#other singing synthesizers

[notkirbiinut]

dragong warmup

[bmpmp3]

and of course here are the full drawerings from the honno choppiri cover video <3

[dreampearls]

idea I cannot get out of my mind: thst one mp100 comic where mob is like :-) ritsu is singing his songs again .but with collei

[counterattacker]

lol. lmao. anyway stream takaokamizuki's cover of idol ft. natsuki karin

HOT TAKE TOURNAMENT!

GREATEST HITS!

Submission 474

vocaloids (and all similar non-Yamaha-owned vocal synths) are bad. all of them.

It's a mockery of the human voice. Frye from Splatoon 3 of all things is the closest we will ever get to having any interesting vocal technique in a voice synth bank. Singing styles around the world are so interesting and take so much skill and you abandon them for a glorified MIDI file? I also blame them for the rise of AI-generated covers, because they first started the devaluing of the human voice and the usage of it as an instrument - a really boring one that will never know advanced or diverse technique. Congrats, Miku made Minecraft, now all of SpongeBob has sang Billie Jean by Michael Jackson. At least the SpongeBob characters have distinct and interesting voices.

[from follow up asks]

hello. vocaloid take submitter here.

i didn't expect my submission to gain as much traction as it did, i thought it was lukewarm at best. i thought there were more vocaloid haters out there. this is tumblr, though, so i guess not. still think vocaloid is ass though.

i will say, it might add context to my take that i myself am a singer and have natural perfect pitch. while i haven't sang in any professional capacity, i've still done some voice training and lots of lower level performances. i have very strong feelings about singing, and hold what the human voice can do in high regard.

i also have a better ear for picking up smaller things in the human voice (re: natural perfect pitch) and the difference between humans and vocaloid is extremely striking to me. no amount of tuning can make a vocaloid not sound lifeless to me, because i will never, ever hear a human voice, and instead of letting the lead of the song Not Be Vocals - which has never been a novel concept - they HAVE to put the voice bank in.

also, re: "frye isn't a voice bank dumbass", congrats! you took away something i felt was actually interesting! god i wish more people knew about more singing styles that they couldn't easily replicate!

while now i know that AI voices are not a continuation of vocaloid, sorry, still think it's bad, go to hell and learn to compose a song without lyrics.

also - still the vocaloid take submitter - to continue:

i will eventually send a link to a playlist of all of the Vocaloid songs i have ever listened to, because i am sure most of the people who think i submitted that think that i do not even know what Defoko is, or that i've heard exactly two Hatsune Miku songs. i know what Defoko is. i know she's entirely computer generated. i've listened to her voice. i still think it's bad. have any of you big shots heard of Big Al? i've listened to him. also bad. it's bad.

Submission 111

I think chicken breast is disgusting and I would rather blend it up into a shake than eat it with my teeth

It’s fast, it’s efficient, it’s nutritious if you add fruits and vegetables. It’s easy to prepare and you can drink it on the go. I need the protein but chicken breast tastes disgusting either way, and I’m tired of putting in so much effort to make the joyless rubbery meat taste good.

My friends and family are wrong, this is the future.

I see some of you not voting! That's cheating!

It's ok if you agree with neither take! Just choose the take you agree with slightly more!

Think of it like choosing the lesser of two evils!

Propaganda is always encouraged, and remember to reblog your favourite polls for exposure!

[doyoulikethissong-poll]

Roxette - The Look 1989

"The Look" is a song by pop duo Roxette; Sweden's second-best-selling music act after ABBA. It was released in early 1989 as the fourth single from their second studio album, Look Sharp! (1988). The album was an immediate commercial success in their home country, spending seven weeks at number one on the Swedish Albums Chart. "The Look" was written by Per Gessle as an exercise while learning how to operate the Ensoniq ESQ-1 synthesizer he had recently purchased, using a repeated A–G–D bass line as the song's core. The track's sixteenth-note rhythm was inspired by the work of ZZ Top. The original title was "He's Got the Look", with the lyrics using male pronouns. Gessle said this was done because he initially wanted Marie Fredriksson to sing the track. Both he and EMI Sweden had chosen to highlight Fredriksson as Roxette's lead vocalist. However, when recording the demo, Gessle realised the song "didn't fit her style that well, so I had a go and it sounded OK."

The singles from Look Sharp! at the time were only released in Sweden, Germany and France. However, an American exchange student from Minnesota named Dean Cushman returned from Sweden and gave his copy of the album to his local Top 40 radio station, KDWB-FM in Minneapolis. The station's program director Brian Phillips initially ignored Cushman's request to play a song from the album, leaving the CD unplayed in his office for several weeks. Phillips eventually listened to it after learning Cushman had come to the office requesting the return of his CD. Immediately impressed by the album's opening track, "The Look" was played by the station for the first time on US radio less than an hour later, and the response from listeners was overwhelmingly positive; the station immediately began receiving phone calls to replay the track.

KDWB began distributing the track to their sister radio operations, sending 500 copies to other stations throughout the United States. EMI America promptly signed the duo to a recording contract as a result of the airplay. The label had previously rejected Roxette as "unsuitable for the American market". The song had already entered the top fifty of the Billboard Hot 100 before official promotion began, peaking at number one on the chart eight weeks later. This made "The Look" the third number one single by a Swedish act on the Billboard Hot 100, following Blue Swede's "Hooked on a Feeling" (poll #152) in 1974 and ABBA's "Dancing Queen" in 1976.

The track went on to top the charts in 25 countries. It spent three weeks atop the New Zealand Singles Chart, and six weeks at number one in Australia, where it was certified platinum for sales in excess of 70,000 copies. It also topped the charts throughout Scandinavia. The song spent five weeks at number one in West Germany, and an additional five weeks at number two. It was a massive success in Spain and Switzerland, spending eight weeks at number one in both countries. It reached number seven on the UK Singles Chart.

"The Look" received a total of 80,5% yes votes!

[katzenklavierr]

I am once again reminding people that Vocaloid and other singing synthesizers are not the same as those AI voice models made from celebrities and cartoon characters and the like.

Singing synthesizers are virtual instruments. Vocaloids use audio samples of real human voices the way some other virtual instruments will sample real guitars and pianos and the like, but they still need to be "played", per say, and getting good results requires a lot of manual manipulation of these samples within a synthesis engine.

Crucially, though, the main distinction here is consent. Commercial singing synthesizers are made by contracting vocalists to use their voices to create these sample libraries. They agree to the process and are compensated for their time and labor.

Some synthesizer engines like Vocaloid and Synthesizer V do have "AI" voice libraries, meaning that part of the rendering process involves using an AI model trained on data from the voice provider singing in order to ideally result in more naturalistic synthesis, but again, this is done with consent, and still requires a lot of manual input on the part of the user. They are still virtual instruments, not voice clones that auto-generate output based on prompts.

In fact, in the DIY singing synth community, making voice libraries out of samples you don't have permission to use is generally frowned upon, and is a violation of most DIY engines' terms of service, such as UTAU.

Please do research before jumping to conclusions about anything that remotely resembles AI generation. Also, please think through your anti-AI stance a little more than "technology bad"; think about who it hurts and when it hurts them so you can approach it from an informed, critical perspective rather than just something to be blindly angry about. You're not helping artists/vocalists/etc. if you aren't focused on combating actual theft and exploitation.

[sailorspren]

I'm not a cosmere theories freak but I do have one theory I'm very passionate about which is that the pure tones of Roshar sound like sine wave synths! Let me explain :) I am taking "pure" to mean "consisting of only one note (and no overtones)", which is basically the definition of a sine wave. A sine wave is the representation of a single frequency with no harmonics and is considered an acoustically pure tone. Sine waves don't occur naturally - real world sounds always have overtones, in varying quantities. We can synthesize sine waves, however, and they sound like this (I played it in different pitches so you can get an idea of the timbre):

Here's a visual representation of a sine wave:

So this is what I imagine it sounds like when Dalinar opens a perpendicularity, or when singers hear pure notes in highstorms. And because the sound of a sine wave is so unnatural, it would really stand out and feel otherworldly on a planet that doesn't have modern technology - and I feel like that fits the description.

We also know that it's possible to use tuning forks to play the three pure tones of roshar and pull the matching types of light out of gemstones. While acoustic instruments can't produce a truly pure note (aka a sine audio wave), tuning forks come pretty close. They initially produce high overtones, but those fade out quickly, and then the forks keep resonating with a pure tone. It makes sense that tuning forks are the closest Rosharan humans can get to synthesizing a sine wave!

There's also the fact that Raboniel can sing the pure notes and get the lights to respond, while Navani can't. Is it just because Raboniel's pitch is more accurate, or do singers have an physiological ability to produce notes with less overtones? This is really interesting to me...

And one more fun thing to consider. You know what other instrument comes pretty close to producing a pure tone? The flute! Hoid gave Kaladin a flute... idk if it actually has any reasoning behind it but I really hope it does 😂 imagine how cool it will be if it will be used for musical magic system stuff

[kayleigh-83]

Hobbies and sub-hobbies

I've been working on implementing a sub-hobby system in my game recently and really enjoying it! I took a look at the different activities available for different hobbies and came up with my list, which I thought I'd share here.

I do have some mods that change the hobby enthusiasm of some objects, or add new ones - I'll link where applicable.

I don't assign these based on any system, just vibes. I usually stick with whatever hobby the game assigns, but I do sometimes change them if it really feels like it doesn't fit to me. The sub-hobbies are intended to be a main focus, but Sims can and will still try other aspects of their overall hobby, and other hobbies altogether sometimes too!

The list is a work in progress but I'm basically happy with it now.

Edited: I found a version of the punching bag that gives fitness enthusiasm instead of sports, and that activity makes more sense to me as a fitness thing, so I moved that sub-hobby over.

Edited x2: Combined a couple gaming subhobbies into "Social Games" and added MyShuno to that category.

Cuisine

Cooking

Baking

Wine & Cocktails

Foodie (restaurants, delivery)

Films & Literature

Reading

Writing (helpful but not necessary to also have this mod)

Movies

Tinkering

Restoring & Repairing (restorable car, general repairs, plus drafting blueprints thanks to a mod)

Woodworking (here and here)

Tinker Toys (RC cars, model trains, toy workbench)

Sports

Soccer

Basketball

Sports Fan (watching sports)

Golf (Execuputter reward object made buyable)

Baseball

Football

Music & Dance

Dancing

Ballet

Piano/Keyboard

Synthesizer

Violin

Singing

Guitar

Bass

Drums

Fitness

Swimming

Lifting & Cardio

Yoga

Boxing (with modded hanging bag from here - unlocked buyable punching bag still gives sports hobby, but it seems more like a fitness thing to me as a solo activity)

Arts & Crafts

Painting

Pottery

Sewing

Photography (hugely aided by the buyable antique camera and Epi and PF's camera overhaul mod)

Knitting (Eisbaer's edit of TonyVeis' 4t2 mod)

Science

Stargazing/Aliens

Biotech (buyable Biotech station and microscopes with science enthusiasm added)

Robotics (this mod makes robotics science related which makes far more sense to me)

Games

Video Games (console, handheld, computer, arcade games)

Board Games (chess, Don't Wake the Llama, mahjong)

Social Games (darts, poker, pool, bowling, MyShuno)

Nature

Entomology (hunting bugs, catching fireflies and butterflies)

Animals (small pets like womrats, birds, koi fish, bird watching)

Gardening (harvestable crops, orchard trees - I play with perfect plants mod so they don't have to maintain flowers and shrubs)

Outdoorsy (fishing, hiking, camping, cloud watching)

Flower Arranging (this mod changes the enthusiasm on the flower bench to nature)

[dirksawesomesprites]

editing / fixing sprites + my headcanons

Part 1: Beta Lowbloods

Aradia Megdio

without bag

with bag

dead

she uses she/they and is demigirl and bisexual. her horns are covered in a layer of dust from scavaging for fossils and living in an underground hive. she wears a messanger bag that she uses to keep all of her fossile hunting materials and other things. she uses the fossils to decorate her hive and shes goth (original i know). her matesprit is sollux and her moirail is feferi.

Tavros Nitram

he uses he/him and is a cis guy (just is slightly feminine) he is mlm/gay. he loves fairycore and his favourite dog breed is a golden retriver (speficially the human version dave showed him, not alternian.) his robot legs will occasionslly malfcution, causing them to either get locked in place, squeak loudly, or get sticky joints. dave constantly has to call dirk over to fix his legs. his matesprit is dave, moirail is gamzee, and he has a black crush on gamzee (not very "black" though, mostly a "i can fix him" mentality but it ends up being "i can fix him but itll make me worse in the prossess) type stuff. its a pale leaning black thing.

Sollux Captor

he uses they/he/she and is bisexual and bigender (original i know but its kinda funny concidering my headmate with a sollux source is bisexual and bigender so im stealing that). hes emo and has a johnnie guilbert shrine in his hive he swears is ironic. he is colour blind (blue colour blindess specifically) so he sees voilet/purple as a ugly brown thats why he calls eridan ugly so much. he plays the synthesizer. hes double jointed and likes to gross his friends out with it. his shoes were orignially both white but he lost the second one but was too lazy to find it so he just wears the same brand shoe but different colours. theyre vans shoes. his matesprit is aradia , his moirail is dave , his kismesis is eridan , and his auspistice is karkat.

Karkat Vantas

he uses they/he, theyre nonbinary / transmasculine (has top scars and is technially transmasc but is also nonbinary i dont know if im saying this right) and is unlabeled for sexuality (they kiss guys but is unlabeled take with that what you will) they are punk even if they dont particualerly dress like it. their sweatpants are too big and their sweater is too small / tight so theyre a small gap of stomach showing. he purrs when happy, sleepy, or comfortable. when he gets scared their voice cracks and squeaks. when theyre alone listening to music in their hive hell jump around bouncing off stuff pretending to play the guitar and screaming / singing at the top of his lungs to the song. his matesprit is gamzee, his moirial is eridan, his kismesis is dave, and they aupistice for eridan and sollux.

Nepeta Lejion

she uses she/meow and is girlflux, catgender (original i know), grey romantic, and asexual. when she paints on her shipping wall she tends to get paint all over her and it has since stained her jacket. she has had her hat since she was very little and its very streched out and worn. same with her tail as its not part of her, it drags on the ground behind her and gets dirt, sticks and leaves caught in it most of the time. she likes to play the xylophone, read warrior cats, and play animal jam with equius. she purrs when she his happy / sleepy / comfy like karkat. her matesprit is feferi and her moirail is equius.

[redroomreflections]

Hotel California | Track 2 - Electric Desires

Natasha Romanoff x Fem!Reader

Summary: Natasha Romanoff, frontwoman of the punk rock band Velvet Rebellion, falls hard for a woman she believes is too good for her. Their intense relationship unfolds in the chaotic world of rock 'n' roll, where they struggle to balance fame, personal demons, and their undeniable passion for each other.

W/c: 7.2k

Chapter 2/12

Masterlist | General Masterlist

Note: Each chapter is hella long because I had time to sit and wait to release this one. Weekly updates might be the wave.

R and Nat will be moving quickly so if you like slow burn this isn't the story lol.

Themes: love, fame, sex, drugs

Natasha sat cross-legged on the worn-out couch in their cluttered studio: which was just Tony’s garage. The room buzzed with creative energy and the faint scent of old leather, a familiar combination that fueled the essence of Velvet Rebellion. She strummed her guitar absentmindedly, her fingers dancing over the fretboard, creating a gentle hum in the room. She was in her element in full force. 

Steve, Bucky, Wanda, and Tony were huddled around a battered coffee table, scraps of lyrics, and scribbled notes strewn about like confetti after a wild party. They were her bandmates, her comrades in music, and tonight they were deep into a songwriting session. Natasha enjoyed days like this the most. She often found the songwriting process frustrating but fulfilling, which is why they’re on hour four of this session with only the first verse written. It seems she’s not the only one with writer’s block. 

"Natasha, we need something here," Steve’s voice cut through the room's creative haze. He furrowed his brow, fingers dancing over the keys of a vintage synthesizer. "A melody to tie this verse together."

Natasha tore her gaze away from her guitar and glanced over at Wanda. Her fingers stopped mid-strum. She blinked; her thoughts momentarily disrupted.

"Nat, you with us?" Tony chimed in, his eyes darting between Natasha and his laptop.

A flush of embarrassment washed over Natasha. She'd been lost in thought, her mind wandering where it shouldn't have. She’d been thinking about you again. She couldn’t get you out of her head. There was a hint of exhaustion on her features as she sat her guitar next to her. She’d spent the previous night going down a rabbit hole of YouTube videos involving you. It seemed you’d understated how good of a musician you were. Natasha discovered you had a small fanbase with plenty of videos dedicated to your brief yet impactful career. Even if your resume included a lot of backup singing, she could see why there was a push for you to strive for something more. You were talented in every sense of the word. 

With a sheepish smile, she nodded. "Sorry, guys. Got a bit distracted there."

She fumbled to put her phone face down on the coffee table, hoping her bandmates hadn't noticed her constant glances at the silent screen. Natasha had been replaying every moment of your brief encounter at the party in her mind, questioning if she'd made a connection or if it was just another fleeting moment.

Steve’s fingers continued their dance on the synthesizer as he tried out different melodies, his voice soft, almost hypnotic. "No worries, Nat. Happens to the best of us."

But Natasha couldn't help but feel a pang of frustration with herself. She was the lead singer and lyricist and usually held everything together. Yet today, her mind was scattered, torn between music and an unexpected, lingering hope that her phone would light up with a message from someone she'd barely known.

Natasha's fingers deftly reached for her well-worn writing book, nestled among scattered lyrics and half-finished songs. Her eyes scanned the pages, searching for something that had evaded her for far too long. Her bandmates carried on their musical discussion, oblivious to her momentary distraction.

Finally, she found it—a scribbled idea that had haunted her thoughts for weeks but had remained unreachable, refusing to take a tangible form. Natasha's heart raced as she read the words, her handwriting staring back at her, challenging her to bring them to life.

"Guys, hold on a sec," she called out, her voice trembling with excitement. Her bandmates stopped their conversation, turning their attention to her. Natasha's fingers tapped the page she'd found. "I think I've got something."

Wanda leaned in closer, her eyes gleaming with curiosity. "What is it?"

Natasha cleared her throat and began to read the lyrics she'd unearthed, her voice carrying a hint of the sweet melody she envisioned:

"Underneath the city lights, I saw your face,

In the crowded room, you were my saving grace.

A glance, a smile, it all fell into place,

In that moment, I knew, love's tender embrace."

As Natasha recited the lyrics, Wanda's eyes widened, and she nodded appreciatively. "That's beautiful, Natasha."

Natasha couldn't help but blush at the compliment. She felt the lyrics were deeply personal, a reflection of the emotions she'd been grappling with. "Thanks, Wanda. But I think it's missing something."

Wanda leaned in closer, her fingers lightly grazing Natasha's arm as they huddled together over the writing book. "What do you have in mind?"

A spark of inspiration flickered in Natasha's eyes. "How about this? Instead of just a glance and a smile, it's about meeting someone and falling in love at first sight. The moment your heart skips a beat."

Wanda's lips curved into a knowing smile. "I like that. It adds depth to the story."

With renewed enthusiasm, Natasha began to sing the modified lyrics, her voice filled with emotion:

"In the heart of the city, I met your eyes,

In that instant, I felt my soul take flight.

Love at first sight, a sweet surprise,

Two worlds colliding, under starry skies."

The words flowed effortlessly, weaving a sweet melody that resonated with everyone in the room. Sitting behind his drum kit, Tony started tapping a rhythm, adding a pulsating beat to the song. Steve found his way back to the keyboard, his fingers searching for the chords that matched the melody.

The studio came alive with the energy of collaboration as they played off each other, improvising and experimenting. Wanda's voice dipped into low notes, adding a haunting harmony, while Tony began to find a mix to add to the music. 

It wasn't the final product but the magic of creation—their music taking shape from a mere spark of inspiration. Natasha couldn't help but smile as they continued to refine the song. 

Bucky sat down his guitar, a sly grin playing on his lips as the melody they'd created together hung in the air. He couldn't help but feel a shift in Natasha's usual songwriting style, one that intrigued him. "Nat, you're getting into writing love songs now?"

Natasha shot him a playful yet challenging look, her fingers still scribbling along the notebook pages. "Oh, please, Bucky. We had love songs on our first album."

Bucky chuckled, shaking his head. "Not like this. These lyrics, they're something else."

Natasha sighed, closing the tiny notebook again. She knew he was right, and she couldn't deny the shift in her lyrics and her emotions. "Alright, fine. Maybe I am writing a love song."

Bucky leaned forward, his gaze intense. "So, are you in love, Natasha?"

She met his gaze head-on. "No, Bucky. I'm not."

Bucky nodded in understanding, sensing the unspoken annoyance in her words. Natasha had always been guarded about matters of the heart, and they respected her boundaries. They returned to their instruments, each lost in their thoughts, letting the music speak the words that couldn't be said.

********************

The leotard store was an arrangement of colors, and Isabella, your spirited nine-year-old daughter, was bouncing between the racks, playing her own game of hide-and-seek with the endless collection of spandex. Her enthusiasm for picking out leotards rivaled her passion for gymnastics.

"Mama, check this one out! It's super sparkly!" Isabella shouted, triumphantly holding up a leotard adorned with sequins like a little treasure hunter.

You and Monica shared a knowing smile as you surveyed the options. "Great choice, Bella," you replied, trying to match her enthusiasm. "Let's add it to the pile."

Isabella nodded, seemingly satisfied, and skipped off in pursuit of her next leotard conquest.

As Monica and you continued your search, your mind drifted back to a conversation you’d had at Harley's party just a couple of weeks ago. There was a woman there, a stranger to you, who had engaged you in a conversation that had held your attention for longer than you’d expected.

"Hey, y/n" Monica began, her tone a mix of curiosity and amusement. She sifted through the clothes, trying to understand what she was looking for. Isabella had a very specific taste.  "Are you going to finally tell me about the woman from the party? You two seemed to be hitting it off."

You glanced at Monica, feeling somewhat caught off guard. "Oh, that? It was just a casual conversation. I doubt it's anything worth dwelling on."

Monica raised an eyebrow, clearly not satisfied with your dismissal. "Just a casual conversation? You looked pretty into her. What's her name?"

You sighed, knowing Monica wouldn't let it go quickly. "Her name is Natasha Romanoff. She’s the lead singer of that band. Velvet Rebellion. We talked for a while. But honestly, I haven't reached out to her or anything." You shrugged. 

Monica persisted, undeterred. "She’s cute. I’ve heard a couple of their songs in passing. Why haven’t you called her?"

You shifted uncomfortably, your fingers unconsciously fussing with a leotard on the rack. "Life's been hectic lately. I've barely had a moment to breathe, let alone call someone."

Isabella, who had overheard your conversation while meticulously assessing leotards with the discerning eye of a seasoned fashion critic, joined in. "Mom, you should call her."

You couldn't help but smile at Isabella's straightforward logic. "You focus on the leotards. You only need a few for now. You’re growing like a weed."

Monica and Isabella exchanged amused glances, both united in their disbelief. "The kid is right," Monica declared, her eyes dancing with mischief.

Isabella nodded in agreement, adding her hint of authority. "I’m just saying." She held up a pink leotard and you shook your head. The cut wasn’t appropriate in your opinion. She returned the leotard to the rack with a sigh and went to a new one. 

Monica's curiosity was relentless, and she wasn't about to let the topic of the woman from Harley's party go. As you continued looking through the racks with Isabella's energy bounding around you, she probed further.

"Come on, y/n, what's the big deal about calling her?" Monica inquired, a mischievous glint in her eye.

You sighed, trying to choose your words carefully. "Mon, you know their band's reputation. The tabloids haven’t been so easy on them. Especially with them being new. Trust me I’ve checked.” You shook your head. “And besides, Natasha used to date Carol Danvers. We’re not friends, but we’re not exactly enemies either. I’m not in the business of going behind her back. It was a bad breakup if it’s anything like the tabloids say and I don't want to risk the same fate."

Monica raised an eyebrow, her expression one of bemused disbelief. “You're not even dating this Natasha person yet. It could be a fun fling or something. You don't have to jump into a full-blown relationship. Also, you hate Carol Danvers."

“I don’t hate her,” You refuted her claims. “I simply enjoy spending my time in spaces that don’t have her in them.” You couldn't deny Monica's point, but the cautious side of you still hesitated. "Also, I know it doesn’t have to be more than what it is. But I've been down that road before, and it wasn't pretty. Besides, I don't want to have this conversation in front of Isabella."

You leaned down to pass a few leotards to Isabella and whispered to her, "Sweetie, can you go find some shoes that match these leotards? That would be a big help."

Isabella nodded enthusiastically, her focus shifting from the leotards to her newfound mission. As she scampered off in search of the perfect shoes, you turned your attention back to Monica.

Monica gave you an understanding look, her voice lowered. "Alright, I get it, y/n,  But don't let the past hold you back from something potentially great. You deserve happiness, too. Even if that means you fuck a few times and that’s it."

“Monica,” Your eyes widened, clearly scandalized by her bluntness. 

“Am I lying?” Monica held up a hand. “When’s the last time you had some? You don’t know do you?”

“I do know. It hasn’t been that long.” You considered her words. You thought back to the very brief casual sex thing you had with a woman around last year. Or was it two years ago? “You’re right I don’t know.” 

“See,” Monica leaned against a rack. “Ask her out to the party tonight. It’s a group thing. I get to vet her. You get to see her. We all win.”

“Fine, fine,” You shake your head. 

“Call her now,” Monica nodded. 

“Um, she’s probably busy.” You furrowed your brow. Another excuse from you. 

“She’ll answer,” Monica said assuredly. “Do it or I’ll dm her myself.”

“Don’t you dare,” You held up a warning finger to Monica. Sometimes your best friend’s forwardness wasn’t welcome. Even if she meant well. She raised a brow at you before pointedly looking toward your purse. “Fine.” You grumbled as you took out your phone. 

You walked to a quieter corner of the store, away from the bustle and the excited chatter of Isabella and Monica, who were now hunting for beam shoes. You scrolled through your contacts until you found Natasha's name. With a deep breath, you pressed the call button.

On the first ring, Natasha's voice came through, calm and confident. "Hello?"

You couldn't help but smile, though your attempt to sound equally composed might have come off as forced. "Hey, Natasha. How's everything going?"

“Oh, it’s you,” Natasha's tone change was evident. "Everything's good. I've been wondering when you'd call."

You felt a rush of relief hearing that she'd been waiting for your call. "I'm sorry it took me a while. Life's been crazy lately, and, well, you know how it is."

Natasha's tone shifted slightly, her voice carrying a hint of playfulness. "I do know. But you don't need to be nervous. It's just a call."

You chuckled softly, feeling a bit more at ease. "You're right. I've just been out of practice with this whole...courting thing."

“Courting? Is that what we’re doing?” Natasha's voice lowered, the flirtatious edge unmistakable. "Well, maybe we can help you get back into practice."

You couldn't help but blush, even though she couldn't see it over the phone. "That sounds like a plan."

Just then, you heard Isabella's excited voice in the background, likely showing off a pair of beam shoes she'd found. Natasha must have heard it too.

"Sounds like you've got company," Natasha noted. 

Just as you were about to respond to Natasha, Isabella's excited voice carried through the phone in the background. "Mama, look at these beam shoes! They're so cool!"

You grinned and chuckled softly. "That's my daughter, Isabella."

Natasha's voice held a hint of warmth. "She sounds like a lively girl."

“She is,” You nodded. You give Isabella a thumbs-up and a smile. "Listen, Natasha," you began, "there's something I wanted to mention. There's a party tonight at this great club called Heatwave. Have you heard of it?”

“Yes, I’ve been there once or twice,” Natasha replied.

“Well, I don't usually go out much, but I'll be there. It would be great if you could join."

There was a brief pause on the other end, and then Natasha's voice returned, filled with a sense of anticipation. "Heatwave, huh? I'll stop by."

Your heart skipped a beat at her response. It seemed that, despite your initial hesitation, the possibility of something exciting and new was on the horizon, and you couldn't help but look forward to seeing Natasha at the party tonight.

“What time should I be there?” Natasha questioned. 

“I like to put Bella to bed before going out,” You informed her. “My mother will be watching her, so I’d say around nine. Does that work for you?”

“That works for me,” Natasha agreed. 

“Okay then, Natasha,” You smiled, wondering if she could hear it in your voice. “I’ll see you then.”

“Great, see you then.” Natasha mirrored your excitement. You hung up the phone and tucked it into your back pocket. You walked back over to Monica, trying to hide your excitement, but she noticed immediately. 

She gave you a silent questioning look and you give her a thumbs up in return. This should be fun. 

***********************

Back inside the recording studio, the band was wrapping up what turned out to be a successful recording session. They’d written one song so far and revised a few Natasha had in her back pocket for times like this. Which was the most progress they’d gotten in a year. Either way, it was a session that left them fulfilled. Natasha stood in front of the microphone, her voice still echoing in the room. She exchanged satisfied smiles with her bandmates before returning her wired headphones to their stand. 

As they wrapped up their belongings Steve spoke up, "Alright, Natasha, we nailed it today. What's the plan for tonight?"

Natasha leaned back against the soundboard, a wry smile playing on her lips. "Oh, you know me, Steve. I'm a creature of habit."

Steve chuckled, "Yeah, we all are, aren't we? It's one big codependent family."

Natasha nodded, her red hair cascading around her shoulders. "True, but you guys like it that way."

Steve smirked, "And you do too."

Natasha sighed playfully, "Alright, you caught me. I have a thing."

The moment she mentioned 'a thing,' the rest of the group became intrigued. Tony, Bucky, and Wanda started bombarding her with questions, eager to know more. They were known for their tight-knit bond, often spending their evenings together.

Tony asked, grinning, "What kind of thing? Spill the beans, Red!"

Natasha tried to deny it, but under the pressure of their excited curiosity, she finally admitted, "Okay, okay! I'm going to Heatwave, a club downtown. I'm meeting up with a new friend."

Immediately, it was settled - if Natasha was going out, they were all going out. Tony's eyes gleamed with mischief, "Sounds like a party! Can we come too?"

Natasha hesitated for a moment, thinking about the guys' tendency to get a little rowdy. Then she relented, "Alright, fine. We can all go."

Steve high-fived Tony, and Bucky and Wanda exchanged excited glances. "This is gonna be awesome!" Steve exclaimed. Though he wasn’t much of a partier he loved exploring new places. 

Natasha couldn't help but grin at their enthusiasm, "Yeah, let's hope it's good, then."

With the decision made, the band members packed up their instruments, ready for another night on the town. 

*****************

As you stood before the bathroom mirror in your finest party outfit, face and hair all done up, the room around you painted a stark contrast. The soft notes of Beyonce’s “Yes” played in the background as you prepared for your night out. The bathroom was a chaotic scene, messy and disheveled, with makeup and hair curlers scattered haphazardly. Clothes lay strewn on the floor and over the edge of the bathtub. The countertop was cluttered with various cosmetic products, their caps discarded carelessly.

A hairbrush, half-buried under a pile of clothes, seemed to have given up on its role in maintaining order. The floor bore the evidence of spilled powders and makeup brushes discarded in haste.

Isabella, standing in the doorway, disapproved of this sight. Her usually tidy nature couldn't help but frown at the disarray. With her wide, disapproving eyes, she silently conveyed her thoughts to you. “Why must it be so messy in here?”

“Must? I knew I was creating a bougie child,” You laughed to yourself, applying the final remnants of your makeup.

“I’m not bougie. I just go to a good school,” Isabella quipped. She stood with her arms folded her expression showing her unhappiness with the looks of your room. 

"I know I pay the high tuition bill remember?" You mutter. Sierra Canyon was a school worth every bit of the $35,000 tuition. Even if it did hurt you to sign that check every year. “Well, I’ll pay you twenty dollars to clean it up,” You offer.

“Forty and we have a deal,” She counters. 

“Forty?” You asked incredulously. 

“Inflation, Mama,” Isabella explains as if it’s obvious. “My favorite toys aren’t cheap anymore.”

“I see,” You mumble. “You drive a hard bargain, but you have a deal.” You turn back to the mirror. 

You did a spin to get Isabella’s final say. You wore a black backless draped split dress that reached mid-thigh, perfectly complemented by your sleek, hair slicked into a bun with two small bangs framing your face. The finishing touches of makeup were precise, accentuating your features with a subtle, smoky eye and a deep red lip. 

“You look really good,” Isabella nodded. 

“Not too trampy?” You asked and she shook her head. 

“Not,” Isabella said. 

“You know that was kind of a test and you failed?” You sighed. “Your dad lets you watch reality TV at his place again?”

“Maybe,” Isabella pretended to zip her lips and throw away the key. She was not one to tell. 

You couldn't help but smile. You bent down to Isabella's level and planted a series of gentle kisses all over her cheeks, as she mostly wiped them off with a giggle. 

“Oh, Isabella Marie, my little artist," You chuckled, feigning scandalization. "You've ruined my masterpiece!"

Isabella just laughed, her eyes sparkling with admiration for you. She reached up to touch the necklace you were wearing, a subtle gesture of appreciation.

You took Isabella's hand and said, "Come on, it's time for bed."

“I really should try to convince you to let me stay up later,” Isabella commented as she allowed you to drag her out to the living room. 

You made your way to her bedroom, where you tucked her in with great care.

“Did you brush your teeth?” You asked as you rearranged her pillows. 

“Yep,” Isabella nodded. “And I washed my face.”

“Good girl,” You praised her. 

As you smoothed the covers over Isabella and adjusted her stuffed animals, Isabella reminded you with a bright smile, "Mama, remember, I have Lenny’s skating birthday party tomorrow. You said we'd go together."

You leaned in and kissed Isabella's forehead, making sure to wipe her face free of your makeup, as your heart warmed by your daughter's excitement. "Of course. We’ll be there. Now sleep, I love you.”

“Read me a story?” She begged in anticipation of your answer. 

“One story,” You warned her before walking over to her bookshelf. You grabbed Hair Love by Matthew Cherry, one of her favorites these days. You sat beside her, offering her your best voice as you began to read to her. Isabella leaned into your body. When you were done, her eyes drooped with drowsiness as she whispered a contented, "Goodnight, Mama.”

“Goodnight, my precious girl. Sweet dreams." You turned off the bedside lamp, leaving the room in a warm, cozy darkness. With one final kiss, you left Isabella to her dreams. 

With your preparations complete, you rushed out of Isabella’s bedroom and headed for the kitchen. Time was of the essence. In your hurry, you grabbed your purse and a bottle of water from the fridge. With a sigh of relief, you twisted open the cap and took a long, refreshing sip.

As you did, your mother entered the kitchen, her gaze appraising your outfit with a discerning eye.

"You're going out looking like that?" Her mother's tone was a mix of concern and disapproval.

“What don’t you like my outfit?” You turned to face her with a determined look. Your mother sighed but said nothing. "Yes, Mom. I've already put Isabella to bed, and I'll be back by two at the latest."

Your mother's expression softened, but she couldn't hide her worry. "Y/n, you know I worry when you go out so late."

You smiled reassuringly. "I know, Mom, but I never go out anymore. It’s all mom's life and work. I just want to have some fun with friends tonight. I promise to be careful."

“That only makes me feel slightly better,” She shook her head. 

"I'll leave my phone on in case of an emergency, okay?" You promised her. 

Your mother nodded; her eyes filled with maternal concern. "Alright, but you better answer if I call."

You laughed softly and hugged your mother. "I promise. You can count on me."

With a final smile and a quick kiss on her cheek, you left the kitchen, hoping to catch your Uber before it was too late. 

************

As Natasha and the rest of Velvet Rebellion arrived at Heatwave, the vibrant thump of bass and the lively chatter of the crowd spilled into the street. The atmosphere was electric, and it was clear that the club lived up to its reputation. There was a line wrapped around the entrance, everyone attempting to get to the same point. 

Natasha was sure they would be able to get in unscathed. However, as they approached the entrance, it became evident that someone had tipped off the paparazzi about their plans. As soon as they exited the car, flashbulbs began to pop, and reporters shouted questions. Natasha and Wanda, not yet accustomed to such situations, swiftly made their way inside, their confidence unshaken.

The boys followed closely behind, with security personnel discreetly positioned around them. However, the security was mostly unnecessary. Velvet Rebellion wasn't a superstar band, and they had no intention of acting like one. They were here to enjoy the music and the vibes, just like any other patrons.

Once inside, the pulsating rhythm of the club enveloped them. Heatwave was a mix of hip-hop, reggae, rock, and everything in between. The diverse crowd danced and mingled, creating an intoxicating blend of cultures and energies. The dimly lit club was a sanctuary for adults, a place where the music was loud, and the energy was contagious.

Natasha and her bandmates moved deeper into the club, losing themselves in the music and the seamless fusion of genres. The vibes were indeed immaculate, and they were ready to savor every moment of the night, leaving their fame behind for a while and simply being themselves - music lovers enjoying a night out.

Wanda, swept up in the excitement of the club's atmosphere, leaned in closer to Natasha and shouted over the thumping bass, "Hey, Nat I'll find us a booth! Tony's going to grab drinks for everyone!"

Natasha nodded and gave her a thumbs-up before deciding to excuse herself to the bathroom. The path to the restroom was a maze of dancing bodies and neon lights. A few girls recognized her and attempted to approach her for autographs or selfies, but Natasha simply smiled and waved, preferring to do things in peace. She could feel the presence of her security guard, Mike, behind her as she stepped into the bathroom. He waited outside of course. 

After freshening up in the bathroom, Natasha emerged and found herself back in the crowded club. As she navigated the sea of people, she accidentally bumped into someone. Before she could react, her security personnel stepped forward, ready to intervene. However, Natasha recognized the person she had bumped into and quickly raised a hand to stop her security detail.

“Mike, it’s okay,” Natasha nodded to him. 

It was you.  A hint of amusement danced in your eyes as you noted the security presence. You couldn't help but think of the time when you, too, needed security. Back when your father was at the height of his career. Now not so much. 

Despite the loud music, you managed to engage in a conversation, leaning close to hear each other over the thumping bass.

Natasha, with a playful smile, observed you, her eyes raking over your bad in a way that sent chills up your spine. "You look stunning tonight. That dress suits you."

"Why, thank you, Natasha. You look great too.” You lightly touched her arm. “I’m glad you could make it.”

“Me too.” Natasha shouted over the music. "Life's been busy."

You nodded in understanding, "Tell me about it. It's been a whirlwind."

Natasha's eyes sparkled with curiosity. "What's new with you? How have you been?"

You leaned in closer, your lips almost brushing against Natasha's ear as you shouted above the music. "Lots of work, but tonight, I'm here to let loose. What about you? Any new songs in the works?"

Natasha nodded with a grin. "Always working on something.”

“That’s good then,” You smile back. You blink at her through your thick lashes before your eyes scan the room. “I see you brought your friends.”

“I have,” Natasha stepped a bit closer, though it was subtle, and you didn’t notice. You liked feeling the warmth radiating from her. “They wouldn’t let me come alone.”

“Gotta love them,” You joked. “Care to dance?” You ask. 

“Lead the way,” Natasha takes your hand as you drag her onto the dance floor. She pretends she’s not checking out your ass but when you look back you nearly catch her. Funny. 

Just as you and Natasha hit the dance floor, the DJ transitioned into a surprising mix of "What Is Love" by Haddaway and "In Da Club" by 50 Cent. The blend of the '90s dance classic and the early 2000s hip-hop anthem was unexpectedly catchy, and the crowd roared in approval.

Natasha was a fantastic dancer, her movements fluid and precise. You were equally impressive, managing to keep up with Natasha's rhythm effortlessly. Your bodies moved in perfect sync as you joined the sea of people on the dance floor.

The atmosphere was lively, energetic, and incredibly fun. Laughter and cheers filled the air as the club-goers embraced the unexpected combination of music with enthusiasm. The dance floor seemed to vibrate with the collective joy of everyone present.

You couldn't help but enjoy having Natasha so close. Her skin against your fingertips felt like heaven. The way her hands rested gently against your back. It was intimate, warm, and sensual despite the tempo of the music. 

As the music continued to pulse through the club and once you were all danced out, bodies slick with sweat, you led Natasha to a booth where her bandmates were already seated. Their faces lit up with excitement as they spotted Natasha. It’s then you noticed Monica was already sitting amongst the rockstars somehow having made it past security. 

“There you are,” Monica smiled sweetly. “You two were on fire out there. I was just making friends with our new family.” She said despite the quizzical looks. You reciprocated her hug as you whispered low into her ear. 

“I hate you so much,” You growled. 

“I love you too,” Monica laughed. 

"Natasha, this is Monica," you said, introducing your best friend to the redhead. 

Monica extended a friendly hand and smiled, though there was a hint of suspicion in her eyes. "Nice to meet you, Natasha."

Natasha returned the smile warmly, "Likewise, Monica."

As everyone settled into the booth, the conversation flowed effortlessly. Monica was cautious but kind, warming up to Natasha as they chatted about various topics. The club atmosphere had a way of breaking down barriers, and it wasn't long before they were all laughing and enjoying each other's company.

Somewhere along the way, the group decided to order a mix of different foods and drinks, sharing bites and sips as the night wore on. On the booth, Natasha sat next to you, the two of you sharing a closeness that was hard to ignore. During the lively conversations and the infectious rhythm of the music, Natasha couldn't shake the feeling that someone in the crowd had their phone out, possibly recording you. The thought bothered her, but you kept her engaged and distracted, your charm and energy captivating.

There was a break in the peace Natasha felt as her sharp eyes caught sight of her ex-girlfriend, Carol Danvers, making her way towards the booth. Natasha knew that this could potentially lead to a problem, so she decided to intercept Carol before things escalated. 

“Excuse me for a moment,” Natasha sighed. She was not expecting this to happen tonight of all nights. You watch the two of them walk away before turning your attention back to the group. It was none of your business. "Carol, hi, let me talk to you.” Natasha wanted to take action before the mess. The last thing she needed was a problem when there was none. 

She gently guided Carol to a more private corner where the music was lower, allowing them to have a conversation without distractions. As they stood facing each other, Natasha's demeanor was polite but distant. She wasn't fond of talking to Carol but wanted to ensure she was okay.

“I see you’re having fun,” Carol rubbed her sweaty hands against her jeans. Her eyes looked a little bloodshot, the deep bags being covered by concealer and heavy makeup. In all honesty, Natasha could tell Carol was not in her correct frame of mind. Whether that was due to lack of sleep or something else wasn’t her responsibility.  Carol's voice quivered with emotion as she spoke, "You look good."

“Thank you,” Natasha sighed and shook her head, her expression a mix of sadness and resolution. "Carol, it's not worth it. We've been through this."

“I know,” Carol nodded. “I just wanted to say hello.” 

Natasha found Carol’s meek demeanor unsettling. It was so unlike her. Again, not her problem. 

“Look, it was good to see you,” Natasha peaked back at the booth to see you were laughing with Monica about something. “Take care of yourself.” Natasha rubs a hand over Carol’s arm before walking away. She was not in the mood to be dealing with this right now. When she sits down again, it takes a moment for her to reacclimate with the group, her feelings of dread and the aftermath of the breakup all taking over again. 

You noticed the change in her demeanor and decided to check in on her.

With genuine concern in your eyes, you asked softly, "Natasha, is everything okay?"

Natasha tried to feign a smile, "Yeah, I'm fine. Just... old memories, you know?"

You nodded, understanding that sometimes the past had a way of sneaking up on you. You decided to lift the mood by embracing the party spirit. As fans approached you for pictures, only allowed with the say-so of security, you graciously obliged, even though you weren’t used to so much attention. Having a famous family meant everyone assumed you were someone to know too.  The smiles on their faces and their gratitude brought a spark of joy to the night.

However, Natasha's mood didn't seem to improve. You could see the lingering discomfort on her face and sensed that Natasha might need a change of scenery. You leaned in closer to Natasha and asked, "You sure you're okay, Natasha? If you want, we can get out of here."

Natasha appreciated your concern and gave you a small, genuine smile. "Isn’t this your friend’s party?”

“Alicia? She’ll understand,” You grinned. “I’m a mom.” You shrug. 

“How many times have you used that excuse?” Natasha questioned. 

“Once or twice,” You laughed. 

“I think that might be a good idea then." Natasha leaned over to whisper to Wanda that she was leaving. Wanda narrowed her eyes between the two of you but ultimately said nothing. 

“Monica, I’m leaving with Natasha,” You informed your best friend. “I love you.” “Love you too,” Monica smiled briefly. “Call me tomorrow and tell me everything.” She said a bit lower. 

“I will,” You roll your eyes. 

As you made your way towards the exit, Natasha felt grateful for your understanding and support. As you neared the club's exit, you leaned in closer to Natasha and suggested, "Let's use the back exit. It's a quicker way out, and we can avoid the paparazzi."

Natasha nodded in agreement, appreciating your thoughtfulness. She followed you towards the inconspicuous back exit, with Mike, Natasha's security guard, close behind. The corridor was dimly lit, and the sounds of the club faded away with each step.

Walking side by side, you and Natasha found a comfortable silence between you. Natasha appreciated the quiet respite after the club's raucousness. 

Then, without hesitation, you reached out and gently took Natasha's hand. It was a bold move, and Natasha's heart skipped a beat. The connection felt warm and reassuring, 

Natasha looked at you, her eyes softening with gratitude. Your fingers entwined, as you continued down the dimly lit sidewalk together, taking comfort in the simple act of holding hands, a gesture of comfort and support.

“Downtown Los Angeles is not exactly the safest place to hang out at night,” You point out. 

“Did you have anywhere in mind?” Natasha questions. “I’m not really ready to go home yet.’

“How about here?” You point to the restaurant just across the street. It was settled. 

You and Natasha walked into the small Japanese food restaurant and were greeted by a soothing ambiance of sleek and modern dining. The interior featured clean lines, polished wooden tables, and elegant, dimmed lighting that created a cozy yet sophisticated atmosphere. The walls were adorned with tasteful Japanese-inspired artwork, adding to the restaurant's aesthetic appeal.

Despite the late hour, they were still open, and there weren't many people left in the restaurant. The subdued chatter of a few diners in hushed conversations added to the tranquil atmosphere.

The restaurant staff welcomed you and Natasha with warm smiles, happy to accommodate your late-night visit. You were ushered to a well-appointed table with comfortable seating, creating a sense of intimacy in the otherwise empty space.

Once seated, you took the lead in order, your familiarity with the menu evident. You chose the baked crab hand rolls, a delectable choice known for its rich flavors and delicate textures, and edamame with a sprinkle of salt for a simple and satisfying appetizer.

Natasha decided to indulge in a sushi sampler, intrigued by the restaurant's offerings. She also ordered drinks for you to share, wanting to continue the evening in a relaxed and enjoyable manner, free from the distractions of the outside world.

As you waited for the food to arrive, you turned your attention to Natasha, your expression carrying a hint of concern.

"Natasha, "You began hesitantly, "Can you tell me more about Carol? Should I be worried about her showing up like that?"

Natasha sighed, recognizing the need for honesty. She leaned in, speaking softly, "Carol is my ex-girlfriend. We used to be really close, and she was a good person, but lately, she's been caught up in the wrong crowd. I've been trying to keep my distance from all of that."

Caught up in the wrong crowd could mean a host of things in the industry. Drugs were usually the most common. Though you didn't press for her to elaborate.

You listened attentively, her concern deepening. "Do you think she's going to be a problem?"

Natasha could see your question for what it was. Was she going to be a problem in whatever potential the two of you could have? 

Natasha shook her head, her gaze reassuring. "No, nothing like that. She's just... lost, for now. I don't want you to worry about it. I'm doing my best to stay out of any trouble, especially now."

You nodded, appreciating Natasha's honesty and the effort she was making to ensure your time together was free from complications. You reached out and gently squeezed Natasha's hand, silently conveying your support. 

You leaned in closer and admitted, "I understand, Natasha. My ex and I co-parent Isabella, and it wasn't always easy either. But we've found our way." You shrugged. 

Natasha appreciated the understanding and felt a connection with you as you shared your experiences. 

Then, the conversation took a different turn, and Natasha's curiosity got the better of her. She leaned in with a playful glint in her eyes and said, "Alright, enough about my drama. I want to know more about you. You downplayed your singing career at the party. Backup?”

“You’ve done your research,” You chuckled at the playful teasing but then became more serious as you responded, "You're right. Singing has always been my love, my passion. But the demanding career and the lack of privacy that comes with it gets to you after a while. That's why I love being a publicist. It allows me to stay in the industry that I adore but from a different angle, more behind the scenes. It gives me room to breathe and a sense of control over my life."

Natasha nodded in understanding, appreciating your candor. She could see the sincerity in your eyes as you spoke about your career and the choices you had made. It was clear that you had found a balance that worked for you, and Natasha respected you for it.

When the food arrived, you immediately dug into your meal. Your curiosity got the better of you, and you asked Natasha, "Do you and your band have a publicist or a manager?"

Natasha smirked playfully, a hint of amusement dancing in her eyes. "Is it that obvious? I guess it's the many times Tony's been arrested.” Natasha began to list. “Or the time I punched paparazzi for trying to take a picture at an awkward angle.” She grimaced. 

You couldn't help but laugh at Natasha's observation. "Well, those incidents might have given it away a bit."

Natasha's smile faded slightly as she confessed, "Honestly, I know we need someone to manage us, but I've never felt entirely comfortable with the idea. It's like giving up a piece of our freedom and creativity. We've managed so far, but I know it can't go on like this forever."

You nodded in understanding, recognizing the challenges that came with managing a successful music career independently. You asked, "Do you have anyone in mind for the role, someone you might trust enough to bring into the fold?"

Natasha thought for a moment, her gaze thoughtful. "Possibly. It's a big decision, and I want to make sure it's the right fit for us, you know? We've been doing this our way for so long that it's hard to let go."

“Well, when you’re ready, I’m your gal,” You offered your services. “I also may have a few wild cards that would work perfectly.” 

“I’ll keep that in mind,” Natasha sips from her cup. 

As the night drew to a close, you found yourselves waiting on a quiet street corner for your Uber to arrive. The bustling energy of the club was a distant memory, replaced by the calm of the late-night city.

Natasha looked at you with a genuine smile and said, "I had a lot of fun tonight, y/n. Thank you."

You returned the smile, your heart warmed by Natasha's words. "I did too, Natasha. It was great getting to know you."

The streets were mostly empty, and the city was bathed in the soft glow of streetlights. There was a moment of silence as you stood together, the unspoken tension of the night hanging in the air.

Then, as if guided by an invisible force, Natasha leaned in and softly pressed her lips against yours. It was a gentle, lingering kiss that sent shivers down your spine. Your cheeks flushed, but you couldn't help but smile.

Breaking the kiss, you teased, "Well, that's a surprise ending for the night."

Natasha chuckled and replied, "I couldn't resist."

“Don’t worry, I liked it,” You grinned. You leaned forward, kissing Natasha again, lingering when your lips pressed before you pulled back. 

The distant sound of the approaching Uber pulled you back to reality. Your ride had arrived. You exchanged one last lingering look, a silent acknowledgment of the connection you had shared that evening.

With a soft goodbye, you climbed into the waiting car, and Natasha watched as it drove away into the night. As she walked away, Natasha couldn't help but smile, feeling grateful for the unexpected and unforgettable night she had just experienced.

---> next part

[mollysunder]

The Medarda Family and the True Goal of Shimmer

Nature has made us intolerant to change, but fortunately, we have the capacity to change our nature. -Singed

For most of s1 the only versions of magic the audience really gets familiar with are visualized through hextech blue and shimmer pink, but we can't trust it to represent what actual magic is like on Runeterra. People from PnZ are incredibly unfamiliar with magic, it was banned for centuries, and they're mostly retracing steps and doing guess work. The best metric to understand how magic works is to look at characters and regions that are actually inclined to magic, and the Medardas may be the best example yet.

When Ambessa accepts the Wolf totem from Lamb one half of dual aspects of death, her body is enveloped in a bright purple transformation before being reforged into a red that resembles the kind her ancestors and the Lamb wear.

It's the same bright purple that consumes Sky in Viktor's last experiment with the hexcore in s1.

I think this purple represents magic at its most malleable state, where it can be refined or change others into final products with a proper catalysts. By s1's final scene, we know that Mel possesses magic and likely uses it through her golden armor. We also know it's possible for magic to be a hereditary trait that can be passed down (not perfectly) through family lines, which is prized in Noxus (and Ixtal?).

So if Mel has magic that likely means the Medardas family in general has latent magic that flows through them naturally., but qhat does this have to do with shimmer or PnZ in general?

The Medardas are relevant to PnZ because Zaun leading minds, Silco and Singed, have spent their capital trying to replicate what the Medardas can do!Shimmer doesn't exist purely as a bioweapon, that's frankly secondary to it's point. Shimmer exists as a means to artificially make the users capable of performing magic, or at least shift the user's biology into something that can tolerate magic. Hextech as a solution to the mystery of maguc completely sidesteps the relationship between magic and the user by using machinery as middleman, while shimmer takes a more direct route.

Singed can't literally biohack nonmagical people into mages all by himself. Singed instead developed what's essentially a hormone therapy to give users temporary magic abilities by synthesizing shimmer from these mysterious plants that resembles the color of the magic within Ambessa before her deal with the Lamb.

Why didn't Singed and Silco just give people the magic purple plants directly if it's capable turning them into mages? Sky and Rio might be the best examples for why you don't do that. When young Viktor feeds Rio the purple plants we see Rio immediately lose vigor, as an audience most of us assumed that was simply Rio's pre-existing condition acting up, but the relationship is more simple. When Singed said Rio was dying, he said it with surety because Singed KNEW the exposure to magic was killing Rio. And Sky was DISINTEGRATED upon being exposed to the hexcore's magic.

In that vein, Singed used Rio as a work around. From what we see non-mage humans absolutely cannot tolerate exposure to even base magic, but Rio was able to last longer. Instead Singed and Silco exposed Zaun to a version of those magic flowers that was broken down by Rio's metabolism into a more version that non-magical humans can tolerate.

The wild thing is that all this effort is to get non-mage users to Ambessa's UNREALISED state, the purple is just the base magic that exists in mages. Even still, Singed seems to have developed the kind of strain of shimmer that's the closest he's ever come to real magic, and Viktor and Jinx used it.

Viktor's own magical transformation has been facilitated by the hexcore in the same way the Lamb facilitated Ambessa's transformation. Do i think Viktor has essentially created his own Aspect through the hexcore? NO.

But in the same way shimmer is facsimilie of magical ability, so too is the hexcore a subsitute for living magic. And by living magic I don't mean unicorns or mermaids, I mean magic that is given consciousness and shape by being tethered to human concepts. And the hexcore's basic purpose is supposed to be magic that thinks and Viktor has tethered it to the human plane with his blood.

This all begs the question about what could exposure to the hexcore do to long term shimmer users? What WILL it do to Jinx? We all know that's inevitable next season.

You see, power, real power doesn't come to those who were born strongest or fastest or smartest. No. It comes to those who will do anything to achieve it. -Silco

Tldr: Shimmer is a large-scale project to turn the population of Zaun into mages, or magically tolerant, by essentially microdosing the population with magic through shimmer.

[postpunkindustrial]

Pink Noises: Women on Electronic Music and Sound by Tara Rodgers

Get it from my Google Drive HERE

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.

Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.

Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)

[lookninjas]

IT'S TIME

(again)

Pick a song from a bad description! You do not have to recognize the song to choose it (although, tbh, at least one of these should be instantly recognizable to the new wavers). Go with what is funniest or what sparks curiosity or just makes you feel some type of a way. Go with your gut.

At the end of the week, I will take all the songs and put them into a playlist, from the song with the least votes to the song with the most votes. If you would like to listen to the playlist when I'm done, and don't feel like finding the post again, please leave a comment or put it in the tags, and I'll tag you when the playlist is up. If you really can't wait a week to find out just what that mix of cumbia and Sandstorm is all about, shoot me an ask and I'll answer.

And please reblog! I like sharing the cool music I find with other people because I am extremely enthusiastic about it! But if you guys don't reblog, it's very difficult for me to find people to share things with. So if you have buddies who live for the synth, please reblog and have them see the poll.

(Also, there will probably be an expanded version of the playlist that comes out around the same time, because it was the only way I could a) cut songs off the original list and b) stop myself continuing down the rabbit hole of finding more music to actually do the poll. So it'll be like, twice the synths at least.)

(Also also, every song is a legit banger, so you will want that playlist, I'm just saying.)

[aurumacadicus]

"Miss Widow, I need you to be my partner in crime," Peter said, dropping from the ceiling. He waited for a beat, expecting a rolling of eyes or an exasperated sigh. When he received nothing but a raised eyebrow, he hesitantly asked, "Aren't you going to correct me, or..."

"It's good that you have some fear of me, Peter," Natasha told him simply. "Has the crime already occurred? If you want a body buried, ask Bruce."

"...Hmm," Peter hummed, deciding he wasn't going to unpack all that. "Mr. Hawkeye said that you're the resident matchmaker."

Natasha sat up straighter. "Oh?" she asked, raising her eyebrows at him.

Peter thrust his phone at her. "I have video evidence of Captain America being totally gone on Mr. Stark."

"Explain," Natasha said, clipped, even as she opened up his phone.

Peter did not ask how she knew his nine-digit code. Instead, he dutifully recounted, "So Mr. Stark decided we should swap playlists, ostensibly so I could listen to 'good music' but I think he wanted to see what the kids are into. I get some of my songs from TikTok and I think one of them is a bit of an ear-worm for him."

Natasha thumbed open his gallery and went directly to his last video, taking only a moment to turn the volume up. In it, she saw Tony in the common kitchen, fixing himself up a cup of coffee. He was swaying slightly like he did when he was humming. Steve was sipping a protein shake at the table, as if he was not glancing at Tony every other shift back-and-forth.

"I, wish I could synthesize, the picture perfect guy," Tony suddenly mumbled out loud, in that way he did when he had no idea his brain-to-mouth filter had stopped working. "Six, feet tall, and super strong--"

Steve perked up, sitting straight from where he'd been leaning on table.

"--We'd always get along--"

Steve flopped back onto the wood surface and took a morose sip from his protein shake.

Natasha felt her mouth drop open in shock as she watched Tony, oblivious, go back to humming and turn to leave the room. Despite Steve's obvious disappointment, it didn't stop him from tipping in his seat to be able to see Tony's ass properly.

"I'm going to kill him," Natasha decided.

"That's not the crime I wanted to be partners for," Peter cut in.

Natasha lifted her gaze to him, scowling. "He will express his feelings for Tony or die."

"...Hmm, " Peter hummed again. If he remembered correctly, both Sam and Bucky had said that Natasha expressed her affection to the people she cared about with cheesy jokes and threats to their lives. Steve would be fine, probably. "He didn't even sing the best part," he sighed instead.

Natasha slanted another sharp look toward him. "Oh yeah?"

"'He'd pick me up at eight, and not a minute later, 'cause I don't like to wait,'" Peter recited. "'Kind, and ain't afraid to cry, or treat his mama right. That's right, that's what I like.' Which, like, Captain America would rather bleed out than cry, but he doesn't sound constipated when he tells other people it's okay. Also I wish he would be less punctual," he added mulishly, crossing his arms over his chest. "Aunt May keeps raising her eyebrows at me when he shows up to pick me up for training and I'm not ready."

Natasha bit back the urge to howl in rage. Of course Tony would get a song basically about Steve stuck in his head and not notice. Of course he wouldn't notice Steve panting after him like a dog. They were both stupid. That's why she was there, though, she supposed. "I will do the actual crimes," she told Peter firmly. "And you will keep your mouth shut."

"There will be actual crime!?" Peter yelped.

Natasha ignored him, instead returning to his phone and scrolling for more blackmail on Steve. He was the weakest link in this chain of idiocy. "Keep that up, Mr. Man."

"Oh boy," Peter sighed, shoulders sagging. There was some regret in his tone.

Good. It would solidify that modicum of fear he should keep about her.

[icedbeverageenjoyer]

(📺🖤📺🖤📺🖤📺🖤📺🖤📺🖤📺🖤📺🖤)

Mr. Puzzles has manufactured everything about himself, including his voice: (A long post!! 📺)

A thing I've noticed is just how often his voice changes, most notably when he's switching from his deeper narrator voice to his more energetic showman voice in the promo trailer. ^^^

Here's another example from the song. Both lines are said in two distinct voices, none of them being the usual one we hear from him. One has a more pronounced Transatlantic accent and the other has an American one. We can assume someone else is talking and he just overlays himself on top, but he is explicitly the one shown to speak in that moment. ^^^

This next one might be a stretch, but I think the supporting female vocals could be him as well. It is heavily implied he works alone and doesn't trust others with his vision so it kinda makes sense that he would also sing the song on his own. (If that's true damn does he have a good voice) ^^^

Even the critical podcast host could be him. The first voice is deeper and rougher while the second is more sly and has a distinct influxion that is unique to Puzzles, so they could be just his inner thoughts and insecurities audibly manifesting through some complicated technical means.

He is alone in his office, staring at all the monitors that display his hard work. And he is not satisfied. His mind begins to wander and his self doubt begins to manifest out loud in the form of others criticizing him, further fueling his crippling perfectionism. ^^^

Also here, when his lifelong dream is finally met he can't contain his (ever so slightly malicious) glee, and his voice deepens and begins to glitch out. ^^^

Also a bit unrelated but did y'all notice that when he says 'crying' he is shown with his crazy big smile? You know, his main expression on all the promotional material.

Conclusion?

I think his upbeat showman voice isn't how he usually sounds, but what he thinks others would like him to sound like. He has to keep up the energy that the audience has come to expect of him so he manufactured the perfect tv host voice to keep as many tuned in as possible.

I headcanon his real voice to be deeper, raspier and very monotone. I think that while he was smoking he had to turn off his voice synthesizer so the smoke won't damage it, which is why he doesn't talk in the scene. He has lost every bit of himself by molding into what he thinks people would like, and any reminder that he was once someone else makes him uncomfortable.

I'm going insane chat.