âAn hour, no more,â Jamie said. âEat something first, aye?â
With that, he turned back to the stream, and to his interrupted prayers.

«Nessun dorma.» Era un brano â unâaria, cosĂŹ lâaveva chiamata Brianna â di unâopera che conosceva; vi aveva recitato in una rappresentazione universitaria, vestita in abiti cinesi. Ian sorrise, pensando a sua cugina, che superava in altezza tanti uomini, mentre si muoveva su un palcoscenico, facendo frusciare gli indumenti di seta intorno a lei; avrebbe tanto voluto vederla. Aveva cominciato a pensare a lei nellâistante in cui aveva aperto la piccola sacca di pelle di daino in cui teneva i colori per il viso. Era una pittrice, Bree, ed era molto brava. Macinava da sola i pigmenti, e gli aveva fatto lâocra rossa, e anche il nero e il bianco con il carbone di legna e lâargilla essiccata; e gli aveva preparato anche un bel verde cupo con della malachite tritata, e un giallo brillante con la bile del bisonte che aveva ucciso con sua madre; nessun altro aveva dei colori cosĂŹ intensi, e per un attimo desiderĂČ che Mangia Tartarughe e qualcun altro della sua tribĂč Mohawk fossero lĂŹ con lui per ammirarli. Il rumore dellâaccampamento in lontananza gli ricordĂČ il canto delle cicale tra gli alberi vicino a un fiume; un brusio troppo alto, che non ti lasciava pensare, che perĂČ svaniva non appena ti ci abituavi. Nessun dorma... Donne e bambini potevano dormire... ma di sicuro le sgualdrine no. Non quella notte. A quel pensiero avvertĂŹ uno spasmo, che perĂČ liquidĂČ subito. PensĂČ a Rachel, e liquidĂČ anche lei, anche se controvoglia. AprĂŹ la cassetta di corteccia di salice, in cui teneva il grasso di daino, e si unse faccia, torace e spalle, lentamente, concentrandosi. Normalmente si sarebbe rivolto agli spiriti della terra, durante quellâoperazione, e poi ai suoi santi, Michele e Brigida. Ma non stava vedendo nĂ© lâuno nĂ© lâaltra; Brianna era ancora con lui, anche se la sua immagine cominciava a sbiadire, ma stava avvertendo soprattutto la presenza di suo padre, e questo fatto lo sconcertĂČ. Non gli parve rispettoso liquidare il genitore. Smise di fare quello che stava facendo e chiuse gli occhi, invece: voleva capire se PapĂ avesse qualcosa da dirgli. «Spero tu non sia venuto per parlarmi della mia morte, aye?» disse ad alta voce. «PerchĂ© non intendo farlo, non prima di aver giaciuto con Rachel, almeno.» «Beâ, un obiettivo nobile, non câĂš che dire.» La voce asciutta apparteneva a Zio Jamie; Ian aprĂŹ gli occhi di scatto. Suo zio era in mezzo alle fronde di un salice lungo la riva, che scendevano in acqua, con indosso soltanto la camicia. «Senza uniforme, eh, Zio?» disse il giovane, anche se il cuore gli era balzato nel petto come un topo cervo. «Il Generale Washington non ne sarĂ felice.» Washington era molto pignolo riguardo al fatto che i suoi uomini avessero sempre lâuniforme in ordine. Gli ufficiali dovevano essere vestiti a dovere in ogni situazione; diceva che i Continentali non sarebbero mai stati considerati un vero esercito, se si fossero presentati sul campo di battaglia come una folla disordinata che aveva imbracciato le armi. «Mi dispiace interromperti, Ian», disse Zio Jamie, uscendo dal salice. La luna era quasi tramontata; sembrava uno spettro, con le gambe nude e la camicia fluttuante. «Ma con chi stavi parlando?» «Oh. Con PapĂ . Lui era... qui, nella mia mente, aye? Voglio dire, penso spesso a lui, ma non mi capita spesso di sentirlo con me. CosĂŹ mi sono chiesto se fosse venuto a dirmi che morirĂČ oggi.» Jamie annuĂŹ, apparentemente quellâidea non sembrĂČ turbarlo. «Ne dubito», disse. «Ti stai dipingendo il viso con i colori di guerra, aye? Ti stai preparando.» «Aye, stavo per farlo. Ne vuoi anche tu?» Lo disse a metĂ tra il serio e il faceto, ma Jamie lo prese come uno scherzo. «Li metterei, Ian. Ma credo che il Generale Washington mi farebbe appendere per i pollici e fustigare, se dovessi presentarmi con i miei uomini schierati e il viso dipinto come un Mohawk.» Ian emise un piccolo verso divertito, e intinse due dita nel piatto con lâocra rossa, che poi si strofinĂČ sul petto. «E tu che cosa ci fai qui in camicia?» «Mi stavo lavando», rispose Jamie, ma il suo tono lasciĂČ intendere che non stava dicendo tutta la veritĂ .
«E... stavo parlando con i miei morti.» «Con qualcuno in particolare?» «Mio zio Dougal, e Murtagh, il mio padrino. Sono le due persone che piĂč di tutte vorrei accanto, in battaglia.» Fece un piccolo movimento, inquieto. «Se posso, cerco di ricavarmi un momento in cui rimanere solo, prima di una battaglia. Per lavarmi, sai... e per pregare. E... per chiedere loro di starmi accanto.» Ian lo trovĂČ interessante; non aveva conosciuto nessuno dei due; erano morti entrambi a Culloden, ma aveva sentito tante storie su entrambi. «Due bravi combattenti», disse. «Lâhai chiesto anche a mio padre? Di venire con te, intendo. Forse Ăš per questo che Ăš qui.» Jamie si voltĂČ di scatto verso il nipote, sorpreso. Poi si rilassĂČ, e scosse la testa. «Non ho mai dovuto chiederlo a Ian MĂČr», disse, sommessamente. «Lui era... sempre con me.» Fece un breve gesto verso lâoscuritĂ , alla sua destra. Ian sentĂŹ bruciare gli occhi, un nodo in gola. Ma era buio; non aveva importanza. Si schiarĂŹ la gola e gli porse uno dei suoi piattini. «Mi dai una mano, Zio Jamie?» «Oh? Aye, certo. Come li vuoi i segni?» «Rosso sulla fronte... ma posso pensarci io. Nero dai puntini fino al mento.» Si passĂČ un dito sulla linea di puntini tatuati che descriveva una curva sotto gli zigomi. «Il nero sta per la forza, aye? Dice che sei un guerriero. E il giallo significa che non hai paura di morire.» «Oh, aye. Vuoi il giallo, oggi?» «No.» LasciĂČ trasparire un sorriso, dal suo tono, e Jamie rise. Jamie gli spalmĂČ un poâ di colore con il pennello ricavato da una zampa di coniglio, e poi lo stese uniformemente con il pollice. Ian chiuse gli occhi, e sotto quel tocco si sentĂŹ invaso da una nuova forza. «Di solito lo fai da solo, Ian? Sembra difficile, senza uno specchio.» «Quasi sempre. Oppure lo facciamo in gruppo, ed Ăš un fratello della tribĂč a dipingerti. Se si tratta di una cosa importante â di una scorreria in massa, ad esempio, o di una guerra contro qualcuno â allora Ăš lâuomo di medicina a dipingerci, mentre canta.» «Dimmi che non vuoi che mi metta a cantare, Ian», mormorĂČ Zio Jamie. «Voglio dire, potrei provarci ma...» «FarĂČ senza, grazie.» Nero per la parte inferiore del viso, rosso sulla fronte, e una striscia di verde malachite lungo la linea dei tatuaggi, da un orecchio allâaltro, attraverso il naso. Ian guardĂČ i piattini con i pigmenti; non ebbe problemi a individuare il bianco, che indicĂČ. «Magari potresti disegnarmi una piccola freccia, Zio? Sulla fronte.» Si passĂČ un dito da sinistra a destra, per mostrargli dove farla. «Aye.» La testa di Jamie era china sopra i piattini, la mano sospesa. «Ma una volta non mi hai detto che il bianco Ăš per la pace?» «Aye; se devi andare a conferire o a trattare, usi bianco in abbondanza. Ma serve anche per i lutti: quindi, probabilmente lo useresti anche per vendicare qualcuno.» A quelle parole, Jamie alzĂČ la testa e lo guardĂČ fisso. «La freccia non Ăš per vendetta», spiegĂČ Ian. «à per Freccia Volante. Lâuomo morto di cui presi il posto, quando fui adottato.» Si sforzĂČ di usare un tono disinvolto, ma sentĂŹ lo zio farsi teso e abbassare lo sguardo. Nessuno dei due avrebbe mai dimenticato il giorno della separazione, quando lui era andato dai Kahnyenâkehaka, e avevano creduto che sarebbe stato per sempre. Adesso si chinĂČ e gli mise una mano sul braccio. «Quel giorno, Zio Jamie, tu mi dicesti: âCuimhnichâ. E io lâho fatto. Ricorda.» «Lâho fatto anchâio, Ian», disse Jamie, piano, disegnandogli la freccia sulla fronte, come un sacerdote che, il MercoledĂŹ delle Ceneri, gli faceva il segno della croce. «Lâabbiamo fatto tutti. Va bene cosĂŹ?» Ian toccĂČ con cautela la striscia verde, per essere sicuro che fosse abbastanza asciutta. «Aye, penso di sĂŹ. Sai che Ăš stata Brianna a prepararmi i colori? Stavo pensando a lei, ma poi ho pensato che forse non dovrei portarla con me, in questa situazione.» SentĂŹ il respiro dello zio sulla sua pelle, quando questi sbuffĂČ e si appoggiĂČ al salice con la schiena. «Un uomo porta sempre le sue donne in battaglia, Ian Ăg. Sono la radice della tua forza.» «Oh, aye?»
Era una cosa sensata, e per lui fu un sollievo. Eppure... «Stavo pensando che forse non sarebbe giusto pensare a Rachel in un posto del genere. Considerato che Ăš quacchera.» Jamie intinse il dito medio nel grasso di cervo, e poi lo immerse delicatamente nella polvere dâargilla bianca, con cui disegnĂČ una grossa e profonda «V» vicino alla cresta della spalla destra di Ian. Anche al buio appariva vivida. «Una colomba bianca», disse, annuendo. Sembrava compiaciuto. «Questa sarĂ Rachel, per te.» Si pulĂŹ le dita su una roccia, poi si alzĂČ e allungĂČ i muscoli. Ian lo vide voltarsi e guardare verso est. Era ancora notte, ma lâaria era cambiata nei pochi minuti in cui erano rimasti seduti. La sagoma alta di Zio Jamie si stagliava netta sullo sfondo del cielo, mentre poco prima era sembrata parte della notte. «Unâora, non di piĂč», disse Jamie. «Prima mangia qualcosa, aye?» Con ciĂČ, si voltĂČ e tornĂČ al torrente, e alle sue preghiere interrotte.
#sam heughan#outlander#jamie fraser#outlanderedit#diana gabaldon#official#ian murray#john bell#outlander season 7b#outlander series#outlander books#Spotify#sassenach#samheughanupdates
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OUTLANDER 1x12 | 7x09
#outlander#outlander spoilers#outlander season 7#outlander 7b#outlander season 1#jamie fraser#claire fraser#ian murray#lallybroch#perioddramasource#cinematv#cinemapix#userthing#usersource#usersteen#userkayjay#useremsi#userhayf#userfish#userthai#userelizabeth
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âHave ye ever been in the slightest doubt that I need ye?â he demanded.
It took roughly half a second of thought to answer this.
âNo,â I replied promptly. âTo the best of my knowledge, you needed me urgently the moment I saw you. And I havenât had reason to think youâve got any more self-sufficient since."
(From AN ECHO IN THE BONE by Diana Gabaldon, chapter 79, "The Cave".)Â

O U T L A N D E R | 7B
11/22
#outlander#the frasers#outlander fanart#outlander books#outlander 7x09#outlander season 7b#jamie and claire
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