#other world au

[heynikkiyousofine]

Wanted to share a sneak peek of my new fic coming next month. We've got strangers/almsot enemies to lovers, chaos, fluff and eventual smut, in outer space and other worlds. Can't wait to share it all with you!

The Youkai’s Guide: How to Train Your Human

First off, congratulations on passing your test and being matched with a human familiar. This is the start of a brand new chapter in your life, so be excited! Second, this book was created to help you learn the ins and outs of your human, as in how they act, what they eat and don’t, their habits, etc. Most humans are the same internally, though they look different as you probably already know. Lastly, While I’m sure you have others in your life who have already had a familiar, who have given you advice, this book covers pretty much everything else you need to do. So feel free to read it whenever, especially before dealing with your human and their range of emotions. Have fun!

Table of Contents

Chapter 1: Your Familiar aka Your Human

Chapter 2: Recognizing Your Human/First Meeting

Chapter 3: Human’s Habits

Chapter 4: Human’s Emotions

Chapter 5: What To Do If You Have Feelings Towards Your Human

Chapter 6: Life With Your Human

Chapter 7: Your Human’s Needs

Chapter 8: Things Not To Do With Your Human

Chapter 9: Different Types of Youkai with Their Humans

Chapter 10: The Birds and The Bees aka Reproducing Life With Your Human

keep an eye out for chapter one at the end of January!☺️

[theprofessionalpromptmaker]

“As a worldbuilder, the cycle of revenge throughout the history of my world is just a ball of yarn that my kitty writer brain is happily unraveling.”

[junotter]

Part 2 of my modern avatar au, The Gaang (part 1)

[geezmarty]

did anyone order the uuuuh fucked up horny bubbline au

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[katiekatdragon27]

Hello Dandy's World fans.

I've recently been playing the game on Roblox with my friends and sibling, and it's been a ton of fun! Sure, I'm horrible at it, but it's the thought that counts ig.

And don't worry, I draw normal things too.

Like these things.

But it's mostly angst and unhinged things lol.

Below is a silly goofy Shiny Shrimp (that's the ship name I made up for Glisten x Shrimpo lol) AU that's just angst and tragedy and bullying Shrimpo emotionally lol:

OKAY SO CONTEXT: I thought it would be funny if Shrimpo had to keep Glisten company while exploring the floors but was also the one to witness his change into his full twisted form and almost die lol.

SO, I'd imagine it going down like this.

Basically, during one of the missions below, Glisten doesn't make it to the elevator in time. Shrimpo gets wind of this and gets very pissed. Despite everyone's protests, Shrimpo decides to join on of their runs to gain iquor, but mostly to fine Glisten.

And boy does he find him and all his shattered face glory.

Glisten: "Shrimpo!?" Shrimpo: "G-Glisten?" Glisten: "I knew you'd come back for me!"

Shrimpo attempts to leave the situation, seeing that Glisten is indeed twisted, despite Glisten's insistence that he is not. As Shrimpo tries to leave, Glisten gets more attached, constantly asking Shrimpo to not leave and to stay with him. Another person in the party (haven't decided who yet), tells Shrimpo to stay with Glisten and keep him company until all the machines are done. Shrimpo reluctantly agrees (and says "I HATE YOU" a couple times) and spends the rest of the round with Glisten.

However, the whole time Shrimpo's trying not to get attached because deep down, he knows it's too late for Glisten.

At the end of the round, everyone is called to go to the elevator. Shrimpo goes to leave. Glisten tries to block him off. Shimpo forces his way through. Glisten gets pissed and rips off his ribbons in anger, letting the infection take over his whole body. As Glisten's shifting, Shrimpo grabs one of his discarded ribbon pieces and beelines it to the elevator (as fast as Shrimpo can run). However, it is not fast enough, and Glisten easily catches up. He knocked over Shrimpo and lunges at him, ready take him out.

That's when Goob comes in. While everyone is trying to get the elevator to close faster, Goob grabs Shrimpo from below Glisten and pulls him into the elevator. Glisten hits the floor and breaks his face even more. As he gets up, he shouts at Shrimpo, who is shaking in Goob's arms watch Glisten break down.

Glisten: "YOU PROMISED YOU'D STAY WITH ME-- YOU PROMISED!"

Then, the doors close. Glisten is gone, and Shrimpo is angry and traumatized. How fun.

Shrimpo does not do well after the whole incident. He is much more reserved, but still just as angry. Except to Goob. Goob saving him gave Shrimpo a soft spot for the guy. Also, Goob let's Shrimpo vent to him like the supportive icon he is.

Shrimpo: I think I miss my partner, Goob.

But he's not the only toon Shrimpo talks to.

Vee: "Geez. This crying is ruining your "tough guy" persona."

My sibling gave me the silly idea to have Shrimpo and Vee be "friends" in this bc Shrimp hates Dandy waaaaaaaaaay more after the Glisten incident. And Vee hates Dandy in general, so boom, situation friendship. However, Vee sucks at being a supportive friend.

And some silly stuff my friends requested. Shrimpo chucking Dandy into the stratosphere and Goob being Goob. Healing the world one crappy doodle at a time.

Thank you for looking at the dooles and mindless rant of a grown adult about a Roblox horror game for 9-year-olds. You're a real one. Have a good day broksies.

[poorly-drawn-mdzs]

LUO BINGHE CASUAL SENSHI COSPLAYER

OH, ABSOLUTELY.

(context)

[theprofessionalpromptmaker]

Internaut Day & National Cheap Flight Day

Person A is desperate for a vacation and learns that their are incredibly cheap teleportation studies offering trips to vacation spots and all paid trips in exchange for being a volunteer in the studies to work out the issues with the new technology, so Person A takes the opportunity, assuming it’s safe enough. But Person A then winds up in an alternate reality, living as an alternate version of themself and trying to blend in.

[Overflow prompts for today's obscure holidays is available on Patreon!]

[justl-12]

This is really self indulgent but I rewatched black clover again and kept thinking of a bc au 

[optigami]

anywaysss screw the canon have nice girl chloe

[starry-bi-sky]

Jack Fenton was a round kid. Jack Fenton was a round kid with big blue eyes and a pudgy face and a brilliant smile, with a big laugh loud enough to rattle your bones. He was a stocky kid, big and tough and strong as an ox. He was the champion wrestler at his high school. Then he grew up, and he's still big, and broad, with a square jaw and straight black hair. He can lift both of his kids with one arm and lift his wife with the other. His smile remains brilliant, he has eyes like the open ocean.

Maddie Fenton was a willowy kid. Maddie Fenton was a willowy kid with bright eyes and a round face and a mind sharp like a scalpel, with a smile that could convince anyone to do anything. She was a tough kid, thin and lanky and strong like bamboo. She was top of her martial arts class by the time she was twelve. Then she grew up, and she's still brilliant, and she's no longer willowy, with a pointed chin and eyes that look purple in the dim light.

Jazz Fenton was a thin kid. Jazz Fenton was a thin kid with bright teal eyes and a soft face and a mind like a rabbit's, with a silk-hiding-steel voice that could sink into your bones. She was a bright kid, social and bookish and brilliant. She jumps from interest to interest like they're lilypads, soaking in everything that catches her eyes. She wants to be a doctor, then a therapist, then a teacher. She's growing up.

Danny is.

Danny is...

Danny is a small kid. Danny is a small kid with pale skin and a chubby face and eyes that are neither round nor blue like the open ocean, with a quiet voice that sounds like the wind whistling through the trees. He is a quiet kid, shy and skittish and hiding. He has eyes like a lamb; big and sweet, and they will swallow you whole. His eyes are blue like a glacier, and they see right through you, curtained with dark, wet lashes. His hair is black like an oil spill, black like raven feathers.

Danny is a watchful kid. Staring and watching, silent. Observing. He stares at the stars, as his parents work, at the neighbor across the street as he tinkers with his motorcycle in his driveway. In a house full of suns, there must be a shadow. In a city covered in sunlight, the dark always goes somewhere.

Danny is an outcast kid. He is an ink blot on a white page. He is a dark storm cloud over an open field. The looming shadow behind the trees. He is young and sweet and scary, with gentle fingers that are slender and long. His laugh is neither big nor does it rattle your bones, and his mind is not quick like a rabbit's nor is it sharp like a scalpel. His mind is radiant, the nail catching on the loose thread and unraveling it all in meticulous precision, and his laugh is soft and warm and it seeps into the soil like rainwater, soothing the ground.

Danny is a kid with a face like a stone statue; sharp and cold and pale, smooth and tall and cutting. With hair black like the night, that wisps and curls behind his ears and at his neck, swooping in his swallow eyes. He squints in the light as if his eyes will never get used to it, if you listen to his heart you can hear it bleeding.

Amity Park is a city with a blue sky and white clouds and a bright sun, a postcard come to life. Pretty and safe, full of normal people and normal jobs and normal parks and normal schools and normal children. In a world of heroes and powers and magic and aliens, Amity Park is a place that your eyes slide right over.

Amity Park is not made for a child like Danny Fenton, and Danny Fenton is not made for a place like Amity Park.

[chocobje]

I love the Toodles AU sm!! could we get more lore on it pls 🙏

aa- I'm glad someone likes my silly lil idea haha

I'm not exactly sure if it classifies as an "au" per se, but sure we can go with that.

The whole premise is that Toodles is technically the last survivor, that's about it. Prior to that she was with a group of Toons, all trying their best to survive.

Rodger was unofficially the leader of the group? He spent most of his time finding a way to undo the damage the ichor has done and find the one responsible for the mess. And he did find the culprit... But he "died" as soon as he found out the truth.

When Rodger went missing everyone went out to find him, but one by one they all died. Toodles only survived because they didn't tell her about their plan and just stayed in their safe zone..

Eventually Toodles went out on her own and found Glisten. So it's just the two of them now.

They'd find Rodger's capsule as well. Rodger's goal became Toodle's, and hopefully she won't fail like he did.

bonus:

That's all!

[cubbihue]

It would be nice to hear from Wanda and Cosmo! It is kind of nice that you guys have two children like your own family does. Are you two still close to your siblings? Wanda has a sibling and Cosmo also have a sibling just like Timmy and Peri. Do they share some sibling stories to your children?

Wanda and Cosmo both reconnected with their siblings shortly after having Peri. Or, well. More like Blonda reentered their lives once she realized she had a baby nephew. Eventually, they slowly patched things up the more Blonda came to visit Peri.

Schnozmo was dragged back kicking and screaming. Mama Cosma refuses to have her sons live estranged lives now that she has a grandchild in the picture. Schnozmo doesn't know how to handle children, but he's doing his best.

Peri likes Schnozmo because he makes silly noises and funny stories. But he prefers Blonda's theatrics much more and loves playing Dress Up with her.

Bitties Series: [Start] > [Previous] > [Next]

[thetrueressii]

rivulet has arrived, sent from a far-off land by someone to repair and maintain other iterators

theyre surprisingly smart, when it comes to iterators and general ancient history that is

their general backstory is a mystery to even pebbles and moon, refusing to state where or who they came from

pebbles has a decent amount of respect for rivulet despite his rude exterior and disinterest for slugcats and scavengers

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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