#oripa Tumblr posts

[hinnahinnaoripa]

So new gk sneak peek….

[ramenrescue]

"she gave me light, and now I'll be killed by her" DAMN dude

[mappapapa]

[suginoka]

i also really like 尾リパ/oripa. it's one of my favorite ships. but i find suginoka more comforting and wholesome. oripa is more tumultuous and scary.

[fartsmcgee420]

I’m not trying to cyber bully teenagers (lie) but the next OgataxAsiripa poster I see WILL be turned to dog food.

[shrimphonyinamajor]

I've been taken hostage by Golden Kamuy, Ogata in particular

[cicadaemon]

gonna be honest if one more person tags one of the every-ogata posts as oripa I am gonna lose it. She's 12 and he's 25ish

[novajax]

The Evolution of Dragon Ball Oripa: From Paper Folding to Pop Culture Phenomenon

Dragon Ball Oripa has come a long way since its inception, evolving from a niche hobby among anime and origami enthusiasts to a pop culture phenomenon that has captured the attention of fans around the world. What started as a simple paper folding technique has transformed into a vibrant and dynamic art form that celebrates the beloved characters and stories of the Dragon Ball series.

The evolution of Dragon Ball Oripa can be traced back to the creativity and passion of artists like PaperNinja, who first experimented with combining origami with Dragon Ball characters. As more artists joined the movement, the art form began to gain traction on social media and online platforms, attracting a growing community of fans and creators.

One of the factors that have contributed to the popularity of Dragon Ball Oripa is its accessibility - anyone can try their hand at folding paper and creating their own unique Dragon Ball-inspired creations ワンピースカード オリパ. This inclusivity has helped foster a sense of community among artists and fans, who share their work, techniques, and experiences online, further fueling the growth of the Dragon Ball Oripa movement.

Another key factor in the evolution of Dragon Ball Oripa is the increasing recognition and appreciation of the art form by the wider public. What was once seen as a niche hobby is now being revered as a legitimate art form that showcases the skill, creativity, and dedication of its practitioners. Dragon Ball Oripa has been featured in art galleries, exhibitions, and even on merchandise, further cementing its status as a cultural phenomenon.

In conclusion, the evolution of Dragon Ball Oripa is a testament to the power of creativity, community, and passion. From its humble beginnings as a simple paper folding technique to its current status as a pop culture phenomenon, Dragon Ball Oripa has captured the hearts and minds of fans worldwide. Whether you are a seasoned artist or a newcomer to the world of origami, Dragon Ball Oripa offers a unique and engaging creative outlet that celebrates the magic of Dragon Ball.

[444namesplus]

Apara Apare Apari Aparo Aparu Apary Apera Apere Aperi Apero Aperu Apira Apire Apiri Apiro Apiru Apiry Apora Apore Apori Aporo Aporu Apory Apura Apure Apuri Apuro Apuru Apury Apyra Apyre Apyri Apyro Apyru Apyry Arapa Arape Arapi Arapo Arapu Arapy Arepa Arepe Arepi Arepo Arepu Arepy Aripa Aripe Aripi Aripo Aripu Aripy Aropa Arope Aropi Aropo Aropu Aropy Arupa Arupe Arupi Arupo Arupu Arupy Arypa Arype Arypi Arypo Arypu Arypy Epara Epare Epari Eparo Eparu Epary Epera Epere Eperi Epero Eperu Epery Epira Epire Epiri Epiro Epiru Epiry Epora Epore Epori Eporo Eporu Epory Epura Epure Epuri Epuro Epuru Epury Epyra Epyre Epyri Epyro Epyru Epyry Erapa Erape Erapi Erapo Erapu Erapy Erepa Erepe Erepi Erepo Erepu Erepy Eripa Eripe Eripi Eripo Eripu Eripy Eropa Erope Eropi Eropo Eropu Eropy Erupa Erupe Erupi Erupo Erupu Erupy Erypa Erype Erypi Erypo Erypu Erypy Ipara Ipare Ipari Iparo Iparu Ipary Ipera Ipere Iperi Ipero Iperu Ipery Ipira Ipire Ipiri Ipiro Ipiru Ipiry Ipora Ipore Ipori Iporo Iporu Ipory Ipura Ipure Ipuri Ipuro Ipuru Ipury Ipyra Ipyre Ipyri Ipyro Ipyru Ipyry Irapa Irape Irapi Irapo Irapu Irapy Irepa Irepe Irepi Irepo Irepu Irepy Iripa Iripe Iripi Iripo Iripu Iripy Iropa Irope Iropi Iropo Iropu Iropy Irupa Irupe Irupi Irupo Irupu Irupy Irypa Irype Irypi Irypo Irypu Irypy Opara Opare Opari Oparo Oparu Opary Opera Opere Operi Opero Operu Opery Opira Opire Opiri Opiro Opiru Opiry Opora Opore Opori Oporo Oporu Opory Opura Opure Opuri Opuro Opuru Opury Opyra Opyre Opyri Opyro Opyru Opyry Orapa Orape Orapi Orapo Orapu Orapy Orepa Orepe Orepi Orepo Orepu Orepy Oripa Oripe Oripi Oripo Oripu Oripy Oropa Orope Oropi Oropo Oropu Oropy Orupa Orupe Orupi Orupo Orupu Orupy Orypa Orype Orypi Orypo Orypu Orypy Ratas Rates Ratis Ratos Ratus Ratys Retas Retes Retis Retos Retus Retys Ritas Rites Ritis Ritos Ritus Ritys Rotas Rotes Rotis Rotos Rotus Rotys Rutas Rutes Rutis Rutos Rutus Rutys Rytas Rytes Rytis Rytos Rytus Rytys Satar Sater Satir Sator Satur Satyr Setar Seter Setir Setor Setur Setyr Sitar Siter Sitir Sitor Situr Sityr Sotar Soter Sotir Sotor Sotur Sotyr Sutar Suter Sutir Sutor Sutur Sutyr Sytar Syter Sytir Sytor Sytur Sytyr Tanat Tanet Tanit Tanot Tanut Tanyt Tenat Tenet Tenit Tenot Tenut Tenyt Tinat Tinet Tinit Tinot Tinut Tinyt Tonat Tonet Tonit Tonot Tonut Tonyt Tunat Tunet Tunit Tunot Tunut Tunyt Tynat Tynet Tynit Tynot Tynut Tynyt Upara Upare Upari Uparo Uparu Upary Upera Upere Uperi Upero Uperu Upery Upira Upire Upiri Upiro Upiru Upiry Upora Upore Upori Uporo Uporu Upory Upura Upure Upuri Upuro Upuru Upury Upyra Upyre Upyri Upyro Upyru Upyry Urapa Urape Urapi Urapo Urapu Urapy Urepa Urepe Urepi Urepo Urepu Urepy Uripa Uripe Uripi Uripo Uripu Uripy Uropa Urope Uropi Uropo Uropu Uropy Urupa Urupe Urupi Urupo Urupu Urupy Urypa Urype Urypi Urypo Urypu Urypy Ypara Ypare Ypari Yparo Yparu Ypary Ypera Ypere Yperi Ypero Yperu Ypery Ypira Ypire Ypiri Ypiro Ypiru Ypiry Ypora Ypore Ypori Yporo Yporu Ypory Ypura Ypure Ypuri Ypuro Ypuru Ypury Ypyra Ypyre Ypyri Ypyro Ypyru Ypyry Yrapa Yrape Yrapi Yrapo Yrapu Yrapy Yrepa Yrepe Yrepi Yrepo Yrepu Yrepy Yripa Yripe Yripi Yripo Yripu Yripy Yropa Yrope Yropi Yropo Yropu Yropy Yrupa Yrupe Yrupi Yrupo Yrupu Yrupy Yrypa Yrype Yrypi Yrypo Yrypu Yrypy

[harunarome]

[piduai]

Is the JPN GK fandom discourse-y?

from my very shallow observations rather than discoursey there's just a lot of people who are Really into this series. spend a lot of time theorizing and discussing, some of them focused on their characters of interest, some on the series as a whole. a while back when i made that dumbass gk uquiz it somehow made its way to the jpn side and a few people took it Very seriously & spent a lot of time trying to get every possible result and translating & dissecting it which was possibly the most mortifying experience of my life but. anyway. i lurked around and there were quite a few debates regarding discoursey topics such as racial discrimination, representation within the narrative and so on so forth but all of it was very civil. NOT saying it doesn't exist but at least from what i witnessed the discourse culture predominant in western (fandom) spaces - snappy, back-handed, meant to humiliate and hold an upper hand rather than share opinions, aggressive - is not really present in jpn spaces where people have a name attached to them, they reserve being weird and shitty for 2ch and such. but again this is from very very shallow observations because turbofujoism is alive and well in the jpn fandom on twitter and i don't want to see that so i simply do not go on there

[hinnahinnaoripa]

“Do you see the graduation here that go up to 2000 meters? That means a shot fired from this rifle can reach up to 2000 meters.

Do you want to try and see if you can get more than 2000 meters away from me?”

[ramenrescue]

I realized after I drew both of these that the lasso fill tool was set to 90% opacity for some reason, which is not what I wanted

[kudaunknown]

A conversation with my 104-year-old grandma

Mbuya Shava — Martha Mangoma (née Madzikoto) — is my 104-year-old grandmother.

This interview was conducted in her cooking hut, as she enthusiastically prepared lunch for myself and her other grandchildren, plus great-grandchildren, who had come to visit.

We set off from Harare, to her home village in Headlands, which is within the province of Manicaland.

Manicaland is highlighted in red (above). 

A small number of ethnic Europeans first came to Zimbabwe as settlers during the late-nineteenth century. These colonial settlers established Headlands as a trading post and tobacco farming area in 1891. At this point, they named the area Laurencedale, after their leader, Laurence van der Byl. In 1897 they changed its name to Headlands.

Her village is approximately 140km from the capital and is a part of the Makoni District - which also includes; Baddeley, Chendambuya, Chikore, Chinhenga, Chinyudze, Dewerwi, Eaglesnest, Maparura, Mayo, Mazai, Mufusire, Mupururu, Nheta, Nyahowe, Nyawaro, Tanda and Tsikada villages.

Makoni District, within Manicaland, highlighted in blue (above).

My grandmother was born in Chendambuya, raised her nine children in Tanda and now spends her days in Headlands. To me, she is extremely active, witty and downright hilarious. To my father, she is a beacon of strength. To our entire family, she is the matriarch.

She is a Christian, identifying with the Methodist Church. Her religious faith is extremely important to her, and this has undeniably shaped her worldview with a set of values that include kindness, forgiveness and hope.

This interview happened in Shona. It has been translated to English in order to make this piece accommodating for multiple friends and family, far and wide, who hold a love and interest in this ethereal being.

By my knowledge, this the most extensive discussion available with Mbuya Shava. It is an immense honour to present this conversation, as her grandson.

Me: Hi Mbuya.

Mbuya: Hi muzukuru.

How’s it going? I’ve got a set of questions I’d love to ask you.

Why?

To be honest, it was my dad’s idea and then I…

Of course it was. Sounds like something he’d request *laughs*

You know him well.

I know all of you well.

Alright then. What was your father’s name and those of his siblings?

His name was Rudzemba, and his foreign name was Zekiah. He had a brother named Maretekwa, and some sisters. A small family.

That must have been quite rare back then.

What?

A small Manicaland family.

Ahh. Probably.  

What was your paternal grandfather’s name and where did he come from?

I have no idea at all. We just referred to him as Sekuru (grandad) when we’d talk about him. He passed away before I was born.

What was your mother’s name?

My mum’s name was Zvekusekwa, and her foreign name was Esther. She had five sisters, no brothers.  

What were her sisters’ names?

You must’ve forgetten that I’m old *laughs*. I can’t remember their names right now, but let me try though. Hmmm, one was Eniah, then there was Isabella. In fact, that’s all I can remember.

Where was your mum born?

My mum was born in Chendambuya, but I really have no clue as to where exactly.

How many siblings did you have? Do you remember their names?

Like my mother, we were all girls. No brothers at all. I am the only one from that pack still alive.

And…their names?

Hmmm. Now you’re trying to embarrass me! How could I forget their names?! Alright, let me try. I’ll do it by order of birth.

So, first was, I forgot her name. Shoot! Was it Mary? No! Nyewerwai. Her name was Nyewerwai. Then, Sophia. Myself Martha as third born. Rukia was right after me. And then Oripa and Constance closed the family off. Not bad! I still remember *laughs*

How old were you when you got married?

I don’t look at time that way. It (GMT concept & Gregorian Calendar) wasn’t really a part of our culture back then. It’s really hard to say in those terms. We used to tell time by the sun’s position, our shadows and the seasons changing. I was old enough to have children.

Wait. I’ll be back. Let me help these kids kill this chicken for you.

* She walks out of the hut for three minutes, before returning seemingly agitated about the chicken’s delay *  

photo credit Andrew Tallon

Alright, so next…

What’s that on your leg?

What, sorry?

On the left there. It looks like some writing.

Oh! That’s my tattoo of your hut. The actual hut we’re in right now. I got it years ago to always have a part of you with me.

Can you wash it off?

tattoo by SWESCKI

* As she notices more of my tattoos, I go on to proudly show her nearly all 32 of them * 

No. Tattoos are permanent. They’ll all still be on me after I die.

You are actually crazy *laughs*. You must’ve learnt those ways in Australia. Some of them are quite lovely though.

Would you let me tattoo you?

No. I’m too old. But, let me tell you this. When we were younger, we used to do scarification on our faces. I had two vertical lines under each eye. I thought I looked pretty cool. And I also used to have flesh earrings.

That’s super cool to me. There’s kids all over the world, in my generation, that do that now, especially the flesh earrings.

Funny world.

Scarification reference - photo credit Anthony Asael

How much younger was my grandfather, Solomon, than you?

I can tell your dad wrote that question. Again, I don’t perceive time in that way — but he was very young. As you know, he was my second husband and I had three lovely children with him, who are your father (Elton) and his two younger brothers (Misheck and Stephen).

How many children did you have with your first husband?

I had six children with Magaso. We raised all of them in Tanda.

Do you know all of your grandchildren?

Wow. There’s a lot! Let me try. I’m forgetting. I’ll be honest, I don’t know all of their names off the top of my head but I can recognise every single one. I don’t know all of my great-grand children because I haven’t met them all, but I know plenty. Not bad for an old lady, yeah?

What’s the best food you’ve ever had?

Sadza. Easily. It’s the best. It ties our frame of culture and humanity. I only have one tooth left, so it’s easy for me to eat sadza.

What has been the best time of your life?

When we were all in Tanda, as a huge family, getting to watch my kids, nephews and nieces grow. It was the best of times. I often reminisce about them.

What was the worst time of your life?

After Magaso, my first husband, died — and when Solomon died. I was devastated. Both of those deaths cut deep, in different ways. Seeing my children grow, work, marry and have their own children is what healed me. I haven’t been sad in decades really. Every single day with this life feeds my soul. I am blessed. I have nothing to be sad about now.

What were the wars like for you?

Oh wow. That was obviously an awful time. It was scary. Violent death was so common. And your grandfather was extremely political, so we were very much aware of what was going on around us. He actually got arrested a few times for his activism against Ian Smith’s regime. He was so much like your dad.

photo credit Andrew Tallon

In 2002, you flew to America. What was that experience like? Was it your first time flying?

The America trip wasn’t my first time flying, but it was the last time I did. My first flight experience was from Bulawayo to Harare in the 90s. I was TERRIFIED. The takeoff and landing affected my breathing. I refused to eat the food during that flight because I thought we had to pay for it. Even if I’d known that the meals were included with the ticket, I probably still wouldn’t have eaten. I was too anxious.

Years later, in 2002, I flew to America with my son Stephen, his wife Marjorie and their children. Those flights were better because there were so many of them in a row. I looked out the window and knew that if the plane fell, we’d surely all die. I was a little nervous at the start. But eventually, we took many flights for that trip so, I got used to it and enjoyed myself. I got used to the sensations of being up in the sky. I never would’ve imagined anything like that when I was your age. I’ve learnt so much from my children. They got me to fly.

Your children are like rockstars to a lot of us. What do you think of your children and grandchildren?

I love them to bits. They’re all fantastic and hardworking. I love you all. I just remembered that they might hear or see this conversation. I love you.

How would you like to be remembered?

I don’t know. When I’m dead, I won’t remember you *laughs* so, feel however you want to feel about me. My request would be for you to sing songs for me at my funeral and when you think of me after that day, continue to sing and hum the songs that make you feel good about being you.

Where would like to be buried, and whom would you like to attend your funeral?

Right in this village, by the rocks at the end of the road where we bury everyone else here. I’d love for you to be there. Your wife. Your children. Your parents. Everyone who is family, I would love for them to be there if they can.

Right, Mbuya, that’s about it really. Is there anything else you would like to say?

Not much. I just want to thank God for blessing me with this life, for my children, grandchildren, great-grandchildren. And for those I consider family who will come into this life after I am gone.

photo credit Andrew Tallon

[sangklp]

折り図の作図に使用されているソフト Inkscape Illustrator Oripa / Orihime Auto Cad Free Hand MX Word Affinity Designer Dynamic Draw 手書き 56票も集まったことが驚きです。 https://t.co/UJaVWAHOgU https://www.youtube.com/c/lifesang

[equipelegiaoteammatriz]

Legionário Pedro Iran com a tartaruga da Tia Oripa, mais a mamã e o tio Zé. (em Sobradinho, Distrito Federal, Brazil) https://www.instagram.com/p/B8Gk6QyFGaR/?igshid=swa5ns6etx9